#creative edition

[msbutterfly5294]

< I Don’t Think It’s Talked About Enough. . . - Creative Edition >

I don’t think it’s talked about enough when a Creative has the itch to create but cannot put anything down . For example , writing . The Creative may know the exact sequence of events to occur in a scene but once the document or paper is ready , nothing comes out .

I don’t think it’s talked about enough that a Creative listening to music is important when creating art or a story . The beat , the lyrics , the vocals , it all connects with the stories . We are most likely daydreaming which characters are doing what based on a song and it guides us to exactly where we need to go .

I don’t think it’s talked about enough that when a Creative presents you their art or story , they trust you with a piece of themself . Some Creatives ( like myself ) have been working on one or more stories for over ten years . We have continued to develop , create , and destroy our stories over and over and over and over and over and over and over again because they aren’t exactly our children. . .

But a part of us . We change thus our stories did .

I don’t think it’s talked about enough when a Creative shows you their work and once a slight uninterested appearance or words are exchanged , we either close the story(ies) , put our sketch books away , and try to conceal it . I think of it as the same feelings of being rejected or even abandoned by those you present it to . These creative endeavors are a literal part of our dedication , our spirit , and when we are told “ we’re being too much ” , “ It’s weird / We’re weird . ” , “ It’s dumb . It’s too complicated . It’s too. . . ”

I think in some cases , it’s suppose to be that way . Humans are complicated , and it’s represented in our creativity .

I don’t think it’s talked about enough that sometimes Creatives grow apathetic of their own work(s) . We stay up late nights writing , drawing , crafting . Our brains don’t stop thinking about how the characters need this or that , how they get to it , why didn’t it work , what happens next , how does this character work or fight with this character ? The plot needs this for the theme , shoot what’s the theme mean in literature , this happens in the world and how does that affect the world , creatures , and characters ? Shoot what was that word again. . . ?

Stopped .

I’m staring at the screen .

Were these stories worth it ?

Was my years of dedication all for nothing ?

Am I even worth it ?

I mean , come on , msbutterfly5294 , you have drawn some awesome pieces for the these stories ! I mean , look at these papers filled with words that blend and make sense , the stories can capture mystery and emotion , descriptions are great ! Why don’t you continue ?

Because. . . It’s a beautiful disease much like love . It infects the entirety of us . I remember the many nights my big brother ( who is my cousin ) came over to show us Legend Of Zelda games and he would tell me all about his stories , lore , world building and characters . That was years ago as a very young teenager to late teens . I don’t fully know when he started his journey , but I know he loves those characters and stories with all his heart .

And by stars , it is beautiful to know someone with that much passion . He inspired me to follow my dreams along with my big sister ( also my cousin ) . She taught me art and resilience , he taught me storytelling and dedication .

I wouldn’t be here today without them .

. . . I don’t think it’s talked about enough. . . That a Creative wouldn’t be here today without those beautiful people who do care and encourage them to keep creating . Keep being passionate . Keep writing . Keep drawing .

Keep being you .

And be proud of it .

[literaryvein-reblogs]

Writing References: Character Development

50 Questions ⚜ Backstory ⚜ Character-driven Story

Basics: How to Write a Character ⚜ A Story-Worthy Hero

Basics: Character-Building ⚜ Character Creation

Types of Characters: Key Characters ⚜ Literary Characters ⚜ Flat & Round Characters ⚜ Morally Grey ⚜ Narrators ⚜ Allegorical Characters ⚜ Archetypes ⚜ Stereotypical Characters

Worksheets: Backstory ⚜ Character ⚜ Kill your Characters ⚜ Antagonist; Villain; Fighting ⚜ Change; Adding Action; Conflict ⚜ Character Sketch & Bible ⚜ Protagonist & Antagonist ⚜ Name; Quirks; Flaws; Motivation ⚜ "Interviewing" your Characters ⚜ "Well-Rounded" Character

Personality Traits

5 Personality Traits (OCEAN) ⚜ 16 Personality Traits (16PF)

600+ Personality Traits ⚜ 170 Quirks

East vs. West Personalities ⚜ Trait Theories

Tips/Editing

Character Issues ⚜ Character Tropes for Inspiration

"Strong" Characters ⚜ Unlikable to Likable

Tips from Rick Riordan

Writing Notes

Binge ED ⚜ Hate ⚜ Love ⚜ Identifying Character Descriptions

Childhood Bilingualism ⚜ Children's Dialogue ⚜ On Children

Culture ⚜ Culture: Two Views ⚜ Culture Shock

Dangerousness ⚜ Flaws ⚜ Fantasy Creatures

Emotional Intelligence ⚜ Genius (Giftedness)

Emotions (1) (2) ⚜ Anger ⚜ Fear ⚜ Happiness ⚜ Sadness

Emotional Universals ⚜ External & Internal Journey

Goals & Motivations ⚜ Grammar Development ⚜ Habits

Facial Expressions ⚜ Jargon ⚜ Swearing & Taboo Expressions

Happy/Excited Body Language ⚜ Laughter & Humor

Health ⚜ Frameworks of Health ⚜ Memory

Mutism ⚜ Shyness ⚜ Parenting Styles ⚜ Generations

Psychological Reactions to Unfair Behavior

Rhetoric ⚜ The Rhetorical Triangle ⚜ Logical Fallacies

Thinking ⚜ Thinking Styles ⚜ Thought Distortions

Uncommon Words: Body ⚜ Emotions

Villains ⚜ Voice & Accent

More References: Plot ⚜ World-building ⚜ Writing Resources PDFs

[rheas-chaos-motivation]

Questions to ask beta readers

General:

Were you confused at any point of the story?

What genre would you say this book is?

When did you put the story down?

Is the ending satisfying?

If you had to cut 3 scenes what would they be?

When did you feel like the story really began?

What was the last book you read before this story?

Characters:

Do you get any of the characters names confused?

Which character is your favorite?

If you had to remove a character who would you and why? (you don't have to remove the character, just make sure their role is meaningful)

Which character do you relate to the most?

Which character do you relate to the least?

Do the characters feel real?

Are character relationships believable?

Are the goals clear and influence the plot?

Are the characters distinct (voice, motivations, etc)

Setting:

Which setting was clearest to you?

Which setting was the most memorable?

Am including enough/too much detail?

Plot and conflict:

Are the internal and external conflicts well defined for the main characters?

Are the internal conflicts and the external conflicts organic and believable?

Are there enough stakes?

Are the plot twists believable but still unexpected?

[ashleys-doodle-corner]

Oops, all Loops and Siffrin!Loops! Great for a balanced diet!

(these are all transparent, so feel free to use them for whatever. i'm letting them run out into the wild)

[writers-potion]

Storyediting Questions to Ask

As You Read the First Draft:

Are there place that surprised you as you read your first draft? - Why do you suppose that is? - Is there material there you'd like to expand?

What are the character really doing in this story? - Might they have issues you haven't explored fully yet?

Look to the places that drag. - These might be scenes where you have avoided dealing with something deeper. - What are the characters really thinking in these places? - What are their passions, frustrations, and desires?

Imagine alternative plotlines. - How might your plot be different if ti headed off on another tangent from various points in the story? - You don't have to follow them, but they might suggest other streams that can flow into the main plot.

Think About Structure:

Does you story play out naturally in three acts?

Is there an immediate disturbance to the Lead's world?

Does the first doorway of no return occur before the one-fifth mark?

Are the stakes being raised sufficiently?

Does the second doorway of no return put the Lead on the path to the climax?

Does the rhythm of the sotyr match your intent? If this is an action novel, does the plot move relentlessly forward? If this is a character-driven novel, do the scenes delve deeply enough?

Are there strongly motivated characters?

Have coincidence been established?

Is something happeing immediately at the beginning? Did you establish a person in a setting with a problem, onfronted with change or threat?

Is the timeline logical?

Is the story too predictable in terms of sequence? Should it be rearranged?

About Your Lead Character:

Is the character memorable? Compelling? Enough to carry a reader all the way through the plot?

A lead character has to jump off the page. Does yours?

Does this character avoid cliches? Is he capable of surprising us?

What's unique about the character?

Is the character's objective strong enough?

How does the character grow over the course of the story?

How does the character demonstrate inner strength?

About Your Opposition:

Is your oppositing character interesting?

Is he fully realized, not just a cardboard cutout?

Is he justified (at least in his own mind) in his actions?

Is he believable?

Is he strong as or stronger than the Lead?

About Your Story's Adhesive Nature:

Is the conflcit between the Lead and opposition crucial for both?

Why can't they just walk away? What holds them together?

About Your Scene:

Are the big scenes big enough? Surprising enough? Can you make them more original, unanticipated, and draw them out for all they are worth?

Is there enough conflict in the scenes?

What is the least memorable scene? Cut it!

What else can be cut in order to move the story relentlessly forward?

Does the climactic scene come too fast (through a writer fatigue)? Can you make it more, write it for all it's worth?

Does we need a new minor subplot to build up a saggin midsection?

About Your Minor Characters:

What is their purpose in the plot?

Are they unique and colorful?

Polishing Questions:

Are you hooking the reader from the beginning?

Are suspenseful scenes drawn out for the ultimate tension?

Can any information be delayed? This creates tension in the reader, always a good thing.

Are there enough surprises?

Are character-reaction scenes deep and interesting?

Read chapter ending for read-on prompts

Are there places you can replace describing how a character feels with actions?

Do I use visual, sensory-laden words?

For a Dialogue Read-Through:

Dialogue is almost always strengthened by cutting words within the lines.

In dialogue, be fair to both sides. Don't give one character all the good lines.

Greate dialogue surprises the reader and creates tension. View it like a game, where the players are trying to outfox each other.

Can you get more conflict into dialogue, even emong allies?

If you like my blog, buy me a coffee☕ and find me on instagram! 📸

[retquits]

i give him new piercings every time i draw him

[venompinks]

JENNIE ✩ MANTRA

[dramatical]

HOWL'S MOVING CASTLE (2004) dir. Hayao Miyazaki

@pscentral event 18: Adaptations adapted from Howl's Moving Castle by Diana Wynne Jones insp

[burntoutdaydreamer]

Questions I Ask My Beta Readers

"Did you like it?" just doesn't cut it when you're trying to get useful feedback, so here's some questions that get your reader really thinking about your work:

What are your general impressions after reading? How did you feel when the book ended? 

(For fantasy/sci-fi) What did you find most confusing about the world? What did you find the most interesting? What do you want to know more about? 

Were there any scenes that broke your suspension of disbelief? Which ones? Why?

Which chapters were the hardest to get through? Did you find yourself skimming the text at any point in the story? 

Which character was your favorite? Which was your least favorite? Why? (Note that this question is best when asking multiple readers. If one person really dislikes a character, it could be personal preference. If multiple people can't stand a character for the same reason.... well, that's a problem you need to fix. Unless, of course, you want your readers to hate that character. Just make sure that their hatred enhances the reading experience instead of ruining it).

Did you get any characters confused or mixed up? If so, did this make the story hard to follow?

What was the most suspenseful moment in the book? What was your favorite moment of the story? What was your least favorite moment in the story? Why?

Which setting in the book was clearest to you as you were reading it? Which setting was the most difficult to envision?

Did you feel there was a lot of info dumping at any point? If so, where?

How do you feel about the plot? Were there any parts that confused you or seemed nonsensical/ illogical?

Did you feel any part of the story was predictable? Do you have any predictions for the next book(s)? If so, what are they? (Again, another question that's best when asking multiple readers. Be aware of your audience here. Some people, especially those who read a lot, are really good at predicting where stories are going to go. If those people are able to guess what happens next, that might actually be a good thing, because it could indicate that your story is progressing logically. Too much predictability is a problem, but a little isn't bad. This question is just to make sure the plot twists/progression aren't painfully obvious to most readers).

What plot holes did you find in the story so far? 

Were you invested in the story? If so, at what point did you become invested? Did you lose this interest at any point? (The second point here is really good for determining whether you have a slow beginning. Sometimes readers might really like your story overall, but would not have gotten past the first few chapters if they were reading it for fun instead of as a favor for you. This happened to me last time I asked someone to read my work, and it made it clear how much of the beginning I needed to rewrite entirely).

Any other questions or comments? 

[tomwindeknecht]

It's been a while since I have done a creative night edit like this. These are actual light trails from passing cars going through Joshua Tree National Park in the evening. I took multiple shots with long shutter speeds to capture the movement of the taillights, blended the images, and then edited them with color.

[vane-sya]

When Creativity Ends And Obsession Begins by ishi99

[literaryvein-reblogs]

Writing Reference: Editing your Novel

Levels of Editing: Beta Reading, Developmental Editing, Line Editing, Copyediting, Proofreading

Developing your Story: Plot- and Character-Driven Stories

Novel-Editing: Developmental Editing; Line Editing; Copy Editing; Proofreading (with checklist)

Structural Issues: Plot, Character, Setting, Pacing & Others

Chapter Maps: For Plot Holes, Chronology, Lagging Sections

Style Sheet ⚜ Sentence Check ⚜ Structural Edit

Tips/Notes: Editing a Fight Scene ⚜ from Zadie Smith

Revising vs. Editing ⚜ Revision Strategies ⚜ Conscious Language

Self-Editing ⚜ Editing your Own Novel ⚜ Structural Edit

Some Editorial Vocabulary ⚜ 3-Part Book Editing Checklist

Writing Resources PDFs

[rheas-chaos-motivation]

Create your characters voice

Write one to ten pages (I usually do 5 for major character, 1 or 2 for side characters) as your character. Anything they would say, opinions, diary entries, complaining, etc.

Ooooh I have collected some helpful things to maybe include:

adopting slang from people they are close too/love interest

do they have a raspy voice? High pitched? Overly sweet? Commanding? Figure that out.

to make characters have their own voice vary rhythm, word choice, use of profanity, how much they talk about themselves or others, their politics.

Take some dialogue and ask if readers would be able to tell who is speaking with no context.

Write an AITA post from their point of view.

Identify what role your character has, a leader? a follower? a disrupter? a rebel? an antagonist? a peacemaker? How does that change the way they speak?

The character traits will tell you what your characters will say or how they will say it.

[ashleys-doodle-corner]

What if I went "fuck it, Loop joins the party during Act 5 instead of playing telephone at the Favour Tree". What if I made them all transparent too so you can use them at your whimsy. What then.

Made these sprites with a very on-the-fly headcanon that Loop does not attack unless their HP is low, since I would think that they already feel weird following Siffrin's party and they don't want to give it away that they're a Siffrin. But also, if you kept getting beat up by Sadnesses and the party you're with are just husks of the people you know and they don't even Recognise you, I think I'd start throwing (scissor) hands too.

Also, while I did the Loop defeated sprite, I also imagine that they would immediately loop back like how it goes down in Act 6. They're fine, they're fine!

[luna-loveboop]

I find it funny that Wild, who has basically a couple years ish of full life experience, comes up with the most insane theories for everything

He assumed that the only other explanation to Four being able to split in Four was. That he was quadruplets who'd been hiding this whole time???

Also apparently he believed that his wolf companion Twilight in botw was a diety (and felt very uhh shocked upon finding out that he was not)

Malon made things worse, telling him about her aliens theory

What's even FUNNIER is that every time Wild expresses any sort of confusion at magic stuff that he's never seen before, everyone else in the chain acts like it's crazy for him to be weirded out by it

Honestly maybe Wild's the only one with his head on straight, rather than everyone else who are just like 'it's magic bro' like no he's right this is weird

I appreciate this because it's very considerate of the fact that he woke up with no memories not too long ago, so he doesn't have much experience to explain the stuff that's 'normal' for the chain. Plus the explanations he comes up with are funny.

:)

.

Art and comic and adorable character by Jojo @linkeduniverse au :D

[itsawritblr]

Me deleting a finished chapter because it no longer works for the story.

Apparently I need to clarify.

To delete does not mean that there's no existing copy. I save copies of everything. It means you remove it because it doesn't fit for that story. It may, however, fit for a different story. Or it can be disassembled and used in multiple works.