#cr 2 me

[kisoir]

⠀⠀⠀ ⠀⠀ ⠀⠀⠀ ⠀⠀⠀⠀⠀(ꈍ ᵕ ꈍ)　　 ⁾⁾ 🐰 ⌣　　﹐

⠀⠀⠀ ⠀⠀ ⠀⠀⠀ ⠀⠀⠀ ⠀⠀⠀ ∬ ﹐ ◌　⅄ 🤲🏻 ˚ 　⏆

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[otterlyart]

Live from London: Mighty Nien and Mighty Fine

[itseghost]

i still won't draw him consistently but at least we've branched from the rbf i got excited about matt talking about him in regards to the m9 show and took a break 2 doodle him today :]

[khalliys]

We're not so different, you and I. Part 1, Part 2

From Critical Role C2 E92: Home Is Where the Heart Is

[sparring-spirals]

you fuckin. little tincan of metal and love and magic. you fucking robot looking at your fallen friends and finally feeling like you were made for something and its. this. the last thing you can do for the people you love. you goddamn self-martyring robot. ashton would kick your ass if they were- ah fuck. ah goddamn. fcg you little goddamn menace, how dare you.

[liltaireissocute]

[ariadne-mouse]

This feels like both a statement of potential obviousness, but also a prediction because hey, we're only 2.5 hrs into Episode 1: I don't think Downfall will reveal either the gods or the Aeorians to somehow be uniquely evil, or that the desire on either part to destroy the other is somehow uniquely more justified or deserved.

Like in Episode 1 here we're getting a very strong dose of the shitty things Aeorians are doing to other mortals in their pursuit of control and power - we already knew they were a warmongering surveillance state, and as things get worse on Exandria it's grimly unsurprising that the people on the ground are increasingly treated as disposable. But Aeor is still a city full of people seeking safety in a land torn open by the gods' battles, desperate to survive by any (increasingly ugly and sinister) means. And the gods in turn are afraid for their survival, and are acting accordingly in seeking Aeor's Downfall (immense collateral damage) - all while and the versions of them in the party here have lived mortal lives & hardships, have families, communities. They have lived in the desolation their own godly battles have created. We don't see them portrayed as lofty divine abstracts, not even necessarily in the intro, where they are confused, afraid, and seeking safety from danger.

For Ludinus to think this "footage" is in his favor against the gods, and the complexity of the lore being what it is and the cast being the storytellers that they are, I think it must be the kind of series of events you can look at and see the humanity (using that word deliberately) for good and ill in all parties involved - and leave again with your biases if they're strong enough. Very curious what we will learn. I expect to weep. I can't wait.

[wotterotter]

[threewishgoldfish]

Yasha, The Orphanmaker

[undead-knick-knack]

This is fine. Everything is fine. Is someone crying? 🥲

[luckthebard]

I should know better than to go on CR twitter but I just read someone in all seriousness complain about Orym “pulling the dead family card” without any seeming awareness of how callous of a thought that is

And I just desperately want some of these people to take a giant step back and try to exercise some curiosity about different explorations of life experiences and emotional truths instead of resorting to downplaying or dismissing ideas that are difficult or uncomfortable.

[swearwolfcola]

Redraw of this because I felt like it

[pyroguesstuff]

late night taz posting on main?? and in 2024???

[itseghost]

i have been steadily catching up with the mighty nein campaign the past few weeks after i fell off right around travelercon arc a few years ago.... i am ENTRANCED AGAIN and i have been doodling them while i put off thesis film work..

[g1ngerbeer]

is it october 3 yet

[sparring-spirals]

Occasionally I'll forget that Ashley Johnson is an immensely talented actress/voice actor who can absolutely wreck all of my emotions with just a few phenomenally acted sentences. So its always nice to be reminded that Ashley Johnson is an immensely talented actress who can wreck all of my emotions with a few phenomenally acted sentences. (said through gritted teeth)