#cover 2017

[albumarchives]

13th Moon | Mors Triumphant (2017)

[zegalba]

Björk for Dazed & Confused Magazine (2017)

[tokibuns]

💛 lemonlime shippers, this one's for you 💚

[b-blushes]

i <3 planners/journals/scrapbooks

[atomic-chronoscaph]

Forever and a Death - art by Paul Mann (2017)

[artsideblogofsorts]

"I-uh... Ben?" .... "please don't leave me here..."

[youremyonlyhope]

I love when I see posts like "Share how many crochet WIPs you currently have! I have 5, it's so many!"

Like, girl, I have unfinished projects from over a decade ago that I refuse to frog on the off chance I decide to finish them. I've found years-old projects I forgot I even started and will impulsively just finish it on the spot. I've started three different projects in the last 2 months, including one I started yesterday, that I already know I may or may not finish within the year depending on motivation.

The number of WIPs I have is infinite.

[thesleeptokenarchive]

Historical Imagery 2017

'Hey Ya' promotional photographic imagery by Scott Chalmers [FB]

[deansraspberrypie]

Jensen Ackles ❤😍🔥

EW Cover Shoot, 2017

🍰 Tag list: @undisputedchick2 @jranutter @kazsrm67 🥧

[searchsystem]

Irobe Yoshiaki / Nippon Design Center (NDC) / Ichihara Lakeside Museum / Carsten Nicolai: Parallax Exhibition / Catalogue / 2017

[2001hz]

Alternative Cover for Björk's 'Utopia' Album Photography By: Tim Walker (2017)

[justaboot]

sorry took a nap

OKAY I've always lost my mind a bit at New Gods on the Block, but I could never put my finger exactly on what it was. Specifically this scene.

First off, visually it's BRILLIANTLY laid out and dynamic, and I think that's a huge part of it, because it physicalizes the entire episode thesis.

It's about power dynamics.

We've talked about this before, but the kids have put Scrooge up on this towering pedestal. Della, who's been in their shoes before, spends the whole episode trying to get them to kick that image, because it's stupid, not healthy, whatever. But the point is, I think what's so intriguing about the adults in this episode is that they're ADULTS. Scrooge and Della have kicked the parent-kid dynamic for this one, the dust has settled, and they're on equal footing.

The episode lays that out as soon as they get home from their failed adventure. The kids are having their life crisis, we're worms, etc, and they have Della come in and de-mystify the scenario immediately. It's low stakes. Don't worry about it, look, here's the formula, it's happened before, it'll happen again.

So suddenly, she's coming in confidently and easily on the same plane as Scrooge. This is what happens, whatever. They're partners, she's not subservient or looking up to him. She spends the whole episode treating him like a peer, the adults and the kids, and she's pissed at him like a peer, so that when THIS scene comes around, you've got a great setup for a visual struggle, too.

There's all this discussion about an effective team, who's worthy, whatever, and the kids fall behind, and Della and Scrooge jump in. After all this talk about teamwork, a huge visual point is made about Scrooge and Della having silent, effective communication and team work, and I think the most important part is that Della goes first.

This whole episode is a conversation about power dynamics, and Scrooge being this god-king, and Della pulls him up.

Now, you've got a fight scene happening in a fight scene, while their primary activity is climbing. Again, everything in this episode has been about team work, and this climb is old-hat enough for them together to weave in and out and still have it out, and the timing is EVERYTHING.

Scrooge is critical of what they're doing, where are those kids, why aren't they helping, etc, and he's been placed higher than Della. Suddenly, though, when she turns it around on him:

She climbs above him. They talked in the artbook about how she used to be in the kids' shoes and knows what it's like to hinge her worth on his opinion, and now, she's knocking HIM down a peg.

Suddenly SHE'S in the position of power, where she's put herself, (and he's let her, long way from don't raise your voice at me) because pre-series, they (and Donald) were a team. That's the point that he has to take a look outside of himself and see that the kids aren't on the same page. He's thought of them as a team, but didn't vocalize it, didn't treat them fairly, etc, and the kids heard and that had consequences. He literally doesn't hear them, he's not listening, and it takes a smackdown from someone who's decided she's on the same plane to get through to him.

It's one of the few times Della's one of the adults and not one of the kids, and it's really brilliantly executed. It adds a lot of dynamic, and the implied history and experience together adds a really dynamic layer. She used to be Thee adventure team, and that's still true. Idk the silent teamwork got me.

Anyway, this episode is my fav and a lot more thought was put into this than it looks, thanks for coming to my ted talk.

[crambly]

Uhhh some stuff i did for pasta castle, an upcoming fangame.

Also, i made an alternative Subterfuge edit for halloween lol

[atomic-chronoscaph]

Batman '66 Meets Wonder Woman '77 - art by Alex Ross (2017)

[zegalba]

i-D Magazine Japan October 2017 Photography: Amy Troost

[shadowed-dancer]

Thinking about how the anime gave Dabi the exact same Todoroki blue all the way back in season 2 before any official coloured Dabi art (showing his eyes) was released with the manga. You’re telling me that the anime got the wrong colour for Fuyumi’s eyes, Touya’s flashback hair, and Mina’s acid, but they somehow magically got Dabi’s eyes the right shade of blue? That had to be intentionally specified, right?

What in the world was that conversation like in the animator’s room?

“Horikoshi, we’re about to adapt the Stain epilogue. What colour eyes is the patchwork guy supposed to have?”

“Blue”

“Oh like a baby blue? Dark blue? Greyish blue?”

“The exact same colour as Endeavor and Shoto’s left eye”

Like oh ok yeah that’s no suspicious at all.