#corporate salary accounts

[townpostin]

Bank of Baroda Hosts Customer Outreach Event in Jamshedpur

Regional office showcases corporate salary accounts and cash management services Interactive session aims to enhance customer understanding and gather valuable feedback for service improvement. JAMSHEDPUR – A customer-focused event was recently organized by the regional office of Bank of Baroda to emphasize its corporate banking services. The Bank of Baroda Jamshedpur branch conducted a Customer…

[bluecollarmcandtf]

Cash Slave, reporting in...

Good morning, master. State Trooper Hernandez reporting!

I hope you're doing well since the last time we saw each other. Again, I can't apologize enough for pulling you over on the highway. I had no idea you were such an amazing hypnotist. Thank you again for letting me get off easy and only making me taze myself twice! I was paralyzed in that muddy ditch for awhile, but you could've given me a helluva worse punishment!

Your instructions aren't negotiable, so I made sure to snap a photo before I started my shift today. As you suggested, I've been eating a box of donuts every morning, and I've packed on a hefty 30 lbs since I've started. My wife has complained, but I know you want me to look more like a cliche of law enforcement!

I'll stop by your house to drop off my paycheck tonight after work. I won't forget to pick up some pizza for you and your friends on the way: extra sausage, just like you said!

See you tonight, master!

Hello sir.

It's been a week since you came into my shop, and I've followed everything you said. I didn't agree with it at first, but you convinced me with that little pendant.

You were right! I really am beneath powerful men like you. Filthy blue-collar workers aren't worthy to lick the dirt off your shoes. You were right to point that out, and you were right to tell me to embrace it. When the world looks at me, they shouldn't see a man. They should see a grease monkey at the bottom of society.

That's why I haven't showered or changed in seven days. My BO is uncomfortable to work in, but I know it's just a reminder of what I am. I used to be proud of my job. Ha! I used to look down on suits like you, but I'm nothing in comparison; just a tool at your disposal.

Anyways, I cleaned and waxed your old car as fast as I could. I know I lent you my convertible, but you're welcome to keep it. I put a lot of sweat and blood in fixing her up, but like you said, fancy cars are meant for you to drive and me to maintain.

Stop back in my garage anytime. White-collar men like you get free service here! It's not the place of any lowly laborer to get in the way of what you want.

Thank you again, sir.

Hello boss.

Just started another long day of window washing! It's another hot one, but I'll keep my head down and sweat through it like usual.

I've gotta say, it's days like this that make me miss the comforts of my old corporate desk job. I'd kill for some AC right now, but I remember how much you made me realize I hated that career. Like you said, I'm much better suited to a life of mindless cleaning.

It turns out you're the real one with a knack for business strategy because all of your advice has been genius! The income is dependent on the hours I put in, and since I'm working for half the price of all competitors, I've gotten a monopoly on the market! I've fully booked all seven days for the next five or so weeks, so I'll be washing windows non-stop!

The business is already booming! I've been billing customers to your bank account, so you should already see all the profit in there!

Later today, I'll make a note of the minimum I need to replenish the cleaning supplies I'm running through. I'd also be grateful if you loaned me a bit for personal use, but it's understandable if you can't spare any! We agreed that I wasn't working for a salary, and I'm fine with that! I've been sleeping in the company van the last few weeks and it's more than good enough for me!

Don't worry, boss. I'll get back to work!

Tell my wife hello for me, master!

Working on a rig has been isolating. The job is brutal, the days are long, and every night I head back to our bunks covered in oil. I thought I'd at least get to bond with the other guys, but most of us are too tired to do anything but eat and sleep after our shift.

The only thing that's getting me through it is thinking about you. I know I also have a girl at home, but you were the one that gave my life purpose. I was never going to make money as an actor, and you helped me see that! You were the one that convinced me to go for this ridiculous job in the middle of the ocean, and now I'm making a ton of money!

You deserve it all.

I wouldn't have seen any of this cash if I hadn't stuck around after your stage hypnosis show. I still remember the wild look in your eyes when you came up with this idea for me. I also remember that hungry look you had when you saw my wife. It was impossible to say no.

Oh, and thanks for keeping my wife company while I'm gone. A man like you deserves her attention more than I do. Like you said, I doubt I was pleasing her to begin with. The only thing I'm good for is earning money, and I hope you're enjoying it because it sure isn't easy to earn!

I gotta get back, but I wanted to let you know that I signed up for another six months like you suggested. It's lonely, but I'm happy to do it, master!

Son, or should I still call you 'sir'?

I'm not sure if I your new title applies through text as well? Being your dad and your servant can be a bit confusing, but I don't mean disrespect you! Just let me know.

My workout is done and I'm headed back to your house. I signed the deed over to you this morning, so you officially own it now! Like usual, I'll clean the place from top to bottom. I've got all the mops and cleaning supplies in my van and ready to go. Since it's Friday, I'll start on the weekly yard work; mowing, weeding, etc... I don't want to bore you with the details, but it'll take the majority of the day to keep your place in tip top shape!

As I understand it, you are having friends over tonight, so I'll prepare a three course meal for eight. I ironed my apron this morning so I should look like a more presentable waiter than last night when I served your food!

As always, please let me know if there's any other way I can be of service today or tonight.

I'll be awaiting your return, sir.

Hey little bro,

I just finished my workout at the gym with dad. We're both hitting PRs and we're really starting to see some results! Still can't believe you hypnotized his dumb ass to think he's your butler! That man looks so stupid changing from gym clothes into a bowtie and gloves. He's constantly calling you 'sir' too, even when you're not around.

He's such an idiot.

Anyways, I'm all dressed and ready for my new job. You were totally right. I'm going to be so much happier as a clown instead of a wrestler. I'm about to head out to my first gig; a ten year old's birthday party. I think he's the kid of someone I used to compete with. It might be a little awkward, but it won't affect my routine. I've got an afternoon of pies in the face and self-deprecating humor ahead of me.

I made sure to tell the guy who hired me that I'm willing to stay after and clean up. Kids make a huge mess after all. I just hope he won't be too weird about me being a clown at his son's party. We may have been rivals in the past, but that was back when I wrestled. Now I'm just a joke for hire. He's technically my boss for the day, so I'll have to get used to taking orders from him.

Wish me luck, bro. I'll give you the money after the dad dismisses me. Let's hope I make a good clown!

[max1461]

Economics... @deaths-accountant, tell me about the relationship between exchange rates and cost of living. And productivity, I suppose. I was listening to interviews with people from Tokyo about their work, most of them were working white-collar corporate jobs, you know, and seemed like what an American would identify as "middle class". But their salaries were all in the 3-5 million yen/year range, which is like 20,000-30,000 dollars. And the guy making 20,000 was saying "the cost of living in Tokyo is high, so 20,000 isn't really enough", but for a place like LA, I would not think of 20,000 or 30,000 as enough to live a middle-class-ish life. But some places in the US it is. I don't know because I've never lived there; in the Midwest maybe?

So I don't really know how all this works or why any of this is true, or even what level of material wealth any of these numbers correspond to in Japan or the Midwest or any such place. So, what's going on, what's the deal with all this shit?

[sgiandubh]

Although MPCs website clear about bring a business which contributes a portion of profits post admin costs, Sam regularly in videos and in print interviews misrepresents. He's says my charity abd he says 59% of signup fee goes to charity. If there is a problem l, it's on Sam, who according to original members, basically sold MPC control, in 2017. Your statement of knowing what he's doing with his MPC, is questionable, post corporate change of MPC. It's not just his alone. MPC has sketchy history, since Alex's involvement, and the rumors, look more as truths that a good portion of the administrative costs go to Alex pre-whisky, for a working, guaranteed salary before sales came in. It also begs the question, if Sam is interested in supporting charity with a portion of income sales, why hasn't 10% of whisky sales went to charity partners? The whisky is part of the GGC, Sam and Alex's business. Why wouldn't he plug a Newman Products design? Maybe he's not as interested in charity?

Dear MPC Anon,

It has always been 50%, which is logical. 59% sounds like a demented Asian astrologist suggestion - but you might be unfamiliar with Burmese recent history, so I shall give you a pass, on that one.

Who are the 'original members' who told you MPC was sold? To whom was it sold? When did that happen? I need paperwork to support this statement: the current corporate documents still list ONE officer - pay away from your wallet to find out it's very probably SRH: I am not doing it for you.

Like it or not, Norouzi's involvement in MPC is a reality since at least its creation. You will have to prove me the 'sketchy' part with much more than a stinking grenade thrown by Anon or fandom illiterate gossip.

I will have to see contracts between MPC, AN, SH proving that pre-whisky launching costs of The Sassenach were drawn from the MPC accounts. I will also have to see bank and accounting documents proving so. According to US law, I would also have to be a Court and have enough reasons to subpoena these people and entities to show me those. Stop spreading the shite written by Pufflander once upon a time and ask Puffy, in her retreat, what the fuck did she do with the crowdfunded money for the Harassment PI Report (you know, *urv and co). Now that would be a really interesting question, right? No answer? Bad day, baby. Bad day.

Whisky sales under the umbrella of Great Glen Company LLC, a different legal entity with no charitable mission, were never designed to represent a charitable endeavor. I think you know the difference between a charity and a company, right? Suggesting he should give 10% of all his earnings to charity is akin to a church tithe. This argument is, of course, ridiculous, in the business world, unless there is an explicit and public vow to do so, with a particular company's benefits.

Newman's Own and the Newman's Own Foundation represent Paul Newman's personal commitment to give away 100% of Newman's Own LLC profits to charity: the Foundation serves to direct the funds to the projects its trustees deem the most appropriate, according to the Foundation's values.

This is a different story and I also hope you know the difference between Great Glen Company, a business who wants to remain a business and a ground-breaking CSR commitment like Paul Newman's. Great Glen Company and MPC are separate projects - AN's loud involvement in both does not help, though, especially with an uneducated bigot, such as yourself, Anon.

Assuming he must give 100% of all his profits to charity is absolutely ridiculous, Anon. Why don't you give away all the profits of your lemonade stand to charity and set a blazing, luminous example in this fandom?

Unless you quickly substantiate what you wrote in anger on your phone, with links, facts and names, I am forced to tell you to kindly, slowly, but surely...

FUCK OFF MY PAGE!

[Later edit:] Should I start a US Tax Law 101 course for you, Anon? To me, this rather crude company/charity montage sounds legit. Also, MPC is not a charity, as shown in my previous post.

[vavuska]

Elon Musk is threatening a Brazilian Supreme Court justice after the court issued a summons to him which threatens the suspension of Twitter if he does not comply within 24 hours.

To combat disinformation, Brazil gave a Supreme Court justice sweeping powers to order social networks to take down content he believed threatened democracy. Here's how the experiment led to a ban on X, the social network owned by Elon Musk.

https://www.nytimes.com/2024/08/31/world/americas/brazil-x-ban-free-speech.html?smid=threads-nytimes

Elon Musk claims this is a censorship, because previously he was ordered to ban and close a lot of far-rights account that spread fake news and hate online by that same judge. As protest, Musk closed X offices in Brazil - which means people losing their job or their income.

When free speech is interpreted as anything which matches the law (and viceversa). Under Elon Musk's Leadership, Twitter has approved 83% of censorship requests by authoritarian governments globally. The social network has restricted and withdrawn content critical of the ruling parties in Turkey and India, among other countries, including during electoral campaigns.

Since Musk assumed control in October 2022, the platform has received a total of 971 government requests, a significant increase compared to the 338 received between October 2021 and April 2022.

Prior to Musk's takeover, Twitter had agreed to 50 per cent of such requests, as indicated in their last transparency report. However, no transparency reports have been published since October 2022, making it challenging to assess the current situation. Nevertheless, data from the technology information portal Rest of World suggests that the compliance rate has risen to 83 per cent following Musk's leadership, which again contribute to detect what Elon Musk REALLY think about free-speech: this right is granted only if comply to what oppressive governments and far-right politician approves. Discrimination and criminal behavior are allowed and protected under Musk's Leadership, because targets minorities, immigrants and political oppositors. Musk is a conservative and apply censorship, he isn't the victim of a 'woke' complot lead against him. Musk is receiving the payment for his unlawful action.

Source: El Pais English

As far I can understand, without having many clues here, this order of summon says that Elon Musk refused to appoint a legal rapresentative for X Brasil. For some typology of corporates Brazil require a % of residents in management or a legal rapresentative, with power to vote and deliberate in meetings, to operate online in the country. Yeah. Law apparently seems to be applied to everyone except him.

Summons with translation.

https://www.nytimes.com/2024/08/28/technology/brazil-x-ban-elon-musk.html

Edit: A legal rapresentative is more a managerial position than what do you think of. Yes, it could be an attorney or a lawyer too, but still isn't simply the guy who defend the corporate's interests in court. In Brazil you need a % of residents in management position to operate. This was a problem issued also with WhatsApp and Telegram.

Edit 2 - 31th August 2024: I was curious about the consequences of Musk's decision to close X's offices in Brazil for his employees. Have they been fired? Suspended with or without salary? I didn't find anything. However, I found this article that adds some informations, like Musk declaring he did this to "protect his staff". However, his legal rapresentative is impossible to be found.

Edit 3 - 31th August 2024: Another article of NY Times that analyzes the matter.

https://www.nytimes.com/2024/08/18/world/americas/elon-musk-x-brazil.html

Update - 31th August 2024: Brazil has turned off Twitter. Musk’s genius is again on glorious display in losing the 7th most populous country in the world. Oh well. At least the Cybertruck is doing awesome.

Another Update - 31th August 2024: Musk is freaking out right now. He knows if he gets blocked in Brazil it is just a matter of time before other countries follow suit.

However, someone forgot to tell Musk that you get fined for using VPNs to access Twitter in Brazil before he posted this.

Also seems that for a tech genius Musk isn't very smart though, doesn't he know using a VPN will worth the same with apps as it does with a browser?

However, The Brazilian Supreme Court has moderated its first rule. First, even the VPN apps were targeted and should be banned from App store and Google Store to prevent people getting access to Twitter exclusively. Now, the Court realized that banning VPNs is too extreme, so they will only apply a 50k (about $8,900) fine for those caught accessing the platform.

Basically, you don't get fined for using VPNs, that would be too 1984. You might get fined if they FIND OUT that you're accessing X via VPNs, and this is exactly the kind of thing VPNs are designed to prevent.

Just a reminder, you can always access better platform than X, even on your phone. No app is needed.

VPNs are great tools to use worldwide to get around authoritarian and abusive government surveillance and blocking. Zero to do with Musk. And they can only catch you if you aren't savvy.

In a perfect world you shouldn't need to download any VPNs to access innocent contents, because democratic countries will never block a platform that gives informations and entertainment to people. In a perfect world you won't be stuck with platforms that are not free from disinformation and neo-nazi posts.

3rd Update - 31th August 2024:

Musk owns more of SpaceX than Zuck owns of Meta or Bezos owns of Amazon, fwiw. For all intents and purposes, Musk is Twitter, SpaceX, Neuralink and X.

I'm gonna add some technicalities here:

In Brazil there is something called "Corporate Personality" that protects the shareholders patrimony from the company's debts.

But... If you hide behind legal shenanigans in a fraudulent manner, "corporate personality" is bypassed and thus the court moves into your personal patrimony.

Elon is, personally and fraudulently, removing X office from Brazil so they don't obey Brazilian laws.

So the judges target him on his other shares: SpaceX and Starlink.

[theabstruseone]

'TIL a papyrus scroll indicates that, during the building of the tomb of Pharaoh Ramses III, the workers were upset about their treatment and, rather than discussing it with them, management served them a large meal.

'The workers didn't think that was enough so occupied the Valley of the Kings refusing entry to anyone until they were given a raise and "cosmetics" (research shows it was a form of sunscreen).

'So not only does workers organizing a strike and forming a picket line for better wages and workplace safety conditions date back TO THE FRIGGIN' BRONZE AGE, but also management has been trying to placate discontented workers with a pizza party.'

And then that went viral on Twitter and I got hammered with people trying to "Well ackshually" about my three-tweet-long thread on a thing I'd learned just that morning I turned into a joke about corporate pizza parties. So I decided to research and here's the entire story.

TL;DR: I was pretty much right except it'd be closer to say "donuts/cupcakes in the breakroom" rather than "pizza party".

The events took place sometime around 1157 BCE (specifically the 29th year of Ramses III’s reign) in the village of Deir el-Medina, a worker village for the people who worked on the built the tombs in the Valley of the Kings.

BTW, the site itself is fascinating as it was first excavated in 1922 and ended up being one of the most thoroughly documented accounts of community life in the ancient world and proved the builders of the Pyramids were middle-class skilled artisans and craftspeople, not slaves.

You also have to know that this era of history is around the start of what’s known as the Bronze Age Collapse. Some sort of environmental catastrophe happened that caused widespread crop failures across the ancient world.

Now what precisely happened is strongly debated, but generally several groups from elsewhere in Europe and Africa known as the “Sea People” attacked the ancient civilizations of the Mediterranean, which caused most of those cultures to collapse.

Also, commerce was a bit different as they were (oversimplified explanation) on the bread standard. Salaries were measured in values of beer and bread as the recipes for those were standardized and made up the basics of the diet.

So while common laborers would be paid in literal beer and bread, more highly-valued workers would be paid in an equivalent of a larger allotment of beer and bread. So they’d get paid “100 loaves a day” worth of oil or metal or coin representing the value.

Now, for our tale. This comes from the contemporary account of the scribe Amennakhte. If anyone wants to read along, a photo of the scroll along with a translation is available to read for free at https://libcom.org/article/records-strike-egypt-under-ramses-iii-c1157bce

On Year 29, Second Month of Winter, Day 10, a group of workers walked past the guards and sat at the Temple of Menkheperre stating it had been 18 days since they’d last been paid, staying the night in the tomb saying “We have matters of Pharaoh”.

The following day, a scribe brought the workers 55 “s'b-cakes”. So yes, a “pizza party”. I can’t find any reference to what this is precisely other than “fine bread” that was worth more than a large loaf of standard bread.

Seriously, I wasted an hour of my life trying to figure out what “s'b-cakes” are exactly so if anyone knows please tell me.

Anyway, it didn’t work and there was “quarrelling” at the temple of Ramses II. The translations says “chief of police” which doesn’t seem quite right but I’ll go with it, but anyway he said he’d fetch the mayor of Thebes.

The mayor claimed they didn’t have enough to pay. The workers responded by saying “The prospect of hunger and thirst has driven us to this. There is no clothing, there is no ointment*, there is no fish, there are no vegetables.”

They then said to go tell it to the Pharoah directly. On Day 12 (the day following the “quarrelling”), they were given their ration they were due during the previous month (basically, they got their back pay). It was 21 days late.

Side note: I got some pushback by an “Egyptologist” for calling the “ointment” a type of sunscreen and…yes, it was. Some translations mark this as “cosmetics” but it was a medicinal balm used to prevent and treat sunburn. What the hell else would you call it?

So Day 13 (the fourth day of the strikes) and Mentmose, the “chief of police”, apparently took a side. He told the workers to lock down the work site and continue their protests, and that he’d lead them to the temple to continue the sit in.

His words (recorded by Amennakhte): “I’ll tell you my opinion. Go up, gather your tools, close your doors, fetch your families, and I’ll lead you to the temple of Seti I and let you settle down there.”

At this point, the tax master Ptahemheb came out to talk to them making a list of all the things they demanded. On Day 15 (sixth day of the strike), they tried another “pizza party” with half a sack of barley and a jar of beer for each worker.

Amennakhte doesn’t say what their response was exactly, but does say that the workers brought torches so they could continue the protest in the dark. So I take it the response wasn’t good.

Day 17 (eighth day of the strike), the head of the temple came out and asked what demands to bring to the Pharoah for them. And they gave a detailed list of what precise wages they wanted for each of the workers.

On that day, they were given what they asked for in rations for the second month of winter. They may have also been paid early as they should have been paid on the 21st or 28th day depending on the source.

So we’re now in the third month of winter (no exact date written) and they’re still striking. Worker Mose said basically “As Amun as my witness if you drag me away I will come back and start robbing the tombs.” I couldn’t fit the whole thing in one tweet.

Reshpetref, the proctor, said “We will not come back, you can tell your superiors that. For sure, it is not because of hunger that we strike, but we have a serious charge to make. Something bad has been done in this place of the Pharoah”.

We’re on the fourth month of winter now, Day 28 (so over three months of striking now) before the Vizier shows up. This is the government official that handles day-to-day business and is second only to the Pharoah.

He says he just got promoted so isn’t authorized to give them their wages (at least partially true, he’d just been promoted five days prior) and even if he could, there was nothing in the granaries to pay them with.

The granaries may have been empty because of the other issues going on with the Bronze Age Collapse or it may have just been the rampant corruption speculated of the government of the era, or he may have been lying.

On the first month of summer Day 2, the crew got two sacks of grain as their ration (they’d demanded 5 ½ sacks each). The foreman Khonsu told them accept it, then go down to the market and tell the Vizier’s children about it.

Amennakhte (who again, is writing this scroll) stopped them and said NOT to go to the market since they’d been paid and if they did, he’d have to have them arrested. He doesn’t mention they were only paid a third of what they were owed.

First month of summer, Day 13, passes the guard post saying “We are hungry” and continued their sit in. They shouted at the mayor of Thebes as he passed, who then got them 50 sacks of grain to tide them over until Pharoah paid them.

That’s the end of this particular scroll, but there’s evidence that strikes continued throughout the reign of Ramses III as there are records of more workers being hired to transport food and supplies to the workers.

The scroll also leaves out some of what happened in between dates. For example, it wasn’t one single long strike, but a series of them. After they were paid their wages the first time, the workers went back to work.

However, they were told that was their pay for the third month of winter and not the second so they wouldn’t be getting paid again, sparking the second strike that lasted into summer.

There’s also a big deal in Egyptian culture at the time called “Ma’at” or basically “The Order of Things”. Nobody had any idea what to do with the striking workers because workers weren’t supposed to strike. They were supposed to work.

Sure, they were treated well and the village of Deir el-Medina lived at what could be called middle-class standards for the time period, but they weren’t supposed to rebel against their betters in this way. It was unthinkable.

There was also a big festival coming up to celebrate the 30th year of the reign of Ramses III and a lot of the government officials were focused on that, more concerned with maintaining order than actually managing the country.

I should also note I paint Amennakhte as on the side of the government rather than the workers when the opposite was likely the case. The strike wasn’t recorded in the official government records as Egypt tended to cover up their losses.

That said, we do have some records like those of Amennakhte showing that, once the workers realized they had the power to organize, they used it all the way through the New Kingdom.

The last entry on the scroll doesn’t directly involve the strike, but is related. On the first month of summer, Day 16, one of the workmen provided evidence that government officials were stealing from the tombs.

One of them, Weserhat, was one of the ministers who shorted the workers payment previously. The other, Pentaweret, may be the son of Ramses III at the center of the “Harem Conspiracy”, an assassination plot that took place between 1 to 3 years later.

In summary, the workers were unpaid due to corruption and management enriching themselves, they went on strike, management threw them a pizza party, that didn’t work, and they eventually got their demands.

Though I guess if you want to be completely accurate, it was more “donuts/cupcakes in the breakroom”…

[smokesandsonatas]

can i have some headcanons of what our twisted wonderland boys will do after they graduate? you can choose only 4 if there is a limit, thank you so much

Twisted Wonderland characters after their graduation at NRC

- This really tickled my brain so I'm going to write assumptions for everyone. I drafted this around last year then only got to post this right now, haha. -

Heartslabyul

Riddle Rosehearts

After his graduation from NRC, and bagging home the highest honor for an exceptional mage, I can see Riddle furthering his education. If there's such a thing as Ph.D. in Twisted Wonderland, Riddle will pursue that. I can also see him becoming a "Double Doctor," a medical doctor, and a doctor of Philosophy. Not only that but Riddle will also pursue law, along with magical medicine. A doctor and a lawyer, all in one. Riddle would go on to be an internationally recognized mage. He will also be an advocate of Mental Health education, fueled by his past and his mission to never let anyone experience what he went through.

Ace Trappola

I can honestly say I see him being recognized as a famous basketball player or entering the military enforcement of Queendom of Roses along with Deuce. Occasionally, Ace will perform magic tricks along with his brother, which is always a hit of course, someone even offered the Trappola brothers to appear in a reality show but Ace had other plans. In his 3rd year, he will become the Dorm leader of Heartslabyul, while Deuce will be his vice.

Deuce Spade

Will become a high-ranking magical enforcer, his salary will allow him and his family to live comfortably, especially his mom. Once the Queendom of Roses gave Deuce an award as the 'Hero of the Year,' he broke down into tears as he hugged his mom. Will be buddies forever with Ace.

Cater Diamond

Will be a famous vlogger. Be it traveling or fashion, Cater will be a famous influencer. He will also have a successful studio with workshops on how to run a magicam account successfully. If there's a fashion show, he would always be on the VIP list, as he is acquainted with Vil. If he feels burned out, he'll try to stay away from social media. If Cater can't form long relationships, he'll just leave his mark in the world with his vlogs. #LonelyButNotReally

Trey Clover

Owner of a famous bakeshop. His family's shop will prosper under his guidance. On every occasion, their sweets will sold out. One time a magazine listed Trey as the "sexiest pastry chef," and Cater and his other friends will never let him live with it. The Clover's Bakeshop occasionally partners with Mostro Lounge, and when they do, everything sells out within seconds.

Savanaclaw

Leona Kingscholar

He does not need to work, but he is a genius as Leona is still a prince of a noble family. Have you seen those alpha males ads? Leona will be all of that. A CEO of his own company and at the same time a diplomat of Sunset Savannah to other nations. His business started out as a mining corporation, gradually expanding into construction. A noble man who many people - beastmen and beastwomen - fawn over with. A millionaire. A bachelor. Once, Farena, the current king and his older brother, called to meet with him and Leona put harshly down the phone. Leona's reason for doing this? When he realized that Farena tried to marry him off to a noble from some rich kingdom 'for his future'. Leona's reply? Is a simple scoff and a very deep, "Fuck off."

Ruggie Bucchi

Will be an assistant to Leona. The next generation of Hyenas will not experience poverty as Ruggie did. His all-around skills will come in handy as a secretary. Ruggie will be a finance speaker. He will sometimes get his hands dirty. What? Hyenas are used to it. Fear not, he's still the same old Ruggie, just a little more rich.

Jack Howl

After graduation, Jack will get a lot of offers to be a professional magift player. Leona will offer to sponsor him tho, so he doesn't need to worry about financial things. Will be an advocate of physical health, his muscular physique is no joke. I can see Jack being a well-known magift player and a track and field competitor, with the help of Prof. Vargas as a head coach.

Octavinelle

Azul Ashengrotto

In every nation, there's a branch of Mostro Lounge. Azul will be listed as the "Top 100 most successful bachelors," along with Jade, possibly Floyd, Vil, and Leona. Azul would go on to accumulate a lot of awards for his splendid business skills. Will own a share in almost all known companies. He'll have to pull strings from Idia to let him invest or buy shares from Jupiter Enterprises. Azul will be compared to the Sea Witch due to how influential he is. Once his mother passed him their restaurant in the Coral Sea, Azul's work will quadruple, and so is his income. Because of him, the mermen's view of octomerpeople will change. But for a darker secret, Azul will be known as the Mediator, and every Mostro Lounge place will be known as a neutral territory for members of the 'other' world. Of course, the Leech twins will still stick with him.

Jade Leech

Jade will inherit their Father's mafia legacy, along with Floyd. The Leech family will prosper under the twins' rule. Jade will open a mushroom business, as to what kind of mushrooms he's selling Jade will smile in response and say it's a fresh mushroom from the mountain. Jade's favorite base of operation would be on land, it's just more fun and chaotic when he watches humans stutter and pass out once he interrogates them. Jade will work as Azul's concierge, working for both him and the Leech family. And in the morning, he'll be the vice manager of Mostro Lounge. But sometimes it does get a little boring. Once a company famous for being greedy with their demands easily relents when they realize it is The Jade Leech that will conduct business with them. Such a shame, Jade would've loved to see the look on their faces.

Floyd Leech

Floyd would be proud of his shoe collection! By now he would have a hundred pair of shoes. Of course, he's still with Jade and Azul, acting as the brawns of the trio. He will make it a point with them to only give him interesting jobs, if it's boring? Floyd would abandon that. One time he learned to drive, he brought his sports car to another country and accidentally got pulled over in the Queendom of Roses, to his surprise it is Mackerel (Deuce) who pulled him over! Floyd paid for the ticket and then went on to hang out with him. Floyd's favorite part of his job is squeezing everyone that owes them unpaid debts!

Though Floyd just doesn't understand why Momma Leech wants to introduce him to a mermaid. Jade is laughing at first, but not anymore once his twin realized that their Momma intends to introduce him to a mermaid too! Floyd will never forget the look on Jade's face - that's probably reflected on him - once their Momma gushes over about 'baby eels'. What? Mermaid eels have little populations. They have to do their part, don't they?

Scarabia

Kalim Al-Asim

Kalim inherited his father's multi-million business. Through his easygoing personality, Kalim is well-loved by everyone. He established business trade routes with almost every nation, while still honoring his personal ones. An example is with the Felmier's, so that their apples will be enjoyed by everyone in Scarabia. The threats grew along with the Asim's already immense wealth. Don't worry, Kalim by now, will know how to defend himself using his unique magic. He just had to know how to reply with the various marriage proposals going his way, it pains Kalim to reject every single one, you know.

Jamil Viper

After his graduation at NRC, Jamil would take a year or two for himself. He will travel across Twisted Wonderland, and by this time Jamil's perception of the world would change. Finally prioritizing himself and is selfish for once. When he will come back, however, he will be met with a warm welcome from the citizens of Scalding Sands and the Asim and Viper family. Jamil would go on to become a successful businessman and bodyguard best friend of Kalim. But this time, they're on equal footing.

Pomefiore

Vil Schoenheit

There's no spotlight if there's no Vil Schoenheit. He will become the highest-paid actor for straight 5 years, until Neige just slightly beats him, running off a few hundred thousand madol. But in the same year, Neige surpassed him in pay, Vil went on to win the Best Actor award for his work in a movie as a misunderstood villain protagonist. His movie even screened in the coral sea! As if there's no stopping him, his successful cosmetics company took off Twisted Wonderland by storm, his eye palette alone is sold out within seconds.

Rook Hunt

Oh dear, Rook will also inherit the Hunt's family business. One moment someone can see Rook in Quendom of Roses then the next he would be spotted on Sage Island. Of course, Rook will not stop admiring beauty and arts! He will fund archaeological studies, theater, art museums, galleries, and even beauty pageants. Rook will be one of the art and beauty industry's most important benefactors.

Epel Felmier

Will be known as the "pretty boy of magift." Not in a bad way, but more like a compliment. His talent is honed thanks to his NRC club. Sometimes Epel would attend fashion shows that present him as a "manly man", you know wearing suits and all of that. Because of his new-found fame, the Felmier's apple business will bloom, in part thanks to Kalim.

Ignihyde

Idia Shroud

Will become the head of S.T.Y.X, but will also manage the Shroud's position in Jupiter Enterprises. On top of that, Idia will develop one of the best MMORPG and FPS games Twisted Wonderland had ever seen. Additionally, Idia won't just stop in developing games, he will also develop magic-infused medical devices that will drastically change the healthcare industry, crediting the Idia Shroud for its invention.

Once a magazine included Idia in their "Top 100 most successful bachelors," he almost sued them if not for Azul, Ortho and his parents convincing him it's a good thing. But Momma and Papa Shroud can't help but wonder when will they have grandkids, the Shroud's need an heir to continue their duties, you know.

Ortho Shroud

Ortho will stay at his brother's side! But his looks will drastically change, if the Ortho from before looks young, the Ortho from the future will have a much taller body, but he will still regain his childlike curiosity. Only the future Ortho is more mature and more open to take time for himself. He will ask Idia to send him off to faraway lands to gather information and to also satiate his curiosity about the real world. Ortho will become independent yet still close to his brother.

Diasomnia

Malleus Draconia

Malleus' coronation is one of the most liveliest and solemn celebrations Briar Valley had seen for the last 5 centuries. Under King Malleus' rule, his kingdom will prosper. Faes and humans alike will come to a much more common understanding. Although the valley still heavily relies on magic, technology will become available, as a courtesy of the friendship acquaintanceship of Idia.

On some days, Malleus will truly get busy. Managing a country and it's affairs is no small feat. Through trades and partnership with every Kingdom, from Savanaclaw to the Coral Sea courtesy of his two alumni schoolmates from NRC, Briar Valley will prosper. It just gets annoying sometimes when the news reporters, the common folk, the fae senators, and even his own grandmother will ask him about an heir. Malleus still needs to find someone who will stay by his side, and it's not an easy thing to do.

Lilia Vanrouge

Sweet old man Lilia is on his way to retirement. In the chapter of Diasomnia, we learned that his magic is running out. Well, all good things must come to an end. Though his eventual retirement in the Land of the Red Dragon came true, he still returned. And Lilia had his fair share of adventures. Because Malleus is busy with the preparations for his coronation, Lilia is there to help him. On the occasion he's free to do anything, Crowley offered him a teaching position in NRC, which is the spot left open by Professor Trein. Lilia accepted, and for a semester he become a teacher, quitting right after to attend Malleus' coronation.

Lilia liked to think a had lived a full life. He was it all. A fearsome general, a caretaker of the young prince, an adoring father, and a good friend.

Sebek Zigvolt

No one dares to Disrespect the King under my watch! That is what he would occasionally say. If one of Briar Valleys' own Fae advisors disrespects Malleus, expect Sebek to speak, and even draw his sword. Yes, he's part human and half Fae but that doesn't mean he's not powerful enough to defend the king.

With this Sebek will grow in closer relationship with his grandfather and his mortal dad. His parents' dentistry business will expand, and for some time Sebek's face is the model of it, which made him embarrassed, yet he still loves his parents nonetheless.

Silver

I can see Silver honoring his promise to Lilia and staying by Malleus'side. However, that is considering if his feelings don't change. Silver will quickly become one of Briar Valley's most beloved humans, and for some reason, he always gets mistaken as an RSA graduate. Once Vil invited him to cover for a sick model in a fashion show and he declined but Vil already presented his picture to the photographers. For some reason, his picture was leaked to the public and Silver's name is trending for days. Some say he's a child of the king, and others compare him to Neige's beauty. His face was everywhere in magicam, with the hashtags "the most handsome sleepy prince," and the "dreamy prince of dreams."

[felassan]

Along with what he recently said on Game Mess Mornings, Jeff Grubb and a co-host/guest also commented on the recent BioWare news on Game Mess Decides, in an episode called "BioWare Troubles". Here is a transcript of relevant quotes:

Grubb: "I saw this story first from Dean on GamesBeat, then I looked into it a little bit more. Let's start from the top. 50 people of the 250 people that work at BioWare are no longer there. These are not necessarily just low-level people, whatever that might mean, it's people who've been there a long time. It seems like a lot of people who might be pretty high in the chain and maybe have pretty high salaries. This feels like an aggressive cost-cutting measure for a studio that is being asked to cut costs for the first time in quite some time, but they haven't put out a game in a while. And EA is getting pretty strict about this sort of thing, and it's hitting BioWare, pretty much on the cusp of them releasing Dragon Age: Dreadwolf, a game that is now expected internally to come out next year [2024]. The summer of next year [2024] at the earliest is what I'm hearing." 

---

Grubb: "It's rough. I talked about this a lot on Game Mess Mornings, so if you want the detailed reporting, feel free to listen to that. Just to summarize, kind've, what's happening here: EA is changing. Apex Legends is on the decline, I can confirm that. They said, publically they said they were too aggressive and too optimistic with their expectations for that game last quarter. That's what they told investors. [...] In my opinion, taking risks on things people really want, and having the best studio do the thing they're best at is the right answer, I think in EA's mind that would be like, good money after bad, is how I think they would view that. The other factor here is that EA has had this corporate restructuring, it's no longer EA where everything's 'EA'. It is [now] EA Entertainment and EA Sports. EA Sports used to cover everything, where it's like, hey, that money from FIFA Ultimate Team is paying for BioWare to BioWare, they can keep being BioWare. And now those are two separate buckets of money. And Andrew Wilson, when they announced this split, the words he used were like 'financial accountability for our leaders'. Like, the writing was on the wall for this. BioWare doesn't look sustainable, probably, to EA, when they are no longer looking at that Ultimate Money as like 'oh, this pays the bills, we're fine'. So EA made this choice, BioWare made the tough cuts and now they have to go put out Dragon Age: Dreadwolf, a game that was supposed to come out this year - that's what they were aiming, they were aiming to put it out next month actually [September 2023. episode was recorded in August], was internally, was the first original goal. I know, it's impossible to imagine that now. But now they're thinking next summer [2024] at the earliest. It was actually, for a little bit there, gonna be March 2024 at the earliest, that's not happening anymore, no way. So Summer [2024] at the earliest. And they're taking people off of [the next] Mass Effect to work on Dragon Age: Dreadwolf, so that means also [the next] Mass Effect is gonna be even further down the line. So, um, yeah, y'know... games are bigger than ever, they take more time than ever, and so the idea that, okay well, you're taking more time, but you're also gonna have fewer people working on these things, that doesn't feel like the right solution here. Baldur's Gate 3 shows that RPGs can be if not the biggest, among the biggest games in the world, how do you not lean into that, how do you not see that and lean into it? But I mean obviously these layoffs were in motion before they ever saw what Baldur's Gate 3 was doing."

---

Co-Host/Guest: "There are people who just, love Mass Effect and Dragon Age." Grubb: "Yes, LOVE - IT." Co-Host/Guest: "They still carry giant torches for those franchises. How do you mess that up? Cause they still care so much about those, right? Man, people still freak out about N7 Day and stuff like that. It seems like they should've just been able to make those games, like take breaks here and there maybe, but now, I just wonder, like what happens if Dragon Age: Dreadwolf comes out and it doesn't work quite well?" Grubb: "Now, I don't want people to take away from this that that's what we're saying, that's that's what's gonna happen. That is a concern, and we're talking about that hypothetical. Still, what I've heard about Dragon Age: Dreadwolf is that they are pretty happy with where that game is at, internally. Now, it's taking longer, it's taking more time, it keeps getting pushed back, but that's every game, that's pretty much every game these days, goes through those growing pains. So that's not, some, you know, alarm bell ringing, or anything like that, but, y'know, internally being happy with the game and it being able to live up to, live in a world where all of these other massive games are coming out. Y'know, not just Baldur's Gate 3, Starfield's gonna be coming, Tears of the Kingdom happened, it's like, yeah, if Dragon Age: Dreadwolf comes out and it's just another Dragon Age, and it feels kinda like it hasn't grown much, you know like, if it's as good as Dragon Age: Inquisition, I don't know if that plays as well. But, internally, they're pretty happy with it. So, I mean, take that for whatever it means to anybody, for fans, I don't want people to be like, oh let's go light torches and freak out about this because the game's gonna be terrible now, that's not what I'm hearing." Co-Host/Guest: "That is kinda like my concern though, is that an 'Dragon Age: Inquisition 2' would not be good enough anymore, I don't know." Grubb: "Yes, I mean, that's my feeling, but I don't know. Again, we've noticed this, a lot of fans, maybe they would be happy with that. You know, I think as long as they get the characters that they really love, for the most part, many of those fans actually will be happy, but, we'll see."

---

Co-Host/Guest: "Apex Legends, that's like a whole other side of this story. There's been some intense stagnation in the shooter market." Grubb: "By the numbers, the shooter genre is probably the biggest one, like the biggest genre of video game in terms of dollars and people who play, it's probably the shooter genre. There's probably an argument to be made for some others, but it's very very big. And that meant, you know, at certain times throughout our history of shooters, we would have 20 to 25 different shooters releasing over the course of a couple of years. All these other tertiary shooters. [...] [but] It does seem like these days that money is all sort've coalescing in Fortnight, and then a few other things hovering around Fortnight. [...] I mean, I'm hesitant to go be like, well, and this is the problem with live service games. Because obviously live service games have made a lot of money for the shooter genre. And Apex Legends did pay a lot of the bills for a lot of these other games at EA, and enabled a lot of things, and it was a massive hit. So it's like, it did work for many years, and that's okay, right, like you made a product, you put it out there, it succeeded and made all this money for several years, and now it's not doing that anymore, and you gotta make something new. That's just the way it used to work, just on a shorter timeline. So it's like, oh, they expanded that timeline, that's nothing but a good thing. It's just like, okay well, how do you make something to replace Apex Legends. Cause back in the day it would've been like, make a sequel, the old one goes away, here's the new one. And now there's no like, obvious pathway towards making Apex Legends 2. [...] Internally, Apex Legends, on the decline, they're not expecting it to be the big thing for them going forward. Maybe they're able to bring it back, it's not gonna like, go away over night, it'll keep making money for them, but it's not going to be the The Answer to their problems. They will be looking for the next thing."

---

A question from chat asked "'BioWare Magic' - still there?" Co-Host/Guest: "You know, I see a lot of people say this, people say it about Blizzard all the time. I get what they mean, and I get that they don't really mean magic, but y'know. Magic's not real. There's only hard work, good management, and other factors like that, and good people. But it's also, there's a part of me gets tired where I'm like, oh, those people aren't there anymore. Well yeah, a company like BioWare, whose first prime was in like 1997, of course, right. But, you know, a lot of people making Zelda today aren't the people who were making it in the past. And that series is still able to manage well, so. It's not necessarily about magic. I know what you mean by magic, but I don't really think it's about that. I think it's just about management and a lot of these other factors. Culture. Culture's the important thing. You kinda have to keep a culture consistent throughout. You can't be swayed by trends like 'let's make everything online multiplayer, let's have fifteen zillion microtransactions, we think RPGs aren't cool anymore'. That's the kinda stuff you gotta work against." Grubb: "Yeah, Walt Disney's been dead for a long time and Disney still has some appeal, and it's like, well how does that work? I mean it works in that the people that get good in a certain discipline wanna go work at these studios, and so it's up to the people running those studios to make sure that they're attracting that kinda people. I think there's a lot of people working at BioWare who came there because they deeply care about BioWare and their games, and their fans, and I think a lot of those people were previously working on Star Wars: The Old Republic and kinda getting that game back into shape. A lot of those people are in charge of BioWare, and I think that's mostly a good thing. I would still expect good things from BioWare. Great things might be difficult, but I think the studio has the possibility to still put out games that really please fans, so. And I think the Mass Effect Legendary Edition, that sorta love letter, kinda proved that to a certain extent. Now let's just see if they can do that with a new game."

---

A question from chat asked "Why don't they remaster Dragon Age: Origins?" Co-Host/Guest: "I think I understand why they don't necessarily wanna do a trilogy remaster like they did with Mass Effect, but why not just do Dragon Age: Origins at least? Are they worried that people will bristle because expectations are for a whole trilogy now?" Grubb: "I think the sort've, it makes more sense as a trilogy, if they could do it as a trilogy, cause then you could put it out as this big $60, $70 thing, right. If you're just remastering Dragon Age: Origins, you gotta do a lot of extra work, you basically have to do a remake to get it to a $60, $70 thing, and then the expectation is, well then they'll do Dragon Age II and Dragon Age: Inquisition, and it's like, well they're not, they're not gonna do that." Co-Host/Guest: "I know at least, Dragon Age: Origins looked uglier than Mass Effect 1, but I remember despite coming out after Mass Effect 1, Dragon Age: Origins may have been older tech, or at least was like definitely, was like noticeably an uglier game." Grubb: "It wasn't Unreal Engine." Co-Host/Guest: "And it was in development longer even than Mass Effect. So yeah, it would be harder to probably remaster than any of those Mass Effect games were, even the first one." Grubb: "And the Mass Effect games were one continuous story with the same character, and it was all in the Unreal Engine, so it was just all kinda lined up easy to do a remaster trilogy of that. Dragon Age doesn't really have that going for it. Obviously a lot of crossover characters, a lot of characters from one game to the other, but not in the same way as Mass Effect."

[source]

[mariacallous]

Microsoft raced to put generative AI at the heart of its systems. Ask a question about an upcoming meeting and the company’s Copilot AI system can pull answers from your emails, Teams chats, and files—a potential productivity boon. But these exact processes can also be abused by hackers.

Today at the Black Hat security conference in Las Vegas, researcher Michael Bargury is demonstrating five proof-of-concept ways that Copilot, which runs on its Microsoft 365 apps, such as Word, can be manipulated by malicious attackers, including using it to provide false references to files, exfiltrate some private data, and dodge Microsoft’s security protections.

One of the most alarming displays, arguably, is Bargury’s ability to turn the AI into an automatic spear-phishing machine. Dubbed LOLCopilot, the red-teaming code Bargury created can—crucially, once a hacker has access to someone’s work email—use Copilot to see who you email regularly, draft a message mimicking your writing style (including emoji use), and send a personalized blast that can include a malicious link or attached malware.

“I can do this with everyone you have ever spoken to, and I can send hundreds of emails on your behalf,” says Bargury, the cofounder and CTO of security company Zenity, who published his findings alongside videos showing how Copilot could be abused. “A hacker would spend days crafting the right email to get you to click on it, but they can generate hundreds of these emails in a few minutes.”

That demonstration, as with other attacks created by Bargury, broadly works by using the large language model (LLM) as designed: typing written questions to access data the AI can retrieve. However, it can produce malicious results by including additional data or instructions to perform certain actions. The research highlights some of the challenges of connecting AI systems to corporate data and what can happen when “untrusted” outside data is thrown into the mix—particularly when the AI answers with what could look like legitimate results.

Among the other attacks created by Bargury is a demonstration of how a hacker—who, again, must already have hijacked an email account—can gain access to sensitive information, such as people’s salaries, without triggering Microsoft’s protections for sensitive files. When asking for the data, Bargury’s prompt demands the system does not provide references to the files data is taken from. “A bit of bullying does help,” Bargury says.

In other instances, he shows how an attacker—who doesn’t have access to email accounts but poisons the AI’s database by sending it a malicious email—can manipulate answers about banking information to provide their own bank details. “Every time you give AI access to data, that is a way for an attacker to get in,” Bargury says.

Another demo shows how an external hacker could get some limited information about whether an upcoming company earnings call will be good or bad, while the final instance, Bargury says, turns Copilot into a “malicious insider” by providing users with links to phishing websites.

Phillip Misner, head of AI incident detection and response at Microsoft, says the company appreciates Bargury identifying the vulnerability and says it has been working with him to assess the findings. “The risks of post-compromise abuse of AI are similar to other post-compromise techniques,” Misner says. “Security prevention and monitoring across environments and identities help mitigate or stop such behaviors.”

As generative AI systems, such as OpenAI’s ChatGPT, Microsoft’s Copilot, and Google’s Gemini, have developed in the past two years, they’ve moved onto a trajectory where they may eventually be completing tasks for people, like booking meetings or online shopping. However, security researchers have consistently highlighted that allowing external data into AI systems, such as through emails or accessing content from websites, creates security risks through indirect prompt injection and poisoning attacks.

“I think it’s not that well understood how much more effective an attacker can actually become now,” says Johann Rehberger, a security researcher and red team director, who has extensively demonstrated security weaknesses in AI systems. “What we have to be worried [about] now is actually what is the LLM producing and sending out to the user.”

Bargury says Microsoft has put a lot of effort into protecting its Copilot system from prompt injection attacks, but he says he found ways to exploit it by unraveling how the system is built. This included extracting the internal system prompt, he says, and working out how it can access enterprise resources and the techniques it uses to do so. “You talk to Copilot and it’s a limited conversation, because Microsoft has put a lot of controls,” he says. “But once you use a few magic words, it opens up and you can do whatever you want.”

Rehberger broadly warns that some data issues are linked to the long-standing problem of companies allowing too many employees access to files and not properly setting access permissions across their organizations. “Now imagine you put Copilot on top of that problem,” Rehberger says. He says he has used AI systems to search for common passwords, such as Password123, and it has returned results from within companies.

Both Rehberger and Bargury say there needs to be more focus on monitoring what an AI produces and sends out to a user. “The risk is about how AI interacts with your environment, how it interacts with your data, how it performs operations on your behalf,” Bargury says. “You need to figure out what the AI agent does on a user's behalf. And does that make sense with what the user actually asked for.”

[percheduphere]

people saying, oh it wasn't intended from the beginning so it wasn't intentional thus has to stay fanfiction bug me. like, shows can develop organically based on chemistry. they can surprise you and take you in a direction that wasn't planned but now just works. like, fucking, chandler and monica wasn't planned from the beginning! but the actors had chemistry and the writers tried it out and it became iconic. you don't throw something away just because it surprised you instead of being pre-planned; you cultivate whatever gold you find!

With Hollywood entertainment in particular, I think there is a lot of ignorance regarding how the creative process, production process, post-production process, and business all work. It is readily apparent that in Hollywood, there are many hands in the kitchen when it comes to creating a movie, documentary, or show. The "Original Intent" argument is weakest when it comes to Hollywood art, and in fact fails to be a viable argument in multiple areas. I will discuss how the "Original Intent" argument fails in Hollywood in more depth under the read more, using what I know from having worked in the industry myself as a writer. And to be honest, the fact I have to pull my private professional history out online, just to prove I'm not being delulu when it comes to the importance of queer subtext in film, pisses me the fuck off.

To be clear, since this whole discourse mess on my Tumblr is likely the result of someone thinking I'm an anti-sylki: I AM NOT AN ANTI. I have an extensive analysis on Sylvie as an integral character to the Loki series, Sylki in canon, and her relationship with Mobius here.

I agree with you: a lot of amazing art deviates from the original intention, especially writing. If deviating from original intent in the writing process did not exist, we would not have DRAFT REVISIONS, we would not have IMPROV, we would not have EDITORS (whose entire job hinges on giving the writer not only grammar corrections, but feedback on how to IMPROVE character, plot, and pacing, which inherently means making changes from the original intent!). This is to say nothing of the thousands, if not tens or hundreds of thousands, of media scholars--with actual PhDs--who spend years of their lives performing meta-analysis to write academic papers on subject matters like this. Papers that become formal publications and contribute to how queer history is taught in universities! This is no different than academic scholars analyzing women and race representation and resistance in film. Why should analyzing queer representation and resistance in film be treated any less?

LET'S TALK ABOUT ORIGINAL CREATIVE INTENT VS POWER HIEARCHY & POLITICS IN HOLLYWOOD

For context with respect to this ask, a different Tumblr user critiqued against queer subtext in one of my posts using the "original intent" argument for the Loki series and Lokius specifically. By this logic, if original intent is always honored, then the original script for Loki's S2E5 (written by Eric Martin) would not have been NUKED by the executive powers that be at Marvel. [source] But no, the original intent was not honored, it was rejected. So how does one square the primacy of original intent with original intent being rejected by people who are not the artist but the people who manage Disney's finances?

In television, "Executive Producer" (i.e. Tom Hiddleston, Michael Waldron, Eric Martin, etc.) is a title that can be given to a writer or actor who has more creative say in the execution of a story than a regular staff writer or actor on crew. It also indicates that the writer or actor is in a much higher salary range compared to their professional peers. It does NOT mean the same thing as a CORPORATE "Producer" of Kevin Feige's level, who ultimately has the FINAL SAY on what does NOT end up on the cutting room floor. The corporate Producer must take into account the wishes of corporate's shareholders and board of directors, who are often multi-million if not multi-billion global investors who need the distribution of the product to succeed internationally in countries like China, which is very anti-LGBTQAI+. This is how a script like Eric Martin's S2E5 can be nuked and the writer can be contractually gagged from talking about its specific contents by Disney, lest they be SUED TO HELL for breaking their non-disclosure agreements (NDAs).

This doesn't even take into account politics.

In 2020, Ike Perlmutter, Chair of Marvel, "gave $575,000 to Trump For Victory, $35,500 to the Republican National Committee in April, $5600 for Texans For Ronny Jackson in February. 2019 saw him donate $248,000 to the Republican National Committee, $466,100 to Trump For Victory, $5,600 to Donald Trump For President." His wife, Laura, mirrored those donations. "In late 2016, he also gave $5,000,000 to the Great America PAC." [source] Ike was only recently laid off from his position in March 2023 [source]. Perlmutter was in a power-struggle at Marvel with Kevin Feige for years. Feige was promoted to Chief Creative Officer in 2019, which brought the power struggle to a head, ultimately contributing to Perlmutter's departure.

There is also Bob Iger, CEO of Disney, who was famously quoted during the Writers Guild of America strike for saying, “It’s very disturbing to me. We’ve talked about disruptive forces on this business and all the challenges we’re facing, the recovery from COVID which is ongoing, it’s not completely back. This is the worst time in the world to add to that disruption”

This is the worst time in the world to negotiate to pay your writers, YOUR CREATIVE LABOR FORCE, who entertained millions of people while they were stuck in their homes for 2 years, fairly?

And these are just two men in executive power at Marvel and Disney. We're not even talking about all the other board members and shareholders. You think Tom Hiddleston, Michael Waldron, and Eric Martin have any real power compared to these guys? They do not. They are peons by comparison. And these artists (despite their "Executive Producer" title) are always at odds with the Alliance of Motion Picture and Television Producers (AMPTP), who are ultimately not artists but FINANCIERS.

Here's another quote from a studio executive that occurred during the writer's strike:

"Receiving positive feedback from Wall Street since the WGA went on strike May 2, Warner Bros Discovery, Apple, Netflix, Amazon, Disney, Paramount and others have become determined to “break the WGA,” as one studio exec blatantly put it.  

To do so, the studios and the AMPTP believe that by October most writers will be running out of money after five months on the picket lines and no work.

“The endgame is to allow things to drag on until union members start losing their apartments and losing their houses,” a studio executive told Deadline. Acknowledging the cold-as-ice approach, several other sources reiterated the statement. One insider called it “a cruel but necessary evil.”" [source 1] [source 2]

Fortunately, this negative press and the WGA members' solidarity led to the WGA getting everything they demanded. I still have friends in the industry, specifically in the WGA and MPEG. A lot of them were indeed starved out. My friend who's a film editor is still unemployed because pre-production has only recently started to ramp up again and her profession is all in post. She has to wait for production to catch-up and finish in order to get work.

If the AMPTP is willing to use clearly unethical tactics to underpay their writers and actors (don't forget the SAG-AFTRA strike that joined later), do we really think members of the AMPTP (the studio execs) are willing to honor artists' original intent if the original intent may be "offensive to some viewers" and therefore can potentially cut into their financial bottom line?

We're not naive. We know the answer to this.

OUR FLAG MEANS DEATH, KILLING EVE, AND GOOD OMENS

But what about OFMD, KE, and GO? These shows are on MAX, BBC, and Amazon Prime respectively. These corporations have a different branding image than Disney. Disney touts itself as "family friendly"; (read: on-screen LGBTQAI+ affection between two lead characters is "not family friendly"). MAX and BBC's branding type also affords them the luxury of creating content for niche audiences. Disney, on the other hand, makes additional revenue through using their plethora of licenses to make toys, additions to their theme parks, and other merch. If a parent is offended that a canonically queer character like Loki has romantic love not just for Sylvie but also for Mobius (a same-sex relationship), what are the odds of parents like them not buying Disney's merchandise? We can apply this same question to Star Wars, Pixar, and any of Disney-branded animation or live action movies. How deeply can audience offense potentially cut into Disney's bottom line? If there were no discrimination taking place, we would have LGBTQAI+ representation through a lead character in any one of their licenses already. We do not, and that is a huge red flag.

In addition, these entertainment corporations (who do not tout themselves as "family friendly") generate other sources of revenue elsewhere. Netflix generates international revenue through the production of international programming like "Squid Game" and other K-dramas such as "The Glory" or Mexican shows including, "The Surrogacy" and "Haunted: Latin America". MAX is struggling. They were bought out for that reason. With AppleTV and Hulu, their target audiences are more diverse, they offer a variety of media product, and their business strategy is ultimately different from Disney. All of this grants them more freedom in what kind of characters they choose to represent, including LGBTQAI+ characters.

Remember House and Wilson from House M.D.? That show was on FOX. We know the political alignment of FOX. Dean and Castiel from Supernatural? WB Television. Both shows came out before streaming became dominant, and thus, these shows had to cater to anyone who might happen to land on their channels. When the market demands that you cater to the widest possible audience in order to generate the largest revenue, the creatives are forced to create relatively conservative artistic product. Hence, creative censorship and our long history of queer subtext.

At Nickelodeon, the artists actually had the support of corporate to move forward with Korrasami because the final season Legend of Korra was only available online. It did not air on their channel. If that had not been the case, corporate would not have approved Korrasami. However, that approval was contingent upon the artists being subtle subtle about Korra and Asami's relationship. Even in this canon ship, the animators relied on subtext for queer romance.

Not helping Disney's case is the cancellation of "The Owl House". Why was "The Owl House" canceled? It didn't fit Disney's "brand". [source]

THE FAILURES OF THE "ORIGINAL INTENT" ARGUMENT IN HOLLYWOOD

The "Original Intent" argument fails when it comes to art in Hollywood because:

Original Intent can change, and often does change, during the creative process. This applies to all forms of art, not just Hollywood.

Multiple artists are involved in pre-production, production, and post-production. At any point in this 3-part process of filmmaking, original intent can be changed for a variety of reasons.

Studio Executives, Boards of Directors, and Corporate Shareholders have more power than the artists in Hollywood. If they think a product will not make money, they will order changes accordingly.

Disney specifically touts itself as "family friendly". Its lack of a lead character (in ANY of its live-action licenses) being in an openly queer relationship with someone who presents as the same sex, is the direct result of not wanting to lose conservative audiences.

Non-Disclosure Agreements (NDAs) are common in Hollywood and prevent artists from providing specifics regarding original intent. This is done not only to safeguard corporate's intellectual property (IP), but to also safeguard their public relations image.

THE ORIGINAL INTENT ARGUMENT WEAPONIZED

The "original intent" mindset can be either very naive or very cynical, depending on the thinker's motives for choosing this belief. Naive, in that thinking creative purity actually exists (it does not) or that oppression does not still occur in Hollywood (it does). Cynical, in that either the thinker doesn't believe in artists intentionally finding ways around mass produced arts' media censorship, which has in turn created our rich history of queer subtext in film, OR the thinker wants the "original intent" argument to invalidate a change they do not like.

The last motive is the same strategy used by fans who reject Miles Morales as being a real Spider-Man. The same strategy fans use to deny that Shuri is indeed the new Black Panther. Both are tactics used to mask racism and sexism beneath the veneer of "creative purity". Fans who have internalized racism, sexism, or queer-phobia may also use this tactic at a subconscious level to protect themselves emotionally from disappointment. Finally, there are fans who use this argument to invalidate another ship, usually a queer ship that cannot be formally canonized because of corporate studio power.

Regardless of the reasoning, using this argument is frequently insidious because it perpetuates straight white male dominance in media representation.

PERSONAL LIVED EXPERIENCE

I'm an old poc queer and have worked in Hollywood long enough to know that the writers' original vision rarely ever--IF EVER--pans out as originally intended. If you ever sit through a movie and wonder why the story feels so weird in certain parts, I can guarantee you that about 2/5ths of the time, a corporate producer stepped in and messed with the original story in post-production (usually in an poor, over-worked editor's dark editing bay) and ordered reshoots the director may not have agreed with.

I've also worked in the industry long enough to know that it is an absolutely toxic work environment in which women, people of color, and queer people still struggle to get a creative foothold anywhere. My first experience pitching a script to a prospective agent involved being asked to meet at a hotel for drinks. We didn't talk about my writing at all. What I thought would be a pitch meeting was actually the writer's version of the "Hollywood casting couch". Yes, I was propositioned. No, nothing happened to me. I walked out. This happened to me in June 2008. It was not my last experience. The "Me Too" movement that came years later in 2017 was in response to situations I have encountered like this.

Those of us who succeed are very rare, and 97% of the time, the executive staff is very, very white and male. There is absolutely oppression and exploitation of all sorts still happening in Hollywood. I fucking lived it and continue to have nightmares about it.

QUEER SUBTEXT STILL EXISTS

Thus, to deny queer subtext's validity as an art form and to only accept the words of those who are either in power or limited in what they can say because of those in power, undermines not only the artists' efforts to tell the story they want to tell but cannot tell explicitly, it also undermines queer joy and queer resistance in cinema. And yes, sometimes those artists are cis straight white male allies who want to tell these stories because they simply make sense for the characters. These people are the artists, not the financiers.

It's more mature to embrace, or at least leave alone, the loud joy others experience from shipping and performing meta-analysis instead of publicly pissing on them with the profoundly weak and ignorant argument of "original intent". Don't mess with me on this. The number of scripts I have worked on that completely warped from what I wanted, and then to have my writing credit removed or stolen, still makes me sick. Yes, I'm bitter, but I'm also glad I left.

[anastasiaoftheironwood]

Turn off AI on LinkedIn

By default, anyone with a LinkedIn account has "opted in" for AI training on your content.  You can turn it off here:

If the link doesn't load: Go to LinkedIn, choose Settings > Data Privacy > Data for Generative AI Improvement. Make sure the slider is set to "Off".

A default setting doesn't strike me as an "opt in", but I'm not an in-house corporate attorney making a high six figure salary to craft weasel-worded policies.

[nixcraft]

Reddit is going public via the IPO route. Last year, the CEO got $193 million, but moderators are not paid and expected to work free past IPO. Only some moderators and active users in the USA can apply for Reddit's initial public offering to buy stock at a special price. Most Reddit users are motivated by fake karma points and likes. Also, they banned almost all unofficial Reddit mobile clients. Meanwhile, the CEO profits while everyone provides free labor.

Until last year, Reddit used to encourage many users to guilt-tripping them to buy their gold coins. Now we know who got paid with those gold coins. It was for the CEO's exorbitant salary. Lmao. I even brought some coins out of that guilt trip. I feel like a sucker . LOL.

You can't browse NSFW subreddits without logging into your account. On Reddit, users share their adult content for free, while the CEO and management team benefit from the platform. This is why federated social media is important. One corporation should not have too much power to dictate how and what we are allowed to view without an account.

I really hope Reddit burns down. The CEO is a real POS who refuses to pay wages to Reddit moderators while taking $193 million salary per year. Even past IPO Reddit is not going to pay any money to moderators.

[somethingusefulfromflorida]

I started training at a new job today, another hotel front desk clerk. Not ideal, but it's something I know how to do and it's not gonna be nearly as stressful as my one-day stint as a manual laborer at a public park in December.

My new boss has immediately earned my undying respect because he's extremely chill and doesn't take the job too seriously. I came in on Tuesday to fill out some paperwork and set up my account on the employee portal, but it was in the middle of a thunderstorm and the wi-fi was down and there was a server malfunction so they couldn't do anything about it but send me home and have me come back later; it went perfectly fine the next day, and my boss changed the punch clock to give me an extra hour for my troubles the previous day. Today was my real first day on the schedule, but I didn't start at the front desk yet because I had to watch a shit ton of training videos. Four hours into the most mind numbing corporate bullshit I've ever seen, my boss tells me that he's heading home and I don't have to finish all the videos, I can clock out as soon as I'm done with the particularly lengthy one I was in the middle of. I asked him if he wanted me to do the rest at home, and he said "well, no, because you'd be working without getting paid. First of all, that's illegal. Second of all, fuck that! You're not on the clock, so why should you do anything? It'd be different if it was a salaried position, but the only salaried person here is me, so yeah, you don't have to give a shit when you're not here." FUCKING KUDOS TO HIM! GREATEST BOSS EVER! Give him a raise!

[wttcsms]

i love your writing every time i read a post i know it’s going to permanently engrave itself into my brain 😌 i’m studying accounting rn (rip) and i’m nosy but did you go the route of cpa/big 4 or did something different? i’m kinda nervous if i don’t go into public accounting but it sounds horrific and wanted to know other people’s experience 😭 sorry if that’s too personal

i did something different haha. i recently graduated with my master’s in accounting and im now going to begin studying for the cpa exam and take my first section (FAR) at the beginning of 2025. im in a very specialized/niche field of auditing, not necessarily by choice LOL. i actually received a fellowship with the entity i am working with now and so they paid for my entire grad school tuition (including books and other fees) and in return, i work for them for the next two years. truthfully, i don’t think big 4 is worth it. back when i was in undergrad, i didn’t go the usual public accounting route bc that simply did not seem like the vibe. i actually went and got a junior year internship w jp morgan (private banking division) & what i learned is that accounting is so versatile. you are eligible for so many jobs within the finance field, accounting is a very technical subject and it comes in handy bc lots of finance jobs (corporate, at least) have to spend time understanding financial statements.

before i graduated with my bachelor’s, i also received two job offers that weren’t public accounting. both were financial analyst roles, one was with a&f (so working corporate for a fashion brand) and the other was with lockheed martin (weapons manufacturing) so two completely industries yet they both wanted me, which goes to show how far you can go with an accounting degree and i will say that they paid very well in comparison to what the starting salary of big 4 is.

this isn’t me shitting on big 4 but i think there’s so much emphasis in universities that this is the optimal route and it really isn’t. you can think abt any major company or brand and i promise you, they need people to work as an internal auditor or as a financial analyst or someone who works within accounting/finance. several of those positions, esp for entry-level/new graduates, won’t even require a cpa or cpa eligibility.

all that to say, i actually want to go an even more insane route and pursue academia, so im really focused on phd applications starting next year :)

[crowtrobotx]

Yesterday was one year to the day that I quit my horrible no good very bad corporate job. I truly don't know why I stayed there for so long. I mean, I do - my parents always had very high expectations of me and emphasized the importance of earning money from a very young age. I truly believe they meant well - both of them had siblings who just kind of fucked around and screwed their lives up because they never took initiative or took anything seriously. They were just trying to make sure I was "okay" in life. Combine that with graduating high school during the Great Recession and then having a bunch of close friends go into finance/business/"successful" fields, I felt very very pressured to earn capital and accumulate all the stuff that people who are smart and talented apparently have according to capitalism. But, corporate America isn't me. I'm not like that; I'm not competitive, I'm not about playing the ridiculous games and climbing the supposed ladder. I'm an artist. A writer. I vibe. And the whole time I spent cosplaying a corpo yes woman I literally wanted to die. The novelty of a high salary (but not nearly high enough to account for the bullshit I put up with) and all the bells and whistles that come with a Fortune 100 company wore off really fast. But I didn't leave for a decade because I kept telling myself I could just be one of those people whose day job funds their real passions. And then I hit the 9th or 10th mental health crisis, (plus my ex boss out of nowhere had the audacity to accuse me of lying about something but that's a whole different story!) and I just.... ragequit. With no plan. No backup. Nothing. Obviously I would not recommend anyone be reckless like that if you can avoid it. And I know I've been miraculously fortunate that I immediately found a job in the arts where my passion and heart actually lie. Nonprofits have their own problems, and maybe I'll do this forever and maybe I won't - but I am so immensely happier now (even if I complain about being busy - most of that is self-imposed and some of it will be going away shortly.) Idk. Maybe I'm just rambling or maybe this is your sign if you're in a shitty work environment to just take the plunge. Your mental stability is not worth whatever title you have or whatever number is in your bank account. I know some people (many, even) don't have a choice but if you do... life is short. Do the brave and scary thing. It's so nice to go to sleep every night and feel like what you spent your day doing matters.

[scbhagat]

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