#conrad: i… i don’t know

[deadtower]

i don’t go here re: trigun (yet) but i had a dream a few nights ago and long story short now i have a trigunsona that is more just an OC if we’re being honest. they’re a half-vampire that that doctor guy hanging around knives made by accident. think the one scene in lilo & stitch (the movie) where jumbaa unveils stitch who’s slathering and spitting and speaking in an unknown language and jumbaa’s just like :D and you have vee (the OC) and conrad

[darth-does-stuff]

ok everybody saying dan fucks is conrad’s dad you do you but for ME personally the fix will always be conrad’s dad because dan gives cool uncle vibes 1000000% percent more than the fix ever will. but we will both live our truth and we will both be happy 🤝

[bardace]

my personal hc for why Felix is Like That

Image id by @anistarrose below the cut! Thank you!

[Image description: a digitally drawn, gray-shaded comic of Eugene Finch and Anna Log from Drawtectives. The first panel shows them conversing by phone, and Anna begins: "Hi, I'm done with the animatronic you commissioned."

Smiling brightly, Eugene replies: "Alright! Thank you so much! Seriously, I can't thank you enough. I know it's pretty weird to ask for an animatronic vessel for the spirit of a dead cat."

The next panel cuts to Anna alone, where in the background, a humanoid animatronic with a mustache is sitting limply on a bench. Anna's eyes become tiny dots, indicating shock, and she echoes: "C-cat?"

The last panel shows Anna and Eugene together in person, together with Felix, who is an animatronic with a cartoonish cat head and otherwise very humanoid body. Anna gestures to Felix, smiling sheepishly and saying:

"So you see, I gave him an anthropomorphic body to, uh, maximize helpfulness. Because of, y'know, the opposable thumbs and stuff." A small arrow labels Anna as "completely BSing."

Eugene replies: "Oh yeah, that makes sense." A small arrow labels him as "Not very bright," followed by a heart. End description.]

[nick-close]

The combination of Freddie Wong and Dimension 20 is so fucking funny actually because. D20 takes itself seriously (affectionate) and Freddie Wong does things detrimental to his own character because he thinks they’re funny. I look at everyone else and think ‘they have lore behind their characters’ and then I look at Dan Fucks and go ‘this is all Freddie has done.’ And I adore it so deeply.

[explosiongamora]

these mfs were the original Jeremiah, Belly, & Conrad frfr

[raemeh]

finally watching mentopolis and had a thought

if Conrad is Elias’s conscience would Elias look like Conrad just older?

[thegirlwithataser]

it’s so wild to me that the show legit confirms that jere only noticed belly once she’d had her ‘glow up’ while conrad had noticed her for who she was prior to that and ppl still think jere should be her endgame

[blues-valentine]

I had such an opinion on the whole TSITP love triangle disclosure but I feel like getting into that is a thing I might regret but…

[sittinginsunflowers]

I don’t think I’ve ever yelled at a screen the way I did trying to get Conrad not to sacrifice himself until I was screaming at Hank Green not to go alone to the DA’s office.

[silent-partner-412]

the map where i gave up on shadows of valentia was the one with the conrad reveal right afterward which is sort of a shame because conrad is very cute

[lesbianspeedy]

skimmed through rise and fall to check for a panel and let me tell you at least 58 brain cells are lost each and every time i have to witness those connor panels

[creatingblackcharacters]

“It’s Giving” AAVE, and the Denied Yet Undeniable Impact of Black Culture

I grew up knowing it as Ebonics; I didn’t hear 'AAVE' until I was an adult. Apparently it’s used derogatorily- I did not know. But when Robert Williams coined the term in the 70s, its meaning was:

“…the linguistic and paralinguistic features which on a concentric continuum represents the communicative compentence of the West African, Caribbean, and United States idioms, patois, argots, ideolects, and social forces of black people…Ebonics derives its form from ebony (black) and phonics (sound, study of sound) and refers to the study of the language of black people in all its cultural uniqueness.”

Familiar Examples include but are not limited to:

The History

It was unbelievably difficult to find a solely Black perspective on the subject. I’m gonna need everyone to let Black linguists talk, it’s literally their job. Anyway, I need y’all to actually WATCH this video. Don’t skip it thinking I’ll summarize. Watch it. Actually listen. That’s part of the problem to begin with, is not listening. Even if you have to read this lesson later, so be it.

One of the points emphasized in this video was that AAVE was formed of the need to communicate, and specifically to communicate in a way that hid what we were saying and thinking from antagonistic white society.

“…“the disguise language used by enslaved Africans to conceal their conversations from their white slave masters to the lyrics of today’s rap music, [the magical power of] the word has been shaped by a time when, as observed by Harlem newspaper writer Earl Conrad, ‘it was necessary for the Negro to speak and sing and even think in a kind of code.’””

Because it was in a form that white people could not understand, as well as already existing racist biases against the humanity and intelligence of Black people, naturally it was assumed that our way of communicating was ignorant and ‘false’. Even acknowledging it as a valid language was seen as abhorrent, by nonblack and certain Black people.

“For decades, linguists and other educators, pointing to the logic and science of language, have tried to convince people that Black English exists, that isn’t just a politically correct label for a poor version of English but is a valid system of language, with its own consistent grammar. In 1996, with the unanimous support of linguists, the Oakland School Board voted to recognize AAVE, or the more politicized term “Ebonics” (a portmanteau of “Ebony” and “phonics”), as a community language for African American students, a decision which might have opened up much needed additional funding for education. Instead it resulted in intense public backlash and derision due to the still widespread, incorrect belief that Black English was an inferior, uneducated form of English associated with illiteracy, poverty, and crime. It’s hard for a language to get ahead when it keeps getting put down. Some linguists, such as John Russell Rickford, have noted how even sympathetic linguistic research, which has derived a lot of benefit and understanding from Black English grammar, can unknowingly focus on data that represents African American communities negatively, giving “the impression that black speech was the lingo of criminals, dope pushers, teenage hoodlums, and various and sundry hustlers, who spoke only in ‘muthafuckas’ and ‘pussy-copping raps.’” The term “Ebonics” even now is used mockingly by some as a byword for broken English.”"

(Some of) The Rules

AAVE is a full dialect with grammar and social rules. But the ones most people are familiar with include:

Th becoming D (“dats”)

Double Negative (“I ain’t see nobody”)

Habitual Be (“It’s cuz he be on that phone”)

Possessive s absence (“I’m going to my grandaddy house”)

Question word order (“who that is with the ice cream and cake?”)

Zero copula (“who that?”)

"Why do you talk like that" Would you rather I code switch?

“Code switching, or adjusting one’s normal behavior to fit into an environment, has long been a strategy for BlPOC individuals to navigate interracial interactions successfully. Code switching often occurs in spaces where negative stereotypes of Black individuals run counter to what are considered appropriate or professional behaviors and norms in a specific environment, and regularly happen in work settings.”

In this context, you might recognize it better as “using your white people voice”.

Some Black Americans, for varying reasons including internalized antiblackness and a desire for assimilation, hate AAVE! Some people will hate that you don’t use AAVE! Never assume we’re all on the same page about its use! My own mother used to be big on speaking ‘proper English’.

Regional Differences

The same way regional differences affect standard pronunciation, it’ll affect the AAVE used. Culture in the area as well will affect the words that come from it. So someone Black using a phrase in Philadelphia might not automatically know what someone Black from Compton is saying.

Someone did their dissertation on this topic, and while I’m going to link the summary for yall to give it a shot, Imma be honest- I do not understand this. I tried. It’s interesting how something that comes so innately, once written out like this is like WHAT. But the research has been done!

Easier examples include:

"Aaron earned an iron urn"- Baltimore

GloRilla and "Mursic"- Memphis

A lot of AAVE from New York City is popularized; so you might hear words from anywhere that originated from Harlem or Queens, or New York Ballroom culture

Tonal Languages

One major source of misunderstanding AAVE is people not understanding tonality. AAVE is often tonal, similar to many African languages, languages in general- meaning that unless you hear it or are innately familiar with how it’s spoken, you might not know HOW I’m saying something and therefore will not understand what I’m trying to convey. Given the history, this was on purpose!

Black language- Black culture in general, really- is often conveyed orally. Everything we say and do is not going to be written down for someone else to study. Doesn’t mean we weren’t saying or doing it. If you want to understand, you have to listen!

“Linguist Margaret G. Lee notes how black speech and verbal expressions have often been found crossing over into mainstream prestige speech, such as in the news, when journalists talk about politicians “dissing” each other, or the New York Times puts out punchy headlines like “Grifters Gonna Grift”. These many borrowings have occurred across major historical eras of African American linguistic creativity. Now-common terms like “you’re the man,” “brother,” “cool,” and “high five” extend from the period of slavery to civil rights, from the Jazz Age to hip-hop: the poetry of the people. This phenomenon reflects how central language and the oral tradition are to the black experience.”

Some examples:

1) "You Good" can mean, depending on how it is said and the context in which it is spoken:

Are you okay?

Do we have a problem?

You’re okay.

You don’t want these problems so chill.

Do you have enough money/resource?

It’s fine! Don’t worry about it.

2) This was an interesting experience, watching the misunderstanding of AAVE occur live. It’s the realization that people read this as “This is something Bugs Bunny would wear” versus “Bugs Bunny would wear the fuck outta that outfit”. But if you didn’t know that, if you aren’t familiar with the tonality of AAVE, of course you’d think the first one is what it meant! And it's not wrong-wrong - he would wear it, but that's not necessarily all it meant.

3) “Chill-ay” versus “Chile”. Yeah, we didn’t forget that. This is often why AAVE is used to sound “aggressive” on the internet- if you perceive (however subconsciously) how Black people speak is aggressive, then when you decide to emulate my speech in your moment of aggression, it is because you think my Blackness will make you seem more intimidating! You find Blackness… intimidating. Same reason you think it makes you funnier than if you were to deliver the same joke using your own dialect. It means the jokes not funny; my language is what’s funny.

Black American Sign Language

We even communicate differently in sign language; there’s an entire history and culture behind the Black deaf experience.

“In April 2020, Nakia Smith, aka Charmay, created a TikTok account introducing five generations of her Black Deaf family and how they communicate in Black ASL. As a social media influencer of Black ASL content, Charmay made a series of educational and informative videos on the history and practice of Black ASL. Charmay’s video went viral, landing in a New York Times article, Black, Deaf and Extremely Online, and Blavity: TikToker Has Gone Viral For Putting The Culture On To Black American Sign Language. Additionally, Netflix requested Charmay to explain the difference between Black ASL and ASL.”

Everyone doesn’t speak AAVE!

If your Black character is not Black American, and has never once been connected with Black American culture or people, they are probably NOT going to speak AAVE! They’re going to speak whatever dialect THEY have! And that doesn’t make it any less “Black” of them!

Different dialects and languages across the diaspora include but are certainly not limited to:

Black British English

Haitian Creole

Gullah

Jamaican and Caribbean Patois

Everyone Owes Rihanna an Apology

Y’all remember the song Work. I know you do. It was mainstream’s love and joy when this song dropped to be overtly racist about it, Black Americans included. Everyone claimed it was ‘gibberish’, that she was just mimicking language on a song and ‘it would be popular’.

Meanwhile, it was her singing in her native island patois! The people who spoke her language understood it! Anybody who actually tried to understand it, understood it! Another popular song, Sean Paul’s Temperature, is also in patois! And I thought we loved that song!

So next time Black people speak and you find yourself thinking- ‘wow, this makes no sense’, I want you to think to yourself: ‘does it make no sense, or do I just lack the context/knowledge/language to understand it?’

NOW THAT WE’VE HAD SOME EXPLANATION BEHIND THE LANGUAGE!

Writing AAVE

Me personally, I admit I don’t like it being used in stories where it is clear the author doesn’t understand the dialect, or where it’s clear the only person who speaks it is the “Black character who OMG DID I TELL YOU THEY WERE BLACK”. I’d rather it be the regular Queen’s English. We speak that too. I’m not going to decry your fanfiction or your regular modern-day original story as “bad” if you choose to use whatever language your region commonly uses. We know how to speak it. We will be okay. Using AAVE is not going to sell me that this character is “Black” if the rest of the character writing is still bad.

If it means that much to you, because it is important to the character, then you as the writer need to commit to learning proper AAVE! This isn’t going to be a “look up every turn of phrase on google” or “ask Ice what every single thing means”. You’re going to have to do what everyone who learns a language does- immerse yourself in it! If you can’t be bothered to learn my language, I’m going to know that when I read your work.

Obviously if there’s a context where the Black people involved do not know how to speak a language, it is perfectly fine to show that, as long as you are showing that it’s not due to some innate stupidity or other stereotype that this person cannot communicate the same way others communicate around them.

“The N Word”

I know someone’s thinking it, so let’s address it. There’s a translation for this word in damn near every language that’s ever come across Black people. So don’t go “oh we don’t have that word in my language-” I bet money you do.

Yes, it could be used in historical context- the ‘hard -er’. Yes, it could be used in social context- the ‘-a’. It follows the tonality rules I discussed earlier; that is, the way it’s used and who is using it makes ALL the difference in how it will be received.

Everyone is not on the same page about the use of this word within our community. Some Black people think it should never be used, period, even by us! Some Black people think that it should be reclaimed and use it as such! The only thing we’re on the same page about is that YOU should not be using it.

I say this to say to nonblack writers: put the pen down.

My stance is, if you can’t understand AAVE, you CERTAINLY aren’t going to be able to incorporate the social use of this word. Period. If you scared of the potential smoke incurred if you fuck it up- and if we see it, you will catch it- don’t bother. Trying to “write realistically” does not cut it. You should be doing everything in your power to understand and write a great Black character in all ways before ever thinking this is something you should do. In fact, if you're that thirsty to use this word, you have some other things you need to consider.

In the historical context, just watch yourself. If you’re gonna drop that word, you need to be damn well-researched on every other aspect of Black life and oppression in whatever era you’re writing. Just dropping this word to say “life is racist” shows a lazy lack of understanding of antiblackness. You don’t even have to drop the whole word. A “ni-” at the end of the sentence is enough for me to know exactly where we’re going! But if you not gone do the rest of the work… you know what they say about stupid games.

The Fundamental Disrespect

If you watched the prior videos (and you should have) and paid attention up to this point, you have already heard the struggles that both AAVE as a dialect and those that speak it go through.

There’s a societal connotation of stupidity, aggression, and silliness behind the way I speak. None of those things are true, and it’s hard to be told that even the way you communicate with others is bad.

But the other reason it’s so hard is because we spend our lives hearing that those are the connotations… when WE speak it. It is not the language- it’s ME that makes it so! And that gets into the other part of this lesson, something that AAVE is oft victim to.

This part is a little scarier for me to write, because people don’t like it when you talk about Black Americans as a separate entity from the US of A as it is known. I’m gonna put on my political hat for a second, but I promise this ties into my overall point so stick with me!

Stolen Cultural Hegemony

The reality is that the United States of America has forced a cultural hegemony upon the planet (amongst other forms). Yes. That is due to the capitalism, colonialism, imperialism and damn near just about every other -ism at the US government and military’s disposal. I am not saying that part somehow changes, of course not. That’s just facts. There are people far smarter than I (Edward Said, take the wheel) who could explain this far better. But I’m only here to explain this one point.

What DOESN’T get acknowledged is how much of what is deemed American pop culture across the world is both 1) stolen 2) Black culture! We do not have equivalent political power despite what our hypervisibility would suggest, but our social currency is raw diamond- so naturally, it has to be plundered! The white American dollar might mean far more than my life, but it’ll pay for my creations- even more so when I’m not involved!

The issue is that if your society says that I am less than, how can you justify how you covet everything I create? If I’m supposed to be so much less than you, why do you seek my language, my fashion, my music, my body? Why do you feel entitled to my creation, but you think you should have it… Without me?

Sit on that one for a second!

Appropriation of AAVE

Let's refer back to that chart at the beginning. How many of these have you seen or even used before? How long did it take for you to know it was AAVE? Don’t get me started on the influence of AAVE in queer spaces!

Of course I’m going to get started. Ballroom culture, created by Black and Latino people in New York City in the 80s (Paris is Burning, anyone?), has spawned so much popular “gay” lingo, and it’s not even just “gay”- it’s of color! Black English in particular is the source of many of the words that queer people use now in casual conversation, brought into the ballrooms, normalized, and then proliferated with other communities.

I can always tell when a new phrase from AAVE has hit nonblack audiences because it’ll suddenly be in every sentence I see, often butchered. Remember that historical context- of having to speak in code. Have you ever considered why AAVE is always evolving? Why we have to find new ways to communicate with each other? Have you considered that when people are constantly taking and misplacing your words, they may lose meaning or value, and so you have to come up with something else?

Appropriation of Black Music

Jazz, swing, the blues, disco, rock and roll, pop, even rap and hiphop have all been subject to appropriation- intentional or not. Far more intentional than you might want to believe. And it all comes back to money!

White audiences in the 1900s loved Black music- as long as they didn’t know Black people were singing it! Often, songs would be completely lifted and given to white bands to re-record. When Frankie Lymon first came on stage to perform, some of the audience was stunned! Even you know Itty Bitty Pretty One!

A more modern-day example: not to pick on the K-Poppies, but unfortunately it’s a low hanging branch example.

What K-Pop groups are doing now is heavily influenced what Black pop, rap, and R&B artists were doing from the late 90s to this very day. Part of the reason I enjoy K-Pop is because it reminds me of the stuff I used to listen to growing up. How many times have you heard someone think a Korean rapper in a K-Pop group is “fine”, but “don’t like” rap otherwise? Or will listen to K-Pop groups, but have very few to no one Black of the same sound on their playlists?

Examples:

Rover by Kai (2023) vs Swalla by Jason Derulo (2017)- Idk how popular Kai is outside of EXO, but I do know that some influence was had. And I like the song, btw! I prefer the music video! It’s just not the first time it’s been done!

Sweet Juice by Purple Kiss (2023) vs Say It Right by Nelly Furtado on a Timbaland beat (2006)

Taemin and Michael Jackson, period. Taemin having a song called The Rizzness. How did ‘rizz’ get to him? How did he know? More relevantly, how did the people who wrote his music know? How did something that started with Black people in Baltimore get all the way to Taemin in South Korea without influence?

I’ll use another example, so it doesn’t feel like I’m picking on K-Pop. I’m currently listening to CĂN NHÀ TRANH MÁI LÁ (Vietnamese, if you couldn’t tell) and as much of a banger as it is, with its own amazing cultural spin on the delivery… it is CLEARLY influenced by Black American rap. He nicknamed himself Vietgunna. Yall.

A non-American musical example: Afrobeats has taken the music industry by storm… How many of those people who enjoy an afrobeat from a nonblack artist will enjoy it from Wizkid or TEMS?

Those polls, where they ask how many Black artists you listen to… try paying attention to see just how much of your music takes inspiration from Black creators, but there’s a non-equivalent amount of Black artists that you support!

Political Bastardization of Powerful Black Colloquialisms

The appropriation of Black English isn’t always for entertainment. Sometimes, it’s a purposeful, malicious tactic to demean the words, and therefore the intent behind them.

“Woke”

“Michael Harriot, columnist at TheGrio and author of the upcoming book, Black AF History: The Unwhitewashed Story of America, explains that this kind of insidious takeover and flipping of Black vernacular to anti-Black pejorative has numerous parallels in America’s past and runs all the way up to present day. “When you look at the long arc of history and America’s reaction to the request for Black liberation – every time Black people try to use a phrase or coin a phrase that symbolizes our desire for liberation, it will eventually become a cuss word to white people,” Harriot says in an interview with [Legal Defense Fund]. It’s perhaps this very context — Black people’s awareness of their history and their power to resist injustice — that made woke so ripe for the pernicious mutation it has now undergone. Indeed, the forced transformation of the colloquialism echoes how countless other Black ideas and intellectual contributions have been maligned. “When people during the civil rights movement began saying ‘Black power,’ all of a sudden it became a term that people equated with communism and anti-white sentiment — and then it eventually gave birth to ‘white power,’” Harriot tells LDF. “The ‘1619 Project’ [which centers the ramifications of slavery and the contributions of Black people in American history] has become an insult. ‘Black Lives Matter’ became an ‘anti-white sentiment’ that was banned in school and spawned ‘all lives matter’ and ‘blue lives matter.’”

#SayHerName

This discourse is happening again, it happens like every six months on here, and it’s one of the things on here that fills me with a hatred that I struggle with every single time. It is hard, I literally feel that hatred in the pit of my chest right now as I type this.

Kimberle Crenshaw (Black woman and the originator of the legal term ‘intersectionality’), the Center for Intersectionality and Social Policy Studies, and African American Policy Forum coined the hashtag in 2014. TWENTY FOURTEEN.

It was meant to highlight the violent deaths of Black women and girls at the hands of police, which happens at a high rate like Black men and boys, but often goes far less acknowledged. By appropriating the hashtag, you are actively choosing to speak over the very names and deaths of Black women and girls we don’t know, because we are NOT SAYING THEM, and therefore are allowing those deaths to continue as though they do not matter.

I’m going to stop before I get more upset. But know what violence you’re contributing to in your negligence.

How to Avoid Cultural Appropriation while Showing Appreciation

Everything is obviously not appropriation. It is possible for people to appreciate, replicate, and take influence without being disrespectful! It happens! And because it is possible, is why it’s so infuriating that it does not.

It’s frustrating that when something is on me, it’s ghetto, ugly, ignorant. But when it’s on the right stick thin pale girl, it’s chic, it’s fashionable, it’s new. So if it’s not the language, and it’s not the fashion or music you don’t like… It must be… Me. I am somehow not worthy of respect for the very culture I create.

Can you imagine being told that? That you are not worthy of being… you?

If you are worried about cultural appropriation, both in your writing and in your life, the easiest way to avoid that is to:

1) acknowledge and support the culture that created what you’re saying or doing and

2) actually treat them like human beings instead of zoo animals or a species to study. Show respect! It’s not hard!

This is my body, my language, my creation. It’s not just to entertain you! It’s my life! I talk like this because this is how I speak, not because I want to get Tiktok cool points. If I’m around people who treat the way I talk like childish babble, it makes me feel stupid and disrespected. We can see that, and we can read it in your writing.

And yes, you may be saying “well none of that is unique to AAVE, that’s how other languages work!” Okay then go speak those languages then lmao. But if you’re absolutely determined to understand and utilize mine, then you need to treat it with respect and not like the Gen Z slang babble (or worse- the threat) y’all treat it as. It’s a form of antiblackness that is so normalized that we don’t even think about it… but now that you’ve read this lesson, you can start! You can start taking the time to actively dedicate a thought to what you’re saying and doing and where it came from. You can take the time to notice when something isn’t right- and maybe even choose to speak up, because it’s the thought that counts, but the action that delivers.

[pizzawrench]

the fact that taylor lautner mr. jacob black himself is team jeremiah like yeah 💜

[sunrisesfromthewest]

First Encounter

|Summary: Your first encounter with Armando; based off of that one scene from bad boys ride or die. | Warnings: Getting shot at/slight suggestive language/Curse words/Slight Movie Spoilers | Trope: One sided interest or Enemies to Lovers| Notes: Hopefully you guys enjoy it's my first-time writing a x reader. | (Y/N/N=Your Nickname)

Here's all the parts I have so far: 1 2 3 4 5 6

______________________________________________________________

After seeing the news about your dad, Uncle Mike, and some guy, you decided to leave work early. Confused on why there all the sudden wanted fugitives,you quickly drive over to Dorns place knowing that he’ll have answers.

Parking your car, you grab your purse and make your way towards his lake house. Since you hang out with him and Kelly 24/7 outside of work, you just walk in without knocking.    Which was a mistake on your end because not even a second later you’re being shot at, and you could hear a few people yell in shock.  Dropping to the floor you curse and yell "It's me stop fucking shooting it’s me Y/N!”  Looking up you see Kelly pointing the gun at the place you were just standing at with a shock expression.  “Girl what the hell you got going on” you said, scared to stand up.  Lowering her gun she said “OMG, Y/N, I’m so so—” Before she could finish you hear “Oh lord, you shooting at my baby!", recognizing the voice you look around to spot your father Marcus, running towards you with a worried look.

As he’s checking over you, you hear him sigh with relief after seeing you were fine. " Dad? what the fuck is going on!", standing up you dust off your nurse uniform, with a confused expression. 

Looking around the room you noticed shocked expressions from Dorn and Kelly who had put her gun down. Spotting Uncle Mike and the man that was with him on the news your eyes squint even more, Tryna put two to two together.    “Y/N/N, aren’t you supposed to be at work, "Marcus says confused on why his daughter was there.  Still shaking up from being shot at you say, “I was at work but when I was making my rounds with my patients, I seen you guys on the news ......but shit! I should be asking the questions! why are you, Uncle Mike and this dude, wanted fugitives …. matter of fact," turning towards the man, "Who are you?”.    Seeing the man smirk he says," Someone you can get well acquainted with.”  Just as you’re about to say something smart, your dad cuts in dramatically "Aye hell nah man! No hitting on my daughter, Mike get your son!” 

Shocked you run your eyes over the Latino man which you can now see have some of Mike's features, “Uncle Mike since when you have a son, and why the hell is he dressed up like a redneck.”  Running your eyes frantically over their forms you back up while pointing your hands at them and say, “matter of fact why are you all dress up like that.”  Feeling your dad pull you aside to calm you down, he explains everything that happened these past few days.    After getting the run down on what was going on, you rub at your eyes with a stressed sigh." So that’s Armando," you said shaking your head "I would’ve pulled my gun out as well if I’ve seen him, dad didn’t he almost kill you and Uncle Mike!", you said feeling frustrated about the situation.  “Y/n,I know this is awkward, but he has evidence to prove that Captain Conrad is innocent.”  Sighing again “Okay, fine but if he tries some shit just know Imma make him taste the rainbow.”  Hearing laughter you look back to see the Latino leaning against the kitchen counter looking at you with a smirk on his face.  Seeing your father look at you with a don’t do it expression made you huff and ignore Armando’s laughter.    Before you could move to grab your purse off the floor your dad stops you again and whispered, "How long Kelly and Dorn been messing around, "letting out a short laugh you say, “For a minute now”  Seeing your father smirk, and send a look to Mike, you knew they were up to no good but chose to ignore it.

Walking to the door to grab your purse and its spilled contents you feel eyes on you, gazing up you see Armando watching you with an unreadable expression. Rolling your eyes you pick up the rest of your stuff, but as you reach for your lip gloss, a hand grabs it.    Looking up your face to face with the Latino himself, annoyed you extend your hand out, while raising an eyebrow.  Watching his amused expression, you sigh and roll your eyes. 

“Boy if you don’t give me my stuff,Imma punch you in the throat." Hearing him chuckle made you more agitated, but you kept your cool. As he holds out the gloss to you with a smirk you huff and reach out to snatch it, only for him to pull it back in a teasing manner.

Looking at him as if he’s grown two heads, you’re about to cuss him out when he says”Demasiado bonita para una boca como esa”.  Furrowing your eyebrows you say “What?”    Armando’s smirk widens as he says, “I said to pretty for a mouth like that.”  Scoffing you snatch your lip gloss out his hands, putting it in your purse as you stand up and say, “First of all, my mouth is only like this because you almost killed my dad not too long ago, and secondly I can say whatever the fuck I want cause last I checked imma grown women.”  Watching his eyes glance down at your body, you hear a low whistle, "You sure are, but if you ever wanna fix that mouth of yours, "he pauses allowing his pretty brown eyes to trail back up to yours,”aquí estaré mami” (I’ll be here mommy) 

Shocked slightly at his boldness, you say “Boy if you don’t get out of m---,” but before you could finish, he was called over by Mike. At first Armando ignores him and continues to admire you until your dad says, “Boy get your ass over here," which made you break eye contact with him and look away.  

Glancing back up you couldn't help but admire his physique as well but as he reaches the others by the computer set up. He glances back to see you staring which resulted in him sending you a wink. Rolling your eyes you turn away with a smirk," You your daddy son for sure," you say to yourself with a smile.

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Notes: Let me know if you guys want a part 2 :) and pls go see the movie it's so good

[ghostfacd]

I’M A JEALOUS, JEALOUS, JEALOUS, BOY. | TOM BLYTH

PAIRING. tom blyth x fem!actress!reader

SUMMARY. after gaining massive popularity, you star another show where you have to kiss your co star, which tom isn’t exactly happy about

AUTHOR NOTE. Two posts in one day? Who am I??anyway! This was self indulging because I love Steven Conklin and nobody writes for him 😔 As always, reblogs and comments make me more motivated to continue this series :)

installment of this au | the reader plays fictional character “ella fisher” in tsitp!

Tom wasn’t a jealous guy, at least, he didn’t think so. He was very secure in your relationship, always making sure he didn’t let his emotions get the best of him.

Like when you told him you had gotten the role of Conrad and Jeremiah Fisher’s sister in The Summer I Turned Pretty, and how you were Steven Conklin’s love interest, he congratulated you with a big hug.

He knew who was playing Steven—Sean Kaufman. There was no doubt that Steven was a very charming guy.

“You’re here!” You say giddily, engulfing your boyfriend in a hug when he approached you. “Daisy was just patching up the last of my concealer. Did you get any food?”

Daisy was your makeup artist—and one of the sweetest girls you’ve ever met in your life. She knew the cast pretty well, so when you first got here, she helped break the ice between you and them.

“You know I did,” Tom says, placing the paper bag down on your table. He opened it up, retrieving an iced matcha latte and a poke bowl. You squealed in delight, excited to eat after filming for so long.

“So how was your day?” You say, cheekily grinning at him as you ate your bowl.

“Tiring? I did a photo shoot, it was fun. Then I went home and took a nap, and then I drove to buy you food.”

“Well thank you babe,” you say. “Today was such an exhausting day, so much retakes cause of all the sand. But God do I love this show to death. It’s so much all at once but in a good way, you know?”

“Well I’m just excited to see my girl on the big screen,” Tom smiles, leaning in to give you a kiss on your forehead.

“YN! Time to film again!” The voice of your director calls out, making you shove your bowl into Tom’s hands and rushing over to the cameramen.

Tom carefully places your bowl down, walking over quietly behind the cameras to watch your scene up close.

He watches as you talk to Lola, who plays Belly, about your plans after high school, and how you wanted to apply for Princeton just like Steven. She rolls her eyes, saying how she doesn’t get how you and Steven get along so well.

Later in the scene, you and Sean sit close together in front of a campfire. Tom remembers vividly of you telling him there was a scene between your character and Steven where the two of you would get extremely close. Tom feels his breath hitch when he sees Sean make you laugh. He knows that it’s just acting—that your character and Sean’s character are love interests in the show, and that it means nothing in real life.

But he just feels so weird. His stomach is in knots, and it feels like his mouth is dry.

“You know,” Sean begins, leaning in close to your face. “I know Belly doesn’t want me liking any of her friends, and your brothers would totally kill me if they knew; but you’re making it so hard.”

“Really Steven?” You fake giggle, leaning closer to his touch. “Well they don’t have to know.”

Sean laughs at your comment, his head falling against your shoulder, something that Tom had always done with you.

And then he sees the director cue the cameramen to zoom in, and then there it is. — You and Sean kiss, and Tom feels his feet move away from the scene without even realizing.

“And… cut!” The director says, clapping. “Good job Sean and Y/N! You really captured the tension between Steven and Ella. That’s a wrap!”

You hug Sean afterwards, the two of you laughing about how stupid the kiss must’ve looked but you knew the viewers would eat it up once the episodes aired.

“Where’s that boyfriend of yours?” Gavin asks, suddenly showing up behind you and Sean.

“Gavin!” You say, putting your hand to your chest. “Way to scare a girl to death!”

Gavin laughs, poking at your sides teasingly. “Just kidding, I know where he is. Stormed off where Lola and Christopher are standing.”

“Storm off?” You say, confused.

“Seems like lover boy wasn’t too keen on you kissing our Sean over here.”

You quickly make your way towards where Lola and Christopher were standing, and just like Gavin had said, Tom was standing behind them. He didn’t look too happy.

“What’s wrong?” You ask, pulling the boy away for some privacy.

“It’s nothing.”

“Oh c’mon,” you scoff. “It can’t be nothing. Gavin said you stormed off earlier.”

Tom sighs, clearly wanting to drop the topic. But one look into your genuine concerned eyes makes him crack.

“I was jealous.” He admits, biting his lip back in embarrassment. “I’m sorry.”

You bite back a smile, arms linking with his. “Awe babe, it’s okay. Just acting. Just like how you kissed Rachel in the Ballad of Songbirds and Snakes. It doesn’t mean anything.”

“Yeah,” Tom sighs, bringing your body close to his. “You’re right, I shouldn’t have felt that way.”

“It’s okay,” you reassure him, smiling brightly. “Feeling jealous is bound to happen with our job, as long as we communicate about it, everything will be fine.” You hug his side, snuggling your face into his coat. “Plus, you know Sean has a girlfriend, right?”

“What?” Tom seems baffled, but he quickly covers it up. “No, yeah, I knew that.”

“Uh huh,” you tease, “don’t worry Tom, I love you the most.”

He leans down, making eye contact with you. “Well I sure hope so, because I love you the most as well.”

And everything was perfect until Gavin lets out a fake barf, telling the two of you to “get a room”.

“Oh get out of here Gav!” You say, shooing him away.

“Yeah Gavin, let the couple have their moment!”

That makes everyone laugh, and you swore you never felt happier than you did right now.