#connor is trying SO hard!!!!

[confusedhockeyslut]

[x] they asked you to say something nice, leon 😭

[sulfies]

No one expected Desmond to be a worse drunk than Ezio

(Connor isn’t rlly complaining)

[charlietheepicwriter7]

We've seen DP and DC be different universes where Danny and Valerie are the only heroes in DP, but there are thousands of heroes in DC. We've seen where DP and DC are in the same universe, and Amity Park just thinks the Justice League are ignoring them.

But what if DP and DC are different universes, BUT Danny and Val aren't the only heroes?

If we treat superheroes as basically cops/military with superpowers, then we can infer what heroes would be like using cop/military statistics. You could even use My Hero Academia society as a basis. Things like "heroes are more interested in protecting private property than serving the public" and "Heroes have high levels of PTSD and physical disability and aren't helped after they retire" are common knowledge in Danny's universe.

And specifically, the one I wanted to make clear for this prompt: In Danny's universe, heroes are highly likely to abuse their family/sidekicks outside the mask.

Suddenly, Danny's in the DC universe. For a low-stakes reason; if he's there because the DP universe imploded or his parents tried to kill him, he'd be too concerned about himself to act on his instincts. No, Danny's there for a vacation and there are so many heroes and kid heroes that he feels sick.

Maybe he catches Batman being rough with his kids, or overhears Superman "belittling" Superboy (Conner). Nevertheless...

Danny ends up thinking that all the Justice League are abusing their sidekicks and families and becomes a villain to save them.

[atanxdoesstuff]

the dbh brainrot has been hitting hard & i have nothing else i can do rn so have a quick rk1k sketch ;)))

[poorlydrawnandroids]

Happy Activation Day to these two silly boys!!

We’re just 14 years away from their creation, aww <3

[dirty-droid]

So I played through some more dbh last night and woke up thinking, God, there is a good reason Markus and Kara, and their respective companions never got as popular as Connor and Hank. Literally The Bridge is surrounded by the most *do everything for absolutely no reason* chapters, and there's no comparison.

First the Kara chapter wastes your time, she barely gets any small talk in with Luther, then the car breaks down, then you're just doing tiny tasks, doing a shitty sum up of her story so far when Alice asks you to make one up- they could have done something interesting with that story but they chose not to, literally anything specific anything that would function as a parallel to their journey would have actually had some value. Then you barely start a conversation with Luther, where are you maybe get a hint of his personality before we're back to just talking about the plot and Alice, but then it's over again and you meet the Jerries and you learn almost nothing about them.

It is a chapter where you do nothing interesting, and you learn almost nothing about the main characters, for a downtime chapter, I expect character development and get barely a sneeze of it. There is so much room and so much time for you to really push and question your main characters but it just doesn't get used.

Honestly I think the protagonists all could have probably really benefited from the audience getting to hear their internal monologues if they weren't actually going to talk to their companion characters, but even that would just be a substitute for decent writing.

Either way, after that, we come back to Connor and Hank, who do almost no tasks in this chapter, *but spend the entire time TALKING.* They talk to each other in a constant volley back and forth for the entire length of the chapter and it's probably one of the best chapters in the game, it's certainly one of the most important in their story. You spend the entire bridge scene learning more about Hank and Connor's inner worlds, and how they think, and how they feel, you spend the whole chapter learning so much about their perspectives, this chapter is all about asking the hard questions about both of their individual characters, and the tension is high, it's a straightforward chapter to play, and it really fucking feels like your choices matter here, there will be immediate consequences, not just walking through your environment trying to find the right answer, or being dragged through an interaction. It's just plain good.

And then Markus infiltrates the Stratford Tower, and you get the most boring and useless and frustrating chapter in the game that doesn't seem to serve any purpose beyond looking cool. If Kara's last chapter was only to gain sympathy and create some soft and fuzzy feelings, this chapter is only about looking cinematic. This is probably my least favorite chapter in the game, honestly I've just gotten lost on that yellow ass office floor building too many times, even though I'm very familiar with the game now I still managed to get lost again last night.

I will admit that eventually it does become an opportunity to decide between pacifism and violence but that seems to be the only real development for Markus, and it wouldn't have been hard to make that kind of opportunity in another setting. Because we get next to nothing watching him get past the front desk, or from walking around that floor, just some outfit changes and pretending to be a machine and a little more Android hate in the background, Markus is almost completely silent yet again, there is almost no talking with North once she appears. We actually get more about North's personality here than Markus', she just feels like she has more lines somehow, because sometimes she just talks without it being connected to the plot and Markus never does.

This bit is more speculative, but my fiance and I were going off last night about whyyyy did they have to break into the tower? We're never given any reason for what the steps are and why they are important, just usually pretty important in these mission impossible type scenes, they're usually explaining in a voice-over why they are taking the steps that they are taking. But we get no explanation for why he needs to go to the 47th floor or whatever, No explanation for why he needs to change into a maintenance Android uniform, why North was in the stairwell, how Josh and Simon got in, it's all just handwaved, and whyyyyyy they couldn't have just?? Made a recording and then hacked the station's broadcast remotely and basically just posted the speech? I don't know, it's just a particularly frustrating chapter to play, personally, but it isn't strong.

Either way, you've got two chapters with next to no character development, that just have a lot of empty space and time where the characters could have been talking or could have been doing something else, but didn't because the vibes were more important, sandwiching a simple scene with ten pounds of character development and it just feels weird. And once I noticed it, it just made the Kara and Markus chapters look incredibly weak and poorly written... And conversely, make the Connor and Hank chapter look much, much stronger in comparison.

It's like Detroit become human almost needs it's own type of Bechdel Test, just to show how much they fail Markus and Kara. "Do they talk about something that isn't the plot?"

"Do Kara and Luther talk about something that isn't Alice or getting to Canada?" "Does Markus talk about anything besides his speech for this chapter?" "Does Alice talk at all beyond basic communication with Kara?" "Does Markus or his buddies talk about anything that's not the revolution or just Markus himself?"

... They don't pass a lot.

It's just hard to take these characters above simply *likeable* when they just, don't, ever, talk. There's little to no development for Markus or Kara, and because they've just become deviants, there's hardly any character establishment in the first place, they barely even get the chance to just be flat, because if they don't really know who they are, we don't really know who they are.

Connor and Hank's friendship is more functionally the main plot, more so than the deviant investigation, and for Markus and the team, and Kara with Alice, that's simply just not the case, there is hardly any relationship, they're just in the same boat. This is why Connor got astronomically more popular, and why he and Hank have the staying power that they do.

Markus and Kara just don't ever talk, and Connor does. And I'm fucking mad about it. The amount of time that was just wasted in their stories, I could probably take a damn stopwatch to all the moments where there could have been a little something-something, and nothing was put there. It's not to say Connor doesn't get some quiet moments too but he always gets the chance to make up for it.

Even at the beginning of the Stratford Tower chapter, I noticed that they could have had Simon and North talking about something maybe unrelated when Markus walks up, but there's nothing, only silence until Markus comes in with a plan. And of course we know about every time Luther tries to bring up the fact that Alice is an android, only to be shut down and walked away from. It fucking kills me how much time Mark is has the focus of the camera but it's only so he could look cool for a minute, and share no thoughts of his own, none of his new feelings, everything is only implied and then followed by the action where he is only allowed to be the leader of the revolution and never just Markus. There's a tragedy in that, but they could have driven it home harder by *pointing that out.*

[qrjung]

So like, Amanda is clearly supposed to be important to Connor because she's got that nice shiny relationship stats, but I wish she was actually important to Connor. I want their relationship to mean something. The Betrayed stats when he deviates didn't mean too much to me but I would like it to be.

What I'm saying is I wish they'd given his relationship with Amanda as much attention and weight as they did with Hank. Sure, it's got red flags everywhere and it's not healthy but the whole Hank thing has red flags too so that's not an excuse. I want the decision to deviate to be harder for the player, aight? And maybe this is one way to do it.

[princemick]

kyle's graphic requests: Connor McDavid + Grainy/angelic requested by anon

(insp)

[royalnavyart]

value study

ref: if you had been the moon (2009)

[wolftozier]

secret romantic richie tozier who doesn't believe he deserves romance vs naturally unromantic eddie kaspbrak who is trying his best to woo his best friend. FIGHT

[olliveen]

my emotional support weird little guy: blender edition

[nuge]

who’s the worst at sewer ball? - ask an oiler, pt. 3

leon draisaitl: connor.

[nomairuins]

i like overthink everything now it makes me feel so dumb. i used 2 be able to just talk 2 ppl but nowadays every single thing im like Is that actually going to make them hate me. Yes probably. and then i just dont respond which makes ppl hate me. this is how it is

[kamari2038]

The real reason Connor has such great emotional intelligence is because he has a sense of taste, apparently

[evannhansensletters]

*scraggly girl with short brown hair in pigtails and a band-aid on her elbow walks up to you*

hi! i heard you were having a bad day. and people were giving you plants so here's some worms to keep them healthy

*hands you a small tupperware filled with dirt without a lid*

:D

oh

thank you

I appreciate… whatever this is.

Worms are definitely,, something

[lesbianwyllravengard]

Whatever. You can call him ugly. Goofy-lookin'. You can make fun of his hair. You can make fun of him all you want, but there's one thing and one thing only I will not allow you to make fun of: His voice.

I am NOT the only one who knows his voice is coarse and rough and irritating, not like Naboo on Naboo everything is soft and smooth. Clear your throat bryan