#conkles art

[conklesnonsense]

Only a bit but still here to show up

yeah i like fursonas. but what i really like is

[conklesnonsense]

Creaturetin Wednesday

The Creaturetin World has many landmasses and a variety biomes upon them, today The Observer wanted to focus on one biome

[presidenttyler]

i might keep running with this

[mckinleygirl98]

AMERICATUBE

!! creds to @presidenttyler for the art and idea of the guiteau-conkling-arthur douchebag podcast bros. it was funny as hell, and it made me remember that I drew AmericaTube in the first place. If you want me to take it off, let me know and I will immediately !!

AMERICATUBE PART 1/?

CLICK FOR NOT AS BLURRY IMAGE!

[brooklynmuseum]

Have you committed to learning a new language in 2023? We can help you on your way!

During the upcoming session of We Speak Art for folks learning the English language, we’ll study and discuss Eastman Johnson’s “A Ride for Liberty,” pictured here. Next month will also bring a virtual session of Hablemos de Arte for people learning Spanish:

February 2, 6–7 pm: We Speak Art February 9, 6:30–7:30 pm: Virtual Hablemos de Arte

Both programs are free, but we ask that you RSVP: https://bit.ly/34QgwKI

🎨 Eastman Johnson (American, 1824-1906). A Ride for Liberty -- The Fugitive Slaves (recto), ca. 1862. Oil on paperboard. Brooklyn Museum, Gift of Gwendolyn O. L. Conkling, 40.59a-b (Photo: Brooklyn Museum)

[lboogie1906]

Commander Dr. Roscoe Conkling Brown Jr. (March 9, 1922 – July 2, 2016) was one of the Tuskegee Airmen and a squadron commander of the 100th Fighter Squadron of the 332nd Fighter Group.

He was born in D.C to Roscoe C. Brown Sr. was a dentist and an official in the US Public Health Service. His mother was the former Vivian Kemp, a teacher.

He graduated from Springfield College as valedictorian. He joined the Army, and graduated from the Tuskegee Flight School on March 12, 1944, as a member of class 44-C-SE

He served as a flight leader and operations officer. On a March 24, 1945, mission to Berlin, he shot down a German Me 262 jet fighter, becoming the first 15th Air Force pilot to shoot down a jet. On March 31, he downed a Fw 190 fighter. He was awarded the Distinguished Flying Cross. He was appointed commander in June 1945.

He resumed his education. His doctoral dissertation at New York University was on Exercise Physiology.

He became a professor at New York University and directed the NYU Institute of Afro-American Affairs. He hosted The Soul of Reason. He hosted the Black Arts and CUNY TV show African American Legends. He was President of Bronx Community College and director of the Center for Education Policy at the CINY. He was elected into the National Academy of Kinesiology as an Associate Fellow. He received an honorary doctor of humanities degree from his alma mater, Springfield College.

On March 29, 2007, he attended a ceremony in the Capitol rotunda, where he and the other Tuskegee Airmen were collectively awarded the Congressional Gold Medal.

He was a member and past president of the 100 Black Men of America New York Chapter and a professor of Urban Education at the CUNY Graduate Center. #africanhistory365 #africanexcellence

[clothinglowpricemerch]

Exploring the Rich Tapestry of Ohio: A Traveler's Guide

Welcome to Ohio, a state that seamlessly blends history, diverse cultures, and a culinary scene that will tantalize your taste buds. From bustling cities to serene countryside, Ohio offers a myriad of travel experiences that cater to all interests. In this comprehensive guide, we will delve into the cultural richness, highlight the mouthwatering foods, showcase top sights, and provide invaluable advice for anyone looking to embark on a memorable journey through the Buckeye State.

Cultural Diversity

Cleveland: A Cultural Hub

Ohio's cultural landscape is as diverse as its geography, and Cleveland stands out as a prime example of this diversity.

1. Cleveland Museum of Art: Start your cultural exploration at the Cleveland Museum of Art, a world-class institution that houses an extensive collection spanning from ancient to contemporary art. The museum's commitment to free admission reflects Ohio's dedication to making art accessible to all.

2. The Cleveland Orchestra: For a harmonious experience, attend a performance by The Cleveland Orchestra. Renowned globally, the orchestra's concerts at Severance Hall are a testament to Ohio's passion for the arts.

Cincinnati: Where Tradition Meets Modernity

Cincinnati seamlessly blends its historic charm with a modern flair, offering a unique cultural experience.

1. Over-the-Rhine District: Wander through the historic Over-the-Rhine district, known for its 19th-century architecture and vibrant arts scene. Explore eclectic boutiques, art galleries, and enjoy a meal at one of the many innovative restaurants.

2. Cincinnati Music Hall: Immerse yourself in the performing arts at the Cincinnati Music Hall, a stunning venue that hosts concerts, ballets, and opera performances. The architecture itself is a testament to Ohio's commitment to preserving its cultural heritage.

Columbus: The Creative Capital

As the state capital, Columbus is a dynamic city that thrives on creativity and innovation.

1. Short North Arts District: Discover the artsy vibe of Short North, a district filled with galleries, boutiques, and trendy restaurants. The monthly Gallery Hop brings the streets to life with art displays, live music, and a vibrant atmosphere.

2. Ohio Theatre: Catch a show at the historic Ohio Theatre, a lavish venue with a grand interior that transports you to a bygone era of glamour and entertainment.

Culinary Odyssey

Ohio's culinary scene is a delightful fusion of traditional flavors and innovative gastronomy.

Iconic Dishes

1. Skyline Chili: A Cincinnati staple, Skyline Chili is a unique take on chili served over spaghetti. The combination of savory flavors and the option to add cheese and onions make it a must-try dish in Ohio.

2. Buckeyes: Indulge your sweet tooth with Buckeyes, a treat that combines peanut butter and chocolate. These bite-sized delights, resembling the state tree's nut, are a beloved Ohio dessert.

Foodie Hotspots

1. West Side Market (Cleveland): A culinary haven, West Side Market in Cleveland is a bustling marketplace offering a diverse range of fresh produce, meats, and artisanal products. It's a paradise for food enthusiasts looking to savor local flavors.

2. North Market (Columbus): For a taste of Columbus' culinary scene, head to North Market. With a mix of vendors serving everything from gourmet chocolates to ethnic cuisines, it's a food lover's paradise.

Top Sights in Ohio

Hocking Hills State Park

Escape to the natural wonders of Hocking Hills State Park, a breathtaking destination with lush forests, cascading waterfalls, and unique rock formations. Explore Old Man's Cave, Ash Cave, and Conkle's Hollow for an immersive experience in Ohio's scenic beauty.

Rock and Roll Hall of Fame (Cleveland)

Celebrate the history of rock and roll at the iconic Rock and Roll Hall of Fame. With exhibits honoring legendary musicians and showcasing memorabilia, it's a pilgrimage site for music enthusiasts.

Cedar Point Amusement Park (Sandusky)

For an adrenaline-packed adventure, head to Cedar Point, known as the "Roller Coaster Capital of the World." With thrilling rides and a picturesque lakeside location, it's a must-visit destination for families and thrill-seekers alike.

The Ohio State Reformatory (Mansfield)

Step into the fascinating history of the Ohio State Reformatory, a historic prison turned museum. Take a guided tour to explore the stunning architecture and learn about the facility's intriguing past.

Advice for Visitors

Embrace the Scenic Drives

Ohio boasts picturesque landscapes, and exploring the state's scenic drives is a great way to witness its natural beauty. The Hocking Hills Scenic Byway and the Amish Country Byway offer enchanting routes that showcase Ohio's diverse terrain.

Attend Local Festivals

Check the local event calendar for festivals and events happening during your visit. Ohio hosts numerous festivals celebrating everything from arts and music to food and cultural heritage. The Cleveland International Film Festival and the Ohio Renaissance Festival are just a few examples of the vibrant festivities the state has to offer.

Connect with Locals

Ohioans are known for their friendly and welcoming nature. Strike up conversations with locals to get insider tips on hidden gems, local eateries, and off-the-beaten-path attractions. Engaging with the community will enhance your overall Ohio experience.

Pack for All Seasons

Ohio experiences distinct seasons, so pack accordingly. Winters can be cold, especially in the northern regions, while summers are warm and humid. Be prepared for diverse weather conditions, and don't forget to pack comfortable shoes for exploring the state's natural wonders.

Conclusion

Ohio is a treasure trove of cultural delights, culinary wonders, and diverse landscapes waiting to be explored. Whether you're strolling through vibrant neighborhoods, indulging in iconic dishes, or marveling at natural wonders, Ohio offers a travel experience that caters to every preference. So, pack your bags, embark on a journey through the Buckeye State, and let Ohio's unique features captivate your heart and soul.

[amcsociety]

Steel Magnolias

A Heartfelt Celebration of Friendship and Resilience

"Steel Magnolias," directed by Elizabeth Carter and written by Robert Harling, is a captivating theatrical production currently enchanting audiences at the TheatreWorks Silicon Valley/Mountain View Center for the Performing Arts. This timeless play, running until July 2, weaves a heartfelt tale that explores the enduring power of friendship and the indomitable spirit of a group of Southern women.

Under Carter's skilled direction, the cast brings the charming characters to life with authenticity and depth. Alexandra Lee shines as Annelle, capturing the character's journey of self-discovery with grace and vulnerability. Lisa Strum's portrayal of Truvy is brimming with warmth and humor, creating an instant connection with the audience. Marcia Pizzo's portrayal of Clairee is delightful, infusing the role with wit and wisdom.

Jasmine Milan Williams delivers a standout performance as Shelby, imbuing her character with infectious enthusiasm and strength. Dawn L. Troupe's portrayal of M'Lynn is deeply moving, tugging at the heartstrings as she navigates the complexities of motherhood and loss. Nancy Carlin's Ouiser injects the production with sharp wit and a dose of refreshing candor.

The production values of "Steel Magnolias" are equally commendable. Andrea Bechert's scenic design effectively transports the audience to a cozy beauty salon in a small Southern town. The attention to detail is impeccable, creating an immersive setting that enhances the storytelling. Steven B. Mannshardt's lighting design skillfully captures the changing moods and moments of the play, adding depth and nuance to each scene.

The creative team behind the production deserves recognition for their exceptional contributions. Kimily Conkle's dialect coaching ensures the authenticity of the Southern accents, while Laura Hicks's assistant stage direction adds polish to the overall execution. The casting direction by Jeffrey Lo successfully brings together a talented ensemble that shares a genuine chemistry on stage.

Under the guidance of Randall K. Lum's stage direction, the play flows smoothly, allowing the emotional beats to resonate with the audience. Christopher Sauceda's sound design enhances the production, immersing viewers in the sights and sounds of the characters' world. The wig design by Destinee Steele and associate wig design by Ashley Wise, along with Dana Rebecca Woods's costume design, effectively reflect the characters' personalities and contribute to the visual appeal of the production.

"Steel Magnolias" stands as a testament to the power of female friendship, exploring themes of love, laughter, and resilience in the face of adversity. Director Elizabeth Carter and the talented cast and crew have created a truly memorable theatrical experience. Under the artistic direction of Tim Bond and the guidance of executive director Debbie Chinn, TheatreWorks Silicon Valley continues to deliver exceptional productions that captivate audiences and provoke thought.

“Steel Magnolias" at the TheatreWorks Silicon Valley/Mountain View Center for the Performing Arts is a must-see production. With its exceptional performances, heartfelt storytelling, and meticulous attention to detail, this play will leave you uplifted, touched, and reminded of the enduring strength found in the bonds of friendship.

6 more performances available and tix are available at theatre works.org

[mitskey]

Bread: A Love Language

— Roque Dalton, Like You/ Hilda Conkling, About My Dreams/ Eileen Myles/ Art Source: Pinterest/ Marilyn Hacker, Morning News/ CAConrad, (Soma)tic 5: Storm SOAKED Bread/ Yosl Grinshpan, The Miner's Family/ Art Source: Pinterest/ Gerald Stern, The Sparrow/ Countee Cullen, Bread and Wine

[books0977]

Mabel Conkling (1904). Frederick MacMonnies (American, 1863-1937). Oil on canvas. Terra Foundation for American Art.

Mabel Conkling displays the glamorous finery of her pale-blue and white dress and feathered hat as she stands commandingly before a tapestry that decorated the drawing room of Frederick MacMonnies's studio-home. The rich tints of the forest scene depicted in the weaving throw into relief the figure's light attire, pale complexion, and dark hair. The tall, narrow format of the painting emphasizes her majestic bearing.

[astrognossienne]

tragic star: fatty arbuckle - an analysis

“I shall produce nothing that will offend the proprieties, whether applied to children or grownups. My pictures are turned out with clean hands and, therefore, with a clear conscience which, like virtue, is its own reward.” - Roscoe “Fatty” Arbuckle

I feel great sorrow for this poor man. He had a hard life almost from beginning to end. The nickname Fatty was a childhood taunt. But he turned this cruelty around and made it work for him. He represented a new kind of fame. In the days before body politics and shaming and in the years before #metoo, this guy used the adversity handed to him because of his weight and spent years creating a niche for himself through sheer talent and tenacity only for it to be destroyed in a matter of minutes because of a woman. This is probably the first major case of how tragic it is when a promising career is destroyed by unsubstantiated claims. It happened to his friend, Mabel Normand, who I covered last time. In the case of Roscoe “Fatty” Arbuckle, the scope of his rise and fall was devastating. As well as absolutely fucking unnecessary. Second in popularity only to Charlie Chaplin among silent screen comedians, Arbuckle’s rise to fame was unique, carving a way for modern-day heavyset comedians like John Candy and the equally tragic Chris Farley. So much of the silent era’s films are now lost, having been deemed of no lasting worth once “talkies” arrived, and preservation for art’s (or television’s) sake not yet thought of. Those Arbuckle films that have survived, however, are now in the public domain and easy to find online. Much less footage exists of the actress involved in his downfall, Virginia Rappe, who herself became posthumously villainized as a mere bit player and “good time girl” once the charges against Arbuckle were generally accepted as false.

Fatty Arbuckle, according to astrotheme, was an Aries sun and moon. He was born Roscoe Arbuckle in Smith Center, Kansas, one of nine children of Mary Gordon and William Goodrich Arbuckle. He weighed in excess of 13 pounds at birth; because of his weight, his father believed that he was illegitimate, as both parents had slim builds. Consequently, he named him after Senator Roscoe Conkling of New York, a notorious philanderer whom he despised. The birth was traumatic for Mary and resulted in chronic health problems that contributed to her death eleven years later. He began performing when he was eight, after the family moved to Santa Ana, California, and a theatrical troupe passing through town needed a replacement for a child actor. After his mother’s death, he was sent north to live with his father, who had abandoned the family and supposedly owned a hotel in the town of Watsonville. By the time Roscoe arrived, alone, his father had sold the hotel and left town. The boy sat sobbing until some locals took him in, and he earned his keep by doing chores and singing for the hotel guests. Due to the child’s weight, Arbuckle's father had always treated him harshly; he would thrash Roscoe in alcoholic rages; his stepmother recalled once rescuing him when his father was “choking him and beating his head against a tree.” His father also refused to support him, so he got work doing odd jobs in a hotel. Roscoe was in the habit of singing while he worked, and a professional singer heard him and invited him to perform in an amateur talent show. He won the competition and escaped his father by beginning a career in vaudeville.

In 1908, he met his furture wife Minta Durfee, who was performing on the same bill in Long Beach, and they married on the stage of the Byde-A-Wyle Theatre. In 1913, Arbuckle showed up at Keystone Studios, a comedy lot known as the Fun Factory and the home of the bumbling Keystone Kops. Its impresario, Mack Sennett, hired him for three dollars a day. That first year, he acted in no fewer than thirty-six shorts, many of them opposite Keystone’s leading lady (and Sennett’s lover), Mabel Normand. The next year, Charlie Chaplin, still developing his Little Tramp persona, joined the studio, and he and Arbuckle acted together in seven films. Along with Mary Pickford and Douglas Fairbanks, they were part of the first wave of movie stars to live like—and be covered by the media as—American royalty. The rapid rise of movie stars shook up the balance of power in Hollywood, especially when Chaplin, Pickford, and Fairbanks teamed up with D. W. Griffith to form their own collective, United Artists, circumventing the studios. Amid rumours that Arbuckle might join them, Paramount showered him with cash, in a deal that paid three million dollars in the course of three years. The record payday made headlines, and Arbuckle embraced a life style to match. He bought the mansion, the cars, and, briefly, a baseball team, the Pacific Coast League’s Vernon Tigers.

In the summer of 1921, Roscoe “Fatty” Arbuckle was on top of the world. Paramount Pictures had paid him an unprecedented $3 million over three years to star in 18 silent films, and he’d just signed another million-dollar contract with the studio. Unfortunately for him, the year would end for him on a horrible note:

the virignia rappe incident

In late August, 1921, Arbuckle took a break from his hectic film schedule and, despite suffering from second-degree burns to both buttocks from an on-set accident, drove to San Francisco with two friends. Arbuckle and friends rented three rooms to get away from LA for the Labor Day weekend. Among those who showed up to party were two uninvited women, 25-year-old actress Virginia Rappe and her new acquaintance Maude Delmont. According to Arbuckle, his friend arranged everything from the rooms to the guests to the liquor (despite Prohibition), and on Labor Day, September 5, 1921, Arbuckle awoke to find that he had many uninvited guests. He was still walking around in his pajamas, bathrobe and slippers when he saw Delmont and Rappe and expressed concern that their reputations might alert police to the “gin party.” In Los Angeles, Delmont was known as a madam and blackmailer. Delmont also had a rap sheet for prior arrests involving blackmail, extortion, prostitution and procuring; Rappe had made a something of a name for herself as a model, clothing designer, aspiring actress and party girl. But the food and booze were flowing by then, the music was playing, and Arbuckle was soon no longer focused on his exhausting work schedule, the burns on his backside or just who all those guests were. What happened in the ensuing hours would play out on the front pages of William Randolph Hearst’s national chain of newspapers, in lurid headlines, before Arbuckle had a chance to tell his side of the story. Delmont accused Arbuckle of causing Rappe’s condition via sexual assault, though he and other witnesses claimed he was never alone with her. It eventually emerged that Rappe had cystitis, possibly caused by then-illegal abortions, and that alcohol consumption at the party likely aggravated her already-fragile health. She developed a reputation for over-imbibing at parties and then drunkenly tearing at her clothes from the resulting physical pain. Rappe died on September 9th; the next day, Arbuckle was arrested for murder. Nonetheless, the tabloid press seized on the horror of America’s beloved clown Fatty being some sort of boozed-up sex monster. After two mistrials, a third jury not only acquitted Arbuckle, but issued a formal public apology for the “great injustice [that] has been done him…for there was not the slightest proof adduced to connect him in any way with the commission of a crime.”

The trials bankrupted him, and the negative publicity basically ended his acting career. He continued working with some success under pseudonyms as a writer and director, thanks to loyal friends in the industry. But to many, he seemed a broken man—few were surprised when he died of a heart attack in 1933, aged just 46. 

Next, I’ll talk about another tragic sensationalized case, but this one wasn’t quite a Hollywood star, a struggling actress and socialite who gained more fame for her death than she ever did for her life: Capricorn Dorothy Hale.

Stats

birthdate: March 24, 1887

major planets:

Sun: Aries

Moon: Aries

Rising: Cancer

Mercury: Pisces

Venus: Taurus

Mars: Aries

Midheaven: Pisces

Jupiter: Scorpio

Saturn: Cancer

Uranus: Libra

Neptune: Taurus

Pluto: Gemini

Overall personality snapshot: Fools rush in where angels fear to tread – this expressed a core truth about him, and one of his greatest strengths, which was this: he embodied the ‘beginner’s mind’ with all its hope, vitality and yearning for life. This made him an exciting companion because he lived in the present, in the moment, although that moment was inevitably geared up to take him into a fabulous future. Always ready to take up a challenge and express what was on his mind, he had a forceful, eager, adventurous personality and a basic assumption of total independence. His ‘beginner’s mind’ was not strong on forethought or patience, but his fiery spirit and unabashed self-interest was very impressive, often inspiring, and always a force to be reckoned with. He was quick-thinking and action-oriented, every fiber of his being instinctively attuned to his thought and purpose. Like the flowers in early spring, he needed to burst into action, and he easily got irritable if his energy met an obstacle along the way. When he was young, these obstacles made him kick and fight, but in time he engaged with them differently, realizing that life and people were a lot more complex than he thought. His tendency to plunge into life with impulsive zeal is what gave him the reputation for being bossy and competitive, a bit of a warrior. But his energy was all about the desire for development, trying out his strength, meeting life with gusto but with no destructive intent. In fact, surprisingly enough, his competitiveness was mainly with himself – he wanted to find out what his ‘best’ was, because that was finding out who he was, which was the top of the list on his unspoken agenda.

He was a non-conformist and was naturally good at challenging people if they got too set in their ways. This characteristic could mean that he tended to stir up controversy and ruffle feathers, but it often spurred others on to realize more of their own potential. Whether or not they thanked him for it depended on his ability to develop diplomacy. This came as he learned about himself through the challenges of living, for his seemingly unquestioned belief in himself belied a vulnerability and proneness to feeling lost and alone. This was befuddling to him. His courage and dynamism masked his insecurity; what he knew about was action, and situations in which he was powerless made him feel despair. But even that wouldn’t last long because he came to life in a crisis. He could be a fierce rescuer, battling for the rights of the weak and unprotected, but he needed to be careful that in his zeal he didn’t deprive others of developing their own voice. Although he was sociable and he liked people, he didn’t want them to take too long in explaining themselves. Impatient with ditherers, he wanted people to plunge into life with him – at his speed. His weak point, then, was insensitivity to the speed and interests of others. If he could slow down, take more interest in other people’s opinions and problems and put himself in their shoes more often, he would have been be amazed at the response and the increased level of co-operation he got. Others were already inspired by his courage, his keen, incisive mind, and his vitality and ability to cut through non-essentials; all he needed was to develop more tolerance for other points of view, and for the fact that there may not always be an immediate solution to every problem he encountered.

His face had beautiful round, sensitive eyes that showed concern and innocence. His whole appearance spoke of softness and tenderness. He may have felt overwhelmed at times by the depth of emotion that he felt. He was intuitive and artistic and, at times, over-sensitive. He could also be a little secretive. He had a flexible and easily impressionable mind. His mind worked in many ways and on many levels. It really depended on his mood as to how well his thought processes operated. He could be an intensely emotional person with extremely strong physical desires. He tended to see himself as a desirable person to the same sex. When it came to careers, he may have felt initially vague or confused about what he really wanted to do. He was eventually forced to give up his career of choice by events out of his control (as was evidenced by the Virginia Rappe scandal). There was some element of self-sacrifice involved somewhere in his choice of career (the element of sacrifice being that he had to sacrifice his career and reputation due to the scandal). He needed to be loved, but he could also be extremely suspicious of other people and their motives. He acted very cautiously until she was sure of situations and how other people felt. His perseverance was strong, but he needed to learn moderation and not to over-rate his abilities or capacity for doing things. He was interested in foreign names and places, and by anything mysterious. Although he was an extremely creative person, he wasn’t as impressed by beauty as other people were.

He felt an overruling desire for security, both materially and emotionally. Although he could appear reserved, he was emotional and sensitive. Sometimes he was prone to periods of melancholia and pessimism. His ambition and ability to see a job through to the end brought him much success in business. As a man, he may have found that domestic duties or confinement weighed heavily on him. He felt a deep sense of duty, loyalty and responsibility to those who depended on him, such as his family. These feelings stayed with him for all of his life, and could make it difficult for him to go his own way and establish his own roots and separate life. He belonged to a generation that brought unconventional attitudes to marriage and close emotional relationships. Personal relationships tended to be made and unmade fairly quickly. As a member of this generation, he had some unusual artistic talents. Unfortunately, it was within relationships that he experienced turmoil and disruptions. His relationships with people he held authority over brought many disruptions. As a member of the Taurus Neptune generation, he was part of a generation with enormous expectations and good business talents. He belonged to a generation that believed in material ideals, and practical projects and goals. He loved beauty and romance and enjoyed transforming these ideals into concrete terms in the real world. As a Gemini Plutonian, he was mentally restless and willing to examine and change old doctrines, ideas and ways of thinking. As a member of this generation, he showed an enormous amount of mental vitality, originality and perception. Traditional customs and taboos were examined and rejected for newer and more original ways of doing things. As a member of this generation, having more than one occupation at a time would not have been unusual to him.

Love/sex life: His was a difficult combination. A sensualist at heart, he didn’t really approve of the headlong recklessness of his sexual nature. He would have liked to slow down and give his senses ample time to drink in each erotic experience but he found that his Martian nature ran well only in high gear and the more he tried to put on the brakes, the more ungainly and muddled he appeared. He was among the most practical lovers of this type but, unfortunately, his actions often gave little evidence of this wisdom. On the positive side, in the right situation and with the right partner, his unique combination of sensual patience and volcanic passion could make him a gifted lover. And there was a sweetness and soft conventionality about his sexual nature that allowed him to get away with sexual extremes that might land other lovers of this Martian type in jail. If he could have learned from his frustrations and build on his strengths, his capacity for erotic expression was unlimited. It was a shame that this dichotomy resulted in his career being shattered after it was alleged that he had sexually assaulted a young woman who died in his home during a party.

minor asteroids and points:

North Node: Leo

Lilith: Pisces

Vertex: Scorpio

Fortune: Cancer

East Point: Gemini

His North Node in Leo dictated that he needed to downplay his more anarchic and unpredictable aspects and turn his attention to developing his personal authority and allowing himself to show more warmth. His Lilith in Pisces was a powerful muse in his life as an innovative male thinker; he was dangerously attracted to women who were natural born mystics and cultivated their own myth. His Vertex in Scorpio, 5th house dictated that he had a desire or continual need for feeling irresistible and irreplaceable on all levels of intimacy, whether spiritual, intellectual, emotional, or physical. From the fires of hell to the heights of heaven, the further and deeper the range of interaction he can experience with another the more fulfilling. With him, what you saw was never what you got - there was always more than met the eye. His lovers should prepare themselves for considerable intrigue, endless fascination and an interactive intensity that will challenge them to the maximum. He had a childlike orientation, in all of its manifestations, toward relationships on an internal level. That implicit trust, or perhaps naivete, that was instilled in his childhood persists far into maturity. The concomitant explosions and occasional tantrums when these constructs are violated also accompany this position.

He had a need for fun, creativity, and excitement in a committed relationship, no matter how many years it has endured. He often had deep fears, typical of children, of abandonment, as well as a need for universal acceptance, no matter how he acted, which he needed his lover to respect and nurture, rather than rebuke, especially in adulthood. His Part of Fortune in Cancer and Part of Spirit in Capricorn dictated that his destiny would bring money into his life. His wealth, ironically, came through his father, who gave Arbuckle the impetus to make his own money. Happiness and good fortune lay within his home and family, which provided emotional and financial security. His soul’s purpose was to create practical and long-lasting achievements. He felt spiritual connections and saw the spark of the divine when he observed his progress through life and saw it take a form and structure that will outlive him. East Point in Gemini dictated that he was often insatiably curious and loved to collect little bits of (what seems to be useless) information and trivia. His interests were quite varied, and he may have been somewhat scattered. Sometimes his curiosity could appear cold and callous as his level of objectivity was potentially high. There was usually an openness to learning in any situation.  

elemental dominance:

water

fire

He had high sensitivity and elevation through feelings. His heart and his emotions were his driving forces, and he couldn’t do anything on earth if he didn’t feel a strong effective charge. He needed to love in order to understand, and to feel in order to take action, which caused a certain vulnerability which he should (and often did) fight against. He was dynamic and passionate, with strong leadership ability. He generated enormous warmth and vibrancy. He was exciting to be around, because he was genuinely enthusiastic and usually friendly. However, he could either be harnessed into helpful energy or flame up and cause destruction. Ultimately, he chose the former. Confident and opinionated, he was fond of declarative statements such as “I will do this” or “It’s this way.” When out of control—usually because he was bored, or hadn’t been acknowledged—he was bossy, demanding, and even tyrannical. But at his best, his confidence and vision inspired others to conquer new territory in the world, in society, and in themselves.

modality dominance:

cardinal

He was happiest when he was doing anything new (in his case, it was beginning new partnerships), and he loved to begin new ventures. He enjoyed the challenge of claiming territory. He tended to be an initiator—and a bit territorial as well. Also, he had a tendency to start more things than he could possibly finish.

house dominants:

10th

11th

1st

His ambition in relation to the outside world, the identity he wished to achieve in regard to the community at large, and his career aspirations were all themes that were emphasized throughout his life. All matters outside the home, his public image and reputation were very important to him. His attitude to people in authority, and how he viewed the outside world, as well as the influence of his mother and his own attitude to her was highlighted. Globally aware, he put emphasis on his friends and acquaintances, as well as the influence of groups and societies on his life. His general hopes and aspirations revealed themselves, as well as how well he functioned as part of a system. This extended to how he manifested his creativity against the background of the community. His personality, disposition and temperament is highlighted in his life. The manner in which he expressed himself and the way he approached other people is also highlighted. The way he approached new situations and circumstances contributed to show how he set about his life’s goals. The general state of his health is also shown, as well as his early childhood experiences defining the rest of his life.

planet dominants:

Moon

Mars

Saturn

He was defined by his inner world; by his emotional reactions to situations, how emotions flowed through him, motivating and compelling him—or limiting him and holding him back. He held great capacity to become a part of the whole rather than attempting to master the parts. He wanted to become whatever it is that he sought. He was aggressive, individualistic and had a high sexual drive. He believed in action and took action. His survival instinct was strong. He wanted to take himself to the limit—and then surpass that limit, which he often did. He ultimately refused to compromise his integrity by following another’s agenda. He didn’t compare herself to other people and didn’t want to dominate or be dominated. He simply wanted to be free to follow his own path, whatever it was. He believed in the fact that lessons in life were sometimes harsh, that structure and foundation was a great issue in his life, and he had to be taught through through experience what he needed in order to grow. He paid attention to limitations he had and had to learn the rules of the game in this physical reality. He tended to have a practical, prudent outlook. He also likely held rigid beliefs.

sign dominants:

Aries

Cancer

Pisces

He was bold, courageous, and resourceful. He always seemed to know what he believed, what she wanted from life, and where he was going. He could be dynamic and aggressive (sometimes, to a fault) in pursuing his goals—whatever they might be. Could be argumentative, lacked tact, and had a bad temper. On the other hand, his anger rarely lasted long, and he could be warm and loving with those he cared about. At first meeting, he seemed enigmatic, elusive. He needed roots, a place or even a state of mind that he could call his own. He needed a safe harbor, a refuge in which to retreat for solitude. He was generally gentle and kind, unless he was hurt. Then he could become vindictive and sharp-spoken. He was affectionate, passionate, and even possessive at times. He was intuitive and was perhaps even psychic. Experience flowed through him emotionally. He was often moody and always changeable; his interests and social circles shifted constantly. He was emotion distilled into its purest form. He needed to explore his world through his emotions. He felt things so deeply that quite often he became a kind of psychic sponge, absorbing the emotions of people around him. As such, he gravitated toward the arts, in general, to theater and film specifically. He could be ambivalent and indecisive simply because he was so impressionable. He also tended to be moody because he felt the very height of joy and the utter depths of despair. Love and romance were essential for him. These fulfilled him emotionally, and he generally flourished within stable relationships.

Read more about him after the cut:

Roscoe Arbuckle, one of nine children, was the baby of the family who weighed a reported 16 pounds at birth. Born in Smith Center, Kansas, on March 24, 1887, his family moved to California when he was a year old. At age eight he appeared on the stage. His first part was with the Webster-Brown Stock Company. From then until 1913, Roscoe was on the stage, performing as an acrobat, clown and singer. His first real professional engagement was in 1904, singing illustrated songs for Sid Grauman at the Unique Theater in San Jose, CA, at $17.50 a week. He later worked in the Morosco Burbank stock company and traveled through China and Japan with Ferris Hartman. His last appearance on the stage was with Hartman in Yokahama, Japan, in 1913, where he played the Mikado. Back in Hollywood, Arbuckle went to work at Mack Sennett's Keystone film studio at $40 a week. For the next 3-1/2 years he never starred or even featured, but appeared in hundreds of one-reel comedies. He would play mostly policemen, usually with the Keystone Kops, but he also played different parts. He would work with Mabel Normand, Ford Sterling, Charles Chaplin, among others, and would learn about the process of making movies from Henry Lehrman, who directed all but two of his pictures. Roscoe was a gentle and genteel man off screen and always believed that Sennett never thought that he was funny. Roscoe never used his weight to get a laugh. He would never be found stuck in a chair or doorway. He was remarkably agile for his size and used that agility to find humor in situations. By 1914 he had begun directing some of his one-reels. The next year he had moved up to two-reels, which meant that he would need to sustain the comedy to be successful--as it turned out, he was. Among his films were Fatty Again (1914), Mabel, Fatty and the Law (1915), Mabel and Fatty's Wash Day (1915), Mabel and Fatty Viewing the World's Fair at San Francisco (1915), Fatty's Reckless Fling (1915), and many more. For "Mabel and Fatty Viewing the World's Fair at San Francisco", Keystone took the actors to the real World's Fair to use as background; the studio's cost was negligible, while the San Francisco backgrounds made the picture look expensive. By 1917 Roscoe formed a partnership with Joseph M. Schenck, a powerful producer who was also the husband of Norma Talmadge. The company they formed was called Comique and the films that Roscoe made were released through Famous Players on a percentage basis, and soon Arbuckle was making over $1,000 a week. With his own company Roscoe had complete creative control over his productions. He also hired a young performer he met in New York by the name of Buster Keaton. Keaton's film career would start with Roscoe in The Butcher Boy (1917). Roscoe wrote his own stories first, tried them out and then devised funny twists to generate the laughs. His comedy star was second only to Charles Chaplin. With the success of Comique, Paramount asked Roscoe to move from two-reel shorts to full-length features in 1919. Roscoe's first feature was The Round-up (1920) and it was successful. It was soon followed by other features, including Brewster's Millions (1921) and Gasoline Gus (1921). Ufortunately, tragedy struck on Labor Day on September 5, 1921 with the arrest and trial of Roscoe Arbuckle on manslaughter charges. Roscoe with friends Lowell Sherman and Fred Fishback drove to San Francisco where they checked into the St Francis Hotel threw a party and which was crashed by a "starlet" named Virginia Rappe, who fell seriously ill and died three days later from a ruptured bladder. Rappe had accused Arbuckle of raping her prior to passing away, but Rappe had a history of accusing men of rape. The newspapers, led by William Randolph Hearst, used this incident to generate Hollywood's first major scandal. Roscoe was tried not once but three times for the criminal charges; the trials began in November 1921 and lasted until April 1922; the first two ended with hung juries (the mistrial decision in the second trial was reached on February 3, 1922, the day after Arbuckle's friend and fellow Paramount director William Desmond Taylor was found murdered, and Arbuckle was visibly affected by the news). At his third and final trial in April of 1922, the jury not only returned a "not guilty" verdict but excoriated the prosecution for pursuing a flimsy case with no evidence of Arbuckle having committed any crime; it was at this final trial that the jury went further, writing a personal letter of sympathy and apology to Arbuckle for putting him through this ordeal. He kept it as a treasured memento for the rest of his life. However, Arbuckle's acquittal marked the end of his comedic acting career. Unable to return to the screen, he later found work as a comedy director for Al St. John, Buster Keaton and others under the pseudonym "William Goodrich" (he was inspired to use this pseudonym by Keaton, who suggested Arbuckle use the name "Will B. Good"). In 1932 producer Samuel Sax signed Roscoe to appear in his very first sound comic short films for Warner Brothers, starting with Hey, Pop! (1932). He completed six shorts and showed the magic and youthful spirit that he had a decade before. With the success of the shorts, Warner Brothers signed Roscoe to a feature film contract, but he died in his sleep on June 29, 1933 , at age 46, the night after he signed the contract. (x)            

[conklesnonsense]

Creaturetin Wednesday

This Week the Observer found and wrote down a myth from the Cloud Children

[presidenttyler]

imagine this world

gilded age politicians douchebag podcast bro au

[buchino]

“The Day Corporations Used Amendment XIV to Become People” by My Little Edgar Allan Pony

I wrote this song a dozen or so years ago. Luke and I would jam to it, and he added a killer coda.

I recently created art for Kevin’s solo project, Cake to Age, and it inspired me to record some of my own tracks.

In December, I recorded a reference track and then asked friends to record tracks to mix in. Luke added guitar parts, Kevin laid down drums and Yoko took things up a notch with the cello. Each part was recorded from different locations with different equipment. I recorded my parts with an iPhone SE, for example.

⦿

When I wrote the song, I had just learned about how the interpretation of the 14th Amendment was broadened to recognize personhood for corporations. This was 2007–2008, two years before Citizens United v. FEC was decided.

via Annenberg Classroom:

Concerned about increasing state regulation, corporations seek to overturn the Supreme Court’s decision in the Slaughterhouse Cases. Former U.S. Senator Roscoe Conkling, who had been one of the authors of the Fourteenth Amendment, argues in San Mateo County v. Southern Pacific Railroad Company that the Amendment’s phrase “any person” also applies to a corporation. Therefore, the county’s efforts at regulation violate the railroad’s right to “substantive due process.” The Court accepts this line of reasoning, frustrating state and federal governments’ efforts to regulate business practices for the next half century.

⦿

This is the first song on a full-length album due in March. Thanks to my co-conspirators—they really transformed the song into something greater than I had imagined. Despite my struggles attempting to mix the tracks, I’m pretty happy about this little demo. I hope you are, too.

[blackkudos]

Oscar Stanton De Priest

Oscar Stanton De Priest (March 9, 1871 – May 12, 1951) was an American politician and civil rights advocate from Chicago. A member of the Illinois Republican Party he was the first African American to be elected to Congress in the 20th century. During his three terms, he was the only African American serving in Congress. He served as a U.S. Representative from Illinois' 1st congressional district from 1929 to 1935. De Priest was also the first African-American U.S. Representative from outside the southern states and the first since the exit of North Carolina representative George Henry White from Congress in 1901.

Born in Alabama to freedmen parents, De Priest was raised in Dayton, Ohio. He studied business and made a fortune in Chicago as a contractor, and in real estate and the stock market before the Crash. A successful local politician, he was elected to the Chicago City Council in 1914, the first African American to hold that office.

In Congress in the early 1930s, he spoke out against racial discrimination, including at speaking events in the South; tried to integrate the House public restaurant; gained passage of an amendment to desegregate the Civilian Conservation Corps, one of the work programs under President Franklin D. Roosevelt's New Deal; and introduced anti-lynching legislation to the House (it was not passed because of the Solid South Democratic opposition). In 1934, De Priest was defeated by Arthur W. Mitchell, the first African American to be elected as a Democrat to Congress. De Priest returned to Chicago and his successful business ventures, eventually returning to politics, when he was again elected Chicago alderman in the 1940s.

Early life

De Priest was born in 1871 in Florence, Alabama, to freedmen, former slaves of mixed race. He had a brother named Robert. His mother, Martha Karsner, worked part-time as a laundress, and his father Neander was a teamster, associated with the "Exodus" movement. After the Civil War, thousands of blacks left continued oppression by whites in the South by moving to other states that offered promises of freedom and greater economic opportunities, such as Kansas. Others moved later in the century.

In 1878, the year after Reconstruction had ended and federal troops been withdrawn from the region, the De Priests left Alabama for Dayton, Ohio. Violence had increased in Alabama as whites had tried to restore white supremacy: the elder De Priest had to save his friend, former U.S. Representative James T. Rapier, from a lynch mob, and a black man was killed on their doorstep. The boy Oscar attended local schools in Dayton.

Career

Business

De Priest went to Salina, Kansas, to study bookkeeping at the Salina Normal School, established also for the training of teachers. In 1889 he moved to Chicago, Illinois, which had been booming as an industrial city. He worked first as an apprentice plasterer, house painter, and decorator. He became a successful contractor and real estate broker. He built a fortune in the stock market and in real estate by helping black families move into formerly all-white neighborhoods, often ones formerly occupied by ethnic white immigrants and their descendants. There was population succession in many neighborhoods under the pressure of new migrants.

Politics

From 1904 to 1908, De Priest was a member of the board of commissioners of Cook County, Illinois.

De Priest was elected in 1914 to the Chicago City Council, serving from 1915 to 1917 as alderman from the 2nd Ward, on the South Side. He was Chicago's first black alderman. In 1917 De Priest was indicted for alleged graft and resigned from the City Council. He hired nationally known Clarence Darrow as his defense attorney and was acquitted. He was succeeded in office by Louis B. Anderson.

In 1919, De Priest ran unsuccessfully for alderman as a member of the People's Movement Club, a political organization he founded. In a few years, De Priest's black political organization became the most powerful of many in Chicago, and he became the top black politician under Chicago Republican mayor William Hale Thompson.

In 1928, when Republican congressman Martin B. Madden died, Mayor Thompson selected De Priest to replace him on the ballot. He was the first African American elected to Congress outside the South and the first to be elected in the 20th century. He represented the 1st Congressional District of Illinois (which included The Loop and part of the South Side of Chicago) as a Republican. During the 1930 election, De Priest was challenged in the primary by noted African-American spokesperson, orator, and Republican Roscoe Conkling Simmons. De Priest defeated Simmon's primary challenge and won the general election afterward. During De Priest's three consecutive terms (1929–1935), he was the only black representative in Congress. He introduced several anti-discrimination bills during these years of the Great Depression.

DePriest's 1933 amendment barring discrimination in the Civilian Conservation Corps (CCC), a program of the New Deal to employ people across the country in building infrastructure, was passed by the Senate and signed into law by President Franklin D. Roosevelt. His anti-lynching bill failed due to opposition by the white conservative Democrats of the Solid South, although it would not have made lynching a federal crime. (Previous anti-lynching bills had also failed to pass the Senate, which was dominated by the South since its disenfranchisement of blacks at the turn of the century.) A third proposal, a bill to permit a transfer of jurisdiction if a defendant believed he or she could not get a fair trial because of race or religion, was passed by a later Congress.

Civil rights activists criticized De Priest for opposing federal aid to the poor. Nevertheless, they applauded him for making public speeches in the South despite death threats. They also praised De Priest for telling an Alabama senator he was not big enough to prevent him from dining in the private Senate restaurant. (Some Congressmen ate in the Senate restaurant to avoid De Priest, who usually ate in the Members Dining Room designated for Congressmen.) The public areas of the House and Senate restaurants were segregated. The House accepted that De Priest sometimes brought black staff or visitors to the Members Dining Room, but objected when he entertained mixed groups there.

De Priest defended the right of students of Howard University, a historically black college in Washington, D.C., to eat in the public section of the House restaurant and not be restricted to a section in the basement near the kitchen, used mostly by black employees and visitors. He took this issue of discrimination against the students (and other black visitors) to a special bipartisan House committee. In a three-month-long heated debate, the Republican political minority argued that the restaurant's discriminatory practice violated 14th Amendment rights to equal access. The Democratic majority skirted the issue by claiming that the restaurant was a private facility and not open to the public. The House restaurant remained segregated through much of the 1940s and maybe as late as 1952.

In 1929, De Priest made national news when First Lady Lou Hoover invited his wife, Jessie De Priest, to a traditional tea for congressional wives at the White House.

De Priest appointed Benjamin O. Davis Jr. to the United States Military Academy at a time when the only African-American line officer in the Army was Davis's father.

By the early 1930s, De Priest's popularity waned because he continued to oppose higher taxes on the rich and fought Depression-era federal relief programs under President Roosevelt. De Priest was defeated in 1934 by Democrat Arthur W. Mitchell, who was also African American. After returning to his businesses and political life in Chicago, De Priest was elected again to the Chicago City Council in 1943 as alderman of the 3rd Ward, serving until 1947. He died in Chicago at 80 and is buried in Graceland Cemetery.

Personal life

Oscar married the former Jessie L. Williams (c. 1873 – March 31, 1961). They had two sons together: Laurence W. (c. 1900 – July 28, 1916), who died at the age of 16 and Oscar Stanton De Priest, Jr. (May 24, 1906 – November 8, 1983) A great-grandson of Oscar De Priest, Jr., Philip R. DePriest, became the administrator of his estate after his grandmother's death in 1992. This included his great-grandfather's Oscar Stanton De Priest House, now a National Historic Landmark, which still held his locked political office. This had not been touched since about 1951. This great-grandson has been working to restore the office and house, and assessing the political archives—"a veritable treasure trove."

Legacy and honors

The Oscar Stanton De Priest House in Chicago, at 45th and King Drive, has been designated as a National Historic Landmark and city landmark.

See also

List of African American firsts

List of African-American United States Representatives

Oscar Stanton De Priest House

Jessie De Priest

References

Bibliography

Day, S. Davis. "Herbert Hoover and Racial Politics: The De Priest Incident". Journal of Negro History 65 (Winter 1980): 6-17

Nordhaus-Bike, Anne. "Oscar DePriest lived Pisces's call to service, unity." Gazette, March 7, 2008.

Olasky, Martin. "History turned right side up". WORLD magazine. 13 February 2010. p. 22.

Rudwick, Elliott M. "Oscar De Priest and the Jim Crow Restaurant in the U.S. House of Representatives". Journal of Negro Education 35 (Winter 1966): 77–82.

External links

United States Congress. "Oscar Stanton De Priest (id: D000263)". Biographical Directory of the United States Congress.

Search for National Historic Landmark: Oscar De Priest House, National Park Service

“DE PRIEST, Oscar Stanton”, History, Art & Archives, U.S. House of Representatives

Shelley Stokes-Hammond, Biographical sketch: "Pathbreakers: Oscar Stanton DePriest and Jessie L. Williams DePriest", The White House Historical Association

"The DePriest Family Legacy", Video Interview/YouTube, White House Historical Association

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