#confetti for betty
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Today's polishes are a creme and a topper. The creme, which came to me courtesy of @lesmotsdemoi is a super bright, but not quite neon, warm-toned purple. It had a fantastic formula. On top of that is an iridescent flakey topper that had such an interesting mix of colors: gold, purple, and magenta. You can see it best in the middle picture where the purple flakes look almost blue because of the purple creme underneath. I really enjoyed this combo. This is Confetti for Betty from Wildflower Lacquer over Manic Panic from Tonic Polish.
#nail polish 546#manicure#wildflower lacquer#confetti for betty#flakey#topper#tonic polish#manic panic#purple#creme
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come on... I love us...
Not as much as you love Kate Siegel, but it's fine, as long as I can be in range somewhere 💙🍍
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New Years
Betty's changed expression, I guess, shows the subtle difference in how the company moved their relationship dynamics. Betty is not so much angry in her jealousy of stage roles as amused. Not taking it out on Veronica... that... well, she is not the sexy new thing but the old haggard being put out to pasture.
The other alterations -- they won't have to make any other changes for the generic year designations when this is plopped out again. I have no idea why the fringe on Veronica's bikini bottom is removed, or what the ramifications for Betty's disappeared bra strap is. On the back-drop of confetti and debris of decorations -- it is a little disappointing the goofy glasses are gone.
What they have to do with the traditional likenesses of the two fixtures, you tell me.
#Archie Comics#Betty Cooper#Veronica Lodge#New Years#Father Time#Baby New Year#Bikini#Shawl#Scythe#Confetti#Spin wheel#JC Lyendecker#Saturday Evening Post#1911#Giovanni Francesco Romanelli#Chronos and His Child#Dan Decarlo#1993
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hahahahh I cant' get behind TLOU2. I respect Neil for making the choices he did, I can see the point in his choice of storybeats and how we hurt ourselves with love. But even if I think it's genius, that doesn't mean I have to like it or accept it for Joel. I need to give him something good, something he craves--family.
Sure, someone to love is pretty great. But that person should be good with Ellie, should be gentle to him. The best way to Joel's heart is through his trust, so it had to take a little time for them to get to this point.
Thank you so much for the reblog and rec, Betty. <3 It means so much!!!!
Leave Off Your Wandering pt. 3: Autumn
Fandom: The Last of Us (TV)/ Joel Miller
Pairing: Joel Miller x f!reader
Reader: Adult female. Old enough to have been an adult on Outbreak Day. Wyoming born and bred. Sheep farmer, easy-going but confident and self-sufficient. Likes to sing, not a great cook. Childhood friend of Maria. No other physical descriptors; no use of y/n.
Rating: T for now
Warnings: Angst. Canon-typical tragedy (not main characters). Childbirth. A few names that may twist a knife.
Summary: You give Joel a lot to think about.
A/N: Set after season 1 and then diverges. Does not acknowledge the existence of further plot/seasons, although I claim the right to steal ideas and bits of cannon from the second game if I want to for plot reasons later.
It takes a lot to gain Joel's trust, and even longer to tame him. Thanks for sticking it out this long. We're finally shifting into acceptance mode.
“No, they do not make you look old. They make you look like Joel Miller in glasses. Just like the last five pairs. These are distinguished.”
“Looks like something my old man would have worn.”
“Your dad must have been a stunner. Assume the position. Bottom line.”
Turning him by his shoulders, you square Joel up to the line on the floor across from the eye chart at the back of the Jackson commissary.
“P…E Z O L C…F…T D.”
You pass him a handwritten note. “Good. Now use the bottom half of the lenses to read this one. Do it without squinting.”
Taking the paper, he squints. You pull on his arm to distance it correctly and he stops. He stares at the paper for a while. You might be concerned at the pause if he wasn’t taking a comically elongated time, breathing out hard through his nose, his jaw ticking left to right, feigning decisions, trying not to laugh. “Gimme a pencil.”
Without taking your eyes off him, you reach over to the counter and snag a pencil out of a cup and hand it to him, watch his eyebrows lift, his head shake, and give another dramatic sigh as he marks the paper before handing both the note and the pencil back over to you.
Joel Miller, will you go to the harvest dance with me? [x] yes or [ ] no.
“I don’t think these are gonna work,” he points to the black frames on his face. “Can’t read a damn thing. Not one damn word–” He can’t even make it through the sentence without cracking a smile, and only fully laughs when you playfully punch him in the arm.
“I’ll have you know this is a binding contract whether you can see it or not,” you join him in the tease, fanning the note in his face. “Just how blind are you???”
“Well, maybe I was working up to asking you the same question so…I guess not as blind as you seem to think.”
This slowly melts your laughter down to a smile. “Working up to it? What’s there to work up to? You mean… Did you…not want to?”
When his own smile fades, you realize too late that maybe he didn’t.
While you and Joel have fallen into a close friendship over the past few months, sometimes that’s all it really seems to be. There are moments that come close to something more–an arm draped over the back of your chair–or perhaps across your shoulders–as you stand in the back yard watching the fireflies, always a ready hand to help you up from a chair or the ground. If the two of you are ever in the same room, he’s always near, keeping you on his left where he can hear you. It took a while, but both Joel and Ellie have just stopped knocking when they come by, treating your house as they do Maria and Tommy’s–like family.
There are times he smiles in that way where his eyes shimmer and you think he’s coming around to falling for you. But he never pushes for more and you are beginning to wonder if he even wants that. After all, you’d learned from Tommy what life in a QZ can do to a person….and that’s on top of all the years the brothers spent surviving in some of the most violent and criminal ways possible.
Sometimes when you all sit out on Maria’s porch after dinner and watch the sunset together, he might take your hand in one of his–big, warm, roughened but gentle. And it’s at those times you almost forget about how he’d used it in the past. Almost.
With his bare hands, Tommy had said. Just come up behind ‘em and squeeze.
It takes time to become someone else. You always knew you’d need patience.
You just never braced yourself for something….a little less than affection.
“Listen, Songbird,” he sighs, his jaw shifting hard to one side. “I don’t want you to think–”
“Oh yeah, lookin’ goooooood,” Ellie’s opinion precedes your notice of her entrance. “Hey there, professor. I was looking for a book on relativity. Any suggestions?”
Pushing the glasses up the bridge of his nose, he ignores her sass and turns instead to the commissary register to mark down the inventory he’s taking. “Aren’t you supposed to be with Maria?”
“Yeah,” she shrugs, picking up an earthenware mug from a shelf and admiring the owl painted on it. “Her water broke. Baby’s coming. Can I claim this mug?”
“What??” Your body jerks, ready to run, but just barely holding back, shifting all the dismay you were just collecting and using it to power a new anxiety.
Joel’s head whips around, the glasses staying mercifully in place. “What are you doin’ looking for us? Go get Dr. Johnson!”
“Unclench yourself, my good sir. I already did. Went to her–” she says to him and then winks to you,”-- and Willa, thank you very much. You two didn’t tell me where you were going, you think I’m dumb enough to spend time hunting you down first? I’d be looking up and down Main forever. Have been. Almost went out back to see if you were eating spaghetti in the alley with one long noodle between you. Baby’s probably already here by now, jeez.” She spins on her heel, tapping the mug with a finger. “I’m taking this, thanks.”
Joel exchanges a look with you, the former conversation shoved roughly aside for a new concern. “I’ll register it and grab a few other necessaries. You go.”
This is no time to pick up the dropped dialogue but… maybe…should you stay and help? Oh. It takes a second to click that you can leave it to him. You don’t have to tell the man what’s needed for a new baby…after all, he knows more than you. Even if it was a whole other life or two ago.
And with a nod, you shelve your feelings for one more day and jog out the door to catch up with Ellie.
_____
Willa’s just walking out the door by the time you get to Maria and Tommy’s.
“You’re going?”
“For now,” she nods, working her shoes back onto her feet. “She’s got a while to go. It looks like it will be a pretty straightforward labor.”
“Did Dr. Johnson have anything to say?”
Her exhale tests high for irritation. “She’s upstairs. Why not go ask her yourself.”
“Wait. Willa. Did she send you away? I didn’t want to call her, but Joel thought–”
“Nah, it’s fine. I’m going to go take a nap so I can get through the night. But she’s using up all the air in the room and what Maria needs is to rest as much as she can and let it come. A good midwife would know that. Too bad the medical authority in this town is a gastroenterologist and not an obstetrician. It’s a baby and she’s treating it like an obstructed bowel.” Muttering something further about obstructions and matters of the bowel in regards to Dr. Johnson, Willa pats you on the shoulder before making her exit. “Maria can have water for a couple more hours, then sips only. Make sure she eats something.”
Upstairs you find your old friend in full concentration mode–laying on her bed, eyes closed, breathing hard, forehead smooth but glistening–as she awaits the next contraction. Tommy’s curled up next to her, holding one of her hands, his forehead to her temple, matching her breath for breath.
Her other hand is being held aloft as the good Doctor checks her pulse. “Family only,” she condescends as you enter the room.
“Good idea,” you say, plonking down at the end of the bed with enough of a bounce that Maria opens her eyes and glares from behind her belly. When you point to her swollen feet and let your eyebrows request consent, she nods, shuts her eyes, and focuses back on the process as you take a foot onto your lap and start to massage.
Maria groans in contentment and Dr. Johnson takes it for discomfort. Turning to you, her silvery hair pulled back into a tight braid, her frown causes her jowls to deepen. “I really must insist that you clear the room. The fewer distractions she has, the better things are going to go for her.”
You pull your stockinged feet up onto the bed. “Is that how it was when you had kids?”
“I never had children,” the doctor snaps.
“I see. Well, Maria said she was gonna freak out if I wasn’t here, so it seems now we’ve got ourselves a conundrum between what the doctor says and the patient wants. But, seeing as how this is her second child and she is very much my family, I think I’m going with her wishes on this. I never got to meet the first one; I’m sure as hell not gonna miss a minute of my new godchild.”
“Who said you were going to be the godmother?” Maria grumbles.
“I did. It’s your own fault. You left the position open and nature abhors a vacuum, so I’m gonna plug my old ass into that hole.”
“You are mixing so many metaphors there. Where’s–nnnnn,” her face becomes a wall of teeth as the contraction hits, her body a live wire as you and Tommy move to soothe. It takes a good minute for her breathing to slow enough to ask, “Where’s…Willa?”
“She says she’ll check back in tonight. You’ll probably be at this awhile.”
“Well, then, if you’ve got your magic healing woman then I’m not really needed here,” Dr. Johnson’s smile only travels halfway up her face. “Blood pressure’s doing well, no signs of abnormality. I’m sure you’ll be just fine. If you need me, you know where to find me. Just send the foul-mouthed girl again. Certainly with a set of lungs like that, she can easily wake me up in a matter of minutes.”
Nobody stops the good doctor on her way out and the train of her passive-aggressive, attention-seeking attitude trails behind her.
“She means well,” Tommy answers your scathing look.
“Your wife didn’t ask for her.”
“My wife’s never been through labor without drugs before. And she’s older now. I just…” his eyes soften on her with concern as he leans in and presses a kiss to Maria’s forehead, “I just want her to be okay.”
“She’s Maria. Of course she will be.”
The subject groans with a minor cramp. “Stop talking about me like I’m not here and go make me a taco. I’m starving.”
She’s less than thrilled with the berries you bring instead– “water and fiber now, carbs later” –but is placated with you reading her to sleep from one of her favorite Amy Tan novels. Every now and then she wakes up with a contraction, but a little soothe in your voice and she’s out again.
After a few hours, Tommy goes to nap in a spare room and Willa returns with a bag full of clean linens, ready to take over, sending you out to get your own nap in.
It’s quiet downstairs, the setting sun throwing long shadows through the western windows, mixing with a few faint rainbows still filtering through the leaded stained glass over the door.
Maria’s not far from you in age. If there were still doctors in hospitals, they’d call her pregnancy not just geriatric, but advanced geriatric. Even with all the medicine that used to be available, she and the baby would still be under the care of several wary eyes. If they both make it, they’ll have beaten the odds. If they don’t–
Slumping down on the couch and pouring yourself over it–just to put your feet up and your head down for a second…just a second–you push worry out of your orbit. This isn’t a world to worry in anymore. What comes comes. All you can do is what you can do. Maria is strong. Tommy loves her. Willa’s capable. The baby’s on time. Everything’s going to be fine.
It has to be.
It hurts too much to consider an alternative.
_____
When your eyes open again, the house is dark and quiet, the sun long since set.
Although, not so quiet when your stomach growls. Nor so dark either, as you notice a faint glow coming from the kitchen.
A simple investigation leads you to a tea candle burning in a jar on the countertop, next to a scrap of paper with your name scrawled on it and a plate covered in a linen dishcloth, under which you discover a flatbread sandwich.
One look at the handwriting and you can imagine Joel coming by to check up on things only to find you asleep on the couch. There was no gentle-but-possibly-disruptive blanket-covering, no “thought you could use something to eat” beside your name on the note. Nothing but reverent candlelight and one word to let anyone who found the plate know for whom it was intended, no requests or commands, just a quiet devotion, a simple offering to a sleeping idol to be taken or left as you chose.
If he doesn’t want you to fall any harder for him, he’s doing a terrible job.
_____
The final labor comes the following morning, Tommy holding one of Maria’s hands and you the other–both of you gritting your teeth as her grip leaves bruises–and Willa holding the soles of Maria’s feet, giving her something to push against.
Joel’s been tasked with guarding the door to the house since Maria’s taken to screaming with each push–not in pain, but in ferocity–and the neighbors have been coming around in concern. He’s quick to turn them around and send them on their way and you’ve gathered from Ellie’s reports that they seemed offended until she started volunteering the information that Willa is upstairs helping out. Then everyone readily accepts that all is well and being taken care of.
But Maria, she’s the real star of the show here. Yes, she’s in pain, and yes, she’s tired and weeping–no tears, dehydrated–but she’s nothing if not a fighter. She wouldn’t be in Jackson without that being true. And, frankly, Jackson wouldn’t be Jackson if it weren’t true either.
When it’s all done and the delivery miraculously comes off without a hitch, when Willa checks the baby boy over and finds him responsive and healthy, ties him off and hands him over to Tommy, taking her leave to go wash up and rest, the room is eerily quiet.
“Hello, little man. I’m your dad,” Tommy whispers, on the edge of tears but too tired to cry as he sits next to Maria and shares the bundle with her, the two of them staring down in awe at the tiny new human. “I’m your dad, and this is your beautiful, strong, fantastic mamma. And your auntie’s here too and we’re all damn happy to meet you. Welcome home.”
Maria smiles wide, the pain already fading to memory, an unnecessary detail she’s gonna leave behind her in exchange for exponentially better days ahead.
“Good job, you three.” Adding to the kiss count on Maria’s head, you start to pick up some discarded towels and sheets, preparing to leave the new family to rest. “Did you finally agree on a name?”
“Oh, I think I settled early on,” Maria sighs, completely in love. “Riley.”
You hum in satisfaction. “Nice. Where’d that one come from?”
“Ellie suggested it and it just hit me right. It’s a good name for a boy or girl, but mostly I liked it because it’s a fighting name. All riled up and ready to go.”
“Sounds like trouble.”
Maria snorts. “Oh, I’m sure. After all, he is a Miller.”
“Damn right,” Tommy whispers, bestowing his legacy.
It’s an easy decision to make, your vow of silence. You’ll never let them know you feared losing her. Not when there’s more now to protect, more to love.
There's been enough fear. It isn't worth your time.
_____
Over the next week and change, a routine easily emerges. You make yourself available during the day for any needs–help with cooking, diaper washing, or just rocking Riley while Maria has a bath or Tommy needs a nap. After school, Ellie comes by and adds two more hands, truly turning childrearing into a village affair. Joel’s the last to add to the party after the sun starts getting low and construction on the new district slows down for the day, earlier if it’s his day for patrol. Every night is family dinner night now and sometimes Riley’s actually awake enough to join them.
Ellie can’t get enough of her new little friend. If she’s got empty hands she willingly fills them with baby, either rocking him or laying him on a cushion to watch him watching her. She’s not had a lot of experience with babies or newborns other than the lambs, but she’s a quick learner. It’s just one more thing that this harder world has deprived her of. Babies were few and far between in the QZ and Ellie seems bound and determined to make up for lost time, not wanting to miss an instant of growth or change.
Joel, on the other hand, is more stoic. If he was hard of hearing before, it almost completely disappears when Riley’s in the crook of his arm. He can’t help but be captivated by his new nephew and you catch a fond smile creeping along his cheek now and then, but there’s always something a little sad behind it, and when the light catches a glimmer off the face of his broken wristwatch, it’s not hard to guess what he’s thinking.
It’s during one of these moments when Maria’s napping and Ellie and Tommy are out in the yard, that you finish up the dishes and plop yourself down on the couch next to Joel.
“Your arm tired? Want me to take him?”
“No. I’m fine,” he says quietly, trying not to wake the boy. But the silence is more for himself than the baby–Riley sleeps hard. For now.
You simply draw a knee up onto the couch and lean your elbow against the back cushion, watching them, chin in hand.
“Where’s Ellie?” he finally asks.
“Enough leaves are down. Tommy’s out back showing her how to make a leaf pile. And what to do with it.”
He chuckles, knowing exactly what’s proper and good to do with leaf piles. “We used to have a big maple out back when we were kids. Dad spent hours raking and nothing he could say or do could keep us from demolishing his work. Whip our hides and we'd be back out there the next day making a mess.”
“Well, at least lawn maintenance isn’t such a priority anymore, right? Just think of all the leaf piles this one’s gonna get. Let the destruction commence.”
“Yeah.” It’s slow and subtle, but the light slowly leaks from him, a twilight descending over his brow. “I guess there’s still a few pleasures to be had for kids in this world.”
This is why he’s always so contemplative with Riley. Worrying. Taking everything he’s seen and experienced and piling them onto one little baby, doing the parent thing, hoping that they’ll have a better life…but doubting that it could ever happen.
“There’s always going to be something, Joel. If the world hadn’t gone to hell, there’d still be car accidents and kidnappers and war in some far off country and the capitalist job market. A kid has every chance to have a good life in this time as in any other. And even if it isn’t in the world we remember, this one has you and me and all of us in it to look after one little boy who gets to live a life. Isn’t that what’s great?”
“Is it?” He finally turns to you. “You think it’s a good idea to bring a kid into this disaster?”
His eyes lay bare the puncture you’ve made in him, his sorrow and apprehension starting to vent, and it seems he hopes you can patch the hole because god knows his hands are full and not steady enough to handle the delicate procedure.
“Hey. Kids are going to happen, Joel. People are still going to find each other and fall in love and I hate to break it to you, but babies are sometimes a consequence of that. Biology’s a hell of a thing. But just because it’s not the world we knew as kids doesn’t mean it’s not worth living in. In fact, Ellie and Riley are going to do better than us, because they were born into it. They’ll have all of this kind of living in their bones from birth and don’t have to take twenty years to relearn it all. Or use up twenty years living life with regret.”
You expect him not to take that well, but he surprises you, softens, and turns back to the baby, his eyes skipping to his watch.
Maria told you once that sometimes she’s glad that Kevin died. He was still young–only 3 and a half–but he would have remembered. He would have held trauma. Back then, a lot of the little ones were lost, either to hunger or to attack…they didn’t know enough to be quiet.
Sarah on the other hand…. Joel didn’t know it, but Tommy had said once that Sarah would have never made it in this world. Too good. Trusting. Gentle. She would have been taken advantage of or become severely damaged by the shift coming in her formative years. Children are resilient, but a teenager’s psyche could be a difficult thing.
“Still not a good idea,” he mumbles. “But he’s here now.”
“Thank god. Maria needed another man in her life to boss around.”
He’s not budged by your joke. Instead, he side-eyes you, hits you with a cynical question, trying to knock you off your rosy pedestal. “If you’re so happy about kids, why don’t you have any of your own?”
You shrug. “Got sheep. What. Don’t look at me like that.”
“Like what.”
“Not every woman wants kids, Mr. Man. Even if they like them a whole lot.”
“Biology’s a hell of a thing.”
Catching his not-so-clever info gathering, you smirk. “I had other things to concentrate on. And in the meantime, the factory had blessedly closed down.”
He can’t help the instinct that makes him truly assess you now. “You’re not old enough for that.”
You chuckle. “I’m starting to think what you don’t know about women could fill a few books, Joel Miller. You let me know when you’re ready to brush up.”
It’s at this point that Ellie calls in from the porch, telling Joel to “get your flat ass out here! Tommy says you’re a champion leaf-piler!”
“Goddammit,” he hisses as Riley starts to stir.
“Go on,” you smile, holding your arms out for the baby. “I’ve got him. We’ll need to wake his mamma up so he can eat soon anyway. Go on outside and play with the other kids. Be home before dark.”
_____
A few nights later, you’re making assessment in a full-length mirror on the inside of a closet door in a room in your house you very barely use. When was the last time you really had a look at yourself? And when was the last time you wore a dress?
Sure, it’s a fall dress, fine-knit by Addie as a gift for bringing her on as a Roostling so many years ago. You keep it for special occasions, which means you get to wear it maybe once a year. The wool is undyed, so the natural oat goes well with your brown leather work boots. Unfortunately, shoes are at a premium, so having a second pair just for fancy isn’t really a thing anymore. Doesn’t matter. The weather’s been a bit wet and the streets a bit muddy. Boots’ll do you just fine.
But you haven’t worn your hair like this in ages. Freshly washed and let to dry rather than set back or under a bandanna for utilitarian purposes, you almost forgot what it looked like natural like this.
You almost forgot that you could actually clean up quite pretty. Huh. Imagine forgetting a thing like that.
The knock at the front door’s expected. Even though Ellie and Joel come and go as they please, tonight you knew he’d do the polite thing and knock. The comfortable part of you wants to call down and tell him to just come in. But the hopeful part of you knows that this is his way of making an effort. Of taking a step your way.
“You sure?” you’d asked Maria earlier in the afternoon. “You’re gonna be okay for the night?”
“It’s a dance, not a trip to the moon. And Ellie’s here. We’ll have fun.”
Ellie rolled her eyes, clearly not happy about diaper changing duty, but smiling through it. “Please. Go. Get him out of the house. The later he comes home the better. Bonus points if he’s not back until morning.”
“Jesus, Ellie.”
Maria only smirked in full agreement.
He’s waiting on your porch when you open the door, one thumb tucked into his belt, the other holding onto a porch pillar as he examines the sole of one boot.
“You step in something?”
“Shit, I hope not. I just cleaned these. I thought–” but of course he stops when he looks up and sees you. Joel himself doesn’t have a lot of extra clothes, and is dressed in a clean dark flannel and jeans, nothing you haven’t seen before–although tucked in this time–his hair is still wet and slicked back, exposing more of the gray.
Your getup, however, is a new sight for him, and he’s struck enough to let it show on his face. So you give him a twirl, let the dress swing a bit. “Get your fill, I only bring this out like once a year. You’ve earned it this time.”
The smile is subtle, but it’s there, along with the tiniest of nods.
It’s not a long walk to the mess hall, but on your way you both determine that Joel’s definitely stepped in something, and yes, it’s still worth holding his hand. Horses are gonna horse and stepping in crap is an everyday occurrence when you live around animals at the end of the world. He seems grateful and maybe a bit chagrined, but neither does he seem ready to let you go.
The mess hall’s brightly lit; several jack-o-lanterns carved by the town’s kids adorn the long tables which spill out into the street to make room for the buffet and the dancefloor inside. A good portion of the town is out tonight and mingling under the canopy of string lights.
Addie and Goldie are the first to find you and greet you, the former admiring her own handiwork on your dress–even if she’s much improved over the years–and the latter pushing mugs of warm cider at you and Joel. Willa, it seems, took to the Roost short after Riley’s birth, always opting to take solitary watch during big gatherings and celebrations. But she did help with the decorations and is responsible for a good portion of the cornbread on the banquet table. When they start asking questions about the baby, Joel politely excuses himself, muttering something about getting you a plate.
“And how’re you doing?” Goldie asks, nodding after Joel. “I didn’t think that grump would warm up to anyone, but I suppose you’re tenacious enough when you want someone. I don’t blame you. Grey Fox indeed. If I was twenty years older, we’d have to share.”
“Yeah, he’s coming around.”
“Didn’t think you’d ever take up with anyone again. I heard Ellie had a run-in with the lye.”
A sudden lump rises, nothing you can’t swallow down. “She’s fine. And so am I. Maybe I'm a little lonely is all. Maybe I got a type. Here’s to hoping I’m wrong where it counts!” You smile wide, clinking your mug with Goldie’s and drink deep, chasing away whatever guilt rudely decided to come calling.
Tonight’s supposed to be happy. Tonight’s your night with Joel. Just you and him. No family, no interruptions. The past is the past. And this night is easily the first of many.
Soon enough you catch him waving you down at one of the tables and join him for dinner.
“Figured you weren’t picky, so I got you some of everything.”
“Hells bells, Foxy. Were you planning on dancing with me at all tonight? Because I won’t be able to move if I eat all of this.”
At least he swallows what he’s chewing so he can answer you between forkfuls. “Don’t worry. I’ll eat what you don’t.”
“Then how are you gonna dance?”
He shrugs. “Didn’t plan on gettin’ rowdy. Not with these knees.”
“Oh my god, you old man. Did you really come here with me just to sit and eat? There’s a band playing. And they’re good. You’re not gonna dance with me?”
“To be honest,” he says, straining above the chatter spilling out of the hall and taking another bite of chicken, getting it mostly down before continuing with a pained squint, “I was never good at it. One of those ‘stand around with a beer and watch the band play’ kinda guys. But a pretty girl wanted me to slow dance, I could do that. More swaying than anything.”
“Well I guess that’s something to look forward to then.”
“Good thing you’re easy to please.”
It’s another hour sitting at the communal table, the night settling in and the fiddle and guitar music rolling out from inside the hall. A few friends come by to visit, Missy Tippett makes her way to Joel’s right side to flirt and he pretends to hear her, answering all questions with a “yep” even if they aren’t yes or no queries and you do your best not to laugh. True to his word, Joel takes on the leavings of your meal–nearly half the plate–while you chat with folks, and he rises beautifully to the challenge. Without having to scrape and scramble in the QZ or starving out in the wilds, he’s put on weight since the spring, just enough to fill out his hollowed cheeks and pleasantly soften down his belly. He keeps active with the construction enough that he’s putting away more fuel than storage, but it’s good to see him enjoying the harvest.
You’re mid-conversation with one of Willa’s brothers when Joel taps a knuckle on your elbow. Turning to find him with his chin in his hand, he points inside of the mess hall where a slow song just started, an old Buddy Holly tune, True Love Waits. The time has come then. Like the worn shoe that he is, he gets up and re-tucks his shirt as you excuse yourself and then let him lead you inside to the dance floor.
He’s an old-schooler, guiding you close around your waist and taking your hand in one of his.
In all the time Joel and Ellie have been in Jackson what you’ve felt toward him was a strong pull, a crush, an attraction. It’s been years since you felt drawn to someone like this. But it isn’t until this moment that you actually register the ramp up and learn that your species of butterflies don’t really seem to reside in your belly, but behind your sternum. The tip of your nose and chin tingle with the proximity to his, his breath warm and apple-scented, his flannel smelling of soap and being dried in the sun. His hand fits perfectly at your lower back and your arm was made to curve up and around his sturdy, ample shoulder.
It’s that feeling where you can’t seem to look him in the eye for more than a fraction of a second for fear of losing control, and so you focus on his chin instead, yearning to land your lips there.
It takes most of the song to realize he’s doing the same with the top of your head.
You should say something; it feels odd not to be poking fun somehow. But then, you can’t think of a damn thing to say now that you’re exactly where you’ve been wanting to be all these many months. Well, nothing witty anyway.
“It’s been forever since I slow danced with anyone.”
“Out of choice, I assume,” he answers after a while. “Seems odd you being here so long and not spoken for.”
“Not everyone has to be paired up for life to be worth living.”
“Maybe not. But it looks like you want to and I’m not sure how anyone says no to you if you set your sights. You’re damn persistent.”
The song ends and you break to applaud, ready to quip back. But there’s a look on his face, and expression that you’re not able to categorize in the context of this moment, only that it looks like he might want to leave or be alone.
“Joel, I’m sorry if I pushed you. I know you’re still settling in. I didn’t mean to–”
But the next song starts up, sweet and slow–You Belong To Me–and he doesn’t give you a chance to finish. He just pulls you in close, tucking your head against his shoulder under his jaw, taking your hand again and holding it against himself.
“I’m settled,” is all he says as you sway.
Determination. That’s the expression. A commitment laced with lingering sadness or fear.
And that’s okay, you think. After everything he’s been through, that’s okay. As long as he wants to be here with me, everything’s going to be okay.
At the end of the song he peels away, and while the expression has softened, it still remains.
You reach for his hand. “You wanna walk?”
He nods. You let him lead.
Outside in the crisp autumn night air, he doesn’t take the direct path to your house, instead, he ambles slowly down another road, toward Maria and Tommy’s place.
Joel’s a thinker. He’s got things to say but needs to put them in order in his head first. So you let him organize while you walk slowly beside him, the light and the pretty violin ballad fading behind you. It takes a little longer than you expect and you’re almost to the house when he finally speaks.
“I’m not good at this.”
“You say that like there’s one right way. Like I’m expecting something out of you.”
It’s obviously not what he expected you to say. “But you are.”
“Okay, maybe. But I’m also willing to meet you where you are.”
“No, that’s not what…” he breathes out hard, frustrated that his thoughts are getting out of order, but you wait. “You should be…expecting…something. You should want me to…reciprocate.”
“I do want that, but I can’t force you and I know it.” You amble on, watch his jaw tick. “Joel, I’m crazy about you and I’d love nothing more than for you to feel the same way about me. It’s been a long time since I felt that way about someone. But I know it’s different for you. I know you were more recently attached, and for a long time–”
“It wasn’t like that. Well…wasn't like this, anyway.”
You follow him silently past Maria and Tommy’s place–dark, everyone asleep–and take a turn that will eventually lead you to your own house. A block goes by before he finds his next words.
“Tess and I…our lives…we were…rough with each other. Cared for each other, but we were hard. We had to keep on our toes, couldn’t let feelings get in the way or make mistakes. But all that…stuff… We had each other physically but we kept a lot at arm’s length. Like a survival mode. Conserving our energy for things that kept us alive. Safe.”
“I think I understand. Tommy said–”
“Tommy didn’t understand shit. He thought I was using Tess. But he was wrong.” Even if he’s keeping his voice even, his eyes cold, you can see his fist clenching and unclenching out of the corner of your eye. “I…I needed her and didn’t know it. She was right there and I should have… told her so. That’s what I think I’m saying. I don’t have any practice in anything that isn’t just surviving. And I don’t know if I can give you what you want.”
“Are you pulling a ‘you deserve better’ on me?”
Another look of surprise. Again, you’ve thrown him for a loop.
“Because I do deserve better. You’re right. I do deserve to be loved and to be adored and to be happy. But so do you. Most of us do. Doesn’t mean everyone’s gonna get it. Sounds like you spent the last decade and change denying it for yourself and to someone else. But at least you had someone. At least you knew where you stood. Me, on the other hand…I spent the last decade remembering something like that and wishing it would come back, knowing it wouldn’t, and beating off any chance of having it again like a damn fool. Maria ever tell you about Troy?”
His headshake is subtle, but his look of concern not so much. You decide to let it roll off you just as you had with everyone else in the past ten years.
“Figures. Tommy’s got a big mouth but Maria’s always kept her trap shut when it’s not her story to tell.
“Troy was my...husband. We were married for three really good years. He was a refugee, like you. Came through from Seattle QZ with his sister. Ash was a wild one, loved the sheep. She was the last trainee we had before Ellie came out. She had a habit of wandering though, hopping the barrier for berries and honey and just to run free in the woods without a care in the world. Almost cut her off from going out to the Meadow, but Troy spoiled her, took her side in most things. His only weakness. Damn, I loved that stupid man so much.”
Coming up to your house, you take a seat on the steps, not ready to go inside yet. As you continue, Joel follows your lead and ends up beside you.
“You ever wonder why Maria and I don’t live on top of one another? Troy and I lived in the house next door. Once he died, I couldn’t bear to live there anymore.”
The breeze picks up and you give it a minute to die down. Joel’s voice pushes through your silence just above a whisper. “What happened?”
“Troy and Ash were out at the meadow and they weren’t answering the check-ins. So Willa and I went out there with the patrol. Right away we see almost the whole herd gathered in one lay. Not like them unless they’re protecting a sick or injured one. And that’s what they were doing, all huddled around the hole.
“Can’t say for certain how it went down, but from the looks of things, Ash got herself bit, nearly took off her forearm. Back then the area wasn’t so cleared out and Ash liked to play her chances outside the barriers as I’ve said. Must have scrambled back in and come looking for Troy or he brought her back thinking he could fix it and found out he was wrong. He blew her face clean off. He must have dug the hole and put her in it. Covered it with lye. Got in there with her. Shot himself.”
“Jesus.”
“Yeah. Bodies were in pretty rough shape when we found ‘em.” The stars are bright tonight as you blink back tears in the dark. “I shouldn’t have let her go out there. I thought he would get her to take it seriously. I should have pushed. But. They were so close and I also know that I couldn’t ask him to choose my wants over hers. And in the end it looks like he wouldn’t have picked mine anyway.”
The power from the dam is being conserved for the harvest dance tonight, so the streetlamps are dark on your row. But the moon’s bright enough to catch Joel watching you, reassessing you.
“I’m very, very capable of deserving love, Joel. And I’m capable of giving it with my whole, stupid heart. I remember what the world used to be, and how it turned on a dime and how we all lost everything we were and had. And when I met Troy I thought that love could fix it. Nope. It doesn’t fix it. The past doesn’t go away. But it’s nice to have someone to walk through the better days with. To choose to live in the present and make it brighter.”
As if the world is an underscore to your story, one last, lonely cricket interrupts the silence, a holdout for the season, waiting a little too late to find itself a mate and a home.
“I’m a murderer, Songbird.”
It’s a simple statement.
“I know you are.”
“Just so you know. Just so you know what you’re getting into.”
Now it’s your turn to gather your thoughts. “We’re all a pile of our many selves. Who we were, who we choose to be going forward, how we see ourselves, how others see us. It’s all there, always will be. All of us a little broken. Fractured. But it doesn’t have to be just one thing forever. There’s no mark of Cain here. Just making choices every day to be the person you want to be. You find your people and you take care of them as best you can, and they do the same for you. You slip up, you start over tomorrow.”
And now it’s his turn to blink up at the night sky.
“You did what you had to do, Joel, we all did. We all had to revise the moral manual for a minute. Nice thing about Jackson these days is that there’s nothing you have to do. You can just do what you want, what makes you feel whole and alive. And if that’s something different every day, then that’s your choice. You say you’re not good at this, but you are. You danced with me. Walked with me. Listened. You’re just as good as you have to be and if you want to be better at it then you just...try again. You get unlimited tries.”
His expression is muddled in shadow, his face turned out of the light and focused on you.
Suddenly tired, you stand up and walk up the stairs to the door. “I had a nice time tonight, Foxy. The best. Even if it ended on a downer.”
“That’s my fault.”
“No. It’s nobody’s fault, it’s just what life is now sometimes. Will I see you tomorrow?”
He’s slow about it, but he climbs the last few steps to the porch. You were wrong about the solitary cricket; there’s still a few still pushing the limits, challenging the first frost, singing to the moonlight.
Reaching out, letting his fingertips trail your arm all the way down, he captures your hand to keep you still and moves in, slow and quiet.
When he finally kisses you, it’s a tentative declaration, a promise of what he can give right here, right now; his kiss lingers in apology, showing you in every way that he has trouble letting go, unpracticed in being tender, but he’s willing to try.
Finally.
Every second lingered is worth the wait, only because you can feel that it won’t be the last.
“Guess I shouldn’t put off until tomorrow what I can start on today then,” he says when he steps back.
“That's a real good start.”
There’s not much more to say as he makes his way down the steps off into the night and toward his own house. No need. No expectations. There’s always tomorrow.
And since Joel’s come to town, it seems like every tomorrow’s usually been better than the yesterday before.
_____
You’ve been sitting on Maria’s couch knitting a sweater in the chilly morning sun for at least a good hour when Ellie comes down from upstairs.
“Oh hey, you’re here,” she says, throwing herself down on the floor by your feet and beginning to paw through your basket.
“I am. Didn’t have any plans today, thought I’d come and be on hand. How’s Riley?”
“Down for one of many naps. He’s growing so fast already.” Finding a full spindle in your stash, she begins unwinding it and forming it into a neat ball with practiced hands.
“That’s what babies do. He’ll be walking and talking before you know it.”
“We should bring him out to see the sheep when he’s walking.”
“We’ve got a corral of milkers in town he can visit. Probably not a great idea taking kids out of town. You’ll see when he’s up and about. Little kids like get away from you and hear themselves scream. Hard to keep safe if you’re dumb and loud.”
“Oh. Right.” She’s silent a while, slowly building her yarn ball.
“Something you wanna ask me? It’s not like you to volunteer to help with this part.”
There’s a certain way Ellie chews her lip and scrunches it at the same time. “I was thinking of asking you…if I could stay behind next time you go out to the Roost.”
That makes you chuckle. “Riley’s a little more fascinating than the sheep right now, huh. What. You thought I’d be mad?”
“No, just…I do like being out there. But I also feel like I can help here. For now. And I know you’re skipping your weeks to be here and I thought if I stayed you could go and then there’s still enough of us around….”
“The sheep are in good hands, they can wait. I’m in no hurry and I don’t mind being here. But I appreciate it.”
The yarn’s coming to an end, the ball in her hands reaching a pleasing softball size. “Can I ask you a favor then?”
“Of course.”
“Tommy went out to the reconstruction site and left his lunch and Maria asked me to bring it to him so he doesn’t come home for it and wake her or the baby.”
“But you wanna stay here.”
“Yeah.”
“Good timing.” Smiling and finishing up your row, you tuck the needles and sweater into the basket. “It’s a nice, dry day for a walk and I’ve been meaning to go see that sector. Tell you what. Eye for an eye. I go out there, you ball up all those spindles while I’m gone. Don't undo my knitting."
What the autumn sun is lacking in warmth, Ellie makes up for it with that spark of unbridled joy. “Fuck yeah, deal!”
_____
Swinging a bundle bag full of Tommy’s lunch and other sundries, you walk out to the old north edge of town. The wall’s come down here, another one erected a handful of blocks beyond, re-civilization slowly sweeping and expanding out as the need arises. The houses are in varying stages of disrepair, repair, and some have come down to use for scrap. Your elementary teacher’s house is still here, getting a spiff-up treatment and you’re remembering Mrs. Erstine and her roses fondly when there’s a sharp whistle and call of your name.
Joel’s walking down the block toward you with an easy smile and you return it as he nears. It’s been a couple of weeks since the harvest dance and you haven’t seen each other much outside of family dinners and scattered evenings at Maria and Tommy’s’. Between the rush to get some of these homes fit for winter and you helping out with all the canning and preserving down at the mess hall, a twilight trio on the porch with Ellie here and there has been your scant means of together time.
“What’s brought you up this way? Everything okay?” He’s good enough to bend his neck a little so you can meet his patchy cheek in a kiss.
“Tommy forgot his lunch and Maria wants to spare him a trip.” You hold up the bag. “And I brought treats for you too.”
His finger hooks the bag, trying to peek in. “Really.”
“Nah ah, not until you take me to your leader.”
“My leader,” he scoffs, turning and leading you up the street. “Ain’t nothin’ he can do I don’t have to come up after him and fix.”
“Speaking of fixing, we could use new shingles at the Roost. It’s been wet and I’ve heard there’s a leak.”
“Yeah? When you going out next? I’ll go out with you.”
Turning onto a more wooded road, you both follow the sound of hammers. “Well, Goldie’s up there now and I usually take after her. I suppose I could go next week before the rains really start up.”
“Next week then.”
As you approach a beautiful A-frame home, Tommy’s over to one side at a couple of sawhorses, measuring out a beam. Joel calls out to his brother with the same whistle he gave you.
“It’ll be just you and me,” you say. “Ellie wants to stay home with Riley.”
Joel’s head whips around. “What?”
“Hey there, ma’am-o-jam, what brings you up here? Everything alright?” Just like his brother.
“Yeah, all’s well. You forgot your lunch and my legs needed a stretch.”
“Oh shit,” he grins. “I was just starting to get hungry. Thanks.”
“No problem.” You gesture to the house. “This is really beautiful. It’s like a bigger version of the Roost.”
“It’s nothin’ like the Roost. It’s on the ground.” Tommy smiles as you swat at him. “We’ve started with all the houses that need the least amount of help, tearing down the ones that need the most to fix ‘em up. This one had a lot of protection from the elements–the sun and the snow–from all these pines around it. All the windows still in place. Mostly just had to clear out a couple of overgrowths in the basement–probably the previous owners gone to seed. But it’s all good treated hardwood. Good bones. It’ll stand another century or two.”
A small, involuntary shiver passes through you at the casual mention of dead infected. “Did you burn them? The previous owners.”
Your reaction doesn't escape Joel’s notice. “Did it myself. There were a few in this section. It’s okay. They were long gone. Dry as a bone. It’s safe here.”
He’s earned a smile, even if it’s a sad one. “That’s good. They must have loved this house, to want to stay here, even when they didn’t know any better. Can’t blame ‘em. Anyway,” you go through your bag, lifting out a small parcel and handing the rest to Tommy, “here you go. But this is yours,” offering the parcel to Joel but then snatching it away as he reaches for it, “only if you promise to be honest and tell me if you like it or not.”
Joel’s eyes light up when he opens the package. “Holy shit; is that…pecan pie?”
And Tommy winks as he takes his lunch and walks back toward the house.
“Heard it was your favorite.” You can’t help but laugh at his big dumb grin. “Don’t be too excited! I obviously had to make every substitution. Walnuts for pecans, honey for sugar; it’s not exact, but it should be close enough. Been working on my bakes.”
Taking a bite, he shakes his head in what at first seems like pain but soon reveals itself to be the opposite. “Damn woman. And you only bring me one piece?”
“You’re a carpenter. That’s a triangle obviously cut out of a full circle. You know there’s more where that came from.” It’s a pleasure to watch him lose a battle against another big bite. “I take it you’re happy.”
His mouth full of sticky sweetness but the crow’s feet setting in, all he can do is chew and cock his head, looking you over as if to say, damn right I am.
_____
Joel’s quiet the whole ride to the Roost. It’s easy to guess what’s troubling him. A whole week alone should be exciting, but he’s worrying about expectations again and there hasn’t been much time to talk about it…or he just didn’t want to.
“Meadowlark to Goldfinch.”
“Present.”
“Bringing a Grey Fox in at the north gate.”
“Noted. You brought your own sheets I hope.”
Out of the corner of your eye, you catch Joel’s frown and straightened shoulders as he suddenly loses the sympathetic gait with his horse. “Yup. Both sets. For two beds. Man’s here to work on that roof and I’m only payin’ him in food.”
“Ooof. Poor Joel. He deserves better.”
“Yeah, well I’m working on it. Boiled water last night and I didn’t even burn it.”
The banter seems to have relaxed him back into the saddle sag for the time being, and you keep it up until Goldie has you in her sights.
“I know you like sleeping under the stars, Foxy, but it’s been cold and wet. Bed’s yours. I’ll take the top bunk.”
“Fine,” he grunts.
“And you’re not allowed to go up on the roof unless I’m around to spot you.”
“I can handle it.”
“Oh, I’m sure, but my nerves can’t. And this is my domain. I’m the boss out here.”
This gets you one half serving of smile with a side of eyeroll. “Yes ma’am.”
Once you’re settled in, Joel descends the ladder and starts going through the woodpile, looking for adequate repair material, taking up the axe to split some logs for shingles while you go take a cursory round through the meadows.
The sheep are mostly on the near side by the copse of trees housing the Roost, keeping a tight flock, settled down and facing into the wind. A few bleat as you arrive but none of them skitter, allowing you to pat a couple as they chew cud and to check any for painted marks in case Goldie found one of them sick or lame. Other than one small ram that wants to playfully butt you in the thigh, all seems well. The rest of the flock is mostly down by the river and you take a little time to make some noise and shoo them toward the others before circling back to the Roost….
…which is where you find Joel Miller up on the ladder prying at rotted shingles.
“What the hell did I say, Cinnamon Roll?”
“Hold your britches,” he calls down. “I’m just assessing.”
“How am I supposed to get up there and you got the ladder?”
“Oh now we have a quandary,” he jokes. “What are you gonna do if I don’t let you up?”
“You think I haven’t slept out with the sheep before? I’d have no issue with it but that it’s gonna rain, so maybe you should let me up so I can help and make that repair go faster.”
Coming down and moving the ladder to the balcony drop, he scans the sky with doubts. “What makes you think it’s gonna rain?”
“Because I read sheep.”
“You read sheep.”
“Yeah. They spell it out like a marching band. RAIN. Big letters. Cursive. Could you just–”
The ladder comes sliding down with a thunk and you climb, taking his helping hand as you reach the top.
He smirks. “You’re cute when you’re angry.”
All you can do is shake your head and hide your grin. “Don’t you dare. I’m gonna get my gloves.”
As he starts to heft the ladder back up, you go inside and quickly grab a wool hat and a pair of deerhide gloves from your pack. Turning to go back out though, a glint catches your eye near the door.
There’s a new nail in the wall.
With a broken watch hanging from it.
Huh.
This must be the place where he feels like he can be free of it and of the past you gather it represents for him. A special spot for it by the door where he won’t forget it when he leaves, somewhere he can see it if he needs it, but not carry it so much.
It’s a nice piece but for the hole. Well cared for. 2:40. You realize with a little regret that you missed the anniversary, that Outbreak Day no longer registers. Which means you also didn’t–
He doesn’t like to celebrate his birthday, Tommy once said.
It had come and gone without much fuss. But also without any noticeable misery. Railroaded by a new nephew and hard work.
That’s good. He’s not forgetting, just letting it rest. Someday it will be a good day again.
“You gonna get out here and hold this thing or what? You’re the one said rain is coming.”
“Not me. It was the sheep. Hold your britches or get a better belt. I’m coming.”
_____
A gentle roll of thunder wakes you in the night and the Roost is dark as you listen for a moment to the rain pattering against the roof slanting up and over you, inches away. Tuning in, you train your ear for a hard patter, a splotch, any indication that the roof patch didn’t hold, but of course it has. It was mended by Joel Miller himself.
Well, at least it’s dry, but damn, it’s chilly. A glance toward the little iron stove shows you nothing but darkness, which means the fire’s out. As much as it hurts to leave the little nest of warmth you do have, it’s probably better to relight it and warm the place by morning, so down the bunk ladder you go, being as quiet as possible.
Somehow, it's always comforting waking up at night at the Roost. Your house in town is too quiet at night, too full of the possibility of unfamiliar ghosts--of those that lived there, of the society it held, of your own loneliness. At least out here you feel held by the trees and needed by the sheep. There are ghosts buried out there in the meadow, but they're long gone now, part of the land itself, land that was always wild and free and full of the kind of life that wasn't destroyed all at once in one day. Night at the Roost is a quiet comfort, a place of purpose and sisterhood and family. It's full of wooden and woolen things made by hands you know and is welcoming to everyone, including the moonlight and the stars.
It takes a little doing with the wind up and you have to manipulate the flue a bit, but after a few minutes there’s a lovely crackling and smell of pine. Padding over to the chair by the window to snatch the wool blanket there, you stop for a minute to look out at the storm, trying to catch a glimpse of the sheep in a flash of lightning, but there’s not much of that to be had, so you wrap the blanket around yourself and make your way back to the bunk ladder.
“Sheep okay out there?” Joel mumbles in the dimness from his bed, somewhere near your knee.
“They’re fine. Did I wake you up?”
“No. Been listening to the rain a while. You cold?”
“Yeah. Fire went out. You?”
His answer comes in the form of something like a sail in the darkness and it takes a second to realize that he’s holding his blankets open in an invitation. “Come on. You’re gonna let the heat out.”
Sliding into Joel’s warmth is an easy decision to make. And it’s not just the warmth of his sheets, but that he brings the covers around you, pulling you all the way into his chest against his soft old undershirt, tucking you in under his chin, wrapping you up in his whole, woodsmoke-scented self.
Every tension in you simply melts into bliss.
Resting his lips against your forehead, his breath fans gently at your hair. “I could get used to this.”
A long hum rides out on your exhale. “I think I already am.”
“You’re a good woman, you know that?”
“Spoken like a true Texan.”
A long kiss presses into your forehead. “I’ve been thinking about what you said. I’m gonna do my best to be good again, Songbird. Hope I can be what you want.”
“That’s easier than you imagine. You’ve been what I want since you showed up around here, so I’m already quite pleased. Hope I can be what you want.”
A new warmth takes you over as he starts to spread his hand along your back, simply running over your contours, testing out what it’s like to hold someone this way, slowly caressing, lightly squeezing, tucking you in tighter. “You seem to know what I want before I even do. I look forward to finding out what I want next.”
“Well, I have to admit. Your brother tipped me off about the pecan pie.”
He laughs a little as he tips your chin up to meet you in a kiss in the dark. It’s hesitant but hungry; a long time needed and a long time savored.
“Did your sheep say it was supposed to rain all day?”
His hair and beard ruffle softly under your fingertips. “I didn’t ask, but I think it probably will. Sure hope that new roof holds.”
“We could always just stay right here and keep an eye on it.”
“See? You know exactly what you want. We can do that. I’d say that’s a good day’s work.”
His hand splays big and warm on your back, pinning you close for another kiss. “I tend to agree.”
_____
PREVIOUS: SUMMER
NEXT: WINTER (coming soon)
MASTERLIST
SERIES MASTERLIST
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hey betty wetty bo confetti
How’s about Ares x Reader in which she’s the daughter of Odysseus and and and she’s defending Telemachus & Penelope from the suitors and after getting into a fight with Antinous or however u spell his name, she meets Ares somehow?
BTW DONT FEEL PRESSURED OR FEEL THERES A TIME LIMIT - TAKE YOUR TIME 🫵🫵🫵🫵🫵🫵🫵🫵🫵
Okay love ya 🤩🤗
that nickname concerns me BUT HIIIII so ion know how good this is :sobs: , i made it in the span of like 2-3 hours from a burst of motivation. HERE YOU GO TAKE THIS AS A LATE BIRTHDAY PRESENT
Masterlist
Warrior's Blood
Ares x Reader
EPIC: The Musical ~ Oneshot ~ Action
Words: 1.4K
Published: 11-3-2024 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
A loud belch sounded from the palace’s dining hall, followed by boisterous laughter and unorganized yells. The princess of Ithaca glared down the hallway while she stalked past the dining hall to her destination of the training grounds. “Men,” a loud voice called, the speaker standing up on a wooden bench, “we have been waiting for the throne for far too long. Can’t you see we are being played?”
Y/n slowed her pace, taking a peek into the crowded room to see the one suitor she hates the most speaking. Antinous.
“I say, we take the throne. That boyish prince and his sister only stand in our way to the queen. Once we are rid of them, we shall have full access to the crown." Cheers and yells followed quickly. The onlooking royalty sneered in disgust. Normally, Y/n would only walk away and tell her mother about the new plan, but something inside her felt different—an urge to fight, a need for conflict.
Taking a step into the light of the hall, Y/n cleared her throat.
“What would my mother think of this? Threatening to kill both of her children and then seizing her by force?" Y/n had to keep from gagging, not only at the idea of their threat but also the horrid stench of the room.
Antinous turned to the princess with a look of pure murder and flame.
“Well, if it isn’t the weak girl. If you speak even a word of our plan, I will rip you limb from limb so you can meet your father in the underworld,” he stalked towards the younger girl with a vicious grin. “Now that I’ve thought about it, how about we begin that plan now? Starting with you.”
Y/n was wise enough to duck down, blocking an oncoming punch, only to be nailed in the gut with his knee. Falling to the ground with a sharp gasp, she was pulled to her feet by her hair. “Come on, girlie. You had the strength before to challenge me; where is it now? You’re as weak as your father.”
Staggering and getting out of his grasp, she pulled up a loose fighting position. The princess narrowed her eyes at Antinous’ insults while taking steps back to match his steps forward. Y/n tried to find some sort of strategy to take him down, like how Telemachus taught her. Her brother would always say to fight with wisdom, but there was no wisdom anywhere near this fight. Strategy only works if your opponent has strategy too. Antinous was anything but a planned fighter.
So with her next best option, Y/n grabbed a nearby vase and chucked it at her rival's head. She missed, making Antinous even more angry. With a yell, a foot made contact with her stomach, throwing the princess to the floor and her head hitting a pillar. Pain shot through her entire body as she struggled to regain her breath.
‘So, I did this easily. Thanks for the amazing lessons, Tele.’ Her mind wandered, forgetting about her approaching opponent as she took a glance at a nearby wall. There, up high, hung a tapestry by her mother. The twelve Olmpyians were displayed with divine glory. Glory that could help Y/n not die, if only they saw her. With nothing left to lose, the princess sent up a silent prayer before deciding to help herself.
With much pain and huffs, Y/n managed to stand on her feet once more with a sway.
Antinous offered a loud laugh, ricocheting off the stone walls.
“You just can’t stay down, can you? Do you not want to see Odysseus in Hades?”
“Don’t you dare speak my father's name,” she hissed through gritted teeth. She leaned onto the pillar with one hand while her other held her hurt stomach. Something other than pain burned inside her—a yearning to see him hurt, to see Antinous suffer.
A new energy boosted her body; her muscles didn’t feel as sore, and the pain was dissipating. Deciding not to question this, Y/n dodged another punch aimed for her jaw. With fast footing, she grabbed a spear off the wall beside her and countered another punch.
Antinous grabbed the spear to rip it from Y/n’s grasp. Quickly, Y/n pulled the spear closer to her and kicked Antinous in the ribs. Instead of knocking him down, he only stumbled back.
‘Left’ A voice spoke in her mind. Y/n was about to question the order until she noticed Antinous barreling towards her and instantly followed the demanded direction.
Dodging a swipe of his sword, the princess swung her spear down at the man's knees, causing him to trip. Looking down to where he fell, a sudden push of rage flowed through her veins.
‘Blood’
She didn’t need to hear the voice again to know exactly what to do. With momentum, Y/n brought the weapons head down into Anitnous’ thigh, earning a scream from the male. She ripped the weapon from his flesh only to bring it down once more with another bloody cry. Her thoughts seemed barren except for a new order from the unknown voice.
‘Stop’
That order only seemed to boost her adrenaline. Stop? She couldn’t. Not with all this pent-up anger and frustration she felt for Antinous. Y/n needed to make him learn where he stood as a guest in her kingdom. But as she raised her spear once more, the voice barked a command louder and all her pain and exhaustion rushed in.
‘STOP’
In an instant, her spear clattered to the floor as Y/n held her head with a groan. Antinous was being tended to by his fellow suitors, who had opted to stay on the sidelines. With labored breaths, Y/n managed to stumble away from the dining hall and towards the empty training grounds.
Exhausted, she slumped to the sandy floor and leaned her back against a rack of swords. Her eyes shut against the glaring sun as the royal attempted to regain her breath. To her pleasure, the heat was blocked by a sudden shadow. The young adult cracked open her eyes to see a darkened figure wearing the full armor of a Spartan soldier. A mixture of emotions flooded into her soul as she recognized the nation's armor. Was this news of her father from serving beside the Spartans? But her hope was snuffed out as the familiar voice spoke.
“Stand up.”
She wanted to argue, but something in her felt compelled to follow the instructions. So, shakily, Y/n stood up in front of the warrior. From a new angle, she could see the stranger's identity. All breath escaped her lungs as she recognized the being from similar statues and paintings.
“Ares.”
The god, who towered over her with his divine form, smirked at the recognition.
“Indeed. I’ve seen your skill, princess of Ithaca. You fight well,” the god of war stalked around the girl in a circle, seeing her state after the fight.
Finally, the two pieces connected in her mind as she turned to face him.
“It was you. The voice. The orders. That was all you.”
“You follow orders well, except for when you’re told to stop. I like that sort of fight.” Ares stood tall, power and bloodlust radiating off him as his armor seemed to brighten a bloody red in the sun’s light.
“Why’d you stop me anyway? You are the god of bloodlust, are you not? I could’ve killed him and solved the whole problem!” Y/n argued, upset at the missed opportunity.
“Have you forgotten the laws of hospitality? You would have been punished harshly by the gods had I let you continue. Not even I can defy those.” He glared down at her with warning. In response, she looked away with a defeated huff.
“Why’d you even help me then?” She grumbled, looking at the nearby swords; a few training weapons had begun to rust from limited use.
"You have the ambition needed for the battlefield. Why would I let such skill go to waste with no proper mentor?” This caused Y/n to look at him instantly in shock, meeting the gaze of a grinning god beneath his helmet.
“Mentor?”
“Y/n of Ithaca. You fight to protect. You fight to the last stand. That is a warrior’s blood. Like your father before you, you have the makings of a legend.” Ares held out his hand like he was shaking for a deal. “Become my champion, and I will help you become stronger than any opponent you shall face.”
Y/n thought it over for less than a few seconds before grabbing the gods hand in her own and shaking them up and down.
“Deal.”
#x reader#betterthanyalls#ask#oneshot#epic the musical x reader#epic the musical#ares#epic ares#ares god of war#ares x reader
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Prom-posal
Fem!Peter Parker x Stark!Reader
You and Petra both could not believe it. You had proposed to her, and despite everything she had said yes honestly the thought of it still made Petra smile a little more and more.
She found herself screaming in delight while working a shift at the Moondance diner, she was so giddy at the mere thought of it.
Any normal girl would consider herself lucky for the fact that she was marrying a stark meaning that she would want for nothing in the world. Not Petra, she was excited because she was marrying her best friend.
She couldn’t help but squeal in delight. She grabbed Betty’s hand and jumped around in the kitchen. And then her boss, Enrique, had to interrupt.
“Yo! Parker! What’s with the jumpin’ jacks?!” his voice thundered.
“Enrique! I’m engaged!” Petra shouted back, excited as ever.
“Yeah. Yeah we all saw the scene.” the man just went back to the grill.
Petra was beyond excited for her marriage to you.
Meanwhile you were with Harley Keener, trying to begin planning the party and ceremony.
“I screwed up” you said kind of upset.
“How?” the young inventor asked with a smirk, “you’re marrying Petra Parker.”
“I ruined my proposal to my best friend”
“Second best friend!” Harley interrupted jokingly.
“I mean…I proposed to her before she even had our prom.” An idea popped into your head, “prom! I need to make my prom-posal to her even more special!”
“Well don’t over think it. And don’t under think it either” your pal offers. “Who can help us?”
Only one name came to mind: Ned Leeds
Would it qualify as kidnapping as to how you got Ned to help you? Put it simply, you saw him walking down the street after school, grabbed him by the backpack and flew back to the Avengers Tower.
“Mr. (Y/N) Stark, sir” Ned said after landing, “that was bot the most terrifying and awesome experience of my life”
“Ned I need your help” you tried to explain only for Harley to come flying in with Michelle in his arms.
“Dude that was weird” Michelle grumbled.
“I need both of you to help me” you tried to explain, “Petra deserves a prom-posal as awesome as her and I’m clueless”
“Whipped” Michelle said jokingly.
“Petra loves Star Wars! And so do i” Ned said with a little nervousness.
“Okay but why?” Michelle asked
“Because I love her and I screwed up the actual marriage proposal” you answered back
“Why?”
“Because she’s the best thing ever in my life and I-I couldn’t think straight when I saw her smile”
“Why” Michelle giggled
“Are you gonna help me or not?!”
“Yeah sure” she said nonchalantly.
That night Petra swung to her apartment and snuck in thru the window, trying to be as quiet as a mouse…or even a spider.
Then aunt May’s voice broke the silence, “Petra, honey, can you come into the living room?”
Busted. Petra thought to herself. She switched into her favorite pair of sweats and hoodie and walked into her living room.
The stereo was playing ‘Always and Forever’ softly. The whole living room was decorated like the Ewok village from Return of the Jedi.
You stood there with a bouquet of flowers and a small smile on your face. “Hey there Spider Monkey” you said softly.
“Hey you” she answered back.
“Petra, I love you so much” you said, “I know I screwed up my proposal and all but-”
“You didn’t.” She answered back with a giggle. “I thought it was just right. I wanna spend my life with you, (Y/N)”
“I wanna spend my life with you too.” You held up the flowers, “and I want to spend prom with you as well. Will you go to prom with me?”
Petra stood there, tears forming in her eyes. She ran forward and jumped into your arms. “Yes. yes! Yes to everything!” she giggled before kissing you. Somehow each kiss with you felt like the first.
Ned, Harley and Michelle each appeared with their own lightsabers and threw confetti.
“Finally.” Michelle said with a little smile.
“Look at my best friend” Ned said with his own smile. “Do you think Y/N will let me be best man?”
“I called dibs dude!” Harley immediately shouted back.
“How about dude of honor?”
“I’ll allow it.”
Not that you or Petra had noticed the argument. The two of you were so busy, lost in each other, lost in this small, infinite moment of happiness.
Tags: @ma1egamer @jacenradio7 @deafeningsharkslimeempath @holiday-house-of-m @family-house-of-m @supercorpdanbeau @pinklawyerwinnerzonk @russianredassassin @revanshand @iamnicodemus @multi-fandom-enjoyer
#marvel#marvel imagine#marvel fluff#mcu#mcu imagine#mcu fandom#hailee steinfeld#female peter parker#peter parker#peter parker x reader#Petra Parker#spider woman#spider girl#spider woman x reader#spider man#spider man x reader#rule 63#gender swap#genderswap#genderbend#genderbent
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Honkai Star Rail: Sampo Koski Spotify 15 tracks | 45 minutes
"The customer is king! And for me to betray the king, well… you've gotta make it worth my while~"
//tracklist// 1. Mambo No. 5 (A Little Bit Of...) - Lou Bega // 2. Tonight Tonight - Hot Chelle Rae // 3. Betty (Get Money) - Yung Gravy // 4. Moves Like Jagger (Radio Edit) - Maroon 5, Christina Aguilera // 5. Hey Look Ma, I Made It - Panic! At The Disco // 6. Runaway Baby - Bruno Mars // 7. Everybody Talks [Explicit] - Neon Trees // 8. Butter - BTS // 9. Magic - B.o.B, Rivers Cuomo // 10. Tomorrow Me - Hot Chelle Rae // 11. Bang Bang - K'NAAN, Adam Levine // 12. Shut Up and Dance - WALK THE MOON // 13. September - Earth, Wind & Fire // 14. Hot [Explicit] - Confetti // 15. Talk Too Much - COIN
Cover Image
#fandominspiredplaylists#spotify#playlist#fandom inspired playlist#honkai star rail#hsr#sampo koski#hsr sampo#sampo hsr#honkai star rail sampo
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party prep! the new kit came out in a perfect time. good news: the wall drapes can be used over doors and be functional still!
betty spent all morning cooking, baking and making drinks
cinnamon approved the dance floor-smoke machine-confetti decor! it looks like she's dancing lol, she's so goofy
here we go!
#the sims 4#simblr#ts4#sawyerfamilylegacy#ts4 legacy#ts4 gameplay#ts4 simblr#sawyergen5#betty marie irvin#birthday
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A Folklore only tour is so fascinating to me.
I think if she'd leave out any songs it'd probably be epiphany.
The songs she'd definitely have are Cardigan, Betty, and August. I think a My Tears Ricochet mashup would maybe be the closer.
I imagine the songs from other albums on it would be very, very chill. No Shake it off on this setlist.
Invisible String would definitely be the opener!
I imagine the stage would be a bit like this _|___|_ kinda like a dock.
The mainstage would have a cabin, like the eras tour. I think the cabin would be there for Cardigan, Betty, and The Last Great American Dynasty. Though it'd be swapped out sometimes.
The confetti would be like pinecones and leaves, very foilage-y.
The outfits would be similar to the eras tour, but I imagine she'd make them a bit more glittery.
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little moments/observations from sydney night 2:
got so many compliments on my outfit as a tortured poet/grammys '24 look
the accessibility was ace - stadium had a special platform on the floor so I could still see above the crowd but was on the floor right in the thick of it
traded SO MANY friendship bracelets like wow
seeing this regular looking guy with grey hair and glasses walk right past the platform, doing a double take and realising wait... that's scott swift
sabrina's flawless vocals on hopelessly devoted to you
having a girl come up to me and say she'd just started reading my book + another being like 'are you hannah? I love your work. can we take a photo?' like I have fans at the eras tour???
basically only needing the screen to see taylor's facial expressions
the little girl on her dad's shoulders so she could see during cruel summer
the light up bracelets being an absolute rainbow during yntcd, looking around and thinking 'wow, I hope this feels like a safe space for my lgbtqia+ friends, you are so loved'
the absolute grace of the dancers during lover
taylor getting emotional during marjorie
the champagne problems applause somehow being louder than the night before and taylor's genuine wonder at it
the sheer beauty of the purple speak now and pink folklore dresses
kam saying "tell him he's dreamin'" - a line from an iconic cult aussie movie called 'the castle'
making eye contact and passionately singing all too well to and with a red frogs volunteer (an organisation here in australia that focuses on safety and wellbeing at large events'
being rained on by and catching all too well/karma confetti
side-eyeing the betty speech because it was all about experimenting and taking risks and new musical choices and thinking 'jaime @cages-boxes-hunters-foxes red alert this tortured poets tea will taste delicious later'
taylor talking sternly to her guitar strap because it wasn't cooperating
SHOULD'VE SAID NO/YOU'RE NOT SORRY
the piano malfunctioning and taylor making fun of herself for not being able to "pull up the piano, pop the hood and push a button"
wait... she's doing another mashup what
NEW YEARS DAY/PEACE
feeling genuinely ill at the implications of that quartet of surprise songs for jover etc
my mum being shocked by the stage dive
little kids falling asleep and being carried out by their parents
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@speaknowtv | ERAS TOUR SETLIST NIGHT
Full setlist under the cut
LOVER ERA
Me! (full song)
Miss Americana and the Heartbreak Prince (chorus and bridge)/The Archer (V2, chorus, bridge) (mash up) Welcome to The Eras Tour
Cruel Summer (V1, Chorus, Bridge, Chorus)
Paper Rings (full song) Full Welcome Speech
Lover (full song) Piano
Daylight (full song + extended spoken word epilogue “I want to be…” for costume change) Piano EVERMORE ERA
Evermore (Chorus) Speech
‘Tis the Damn Season (V1, Chorus)
Dorothea (Bridge, Chorus)
Champagne Problems (full song) Piano
Willow (Grammy’s Version) (full song) + extended guitar solo for costume change FEARLESS ERA
Love Story/You Belong With Me (mash up)
You All Over Me (V1, Chorus, V2)
Jump Then Fall (full song) + “jumps” off the stage, leading to visual for costume change REPUTATION ERA
Look What You Made Me Do (full song)
I Did Something Bad (V1, chorus)
This Is Why We Can’t Have Nice Things (chorus, bridge, chorus) Speech
Call It What You Want (V1, chorus) Guitar
King of my Heart (V1, chorus, bridge, chorus) Guitar
Don’t Blame Me (full song) + snake visuals turning into autumn leaf visuals for costume change RED ERA
All Too Well (10 minute version) (full song) Guitar Speech
We Are Never Ever Getting Back Together (V1, Chorus, Bridge, Chorus)
Come Back… Be Here (V1, chorus, V2)
Message in a Bottle (chorus, bridge, chorus)
Begin Again (chorus, bridge, chorus, outro) + walks off stage to the audio for Never Grow Up SPEAK NOW ERA
Enchanted (full song) Speech
Haunted (full song)
Last Kiss (V1, chorus)
Better Than Revenge (full song) + extended guitar solo for costume change 1989 ERA
Blank Space (full song)
Shake it Off (full song) + disappears in an explosion of confetti for costume change Spoken word poem version of Peace FOLKLORE ERA
Cardigan (full song)
The Last Great American Dynasty (V1, chorus, V2, chorus) Speech
Betty (full song) Guitar
Illicit Affairs (chorus, bridge, chorus)
August (full song) + break for costume change DEBUT ERA/SURPRISE SONGS
Tim McGraw (full song) Speech
Our Song (full song) Introduction to Surprise Songs Speech
Surprise song (Guitar): I Bet You Think About Me Speech
Surprise song (Piano): You’re On Your Own, Kid Dance interlude to Lavender Haze for costume change MIDNIGHTS ERA
Anti-Hero (full song)
Vigilante Shit (full song) Speech
Karma (full song)
Mastermind (full song) + farewells and bows
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Hi Betty hiiii. I was wondering as we travel full speed into the holiday season, are their any nightmare factory traditions (or additional holidays!?) our dearest Nightmare Eddie shall be partaking in? Okay love ya bye.
Hiiiii Hannah 🥹
You know that movie It's a Wonderful Life? How every time a bell rings, an angel gets their wings, apparently? Well, every time a bell rings around the holidays at the Nightmare Factory, Krampus takes a shot of alcohol. He has a high tolerance, so it's fine, but Eddie tried to keep up with him one Christmas eve, and he somehow ended up face down in the trash compactor, covered in confetti, with a silver tinsel wig on. Did they kiss? Eddie can't remember, but that particular Krampus got transferred soon after. The new one takes his job really seriously, so Eddie can't make a tradition out of that night, but he was willing.
Eddie gets a tree for the trailer every year, sometimes even works part-time at the lot next to the Kitchen Appliance Horrors department where they sell them. There's a box of ornaments he made with his mother that he likes to decorate it with, as well the bottlecap tree topper he made for Wayne. There's a partial portal under the tree, so when he lays beneath the boughs to look up inside of it, the two of you can hear each other's voices. One time, the wires got crossed, and Eddie ended up talking to some fucking kid who thought it was the voice of Santa Claus. Eddie listened to him rattle off the list of everything he wanted and said he'd do his best. Ho. Ho. Ho.
The holidays are chock full of nightmares, so there are a lot of blackout days when it's all hands on deck at the factory. Plus, there is also the annual holiday party that requires mandatory attendance. Ever seen a Slenderman in a Santa hat eating deep fried pickle spears dipped in Windex? Well, Eddie has. There's a game where they give away prizes, and he usually sticks around for that before he splits. Three years ago, he won some aged bourbon that he wrapped up as a present for Wayne, but the year after that he got dog shit. Actual rubber dog shit: that Possessed Teletubbie dude Tinky Winky thinks he is sooo funny. This year he's hoping for some scratch tickets or a damn bonus. Buying a permit for interdimensional travel is not cheap.
thank you for asking, love you.
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Ideas for tadc animatics
1: an alternate intro with tgamm intro song
2: a Jax edit with rob a bank by confetti
3: a ragpom edit with the song tangled up
4: a lore based edit with Caine singing the betty boop remix song thingy
5: a pomni edit where she loses it and other friends is the song
5: another lore based edit with the slowed trypophobia meme song. ( amygdala's ragdoll)
6: some sad future edit with freaks by surf curse
7: an overall edit with freaks by sub urban
8: an edit about the pasts of the main few characters and what they've seen with cradles playing or pomni losing it (cradles the sub urban song)
That's all for now, tell me what animatic ideas you think would be cool! I can't draw tho....
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This is slightly random but I’m listening to a podcast that made me think of you, so I wanted to share.
It’s called the “you are what you love podcast,” which is where a writer will come on and talk about the piece of media that got them into writing. The guest on this episode is one of the riverdale writers, and she’s talking about how scream, dexter, and bates motel (which i haven’t seen but i know you love), are the things that got her into writing for television. It made me think of you, and the way that such dark shows inspire such affection. I also love that she wouldn’t be writing for something as campy and wild as riverdale, without the existence of, of all things, dexter
okay so i can't respond to this without mentioning that @alaynestone and i concocted a riverdale/dexter crossover early this year while processing the revival that we shan't acknowledge, so this makes me feel we are big-brained lol. there are motifs that exist between them! she also recently said to me how it's strange that something so dark (bates motel, in this case) can be somehow comforting. certainly that varies from one person to another, and we all glean different meaning from things, but there can be an unusual solace in the dark, in seeing people navigate their tragedies, even if the outcome is predestined. something about loving them in the awfulness and horrors anyway, and seeing that beauty and humanity still exist there. it's why i particularly loved early spn (it was directly formative for me in this way), it crosses to things like btvs/a:ts and tvd/to, to brba/bcs, to the depth of the feelings around dexter, to bates. i totally get why that would inform some of riverdale, it loves its homages and horror tropes, and even though it's often camp, it likes adding those little layers to characters (betty maybe especially, but that might be bias on my part).
there's an embrace in the dark. perhaps we don't really want to live there, but it makes our own struggling and hurt, our own shadows, easier to understand and bear, and even have sympathy for, and of course because...i am who i am lol...the striving *for* light in the midst of it is so powerful and resonant. (a discussion i just had with @arthurwilde because we were talking about indelible scenes that are so humanistic and affecting, even in grim tales. "the rest is confetti" in the haunting of hill house, a letter my beloved vanessa sends in penny dreadful that i have quoted in my sidebar, dex at the end of nebraska when he says, "i wonder if darkness is defined by light. if so, darkness can't exist on its own. there must, by definition, be light somewhere, waiting to be found." dean. just dean everywhere and in all he is). they do inspire affection because there's a sense of empathy/acceptance there. everything is interconnected! one spark of inspiration can light so many others!
and, of course, "you are what you love" is everything! it's true.
thank you for thinking of me and sending me this. I just think that you are what you love! 💖💖💖
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