#combining 2 of my very different interests

[ender-of-the-sender]

Okay so I know its Scott and Pearl but...

Does this still count?

Autism Test

[itsalwaysdark]

i think itis funny in the past when i would list my interests as if i post abt them i donot post abt the shit im into rly Mainly bc im not rly Into Into anything anymore i occasionally watch or read or play something but i dont do fandom stuff rly much.... just sometimes i get brainworms

[dravidious]

You uuuuuhhhhhh are cool

So there's a relic on Path of Champions called Voidborne Carapace that give the equipped champion "Whenever any unit dies, grant me its positive keywords" and Evolve (Once you've had 6+ different positive keywords in play, grant me +2/+2). I always wondered what to use it for; Evolve is much harder to trigger when you can't choose what cards to put in your deck, and getting keywords from dying units doesn't seem that good. However, I've since realized the synergy it has with 2 champion's star powers:

Bard is a champion based a round buffing allies in your hand, and has the power Caretaker's Blessing: "Whenever you summon a unit with buffed stats, grant it a random keyword." This makes evolving super easy, and can let Bard collect up all the random keywords that your allies have, making him a monstrosity with high stats and a ton of keywords.

The other, much more interesting option, is Elise. Elise's 3-star power is Spider Queen 2: "When allies attack, grant allies Spiderlings everywhere +1/+0 and the positive keyword of allied champions." For context, spiderlings are 1/1s that Elise is really good at summoning lots of, and "everywhere" means permanently, for the rest of the game, even on spiderlings that are summoned later. Elise's deck only has reliable access to 2 keywords, so evolving is fairly difficult, but oh my the rewards...

First of all, copying the keywords of dying enemies (and any other keyworded units you pick up) allows you to permanently transfer those keywords to your spiderlings. That could be pretty nice, granting stuff like quick attack, overwhelm, brash, challenger, spellshield, etc., but it's unreliable. You also transfer evolve to your spiderlings. And while turning on evolve is difficult, if you ever manage it, then all your spiderlings get +2/+2 for the rest of the game, making you basically unstoppable with your army of itsy-bitsy spiders.

The only problem is that I don't have Voidborne Carapace nor Elise's 3-star power.

[inhonoredglory]

Aziraphale’s Choice, the Job Connection, and Michael Sheen’s Morality

Update: Michael Sheen liked this post on Twitter, so I'm fairly certain there is a lot of validity to it.

I’ve had time to process Aziraphale’s choice at the end of Season 2. And I think only blaming the religious trauma misses something important in Aziraphale’s character. I think what happened was also Aziraphale’s own conscious choice––as a growth from his trauma, in fact. Hear me out.

Since November 2022 I’ve been haunted by something Michael Sheen said at the MCM London Comic Con. At the Q&A, someone asked him about which fantasy creature he enjoyed playing most and Michael (bless him, truly) veered on a tangent about angels and goodness and how, specifically,

We as a society tend to sort of undervalue goodness. It’s sort of seen as sort of somehow weak and a bit nimby and “oh it’s nice.” And I think to be good takes enormous reserves of courage and stamina. I mean, you have to look the dark in the face to be truly good and to be truly of the light…. The idea that goodness is somehow lesser and less interesting and not as kind of muscular and as passionate and as fierce as evil somehow and darkness, I think is nonsense. The idea of being able to portray an angel, a being of love. I love seeing the things people have put online about angels being ferocious creatures, and I love that. I think that’s a really good representation of what goodness can be, what it should be, I suppose.

I was looking forward to BAMF!Aziraphale all season long, and I think that’s what we got in the end. Remember Neil said that the Job minisode was important for Aziraphale’s story. Remember how Aziraphale sat on that rock and reconciled to himself that he MUST go to Hell, because he lied and thwarted the will of God. He believed that––truly, honestly, with the faith of a child, but the bravery of a soldier.

Aziraphale, a being of love with more goodness than all of Heaven combined, believed he needed to walk through the Gates of Hell because it was the Right Thing to do. (Like Job, he didn’t understand his sin but believed he needed to sacrifice his happiness to do the Right Thing.)

That’s why we saw Aziraphale as a soldier this season: the bookshop battle, the halo. But yes, the ending as well.

Because Aziraphale never wanted to go to Heaven, and he never wanted to go there without Crowley.

But it was Crowley who taught him that he could, even SHOULD, act when his moral heart told him something was wrong. While Crowley was willing to run away and let the world burn, it was Aziraphale (in that bandstand at the end of the world) who stood his ground and said No. We can make a difference. We can save everyone.

And Aziraphale knew he could not give up the ace up his sleeve (his position as an angel) to talk to God and make them see the truth in his heart.

I was messed up by Ineffable Bureaucracy (Boxfly) getting their happy ending when our Ineffable Husbands didn’t, but I see now that them running away served to prove something to Aziraphale. (And I am fully convinced that Gabriel and Beelzebub saw the example of the Ineffables at the Not-pocalypse and took inspiration from them for choosing to ditch their respective sides)

But my point is that Aziraphale saw them, and in some ways, they looked like him and Crowley. And he saw how Gabriel, the biggest bully in Heaven, was also like him in a way (a being capable of love) and also just a child when he wasn’t influenced by the poison of Heaven. Muriel, too, wasn’t a bad person. The Metatron also seemed to have grown more flexible with his morality (from Aziraphale's perspective). Like Earth, Heaven was shades of (light?) gray.

Aziraphale is too good an angel not to believe in hope. Or forgiveness (something he’s very good at it).

Aziraphale has been scarred by Heaven all his life. But with the cracks in Heaven’s armor (cracks he and Crowley helped create), Aziraphale is seeing something else. A chance to change them. They did terrible things to him, but he is better than them, and because of Crowley, he feels ready to face them.

(Will it work? Can Heaven change, institutionally? Probably not, but I can't blame Aziraphale for trying.)

At the cafe, the Metatron said something big was coming in the Great Plan. Aziraphale knows how trapped he had felt when he didn’t have God’s ear the first time something huge happened in the Big Plan. He can’t take a chance again to risk the world by not having a foot in the door of Heaven. That’s why we saw individual human deaths (or the threat of death) so much more this season: Elspeth, Wee Morag, Job’s children, the 1940s magician. Aziraphale almost killed a child when he couldn’t get through to God, and he’s not going through that again.

“We could make a difference.” We could save everyone.

Remember what Michael Sheen said about courage and doing good––and having to “look the dark in the face to be truly good.” That’s what happened when Aziraphale was willing to go to Hell for his actions. That’s what happened when he decided he had to go to Heaven, where he had been abused and belittled and made to feel small. He decided to willingly go into the Lion’s Den, to face his abusers and his anxiety, to make them better so that they would not try to destroy the world again.

Him, just one angel. He needed Crowley to be there with him, to help him be brave, to ask the questions that Heaven needed to hear, to tell them God was wrong. Crowley is the inspiration that drives Aziraphale’s change, Crowley is the engine that fuels Aziraphale’s courage.

But then Crowley tells him that going to Heaven is stupid. That they don’t need Heaven. And he’s right. Aziraphale knows he’s right.

Aziraphale doesn’t need Heaven; Heaven needs him. They just don’t know how much they need him, or how much humanity needs him there, too. (If everyone who ran for office was corrupt, how can the system change?)

Terry Pratchett (in the Discworld book, Small Gods) is scathing of God, organized religion, and the corrupt people religion empowers, but he is sympathetic to the individual who has real, pure faith and a good heart. In fact, the everyman protagonist of Small Gods is a better person than the god he serves, and in the end, he ends up changing the church to be better, more open-minded, and more humanist than god could ever do alone.

Aziraphale is willing to go to the darkest places to do the Right Thing, and Heaven is no exception. When Crowley says that Heaven is toxic, that’s exactly why Aziraphale knows he needs to go there. “You’re exactly is different from my exactly.”

____

In the aftermath of Trump's election in the US, Brexit happened in 2018. Michael Sheen felt compelled to figure out what was going on in his country after this shock. But he was living in Los Angeles with Sarah Silverman at the time, and she also wanted to become more politically active in the US.

Sheen: “I felt a responsibility to do something, but it [meant] coming back [to Britain] – which was difficult for us, because we were very important to each other. But we both acknowledge that each of us had to do what we needed to do.” In the end, they split up and Michael moved back to the UK.

Sometimes doing the Right Thing means sacrificing your own happiness. Sometimes it means going to Hell. Sometimes it means going to Heaven. Sometimes it means losing a relationship.

And that’s why what happened in the end was so difficult for Aziraphale. Because he loves Crowley desperately. He wants to be together. He wanted that kiss for thousands of years. He knows that taking command of Heaven means they would never again have to bow to the demands of a God they couldn’t understand, or run from a Hell who still came after them. They could change the rules of the game.

And he’s still going to do that. But it hurts him that he has to do that alone.

[dawnslight-aegis]

and that's a wrap on my tarot series! the upright majors, at least. there may be others sometime in the future if I am seized by a combination of insanity and hyperfixation once again.

you might notice a few cards are a bit (or in the case of the fool and alternate chariot, a lot) different! I did a few retakes for consistency/style.

below the read more I've included a bunch of notes about symbolism and reasoning behind my choices if that interests you!

(tag for individual card posts)

0. The Fool: Ardbert was really the only choice for this one. He's our stand-in, our shard, our mirror. Feo Ul is included partially because of lore (they are my co-WoL's shard on the First) and also because they also fit the themes of adventure and new beginnings and exploration. Most of the cards I played pretty loose on the posing vs traditional depictions, but this one I wanted to hew a little closer, which is why he's on a cliff with a foot hanging over the edge a bit, with his axe standing in for the bindle. This is my second attempt at the card -- the first was in Il Mheg, but I moved it to Kholusia (Ardbert's home) and dawn to more closely symbolize that it's the beginning of something. Attempts: 2. Difficulty: 8/10, posing Feo Ul was annoying.

1. The Magician: This card could have had several subjects, chief among them Alphinaud or a more modern G'raha, but I settled on Alisaie a) because the other two cards I had in mind for her (Chariot and Justice) were already taken, and b) the card's focus on physical magic and depicting the "tools of the trade" reminded me a lot of Angelo's creation! So that's why she's here, and why I set the card in Matoya's Relict, among the tools of magicians who came before (Matoya, Y'shtola). I retook the shot because I was unsatisfied with the blurriness/the way the light covered her face in the first one. Attempts: 2. Difficulty: 5/10, simple pose but working with Impact's spell effect complicated things.

2. The High Priestess: Another that I never questioned who would appear on it. Y'shtola's arc is entirely about uncovering forbidden, secret knowledge and wisdom, so she fits beautifully. The blue-white orb and the purple staff depict duality between dark and light, and how Y'shtola walks in two worlds, seeing things that are beyond sight, standing before an altar/holy place to the Night's Blessed. Attempts: 1. Difficulty: 2/10. Premade pose, knew where I wanted to place her -- the only thing was finding a prop for her off hand.

3. The Empress: Hoo boy did Minfi give me some trouble. I knew that I wanted our Antecedent, who provides both authority and care for the Scions, to represent the Empress, but I struggled to find a depiction that wasn't, well, boring. Minfilia is deeply linked with the Solar, and I didn't want to lean too hard into Word of the Mother/Hydaelyn territory, so I settled on a triple goddess-like idea. Attempts: 3. Difficulty: 6/10. Not mechanically difficult, just conceptually.

4. The Emperor: Another one that I knew who I wanted but struggled with the concept. Haurchefant is very much emblematic of the stability, structure, and masculinity provided by the Emperor, but it wasn't until I decided to add his equally-Emperor-coded father that things settled into place. Together, Edmont and Haurchefant evoke the image of father and son as well as king and knight, filling both major male authority roles that the Emperor exemplifies. Attempts: 4. Difficulty: 6/10. Same as the Empress.

5. The Hierophant: this one was one of the hardest to choose a subject for -- the WoL's allies are largely a bunch of revolutionary firebrands, and I disagree HEAVILY with the popular choice of placing Aymeric here. So I landed on Alphinaud -- out of the Scions, he is the one most concerned with tradition and the "right" way to do things, with formal education and structure. He wants to bring Sharlayan into the modern day, not upend the institutions that raised him and that he very much still respects, much like how he still respects his very traditionally Hierophant-coded father. So I placed him in his family home with a sort of smug look since he can be a pretentious little shit sometimes (affectionate). The spell effect is from Kardia, and I paid special attention to having the shapes align perfectly with the lines in the background, to give a sense of stability and order to the shot, especially contrasted with Alisaie's more dynamic and chaotic depiction. Attempts: 1. Difficulty: 4/10, entirely in alignment.

6. The Lovers: Hrasevelgr and Saint Shiva are a great choice for depicting the Lovers as two people, but no one does the Lovers in one subject better than Ysayle. Invoking the spirit of a woman who died for love in order to bring harmony to her people, but it truly being her own power and her own choice the whole time... it's great. Her pose is her transformation/summoning pose, turned into a gesture of affection, which I was particularly proud of. Attempts: 1. Difficulty: 3/10, posing monsters is always a little funky.

7. The Chariot: This one has two options -- my co-WoL, Marz, and Tataru/Cid/Nero for the NPC variant. All 4 characters share a singular drive and refusal to let anything stop them once they've set their mind to something, and the 3 NPCs have the added benefit of being associated with a literal "chariot" in the form of airship design. Marz's place on Shadowkeeper has some lore associations (Cylva is her shard on the 13th) as well as being a void mirror to Kaede's sin eater shot. For both I wanted to have dynamic poses to evoke the activity of the card. Attempts: 1 (Marz), 2 (NPCs). Difficulty: 3/10 for both, no major hurdles once the lovely @/karoiseka pointed me at an airship in NG+.

8. Justice: The heart of the Justice card is its emphasis on truth, and no character in FFXIV is more committed to truth even in the face of great suffering than Aymeric de Borel. Because of this, the shot is taken at the top of the Vault, where he confronted his father over his concealment of the truth of the Dragonsong War. The card is usually depicted with a woman holding a sword and balanced scales -- Aymeric is holding his sword in a pose used in statues in the Pillars, and the symmetry of the shot/light and shadow split down the middle is meant to give the feeling of balance. Attempts: 1. Difficulty: 1/10. I knew my concept, location, and shader before I even went in, and it came out exactly like I wanted.

9. The Hermit: Originally I had Urianger for this card, who still fits well, but when I moved him to Wheel of Fortune, there was a clear second choice: The Exarch. He even resembles the Hermit, with his cloak and staff, holding himself in isolation and possessing secret knowledge with which he guides the party. G'raha has grown out of this role as of Endwalker, but the Exarch fits it to a tee. I wanted to show his longing to return through his body language and reaching out for the portal that shows him the world he is set apart from. Attempts: 2. Difficulty: 4/10. Nothing major but did have to do two entirely separate cards lmao.

10. The Wheel of Fortune: The one I struggled with the most, conceptually. At first I had a more abstract choice, with the 3 starting city state leaders and Tataru, in a sort of "fate leads to the Scions" idea. But then I remembered that Urianger is a fortune teller who uses a wheel-like weapon with a literal wheel of cards, and, well. Yeah. The man is intimately associated with fate and choice, and the choice to place him on the moon is intentional, to separate him from his more secretive depictions in HW/ShB. He is the one who prepares our second option (flight) while giving us the choice to make our first (fight). Attempts: 2. Difficulty: 7/10. He's up on a high ledge that's not normally accessible and that's always a pain in the ass.

11. Strength: The one that started it all. The original shot of Kaede contained some layer elements I wasn't happy with so I ended up retaking it to better cohere with the others. Strength is about confidence and inner strength "leashing" power, symbolized by the woman and the tamed lion, and there's exactly one good lion model in XIV -- Forgiven Cruelty. It also has the fun side meaning of Kaede conquering and wielding the light that almost killed her. For Moenbryda's, I went with something simple -- her axe to symbolize her strength, but with her archon mark and the Sharlayan Thaliak statue prominently featured, emphasizing her intelligence. Attempts: 2 (Kaede), 1 (Moenbryda). Difficulty: 6/10. Kaede's was straightforward enough (though I had to wait an annoyingly long time for the sky to shift colors correctly), but Moenbryda's involved me floating her up on a building so i could get Thaliak in the shot correctly.

12. The Hanged Man: Holy moly this one was a PAIN IN THE ASS. I knew from the minute I started this what I wanted to do with it -- Lahabrea holding Thancred's ankle as he reaches for Minfilia. The Hanged Man is one that I felt it was especially important to mimic the iconic pose on the card, and this was how I decided to do it, but it took me over an hour and a half to accomplish. Anyway, the Zodiark idol stands in for the Tree of Life, which I really liked. Attempts: 1. Difficulty: 10/10. Absolutely infuriating to have to pose 3 actors in three dimensional space like that.

13. Death: I only ever considered Estinien for this card. It stands for transformation and change, for shedding the old to make way for the new, and I chose to depict that by having his old corrupted drachen mail posed behind him like a shadow or an abandoned husk. He has left the hate and the rage behind, but the helmet is meant to symbolize that he always remembers it, and carries it with him so that he can do better. His lance is also vaguely reminiscent of the traditional Death scythe. That spot in Coerthas is where he challenges you in the early DRG quests while controlled by Nidhogg, as well as being just visually striking. Attempts: 1, but it took a while. Difficulty: 9/10. The ground is very much not flat, the helmet is on a minion, and I had to change angles and locations a few times.

14. Temperance: I briefly considered Hythlodaeus here, but Krile fits very well. Calm, competent, but unsure of her own worth. I chose Eureka Hydatos both for its importance to Krile as well as its easily accessible water -- instead of pouring from a cup, Krile is looking at her reflection. This one came together so quickly and easily. Attempts: 1. Difficulty: 1/10. In and out of Eureka in less than 20 minutes.

15. The Tower: Originally, before I reshuffled, G'raha was going to be the Tower simply because I didn't know where to put him, and I couldn't think of an ally who is ultimately a destructive force, but it always bothered me because he truly didn't fit. Meteion, though -- despite her innocence and unwillingness, is THE destructive force within Endwalker's story. This card had the highest hurdles -- I had to get 7 friends to help me queue for Endsinger and then leave, and I almost couldn't get my tools to load Meteion in properly. After that it was smooth sailing, however. I used the whole lockout timer, but this was only the 4th shot I took, and it's one of my personal favorites. Attempts: 1. Difficulty: 4/10, purely for queuing.

16. The Devil: Addiction, obsession, and control -- Zenos was the only answer for this card. I included Zero as well, despite intending this to be a primarily 6.0 and earlier set, to represent the humans bound in chains to the Devil, using the way she's pinned between Zenos and the scythe to symbolize that she's trapped. Afterward I realized this exact shot and character choice would have also worked quite well for the Tower, as well, but I ultimately prefer the Devil for him. Attempts: 1. Difficulty: 3/10. Came together surprisingly easily, despite the fact that I had to make Zero's hat touch pose myself.

17. The Star: Symbolizing hope and new life, I can think of no one better suited than Ryne and the Empty. Ryne herself was given her own new life when Minfilia passed on her power, and the ability to make her own destiny -- and she used that power to revitalize a barren wasteland. My first version of this shot had a photoshopped in central star, but I decided to revisit the concept with an in game effect for the star instead. Helios provided what I needed, with the fun extra benefit of some additional rainbows (happy pride!). Attempts: 3. Difficulty: 3/10. Nothing crazy beyond trying to find a good angle to get the star in the shot, as well as Eden and the rainbow crystal. Second attempt I messed up the framing and had to redo it again.

18. The Moon: The card of dreams, fear, anxiety, and secrets, Gaia is perfect here (and a lovely companion to Ryne as the Star), though I did briefly consider Urianger as well. I wanted to have Gaia on the sand, with the moon hanging between the crystal walls of the Empty above her, but the angles would NOT cooperate to allow me to get the moon in the shot. So, levitation was the only answer. Fortunately it suits Gaia well, especially the distance that it evokes. Attempts: 1. Difficulty: 6/10. I hate midair posing.

19. The Sun: Another card that sprang fully formed into my mind. Joy and fulfillment is symbolized by Lyse enjoying the morning light in a free Ala Mhigo, thinking of Papalymo. It also allowed me to get both of these very different characters into a single card, as they are very much a package deal, though I did consider Papalymo for the Hierophant as well. Attempts: 1. Difficulty: 2/10. Came together very quickly.

20. Judgement: The last two cards of the Major Arcana are very high concept, with very lofty ideals, so they felt hard to pin down. I thought of doing both my WoLs here, or maybe Elidibus with his three forms for light, dark, and balance. But ultimately I ended up on Emet-Selch and Hythlodaeus, as the sort of "final judgement" before the battle with the endsinger, the last step before everything ends. Their literal rebirth, the resolution of Emet-Selch's conflict with the WoL, the not-redemption but understanding reached, our efforts judged worthy -- it all just seemed to fit. The card design is simple but I hope the colors and emotion of the scene carry the weight of the arcana. Attempts: 1. Difficulty: 2/10. No major roadblocks.

21. The World: At last we arrive at the end, not only the last posted but the last taken as well. I always knew I wanted Venat/Hydaelyn for this card, as she is the literal heart of our world, as well as an Azem who has reached the end of her journey, as Ardbert was one who was at the beginning of his all the way back at the Fool. But when I didn't use Elidibus anywhere else, I decided to add him here as well, since he also served as the heart of the star for a time. Light and dark united together, watching over Etheirys. The one who destroyed our world in order to save it, and the one who saved our world only to try to destroy it. Perfect symmetry, a completion of the circle. Attempts: 1. Difficulty: 9/10. I had to stitch together 3 separate screenshots in photoshop, with the fore and backgrounds cut apart so I could control the opacities separately. Probably the card that took me the longest, but it was worth it.

[maoam]

Naruto most likely sees how the world around him works, and it affects his behaviour, especially since he craves for acceptance.

Notice the difference in his reaction when another guy says he likes him in part 1 vs part 2.

(Sorry for a bit poor quality, it was difficult to find an accurate translation, most were viz translations which didn't convey this convo very well). In part 1 he's just annoyed, because he doesn't like Kankurou as a person. He didn't even think about that "I like you" could have certain other implications. But in part 2 he's straight up creeped out by Kakashi saying the same thing, eventhough the meaning and intention is the same in both.

Naruto's reaction to Kurama mentioning his kiss with Sasuke was also way too over the top. Like really comical. Naruto was putting on a show in front of everyone. But whenever he's with Sasuke, he forgets all about this, he is fine with waxing poetry to Sasuke, or Sasuke being close to him...

My guess is since he went through puberty he also learned things about himself and thus started to become more sensitive to such things. Thus internalized homophobia.

Take this scene for example. He seems a bit uncomfortable being there. Sai was probably made to be like this (inappropriate, talking about p*nis all the time, being compared to Sasuke, challenging Naruto about his fixation on Sasuke) so Kishi could introduce more such themes into the manga. He's rather clever about this.

Another guess (it could be both combined) would be that since Jiraiya is so aggressively straight man (to the point he has to introduce himself by saying he's not into men lol) living with him for those years during the timeskip could have affected Naruto's mindset even more. But it's funny how Kishi keeps stressing over and over how Naruto finds Jiraiya's er*tic books boring. Also unlike Jiraiya who peeps on women for p*rverted reasons, Naruto does it as a prank, and in order to practice his oiroke no jutsu. Kishi is trying to show how they are different. I remember on one discussion forum one guy actually brought up he noticed Naruto's changed behaviour after he came back with Jiraiya! Like that he was even more gay and more sensitive to gay things. See, other people notice too.

Then he calls Konohamaru's boy-on-boy jutsu "nasty". Naturally, it's a shonen, Naruto can't have a comically interested reaction like Sakura to something like that, it wouldn't fly. Thus the internalized homophobia. But I also think he didn't want to see Sasuke who he's possessive over being with Sai like that lol. And Naruto really isn't one to talk considering what he came up with later.

Look how proud he looks. Little hypocrite. He's been working on those twink bods more than rasengan lol. Kishi wasn't very subtle with that comment. Also Kishi fought for this moment with his editors for YEARS because he just really needed to write this down. It was just that important to him...

Of course Naruto's repression comes up when it comes to Sasuke as well. Here he admits Sasuke is attractive, but then immediately backpedals on it. His real feelings just slipped.

Later, he was thinking about Sasuke, his mind consumed by Sasuke, but when Sakura and Sai appear his whole body language changes and he immediately claims he was thinking about a date with Sakura. He didn't want to be vulnerable nor let anyone know about his real feelings at the moment. He is hiding behind a heterosexual facade.

But sometimes Naruto doesn't even think of backpedaling on it. He is with his supposed "crush" yet unlike anyone else who would try to get closer or maybe flirt, he is just thinking about Sasuke. This is actually a moment that made many people raise their eyebrows. Including people who didn't like narusasu, or people who didn't ship anything. Specifically because it's written like a clickbait, as in Naruto says "he is happy" and Sakura going "huh?" and because she's his supposed crush who is taking care of him as I said most readers would expect next page have Naruto say something that would emphasize his crush on Sakura. But no, he goes on about Sasuke. No matter how much ss/nh insist we see gay everywhere, many other people picked up on Kishi's writing at many points during the story. But anyway, even with the internalized homophobia, Naruto's love for Sasuke is so strong he can say crazy things about Sasuke to other people and to Sasuke himself that things like "I'm starting to like you" (a completely average thing to say to another person) can't compare to, and still be unbothered by it.

Finally there is the interaction with Minato. Naruto wants to look good in front of his dad so he hesitantly agrees Sakura is his girlfriend, despite how in the previous arc we were shown that Naruto knew Sakura still likes Sasuke, and was angry at her when she tried to confess to him. So he is obviously not serious about Sakura being his girlfriend, but he is saying it to Minato hesitantly. Yet when his dad is leaving he doesn't want to lie anymore.... but he's also hesitant about admitting he hasn't found a girl like his mom wanted.

About the last part, I think it's referring to the armadillo scene? I think it was Kishi's typical humour, like how Naruto saw Haku in makeup and feminine clothing, and assumed Haku was a girl, but then was told Haku is a boy and went "oh okay, I didn't know that kind of thing existed". Here there was instead an armadillo that somehow looked like it was wearing makeup (??? idek or at least looked feminine) and since Naruto needed to write down whether the animals were boys or girls (a ridiculous cover up mission they made up to hide the war was going on from Naruto lol) but then it was flipped over with everyone else and Naruto saw its p*nis and went "even if heaven and earth switched places, a male is still a male". I guess Kishi likes this kind of thing lol... his d*ck jokes...

I know it says "the world might flip over" here but I know it's actually that proverb "even if heaven and earth switched places" that's often used in Japanese.

EDIT: this got flagggged by tumblr so I had to edit sus words.

[serpentface]

how do you come up with the ways cultures in your setting stylize people/animals/the world in general in their artwork, i.e. jewlery, rock carvings, statues, etc? Each culture in your world seems to have a very unique "art style" and I love it a lot - makes them seem that much more 'real'. This is something I struggle with a lot in my own worldbuilding and I'd love to pick your brain if possible 😁

I think a starting point is to have a research process based in the material realities of the culture you're designing for. Ask yourself questions like:

Where do they live? What's the climate/ecosystem(s) they are based in? What geographic features are present/absent?

What is their main subsistence method? (hunter gatherer, seasonal pastoralist, nomadic pastoralist, settled agriculturalist, a mix, etc)

What access to broader trade networks do they have and to whom? Are there foreign materials that will be easily accessible in trade and common in use, or valuable trade materials used sparingly in limited capacities?

Etc

And then do some research based on the answers, in order to get a sense of what materials they would have routine access to (ie dyes, metal, textiles, etc) and other possible variables that would shape how the art is made and what it's used for. This is just a foundational step and won't likely play much into designing a Style.

If you narrow these questions down very specifically, (ie in the context of the Korya post- grassland based mounted nomads, pastoralist and hunter-gatherer subsistence, access to wider trade networks and metals), you can direct your research to specific real world instances that fit this general idea. This is not to lift culturally specific concepts from the real world and slap them into your own setting, but to notice commonalities this lifestyle enforces - (ie in the previous example- mounted nomadic peoples are highly mobile and need to easily carry their wealth (often on clothing and tack) therefore small, elaborate decorative artwork that can easily be carried from place to place is a very likely feature)

For the details of the art itself, I come up with loose 'style guides' (usually just in my head) and go from there.

Here's some example questions for forming a style (some are more baseline than others)

Are geometric patterns favored? Organic patterns? Representative patterns (flowers, animals, stars, etc)? Abstract patterns?

Is there favored material(s)? Beads, bone, clay, metals, stones, etc.

When depicting people/animals, is realism favored? Heavy stylization? The emotional impression of an animal? Are key features accentuated?

How perspective typically executed? Does art attempt to capture 3d depth? Does it favor showing the whole body in 2 dimensions (ie much of Ancient Egyptian art, with the body shown in a mix of profile and forward facing perspective so all key attributes are shown)? Will limbs overlap? Are bodies shown static? In motion?

Does artwork of people attempt to beautify them? Does it favor the culture's conception of the ideal body?

Are there common visual motifs? Important symbols? Key subject matters?

What is the art used for? Are its functions aesthetic, tutelary, spiritual, magical? (Will often exist in combination, or have different examples for each purpose)

Who is represented? Is there interest in everyday people? Does art focus on glorifying warriors, heroes, kings?

Are there conventions for representing important figures? (IE gods/kings/etc being depicted larger than culturally lesser subjects)

Is there visual shorthand to depict objects/concepts that are difficult to execute with clarity (the sun, moon, water), or are invisible (wind, the soul), or have no physical component (speech)?

Etc

Deciding on answers to any of these questions will at least give you a unique baseline, and you can fill in the rest of the gaps and specify a style further until it is distinct. Many of these questions are not mutually exclusive, both in the sense of elements being combined (patterns with both geometric and organic elements) or a culture having multiple visual styles (3d art objects having unique features, religious artwork having its own conventions, etc).

Also when you're getting in depth, you should have cultural syncretism in mind. Cultures that routinely interact (whether this interaction is exchange or exploitation) inevitably exchange ideas, which can be especially visible in art. Doing research on how this synthesizing of ideas works in practice is very helpful- what is adopted or left out from an external influence, what is retained from an internal influence, what is unique to this synthesis, AND WHY. (I find Greco-Buddhist art really interesting, that's one of many such examples)

Looking at real world examples that fit your parameters can be helpful (ie if I've decided on geometric patterns in my 'style guide', I'll look at actual geometric patterns). And I strongly encourage trying to actually LEARN about what you're seeing. All art exists in a context, and having an understanding of how the context shapes art, how art does and doesn't relate to broader aspects of a society, etc, can help you when synthesizing your own.

[7squidgy7]

✧.*100 follower celebration type thing*.✧

So, to celebrate 100 followers on tumblr, I decided to draw some fanart for people. This community is so sweet. Every one of these artists has inspired me in some way.

I'm really sorry for those I haven't made art for. I may make a part 2 one day for those I missed. Who knows.

This was a really nice way to try out different art styles while mixing them with my own.

Apologies for all the link later on. Want to explain the creative process a bit for those interested cause I put way too much effort into it to not mention.

Close ups below cut:

@donutfloats

Your arts so cute and soft, I love it. You have a great way of just expressing love through your art.

I was inspired by 2 of your pieces for this, the main one being the 3rd image for this post. The lambs dress is so pretty, I just knew I wanted to draw it flowy and dancing, and the second image I used is this post for the rendering style.

✧.*-----------------------------------------------------------------------*.✧

@aniimoni

I really like your artstyle. The monochrome colours are delightful, as with the way you do lineart. while making this, I was thinking this is the perfect style to meld with mine.

I was inspired a lot by the axe and hammer drawings in this post. As a hammer lover, I decided to combine the 2 together.

✧.*-----------------------------------------------------------------------*.✧

@teruuu

Something about your style is mischevios. Your rendering and lineart are just wonderful as well. You have a very distinctive style that matches mine quite well, i think.

I feel compulsion of the flesh Lamb and Narinder would give each other kisses on the hand but take a bite at the same time. They freaky like that. Based my rendering around this post and the previous draw you character here, I did. These are fun designs to draw.

✧.*-----------------------------------------------------------------------*.✧

@poopylumpkins

I really like your vampire au something about it really spoke to me as a afab non-binary.

Lamb deserves to wear their own clothes and something about narinder helping with their makeup convinces me he'll help out.

if you're curious, i colour picked the background and shading from this post

✧.*-----------------------------------------------------------------------*.✧

@olrinarts

This was a really fun style to draw. Something about how you draw these 2 is delightful. Love yuri narinder's eyes in particular.

Rock god yuri. What more can I say these are really good designs. Showed them to my friend, and they loved them.

Decided to have them dueting, while Narinder can't sing lamb can always pick up that role.

Used this post for the background and shading colours, and this is a kinda basis for the pose.

✧.*-----------------------------------------------------------------------*.✧

@redcrowncafe

Really love you fic and art. I like to see the fic brought to reality through all the comics and art, which has a very pleasing look to the eye.

I have never struggled so much with an art style, fun challenge, but very different to my own.

Wanted to draw their Halloween costumes from this post. Lambert would definitely get too into the vampire costume and bite Nari at some point probably.

✧.*-----------------------------------------------------------------------*.✧

@joffyworld

Just wanna say thank you so much for the reblogs and kind words. It gives me a lot of confidence in my work and is a genuine brightness in my day.

I wasn't sure what to draw you, so I thought I'd just show you a pic of my new one who waits figurine, that arrived recently. Its a little weird, I think an earlier design but cool none the less.

✧.*-----------------------------------------------------------------------*.✧

[wordbunch]

dad Boromir headcanons

a/n: more specifically this is girl dad boromir!! purely self indulgent and based on my personal fantasies. oops. still hope u think it's cute and leave it a nice comment/reblog/sth... 🥰💌

for a few days after she is born, Boromir just walks around on the verge of happy tears

needless to say he is wrapped around her pinky finger from the very first second of knowing her

nobody except you, him, Faramir and your fellowship friends are allowed to hold her (maybe don't let Merry and Pippin babysit immediately)

his protectiveness grows tenfold, both of you and your daughter

"now i have two queens of my heart"

my headcanon is that Gondor hasn't had any princesses born in a loooong time so historically it would also be a very exciting occasion!

Boromir is 101% hands-on and very quickly catches onto many tips and tricks for caring for an infant, all courtly protocols be damned! that is his babygirl and his wife and just you try keeping him away!

no matter his obligations and plans, if she falls asleep on him, or clutching a strand of his hair, his finger, ear, clothes, anything, you can bet he isn't moving anywhere

he covers her tiny ears if he hears anyone nearby uttering what he deems inappropriate words (his standards for inappropriate words also changed significantly)

comes up with the best stories and changes his voice to fit different characters

if your daughter's first word is anything close to 'dad', he will all but proclaim a national holiday complete with a feast istg

aunties Éowyn and Arwen love love having their little girl time with her and will teach her different, but amazing things respectfully

Boromir does his very best to openly express love and affection towards your babygirl - lord knows how he grew up

you know sometimes he isn't sure what to do or how to say something, but your heart swells while watching him give his best

your love for each other deepened as you watched each other grow into the new phase of life

for real, he was nothing but loving towards you before, but now...

he becomes so attuned to your needs it blows your mind

little appreciation gifts are a very common occurence

while you try to keep the bath time relatively tidy and not cause a flood every time, Boromir makes it his mission to make it as fun and chaotic as possible

the little princess of Gondor has the cutest clothes and toys imaginable

especially when she starts to express her wishes, Boromir will do anything to make them come true

"my love, don't you think she is a little too young for a pony?"

"but she said she wanted one!"

"...she was talking in her sleep, Boromir"

"see, it is her dream to have a pony!"

luckily you win and she doesn't get a pony at the ripe old age of barely 2, but you partially cave in and say she can feed and pet ponies when you visit your friends in the Shire

those family outings are always so much fun and some of your favorite memories

everytime your girl is being very stubborn, and your husband is exasperated, you like to remind him she's his daughter through and through

when she grows up she will take no shit but will be so kind and warm and interested in so many things

truly the best of combinations, Boromir and you almost congratulate each other on doing a splendid job

tagging some friends just because

@lady-of-imladris

@sotwk

@starladyy

@queenmeriadoc

@fenharel-enaste

@entishramblings

@coraleethroughthelookingglass

@shirefantasies

@asianbutnotjapanese

@ironmandeficiency

@glorf1ndel

@aidansloth

[frogaroundandfindout]

I used to give the 'lazarus pit madness' trope for jason so much shit unless it was a REALLY good fic that did something interesting with the idea. But the more I read of pre52 red hood the more I'm just like "yeah no I have absolutely no idea how I'd reconcile all this heinous shit he's done without finding a way to make it not his fault actually"

I hate the 'jason was always a monster and bruce couldn't save him' nonsense so much, he was literally just a homeless little boy. MY BUDDY LITERALLY WILLINGLY WENT BACK TO BEING HOMELESS BECAUSE HE DIDN'T WANT TO HURT PEOPLE FOR MA GUNN EVEN THOUGH IT MEANT GIVING UP FOOD AND SHELTER AND DECENT TREATMENT

jason sweetheart I'm so sorry dc butchered you like this my god

When the characterization is so inconsistent the fandom has to resort to literal magic to explain it.

But seriously, I haven’t read a whole lot of Jason as Robin but from what I did read he was so tiny and just wanted to do good. It’s a disservice to every character involved for Bruce to adopt him because he thought he’d be a criminal otherwise. It implies Bruce thinks of every kid living in poverty as a shoe in for crime and not as some of the most vulnerable individuals in low SE areas. Which is just…so bad considering he’s 1) a rich white man stereotyping a large group of people and 2) someone that fights crime because of an act of violence commited in front of him as a little boy. A Batman that doesn’t believe in the goodness of a child (especially one like Jason who, like you said, gave up basic necessities for the sake of his morals) and protecting it in a way he wasn’t protected is a very very weird Batman to me. So it turns Bruce into a white knight and redhood into confirmation of Bruce’s stereotyping and paranoia.

If it was just Jason thinking that’s why Bruce took him in it would be a completely different animal. I might have even enjoyed reading about how Jason rationalized their changed relationship after he came back swinging (literally) and thinking that it’s some innate characteristic about him that drove the wedge between him and Bruce before he even realized it was there. But it’s very much not just Jason. EVERYONE. FUCKING. SAYS. IT. And tbh that kinda ruins everyone just a bit in my eyes. If not agreement and support for Bruce’s bs, they’re at least silently complicit in perpetuating it.

But beyond that, it also makes me think of Devin Grayson’s run where she kept talking about how dick was “meant for crime” or would have obviously been a criminal if it wasn’t for Bruce. This was built on frankly awful stereotypes regarding Romani people. I bring this one up because the combination of the two does not make Bruce look as good as the writers seemed to think.

But if we ignore the bs involved and take the reason for Jason’s adoption at face value, I think it offers an interesting comparison between him and Damian. Jason is presented a child destined for a life of crime who eventually became one of The Villains despite Batman’s efforts. Damian was an heir destined for crime who eventually became one of The Heroes because of Batman’s efforts. Idk it’s just interesting to me.

[hiiragi7]

Recently started Transgender History by Susan Stryker, and was pleasantly surprised to see intersex be given about a page and a half of text in the Contexts, Concepts, and Terms section of the book. There are some parts of it which I think are good, some "good enough", and some which I feel miss the mark a bit. Overall, I think Susan Stryker did a pretty decent job here and I'm happy to see intersex included, though I do think there's room for improvement and criticism.

A note I'd like to make here is that this book was originally published in 2008 and revised in 2017, and I'm unsure how much this section in particular was revised since the original publish date - If anyone can find that out I'd be very interested to hear about it!

I'm going to be copying the text from the book here and giving my thoughts on it.

Intersex: Typically, being an egg-producing body means having two X chromosomes, and being a sperm-producing body means having one X and one Y chromosome. When egg and sperm cells fuse (i.e., when sexual reproduction takes place), their chromosomes can combine in patterns (or "karyotypes") other than the typical male (XY) or female (XX) ones (such as XXY or XO). Other genetic anomalies can also cause the sex of the body to develop in atypical ways. Other differences of sex development might take place during pregnancy or after birth as the result of glandular conditions that contribute further differences in the typical development of biological sex. Some of these anomalies cause a body that is genetically XY (typically male) to look typically female at birth. Some bodies are born with genitals that look like a mixture of typically male and typically female shapes. Some genetically female bodies (typically XX) are born without vaginas, wombs, or ovaries. All of these variations on the most typical organization of human reproductive anatomy -- along with many, many more -- are called intersex conditions.

Starting off with examples of intersex variations rather than giving a definition first followed by examples left it hard for me to follow exactly where Stryker was going with it, but that could be a writing style preference; personally I think I would've been a bit lost if I didn't already know what intersex was. Overall I think this starts off pretty solid, gives a good overview of the massive spectrum of sex we're dealing with when we talk about intersex - it doesn't fall into the same "mix of male and female, ambiguous genitals" trap that many other definitions do which I appreciate. The use of typical/atypical (instead of, say, disordered) is good. I also do appreciate the preference for differences of sex development over disorders of sex development.

Intersex used to be called hermaphroditism, but that term is now usually considered perjorative. Some intersex people now prefer the medical term DSD (for Disorders of Sex Development) to describe their sex status, but others reject this term as unduly pathologizing and depoliticizing. Such people might use DSD to refer instead to "differences of sex development," or they might hold on to the word intersex -- or even hermaphrodite, or the slang word herm -- to signal their sense of belonging to a politicized minority community.

This is also good! Really feel like we're addressing the elephants in the room here. Hermaphrodite is perjorative, some intersex people use Disorders of Sex Development but other intersex people consider it unduly pathologizing and depoliticizing and instead use differences of sex development or just intersex (or reclaim Hermaphrodite), and we belong to a politicized minority community. Very cool! Lots of things were said here that other authors are often too afraid to touch on, if they even mention us at all.

Intersex conditions are far more common than we tend to acknowledge; reliable estimates put the number at about one in two thousand births.

Actually, it's more like 1-2 in 100 births, my guess as to what's being referenced is actually the statistics for those born with ambiguous genitals ("The estimated frequency of genital ambiguity is reported to be in the range of 1:2000–1:4500" [Link]), which is disappointing. I do appreciate Stryker going against the "intersex is rare" myth, though.

Intersex doesn't really have all that much to do with transgender, except for demonstrating that the biology of sex is a lot more variable than most people realize. This becomes significant when you have cultural beliefs about there being only two sexes, and therefore only two genders.

Stryker lost me here. Intersex doesn't have much to do with transgender except as a demonstration of the variability of sex? I'm tired of people saying intersexuality's only relation to transgender is this when there are many more connections to be found between the two. It's exhausting to have your community be constantly stripped down to a singular point or a debate tool for someone else's use. Didn't like this part.

These beliefs can lead to intersex people becoming the target of medical interventions such as genital surgery or hormone therapy, often while they are still infants or young children, to "correct" their supposed "abnormality". It is being subjected to the same cultural beliefs about gender, and acted on by the same medical institutions, through the same body-altering techniques that give intersex people and transgender people the most common ground.

This part is better, and I do like the connection between intersex and trans people here. I do believe that acknowledging that both communities are impacted by much of the same systems and techniques is good and should be further talked about.

Some trans people who think that their need to cross gender boundaries has a biological cause consider themselves to have an intersex condition (current theories favor sex-linked differences in the brain), and some people with intersex bodies also come to think of themselves as being transgender (in that they desire to live in a gender different from the one they were assigned at or after birth).

I think that there is... quite a large difference between the two groups suggested here, in a way that makes the comparison uncomfortable. Additionally, I did also notice the difference in "trans people" vs. "people with intersex bodies"; it leaves me wondering why they were referred to differently, especially when "intersex people" was used further up in the passage. Perhaps it's to contrast with, for lack of better words, trans people who consider themselves to have differently-sexed brains which make them intersex?

Still, it's best to think of transgender and intersex identities, communities, and social change movements as being demographically and politically distinct, albeit with some areas of overlap and some shared membership.

Complicated thoughts here. Yes, there are differences in our movements and communities, and yes, we are distinct groups - this is important, especially when a lot of people still try to conflate intersex and trans as being the same. However, I think "some areas of overlap and some shared membership" is really underestimating things; While I believe it's pretty safe to say that most trans people do not identify as intersex or participate in intersex communities or advocate for intersex issues, the opposite doesn't appear to be true - a report from Trevor Project found that "58% of intersex youth identified as transgender or nonbinary or were questioning their gender identity". [Link] (PDF)

These are all my current thoughts, going back to reading the book now.

[heya-dollface]

What to look for when making Long Hair for Dolls - The Differences in 100% Acrylic Yarns

Hey lovely doll peeps, hope you're having a good day! So over in the Dollblr community here on Tumblr, some people had some questions regarding making doll hair out of acrylic yarn. So I took some time to grab some yarn from my stash and lay out what I know about working with it. It was helpful there, so now I'm copying the post over here so you all can enjoy it and use its knowledge for your own doll needs. That said, if you're interested in the Dollbllr community, go reach out to @plasma-packin-peep/@peepersponies to see about getting an invite. It's a really sweet group of people from what I've experienced so far. <3

Let me give you a quick summary of about five years worth of learning to work with this material.

Welcome to my desk! Before you are five different yarns from my stash. All of these are 100% acrylic. As you can see, acrylic yarn comes in a wide variety of sizes and softness, and while I can do the same things to all of them, they will behave slightly differently. My favorites of this bunch are the Yarn Bee True Colors and the Charisma. Yarn Bee is the native brand to Hobby Lobby, and Charisma I've found at Michaels. Loops & Threads and Hometown, which aren't pictured here, other brands I've enjoyed working with in their thicker fiber variants, also over at Michaels.

The common wisdom in the doll community is that you use 100% acrylic because it's a synthetic fiber that can handle heat. That means it can handle a flat iron or curling wand without melting, which is what makes it look similar to real human hair on this scale. I haven't tested a ton in the way of other fibers. But one of my dolls, Sass here, uses a combination of 100% acrylic yarn and a yarn that's part acrylic, part nylon, and I wanna say part spandex? It's been like 4 years since I made this guy, and that yarn's label is lost, but you can see that the nylon yarn sticks out a little. It doesn't flat iron nicely into a fluffy, realistic hair, it's more stringy. So useful to know if you want that look!

So here's what we're going to do. I've taken all of the yarns pictured and taken them apart to show you how much fiber I lose on an average yarn prep. I'm gonna show you what that looks like from left to right. My method is to cut my yarn, unravel each strand by hand, then take a wire pet brush to it to smooth it out. Instead of tying my yarn to a hanger or hoop, I hold it in my hand, brush through the yarn gently until I'm halfway through, then flip it and go after it from the other side. This is good for ensuring that my length is preserved. Whatever fiber gets stuck in the pet brush, I then take out, mush together, and brush through again so that I have more yarn hair to work with. After that, I will take a flat iron to it and then brush through one more time, but I'm not showing those last two steps here. That said, sometimes flat ironing does lead to losing more fiber, so that is something to consider.

Let's start with that big chonker. This is also a Yarn Bee yarn, and it's probably ideal for an easy time getting your hair unraveled. I have yet to use this one on a doll, truth be told I got it on clearance and haven't figured out who the color would suit. It's very easy to pull apart and work with, and as you can see, it retains a lot of its length.

Next is the True Colors. This stuff is so soft, which is why it's my preference, and while it can be easy to tear apart, you can still retain a lot of length if you're gentle. Like look at the far right, that's all the fiber I took out of the pet brush and mushed back together. It's still a pretty sizable amount of yarn fiber to work with!

The Charisma is a similar story. Something you've probably noticed is that not all yarns have the same amount of strands when pulled apart. I tend to see 2 to 4 on average when I'm prepping yarn. This is a two strander, and once again, it's soft and delightful. Highly recommend going to a physical store and touching your yarn before your buy it. The softer stuff is my preference given how much I'm holding and touching it.

This yarn from Mainstay I got on clearance at Walmart, and it's actually quite soft to the touch! As you can see, our strands are getting thinner here, which is harder to unravel with your fingers. I loose a lot of length when brushing through yarn like this, and it's hard to mush the fibers back together. Yarn like this is incredibly common, and I'll be honest, I don't love working with it. ^^''' But it may be perfect for your project needs! All depends on what you want in a yarn. If you're looking to give a doll a wavy/curled hair without having to curl it yourself, just unraveling and plugging a lot of these in might be for you!

I don't remember where this seafoam green yarn came from, but I think it might be yarn marketed for making baby clothes. It's very thin, and it knots a little at the ends when you unravel it, which is frustrating. I managed to preserve and reconstruct pretty well with this fiber, but the amount of hassle it takes to get through this for a full head of doll hair is very aaaahhh. Like I said, maybe this works for your project. I tend to save this kind of yarn for stuff like accents rather than the main hair color, just because it takes so long to work with.

And there you have it! Those are my notes about brushing out doll hair! As a quick aside, you don't have to brush out yarn in order for it to be beautiful. Sometimes I like to only unravel it and use it that way, like with my recent fairy doll here. She uses a blend of two True Colors yarns and I wanna say a Charisma for the white. There's even a pink and white yarn in here that I didn't brush out, I just boiled and then froze it around a foam curler and threw it in for more texture, though it's a bit tough to spot in this photo.

At the end of the day, you can use just about any acrylic yarn for your project, the question is really what are you willing to put up with. I know myself, I know that I can put on a movie or chat with friends as I'm unraveling a thicker fiber yarn and then brush it out another time and have it be tolerable. That works for me. As you can see, a staple of my dolls is having really long, soft yarn hair, so it makes sense that this is what I gravitate towards. XD

But maybe you want something different out of your yarn experience. That's fine too! The best thing you can do is experiment to see what you like. Do what makes you happy! There is no wrong way to customize your dolls (so long as you're not putting yourself or others in danger). Go have fun, be kind to yourself, and be safe in handling your materials. And of course, if you have any questions, feel free to ask! I've been customizing since November of 2018, and I love chatting about this art form. To my beginners especially, there is no such thing as a stupid question, don't be afraid to ask for help if you're unsure of where to go.

Here's wishing you all a wonderful day, and happy customizing! <3

[the-moon-files]

YESSSSS I BEG GET INTO THE CULTURAL DIDFERENCES BETWEEN HYLIANS AND HUMANS 🙏🙏

...now ur just sweet talking me 🥰 /lh

Not years, well maybe 1 year-

but i have wanted to ramble desperately to smone, even the tumblr void if i had to, abt humans vs. hylians so much, esp with a guide reader or male reader bc whatdya know im into niche stuff that only u and like 2 other ppl like lmao ¯\(ツ)/¯

Anyway im so shocked, since ur like the third person to be interested in this and wanna hear abt it 🥺 🤲💌 here u go!! Hope u like it <333 👉👈

Sun: Masc!Reader (he/him)

Orbit: Humans are Not Hylians/Humans are Space Orcs AU, Headcanons-ish, long overall but each section is kinda short

Stars: Mostly worldbuilding! you've been warned, don't get mad me for not talking abt the boys too much✌️

Comets & Meteors: Content Warnings: mild cursing, mentions of private area/joke in the clothing headcanons, & Trigger Warnings: none known.

Please comment if I missed any. /gen

☆

just some quick headcanons bc tbh i haven't given it too much thought, and i feel like I've been able to somewhat get into it in other posts? or maybe im thinking of stuff i have in my drafts idk-

Imma make another list, so buckle up for the short ride lol

Courting periods/dating/marriage

individual/small groups society-based hylians v. large personal groups/large community society-based humans

simpler foods hylians v. complex food humans

clothing modesty/style/relationships with fashion

fighting styles/strategies

entertainment complexity/differences

and language

☆

1st one, not much yet, im also making a separate post bc someone else asked me to talk abt that more 🥺

(tysm for all the enthusiastic asks guys <33)

anyway, basically hylian courting is a lot shorter, think “lesbians with the uhaul” type of energy, like sort of the classical medieval “does thee wish to pursue marriage with this one?” ← how hylians ask u out for the first time lmao

if it helps, they do tend to get to know one another well, talking about morals/kids/life goals/preferred lifestyle/house/etc. pretty clearly and quickly, then using the in between time to sort of stew on that information

id say the total time is sort of something like 6 months? maybe 3/4 if they're really compatible

(so bc i love interpreting video game logic for real world building, I actually blame this on how fast Zelda/link get together in games despite having sometimes never met before that moment lol)

like i said, ill be posting about this later

2nd one!!

pretty basic, just saying we don't really see hylians in big groups, despite the organizations they form, like kingdoms/knights or on a more personal level, towns/families/etc.

(once again, in-game appearances/video game logic translated to real life to draw these conclusions)

like not only are family units pretty small, like nuclear family setup, with like 2 parents and 2 kids, or single parent 1 kid type of situation, but the towns or collections of these families arent very big either

hylians kind of use their government the way it was intended lmao?

like the villages and towns matter more for everyday decisions than the kingdom/royalty, like Zelda would esstientally just be the mayor of Castle Town for those constant decisions,

while occasionally is called on to make decisions like for several towns or like is a natural disaster happens

meanwhile humans are, in comparison, in Way Bigger groups, both on an organization scale, and a personal scale

like u have all these specific branches of government, whereas im sure the population difference doesn't help,

and on a personal level, humans can easily have like multiple parents, lots of siblings, and once u combine that with each parent having family too, and those families like to meet up? All together??

yeah, itd look insane to any hylians (who’s smaller extended family may just make up their own village and that's it)

3. I've touched on this

like the use of spices, syrups, seasonings, etc

but also the complexity of dishes too, like chilling cream and mixing it for awhile to make ice cream, or even just getting ordering a pizza,

that's a lot of processing, like making the dough from flour and other ingredients, to letting it rise, to making the tomato paste, making cheese, then combining those things with any other toppings, all into one dish??

i like to think that hylians have only just started to touch on actual complicated cooking processes (as in BOTW, where they sell flour and salt, so people besides Link/Wild must know what to do with it)

this has the advantage of impressing any hylian with what a “creative genius” you are lol

4. look im just a fan of medieval time periods Links

so i think its funny if the hylians are used to like 4/3 layers and ur over here like, “wym, if i take off my shirt there's nothing underneath?”

one of them gets bold enough to ask, “d-do you not. do you not have undergarments??”

you “just my boxers? like just to cover my di-”

also this makes its easy to seduce people here? LMAO

clothes are def higher quality, after all there's not as many artificial processes or materials interfering,

plus u usually get some sick embroidery on it too!!

5. so like i get it, Link is the main fighter in games

but like, the few times there is a war/army in loz games, there's rlly not a lot of strategy, beyond just finding the enemy and fighting

tho im partial to that hylians/most inhabitants of Hyrule abide by the “lets meet up either literally by inviting each other or just between our territories to fight”

with occasional guerilla warfare (by any means necessary/stealth/ambush attacks/strategy) that's only rlly used either by Demise/Ganon, or by the wilder individuals/races in games

or maybe even the more civilized fighters in an emergency

and so that means by this logic that all of the Chain use kind of wild techniques compared to their race/kingdom lmao

id imagine its not too surprising to also see “every fight is a bar fight if its for my life” from individual travelers, so im sure they're not viewed too crazy (esp when ppl know their the hero that constantly has to deal with guerilla warfare from Ganon)

but its be hilarious to watch the reactions of both the Links realizing they’re in a bigger group that should be using “proper” fighting strategies and seeing the general publics reaction to this absolutely feral, armed to the teeth, trained hylians with their equally wild human lol

LMAO everyone thinks ur the reason they started using the more brutal fighting methods bc ur human, ur a bad influence lol

(humans would use it primarily, esp after we converted to use that method in warfare a couple hundred years ago i think?)

changing course a bit, hylians tend to use weapons (to compensate for difference in strength compared to humans, and since they don't experience/get a lesser version of adrenaline)

while humans tend to equally rely on weapons and our body as a weapon (marital arts/basic self-defense)

6. this is mostly bc the hylians only rlly seem to have the basics of music, books/stories, theater, and art

i have, surprise surprise, another post abt how i think this came to be,

mostly based on how human curiosity is indomitable and insatiable and the endless force that has not yet met its immovable object.

or at least an immovable object they haven't at least poked a little, out of curiosity lol

like we went to space for that reason, we reach the most dangerous corners of our planet (deep underwater/volcanoes) out of sheer curiousity/for the sake of simple knowledge of the thing

so needless to say, curiosity can absolutely drive any field to its limits, including the arts, which is why we can have stained glass, or movies/tv shows, hell, the marvel that is Hatsune Miku lmao

(fully for entertainment, a projection of light and sound, what is essentially magical illusions but u did it hte hard way, to the hylians)

on a different entertainment related note, i don't know if the hylians would be super into sports, or not really at all? mostly bc they have to use their fighting/training against real threats, not the sort of “fake” threats that sports are

but on the other hand i could see people like knights wanting to use their abilities for something other than violence and fighting bc their life or their villages lives depended on it

bet the Links would enjoy it for those reasons especially, what with at least sumo wrestling being a sport or activity for them at some point in history, and practically beg u for any new games to play, or to ref their games, bc whewwww

im sure they could get pretty competitive lol

7. obviously, their mostly influenced by the Japanese language

id almost like to imagine a sort of, if not outright Japanese (like with earlier heroes like Sky) then a sort of English-Japanese hybrid further along the line

sort of like how English has German/Greek/Latin roots and therefore u can see what words or structure comes from where, or even how u can understand a fair amount of basic words when other languages share the same roots (english, pants = spanish, pantalones)

would make for some funny miscommunications

or even better, most hylians liking ur unique accent or the Links love to hear u talk bc of it lol

☆

well the fever has broken, i am now free of the sickness that made me hack this up geez

i hope u got some enjoyment out of these my beloved anon!! esp since u were so nice as to ask abt it <33

hope u guys have a great weekend, look out for some more posts, bc its been great to get some more asks in lately and very motivating,

not to mention i actually have time to write now that my siblings graduated/we’ve moved several states over 💀

so i have reliable internet now too! sheesh :’)

Peace out,

🌙

[defnotciara]

The ultimate shifting guide! (Tips, methods, etc)

Before I actually get into this i just wanted to clarify that everyone’s shifting journey is different and just because something worked for one person doesn’t mean it will work for you too! In order to shifting you kinda have to experiment a bit from what i’ve learnt and done so far.

Keywords:

DR: Desired Reality

CR: Current Reality

WR: Waiting Room

Also, before we start i’m just going to go over what shifting is, if you dont want to read this part feel free to skip this is mainly for the people who are newer to shifting and are looking for a basic rundown before getting into everything else!

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1 • YOU DONT NEED TO USE METHODS OR SCRIPTS!! The methods are there to guide the process for those who The scripts allow you to imagine, organize your DR, and fuel your desire to go to your dr. Another thing is that if you forget to script something chances are is taht your subconscious already remembered it so you don’t really need to worry much about it!

2 • Symptoms are not actually you shifting! It’s actually just your body falling asleep. Although some things like feeling your surroundings change, hearing voices from ur dr, etc do actually count as shifting? (In my opinion) But since symptoms don’t really let you know what you have shifted who’s to say that you haven’t?? Gaslight yourself into believing you have shifted and during this ask like rhetorical questions like “How is shifting so easy for me?” “Why am i so good at shifting” “How am i already in my DR” Doing this will help you distract your brain from that annoying voice thats like “Thats not true, you haven’t shifted yet?”

3 • Shifting is what you believe it is. If you believe that shifting is hard, or easy, or that you can’t shift then you won’t shift 🤷‍♀️ Why do you think people who were introduced to shifting by someone who they personally know shift pretty easily? Thats because they trust in what that person is saying and trusting that shifting is easy and real and that they can shift too if they tried, they aren’t “Lucky” its just that they don’t use apps like tiktok, tumblr, etc; that over complicate shifting because shifting is as easy as setting a intent to wake up in your DR.

4 • “Can i script xyz/Or are there any limitations” You can literally do anything and when i mean anything i mean anything, if you want to be able to fly go fly ! Oh, you want to shift to a cartoon/anime go shift to it. Literally nothing is stopping you from doing whatever you want its called a desired reality for a reason. But, please take into account that even if it is a different reality that doesn’t mean you can’t being back trauma with you to your CR also take into consideration that the people in your DR are just as real and human as you are so keep that in mind when scripting!

4 • “What is a clone?” A clone is basically just you in your CR once you’ve shifted (Unless your asleep while shifting clones shouldn’t really be a problem) Your clone will act exactly like you do and if your worried about them doing something you wouldn’t do you are able to dictate their activities/what they do while you are out partying with your S/O.

5 • “What can i do to make shifting easier?” There are many different resources for you to use on your shifting journey like mind reprogramming I personally recommend listening to “Reprogramming through habits|| Video guide by shifting with reya” (I will link at the very bottom of this post if you are interested!) This video includes a 4 day (Maybe more depending on the person) Mind reprogramming method that allows you to alter your beliefs on shifting, another thing you can try is Gateway tapes, these tapes are made by the Monroe Institution/CIA these tapes use a training system that uses meditation like techniques combined with sound technology to alter the states of consciousness (If you are interested in learning more i can maybe make a post about it another day) You are required to pay for them but some people upload them to youtube, google docs etc; for the people who can’t since they are quite expensive! (I HAVE A GOOGLE DRIVE OF THE SOME OF THEM SO I CAN GIVE YOU THE LINK IF YOU WANTT), there are many more ways to make shifting easier but these are just to name a few.

6 • Meditation, Meditation is so easy and super efficient in helping you shift! If you just take 5 or more minutes out of your day to meditate for a month or two you will definitely notice the difference it makes, not only does it destress you but its helpful for when you are trying to relax during a shifting attempt or just shift while doing it.

7 • Affirmations, affirmations are so incredibly powerful with shifting and manifestation because it’s literally so easy and doesn’t even take long to do! Affirmations are basically just words that you say/think to yourself that help you shift/manifest some affirmations that I personally use during shifting attempts or just during random times of the day just to remind myself that shifting is so easy. “Why is shifting so easy for me?” “I am shifting” “Every breath i take gets me closer to shifting” “Every “failed” shifting attempt just makes me get closer to shifting” Etc, etc, etc.

And thats it for now should i make another part? I feel like this is to short but i really wanted to post it because i felt bad for promising to post it yesterday but i ended up falling asleep while typingg 😭 I hope yall can forgive me loll, but anyways lmk what you think about this and pleasee let me know if theres any misinformation in this so i can fix it!!

Thanks for reading this, i hope you all have an amazing day/nightt !!

[asaka-lucy-dr-rc]

as a japanese learner, im curious what the experience of memorizing all the different ways to read the same kanji is for a native speaker ? im currently learning about all the different ways to count things and ive never had to take so many notes about anything in my entire life lmao, its hard but its also fun

First of all, I'm glad to hear that you are enjoying learning Japanese! 😆 The Japanese way of counting things is obviously very hard to remember! It's often cited by Japanese people as a typical example of the unreasonableness of the Japanese language: When counting long objects such as sticks or rope, the particle "本(hon)" is used, but when written in kanji, it will be like "一本(1)," "二本(2)," "三本(3)", but they are read as "ippon," "nihon," and "sanbon," respectively. Even though they all use the same kanji! 😅 (This is probably what you're studying, right?) Even native speakers cannot explain this regularity, but I'd be happy if you found this kind of unreason interesting. :)

Regarding the question of what kind of experience it is for native speakers to learn different readings of the same kanji, I think native speakers often know the word by sound first, and later understand that "Ah, this kanji is used for this word. This may be something that can only be experienced through the listening of Japanese many times.

Also, although you may already know this information, it is actually possible to guess the reading of kanji by guessing.

For example, in the case of the kanji "枝(eda)" used in Nagito's surname:

In some cases, this is read as "shi" in some kanji compounds. For example, "枝(eda)" can be combined with the kanji "葉(ha)" in Yasuhiro's surname.

If you combine the kanji "枝(eda)" and "葉(ha)", it will be "枝葉(shiyo / shiyou)". The word "枝(eda)" means "branch" and "葉(ha)" means "leaf," but when both are combined to form the word "枝葉(shiyo)," it means "non-major or non-essential things.

I think the reading "葉(yo)" is unfortunately reading you have to memorise it, but as for "枝(shi)", it's a reading that can be guessed. This is because the kanji "支", one of the parts used in the kanji "枝(eda)", is read as "shi".

For On reading* of kanji, the reading of the parts composing the kanji is often used in this way. If native speakers encounter a kanji they do not know how to read, they use this rule to predict the reading. (*Kanji has two general readings: Kun reading and On reading. In the case of "枝", "eda" is Kun reading and "shi" is On reading.)

For example, a slightly more difficult kanji than "枝" is "肢," which is also read as "shi". This is a kanji means the branched parts of the body, mostly the limbs.

Thus, as long as you learn the basic kanji that are used as parts of other kanji, you will be able to read them by guessing rather than by memorizing them. 😄

You may already know or be aware of this: "支" means something that is branched. A similar example is the kanji "岐", which means "forked road".

Now, after reading all of this, you might think: "Wow, kanji is very easy to understand! And the reading of this kanji must also be "shi"! 😄

...Unfortunately, it is not that easy, and that is the complication with Kanji. Actually, the kanji "岐" is read as "ki".

Native Japanese speakers often fall into this trap as well! 😅

In most cases, the only way to read kanji correctly is to memorize it, but if we don't know it, we try to guess the reading from the parts. But this is just a matter of luck, and it often fails. 😭

However, as I showed earlier in the picture, kanji is something that can already convey meaning by its shape. So even native speakers often encounter kanji that they are not sure how to read, but they may guess that it probably means something like this from the parts and ignore what the reading is.

Even between native speakers, the other person may be speaking with an incorrect reading, but it can also be guessed by imagining the parts used for the kanji. For example, there is a kanji compound "分岐" that is correctly read as "bunki," but suppose the person I am talking to reads it as "bunshi. Even in such a case, I can think that the person probably thought it was "分岐" because the character for "岐" has a kanji part "支," so the person read it as "bunshi. (Most of the time I will point out the misreading to the person, but sometimes I will just ignore it because I can understand what they were trying to tell me.)

The same is true for the same kanji with different readings. For example, the kanji compound "枝葉(shiyo)" introduced earlier can actually be read as "edaha," but in that case it simply means tree branches and leaves. So it is one of those kanji compounds that uses the same kanji but has a different meaning when read differently. But even if you didn't know that it should be read as "shiyo," I don't think you'd have much trouble, because I think you'd be able to understand the meaning of the sentence in which that compound is used based on the image of the kanji.

In conclusion, even for native speakers, it is difficult to memorize how to read each kanji. In most cases, we know at least one basic reading for basic kanji, but rarely do we know all the other different readings. So we often try to read it somehow by guessing from the parts the kanji uses. And as a result, we often get it wrong. 😅 But I think we can guess what they are trying to say from different aspects of each other, so I don't think we care too much.

Hmmm. I think Japanese is a pretty lax language, but maybe the Japanese are lax too! My explanation has gone off on many tangents, but I hope you continue to enjoy learning Japanese. 💖

[theresattrpgforthat]

So, I went to a game store, and I asked if there were any good beginner games for someone who tried the DnD Essentials Kit and found it too complicated, and you'll never guess what one singular game they suggested!

THEME: Simpler Games than DND.

My friend, I’m not a very good guesser, but I hope that I am able to present you with some games that will give you what you’re looking for.

24XX: Chaos Unit, by polyhedralmice

Deep under the busy streets of Sapien City is the headquarters of the Vermin Squad, the espionage wing of a secret organization of urban animals known as the CHAOS Unit. They capitalize on the fact that vermin are virtually invisible human inhabitants of the city and use they use their street smarts to run vital missions for the unit. Raccoons, opossums, pigeons and squirrels each play specific roles and together form teams that take on the most vital of missions. From intercepting life-saving pizza orders to rescuing their colleagues from the dastardly Animal Control, there is no task too daunting for the brave animals of the Vermin Squad. Every night teams are sent out on their missions, and this is the story of one of those teams. Nothing will stop these brave agents from successfully completing their tasks (except maybe a humane trap baited with peanut butter). 

CHAOS Unit is a spy themed hack based on Jason Tocci’s 24XX.

24XX games are great for groups that love different-sided dice. In general, you only have a few skills for your character that are outside the normal parameters (upgraded to d8 - d12), and the success threshold is the same for pretty much every roll. The challenges and situations of any given scenario are typically presented as roll tables, allowing the GM to come up with an adventure just by rolling a few dice.

CHAOS Unit has just a few character options, some simple gear options, and a comparatively light-hearted premise. It’s a great introduction to the system, and learning how to play one 24XX game makes every other 24XX game a piece of cake to learn, even if they include new rules.

Loot, by Gila RPGs.

LOOT is a fantasy TTRPG by Gila RPGs that combines looter shooter mechanics with west marches vibes. When a rebellion toppled a lich overlord and torn down his city, the people were left with a lot of loot, and a lot of problems. That's where you come in.

Get some friends together, fight some monsters, deck your characters out in cool loot. Do it all over again.

Even though LUMEN uses grid-based combat, your character’s stats are simplified, reduced to a few things: health, armour, and three action types: force, flow & focus. Your stats themselves come from the items that your carry - your loot.

Your loot is organized through slots on your character sheet: you can only carry so much, so you’ll have to think carefully about what kind of stat bonuses and abilities you want. I find that a visual inventory can make it easier to keep track of everything you have, and can help some players learn how to think strategically. If you like the fantasy and strategy that exists in D&D but don’t want to do nearly as much math, you might be interested in LOOT - although the lack of dice is certainly a big change.

Slugblaster, by Wilkie’s Candy Lab.

In the small town of Hillview, teenage hoverboarders sneak into other dimensions to explore, film tricks, go viral, and get away from the problems at home. It’s dangerous. It’s stupid. It’s got parent groups in a panic. And it’s the coolest thing ever.

This is Slugblaster. A table-top rpg about teenagehood, giant bugs, circuit-bent rayguns, and trying to be cool.

Forged in the Dark games can be tricky to introduce to a new table, but Slugblaster is one of a few that I think can do the job. It’s a streamlined version of the system, that takes away a lot of the crunch that comes from Stats, Position, and Effect, and boils it all down to Kick and Boost. It also streamlines harm into 2 levels of slams, and keeps stress and downtime to a procedure that you can follow step-by-step when you finish a run. Finally character creation is very easy: you only make few choices in terms of abilities, and many of these choices are descriptive, rather than mechanical.

One thing I’ve noticed about games with “simpler” rules systems is that they typically do require a bunch of improv, which can be scary for new GMs. Slugblaster isn’t that different in this regard, but it does have a few things you as a GM can prepare beforehand if you want to make things easier for yourself. For example, you can set up your map of the different dimensions beforehand, including the doorways that the teens can get through. If you know that the teens get back to your home dimension without going through Operablum, then you can prepare a few location - specific threats to confound the teens as they try to get back in time for dinner.

Another strength of these games is that typically, if a player wants to do something, they just have to be able to describe how they’d do it - you can then work backwards using the gear & resources on your sheet to give you some dice to roll, as well as the logic of the game world, to figure out what happens next.

Lady Blackbird, by John Harper

Lady Blackbird is on the run from an arranged marriage to Count Carlowe. She hired a smuggler skyship, The Owl, to take her from her palace on the Imperial world of Ilysium to the far reaches of the Remnants, so she could be with her once secret lover: the pirate king Uriah Flint.

Lady Blackbird is the first game I ever played, and it’s a game I fell for - hard. It involves rolling pools of dice that you pull from descriptive collections of tags assigned to pre-generated characters. It simplifies game-play by taking away the step of character creation, and gives the group a pretty solid story to pick up and follow wherever your heart may lead.

While the rules of the game are fairly simple, I think that as a GM, you’re going to need to be comfortable with a fair bit of improv to make this work. The game has some excellent pieces of advice on how to come up with scenes for the characters, and even includes some example complications to throw at the party. I’m really glad this was my first game because from the beginning, it affirmed that roleplaying games are a communal experience, and even if the characters and the starting scenario are already written for the group, the players have a lot of freedom to decide who their characters are, and what they’re going to value.

Liminal Horror, by Goblin Archives.

There’s a strange comfort to ambiguity. To stand at the threshold between states of what was and what’s next, to inhabit the places of transition. But you’re never truly alone here. There are things that hunger within the dark places. Strange creatures and mysteries lie in wait and tumbling into the wrong place at the wrong time may put you on the path towards doom.

Grab your flashlights and blood splattered jackets as you try to make it through the night. Beware, snapping bone and rending flesh are often the simplest outcome. While there may be great power within these places… not all mysteries can be solved and not everyone can be saved. Above all, there are fates far worse than death.

LIMINAL HORROR is a rules-lite, adaptable Survival-Horror roleplaying game about normal characters and their struggles against the things that go bump in the night. The game focuses on surviving the weird and Investigating horrors while blending simple, old-school inspired rules with modern, narrative first principles. Survival is not guaranteed and those that do make it through the night are often forever changed.

In Liminal Horror, character creation is rather quick, often easily generated using a few dice rolls. For most tasks, your characters will roll a d20 and try to get a number lower than one of their three stats, so when you get started, teaching the game should be pretty simple. Of course, since it’s a horror game, there’s more than just trying to roll under a stat: characters will find themselves subject to the consequences of being exposed to horrors that are far beyond the limits of human experience. As a result, characters will find themselves dealing with two different kinds of harm: stress & fallout. These two harm systems will make the stakes feel real, and they’ll also inflict changes on your characters as you play.

Liminal Horror has a few things going for it. The basic rules are fairly straightforward, but they’re also free. The game is meant to be paired with pre-written adventures, which often include place descriptions, NPCs, and adventure-specific consequences to torture the characters with. A lot of the adventures available come with a price tag, but if you want to try out the system, there’s a couple of free ones out there - I recommend Messenger National Park, by capacityforwonder.

For the Ship And Its Crew, by Adeline Fowl Games.

We've crewed this Ship for years together. We've seen wondrous sights, gotten ourselves into seemingly insurmountable trouble, and have owed our fair share of creds to the wrong people. And yet, still, we fly. But after all these years, our past may be catching up with us. As the missiles tear across starlit space, we'll be forced to ask ourselves: What will we do, for the Ship and its Crew?

This is a hack of For the Queen, which mostly involves answering prompts, using something like a card deck, or in this case, a digital hosting service. Your group is telling a story by taking turns answering questions, which makes the game fairly easy to teach, even to people who don’t have a lot of roleplaying experience.

These kinds of games can also be played very quickly, which might also make it easier to introduce to folks who aren’t used to sitting around a grid and calculating resources for 2+ hours.

Other Recommendation Posts To Check Out…

Easy To Teach Recommendation Post

First Time GMs Recommendation Post

Little Reading or Writing Required Recommendation Post