#colours of movement

[k00295837]

Artist Inspiration

Antoni Gaudi

Having recently been to Barcelona's Sagrada Familia cathedral, designed by Antoni Gaudi, his view on the world and the way he incorporated his natural influences into his work has been on my mind. In J. Castellar-Gassol's book, 'Gaudi; Life of a Visionary', Castellar-Gassol explains how a young Antoni Gaudi was plagued by childhood articular arthritis. As a result of this, unable to walk and play, "he would amuse himself with pebbles and canes, or catch lizards or study the many kinds of insects" and thus "began to see the world with different eyes". This time in his life is believed to have a direct influence on his designs for the cathedral and all of the elements of nature that pervade the building.

The audio guide that accompanies a tour of the cathedral states that "(Gaudi) designed this interior as if it were a huge forest - Nature is an essential influence in the work of Gaudi, so much so that he came to consider it his true master", and later on the guide states that the building is 172.5 meters at the tallest and that "Gaudi wanted the temple's tallest tower to measure slightly less than the nearby mountain of Montjuic". Among many other design elements of the cathedral, from the stained glass windows to the tips of the many towers, nature heavily influences Gaudi's work.

This is an inspiration that I hope to take to heart. Similarly to Dominique Crowley's work, nature and its beauty can never cease to inspire, and I found that beauty in the nature of space. To me, it is an environment that evolved and is built on the same matter that everything on Earth is, so it is just as much apart of nature as the flowers on our lawns.

[elinordash]

SHERLOCK HOLMES (1984 - 1994) ↳ 4x05 | The Bruce-Partington Plans

“I knew you would not shrink at the last,” said he, and for a moment I saw something in his eyes which was nearer to tenderness than I had ever seen. The next instant he was his masterful, practical self once more.

[polinsated]

[cryptozo]

Movement is the motivation tonight

[bad-sanses-smp]

Killer, you're in a place called The End. It's filled with creatures called Endermen that can teleport and do a crap ton of damage with one hit. Usually there would also be a dragon, but seeing as it hasn't attacked you yet, I'm assuming it's either already dead, or asleep somehow.

Chronological (All Asks)

Beginning Previous Next

Chronological (Colour Only)

Beginning <- you are here Next

Chronological (Killer Only)

Beginning Previous Next

[bread-is-my-life]

Did I need to colour it? No. Did I colour it? Yea

[rhythmmortis]

day 6: a world to revisit

[demeterdefence]

kept meaning to make a post and kept FORGETTING to because i'm dumb but i cannot stop thinking of all the loose ends / introduced plots that got dropped without any warning and one that has been sticking out is persephone's "new" abilities after she "lost" her powers

we get a lackluster hint in episode 267, when apollo uses some random magic deus ex machina to "restore" persephone's powers. he starts bleeding from the nose and ears.

also apologies for the terrible quality, i forgot that lo went under daily pass and had to scour my own screenshots lmamdgjsf

it's not explained at the time whatsoever and in fact, the vagueness of the narrative kind of half-heartedly implies that it's an effect of ouranos' magic - it's also completely handwaved away, since no one bothers to ask why apollo is suddenly bleeding from the orifices and able to use persephone's powers.

it's not until persephone and hera decide to visit kronos in tartarus that persephone explains she somehow knew all along what this strange power was! she can apparently make a god rot from the inside!!!

it's not explained at ALL how she figured that out or like ... why she has that specific power. it is mentioned during the solstice where she creates winter that she can only make "decay," but that's a pretty obvious and visual thing - she's quite literally blistered the mortal realm in snow and ice, with all the plants dying on their physical surface.

important context, but other than persephone's attack on minthe, she is never seen using her powers on another person. her abilities are always on herself, or using plants / growth in some way. the fertility goddess nonsense does mean that hades and kronos are able to use her powers to strengthen themselves, but beyond that plot point being ridiculous, it's also something they don't just figure out overnight. kronos being able to escape control the underworld, and hades going godzilla mode during the trial, are clues used to eventually figure out what persephone's fertility goddess powers can do.

in regards to her new winter powers, persephone either figured it out somehow before the scene with apollo, or she figured it out after. with no explanation how.

moving from the how, we then get the last mention to this power, when persephone attempts to stop kronos

spoiler: it does not work. the power is never referenced again.

in terms of lore olympus' many crimes, it's a small thing, but it stands out to me as such a flailing attempt to write some wiggle room into the finale. rachel was struggling to get to the end, that much was obvious, and she was padding out the episodes as desperately as she could so that she could pull on any random thread and find a way to keep the plot moving. in better hands, this might have been a legitimately interesting power to explore for persephone! the goddess of spring, capable of rot, capable of such bone-deep destruction, and how she reconciles that with growth. it could have been a powerful juxtaposition, but it got abandoned as soon as rachel figured out how to give persephone her powers back. presumably, persephone still has this ability, but it is literally never brought up again. we have no idea if there was lasting damage to apollo, if it did anything in particular to kronos, what it can do to a god (the assumption is nothing, since both apollo and kronos seem just fine in their final scenes.)

it's just. amazing to go back and look through all the various strings rachel was knotting together, seeing stuff that might have been genuinely fascinating to explore in some other writer's hands! tiny little things like this, added up together to just be crapshoot after crapshoot. it's no surprise at all that rachel finished the last episode barely an hour before it went live. what a mess.

[nullcanary]

All of my nights, All of them here

"Such a commonplace to describe someone as a dream. But he was, my Luc. Clever, well to do and as fond of the strange and grotesque arts as I had based my studies on. We met at a party during my undergraduate years, and immediately made a connection through discussion of Story of the Eye. Carrying on with ease to all manner of other subjects, his presence filled the room for me, his enthusiasm clearing out the shape and sound of the other occupants. The kindred spark struck light between us, the delight of discourse, the comfort of opening ourselves to one another, exposing all secrets non-physical. We knew each other within a moment, saw and recognized ourselves in the shine of each other's eyes. I knew then, for me, there would only be before him and after. 

Within a year's time, we eloped. We had each other. That was all there need be. We rotated our shared and respective interests around each other, indulging and debating and expanding our understanding of the hushed undercurrent. Romantically charged and intellectually bound, it felt as though we solidified each other's existence, sculpted one another in real time, by hands we could touch, words we could breathe. There was no motif there. I truly loved him.

...

I never thought I would lose him so soon. So brutally. By my own hand. But you must understand, I didn't have a choice... We didn't have a chance. We were subject to a game between cruel gods.

I'm overjoyed to finally share my commission from the ever talented @lokorum, of the piece featuring my two Kult ttrpg characters, Mérie and Luc. They're an absolutely delightful person to chat with and after sharing my OC's backstory with them, they expressed such bright enthusiasm to create a piece of my characters, which I'm so utterly grateful for. They had the idea to depict events from their backstory into the paintings displayed along the wall which brought so much more meaning to the piece. Each update left me more ecstatic than the last. Lokorum's gorgeous and unique style, vibrant use of colors, and excellent grip on mood through body language and scenery has breathed so much life into this piece.

Lokorum’s piece is a representation of Mérie’s loss. Consistently revisiting the space where she last knew Luc. He’s been gone now for more years than she was alive when she lost him. Half her life, defined by before the loss. Another half defined by its aftermath. She’ll come back here again and again trying to piece together what happened. A house of memories only able to be maintained by her. Until she finally learns the truth and can never leave. A truth she can't unknow. If only she could forget after one last dance…

[saikkunen]

Tom feelin' it

[k00295837]

Movement - Concept Development

Colors of Movement

Since colour, visual light, is a result of light waves refracting off of objects in different ways to bring us colour. Not only that, but phenomena in the universe involve colour. Nebulae have bright, shining colours because of their intense heat having a reaction with the elements that they're composed of. The surface of planets have different colours due to a range of different reasons.

I constructed a colourful pattern of different planet textures using pencil and felt markers.

[sanctus-ingenium]

this from my sketchbook turned out very pretty so here it is on its own

[katarafirelady]

I showed ATLA to my 5 month old nephew and my 14 year old cat and they both said to me "wow! zutara is clearly the best ship ever!" then they called "jinx!" on each other 😍😍😍

[blobbei-art]

I wanted to do a little animation while I was riding the train

[aux-squiggle]

I've made radfem centric pride flags everyone! Some are radfem only and some are for more than just rf's but will likely be used by mainly rf's.

Here's my favourite one I've made today:

Optimistic communist/socialist radical feminist flag. This flag is for any radfem post-capitalist (e.g socialist, syndicalist, communist etc) who has faith in a brighter future for women and the working class. Someone who believes the total destruction of the patriarchy is possible, and who believes the destruction of capitalism is likely/guaranteed.

The blue stripe is for disabled people and solidarity with same (particularly disabled women/female people). The colour blue represents wisdom, health, and medical affairs.

The purple stripe is small because it's a transitional shade for visual appeal. It stands for homosexual/same-sex attracted females.

The pink represents women, and is a striking/distinct colour to represent the distinctness of radical feminism from mainstream feminism. It also is one of the colours of the sunset and shows that women's possibilities are as high as the sky.

The yellow background is mainly for visual appeal, however it also represents the happiness and energizement of optimistic radical feminists. It also represents wealth and the redistribution of resources.

The sun itself represents clarity, paths to progress, "light at the end of the tunnel" and optimism in general. The sun also represents life and vitality. The "childishness" of the sun's corona represents safety for children.

The reddish-gold is goldish because of the sun shining on it. The reddishness represents anti-capitalism, and the struggle/will of the proletariat.

The golden-brown stripe is thin for visual appeal. It represents land/earth/soil and is a symbol of anti-imperialism, landback, and solidarity with the people (especially women) who live on colonized or ex-colonized land.

The brown stripe represents women of colour, especially black and brown women of colour. It is at the bottom because women of colour are at the foundation of radical feminism.

The hammer and sickle represents socialism/communism, and the female fist represents the undying thirst for liberation by female people. It's a widely accepted feminist symbol.

This one is the optimistic radical feminist flag. The red stripe still means anti-capitalism but this flag may be more suitable for optimistic radical feminists who are optimistic about culture change and significant destruction of patriarchy but not necessarily a total socialist revolution.

Here's the standard radfem flag I made. Brown means WOC, blue is disabled women, pink is women/distinctness from mainstream feminism, and red means anti-capitalism.

The land stripe and the homosexual female stripe unfortunately looked ugly on this flag and in terms of aesthetics this flag is mid. I think the meaning is powerful but I don't want to make it uglier 😭

Optimists, pessimists, neutrals and really any form of radfem may enjoy this flag.

This is the socialist/communist radfem flag, essentially a radfem who has more emphasis on post-capitalism. Neo-marxfem radfems may enjoy this flag.

This is another version of the above but it's a lil ugly 💀

Ok onto some sexuality flags! These are all febfem (female exclusive bisexual female) flags because I'm febfem and I wanted to focus on these. I'll def make more SSA and gnc women flags but I got tired today.

Standard febfem flag (made my own bc the ones online are strangely low quality).

I personally don't know what the individual stripes mean but it conjours thoughts of both the bisexual and lesbian flags because febfems are ofc, bisexual women. But also strongly decenter men like lesbians do. Being febfem is a distinct experience, thus the distinct colour pallette.

This is an asexual febfem flag! So female exclusive biromantic females who are on the asexual spectrum may enjoy this flag.

This is an aromantic febfem flag, so for febfems who are on the aromantic spectrum.

This is specifically a demisexual febfem flag.

This is specifically a demiromantic febfem flag.

Enjoy!

[hydranomago]

“Art, like love, excludes all competition and absorbs the man.”  - Henry Fuseli