#color lithograph on paper
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TournĂŠe du Chat Noir (1896) đ¨ ThĂŠophile Alexandre Steinlen đď¸ Museu Nacional d'Art de Catalunya đ Barcelona, Spain
#TournĂŠe du Chat Noir#ThĂŠophile Alexandre Steinlen#Art Nouveau#Post-Impressionism#Modern art#The Black Cat Tour#Museu Nacional d'Art de Catalunya#MNAC#color lithograph on paper#poster#french#art#artwork#art history
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Home to Thanksgiving, Currier & Ives, 1867
Hand-colored lithograph on paper 37.1 x 63.5 cm (14 â
x 25 in.)
#thanksgiving#art#currier and ives#currier & ives#19th century art#19th century#1860s#winter#snow#lithograph#print#works on paper#hand colored#american
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Ălisabeth Sonrel ⢠Winter ⢠1901 ⢠Color lithograph ⢠Private collection
#illustration#art#illustrator#artwork#ĂŠlisabeth sonrel#woman artist#french artist#art nouveau modern#color lithograph#art & beauty#illustration blog#sassafras and moonshine blog#early 20th century european art#works on paper
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Jules ChĂŠret (1836-1932) "Musee Grevin, Theatre Les Fantoches De John Hewelt" (1900) Source
#jules chĂŠret#Musee Grevin#Theatre Les Fantoches De John Hewelt#Lithograph in colors on cream wove paper laid to linen
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Jonas Wood
American, b. 1977
Shelf Still Life
2018
Lithograph and screenprint in colors on wove paper
32 x 26 in.
81.28 x 66.04 cm.
#jonas wood#Shelf Still Life#art#Lithograph and screenprint in colors#wove paper#artist painter#art ghutry#xpuigc#xpuigc bloc
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Staff Pick of the Week
First serialized in Pearsonâs (UK) and Cosmopolitan (US) in 1897, H.G. Wellsâs War of the Worlds wasnât the very first alien story ever told, but it is probably the most enduring and culturally significant of those early tales. Wells wasnât just drawing on the nascent genre of science fiction but also the (earthly) invasion literature that was first popularized by George Tomkyns Chesneyâs The Battle of Dorking ( Blackwood's Magazine, 1871). Wells later wrote that War of the Worlds was inspired by the genocidal treatment of Aboriginal Tasmanians by British colonizers.
The Limited Editionâs Club edition of H.G. Wellâs War of the Worlds was published in 1964. It is illustrated with ten color lithographs, drawn directly on the plates by Joeseph Mugnaini, as well as a number of smaller line drawings by the artist. We posted a few years ago about the Limited Editions Club edition of The Time Machine, also illustrated by Mugnaini. These two books were originally issued together in an ochre-yellow slipcase that matches the end papers; the linen-weave book-cloth bindings are dyed in an opposite color scheme (black with a red spine label for The Time Machine and red with a black spine label for War of the Worlds). The boxed set was designed by Peter Oldenburg and printed on white wove paper from Curtis Paper Company by Abraham Colish at his press in Mt. Vernon, NY. The lithographs were pulled by master printer George C. Miller.Â
I love how Mugnainiâs colorful illustrations manifest a sense of unease: the yellow and red skies backing the alien invaders, the extreme heat of blue streaked flames, the kaleidoscopic ruins of a building. Mugnaini was best known for his many collaborations with another Science Fiction heavyweight: Ray Bradbury, including cover art for the first paperback and hardback editions of Fahrenheit 451. A previous Staff Pick featured Mugnainiâs illustrations for the Limited Editions Club of Bradburyâs The Martian Chronicles.
You can find more posts on the work of H. G. Wells here.
Check out more from illustrator Joe Mugnaini here.
And here you can find more from Limited Editions Club.
For more Staff Picks here.Â
-Olivia, Special Collections Graduate Intern
#Staff Pick of the Week#The War of the Worlds#H. G. Wells#Joe Mugnaini#Joseph Mugnaini#Limited Editions Club#Fine Press Books#Fine Press#Invasion Literature#SF#SFF#Science Fiction#Ray Bradbury#lithographs#color lithographs#color lithography#Peter Oldenburg#Curtis Paper Company#Curtis Paper Mill#Abraham Colish#Press of A. Colish#olivia
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The last of my mono prints from project 3! ⢠⢠⢠#art #litho #lithography #print #paper #ink #taste #vegetables #cooking #eating #color #eat #lithographs #mono #edition https://www.instagram.com/p/Cnmk30FLIip/?igshid=NGJjMDIxMWI=
#art#litho#lithography#print#paper#ink#taste#vegetables#cooking#eating#color#eat#lithographs#mono#edition
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Pierre Soulages - Lithographie n° 14, 1964 (Lithograph printed in colors on de Rives wove paper)
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Orange, Feb. 27, 1996. Donald Sultan. Color lithograph, woodcut and etching on TGL handmade paper.
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JOAN MITCHELL / "FIELDS" / 1991-92 [lithograph in colors on paper | 30 x 22 1â4"]
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Keith Haring
Exhibition Poster, 1983 Offset lithograph in colors, on wove paper, with full margins
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Paul Wunderlich (1927-2010)âThe Song of Songs which is Solomon's (I:16) [color lithograph on Rives wove paper, 1969]
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25 Cats Name(d) Sam and one Blue Pussy, Andy Warhol, circa 1954
Offset lithographs with hand-coloring in watercolor on paper 9 Âź x 6 â
in. (23.5 x 15.6 cm) each
#art#andy warhol#modern art#pop art#1950s#cats#print#works on paper#lithograph#hand colored#watercolor#lgbtqia artists#queer artists#american
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Mela Koehler (Austrian, 1885-1960) ⢠Mode (Fashion) ⢠Color lithograph (applied to postcards) ⢠1912 ⢠Metropolitan Museum of Art, New York City
#illustration#art#illustrator#artwork#mela koehler#austrian illustrator#woman illustrator#early 20th century european art#color lithograph#works on paper#fashion illustration#postcard illustration#sassafras & moonshine blog#illustration art
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Piero Dorazio (1927-2005) [Italy] - âUntitled XXIIIâ, 1967. Lithograph in colors on Rives paper (47.6 x 62.8 cm).
#art#contemporary art#art hunt streak week#Piero Dorazio#abstract art#painting#expressionism#hard edge#art print
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The Tucson Museum of Art is currently exhibiting lithographs by artist Carlos MĂŠrida depicting the Mayan creation myth, the Popol Vuh. On the opposite gallery wall, muralist Justin Favela has created a cut-paper installation that riffs on the colors and forms of the Popol Vuh plates. Favela's paper mural is 53 feet long (16m) â an immense, festive piĂąata. Up close, the cut colored paper makes me think of the layered scales on butterfly wings.
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