#collective bargaining agreement

[clubhoops]

The WNBA Players Union has officially opted out of the current collective bargaining agreement (CBA), two years ahead of its expiration. Both the league and the players union had the option to make this move before the November 1 deadline.

This early opt-out signals a pivotal moment for the WNBA, following the signing of a landmark 11-year media rights deal valued at $200 million per year. The players are now advocating for a new economic model that replaces the current system, which they argue imposes arbitrary caps on player value and benefits.

The union is calling for an equity-based model that aligns with the league’s increasing business success, ensuring that players benefit directly from the league’s growth. Other priorities include improving salaries, retirement benefits, childcare, and family planning resources.

“This isn’t some sudden wake-up call. It’s the culmination of what we’ve been driving for over the last several seasons,” said WNBPA vice president Kelsey Plum. “We’ve played a key role in the league’s historic growth, and now we’re breaking free from the current system to demand full transparency and an equitable stake in the business we’ve helped build.”

The union’s decision marks a turning point in the future of the WNBA, with players asserting their influence and demanding meaningful change as the league grows in prominence.

[portlandfire2000]

Seems like the right call

[indizombie]

Proportionally, only a handful of athletes in Australia have successfully returned to professional sport following pregnancy, including Matildas midfielder Katrina Gorry and newly retired AFLW player Daisy Pearce. This is, in part, due to the increasing strength of player unions and the ongoing fight to include maternity policies in national team and domestic league collective bargaining agreements over the past few years such as in cricket, netball, football, basketball, and Aussie Rules (with varying degrees of implementation so far).

Samantha Lewis, ‘A pregnant footballer sued her club for discrimination at FIFA — and won. Here's why it matters’, ABC

[556betrayed]

Something all flight attendants should consider regardless of what airline they are working for:

Groveling should never be a negotiating tactic.

Emotional appeals do not work at the negotiating table.

Ever.

Always remember this!

Thanks, Rock! Flight attendants everywhere adore you!

[kochanski]

Trying so hard to control myself from writing this listerine anthology fic into a four short graybles for no deranged reason but if One person says they want it... 👁️👄👁️

[aroaceofdiamonds]

SAG-AFTRA IS STRIKING AGAIN

This time, for video games.

Some key information:

They are striking so all performers will have protection against AI

The struck companies are those signed to the Interactive Media Agreement

The listed companies by SAG-AFTRA include Activision Productions Inc, Blindlight LLC, Disney Character Voices Inc, Electronic Arts Productions Inc, Formosa Interactive LLC, Insomniac Games Inc, Llama Productions LLC, Take 2 Productions Inc, VoiceWorks Productions Inc and WB Games Inc. Though this may not be everyone.

Important things from the FAQ:

Some games from struck companies are non-struck (due to the Collective Bargaining Agreement still being in effect)

Localisations will be affected if covered under the Interactive Localization Agreement

Actors who are part of SAG-AFTRA cannot work for non-union or independent/low-budged productions during the strike unless they are signed to an Interim Interactive Media Agreement, Interim Interactive Localization Agreement or a Tiered-Budget Independent Interactive Media Agreement

Similarly to the previous strike, struck work cannot be promoted. This includes accepting awards for performances in struck games. This does NOT include hosting/performing a skit at an awards show and San Diego Comic Con (the latter due to the close proximity to the calling of the strike)

As implied by the point above, SAG-AFTRA performers cannot partake in panels related to struck games or companies, including finished games produced by struck companies

The best way to check if a game is struck is to use the search tool provided by SAG-AFTRA

Most importantly: You are NOT being asked to stop playing video games, as highlighted in the FAQ for creators and streamers. This does NOT cross the picket line. Though please do talk about the strike and show your solidarity

I expect to see the same amount of support from y'all that we saw in the last strike. Just because it's video games doesn't mean performers deserve any less support and protection.

Also please reblog with any additions (with sources - we are NOT here to spread misinformation)! And please correct me if anything listed here is incorrect.

SOURCES:

Video Game Strike FAQs | SAG-AFTRA (sagaftra.org)

SAG-AFTRA Members Who Work on Video Games Go on Strike | SAG-AFTRA (sagaftra.org)

[nationallawreview]

Old Standard, New Challenges: The NLRB Restores 'Clear and Unmistakable Waiver' Standard

The National Labor Relations Board issued its decision in Endurance Environmental Solutions, LLC, 373 NLRB No. 141 (2024), in which it announced a major precedential shift: a return to the “clear and unmistakable waiver” standard. This shift may make it more difficult for employers to make changes to employee working conditions without union approval. This decision overturns the NLRB’s 2019…

[sporkfan14]

It's being run by a bunch of short-sighted, value-extracting profiteers. Next question.

[ponyway]

“What grinds our gears is that a large corporation thinks it can come here and set the rules on the Swedish labor market,” Gideonsson said in an interview. “To think you can waltz in here as a feudal lord and think a whole country should adapt to one’s whims is just wrong.”

[neil-gaiman]

Mr Gaiman,

Why don't you start your own production company if you don't like the terms of Netflix, Warner and so on? I hope there is a good ending

I have my own production company (it's called The Blank Corporation). The writers weren't on strike against production companies. We were on strike against the big studios who are also the places you go and get your content from: Netflix and Disney and Max and Paramount and Prime Video and the rest. They are the members of AMPTP , the organisation that negotiates collective bargaining agreements on behalf of the studios.

I'm happy to say there was a good ending for the writers. We won, which was a better ending for everyone than taking our toys and going home to try and start our own version of Netflix would have been.

Right now the Actors of SAG-AFTRA are still on strike, and suggesting to them that they start their own production companies if they don't like the big studios not paying them residuals and wanting to replace them with AI actors will not end well.

[mostlysignssomeportents]

Nurses whose shitty boss is a shitty app

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/12/17/loose-flapping-ends/#luigi-has-a-point

Operating a business is risky: you can't ever be sure how many customers you'll have, or what they'll show up looking for. If you guess wrong, you'll either have too few workers to serve the crowd, or you'll pay workers to stand around and wait for customers. This is true even when your "business" is a "hospital."

Capitalists hate capitalism. Capitalism is defined by risk – like the risk of competitors poaching your customers and workers. Capitalists all secretly dream of a "command economy" in which other people have to arrange their affairs to suit the capitalists' preferences, taking the risk off their shoulders. Capitalists love anti-competitive exclusivity deals with suppliers, and they really love noncompete "agreements" that ban their workers from taking better jobs:

https://pluralistic.net/2023/04/21/bondage-fees/#doorman-building

One of the sleaziest, most common ways for capitalists to shed risk is by shifting it onto their workers' shoulders, for example, by sending workers home on slow days and refusing to pay them for the rest of their shifts. This is easy for capitalists to do because workers have a collective action problem: for workers to force their bosses not to do this, they all have to agree to go on strike, and other workers have to honor their picket-lines. That's a lot of chivvying and bargaining and group-forming, and it's very hard. Meanwhile, the only person the boss needs to convince to screw you this way is themself.

Libertarians will insist that this is impossible, of course, because workers will just quit and go work for someone else when this happens, and so bosses will be disciplined by the competition to find workers willing to put up with their bullshit. Of course, these same libertarians will tell you that it should be legal for your boss to require you to sign a noncompete "agreement" so you can't quit and get a job elsewhere in your field. They'll also tell you that we don't need antitrust enforcement to prevent your boss from buying up all the businesses you might work for if you do manage to quit.

In practice, the only way workers have successfully resisted being burdened with their bosses' risks is by a) forming a union, and then b) using the union to lobby for strong labor laws. Labor laws aren't a substitute for a union, but they are an important backstop, and of course, if you're not unionized, labor law is all you've got.

Enter the tech-bro, app in hand. The tech-bro's most absurd (and successful) ruse is "it's not a crime, I did it with an app." As in "it's not money-laundering, I did it with an app." Or "it's not a privacy violation, I did it with an app." Or "it's not securities fraud, I did it with an app." Or "it's not price-gouging, I did it with an app," or, importantly, "it's not a labor-law violation, I did it with an app."

The point of the "gig economy" is to use the "did it with an app" trick to avoid labor laws, so that bosses can shift risks onto workers, because capitalists hate capitalism. These apps were first used to immiserate taxi-drivers, and this was so successful that it spawned a whole universe of "Uber for __________" apps that took away labor rights from other kinds of workers, from dog-groomers to carpenters.

One group of workers whose rights are being devoured by gig-work apps is nurses, which is bad news, because without nurses, I would be dead by now.

A new report from the Roosevelt Institute goes deep on the way that nurses' lives are being destroyed by gig work apps that let bosses in America's wildly dysfunctional for-profit health care industry shift risk from bosses to the hardest-working group of health care professionals:

https://rooseveltinstitute.org/publications/uber-for-nursing/

The report's authors interviewed nurses who were employed through three apps: Shiftkey, Shiftmed and Carerev, and reveal a host of risk-shifting, worker-abusing practices that has nurses working for so little that they can't afford medical insurance themselves.

Take Shiftkey: nurses are required to log into Shiftkey and indicate which shifts they are available for, and if they are assigned any of those shifts later but can't take them, their app-based score declines and they risk not being offered shifts in the future. But Shiftkey doesn't guarantee that you'll get work on any of those shifts – in other words, nurses have to pledge not to take any work during the times when Shiftkey might need them, but they only get paid for those hours where Shiftkey calls them out. Nurses assume all the risk that there won't be enough demand for their services.

Each Shiftkey nurse is offered a different pay-scale for each shift. Apps use commercially available financial data – purchased on the cheap from the chaotic, unregulated data broker sector – to predict how desperate each nurse is. The less money you have in your bank accounts and the more you owe on your credit cards, the lower the wage the app will offer you. This is a classic example of what the legal scholar Veena Dubal calls "algorithmic wage discrimination" – a form of wage theft that's supposedly legal because it's done with an app:

https://pluralistic.net/2023/04/12/algorithmic-wage-discrimination/#fishers-of-men

Shiftkey workers also have to bid against one another for shifts, with the job going to the worker who accepts the lowest wage. Shiftkey pays nominal wages that sound reasonable – one nurse's topline rate is $23/hour. But by payday, Shiftkey has used junk fees to scrape that rate down to the bone. Workers have to pay a daily $3.67 "safety fee" to pay for background checks, drug screening, etc. Nevermind that these tasks are only performed once per nurse, not every day – and nevermind that this is another way to force workers to assume the boss's risks. Nurses also pay daily fees for accident insurance ($2.14) and malpractice insurance ($0.21) – more employer risk being shifted onto workers. Workers also pay $2 per shift if they want to get paid on the same day – a payday lending-style usury levied against workers whose wages are priced based on their desperation. Then there's a $6/shift fee nurses pay as a finders' fee to the app, a fee that's up to $7/shift next year. All told, that $23/hour rate cashes out to $13/hour.

On top of that, gig nurses have to pay for their own uniforms, licenses, equipment and equipment, including different colored scrubs and even shoes for each hospital. And because these nurses are "their own bosses" they have to deduct their own payroll taxes from that final figure. As "self-employed" workers, they aren't entitled to overtime or worker's comp, they get no retirement plan, health insurance, sick days or vacation.

The apps sell themselves to bosses as a way to get vetted, qualified nurses, but the entire vetting process is automated. Nurses upload a laundry list of documents related to their qualifications and undergo a background check, but are never interviewed by a human. They are assessed through automated means – for example, they have to run a location-tracking app en route to callouts and their reliability scores decline if they lose mobile data service while stuck in traffic.

Shiftmed docks nurses who cancel shifts after agreeing to take them, but bosses who cancel on nurses, even at the last minute, get away at most a small penalty (having to pay for the first two hours of a canceled shift), or, more often, nothing at all. For example, bosses who book nurses through the Carerev app can cancel without penalty on a mere two hours' notice. One nurse quoted in the study describes getting up at 5AM for a 7AM shift, only to discover that the shift was canceled while she slept, leaving her without any work or pay for the day, after having made arrangements for her kid to get childcare. The nurse assumes all the risk again: blocking out a day's work, paying for childcare, altering her sleep schedule. If she cancels on Carerev, her score goes down and she will get fewer shifts in the future. But if the boss cancels, he faces no consequences.

Carerev also lets bosses send nurses home early without paying them for the whole day – and they don't pay overtime if a nurse stays after her shift ends in order to ensure that their patients are cared for. The librarian scholar Fobazi Ettarh coined the term "vocational awe" to describe how workers in caring professions will endure abusive conditions and put in unpaid overtime because of their commitment to the patrons, patients, and pupils who depend on them:

https://www.inthelibrarywiththeleadpipe.org/2018/vocational-awe/

Many of the nurses in the study report having shifts canceled on them as they pull into the hospital parking lot. Needless to say, when your shift is canceled just as it was supposed to start, it's unlikely you'll be able to book a shift at another facility.

The American healthcare industry is dominated by monopolies. First came the pharma monopolies, when pharma companies merged and merged and merged, allowing them to screw hospitals with sky-high prices. Then the hospitals gobbled each other up, merging until most regions were dominated by one or two hospital chains, who could use buyer power to get a better deal on pharma prices – but also use seller power to screw the insurers with outrageous prices for care. So the insurers merged, too, until they could fight hospital price-gouging.

Everywhere you turn in the healthcare industry, you find another monopolist: pharmacists and pharmacy benefit managers, group purchasing organizations, medical beds, saline and supplies. Monopoly begets monopoly.

(Unitedhealthcare is extraordinary in that its divisions are among the most powerful players in all of these sectors, making it a monopolist among monopolists – for example, UHC is the nation's largest employer of physicians:)

https://www.thebignewsletter.com/p/its-time-to-break-up-big-medicine

But there two key stakeholders in American health-care who can't monopolize: patients and health-care workers. We are the disorganized, loose, flapping ends at the beginning and end of the healthcare supply-chain. We are easy pickings for the monopolists in the middle, which is why patients pay more for worse care every year, and why healthcare workers get paid less for worse working conditions every year.

This is the one area where the Biden administration indisputably took action, bringing cases, making rules, and freaking out investment bankers and billionaires by repeatedly announcing that crimes were still crimes, even if you used an app to commit them.

The kind of treatment these apps mete out to nurses is illegal, app or no. In an important speech just last month, FTC commissioner Alvaro Bedoya explained how the FTC Act empowered the agency to shut down this kind of bossware because it is an "unfair and deceptive" form of competition:

https://pluralistic.net/2024/11/26/hawtch-hawtch/#you-treasure-what-you-measure

This is the kind of thing the FTC could be doing. Will Trump's FTC actually do it? The Trump campaign called the FTC "politicized" – but Trump's pick for the next FTC chair has vowed to politicize it even more:

https://theintercept.com/2024/12/18/trump-ftc-andrew-ferguson-ticket-fees/

Like Biden's FTC, Trump's FTC will have a target-rich environment if it wants to bring enforcement actions on behalf of workers. But Biden's trustbusters chose their targets by giving priority to the crooked companies that were doing the most harm to Americans, while Trump's trustbusters are more likely to give priority to the crooked companies that Trump personally dislikes:

https://pluralistic.net/2024/11/12/the-enemy-of-your-enemy/#is-your-enemy

So if one of these nursing apps pisses off Trump or one of his cronies, then yeah, maybe those nurses will get justice.

Image: Cryteria (modified) https://commons.wikimedia.org/wiki/File:HAL9000.svg

CC BY 3.0 https://creativecommons.org/licenses/by/3.0/deed.en

[astralnymphh]

𝐢𝐧𝐟𝐢𝐥𝐭𝐫𝐚𝐭𝐢𝐨𝐧 (𝐟𝐢𝐯𝐞 𝐦𝐢𝐧𝐮𝐭𝐞𝐬)

summary: your suspicious encounter has given ellie her five minutes and her knife—but can she truly measure insincerity? reader discretion advised: seattle!ellie x fem!reader, angst (with comedic and romantic undertones), reader is a stranger, reader has a sibling, inevitably changes the trajectory of the canon storyline, inherent tensions, interrogation tactics; knife (obviously), drawing blood, smacking, punching, collectively getting beaten to a pulp. ellie has ran into someone who matches her energy, maybe even dominates it. whew. lots to interpret. memo: this came to me in a daydream!!! yay for getting beat up!!! footnotes: word count (4.3k), masterlist, palestine masterpost, read this, proofread by the lovely @caraphernellie!

It is an aching, scathing thing: this world.

In the mornings, the most godless sounds awaken. Salvation takes pitiless dances with self-righteous societies, and the meek have inherited the earth. 

If you have a bounty—an idea of revenge—you must be fain to bleed every happy accident dry of information, and bleed yourself.

“Where's Abby?”

You are a happy accident. Urging for an alibi, your appetite stared down the barrel of several guns. The soldiers of this hospital you sought out on eroding patience were not helpful. If anything, lethal. They seemed guilty of selling out; failing to fulfill their scrap of the bargain, dodging explanations and lily-whiting themselves with some careless, out-of-the-blue, bullshit argument for why the agreement changed, why they acted against the inertia. All these sour months, yet nothing to compensate for time. Just conflict.

You were owed fifteen guns from this deal. Fifteen!

The debate fired in a deep corridor, right above the bowels of the hospital. Some bitch—Nora, you think, plated the verdict first and coldly before making off someplace else. Almost like you weren't really there. Still bleeding for clarity, you had everyone else in the hospital browbeaten, interrogating one after another, interrupting their plans to clear out the place. You used the threats in your mouth and the appetence of your revolver to show them you meant blood and business, simultaneously. Some heads went rolling.

Then, the place got infiltrated, making you an emergent exfiltrator. Like fire in a timber house of innocents, death caught quickly. Gunshots cracked at a singularity. A couple fired, then there would be a pause, muffled commotion, a horrifying scream, and a shallow rain of bullets come again.

It became instantly understood that it was a single person; a party would bring more noise. Frightened seconds became bodies on the floor in minutes, the melody of throats choking on blood padding the halls, and like time in a nutshell, one note of that melody played right outside the room you lurked in.

You recall a muttered echo: “Fucker,” which taunted the loud gurgles of blood, and rang as a sign that it was too late.

Her narrow and thorough eyes had the emptiest and deepest rooms flipped upside without warrant. Not even the silent take-outs, blind-covered windows or the secrecy of your location evaded interest. She craved some of that action.

You interrogated one room of stubborn people, only to be interrogated by a trespassing 'nother. Fucking coincidence, right?

God, and this girl is just terrible at cross-examination! Don't let her in a courthouse, of any quarantine zone. If they exist.

Ever.

It has gone on for a minute now. She continuously asks these redundant questions and tries cheap intimidation tactics her daddy probably demonstrated on several unlucky incidents like yourself—or maybe it's improv. Sure fuckin' sounds like it. And, not to mention, an extravagant amount of profanity that even the devil himself would blush at.

Fingers snap in your face. “Hey,” she barks. The table beside you is one of her foresaid tactics. It gets slammed. “Where is she?” Her wrathful gesture makes you glance only by a virtue of instinct. Clearly, this hand gets all the action.

Simmering reds from all that yelling have curled up her cheeks, painting her in a flit of desperate, pathetic rage. She is a strange clash of auburns and browns. In eerie-black rivers, bleeding up the walls, she is a darling brunette. But in the closeness of light, it washes into a gutsy auburn. Blinding and fiery. Those eyes have you engrossed too, damn: a penetrating, cat's-eye green you could fuck up in the sightline of. Her mother give her those?

Whatever. Why she needed to find this girl, you have no clue. Where this girl in question is—you still have no clue! This is useless. In fact, to her pursuit, you are useless. Files would better serve her mission, which thousands upon thousands sit in this hospital waiting to enlighten the blood-hungry half of the population with information. Surely she knows how to fucking read, right?

Yet, your sun of escape had set indefinitely, predestining you to writhe and mope in this tangle of uncomfortable ropes for however long until she was satisfied—or suffocating you. Fight, fight, and fight all you want; there is no abdication in negotiation.

“Did you ever think to ask the guards before slicing their throats?” You cock your head, sassy, contemptuously, without a care. It's an easy antidote for you to suggest given your mental innocence to the horrors outside that door. The prelude to this tangle of ropes is an interpretation of screams and guzzles—your favorite! “Too late now, though. Oops.”

Annoyance rolls from the pit of her teeth “Oh, my fucking..” She sounds irritable, eager to snap, and she turns her back to you for the sake of her sanity.

There is a faint sound of her fingers, squeezing on the mechanics of her lovely handgun. Maybe, just maybe, she'll knuckle under now; abdicate in the sweetness of another murder? Shut your trap by boring a bullet through it?

“Do you ever quit it with the snark?” She swings back around, hunching arms-crossed.

Nevermind.

You chart your own thoughts for a possible half-genuine, mostly clever answer, eyes rolling up. “Hmm..” Checking if it lives on the ceiling, like a perfect spring apple, ripe and pendant for picking. “Not recently, no.”

That strikes a nerve. “Oh, great,” she bluffs, that empty ink of doubt rich in the short, artificial reply. Certain smilings you often earn from fed-up someones. “Guess I'll have to try harder to get it outta' you, huh?” Her face fades, broadcasting something a little more serious, though those hooded eyes are the least daunting thing.

“Oh, so hard—”

Bam! Nailed right in the cheek. No sign, no second-rounds needed. The faithfulness of four knuckles pulled through your jaw, your teeth. It aches, and your sense of vantage is knocked for a moment, flopping your head back from where she clocked it.

You swish your cheek against the throbbing, staring with provocation. She stares, too. Through the old, grimy light above, you see her conscience emptying out: upper lip snared up, brows pulling to meet a center, heavy breathing. You believe judgment exits through every exhale.

“I saw you in here, rummaging through files and shit. You know something.” Her chin becks to you, foregrounding you as the first pawn of evidence. “Where'd she go?”

“Up my ass, bitch.”

Her mouth flinches at your immature fulmination. Offended, or disgusted. Rigid cords accentuate in her neck. “You smart-mouthed cunt!” she seethes, and her angrily mumbling that leads too smoothly into another blow to the maw, getting all up in your twisted face. “Where?”

You sling back. “Clearly not right in front of you, damn it!” Spitting the blood stilling in the pockets of your gums, you damn her; aim for the tip of her converse. Panting, you bring your eyes up slowly to glare. “Who shit in your rations?”

“We don’t—hmph, I don’t do rations.” 

Throwing a joke put a cork in her incursion, slipping up her words. You have to laugh. Furrows pinch between her brows, then she scans you up and down, face contorting into slow inspiration. They widen, discern; something you said alludes.

What is she thinking?

”Are you FEDRA? Undercover soldier?”

Your smile fades. “What? No.”

She motions to the bodies entrailing the floor. “Then why'd you kill them?”

“Got in my way.”

Her lips press into a line, and she huffs. Appraisal demanded conjectures, and you weren’t giving her anything. Things that may nail the target right in the eye, or miss by a small mark. You came here for one thing and one thing only, and that's none of her business—but, she wants to make it her business. Clothing you in warfare made it psychologically easier to absolve herself.

Two can play at that game. “Are you an undercover soldier?” you spin the question, blood in your mouth stirring a grudge. This situation might fall more into place if tongues point to yes. “Which zone hired you for reparation? Or would that be the Seraph—”

“Not a soldier.” Her interruption is resolute. She holds something harsh in-between the teeth, a stiff rehash, unable glarings. “I'm not FEDRA, I'm not a Scar..” The floor seems to interest her eyes. “Actually, what I am is none of your goddamn business.” She only looks up at you at the end, eyes narrowed.

“Neither am I yours.”

For smart-mouthing, you expect a third kiss of violence to erupt your gums—nostrils, perhaps—and she relents. Silence perverts the room, leaving an uncomfortableness to stretch from her stare. Gulps, blinks, and breaths that invocate. She expects you to give her a thesis, glaring like a hawk. A glare that depicts, “You are my damn business.” without ever having to gorge a throat.

You watch her right fist fumble together, blanking out on the earth-stained nooks. “Just assumed someone so blood-hungry would be an undercover soldier that has it out for rebel militia groups trying to battle authority. Maybe you wanted to snuff out the Firefly legacy? Once and for all?”

The coarse skin of her tattoo looks storied. Covered in things you lack context for.

But are you not self-same?

“Ex-Fireflies are finicky fucking people,” you begin to rasp in the vowels, clearing your throat. “Fuckin' hate them.”

Nothing is said on her end. Nothing of solace, nothing of condemnation, not even a different opinion. She traces all the lines quietly; squints at your lowered face, weighs your scars, conjecturing what your reputation must be to wear wounds like these. They must be gorgeous enough to ignore, because she prowls closer and slips into her back pocket, pulling a switchblade. Mahogany, and storied indeed. Fresh blood, old blood.

You peek up when you hear it flick. “Last chance,” the rigid-lipped girl warns. And like she has experienced an earnest, diabolic and pardoned shift in mind, her eyes look prepared to see you choke. “What's it gonna take?” She would slice you if it meant bleeding the infinite resolve out of you.

Fingertips dance on the handle of it. Pitifully, agitatedly dancing under the shadows. “Reasons, maybe?”

“Yeah? Wanna be like that?” She braces an arm on the chair, caging you, leaning in. Warm, arrowlike words hit you. They smell of breath. “Someone was hunted, tortured and killed, right in his own fucking town. Planned attack, too.” The cold, keen edge of the blade is pressed against your pulse, provoking a swallow through you. Tight in freckled hands, bloodspill is ensured. “That enough for you?”

“Oh,” you chuckle unamusedly. “Revenge doesn't solve shit.”

“Then why the fuck are you here?” The growing pressure of her hand leaves a thin, immaculate cut, no drippage. Your subtle stonewalling escalates the tension in her, and so, she slowly buckles under; teasing the knife with a little taste.

Muted pain hisses from you. “Not revenge,” you plume, showing her your eyes. “Wolves got somebody I know held hostage and is unfairly expending them for their work. They won't let 'em off as agreed.”

Eyes reveal lies.

“Bullshit.”

You disengage from the delicate stinging on your neck, confounded by her. “Okay, and what makes your excuse more plausible?” Either you wear an embittered smile, or it wears you. Her cynicism is almost predictable. “I was owed shit from these assholes.”

“Which assholes?”

Of course, every detail is of the essence. You get her, to a degree; she is enraged justice in the form of a girl, but is overwhelmingly that. Rage. She spreads her pawns inside out and envisages a judging of gospel in their exposed guts. Interpreting the files, the conditions, the realisms of things said. Was that soldier truly vulnerable? Did they die weaponless, fearful, and innocent? Is innocence even a condition, given the crimson in her eyelines?

She looks lost in all the blood.

The temporary break opens to your heavy sigh. “Think her name was Nora.” Lasting throbs from the punches minutes before worsen as you speak. You crinkle your face against them. “'Dunno, don't care. Just want my brother back.”

You cannot tell if your answer brings satisfying insight, hearing only her inhales go in, and out. Knife laying inert, you receive no pain for it, but no freedom from it, either. She opens her mouth a bit, and bloomed breaths fan over you, like a response is meant to come out. Then her bloodied, bottom lip folds in, rubbing against her top, brows set low, and you know the contents of her mind are crafting a narrative.

Measuring your high-stake sincerity.

“Is that enough for you?”

Her eyes are sharp when you ask.

The weight of inflection, the material of fluency. Both are determiners. You, for the past five minutes, have acted a soft and blunt manner in the face of one jury. Maybe facetious, too, but it changes little.

She picks herself up from her wander-faced brainwork, and concentrates outside of her mind. “'Kay,” she drones, cocking her head. “Where is Nora, then?”

You sigh. “Probably upstairs.” The fight for life continues. Behind the chair, your wrists contort quietly for a weak knot. “Or gone. Depends how long you take to untie me.” 

One corner of her lip crooks. “Huh, you really think it's that easy?” Her face compliments the eerie line perfectly. She slides the blade past your collarbone, without pressure, and pierces it into your sleeved arm. Slow torture of twisting. “Tell me where, exactly.”

Gouging torments worse than simple incisions. With cuts, you can leave ugly reminders. But with a debased conscience and an end goal, she hopes to wind the information out clean; create a perpetual torture that loosens your tongue. She does not flinch, does not glance with hesitation while the tip draws a sweet, ugly, crimson vortex above your inner-elbow. Those steady eyes bore other holes into yours. Lingering, reading your pain.

Your windpipes fill with a groan, and you clutch at the bundle of knots behind you. “Fuck!” The pain does torture you. She is exacting in the way that it does. Torturing your skin, your thoughts. It forces a puncture of annoyance in your gut for not having much else to say while she bleeds you for it. You try to fathom her situation at large.

“Fuckin' lucky I haven't slit your throat yet.”

Then, it clicks.

“Come on, where?” Her impatience hits home.

You know where the blind spots are in this situation. Context shines clearly. “It's not just some random guy you're getting revenge for, huh?” Struggling under knifepoint, your words slip out with the violence of a tear. Scratchy, compressed. 

But the gouging technique of her fingers stop, saving you a second.

“What?”

Her face and voice incarnate offense identically. There had to be some nasty reason backing your statement, another round of your clever inaction to distract a sure demise. Yet, it still chokes. She wants to finish this, but you are by far the most thought-provoking victim her switchblade has ever laid infliction to. You can make a girl hesitate pretty damn well; it frustrates her. Makes her culpable, a gilded conscience whispering in low tones to let it back in. Reverting her to one of the many things that Seattle made her find fucking sickening: empathy.

Thinking.

She slaps a band-aid on those exposed nerves, keeping her heart small, and begrudgingly narrows her eyes into confrontational lines. The knife softly listens.

You continue. “Obviously, this someone is special,” attesting brashly, not so formally as a court would mandate. Just loud enough to film over the sound of your binds loosening. “Who goes all this way for somebody they don't share blood with?”

Regardless of how bold, how unoriginal this shot in the dark is, the revenge-high girl drops her lip. She's trying to pin a conceivable falsehood to your words, but it conflicts with the perfection of them; you aren't entirely wrong.

An irritated sigh claws open the air.

Forget it—she isn't looking to be mutual. She didn't chase a rumor to carve sympathy. Histories shall keep to themselves. “So? Don't play fucking stupid with me,” she reproaches you, introducing the pressure of her knife down on your thigh. “If she's gone, you're gonna show me right where she's headed.”

You watch her empty hand reach back. “Then?”

The sounds of paper halt. She frowns at your strange cross-questioning. “Then—I'll let you go.” Her reply is reluctant, so full of an unsure breath. “But only on the condition that you aren't fucking bullshitting me.”

The hand once-empty arcs from her back pocket, unfolding an outdated map of Seattle before your eyes. Damn, does she need an exact time too?

“Where?”

Hence that, the knife eases silence with pain again. There are tense cords on the crest of her palm from pushing it in. You almost absently and sullenly admire the true beauty of the flesh wallowing in contemplation; chances are, you may know too much now, and could cause wounds in her plan if let go. Providing her the intel she thrives for won't save you—it will kill you.

So, while so much as a long wince takes up your throat, you think of something else.

“Come on,” she nags, twining the knife into your kneecap. You counter with a cry, the vulnerable, warm shine threatening to paint your undereyes. “Could be done with this already. Eyes up here.” It crept up so quick.

But before you succumb, the roughness around your wrists becomes a nothingness, and your fingers grasp for light. Reprieve, a pardon to injury; you take it into your own hands.

The scene shifts like rain. Shock jerks her eyes wide when the chair clatters, and you drive her backwards—heels scattering, hands thrashing in a flit of desperation—and her special switchblade is suddenly against her. You swipe it tracelessly, catching her off-guard and cursing. Threatened palms puncture you repeatedly in the shoulders, trying to shove you off as she is slammed into the wall, knocking out the incentive she held so dearly like a candle.

Her hand dives below where you can see, definitely headed for the leather gun holster that clasps her thigh. She struggles to unload it. Before she can even wrap a finger, your reflexes are a step ahead, ridding her of that precious, immediate solution. You bash the damn thing into her nose.

“Fucking cunt!” she shouts with her lip snared down, the raging shape of her teeth evinced. Her hips struggle against you, palms now reaching to eclipse your sockets, both in a desperate fight to recapture her authority. Careful, she might bite!

Everything transpired so quickly. You feel whiplash as you toss the gun, brace her arms and show her precisely what lies ahead—scratching the surface, knife on her pale pulse.

Struggle exists no longer; the weapon buys you surrender. She focuses her lingering energy on catching air, slack under your fingers. 

“Well, shit!” Your chest opens with a degrading laugh, one she abhors. Screw looking at you. “Guess it really was that fucking easy, huh?” You begin a soft dint in her neck with the pricked end, inciting her to swallow a lump.

It does not fall quietly. She cracks open her lips and blood from her nose weeps in. “Please, stop,” she pleads, loud and clear. Instead, she is entrusted meekness as a desperate measure. That flesh you loom could be wool, a startled wool, and she would be a lamb. An innocent condition. Either fits her, since either way, she is tense and looking at the inanimate space behind you. Guiltily, flinchingly.

Only one curiosity will complete you. “Name?”

“Ellie.” It rushes like another life is at stake. Since when is she soft with a heart that can break? Whatever it is, it got her in this pretty predicament. “Why?” she raises, tone wary.

“Harder to kill somebody with a name.” Cute name for a murderer.

Her teary eyes narrow with confliction.

Ellie all but understands you. Your enigmatic nature has brought her to enmity and pity thus far—and on the precipice of murder—but now you're offering complete mercy? That's a hard thing to want to accept. People these days almost prefer, by an all-embracing scale, the venom, the simplicity, and the diabolical origins of the ethos of this apocalypse. Sometimes, it comes easier up and down the throat. Belonging eroded, and this country is a skeletal memory of itself, nothing will endure. Ellie understands that; she was born into it, and so, it is her and that is eternal.

So why you choose to spare her, has her scrunching her nose and pinching those signature frown-brows. Though, in the lurid light of her being that somebody with a name, she appears more strangely relieved, even if death sits at her throat still. Getting her to end this was your why and wherefore. You don’t care, you don’t have the time. So, you let the sun set.

Her eyes quirk up, and meet an equilibrium between her and you. They look dimensional with intrigue, somewhat proportionate to almonds. Gentle, springtime in the middle. “You're not gonna kill me?” Eyes you won't harm.

“No,” you announce it like it is solace, hard-fought. Tucked eyes and no strings attached, you sure are serious about this. “You aren't an issue to my efforts or some soldier telling me to come back tomorrow or to fuck off, so.. yeah.” The switchblade flicks back into the shell. You hold it out to her, and that itself sells the deal. “Congratulations.” A simple resign.

She lets it slip into her palm. Hugs the weight, rolls the wood on the curls of her knuckles. “Hm,” she hums timidly. Feeling it now, eliminating you would have changed nothing. If anything, weighed on her conscience in the dells of nightfall.

But she still lacks information. She needs to get it somewhere, somehow.

Thoughts begin to trickle: if her fingers can do such fragile things as plucking a guitar, should they be considerate?

Should she start now?

After a silent break, and a wipe of her bloodied lip, she decides to try. “Is your brother with them?” Wearing some sympathetic face absent of a smile; you're too preoccupied to notice if she does. “Sounds tough what you're going through.” Yeah, she cares enough to try.

You recess from looting. “The Wolves?” Crouching low.

“Yeah.” Her voice cracks, involuntarily.

God, this girl is a paradox of hypocrisy. First, she doesn't want your sympathy, and now she is a fraying thread of it. Loosened seams all over. You grin at her, rooted tall to the floor several feet away, but you are too in favor of doubt to look grateful now. “Oh, so now it's not bullshit?”

“That was before,” she laughs tentatively, traipsing closer. You leave her fidgeting, the natural gravity of her hand not knowing what to do, where to fall to. Debris crunches under her converse as she stands stock still before you, her stillness an invitation.

Again, she says nothing. Nothing as you aimlessly stare and travel over her little chafings. Waiting on your reply, your movement, your hitches of breath. Hidden languages of the body. There, you would make this mutual, or tell her to fuck off.

Maybe she believes you can benefit her still. Benefit each other.

Yeah, right.

Nothing promising sprouts from what is uncomfortably introduced.

It makes you scoff. “If you’re proposing some sort of win-win deal, then..” You heave briefly from your chest lugging up your backpack as you stand. “I've had my fair share. No thanks.” Telling her to fuck off, cordial as possible.

“Yeah,” she rethinks. “Dumb idea.” 

Seeing her face shift is quite the telling. An easy withdraw. Whatever she wanted to do, it wouldn’t work in the long run.

The steel door is guttural when you push on it. Groaning in the hinges, it instills a tension over your shoulder; she is still back there, reloading her guns, probably watching you. It gets you thinking, your hand hesitating. You may have no clue where to go yourself, but it would snip your thorny curiosities if you knew her destination. You know a small something.

“Check the operations base.”

Her shotgun clocks open. “Operations base?”

“Near the stadium. Think Nora is heading there,” you disclose, to entice, glancing over your shoulder. She needed that. “Be careful though, you’re public enemy number one now.”

She collapses her gaze. “Yup.” Her hatred was safely disposed of, so she takes your concern gently.

After all, you remain strangers. 

“Hope you get where you’re going.” The shotgun locks back in place.

Now is when you say nothing. You leave, without a spontaneous prayer or hope for her future.

Better to forget this ever happened.

“She wasn’t in any of the polaroids.”

Day closes inside the theater. Abdication takes place in the far-back dressing room, where wounds are dressed, and afterthoughts are festering. Ellie thinks restlessly about it.

What were the chances?

Ellie takes the needle into her riven skin without a flinch. The back of her lungs fill into, with long breaths, the tender palm of Dina, who asks, “Did she have information, at least?” as the suture threads through.

“She could've killed me.” Her fingers creep up her neck, feeling at her collarbones. The thought makes her mind turn. “But..”

Dina finishes with a knot on the carnic reminder. “But you're okay,” she conveys her gratitude. To higher powers, to luck, to you—whoever. She collects the hand from her collarbone, shielding her own over and embracing it against Ellie's abdomen. “Scratched up, obviously, but here. Safe.”

The gesture is fragile. Ellie clutches softly at her own stomach, grooving trails of her fingers. She wants to say something, but her mind everlastingly obsesses over your intel. “She said Nora's stationed in their operations base.” Her arm kindly slips from Dina and ravels into her shirt, tossing it over her head. All this bloodshed has given her a one-track mind. “Somewhere west of here, near a stadium, uh—think that's site two on our map.” She stands and smooths the crinkles. “Thanks for the help, babe.”

Dina can only hope well. “Mhm.” But she loathes this metamorphosis. Day after day, it leaves her feeling secondary. “Just be careful tomorrow, okay?” She has to continue physical contact to keep herself above, rising after Ellie. “We're rootin' for you.” Pressing a smile into her warm neck.

It repurposes itself onto her lips. “Yeah, like my groupie?” Certain smiles Ellie tends to forget she can share, and kiss, even if fleetingly. Thought fades all.

Hard to forget what happened.

perm taglist: @whore4abby @aouiaa @tlougrl @mina-281 @beabeebrie @fleshunger @elliewilliamsisactuallymygf @nicolicht @cosmikoo @xinyaya @sawaagyapong @reinersbigolboobies @brunettedolls-blog @syrenada @p4ison1vy @nil-eena @hi2647 @rarestdoll @narieater @hrtmal @eudaemoniaaaa @ellie-07063 @luvfaeri @carleenaelaine @kissyslut @beemillss @elsmissingfingers @maleelee @seraphicsentences @ravyaryn @sunnsh1ne

fic taglist: @angelliicc @morgan0lw21 @lvlymicha @williamellieslilho @angeldisastergirl11 @co0kiemuncher @coffeestainedbookpages @violetsellie @farmellielvr @lovinglynny @elliesluckycharm @kaykeryyy @ksava1010 @vxserii

apologies if the tag didn't work. please let me know if you want to join my perm taglist!

[stone-stars]

Full thread from Sam on the SAG strike and Dropout!

[ID: A thread from Sam on twitter, as follows: "A thread about the strike and Dropout production: 👇✊. I stand in complete and utter solidarity with our striking performers. I myself am SAG-AFTRA, as are others on our executive team, having come from the world of working actors. I am nothing but sympathetic to their cause and outraged by the mafia-like behavior of the major streamers and AMPTP. It is harder than ever to make a living in this industry, and that goes even for the lucky few of us who get to work on meaningful projects.

In the meanwhile… 🤑 Uber-rich CEOs and shareholders are cashing in like never before 💸 Major streamers are gambling millions on dubious projects and business models 🍾 Hollywood is hiding profits and playing the victim while drinking champagne aboard their superyachts

Dropout production is right now on hold. Because we aren't associated with the AMPTP, it's possible we may be able to reach an interim agreement with SAG that allows us to continue to produce content during the strike.

But we'll only do that, obviously, if we get the blessing of the union and the buy-in of our performers. If not, we have enough content in the can to last us a little past the end of the year.

I pride myself in that Dropout has always paid above SAG minimums. As the years go on and the company is healthier, we will strive to do even better, and then even better still. Without the talent of our performers, we are zilch. Zero. Nothing."

Attached is an instagram post from an actor reading: "The Netflix show in question is shorter than a traditional half hour. But @ collegehumor and @ dropouttv paid me MORE than that for one of their scripted series. Dropout was a brand new online platform at the time and they still managed to pay their actors more than NETFLIX for scripted short form content."

Thread continues: "Public companies don't do this for the very simple reason that they feel more indebted to their executives and shareholders than they do their workforce. It's why corporations are so often exploitative. Our industry, because our jobs are so desirable, is especially vulnerable to exploitation. Hollywood takes advantage of that by making us feel generally commoditized, cheap, and replaceable …which is ironic given just how personal our work so often is. That's why unions - and the power of collective bargaining - is so important: because public companies often won't pay their workforce any more than they're forced to.

As for me, I intend to honor my union's position that I not promote SAG productions as a performer -- even if they are produced by me. That means that I won't personally be promoting any of our shows for the time being.

Attached is a screenshot of Sam on Discord responding to the question "given the strike… what picket line chant will you be rockin'?" with "i'm a talent / CEO! me says me has got to go!"

Thread continues: "This year, instead of running a FYC campaign for Game Changer, we donated $10k to the Entertainment Community Fund in solidarity with the WGA. Today, in solidarity with SAG-AFTRA, I'm personally matching that donation with another $10,000. If you have any disposable income, I encourage you to donate as well: https://entertainmentcommunity.org. And as soon as I test negative for COVID, I'll see you on the picket line. ✊"]

[probablyasocialecologist]

"But Weber’s argument was carefully grounded in history. Price controls, she argued, had been an essential element of the U.S. mobilization strategy during the Second World War. And there were several striking similarities between the economy of the nineteen-forties and that of the present day, including very high consumer demand for goods, record corporate profits, and production bottlenecks in important areas. Back then, the Office of Price Administration simply prohibited companies from raising prices above certain levels. Violators could be sued, or worse. In 1944, Montgomery Ward, the department-store chain, refused to accept the terms of a collective-bargaining agreement—a cap on the price of labor—brokered by the government. President Roosevelt ordered the National Guard to seize the business and remove Sewell Avery, its chairman, from its headquarters." (source)

[fans4wga]

SAG-AFTRA video game actors are now on strike.

26 July 2024 - "Hollywood’s video game performers went on strike Friday after negotiations with game industry giants that began more than a year and a half ago came to a halt over artificial intelligence protections ... “The industry has told us point blank that they do not necessarily consider everyone who is rendering movement performance to be a performer that is covered by the collective bargaining agreement,” SAG-AFTRA Chief Contracts Officer Ray Rodriguez said at a news conference Thursday afternoon. He said some physical performances are being treated as “data.”'

Good resources to keep up-to-date and learn more:

@/wgastrikeunite on Instagram

SAG-AFTRA website

[compher]

f1 hates fun

from the looks of it even if i could find an email i don't think i could legally request a copy of the cba . ugh