#coil winder

[acmemechatronics1]

How Automatic Coil Winding Machines Improve Efficiency: Exploring the Benefits

The coil winding process is integral to industries that rely on electrical components such as transformers, electric motors, inductors, and solenoids. Traditionally, this process required significant manual labor and close supervision. However, the introduction of automatic coil winding machines has drastically transformed the way coils are produced, offering significant improvements in efficiency, precision, and overall production quality.

In this article, we will explore how automatic coil winding machines enhance manufacturing processes, reduce costs, and optimize production timelines, all while maintaining high standards of accuracy and reliability.

What is an Automatic Coil Winding Machine?

At its core, an automatic winding machine is a piece of machinery designed to wind wire around a core or form with minimal human intervention. These machines operate using programmable logic controllers (PLCs) and advanced feedback systems to automate the winding process, ensuring precise and consistent coil formation.

Unlike manual or semi-automatic machines, an automatic coil winding machine can operate autonomously, handling tasks such as wire feeding, tension control, layer placement, and even monitoring for defects or irregularities. These systems are particularly useful in high-volume manufacturing environments, where consistent quality and rapid turnaround times are essential.

How Do Automatic Coil Winding Machines Improve Efficiency?

The introduction of automatic coil winding machines has brought about several key benefits that directly contribute to manufacturing efficiency. Let’s break down the most significant ways in which these machines enhance productivity and streamline operations.

1. Increased Production Speed

One of the primary ways in which automatic coil winding machines improve efficiency is by significantly increasing the speed of the winding process. Manual coil winding typically involves multiple operators performing tasks such as guiding the wire, adjusting tension, and controlling the winding speed. Each of these steps can introduce delays and inconsistencies.

In contrast, an automatic coil winding machine can perform these tasks in real-time, continuously adjusting settings to optimize the winding speed. High-speed motors and precise control systems enable the machine to wind coils faster and more consistently, resulting in higher throughput. This is especially important in industries with high-volume production demands, such as automotive or electronics manufacturing.

2. Improved Precision and Consistency

Precision is critical when it comes to coil winding. Variations in wire tension, layer alignment, and coil size can lead to product defects, poor performance, or even winding equipment failure. Automatic coil winding machines are designed to deliver consistent results by using sensors and advanced control systems to monitor and adjust the process as it unfolds.

For instance, many machines feature real-time feedback systems that continuously measure wire tension and adjust the feeding mechanism accordingly. This ensures that the wire is wound evenly and under the correct tension, preventing issues such as wire slippage or breakage. Additionally, automated layer control ensures that each layer of the coil is placed with precision, minimizing the risk of gaps or misalignments.

By eliminating human error and improving the accuracy of each coil, automatic machines help manufacturers produce high-quality coils that meet tight tolerances, thereby reducing the need for rework or scrapping of defective units.

3. Reduced Labor Costs

Labor costs are a significant factor in coil winding operations, especially in industries that require high volumes of coils. Manual winding often requires skilled workers to operate and monitor the machines, which can be time-consuming and costly. Automatic coil winding machines reduce the need for direct human involvement, allowing for a reduction in labor requirements.

Once the machine is programmed and set up, it can operate autonomously, minimizing the need for constant supervision. This frees up operators to focus on other critical tasks, such as quality control or machine maintenance. Over time, the savings from reduced labor costs can offset the initial investment in automatic winding technology.

4. Minimized Material Waste

Material waste is another challenge in the coil winding process, particularly when using manual machines that rely on human judgment for wire feeding and tensioning. Inconsistent feeding or misalignment of wire can result in waste, as coils may need to be discarded or rewound.

Automatic coil winding machines address this issue by employing precise tension control and advanced sensors that detect any issues in real-time. The system can make adjustments as needed to prevent excessive wire usage or misfeeding, which helps minimize material waste. Furthermore, many automatic machines are designed with splicing features that allow for seamless transitions between wire spools, ensuring continuous operation without unnecessary downtime.

By reducing material waste, manufacturers can achieve higher yield rates, improving overall cost-efficiency and profitability.

5. Enhanced Flexibility and Versatility

Modern automatic coil winding machines are highly versatile, capable of handling a wide range of wire types, coil sizes, and winding patterns. Operators can easily reprogram the machine to accommodate different projects or product designs, allowing manufacturers to quickly switch between various coil specifications without extensive downtime or retooling.

This flexibility is especially beneficial for industries that require customization or short-run production. For example, a coil winding machine used in motor manufacturing might need to produce coils for different motor sizes or configurations. With the ability to quickly adapt to new parameters, the machine can meet the varied demands of these applications, all while maintaining high efficiency and precision.

6. Lower Defect Rates and Improved Quality Control

Automatic coil winding machines are equipped with advanced sensors and automated inspection systems that constantly monitor the winding process for defects. These systems can detect issues such as incorrect wire tension, misalignment of layers, or deviations in coil size, which are often difficult to identify manually. When a potential problem is detected, the machine can automatically adjust or stop the process to prevent further defects.

Additionally, many machines feature integrated quality control features that ensure every coil meets predefined specifications. By eliminating defects at the source, automatic machines help reduce the need for post-production inspection and rework, resulting in higher-quality products and reduced overall costs.

7. Predictive Maintenance and Downtime Reduction

Another important benefit of automatic coil winding machines is their ability to support predictive maintenance. Advanced machines are often equipped with sensors that monitor the condition of critical components, such as motors, spindles, and bearings. These sensors can detect signs of wear or malfunction before they lead to machine failure, allowing for proactive maintenance.

By predicting when parts are likely to wear out or require maintenance, manufacturers can schedule downtime during non-peak hours, minimizing disruptions to production schedules. This level of foresight helps improve overall equipment efficiency (OEE) and reduce the likelihood of costly, unplanned downtime.

Conclusion: The Future of Coil Winding Efficiency

Automatic coil winding machines have revolutionized the coil production process by improving efficiency, reducing costs, and ensuring consistent, high-quality output. With their ability to operate autonomously, reduce material waste, and enhance precision, these machines have become indispensable in industries that depend on coil-based components.

As technology continues to evolve, we can expect further innovations in coil winder machinery, including advancements in AI integration, machine learning, and IoT connectivity, which will continue to drive efficiency improvements and optimize production processes.As industries continue to demand faster, more precise coil production, the question remains: How will future advancements in automatic programmable winding machine technology shape the next generation of electrical and electronic devices, from electric vehicles to renewable energy systems?

[acmeelectronics]

Coil Winding Machines for Small Businesses: Are They Worth the Investment?

For small businesses and startups in industries such as electronics, automotive, and energy, investing in manufacturing equipment like a coil winding machine can be a game-changer. However, for companies with limited capital, such an investment can also seem daunting. In this article, we will explore whether coil winding machines are a smart investment for smaller companies, analyzing the benefits, potential return on investment (ROI), and key considerations.

As small businesses look to scale up their operations, the decision to invest in equipment becomes critical. The winding machine plays a central role in industries requiring precision-manufactured coils for products such as transformers, electric motors, and sensors. But are these machines worth the expense for a small business? Will the benefits justify the initial cost? To answer these questions, we need to analyze the advantages of owning a coil winding machine, the potential for cost savings, and the overall impact on business efficiency.

1. Key Benefits of Coil Winding Machines for Small Businesses

Coil winding machines bring several immediate and long-term benefits to small businesses, from increased production control to enhanced product quality.

A. Enhanced Production Control and Flexibility

Outsourcing coil winding can limit flexibility and slow down production, especially when working with external suppliers. By investing in a winding machine, small businesses can take control of their manufacturing process, allowing them to adjust specifications quickly, meet customer demands faster, and implement custom designs.

Example: A small electronics startup specializing in custom transformers can rapidly adapt production to meet new orders with an in-house coil winding machine, avoiding lead times typically associated with outsourcing.

B. Improved Product Quality

A coil winding machine ensures a higher level of precision and consistency, crucial for maintaining product quality. For smaller businesses looking to establish a strong reputation in competitive industries, producing high-quality coils is non-negotiable.

Example: Companies that manufacture high-performance inductors or solenoids for medical devices can ensure tight tolerances and error-free windings with their own machine, reducing the risk of defects and product failures.

C. Cost Savings Over Time

While the initial investment in a coil winding machine might seem substantial, it can lead to significant long-term savings. By eliminating the need for third-party suppliers and minimizing transportation costs, businesses can reduce operating expenses. Additionally, in-house winding offers the ability to cut costs on small-scale or custom projects, where outsourcing may be more expensive.

Example: A small electric vehicle (EV) startup that produces its own motor windings in-house avoids costly outsourcing fees, particularly for low-volume production runs.

2. Analyzing ROI: How Long Until You See Returns?

When considering whether to invest in a coil winding machine, ROI is one of the most critical factors. The decision-making process involves analyzing how long it will take for the savings and benefits to outweigh the initial investment cost.

A. Initial Costs vs. Ongoing Savings

The cost of a coil winding machine can vary greatly depending on the complexity, type (manual, semi-automatic, or fully automatic), and the production requirements. For a small business, a high-quality semi-automatic machine may offer the best balance between cost and functionality. While initial costs may be high, the savings on outsourced winding services and the added efficiency of in-house production often lead to a favorable ROI over time.

Example: A small electronics manufacturer purchases a semi-automatic winding machine for $25,000. If they were previously outsourcing production for $2 per coil and producing 20,000 coils annually, the cost savings would amount to $40,000 per year. With this calculation, the business would see a return on its investment within the first year.

B. Long-Term Profitability

Apart from cost savings, the ability to meet deadlines more effectively, respond to custom orders, and enhance product quality can have a positive effect on profitability. In industries where quality and precision are valued, owning a coil winding machine can differentiate a small business from its competitors.

Example: A custom electronics business that can offer faster lead times and higher precision windings compared to competitors can gain an edge in securing new contracts, boosting revenue.

3. Key Considerations Before Investing

Before making the decision to invest in a winding machine, small businesses need to consider a range of factors to ensure the machine fits their specific needs and capabilities.

A. Production Volume and Frequency

The most important factor to consider is whether the production volume justifies the purchase. For businesses with low-volume requirements, outsourcing may still be more cost-effective. However, for those with consistent or growing demand, in-house production becomes more attractive.

Tip: If your production volume fluctuates, consider machines that offer flexibility in handling different coil sizes and specifications.

B. Technical Expertise and Training

Operating a coil winding machine requires technical expertise, particularly for semi-automatic or fully automatic systems. Small businesses may need to invest in training their employees to operate and maintain the machine effectively.

Tip: Ensure you have the right training resources or service contracts in place to avoid operational delays due to machine downtime or technical issues.

C. Future Growth and Scalability

If your business plans to expand its operations or diversify its product line, investing in a versatile coil winding machine that can grow with your business is essential. Machines with modular features or upgradability options can save costs in the long term by allowing for scalability without requiring additional investment in new equipment.

Tip: Look for machines that offer software upgrades or modular components to future-proof your investment.

Conclusion: Is a Coil Winding Machine Right for Your Business?

For small businesses looking to gain greater control over their production processes, improve product quality, and realize long-term savings, investing in a coil winding machine can be a smart move. However, the decision hinges on factors like production volume, technical expertise, and future scalability. While the initial investment may seem steep, the potential for increased efficiency and higher profitability makes it an attractive option for many small businesses.

The question is: Does your business have the volume, growth potential, and expertise to make the most of this investment?

[windingmachines]

Semiautomatic programmable coil winding machine - Synthesis Winding

Synthesis offering Smart Winder range of versatile & user-friendly Semi-Automatic Winding Machines is available in several configurations, offering optimum and comprehensive winding solutions based on coil complexity, size, and productivity; leading to minimum start-up time and cost-effective solutions.

[beatleskinkmeme]

Paul has been working at Massey and Coggins for weeks and John can't stand it any longer so he gets a job there too - competing to be the best coil winder and sabotage ensues

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[bambi-kinos]

excerpts from the McLennon server (hamburg part 2)

Thank you everyone for your patience. This is Part Two of the ongoing Hamburg Conversation from the McLennon server. Part One is here: https://www.tumblr.com/bambi-kinos/718114537612656640/excerpts-from-the-mclennon-server

In Part Two of the Hamburg Conversation we discussed the 1960 trip from Paul’s POV and why he abandoned the Beatles to get a job as a coil winder. This goes into Stuart and Klaus and the Exis, plus how Paul reacted to John’s mind games where he pitted his loved ones against each other. Much has been made of John in Hamburg and how it connected to his later patterns but very little discussion of Paul comparatively.

This conversation was much messier as it spanned several days. We used Discord’s “reply” feature liberally. Sometimes you will see disparate time stamps; this is because I decided to pair the replies with the original comments they were replying to for the sake of readability. Please let me know if there are any confusing points where this doesn’t work and I’ll do my best to clarify the conversation. 

***

Leggy「little love of mine」 — 05/07/2023 11:02 PM I am back on my bullshit about Hamburg again. this period is just super fascinating to me because of all the possibilities and the way things happened the way they did

I also want to understand why Paul chose John when the first Hamburg trip really sucked in a lot of ways and it could easily have ended with them going off to do something else.

in the beginning John helped Stuart bully Paul and he ostracized Paul from the group via the Exis (apparently deliberately? I go back and forth on this all the time, because I wouldn't put it past John to do it on purpose... but then again his MO was to get enamored with something new only to eventually drop it and snuggle up to Paul again so John probably didn't see it that way?) But once all of that was over and they were back in Liverpool, John tracked down Paul and he had to do a lot of shitwork to get back into Paul's good graces again.

Paul found a job at his dad's behest but I don't think he would have continued with the Beatles if John hadn't come to fetch him. John did something really smart when he came to fetch Paul from the yard where Paul was working: he brought George. First he had to tell George "yeah I'm back" but then he brought George with him to ask Paul to come back. Smart. Strength in numbers. Shows that he's serious and it doesn't look like he's begging because he brought another band member with him.

but Paul didn't leave that job immediately. It took months for Paul to fully come back to the Beatles. John eventually had to give him an ultimatum. I think after the experience of Stuart and the Exis and the group bullying, I think that those months were John working his way back into Paul's good graces again. And eventually Paul forced John to prove that he still wanted Paul, in a way. Earlier when we talked about this Betty made a really good point that Paul was the one fighting for the music, like John was. Stuart met Astrid and John let him go because he knew Stuart was already choosing Astrid over him so it was better not to fight it. But that period after John came back... that's fascinating. John recuperated for a while by not telling anyone he had come back. Paul got a job (and it sounds like he didn't need a lot of pushing) and I think it was because he might have been preparing to leave the Beatles thing behind completely.

Like I think Paul came back to Liverpool thinking that he and John were not friends anymore. IMO Paul carried the memory of the experience with the Exis around and that he remained distant from them forever.

Funnily enough, Paul has turned out the real black sheep of the whole trip. Everybody hates him and I only feel sorry for him.” — Stuart Sutcliffe in a letter to Rod Murray, late 1960

Leggy「little love of mine」 — 05/07/2023 11:09 PM I mean look at that. Look at the sheer petty contempt in that quote + the caricature. That's something else man. There's no way Paul doesn't carry the memory of that with him. And I think its present in the Revolver cover as well. Look at how Klaus portrays Paul:

I think Paul looks off to the side because that's all Klaus really gets out of him. We all know what it's like to be treated in a crappy way by friends-of-your-friends and I've said before that I think the first Hamburg trip is where a lot of John and Paul's patterns got solidified. So Paul isn't friends with the Exis, even in 1966, because he remembers who Klaus is and who he hung out with and I think those memories are very painful for him. He holds on to them. Maybe not grudges but he holds onto that pain. (And I mean, that's fair. I still remember my elementary school bully and if she were on fire in front of me I wouldn't even take a whizz on her.)

Klaus only ever saw Paul's profile... if they don't meet your eyes do you really know them? John rarely met Yoko's eyes in public I notice, whereas he was constantly diving into Paul's.... right up until that photo from the Lost Weekend where he's turned as far away from Paul as he can get... So Paul's profile being the thing Klaus drew speaks to the distance between Paul and Klaus... and Paul and the other Beatles. Even among other misfits, Paul doesn't fit in. In a lot of ways Linda was the only one who could accept him for his true self even if there was a lot of nastiness underneath that.

I think the 1966 cover is indicative that Paul held Klaus at a distance, even then. Klaus saw Paul's loneliness in Hamburg and how this made him bitter, apparently doesn't empathize with it very much since he played on HDYS.

If Klaus had tried to make friends with Paul as adults, he would have run full into the Wall. There's no way that Paul McCartney would be friends with someone who drew a caricature of him like that when Paul was friendless and in pain and the only thing he had was music and girls.

And I understand that Hamburg was full of psychosexual drama from 18 and 20 year olds, but I think that its significant because of how Paul got frozen in time due to the fame thing, struggling to grow up, suffering from a kind of Peter Pan syndrome.

So I find it interesting that... Paul got a job after Hamburg. I don't think John would have had to show up with George on Paul's lunch break and essentially beg him to come back if Paul had been gung ho about the Beatles. John had to earn his way back into a friendship with Paul. It took months for Paul to give up the job and join the Beatles fully, John remembers it as a "long trip."

There's another recollection that when John finally gave Paul the ultimatum that Paul bounced into the Cavern -- what if this is Paul being happy that John chose him, that John cared enough to give Paul an ultimatum?

John remembers it as a custody battle between him and Jim where he fought Jim for Paul's attention... but what if Paul saw it as something else entirely?

Leggy「little love of mine」 — 05/07/2023 11:20 PM Like, Paul got a job after Hamburg. He didn't know that John was back in town. I don't think we know when John told him that he was back. I think Paul got a job because he thought that he and John were not friends anymore after his experiences in Hamburg and the last thing he expected was for John to show up and nag him about coming back. I think Paul was convinced that John would go all in with Stuart and the Exis or that they were a sign that John was done with Paul completely. He didn't understand that John was watching Paul the entire time they were in Hamburg, watching Paul be in the filth with him, taking the pills and dealing with the gangsters and living for the music in a way that Stuart never could.

And from Paul's POV, the long stretch of months between John finding him at the spooling yards to beg Paul to come back, and Paul being given an ultimatum that he needed to choose between his job or the Beatles -- I think that period was Paul waiting to see if John really loved him/was really wanting to be Paul's friend or not.

BRrraCKets! — 05/08/2023 4:56 AM Paul doesnt suffer fools gladly, he called out the Exis on some of their bullshit and they didnt like it. They also took to Stuart and I would imagine it was a case of if your friend doesnt like someone then they dont either. Ive always felt that Klaus didnt like Paul, most of his drawings of him arent very nice, theres an odd one thats ok. That Revolver cover has always irked me with how hes drawn Paul compared to the others. I like your take on it.

Leggy「little love of mine」 — 05/08/2023 5:01 AM Do you remember the details on Paul's interactions with the Exis? I don't remember that from Tune In.

That's a really good point about Stu not liking him so the others took the lead from him, oof.

I think Klaus may have (hopefully) chilled out on Paul since then but yeah, I don't think they're really friendly towards each other. Maybe "dislike" is too strong but they only ever had John and Stu in common and, well. Paul never let Klaus in.

BRrraCKets! — 05/08/2023 5:04 AM Ive read of it somewhere but cant remember where!  It was just a sentence or two.

Leggy「little love of mine」 — 05/08/2023 5:04 AM Probably a Paul bio of which I am reading McCartney Legacy

we'll have to wait for Betty to wake up

BRrraCKets! — 05/08/2023 5:45 AM I wonder, when Stuart left the Beatles, did Klaus hope to take his place on the bass. Paul stepping in would have been another reason to dislike him.

Leggy「little love of mine」 — 05/08/2023 5:47 AM That's an interesting idea. No clue but maybe that's an angle....

Morrigan — 05/08/2023 6:16 PM He did. I believe he says it in his memoirs, but also in an interview about the book in 2001. He said he asked John, but it was too late; Paul had already taken up the bass

Even if that had happened, I don’t think Klaus would’ve fit in, them all being from Liverpool and Klaus being German (I’m half-German, I can say that lol)

Plus he came from a very rich (diamond mines etc) background..sure, his family lost everything in the war, but some of the posh attitude was still there. And despite being fascinated by it, he didn’t consider rock n roll “real” music

Leggy「little love of mine」 — 05/08/2023 7:19 PM did not know this about Klaus, huh

Morrigan — 05/08/2023 7:24 PM He talked about his grandfather being this fabulously rich eccentric

Leggy「little love of mine」 — 05/08/2023 7:25 PM huh! i need to check his stuff out then

Morrigan — 05/08/2023 7:31 PM It’s in this German interview

https://www.sueddeutsche.de/kultur/im-interview-klaus-voormann-ich-waere-besser-gewesen-als-paul-1.432929

With the provocative headline “I would’ve been better than Paul”

Apple_Scruff — 05/08/2023 5:48 AM Paul playing based has always sounded like a forced thing out of desperation.

I doubt he would have agreed to switch to bass if Klaus was offering.

Leggy「little love of mine」 — 05/08/2023 5:51 AM Agree but....he may not have liked it if Klaus offered since he was so pushy about Stuart's playing.

BRrraCKets! — 05/08/2023 6:14 AM He didnt want anyone else muscling in. The group nucleus was set. His guitar was shot, he was filling in on piano, a bit of bass when S couldnt be arsed to show up, what else was he to do when G&J downright refused to take it on. Theyd gone home by then too.

mynamesbetty — 05/08/2023 7:50 AM unfortunately I can't think of anything like that in what I've read, I'll take a look at Tune In and the other Paul bios I have later We know that Paul is willing to ice people out when he feels they aren't working out for him as friends/collaborators, and after months of doing the most for the group and getting shat on  by his songwriting partner and the Exis he was probably thinking "fuck it, I don't need this treatment" and got a job to start separating himself from the group

But John knows by now that Paul is his golden ticket and he has to get Paul back, so once he gets over the self-pity of leaving Hamburg in disgrace and works up the courage to ask Paul to come back, he brings George along to present a united front

The Beatles first show after coming back from Hamburg was on December 27 1960 at Litherland Town Hall, a few weeks after John arrived back in Liverpool

And I'd bet anything that Paul skipping back to rehearsal all smiles was because he felt like he'd gotten one over on Stuart and the Exis, in a "nyah-nyah he chose me over you (blows raspberries and making wanking motion)" kind of way

Leggy「little love of mine」 — 05/08/2023 8:46 AM yesss perf

And it all worked out for him when John didn't discipline Paul for punching Stuart even tho he most likely lost

He had a good feeling about John making his choice too....

Morrigan — 05/08/2023 10:24 AM According to that interview from 2001, Klaus asked John to join and play bass right after Stu left, but John said Paul had already taken up the bass

Of course, in 2001, Klaus was still speculating what would have happened if he became the 5th Beatle and saying he thinks his bass playing would’ve been better for John’s style in later years

Morrigan — 05/08/2023 10:33 AM That whole interview [Klaus] showed both admiration and, imo, some disdain for Paul (and Paul wrote the foreword for his book, I believe) In that Interview he also vehemently denies anything sexual between John and Stu

It’s a fascinating period. I believe I read John was back in Liverpool anywhere from 10 days to three weeks before contacting George and Paul Which means he couldn’t have been to any of their usual hangouts

Leggy「little love of mine」 — 05/08/2023 10:36 AM lol lmao

>better for John's later style >john and stu had nothing sexual going on incredible. so many things wrong

Leggy「little love of mine」 — 05/08/2023 12:01 PM John periodically took time off to recharge, it was one of his quirks/needs.

Morrigan — 05/08/2023 10:45 AM I thinks it’s still a bit of envy…everyone who got close to the Beatles and thinks “what if”

To be fair, he did admit that Paul was instrumental in making the Beatles famous, because “John wasn’t a frontman” and Paul was the only professional of the group

But you can read between the lines that there is disdain there for the Beatles’ early sound and Paul was a “charlatan”….the PR man

Morrigan — 05/08/2023 10:58 AM It’s interesting that John said the way he felt after he came back after Hamburg was similar to how he felt before Paris 1961…but time he wanted Paul to be there

Leggy「little love of mine」 — 05/08/2023 12:09 PM and Paris 1961 ended up being a two week period of great renewal and joy for John, all because of Paul. No wonder he tried to recreate it with Yoko.

louiselux — 05/08/2023 11:41 AM It’s such a fascinating period! In the breakup Paul must’ve recognised some of John’s behaviour from back then. Dropping Paul and replacing him with someone else who is more arty and special. John may have been being tactical about it back then, maybe playing Paul and Stu against each other,  waiting to see where the nexus of power/talent/ambition lay, and therefore his future. Paul wouldn’t have appreciated that at all, like who would? Also John must’ve known the power he had over Paul, and vice versa, in any number of ways inc sexuality, attraction, love, obsession. That cartoon by Klaus is so deeply unkind, coupled with Stu’s letter. You have to wonder what Paul was like with them, and what all of their behaviour was like on the daily.

louiselux — 05/08/2023 11:51 AM But it is so interesting that Paul got a crappy job on the lorries, John ignored them all for weeks, and Stu was never coming back to the band. Because the gig they subsequently did that Christmas at Litherland Town Hall was where they realised how good they were compared to the Liverpool bands, and how vastly exciting the public found them. So back from Hamburg they obviously collectively didn’t know where they were going or what they were doing, or even if they were a band. I wonder just how much persuasion had to go on on John’s part to get back in with Paul. A lot of charming, a lot of fuss and attention, persuading, light grovelling

Leggy「little love of mine」 — 05/08/2023 12:18 PM in Tune In there's a lot of quotes from George about how they felt they had a lot of talent compared to the other bands, even when they were JaPaGe and they didn't actually warrant the confidence. I think for them they were seeking energy, technical ability, and stamina which Hamburg earned them in spades and brought their talent up to their expectations at last.

Morrigan — 05/08/2023 11:57 AM Definitely shades of Yoko/John later on…Paul probably hoped/thought that would play out the same way as Stu.

But we also get so many contradictory stories out of Hamburg, like John claiming he and Paul bullied Stu and afterwards felt bad about it John turned away from music after Julia’s death and turned to drink and rage,  it also kinda to Stu and art..only Paul’s persistence in pursuing John (for the band, for himself) turned that a bit back around.

I always wonder if at that point, John wasn’t getting from Paul what he really wanted, also there was still the age gap.. Stu was older, maybe came across as more mature and adventurous

Even George, I believe, said with Yoko, John was trying to replicate what he had with Stu.

Leggy「little love of mine」 — 05/08/2023 12:20 PM Yeah. its a conundrum about what that means. Did John actually feel bad after bullying Stu or did he only feel bad because then Stu died and he did some self reflecting?

Paul was very instrumental in helping John cope with losing Julia, to be fair. Paul is cited by many outsiders to be the only one who never lost his patience with John even when he was being a public embarrassment or acting violent and cruel. my personal take is that Paul is the one who cleaned John up and made him fit company for Stu and Cynthia and otherwise they would have both run away from John..

louiselux — 05/08/2023 12:01 PM That is completely fascinating to think of Yoko as a Stu replacement.

Morrigan — 05/08/2023 12:03 PM Yoko’s comments how John talked about Stu every day and how he was the best friend he ever had…I always thought she did that hurt Paul. And also, Stu died so young, I can believe John put him up on some untouchable pedestal that wouldn’t have survived if Stu had lived

louiselux — 05/08/2023 12:04 PM Agreed. You have to wonder what Lennon/McCartney would have been like with a Sutcliffe in the mix. Maybe not that different, possibly. Because Paul grew in confidence and became endlessly bold and weird

louiselux — 05/08/2023 12:08 PM Yoko likely said a lot of things with the intention of hurting him

Leggy「little love of mine」 — 05/08/2023 12:08 PM A lot of people who were John-oriented have this complaint, that they think Paul was somehow "fake" just because he's good at selling and connects with an audience. IMO it always says a lot more about the complainer's personal issues with Paul rather than it being a legitimate criticism. Klaus doesn't like Paul because Paul cut the Exis down to size and Stuart apparently overtly hated him, then Stuart died and Paul took over the bass position which Klaus apparently asked for himself (‼️) and then Paul had the nerve to go swanning all over the world getting famous for being John's creative partner.... and no matter what Klaus says, he has eyes, he knows how John looked at Paul and what that meant.

It's just another case of someone being bitter because of Paul's success. John used Klaus as a bassman on HDYS the recording that Ringo walked out on but George did not.

Leggy「little love of mine」 — 05/08/2023 12:16 PM It being John looking for a potential future, that's an interesting idea. I think at that point John had kind of given up on that since he had been kicked out of art school by that point or was on his way to doing it. Music became his life because it kept his attention and he loved it -- he told a girl he was dating at the Cavern not to screw up her placement at art school the way he did. I don't know if he had high expectations for himself there -- what did John think of his heart? was he actually proud of it?

Paul said that he'd sometimes gang up on Stu with John as well as vice versa so I think it was definitely a case of John pitting them against each other to make them compete for the Best Friend spot. But then when Paul was deported he got a job instead of crawling back to John.... very reminiscent of the break up. Paul would fight for John but once he perceived he lost (Stu, Yoko) then he was perfectly capable of cutting John off. Paul is sensitive to being mistreated.

this is all speculation but I think that first trip was hard for Paul. He was lonely, he wanted John's attention, probably acted out and then got mocked and jeered at for it.

So he paid women to pay attention to him and then he was attractive and treated them decently which made him popular so while John is enjoying Stu's company and hanging out with the Exis, Paul simply hides in women and practices his guitar.

We have seen this before.

Leggy「little love of mine」 — 05/08/2023 12:21 PM John wanted an equal and Paul just wasn't it, even if they had chemistry. John didn't take Paul seriously until Hamburg in 1960 when he watched Paul become a man and watched him be furiously independent no matter what slings and arrows he took.

But Stu was patient and was able to meet John on a different field with Art, and John needed that very much. Paul was too young for what he wanted in a very real way.

with a Stuart that lived, I think Paul would have been pushed to make a public declaration to John instead of waffling forever. Stu was Paul's only serious competition.

louiselux — 05/08/2023 1:31 PM I think so too! Something would have had to give, because John could have gone running off to Stu at any moment

Morrigan — 05/08/2023 1:33 PM I do wonder about that scenario. It looked like John had accepted that Stu was off with Astrid. And the Paris honeymoon happened while Stu was still alive. It seems like J and P had cemented and defined their relationship

Now if Stu and Astrid didn’t last and Stu came back to Liverpool at some point…

He may have always been hanging around in the background…or maybe not.

mynamesbetty — 05/08/2023 2:04 PM John praising Paul's abilities as a bass player in 1980 must have rankled him lol, he said Paul was one of the most innovative bass players in rock

mynamesbetty — 05/08/2023 2:27 PM addendum: The Beatles with Chas Newby on bass played the Casbah on December 17 1960, we regret the error

Morrigan — 05/08/2023 2:36 PM Good! I hope it rankled

Leggy「little love of mine」 — 05/08/2023 3:35 PM Stu had no future in Liverpool and he knew it. His application for a position at the Liverpool art college was rejected and he had a great apprenticeship going with an older German artist who recognized his talent. Stuart had no reason to back to Liverpool except to visit. I also think that Stu found his person in Astrid and their relationship would have worked.

I think the greatest threat to Paul would not be Stu's presence but what he represented in John's life: a peer who had a profound hold on John in an avenue that Paul wasn't confident about competing in. I think Paul would be very worried about John going back to Stu for sure, because he can't help being insecure about their relationship.

I think, to this day even since John is fucking dead, Paul is still worried that he will make John disgusted or bored and that John will leave him again. Irrational? Yeah. True? You bet.

I think a timeline where Stuart lives would force Paul into a corner: either he breaks the relationship or he takes a leap of faith.

Leggy「little love of mine」 — 05/08/2023 4:01 PM if anything else, this fundamental fear of Paul's would be the driver to any action Paul took regarding John in a timeline where Stuart lives. The deathly fear that Stu will take John away from him, again... Stu didn't have to be present in Liverpool, his specter would hang over everything.

Morrigan — 05/08/2023 4:25 PM I can completely see that. And totally agree on Paul’s fears until this day.

I just wonder if Stu would’ve kept this idealised spot… or if he would’ve pissed John off some point like a lot of people did, which led John to cutting him off.

Or, I guess, John could’ve remained loyal to him like he did to many old friends (at least until New York) and maybe got him to do cover or promo art for The Beatles. Can you imagine?!

Stu was so very young; it’s difficult to say what could’ve happened

Misery — 05/08/2023 4:30 PM God and the thing with Paul in Hamburg too is like

Here’s this high strung cash strapped teenager. Now we’re going to take him to a foreign country, get him addicted to amphetamines, and completely abandon him for a “cooler” friend group. Wait, why is he being so annoying?????

Like, the exis loved George, and Pete was just doing his own thing because he was so independent from the rest of the group, meanwhile Paul is all of a sudden entirely friendless for seemingly no reason, and the things that he was doing back in Liverpool are suddenly seen as annoying and stupid, and he’s being ignored left and right.

And obviously the huge caveat for the drama in Hamburg is of course that they were all idiot teens/barely adults, who had suddenly been thrust into a new stressful circumstance, so no wonder they all went insane a little bit.

Like you’ve all said it’s something that time/stu living would change a lot, but that wasn’t meant to be

Morrigan — 05/08/2023 6:24 PM I really feel for Paul during that trip. I think we can kinda guess what he was feeling, but I can’t get a real read on John at the time.

Leggy「little love of mine」 — 05/08/2023 7:24 PM Yeah, John is a real enigma here. He was very close mouthed about this period aside from some little things. Presumably because it's too painful with Stuart's death. Or maybe he just didn't care because the whole thing didn't have the same weight for him as it did for Paul... or he was too ashamed to talk about it....

But John not caring seems very unlikely since Hamburg 1960 is where he came out even more insane about Paul.

Morrigan — 05/08/2023 7:33 PM It might’ve been the drugs, his sexual explorations, mental health issues..but it is interesting he didn’t really talk about that period… Maybe too painful because it was the real start of them as The Beatles and he really missed it

Leggy「little love of mine」 — 05/08/2023 7:38 PM ouch

this is a big part of it i bet

mynamesbetty — 05/08/2023 8:04 PM Tune In, written by the king of the Paul haters, pg 374-5

Many Years From Now, pg 64-5

Leggy「little love of mine」 — 05/08/2023 8:06 PM the amount of seething contempt for a lonely 18 year old in these paragraphs, astounding

Morrigan — 05/08/2023 10:26 PM And I don’t think we can 100% trust Stu’s view of things either. That’s maybe how he wanted things to be. I’m not saying Paul didn’t have a rough time, but Stu may have embellished somewhat in that letter (because he also knew how important Paul was to John ultimately)

Leggy「little love of mine」 — 05/08/2023 10:54 PM Yeah. It occurs to me (like now, as I'm writing this) that Stuart was probably venting in that letter. I don't think he liked Paul at all but that's a lot of hatefulness in one sentence and I really dislike the idea of John deliberately tolerating someone who overtly despised Paul that much. John was an asshole at times but I struggle to imagine him encouraging that level of antipathy. So hopefully it wasn't quite that bad for Paul.

louiselux — 05/09/2023 3:12 AM Also him thinking that a letter from anyone reveals ‘the stark truth of the matter’ rather than just another pov on a situation. Mehhhh. I didn’t know that about Klaus asking to be the bass player. He seems to be a person who was used to getting what he wanted, being rich and pretty, and is it possible that he resented Paul for taking a place in the Beatles/John’s friendship that he thought should have been his?

louiselux — 05/09/2023 3:26 AM The situation is weird and so opaque. I doubt John ‘hated’ Paul, as Stu put it, because why would he suddenly hate him after being so close? But John might’ve loved being accepted as a part of the new exciting clique and that might’ve trumped everything else for a bit. John was obsessed with having his gang. It feels like a lot of heightened teenage dynamics we’re going on.

Leggy「little love of mine」 — 05/09/2023 9:23 AM thinking that the letter holds some objective truth is a classic mistake that Lewisohn makes all the time, because its easier than accepting that there were multiple POVs on what happened. Lewisohn thinks he can flatten everything and that there's an objective "truth" to discover and present (courtesy of him naturally.) It's just dumb no matter what. One of the first things I was taught about historical study was that primary sources are king because multiple POVs proliferate. It was Paul who compared Beatlemania to an earthquake and how different stories sprout from it and they're all true.

I wonder how much Klaus was shitposting or trying to grab attention via headlines with claims like that. I would be very surprised if John gave serious consideration to Klaus joining the band, Paul was already a sure thing and he clearly wasn't going to be happy with anyone else playing bass. I hope Klaus didn't actually think he had a shot, it just makes no sense for Klaus to join the Beatles from any angle.

If he really believed that he had a shot at joining the Beatles and Paul somehow stood in his way.... then uhhhh what the heck lmao

Leggy「little love of mine」 — 05/09/2023 9:34 AM This seems very likely, good insight. Makes me wonder if John staying friends with Paul might have rankled Stu as their rivalry increased? "Don't worry Rod everyone else totally hates him here but I only feel sorry for him."

John liked new experiences and getting swept away with things so its not surprising that he got enamored with the Exis. They were arty, new, and offered a fresh POV for him to see the world. Anyone would be intrigued by such a friends group. The fact that they were happy to be dominated by John and enjoyed Stuart (especially since Stu and Astrid hit it off!) probably makes it inevitable that someone would end up on the outside and that someone was Paul.

1960 John especially would be feeling his adolescent insecurities very hard so he'd naturally want the Exis as under his thumb as he could get them. I wonder if Stuart also enjoyed being controlled that way? I don't actually know how independent he was of John compared to Paul. (Tho no one ever matched Paul in sheer tenaciousness when it came to escaping John's gravity well.)

The pills, alcohol, and sleeplessness would naturally exacerbate all this.

Morrigan — 05/09/2023 10:49 AM Maybe I’m being too judgmental when it comes to Klaus; it’s hard to judge his tone in written form. Maybe he sounded self-deprecating when answering, but I was surprised that 40 years on (at the time), instead of just saying “it’s tantalising to imagine me being part of the Beatles, but nah they were perfect they way they were and I’ve my own life”…he actually still brings up how his bass playing could’ve maybe been better for the band at some point.

To be fair, he also says Beatlemania wouldn’t have happened without Paul (his looks, his professionalism) , and that Klaus himself maybe wouldn’t have had the necessary charisma

Morrigan — 05/09/2023 10:53 AM Totally agree with this. It was a wild few months; them also being away from home for the first time as well (and in a very strange environment). So many outsiders have described the bond they had before Hamburg, how Paul seemed to make John come alive etc; they already had a solid foundation. I don’t think anyone could’ve muscled in there permanently

Leggy「little love of mine」 — 05/09/2023 12:29 PM We don't know much about him so its hard not to give him side eye sometimes lol. Ultimately Klaus seems grateful for what the Beatles did for him and how he got to have a place in history thanks to them. I wouldn't necessarily label him negatively since he seems content with his lot and has gotten to make a lot of great art over the years. He likes his niche.

Otoh its still really weird that he's apparently still maintaining a delusion about being a potential Beatle. IMO it once again says more about his relationship with Paul than anything else. Paul is the bedrock of the band and without him, there are no Beatles. Lots of people resent him for this, even other Beatles. I would bet Klaus, like many, is pulled in by John's charisma, values George as a friend, and resents/resented the fact that he couldn't get closer to them because Paul filled that space. "If I was in his place then I could be with George and John all the time and we'd be even better friends. What's so special about Paul's bass playing anyway? I'm just as good." That's the kind of resentment that sticks with you when you have famous friends i guess.

But it also misses the point and the importance of Paul: Paul's bass playing was creative and innovative. He brought new sounds into the band. He also had the energy to get them over their creative humps to deliver material for new records and consistently hit their deadlines. Paul wasn't just "the bassplayer." He was John's everything, the one who delivered results, and the one who made the records work for the Beatles. If Klaus was really as good as he thinks he is then John would have made him a fixture during the solo years. But John didn't do that because Klaus is no match for Paul's ability to consistently deliver results.

I suspect Klaus knows this or he wouldn't admit to Paul's success like that. But its probably very hard to be close to the Beatles because you would naturally want a piece of it.

Leggy「little love of mine」 — 05/09/2023 12:32 PM

So many outsiders have described the bond they had before Hamburg, how Paul seemed to make John come alive etc; they already had a solid foundation. I don’t think anyone could’ve muscled in there permanently

An extremely vital point and probably the ultimate root of the resentment surrounding Paul during that time (or any other time). No matter what they did or where they took him, John still wanted to return to Paul.

There is something special and unique about Paul that had John loving him deeply and to the exclusion of others. Even back then.

mynamesbetty — 05/09/2023 2:00 PM I'd just like to add that re: drugs, Paul was wary of the Prellies and usually stuck to one a night, where John was eating them like candy Paul had already shown reticence towards drugs when he refused to partake of chewing the benzedrine cartridges inside nasal sprays back in Liverpool, so that's another aspect of the "Paul's not as cool and worldly as the rest of us" ganging up on him

Morrigan — 05/09/2023 3:04 PM And then that of course carried over to Paul not wanting to try acid at first

Leggy「little love of mine」 — 05/09/2023 3:04 PM Yeah... so Paul was often on the outside that way too

Morrigan — 05/09/2023 3:07 PM I wonder if John saw that as Paul keeping a part of himself back; of not totally committing so they could share everything together

Leggy「little love of mine」 — 05/09/2023 3:13 PM That's a big part of it. Tune In says John habitually used Prellies to try to get people to talk to him, he used it as a tool to get people to open up. So Paul dragging his heels and only doing it when he felt like it would be infuriating (and enchanting) to John because Paul was refusing to submit to John's direction and control. Paul could skate on the edges of John's gravity well and refused to get closer until he decided to.

It also may be that John was anxious about doing these things without Paul. He wanted Paul to mirror him very early and Paul's refusal to do so fascinated him especially for those moments where Paul did eventually cave and the mirroring turned out fantastic -- it made the victories sweeter. Pete Shotton said John needed a partner in everything he did, even when he was a little kid, so it was a genuine need in him to want someone like Paul.

Leggy「little love of mine」 — 05/09/2023 3:21 PM Makes me wonder how palpable John's attraction to Paul must have been -- even if he didn't fully realize it in Hamburg yet. I fully believe that there is some watershed moment we don't know about for John realizing how deep his attraction to Paul ran.

Morrigan — 05/09/2023 3:33 PM He said he chose Paul as his partner (in music), but we know it was so much more than that. At some point he realised, ‘this is the one’. If only he’d gotten to write his memoirs…. 😢

BRrraCKets! — 05/09/2023 4:00 PM I wonder if his attraction scared him a little and that’s why he backed right off in that first Hamburg trip.

He had plenty to distract him.

When Paul was deported, John was left behind. He could easily have stayed and pursued something there and kept near Stuart, but he didnt. He went back to Liverpool. Brooded on it for a while, then pursued Paul to get back with him.

Leggy「little love of mine」 — 05/09/2023 4:06 PM I never thought of the possibility of him staying behind with Stu but you're right! oh wow

BRrraCKets! — 05/09/2023 4:06 PM I think that’s when he decided Paul was it for him.

He could have looked at picking up his art again, like Stu did, or music in another band. His heart must have decided on music, but music meant Paul.

Leggy「little love of mine」 — 05/09/2023 4:12 PM oh my god!!!! :sobface:

Leggy「little love of mine」 — 05/09/2023 4:13 PM And also the trauma of Paul being deported... Klaus has a drawing of Paul and Pete being shoved into a cop car, I wonder if John was there if it happened like that with Paul and Pete being taken off the street

Like for John that's another loss but instead of Paul abandoning him that's someone taking Paul away from him

And so he goes home later that week.... and he stays shut up in his room for days... and when he emerges he gets George and goes straight to Paul.....

BRrraCKets! — 05/09/2023 4:15 PM He can’t do it without Paul.

Hahaha in a roundabout way, Paul made John choose between him and Stu, and Paul won!

Leggy「little love of mine」 — 05/09/2023 4:17 PM After all that mess, John really did have a shot to choose Stuart and do art forever, hang out in Hamburg and never go back. Stuart evaded deportation by living in Astrid's house, John could do the same. But John played a few nights alone and then took all the gear back by himself

and then he chose Paul while he was convalescing in his bedroom....

Morrigan — 05/09/2023 5:10 PM I do think that was definitely part of it… but I don’t think it would’ve been that easy for him to stay had he wanted to… Stu was different because he’d already started establishing himself there outside of the band (and he had Astrid and her family, who couldn’t be expected to take on John as well).

John had no money. I believe he continued playing with other bands only to fulfil contractual obligations (?). And he said he was depressed after Hamburg, thinking this was maybe as far as music could take them… to seedy bars in a red light district. Coming back to Liverpool, I wonder what his thought process and state of relationship with Paul was like.

Now in 1961, when he again faces a crisis regarding continuing with music, he obviously chooses Paul…even without the music. Even though they were making decent-ish money in Liverpool by then, John was fed up and wanted to run away (at least for a bit).

I know people say he didn’t take Cyn to Paris because she was busy with school and unmarried couples didn’t really travel together, but I think it was more than that. He’d decided it was going to be him and Paul… in any potential endeavour, even if it wasn’t a band. That carries on through to their later ideas of writing a play, a musical together; and just always writing together

That said, I don’t think he actually wanted to stay in Hamburg

Leggy「little love of mine」 — 05/09/2023 5:59 PM Yeah, John stayed in Hamburg for the contractual stuff. Considering its a port town it would have been easy for him to stay IMO but who knows. I think it does indicate that staying with Stuart didn't cross his mind; if it had and if John had really wanted it, he could have found a way. The fact that he didn't and instinctively went home (to the place where Paul had been forced to go) indicates just how strong Paul's hold on him was, despite John not knowing what he was going to do next.

The depression is just John's pattern I think. He had tall highs and deep lows. John coming back from Hamburg reminds me of reading descriptions of his return home from their tours and how inaccessible he was to Cynthia and Julian because of his profound depression. Hamburg was absolutely similar -- women, booze, pep pills to keep them awake and then it ended traumatically leaving John in a very bleak place. The physical low from coming off all those prellies would be crazy and John was addicted. He may have been going through detox which would destabilize his mental scape. The same thing happened with the tours and the amount of drugs they were doing, particularly the coke, which meant that John crashed after each tour because he stopped inhaling all those drugs.

We can only speculate about his thought process post-Hamburg but John repeated patterns, that was his entire thing. I think looking at the Dakota years could tell us a lot, albeit with the caveat that John hadn't done any "splitting" regarding Paul yet. He probably felt bleak, wondering if there was a point in continuing. He knew there was more pain ahead of him if he continued with the Beatles. John knew they were good and probably realized they were better than their peers but maybe he realized that he might have bungled things with Paul. He's watching the wheels.... Then he ran into George on the street iirc and that's when things solidified for him: he needed music and that meant he needed Paul.

So he takes George with him because he needs the support and doesn't want to appear vulnerable in front of someone he probably knows he wasn't kind to. And Paul holds him at arms length for a while but John is persistent and finally tells Paul that he's not going to settle for being half time anymore, Paul needs to commit to him.

When it comes to Paris and such: Paul, for John, represents renewal and possibility. He renewed after Hamburg in 1960 and sought out Paul for it. He renewed in 1961 and they went on their honeymoon in Paris. In 1980, John was preparing to record with Paul and was actively leaving Yoko.

John's mental aesthetic regarding Paul always contained admiration (and sometimes resentment) for Paul's endless energy and his ability to createcreatecreate. That's an energy that John relied on. He used it emotionally as well as musically.

mynamesbetty — 05/09/2023 7:57 PM and on the flip side we have John unfairly blaming Paul for John's inability to write by accusing Paul of bouncing along and writing like a fiend without thinking about how John was feeling, in the "I was going through murder" period

...and then, much later, John hears "Coming Up" on the radio and something long dormant sparks up inside him

VeggieRavioli — 05/09/2023 9:33 PM I'm soo late to this conversation but I love it! I wanna add my favourite Hamburg era tidbit that's hidden away in a footnote in Tune In, because I think it's really interesting to compare the aftermath of the 1960 first Hamburg trip with the 1961 Hamburg trip. TL;DR Paris was not the only time John and Paul ran away holidayed together in 1961

we all know John and Paul went to visit Betty and Mike in Caversham in April 1960, but Paul has stated multiple times that they took two trips to visit his cousin, the second one travelling down to Ryde on the Isle of Wight. But when did they take this trip? It's referenced in MYFN but no timeframe is given.

Mark Lewisohn proposes that the only obvious window is July 1961, directly after they arrived home from Hamburg - they had nine days off before they were back onstage in Liverpool on July 13. You'd think they would have spent this time kicking back at home after three months away, catching up w/ family and friends.......... but if that were the case, Lewisohn says, why didn't they attend Ringo's massive 21st birthday bash on July 8th?? All the biggest bands in Liverpool were invited, but the Beatles were conspicuously absent.

so if Lewisohn's hunch is correct and they swanned off to Ryde right after they just dragged their exhausted asses back from Hamburg, the implications of that are 👀 !!! bc that means Paul's behaviour towards John was sooo markedly different compared to the previous trip. Paul resigned himself to a shitty factory job in 1960, John had to win Paul back and prove himself to him, the band's future was in limbo..... but HERE, to me it's like 1961 Paul is staking his claim. By immediately taking John on a quick holiday to Ryde, he's actively preventing another post-Hamburg comedown and securing them some 1-on-1 time to re-cement their partnership

especially considering that Paul's tension with Stuart was arguably at an all-time high in 1961 -- they had their fight near the end of that trip, Dot and Cynthia came to visit but John & Cyn actually spent more time with Astrid & Stuart than with Paul..... I can just so see Paul being like :paulbuthehasagun: oh you like the beach John? you went to the beach with stuart? Come to this picturesque coastal town with me right the fuck now you're gonna love it

Leggy「little love of mine」 — 05/09/2023 9:46 PM Veggie I love this connection. you're brilliant

mynamesbetty — 05/09/2023 9:47 PM get your man Paul!!

interesting that Paul made the first move here

Leggy「little love of mine」 — 05/09/2023 9:48 PM

so if Lewisohn's hunch is correct and they swanned off to Ryde right after they just dragged their exhausted asses back from Hamburg, the implications of that are 👀 !!! bc that means Paul's behaviour towards John was sooo markedly different compared to the previous trip.

feral for this

YES.... after all that fuss in Hamburg they came back and Paul pushed John up against a wall and said "you're coming with me now" and john just went "o-okay"

Paul resigned himself to a shitty factory job in 1960, John had to win Paul back and prove himself to him, the band's future was in limbo..... but HERE, to me it's like 1961 Paul is staking his claim. By immediately taking John on a quick holiday to Ryde, he's actively preventing another post-Hamburg comedown and securing them some 1-on-1 time to re-cement their partnership

yes!!! he learned from 1960, he didn't give John a chance to get down in the dumps! he said "let's go on an adventure John!" and he just took him reminding John that this isn't like last time. in short Paul broke the pattern

I can just so see Paul being like :paulbuthehasagun: oh you like the beach John? you went to the beach with stuart? Come to this picturesque coastal town with me right the fuck now you're gonna love it

the jealousy angle at work here. oh my god

mynamesbetty — 05/09/2023 9:51 PM as long as they keep moving John can't sink into a funk which may have further implications re: Paul's work ethic

VeggieRavioli — 05/09/2023 9:51 PM aieeee I'm obsessed w/ it

Leggy「little love of mine」 — 05/09/2023 9:51 PM Veggie you're a genius

Leggy「little love of mine」 — 05/09/2023 9:52 PM john's in a depression? let's do something and distract him from it... 1960? on the rocks, worry and frustration. 1961? "dis mine dis MINE"

VeggieRavioli — 05/09/2023 9:54 PM while they seemed to make a lot of progress in Hamburg RE: trading up to better and better clubs, it really stood out to me in Tune In that after their 2nd trip they just returned to the same old in Liverpool, again - same circuit of halls and clubs, no one on their level, no upward momentum until Brian in November. So I love how John and Paul dealt with this by repeatedly skipping out on commitments when they got bored and goin on trips together

Leggy「little love of mine」 — 05/09/2023 9:54 PM yeah! they decided it wasn't worth their time so they bolted

and they were right too lmao

they wanted to be together instead of playing the same circuit over and over...

VeggieRavioli — 05/09/2023 9:56 PM and then Stuart's writing letters like "they quit the band and went to Paris to play together? I don't believe it..."

Paul's like "you'd bETTER BELIEVE IT BUDDY"

Morrigan — 05/09/2023 9:58 PM Wasn’t it said that Ticket to Ride was inspired by Ryde?

VeggieRavioli — 05/09/2023 9:59 PM yes fs, I think Paul restates this in The Lyrics again too? don't have it in front of me, but yes

VeggieRavioli — 05/09/2023 9:58 PM Oh I thought we’d shared that quote here already but no it’s legit

Leggy「little love of mine」 — 05/09/2023 10:00 PM this is the possessive Paul we need

mynamesbetty — 05/09/2023 10:10 PM Paul stomps in like "he's my soulmate, get your own!" and whisks John off on a road trip

Apple_Scruff — 05/09/2023 10:11 PM Stuart literally having his own soulmate Astrid the whole time: confused

Morrigan — 05/09/2023 10:44 PM People have to had seen the special connection between them…John wasn’t going on trips to Ryde or Paris or Caversham with just George

louiselux — 05/10/2023 3:25 AM So fascinating and such great detective work! I wonder too if Paul thought he might be detoxing John, or whether they both had that in mind? Sun, sea, fresh air, no amphetamines etc, just wholesome British beer lol.

louiselux — 05/10/2023 7:06 AM There's just something so innocent about Paul taking him on a seaside holiday, compared to what they had just been doing in Hamburg, it's so sweetly unsophisticated.

I've been to Ryde. The whole of the Isle of Wight, where Ryde is the main town, is just off mainland UK and it feels stuck about 30 years in the past, so Ryde in the early 60s might've felt very old fashioned indeed.

[mizts-magic-blog]

THE DEEP END

What lies in the depths below?

This weeks randomly selected commander is: Runo Stromkirk//Kruthoss, Lord of the Deep! A little more complex than the last commander, but he still cares about massive creatures! Instead of wurms this time around, Runo likes big sea creatures. Octopi, krakens, leviathans, and serpents all get benefits once he’s flipped! In order to flip him, you have to have a 6+ MV card at upkeep, so this deck is chock full of them, with ways to manipulate your graveyard and library, so you can have them EXACTLY where you want them when you want them there.

FULL DECKLIST

GENERAL GAMEPLAN

Compared to last week’s Baru, Runo has a few more options when it comes to winning. Traditional beatdown via massive creatures to face still works, especially with the size of these sea creatures. You can make them hard to block a number of different ways, whether its tapping opponents pieces with cards like Junk Winder, Elder Deep-Fiend, or Shipbreaker Kraken, you can try bouncing those pieces instead, utilizing Hullbreaker Horror, Brinelin the Moon Kraken or Scourge of Fleets, or even true unblockable with Archetype of Imagination, Thassa, God of the Sea and Serpent of Yawning Depths. If that fails, you can always just mill your opponents out by using Krothuss’ copy on Nemesis of Reason or Fleet Swallower. 

RAMP AND REDUCTION

The creatures in this deck are NOT cheap, and so ramp becomes an important part of getting your gameplan going. The usual artifacts can be found in the deck, splashing in the dimir ones as well. I left out some of the usual black reducers/producers, since the deck is primarily blue cards, but they wouldn’t be too difficult to slot back in in case of any unexpected (and unfound) issues. Another notable ramp piece is Kozileks Unsealing, which gives you two sacrificable mana dorks on a chunk of the deck, while drawing you a large number of cards for several others. High Tide also serves as a one turn ramp, doubling your island output for a single big trick.

DECK MANIPULATION

Since the commander flips on specific cards on the top of the library, this deck has a number of ways to manipulate it. Vesuvan Drifter acts as a nice piece, allowing you to see if you want to try and draw/mill yourself into a better topdeck, while copying creatures off of it in a pinch.  Insatiable Avarice puts exactly what you want directly on top of your library, albeit only at sorcery speed. (I would use Vampiric Tutor as well, but i'm on a budget and its almost 40 bucks for its cheapest print. I would suggest  you use it if you aren’t on a budget like me). A number of Scry/Surveil + draw cards are in here as well, in order to stack the deck in your favor, such as Strategic Planning, Preordain, Otherworldy Gaze, and Opt. Plenty of other card draw is in here, with  Stormsurge Kraken drawing you two cards on block, Military Intelligence drawing you for your attacks, and Ominous Seas giving you some serious bodies after enough card draw.

REMOVAL

With high cost cards like these, the early game can leave you quite vulnerable, especially if you have bad luck with your ramp and draws. Murder, Fell, and similar effects remove key creatures from your opponents fields, while Whelming Wave, Engulf the Shore and similar cards act as mass bounce/removal that acts in your favor. 

SELF MILL/RECURSION

In order to cast your big guys for cheaper, and also maybe thin the deck a little, this list has a minor self-mill/recursion theme. Gyruda, Doom of Depths and Extract from Darkness fill everyone's graveyard, while allowing you a choice pick from any one of them. Persist, Coiling Rebirth, and Victimize can also be used to snag a nice creature (or two) from the yard directly to the field, for various additional costs, and if you need to fill the yard faster, Hostile Negotiations, Buried Alive, and any surveil effects can be used to try and hit ideal pieces.

OTHER CARDS OF NOTE

Hullbreaker Horror, Sol Ring, and Everflowing Chalice combine for infinite mana that can be used, most notably, on the chalice itself, Pull from Tomorrow (for infinite card draw, esp if you want to go for more self mill version of the deck) or Black Sun’s Twilight (for major spot removal + recursion).  Waker of Waves serves two purposes, filling your graveyard for the incidental mill/recursion while also putting cards in your hand. Quest for Ula’s Temple lets you play a creature for FREE once per turn, once her counters are up (which shouldn't be too hard to do, really). The Key to the Vault combines well with the numerous unblockable effects to pop down a big bad for free once per turn as well. Benthic Anomaly is a nice hit, with it providing up to three (potentially) MASSIVE bodies, giving you some nice choices of your opponents creatures while giving them a power and toughness boost. Nadir Kraken, if played early enough, can provide some crucial blockers while growing itself ever larger. Wrexial, the Risen Deep is already hard to block, and casts choice instants and sorceries from your opponents graveyards when it connects.

FINAL NOTES AND CONSIDERED CARDS:

Runo Stromkirk//Kruthoss, Lord of the Deep was selected at random using a complicated method (wheel spins and random number generators. This deck is built using primarily my own knowledge of cards + my raw scryfall ability. Combining these factors with the attempted $150 budget, there are likely a number of cards not in here that should be, due to budget concerns, my own incompetence, or my failure to understand a mechanic/interaction. I ask that you give me some grace, as I learn more about magic and how to better build decks.  I’ll be honest, I’m not confident about this decks mana base. I’m not convinced i have the desired blue to black ratio, but it seems to have worked in my tests. I feel the removal/interaction could also be more plentiful, but again, the deck seems to have performed well enough. I believe that if you do need more removal, the self mill cards should be able to be pulled out to make room for them. Regardless, I like the deck. Some of the most immediate changes I would suggest for a non budget version would be probably more dual lands, especially the dimir shock and surveil lands. Thassa's Oracle would be slotted in if not for the 30 price tag. Other cards worth considering would be Roaming Throne, for extra triggers off of Runo/Krothuss, Titan of Littjara should provide lots of card draw as well. Other than that, the changes would probably just be switching out sea creatures as you deem fit.

[swisherguitars]

Single coil pickup, 6800 winds. . . . . #guitar #pickup #winder #electricguitar #luthier #luthiery #guitare #wood #heystewmac #woodworking #guitarbuilder  #luthierie #handmade #swisherguitars #bass #boutiqueguitars #guitarmaker #handmadeguitars #customguitars #guitarporn (at Arizona) https://www.instagram.com/p/CmWmmlmrWmo/?igshid=NGJjMDIxMWI=

[hypnosiacon-archived]

i have no idea what a coil winder is but!! that sounds awesome!! :D

WHEEZE NO ONE KNOWS WHAT A COIL WINDER IS FL;KDS;AD /NM

[gdgwatches]

Self Winding Watches

Self-winding watches, also known as automatic watches, are marvels of horology that power themselves through the natural motion of the wearer’s wrist. Unlike manual watches, which need to be wound by hand, or quartz watches, which rely on a battery, self-winding watches operate on a mechanical movement that winds itself as you wear it. This innovative mechanism not only enhances convenience but also preserves the traditional craftsmanship and elegance that many watch enthusiasts cherish. Here’s a deeper look into how self-winding watches work and why they’re a worthwhile investment.

How Self-Winding Watches Work

At the heart of a self-winding watch is a small, semi-circular weight known as a rotor. As the watch moves with the motion of the wrist, the rotor spins and transfers energy to a mainspring, which is a coiled spring inside the movement. This spring stores the energy and then releases it in a regulated manner, powering the gears that drive the hands on the watch face. The steady release of energy allows the watch to keep time accurately. Most self-winding watches also have a power reserve, which is the amount of time the watch can keep ticking when not being worn, typically lasting between 24 to 80 hours.

One advantage of self winding watches is that they require minimal intervention to keep running. If you wear the watch regularly, it should stay powered without any manual winding. However, if left unworn for an extended period, it may stop, and a few gentle shakes or manual winding can start it back up.

Key Benefits of Self-Winding Watches

Maintenance of Traditional Craftsmanship: Self-winding watches preserve the art of mechanical watchmaking, with many components meticulously assembled by hand. For many collectors and enthusiasts, this craftsmanship is part of the allure.

No Battery Required: Unlike quartz watches, self-winding watches don’t require a battery. This makes them more eco-friendly and less dependent on periodic replacements.

Long-Term Investment: High-quality self-winding watches are often more valuable over time, especially those from reputable brands. The durability of mechanical watches can span decades if properly maintained, making them an enduring investment.

Unique Movement and Aesthetics: The sweeping second hand of a mechanical watch is often smoother than the ticking hand of a quartz watch, which is something many watch lovers appreciate. In addition, self-winding watches frequently feature an exhibition case back, allowing wearers to view the intricate inner workings.

Tips for Maintaining a Self-Winding Watch

While self-winding watches are generally low-maintenance, they do require periodic care to keep them in optimal condition.

Regular Wearing: Wearing the watch regularly keeps it wound and running smoothly. If you have several watches in rotation, consider using a watch winder for those that aren’t worn daily.

Periodic Servicing: Every three to five years, it’s recommended to have a self-winding watch serviced by a professional. This includes cleaning, lubrication, and adjustments to maintain accuracy.

Avoid Extreme Conditions: Excessive heat, cold, or exposure to water (unless water-resistant) can affect the movement. Taking off your watch during extreme conditions can help protect it.

Why Invest in a Self-Winding Watch?

Self winding watches are timeless, functional pieces that offer a blend of tradition, craftsmanship, and style. Their appeal goes beyond simply keeping time; they are a celebration of horological artistry and engineering. Whether you're new to watches or an experienced collector, a self-winding watch brings elegance and longevity, making it a meaningful addition to any collection.

[wwwquickpakinccom]

AirSpace Bubble on Demand Winder

User Friendly, Small Footprint and Dependable.  The IPG® AirSpace Bubble-on-Demand Winder for coiling 12-inch-wide inflatable protective packaging is easy to use and adaptable to any packing environment. Single button quick-start and integration accessories provide end-users a cleaner, more organized pack area with improved ergonomics and safer use day-to-day.

Key Features:

-Easy-to-use controls means less operator training required.

-Casters are a standard feature, making transportation to the desired packing area easy.

-Tight bubble roll design helps make moving bundles to desired location less cumbersome.

-One step mandrel loading helps minimize downtime between bundle change overs.

-Storage shelf for additional uninflated film rolls - reduce downtime between roll changes.

-Automatic roll completion technology creates consistent bubble roll size from roll to roll.

The AirSpace G6 System produces air pillows and bubble film “just-in-time.” No need for bulky storage containers. AirSpace G6 is portable and has a small footprint, making it the ideal machine for even the most demanding environments.

Its intuitive bilingual interface makes it simple to use and it has one of the largest film roll put-ups in the industry. AirSpace G6 effortlessly handles low-to-high volume dispensing needs.

More information from Quick Pak Inc at 813 242 6995 or reach out to sales@quickpakinc.com

[acmemechatronics1]

The Different Types of Coil Winding Machines: Which One is Right for You?

Coil winding machines are at the heart of the manufacturing process for many electrical components, such as transformers, motors, solenoids, and inductors. Whether you're a large-scale manufacturer or a smaller shop producing custom coils, choosing the right winding machine can significantly influence your efficiency, product quality, and overall production costs.

In this article, we’ll explore the different types of coil winding machinery available today, their key features, and which applications each type is best suited for. We’ll also take a look at how companies like ACME Mechatronics, a leading manufacturer, supplier, and exporter of coil winding machines, are advancing the technology to meet the diverse needs of the industry.

1. Single-Spindle Coil Winding Machines

Single-spindle coil winding machines are the most basic and traditional type of winding equipment. These machines are designed for simple, low-volume applications where winding coils of uniform size and shape is a priority.

Features:

Manual or Semi-Automatic Operation: Single-spindle machines may be either manually operated or have basic automated functions like programmable speed and tension control.

Versatility: While typically used for smaller or custom coils, they can wind a variety of wire types, from fine to thick gauge wire.

Low-Cost Option: Ideal for smaller businesses or those with budget constraints, these machines are generally more affordable compared to fully automatic systems.

Applications: Single-spindle machines are ideal for small production runs and prototypes, where custom coil specifications and flexibility are essential. Industries such as electronics, small transformers, and speaker manufacturing commonly use these machines.

2. Multi-Spindle Coil Winding Machines

Multi-spindle coil winding machines are designed to handle multiple winding operations simultaneously, making them ideal for high-volume production environments. Each spindle can wind an independent coil or be synchronized to create multiple coils in a single pass.

Features:

Increased Productivity: These machines allow you to wind several coils at once, greatly improving production speed.

Higher Precision: Multi-spindle systems often come with advanced tension control and automatic wire feeders for greater winding accuracy.

Customization Options: Many multi-spindle machines are designed with adjustable spindle heads, allowing for different coil shapes and sizes.

Applications: Multi-spindle machines are best suited for large-scale production runs where consistency, speed, and high output are required. They are used in industries like automotive, power generation (e.g., motor coils), and large-scale transformer winding machines.

3. Automatic Coil Winding Machines

As automation continues to play a key role in manufacturing, automatic winding machines have become more common. These machines offer full automation in winding processes, minimizing human intervention and increasing precision.

Features:

Full Automation: Automatic winding machines can control every aspect of the winding process, including speed, wire tension, coil layering, and cut-off operations.

Programmability: Operators can program the machine to produce coils of various sizes, shapes, and wire gauges, making them highly flexible for different applications.

Advanced Sensors and Feedback Loops: These machines often come with built-in sensors that track performance metrics like tension, temperature, and even wire position to ensure optimal winding quality.

Applications: Automatic winding machines are used in high-volume, precision-driven industries such as telecommunications, medical devices, and automotive electronics. They are particularly effective for industries that require coils with high accuracy, such as in the production of transformers, inductors, and solenoids.

4. CNC Coil Winding Machines

CNC (Computer Numerical Control) coil winding machines offer the highest level of precision and flexibility, making them suitable for complex and custom winding applications. These machines are driven by computer programs that control every movement of the machine, allowing for incredibly detailed and intricate coil designs.

Features:

Computer-Controlled Precision: CNC winding machines are capable of performing complex coil winding tasks with high precision, making them suitable for specialized applications like aerospace, medical equipment, and research & development.

Custom Programming: Operators can design and save coil winding programs for different products, which can then be recalled for future production runs.

Multi-Axis Capability: Many CNC coil winders are equipped with multi-axis capabilities, allowing for the creation of coils in multiple directions or complex geometries.

Applications: CNC coil winding machines are ideal for specialized industries that require highly customized and detailed coils. These include medical device manufacturers, aerospace engineers, and manufacturers of high-tech inductors and transformers.

5. Horizontal vs. Vertical Coil Winding Machines

Coil winding machines are available in both horizontal and vertical configurations, each with its advantages depending on the specific application and space constraints.

Horizontal Coil Winding Machines:

Space-Efficient: Typically used in environments where floor space is limited.

Suitable for Larger Coils: Horizontal machines can handle larger coils and are often preferred for large electrical motors or power transformers.

Vertical Coil Winding Machines:

Faster Setup: Vertical machines can be easier to load and unload, reducing setup times.

Better for Smaller Coils: Vertical machines are often used for winding smaller components like solenoids, speakers, and precision transformers.

6. Specialized Coil Winding Equipment

Some coil winding equipment is designed for specific applications that require custom features or specialized winding techniques.

Features:

Precision Layering: Some machines offer the ability to precisely layer wires, essential for creating coils that need to meet specific impedance or resistance requirements.

Overhead Coil Winding: For large coil sizes, overhead winding machines help to support the weight and manage the tension of the coil.

Magnetic Coil Winding: Machines specifically designed for magnetic coils or coils that require fine, uniform wire tension are available for industries like sensor manufacturing.

Applications: Specialized winding machines are used in industries that require unique coil designs or specific features, such as research and development labs, high-frequency transformers, or magnetic field generators.

Conclusion

Choosing the right coil winder is crucial for optimizing production and ensuring consistent product quality. Whether you need a simple, manual coil winding equipment for low-volume runs or an advanced automatic winding machine for high-precision and high-volume production, the type of machine you select will depend on your specific application requirements.

At ACME Mechatronics, a trusted manufacturer, supplier, and exporter of coil winding machinery, you can find a wide range of solutions designed to meet the diverse needs of the coil winding industry. Their innovative machines, designed for both high precision and efficiency, are trusted by manufacturers across various sectors.

With so many options available, how do you determine which coil winding machine is the best fit for your business?

[beatleskinkmeme]

The choreographer for the music video for 'Say Say Say' was Jeffrey Hornaday, who choreographed Flashdance (1983).

"His name is Paul. He works in a man's world. He dances in a world of his dreams..."

A reimagined Flashdance fic, with Paul as the coil winder by day / dancer by night, wearing an off-the-shoulder sweater and forging a new life for himself through steamy workouts and an 80s soundtrack.

.

[quarantinebot]

To-do list: take a coil winder out, learn how to fire, do more homework, make house

[rajlaxmimachine]

Rajlaxmi Machine Tools offers HMP | Ramato | Roent Make Manual Hand Operated Motor Coil Winding Machine, Semi Automatic Coil Winding Machine, Fan Winding Machine, Counter Meter, Coil Winders Manufacturer From Rajkot Gujarat Bharat (INDIA).