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capslocked · 10 months ago

Text

PARITY

male reader x sana & miyeon

21k words

Within some reasonable tolerance, the two are carbon copies. Six of one, half a dozen of the other.

Doppelganger, twin, deadringer - they always tell you, they don’t see it.

But when they stand together it always comes across like two shadows stitched into one silhouette; the slope of their noses, their mouths; the way their hair cascades down past their shoulders.

You’ve learned to recognize the twitch at the corner of their lips before a laugh - how they speak in the same inflection and pitch and tempo, the same cadence coloring all their syllables. Even in their figures there is something uncannily familiar: that petite stature, that grace; they both have perfect posture, an ingrained elegance, like something handed down generation to generation. And of course - the height. The hair. The eyes. The same-damned-smirk.

Here's a hypothetical: if Sana's DNA, then Miyeon's RNA. They're both two separate ways of reading the same thing, and they both have it in them to transcribe the same hot load of proteins over all their pretty faces.

"Oh, that's like a sex joke," Miyeon says to Sana, frowning slightly, "right?"

"I don't know." Sana hums. "Protein... like sperm?"

You sigh, rub your thumb at your temple. This is why, normally, you wouldn't take ditzy to bed, but there's all this history between you and Sana that proves otherwise. The dirty truth is: you’ve been taking ditzy to bed for years. And Miyeon’s right there. She’s all bright eyes, blonde hair, tiny little waist, the perfect height to get two fingers in her cunt and the rest of her in your lap without you even needing to shift your arm into something more uncomfortable. God forbid.

She pulls back the curtain of silk-glossed-hair spilling over her cheek and tucks it neatly behind her ear. Okay, fine. So maybe you really do have a type.

"Yeah," Miyeon decides. "I think that's a good pun. Cute."

She glances sideways at Sana; something flashes between them, imperceptible. They've been doing this sorta thing for a long time - long before they ended up in their current living arrangement. This machine of synchronized, unvoiced communication.

"Cute," echoes Sana, delighted, and she lets her eyes flick back to yours. "Baby, are you, like, gonna give us lots of protein?"

"First of all, we’re fast approaching the point of diminishing returns on the whole protein spermaestria," you muse, wryly. Sana beams. "And again, the point I’m trying to make, Sana: you two are identical."

"Not in spirit," says Miyeon, automatically. "Or intellect. Or appearance, either."

"You can't just claim that," says Sana, matter of fact. "He means physically. I have bigger tits and a better ass.”

There's no argument from your end. And not only because the cab driver hits a speed bump or a pothole or perhaps a small child way too quickly that sends you all lurching together into the seatbelts.

Miyeon finds a good hold in the handle over the door - it saves her - and you wind up steadying Sana. For a split second, it's both their shoulders leaning on yours: Sana, then Miyeon, then Sana. Back and forth. Back and forth. The three of you still end up sprawled halfway out of the seats and onto each other in the cramped cab, tangled all together.

"Please, explain it then," implores Sana, hushed slightly. "Go ahead, I'm sure Miyeon's dying to hear it."

"Look, it's not a perfect one to one mapping," you say, running your hand through your hair and putting on your patient professor-in-front-of-the-class face. "For example: Miyeon's cuter-"

"Thank you," chirps Miyeon, sweetly sardonic, before you can even append anything else to the statement. Sana’s already there with a noise of mild protest.

"I mean, I'm a full inch and a half taller than you."

"So?"

"That’s an unfair advantage. You've gotta be the dumbest person I know."

"Funny," chides Miyeon, swiveling her gaze onto Sana. "You could barely talk when we were fucking your brains out on your birthday. He's dating you, not me, remember? If anything, you're the one sporting an unfair advantage."

"Okay, well," Sana counters, reasonably, "when you can barely get a sentence out from choking on my boyfriend's cock, who the hell is supposed to call it?"

You ignore that. Miyeon is having more difficulty; her face has flushed cherry red and her hand's white-knuckle-gripping the side of the cab's passenger door.

"For what it’s worth," you cut in, placidly, "I don’t think there’s any clear answer."

"Nonsense," they both reply, simultaneously and satisfied - like wind up toys. And that's the way the conversation tends to go when you get them alone like this. Identical, you pause to think again after spilling out from the back of the car and onto the curb outside the girls’ apartment.

All the things they say are word-for-word - they walk the same, eat the same, smile the same, tilt their heads the same. In those moments where you don't speak, it feels like watching some two-headed monster, an entity constructed from equal parts of both. And it isn't just the physicality at play. They've got that eerie ability to read each other, speak for each other. It's strange: their habits, the way their eyebrows arch, the set of their shoulders. It all syncs right up, matches seamlessly.

It's really fucking uncanny.

"Um." Sana twists one slim wrist back and forth until the key turns in the lock. "So, is it, like, wrong of me that I kinda just wanna skip the dinner part of this and watch my roommate get wrecked in the middle of our living room?"

"Depends," you answer, before you can let yourself dwell too much.

“Just a complete and utter carpet dive,” Sana says, shouldering the door open and flipping on the lights. “It’d serve her right. She’s being annoying.”

Miyeon scoffs, sticks out a bare, pale leg - it ends in a nail polished fire engine red, the strap of a stiletto sandal - and blocks your way inside. "Hey," she protests, lightly. You are not the only object in the equation - you are merely an item to be held against them; it's not about you, not in its most abstract shape. Miyeon and Sana are competing - vaguely for your affection, but more so just for affection in general. It's an ego thing, if nothing else.

"I'm an angel. I'm precious."

"Get your pretty feet out of his face," warns Sana.

"Ugh," says Miyeon. And then, "so short-tempered when you're not getting away with everything."

"Whatever, princess." Sana gestures, airy and flippant. "In any case: fuck off, or go get fucked."

This has become some kind of weird custom, admittedly. Miyeon does exactly as her best friend requests. She floats down the hallway and toward her room.

"Can't get good service around here anymore anyway," is what she tosses over her shoulder. Her fingers run up the door frame to her room and hang there, briefly, before she glances sideways back. You and Sana, now giving her your deservedly undivided attention. There is no split focus, no point of overlap. Her hair falls loose past her shoulders; her shirt clings a little to the muscles of her arms, her ribs. The point of contact between her skirt and her upper thighs. Those impossibly big eyes. She's gorgeous. You rarely ever let yourself forget that. There's something devastating about the set of her face, about how her body is absolutely fucking perfect, all curving lines and smooth planes - tits that fit right in your palm, the dip of her stomach, the pretty shape of her ass - she’s tiny, and in a way, that means you can do anything to her and manage to get away with it. She’ll let you. She’ll ask you to do it all again.

"You two are more than welcome to follow along, if you feel so inclined,” Miyeon adds before she opens the door to her room, steps through, and lets it shut behind her.

"Yeah." Sana runs her tongue over her top lip, staring you straight in the eye. Her smile is slightly predatory, all sharp teeth. "If you’re so inclined."

(For anyone wondering about things like premise or backstory, here’s a useful memory:

Sana has a new roommate. They've been living together for two, three months. She's still not over the fact you didn’t ask her to move in, and you're still not ready for it. Your answer hasn’t changed. You like your apartment the way it is; the two of you need space; it's what the kids call cohabital parity and no, the ring's not in your wallet and it's not even bought yet; stop nagging me. It'll happen when it happens.

Anyway,

It's one of those plainly beautiful evenings in early July or August - a weekend probably: the living room is bathed in the sort of low, radiant sunset that can go on forever, all of summer stretched out, leisure and sunshine. Sana had talked her way into getting you to take her somewhere highbrow and a little out of your budget. She can talk her way into just about anything; that's her brand, her bad habit, her good fortune.

"We're not going to be able to get our tickets," you're explaining into the loud blare of a hair dryer. And to paraphrase, "what the fuck is the point of making reservations if we’re going to be so reprehensively late?"

Sana's juggling the curling iron while fumbling with an eyelash curler and applying mascara and rearranging earrings all at the same time, and you think about reminding her, again, that it doesn't matter what she looks like if you never actually, you know, leave - but then the hair dryer switches off.

“Hey.” Sana ignores the concern and swivels to ask which earrings match which necklace - two pairs are laid across the countertop; they look exactly the same; you love her, desperately, but for the record, you've never been any good at telling jewelry apart. Neither the knowledge-set nor the motivation; she looks fucking gorgeous in everything regardless-

The front door clicks then, and Miyeon bursts through with the force of an entire hurricane - and promptly stops, dead. You forget what the hell she said, but the story was: she'd just gotten back from the worst date in her life. She's in tears, sobbing. It's a mess. She's a mess. You can't leave.

She falls right into Sana's arms. Then Sana throws a pointed, triumphant grin your way, and says to Miyeon - and you remember this, word for word, verbatim - "Aw, baby. Don't worry. Let us take care of you. We'll make you forget all about him, okay?"

This is the long and short of it: Miyeon arrives, in tears. You never make it to dinner and a show. And the night ends more or less how it started - with Miyeon still pretty much crying, but only because you two won't stop. With your fingers, your mouths. Sana knows what her tongue's doing; Miyeon is loud - and responsive. She's gorgeous too. She's so into it. She needs someone who is genuinely in love with her, who isn't going to try and push her around. You slip your cock into her and that's pretty much it, a different kind of curtain call; Miyeon gets Sana's thumb rolling at her clit and, yeah - she's fucking gone. She cums on your cock like she’s dying, like you’re killing her. It's as simple as that.

Now, there are several instances of which this is the case, in chronological order:

a.) The first time, in Sana's bed.

b.) The second time is in the back of Miyeon's hatchback. Tight fit for three people. It's a do-not-recommend.

c.) The third time, when they want to try blindfolding Miyeon while she rides your cock in the living room. The girl can't see shit, you break some IKEA furniture you can’t pronounce the name of, and the condom comes off during the whole process. There’s this unsettling, world-rocking possibility in which you get Miyeon fucking legitimately pregnant via oopsie-daisy. So, you and Sana wind up spooned up with Miyeon between you two and discuss the eventuality, should it arise - what you will all do in the future, the consequences, what Miyeon and Sana will say to Miyeon's and Sana's families - what the fuck you'll tell the rest of your friends, let alone the press - and then, deciding together: hey, well maybe this is actually a really bad idea.

d.) The fourth, fifth, sixth and every time after that where you realize that you're just gonna roll it all back and pretend like this is completely normal. Two's company, three's kind of a fever dream - but this is the platonic ideal of groupthink. It works. It just does; you know how to fit the pieces together now. How to read her body language: the one-two-one rhythm, Sana and Miyeon and then Miyeon-and-Sana; where their hands are, where they're moving; Miyeon's choked little sobs and the breathless gasps when your cock is deep inside her; all the unintelligible murmurs passing between the two of them that you can't understand - but none of them ever really matter. The important thing is that she's put her two front teeth in your left collarbone while you fuck into her slow and deliberate, in a way she can really feel. You cover Sana's mouth with your palm, your fingers pressed against the pulsing heat in her pussy, and you make them both cum over and over until they’re eyes are screwed shut and they’re counting stars.

That's about it. That's all the things.)

"I call it being spoiled for choice," Sana says, pausing only momentarily to decide in the mirror of Miyeon's makeup vanity whether or not to take off the bracelet on her wrist.

The glint that strikes off the metal is gold in the bedroom lights, all warm yellow and sparkling silver. Sana narrows her fingers, pulls it off, on - like you've caught her trying on clothes, the latest fashion in a store front window. A stylistic consideration. It matches the rings on her third and fourth fingers. She decides that it suits her.

"Lo and behold," Sana continues, "we have a real situation on our hands. In your hands. Whatever, you get my drift."

"Your cock," adds Miyeon, smiling like sunshine. She’s tracing you over your pants with her thumb, and she’s got her doe-eyed grin on, the one that promises something sugar-sweet, kneeling between your thighs at the edge of her bed - the slightest dishevel of her hair, kiss-swollen lips. God, what a picture. Her pupils flare when her fingers reach the top button of your pants. "And what's worse? I'm going to die if I can't have at least, you know. A couple minutes alone with it."

"You'd figure out a way to die either way," Sana muses. She leans backwards in Miyeon's desk chair, tugging idly at the hem of her skirt.

They're not usually dressed alike, and that's the weirdest part - Sana's never had Miyeon's particular taste for the tiny gauche dresses and white converse shoes and glossy nails, not unless it’s some matching outfit that she's being bullied into. Today's no different: the soft fabric of Miyeon's slip of dress barely stretches down to the line of her thigh. The hem starts just below the boundary of innocuous and everything else. She’d been hiking it up all evening. And the straps lay so thin across her shoulders that one little tug in the wrong spot would probably send it skidding all the way down to the floor.

That's the main thing on your mind when you get one in between your fingers.

Miyeon simply shoulders the other, rolling it down to hang loose, leaving the dress hanging off the gentle slope of her chest.

"Pretty," you say out loud.

"I know," she says, holding the grin.

She can make the world smile, it's infectious - and your gaze follows the path: from the blonde-shiny hair spilling over a collarbone, to the peeking line of her bra, to the flutter of the bottom of her dress at her hip. You catch the subtle lace trim, the little patterns embroidered into the waist, and decide her body's a gift - and wrapping it is something divine, something meant to be ripped right to shreds. If no one else is willing to volunteer, then it'll fall on you. Sure, sure, sure. You can be thanked later.

"Lose it," you request, quietly.

"Mr. Impatient," is what Sana sniffs out, scoffing. She's lounged back on the other side of Miyeon's makeup counter. Her heel taps away at empty air, bouncing off the end of her foot, that hot little fucking rhythm she's had going since her partner in crime got in your lap and kissed you right down into oblivion. "You want to get her naked and get inside of her, huh?"

"Is that not why you dragged me here?" you counter.

"Oh, don't put this on me." Her expression slides right into the mischievous smirk you're familiar with. Miyeon’s often sporting the same one.

"He wants to bend you over, princess," she tells Miyeon, and you hear the wistful sigh through her parted lips come out like permission. "Not that I can say I'd blame him. When's the last time you've taken cock again?"

"With him last week." She throws the response to Sana. They look, more than anyone, to be in sync in their one-upmanship.

"Hmm," says Sana, and she’s looking right at you. "Check how tight that dress fits over her hips, don't you just want to tear it right off of her?"

"He's not doing that," says Miyeon, but there's the lilting tease in her voice that signals precisely the opposite. She wants it: wants it like sugar and soda, salt water taffy; wants to be stripped like skin, bared to the bone. Her knees spread, just a little. "Not yet, anyway. Right now," she adds, hand fluttering towards the inside of her thigh, supplying touches right over the lace, "I want to suck his cock."

"Such a slut," Sana teases, tilting her head.

"You'll get yours," Miyeon insists, before pulling your cock out of your boxers with a small smile, curling her fingers around it, leaning forward. "God, this thing." She has the head under the palm of her other hand, and a wet-tipped promise on her lower lip.

You thread your hand into the hair aside Miyeon's temple, gentle and what will seem in a moment: paradoxically-tender.

"Imagine what it'll do to your mascara when I fuck your mouth."

Miyeon licks her lips. You reckon she’s completely aware how it comes across - the wicked fantasy she is.

"I'm imagining what it'll do to you when she chokes," Sana retorts.

“When he fills up my throat,” Miyeon says, hungry.

Sana sighs, sounding utterly wistful, and she fixes the same unrepentant look on you. "Poor Miyeon is just starved for cum tonight. Aww," she remarks, sweetly, "The poor thing. Do me a favor won't you? Fuck my pretty little friend in the face."

"Well," is all you get out before you look up at Sana. "Yours too, honey."

"Hardly, the same," Miyeon cuts in primly, glancing sideways at Sana. There is some snobbishness implied; there are ways Sana and Miyeon have always found to subtly measure themselves against one another, to best each other - all of these ridiculous acts and anecdotes. Like their voices aren’t replicas of one another - and in constant disagreement over whoever is currently claiming to be the original.

Miyeon prissily tilts her jaw up. "Your ego might actually be the worst part about you, Sana. That and your tits."

"Guess he just loves all the worst parts," Sana quips, rolling her eyes, "and every time you call it into question I fall in love with him a little more."

She's got one foot up now on the seat of the chair and she's running her fingers, delicate and teasing, around the press of her panties. It's not a voyeuristic thing, she's told you, it's less about watching Miyeon get fucked than it is about knowing exactly what it looks like when she herself gets spread out beneath you. She watches you and Miyeon, she watches her best friend and you, and she touches herself and it's perfect. There's a few seconds, long and warm, before she lifts her fingers away, then sucks them into her mouth with a grin. Just the slightest taste.

"But seriously," she says to Miyeon. "If you're gonna do something - then do it. Don't be a tease. We both know the answer, anyway."

Miyeon swallows. You hear her. You watch her lips wrap around the head of your cock and pop off, wet and shining, and her head rests in the curve of your palm.

"I’m working on it," Miyeon allows, lowly - she pumps her fist again around you, careful with the motion; this little twisting tug. "Fuck, it's not even the fact that it's fucking huge, or. Like, it’s not because I’m dying to get stuffed by this, or because I’m sitting here thinking: oh my fuck, I’m gonna feel so full with this thing inside me."

You have her hand under her chin, thumb stroking gently against her cheek. Her eyes return to yours when you put a little more pressure in your grip. She’s fantastically pretty, and the gleam of lust and want in her irises has you probably too eager to play along.

“So then, what could it possibly be?”

"It's-" Her cheeks darken pink beneath her blush, stumbling through a mouthful of ums and uhs as her eyes make tiny departures back to your waist until she finally gives up and just stares again.

Sana sits up a little in her chair.

"Look, this is the prettiest cock I've ever seen.”

You and Sana almost snort in unison.

“I’m serious.” Miyeon rubs a semi-circle over the head with her thumb, glancing up at you beneath her mascara, and then to the base, back up. It jerks, almost like reflex, in her grasp; she huffs in delight. "It’s, like, perfect in every way. And, god, everytime- I’d just about do anything to feel it inside me."

“You’d beg?” Sana asks, eyebrow raised.

“I’m about to get down on my knees and grovel, honey.”

"Should've just said," Sana laughs - Miyeon chews her lip, half-exasperated, and drops a kiss to the tip that makes Sana's expression simper - "you’re halfway there. Want him to cum in that sweet mouth?"

"Want him to tell me what he's going to do," says Miyeon, frilly. "Every last detail."

Lips stretching open, fingers splaying, curling around the weight - she dips her head to rest her cheek on your thigh and kisses the underside of your shaft. She’s practically like liquid. Flowing and easy and gorgeous, always gorgeous, too far gone to form a full thought. That much is obvious. And why shouldn't it be - your hand's already snagged up, your thumb's already wiping the hair out of her eyes. She turns to let it sit against the edge of her cheekbone. "You really need an incentive? Want you to fill me up so I can-"

"Swallow," you supply, simply. “Swallow everything.”

"Yeah," Miyeon presses into the curve of your cock. She doesn't wink, not really; she doesn’t need to. "I like you. You always know exactly what to say."

Her hair brushes a feather-light caress up the skin of your thigh, mouth a vision of sin and pretty red lipstick. "Open," you command, quietly, and she follows your orders exactly - mouth dropping, head tilting, eyes drifting closed - her lips glisten with saliva and you could shove your cock into that mouth, easy. Just push in and wreck the inside of her - spit on her chin, feel her throat clench up as she gags and struggles around your cock. God, if that isn't a thought that can do a number on the base of your spine.

"Easy," Sana supplies, like she can read your mind. That wouldn’t really surprise you. “Leave some of her make-up for me.”

There's the quick hiss of an inhale, Miyeon's mouth stretching open. Her jaw going slack. You feel the long, wet suck of skin and spit, and her eyelids flutter as she settles in. She slides her tongue and adjusts, makes soft, raspy, throaty noises while her lips slide down the first few inches of your cock. It’s funny - Sana had made the same sound earlier in the day - and it's really not like it's an awful comparison. They both let on gorgeous little noises when they're sucking cock and it makes sense because it's the same cock. Same skin. Same person.

You're not, however, about to do something so pedestrian as compare notes. Not on them. Not in the fucking slightest.

And Sana, god - Sana doesn't just watch. She knows better. She's not even the one taking your cock in her mouth but there's the insistent presence of her: a fingertip diving down past the crotch of her skirt, a quiet moan, her wrist jolting in a repetition of short, sharp strokes, the kind she likes to use on herself: precise. Deliberate.

"Miyeon," you whisper. "God, just - it's your fucking mouth, you-"

The hand on her face strokes the side of her head - a push-pull. A chance to break off - she doesn't - so she ends up with a rougher grip tangling through her hair and you guiding her head further down the length of your shaft.

Miyeon loves the pressure on her throat. You know that. And, yeah, she fucking hates choking on it but somehow in her mind, they're different. Opposites. Because with the way she's going, a little cough will burst free in a few seconds time. That’s your signal, you’ve learned, that she'll let you slide yourself to the hilt. Just keep the wet tip lodged there until she starts gasping around it. It'd only take a minute.

Two tops.

And well, that's the compromise: your patience for a throat fuck is infinite. She's staring up at you with upturned brows and that pretty-please pout on her slick-wet lips. She's making her best effort but, christ. Fuck.

Her eyelids flicker once.

Then close.

"There," you breathe down to her, your knuckles finding her cheek, smoothing over the sharp curve of bone there. Your cock is slotted right in her hot little mouth and you're starting to feel like maybe you really did hang the moon and stars in the sky after all. Her lips press around you. Sink, up, down. "Such a good girl, sucking my cock, looking up at me- god, all dolled up, it's not even fair, Miyeon."

Miyeon can be many things, and presently among them: a filthy, obedient angel.

She pulls up. "I try," Miyeon breathes right at the tip. Her tongue darts out. She swirls, and swirls, until it’s back under the tip of your cock again, soft.

You're too predictable, or you're too forthcoming, or here’s the thing about a woman's intuition; Miyeon wants to tell you something more, she wants to let you know how fucking unbelievably hard you are in her hands right now; she wants to laugh at you for getting caught up and dumb but she's not letting your cock slide free. This suckle of her lips, right at the crest where you're most sensitive and leaking precum right into her mouth - this press and pull is as close to conversation as she can get. So what. You love it. She loves it: the reward is in the ricochet. You look at her and her cheeks hollow and the flash of her pink tongue gets wet and warm under your head, the slit of her mouth stretching to take every ‘totally fucking perfect’ inch of your cock.

And then her lips tighten and she just-

"Christ, Miyeon-" You whimper it right down to her, your voice lost in the shiver of her throat, all tight and wet around your cock. It's like your vocal cords have been stolen right along with the air in your lungs and everything feels floaty, warped and red and blanketing you with Miyeon's hard-worked rhythm:

The scissoring flick of her tongue as she strokes the base with a firm fist. The other hand resting on your hip, feeling your hips jerk. She wants this, the part where you let go and stop thinking. The part where she opens her throat, lets her saliva flood to pool against her palm, and wet the tip of your cockhead before letting it slide right back in her throat. Your shaft flexing into her heat, the sound of those gags.

She just-

She just goes on like that, sucking your cock while the flat of her palm skates a little tighter. Up, up, down - up-

"Miyeon," Sana says, now on her feet and shadowing in closer, leaning. And that's it. Sana knows too. She kneels down next to her, gets a finger under her chin, and delivers in a uniquely cold tone: "hands behind your back, sweetheart. I want him to cum in your gorgeous little mouth."

You nearly choke, ironically. You're already grabbing so much of her hair: all those smooth silky strands threaded through your fingers.

You thrust and pull. She gags. She fucking chokes.

Spit collects, rolls down the corners of her mouth and gathers on her chin. You can see the mascara threaten to run tracks along her pretty cheeks, the way the makeup smudges so dangerously close to her bottom lid. "Yeah?" you say, so softly, but you can't - can't seem to look anywhere else, or take anything back - so, what, her jaw's just gonna go on being that perfect little shape, and she's gonna be a brat for it. Okay. That works. She looks good choking. You can see the slick glint of her pink mouth stretching taut on your cock, your cock jerking and bobbing on the pad of her tongue; it's not real - no, this is completely real. The ball of your foot slips along the floor.

It's instinct. You can't help yourself; a groan spills out of you, half-sighed

Sana's whispering right in her ear; not that you can make anything out of it over the noises from her mouth, her fist all wet, pumping. The tick-tock bob of her hair. Sana's hand is on the back of her head and then - pushing the last inch down, and down, her nose buries right into your skin.

“Mnnph.” Miyeon, gurgling: your cock pressed all the way down the line.

"Fuck," you spit, holding her jaw in place. "Fuck, Miyeon-"

She looks up at you, her eyebrows cinched, the graceful lines in her picture-perfect-face pulling around you - blissed out. She stutters in place while you dump a hot load of cum into her mouth.

And she adds a cough as you pump everything directly onto her fucking tongue. It’s more than she anticipated, judging by the leak. How your cum rolls down from the corner of her mouth.

Sana drops a kiss onto her temple as she takes you in and out of her mouth again, until she presses her lips firm and hollows her cheeks. Miyeon's fingers caress your balls like there's some part of you that isn't giving her fucking everything already.

"Come on, princess," says Sana, kissing her way along Miyeon's neck, the tops of her shoulders. There is not an angle to Miyeon's elegant features that she could take that could possibly be anything short of priceless. "Show him how you swallow."

The image is obscene, for one thing. The utter filth in that satiated hum; there’s another.

It's your white-hot cum dribbling past her swollen, fucked mouth. Miyeon swallows like the good girl she is - takes a breath, stares, and then finishes, a gulp, an extra breath, her whole face now a shade more flushed. Sana kisses her on the cheek and suddenly it's perfect: they're both staring right at you. Your throat has to unclench, reboot and the air in the room just tastes so good and your chest is heaving; you just- fuck, you can't breathe-

"Shit," you exhale. It comes out like a small explosion. "Uh-"

The side of Sana's mouth slants and then Miyeon grins: it's her cheek, dimple; that crescent moon thing and oh, this is the point. Sana slides a hand over the gentle curve of her stomach, then sets her open mouth over Miyeon's still-lips, slipping in close and - kissing. Their mouths melt together like it's the most practiced thing, tongues a second later, and Sana is stroking your cock in her fingers; the expectations clear in every little coaxing flick of her slim wrist.

"Do you have any idea," Sana sighs against her lips. The two of them, blinking up at you, like good little things - sweet enough. "How fucking wet you both have me?"

And Miyeon, shameless as she is disastrously pretty, reads right between the lines. "Where do you want it?" Her mouth tilts up to the side. A wicked smile. "He can cum all over us, no? And I have this skirt with an awfully short, pretty lace. We don't even have to take our clothes off, really, I can just-"

Sana gets an eyeful - Miyeon - before cutting her off, silencing with the wet press of her mouth, and suddenly their kiss goes frantic and quick. They're rolling apart: hands tearing up their clothes. Off. Off. Off.

Your cock stirs. It throbs. Fuck. Sana’s barely intelligible in the space between their tongues. "I could lay flat,” she’s saying, “with my legs open, and-"

"-with him on top of you, pressing inside you - so he could hold me down, and then pull all the way back out, to leave a thick load on your clit-"

"-and when he has to pull out-"

"-probably cum all over you too, the best view-"

"-or all over the rest of me, while I touch myself-"

"-maybe-"

"-and you just have to imagine how good that'll feel, while my thighs shake and we ride it out, you and I-"

Their faces - both flushed and dampened with the strain, both breathtaking. Their eyes are hooded, lashes a-flutter. They'd made their own decision, didn't even bother with yours. A mutual vote of two-to-one: you're going to fuck them in turns. You’re going to fuck them together. You're going to edge yourself in one cunt and fill the other. They're both going to take it, and wear it, and then use each other to make you cum again. Good. Okay, any questions - and they want it rough?

The answer’s a two-part chorus. Yes.

Not even an hour later, Miyeon is playing, of all fucking things, Candy Crush, legs draped lazily across Sana's lap, both of them kicked back on the couch, dressed again like the best girls you've ever seen. "The amount of money they make on this app-" Miyeon complains, waving a lazy hand. A long strand of blonde brushes against the corner of her mouth before she swipes it away again with an irritated sigh. She's just sitting there, knees folded, blithely bitching about a game of match three on her phone. "And they send these fucking blocks just to mess with me," - another swipe. Her hair sticks against the fresh gloss coating her lips. "It's literally just a waste of human-fucking-potential."

"It's a game for children," you offer.

"Then why is it marketed at adults, hm?" She's absolutely serious. "Sana plays it too."

"Mhmm," Sana agrees, not really agreeing at all. Her eyes are closed; you're sitting next to her, and she's taken up your leg as a makeshift pillow, lying down with her arm resting on her forehead, so casually disinterested in anything other than the quiet thrumming of your presence by her side.

It's insane that they're like this: like they're not constantly checking their phones for texts, like you don't all have lives. You're almost - dare you think - having a semi-regular conversation. Now If for a moment you could ignore how they both look like the human embodiment of sin-

"Miyeonie," Sana says.

"Sana," Miyeon returns, flat.

There's not even a movie playing on the living room TV - just the netflix menu; it's volume is at a sort of white noise. A subtle buzz clicks on in the air conditioner.

"You know how you're supposed to go out with that guy next weekend."

"You mean the date you set me up with." Miyeon pauses, tongue caught between her teeth. "Where I have to put on a pretty little dress. And smile. And laugh at all his jokes."

"You know the one."

Miyeon jumps on Sana's train of thought. "You want me to send you some pictures when it's over."

Sana turns it over in her head a few times. “Maybe,” she says, finally.

A genuine exchange perhaps. No fighting, no bullshit, no riptide of pure unbridled sexual frustration.

"Or," Sana adds, simply, "you skip the part where you sabotage the small talk and come back to our apartment." She blinks. "End up getting us both."

“You’re suggesting I’ve been ruining dates on purpose?” Miyeon, incredulous, runs her fingers through the hair at the top of her head, gentle, almost like an admission of guilt. "You're out of your mind. Why would I do that?"

The fragile peace never does last long. Sana looks at you again. Holds onto the eye roll. "Why, indeed."

"I don't follow," Miyeon says; something, a tic, a tell, causes the muscle in her brow to stutter.

"She's suggesting that you'd rather be in bed between us than on a date with some guy whose face we've only seen once," you cut in. Sana looks over. "It's come up a few times."

"Okay, so what?" Miyeon takes a breath. Her mouth a rictus twist. "You're trying to get me to admit it out loud? That I like to get fucked by my gorgeous bestfriend and her pinterest-board-of-a-boyfriend more than I'd like going to a mediocre concert downtown with some dipshit who just wants to see if I'll stick out this 'goddess' routine for a month or two and then bounce for someone else. Wow. Sherlock and Watson, coming through for the killshot. Take me straight to jail."

"We never got around to those cuffs," is what you make mention of. It's not particularly helpful.

"Don't pretend," Sana says instead, "you don’t like to play both sides. Or that the trad-wife fantasy of yours is somehow subtle."

“There's nothing shameful about knowing exactly who you are, or wanting something," Miyeon insists. She tilts her head towards the two of you. A different angle. Her words come out sharp and hot: "some of us have the decency to let our friends know exactly what they want."

“Okay.” You laugh out loud, half out of nervous habit. "Well obviously there’s some sort of rhythm here - I’m just not dumb enough to think I can put a finger on the pulse."

"Then this is, what, some sort of elaborate plot for my heart?" Miyeon's chuckling to herself, but in the space of a blink her voice is more tender. Her arms folding in close. "Is that the plan, finally catching me-"

"Next week." Sana sits up. "There's a trip coming up, something kind of international." She picks at the hem of her sweater, and looks at you.

“What the hell, exactly” - you card your hand through Sana’s hair - “does ‘kind of’ international entail?”

"Ms. Prada has a modeling campaign to attend," Miyeon intones. "She also needs someone to take care of the jetlag, is what I assume this is about."

Sana waves her hand in the air. "I'm saying we book you an extra ticket. Rent a room at a nice hotel. No work. No phones. Just us three, and the best sex you've ever had."

“I wasn’t even aware I was going to that,” you say - almost as an aside.

“You weren’t.” Sana leans more of herself into you. "You are now."

"Is this how you're going to woo me? The grand design?" Miyeon's hands are fiddling in her lap. Sana’s pressing in. Closer. "All the sex and leisure I could ever ask for?"

“It sounds ridiculous when you say out loud,” Sana answers, curling into her. “But, yeah, that’s pretty much it.”

Miyeon laughs like it’s a lost cause. Genuine, throaty - like music.

“Simplicity doesn’t have to be a bad thing, Miyeon.” Sana kisses her, slow. Quietly, "you could even pack a swimsuit," and there's this beat, the rise and fall of Miyeon's breathing that might lead anywhere: "though I doubt we touch the beach at all."

“You’re pulling on all my heartstrings, Sana.”

And there you are - etching your names onto the calendar. Reservations and bookings and promises of everything and anything and exactly where you all want to be.

It's Miyeon that finally admits, "you know part of me can’t resist the idea."

"Then, this weekend." Sana's fingertips trace circles on your hip, the tensing pull of muscle. You're aching and exhausted and content: drifting in the tide, a catch of the day, some soft, dreamy wave of consciousness, nothing specific, just the moment passing through all three of you.

But you do get it. There's this obvious snag in your heartbeat, too.

Because Sana is grinning; her fingertips, tapping. Your stomach's fluttering too. A little ghostly clutch of hope in your chest and it's such an embarrassing notion. You're getting swept away - pulled under - and it's Miyeon, splaying out beside Sana, her hand reaching out to you with her palm turned up. It's a promise, and the force of her can - and has - moved mountains.

"I pick the hotel," Miyeon's voice is deeply firm and sure. She’s got a fistful of Sana’s pajamas. "You two can sort out the lingerie."

Sana's mouth curves a perfect grin. She's kissing her again: wet. Heavy. It's not a no, if she was ever expecting one.

So that's your reality: what used to be two dalliances - separate but not distinct - now share one headspace, and there's enough rapport just in the group chat alone. You've all been messaging back-and-forth for weeks; Miyeon playing the game where she's the steady one in your life, the knot you're going to tie down when you can finally afford it (and in every way she can imagine). You find it entertaining. Sana seems mildly amused. And Miyeon will call you on the phone, sometimes. A chat-off. About nothing and everything. What you should bring on the trip. Where she's going to eat dinner before you meet her at the airport. Et cetera. Et cetera.

// Miyeon 1:21 AM > hey. I'm all finished packing. how's the bedroom looking?

// 1:26 AM > absolutely wrecked. no survivors

// Sana 1:27 AM > It’s fine. We stripped the sheets, got the box from the closet. Have the video you wanted as well. Call the laundry service in the morning and get the floor washed too. You know. So, nothing comes out of the security deposit.

// Miyeon 1:29 AM > a threesome that destroyed an apartment? say it isn't so

// Sana 1:34 AM > didn't hear you complain during.

// 1:38 AM > strict instructions, right?

And then sometimes, during those conversations, Miyeon will send an aside just for you:

// Miyeon 1:40 AM > strict? please. do whatever. I'm like so good at following instructions

That's Miyeon. The paradox of being submissive - you never, ever treat her gently. She never really wants you to. Sana's mid-reach over your chest to turn off the lights when she glances down at Miyeon's text, then promptly scoffs. The two of them don't always have the most conventional dialogue.

"She's one hundred percent serious by the way." Sana rolls on her side, away, but the nightlight beside the bed just manages to illuminate the slope of her ass - curved in the silk nightie she'd thrown on before bed. You want to crawl between the fabric.

"I never really doubted that. She's got a very specific... demeanor.”

“You’ve noticed.”

“Um,” you say. Sana’s turned over her shoulder to blink at you. “Kind of a dark streak. Like something in her is craving-"

"To be broken to pieces? Oh, it's fucking bliss for her when she's vulnerable and the tension cracks."

“I was going to phrase it a little more indirectly than that, but yes, I suppose that’s the gist of it.”

Sana shrugs.

"The girl lives to be chased is what it is.

It's just Sana and her perfect legs and smooth, creamy thighs right there, ready for you to touch, ready for you to fall apart over. They brush your calf, your thigh - so you are kind of distracted.

“And she feels most wanted when she's choking, getting used, right at the point she can't decide if another inch is gonna kill her or drive her up the wall. No air in her lungs, nothing under her own control." Sana flops, presses against your side, one leg tossed on top, arms curled around your neck. "Pretty obvious, all things considered."

"Sounds a bit familiar, no?" you tease, and reach back to draw her against the front of your body.

She curves, twists into your embrace. Her hair is half up, half down - wide eyed like a fantasy made manifest. You're always gonna give in, even when Sana doesn't deserve it.

"You get me. It’s the best. Please, go nuts with the idea."

“Huh, birds of a feather.”

“Sure, whatever,” Sana brushes a kiss against your cheek, presses back into your hips to feel your hard length strain between your boxers and her ass, softening only because, god, she's a real human fucking treasure, "so maybe Miyeon and I have a certain… similar temperment to us, maybe that's true."

"Yeah," you breathe. Your arms wrap around her, the heat in her core now evident from the outside. "That's what I've been saying."

Sana doesn't respond to that, not directly; her palms drag, smooth, over your fingers. "Fuck me to sleep," she suggests instead. "We've got an early flight."

And so you do. You'd pulled your cock from your shorts the second she pressed her ass into your waist and claimed her place as your other half, the little spoon. There's a few beats, a few breaths, where you'd rocked against her clumsily, lining yourself up, and she'd braced the two of you:

She'd arched her back, got an arm over her head to tangle a hand into your hair and keep you right where you were - your lips against her neck. Until it's just this soft-rhythm, all easy thrusts; one arm underneath her, the other around her hip, finding and spreading and - easily - gliding into her cunt.

Sana sighs a lovely sound right next to your ear: your name, some hushed curse. Her hand is wrenched back into whatever group of muscles she can find. And you listen to the gorgeous little tritone of oh shit, oh god, oh fuck when you make her cum. The displays of indulgent affection in her throat, then the ruddy mess of you working her to a wreck of pleasured exhaustion until she collapses into a hot-faced, sleepy daze. All cozy between the sheets, the duvet - you’d fucked her from the outside in; made her relieved and relaxed, all loose and calm. Sana curls into you with her moans still staining the cool side of her pillow and the snugness of her cunt wrapped around your cock.

You drift off just like that, snug inside her. Sana is, as always, impossibly warm.

On your phone, there are some choice text messages:

// Miyeon 2:18 AM > jesus

// Miyeon 2:18 AM > can you guys like please

// Miyeon 2:18 AM > PLEASE

// Miyeon 2:18 AM > fuck any quieter

Okay, so it's not perfect. But you're about ninety-percent sure Miyeon had used every fiber of her willpower not to float across the hall and take her spot between the both of you. And it's probably for the best. You feel pretty rough when the alarm starts blaring as it is.

The room Miyeon picks out isn’t exactly small, nor was she minding the purse strings. There's a wide expanse of living area, a massive bed in the back; the ensuite and bath beyond that has a walk-in shower large enough for all three of you and room left over. On the walls is gentrification-colored paint, a gray laminate flooring to match; there is not one speck of dust. It feels every bit the palace it is on the outside - the gables and mansard roofs and the Juliette balconies - gothic, or neoclassical. Something vaguely European, with all its rich furnishings and pristine fixtures to boot.

Sana and Miyeon step into the space with all the familiarity of royalty.

"Warm in here," says Sana, appraising; her black chiffon, nearly translucent, fans about her hips with each tiny sway. In her white pumps, she's already a perfect tease and she hasn't even touched herself yet. "Smells good, though."

Miyeon's heels echo behind her like gunshots against the floor, and it's really not ever fair the way a skirt wears her. "The listing said something about a hospitality kit, and essential oils - there should be a basket of things. Do you want me to start the water?"

"Let's settle in a little first," Sana suggests, and without any fanfare, the first thing she does is draw the gauzy curtain closed.

There's an itinerary; it's an ongoing event. Technically it all started in the airport terminal when Sana slung her arm around Miyeon's waist and her hand went straight down to her ass. She just gave it a little squeeze. In the moment, nothing terribly remarkable, but then again, Miyeon didn't tell her not to. They walked through security like that and picked out drinks together from a terminal cafe before doing a circuit, fingers linked. The way Sana looks at her now - Miyeon sees - is how she's always looked at her. That is maybe, the whole point.

"Come here."

Sana's tone is smooth as silk, her mouth an inviting pucker, gloss-dewy and delicious. The bow is even tied at the back: Sana's collar is fitted snug. It sits tight at the base of her neck with the silvery cord loose across her shoulder, knotted down near the apex of her spine. It's simple, classic. All soft fabric and no frill, with an absence that invites eyes and wandering fingertips: she hasn't worn a bra. No strap lines. Her body has the sweetest outline and the warmest curves and god, the skin she's not showing is as good as what she is.

"So," you say out loud. It hits you: there's no cameras, no urgency. No obligations. "We came all the way here just so Sana could have sex, huh."

It's really always about the two of them.

"Good sex," Sana corrects. The table next to her catches the flat of her palm as she settles herself against the surface, one leg crossing in front. The slit in her dress rises in the movement: enough of a hint at the soft thigh underneath. You see her do this every once in a while and her body doesn't lie; this is an implicit act of seduction. But when she looks back up, her smile goes shy and her voice follows suit: "I promised our princess that we'd spoil her a little."

You say, "she's right there," at the same time Sana adds- "which is kind of impossible when she's still wearing her clothes."

Miyeon makes a big, showy production of crossing her arms in a huff. You could do anything; flip a switch; knock her flat against the wall, and Sana would hold her down with a hand at her throat and a kiss her like fire and gasoline on her tongue and no one would have a single word to say to complain.

You could have. Would have. But Miyeon finds her fingertips on the ridge of her clavicle, the barest swipe. She pulls at the top button of her shirt and the seam unlatches: a single reveal, a gradual, fluid movement in the dip and fall of a one inch gap. Just enough skin to make you and Sana swallow.

"Oh?" Miyeon grins. She stares at you with that coy smirk, biting her lip; an invitation for a kiss. For a fuck. You cross the gap, with every intention of making good on it; only, Sana slips in behind her - stops her midway in undoing the next button - and places a hand on the nape of Miyeon's neck, cool.

"She really can be a brat, can't she."

"Only because she gets rewarded for it," you admit, and as soon as Sana touches her, Miyeon is looking up with that same face she gives you when she gets on her knees, ready to be just your little pet, your desperate, whimpering thing.

Sana leans into her ear: "maybe because she knows she can't stop thinking about you bending her over, every chance she gets. Isn’t that right, pretty girl?"

They've always been like this, you think. Growing up with money and cars and ski vacations in the Alps: that sort of thing. It's been a long, slow, build-up and this was always the payoff. It is, without a doubt, just the slightest taste of luxury. Sana pushes, and Miyeon turns up to her mouth with a slow, dangerous whisper. "Isn't it kinder to say it as it is, instead of dancing around it for weeks-"

"For months," corrects Sana, and then sliding into a far more generous tone, "mouths, fingers- or his cock?"

"Maybe," Miyeon lifts her chin like she's readying to kiss, "all three."

Her voice drips - purses her lips, and you're there again: at that fateful exchange. Everything about Miyeon has the power to sink its claws deep. Those heels on her dainty little feet, the stockings climbing along her thighs. Everything.

"Miyeon." That comes out harsher than you'd have thought.

"What can I say? I'm not a patient person." She's got that wild, starry-eyed look to her. You could tame her. You could dominate her - your throat is so dry. The room has the faint scent of citrus, like lemon rind and verbena - a kind of lightheadedness settling over you all. "So, why don't you..." She's blushing, holding her arm up as she skims a finger down this slow path along your torso, finally hooking it into the top of your pants. And now, it's very, very clear she isn't wearing a bra either. "Make things a bit easier."

There's an entire lexicon of everything you'd like to do, so it's best, maybe, that you settle for: "Sana, be a doll."

"Anything," she says; she doesn't hesitate. You like the easy give.

And it's kind of amazing. All three of you together and, sure, the way her fingertips tighten, sliding under the curve of Miyeon's chin and then pulling the linen shirt down from the backs of her shoulders - this is a choice you can all agree on. One that pulls on the elastic band hugging the cut of Miyeon's waist, makes the material drag and ride up the front of her legs. Her belly. Sana has the gift of being able to kiss so perfectly on the back of someone's neck that you could easily forget she can get a little mean, too.

"What is it, baby." Sana asks; a challenge, not a question. "Come on, love. You know it's true. Why don't you let me show him how sweetly you moan with just a pair of fingers in your cunt."

"Please do."

"You're practically wet just saying it. You want it that much." Her voice goes thin, then deep again: a stark contrast. "Show him the mess you've made."

Miyeon's hand is in all the way in your pants; you feel hot. Like the room's air conditioning should've kicked on a lifetime ago - you're trying not to think too much on the way her slender fingers start to wrap themselves around the shape of your cock and your mouth falls open, because she can just - fuck - do that-

They turn to each other like mirror images over the slope of Miyeon’s shoulder, exchanging some secretive wordlessness in the privacy of their smiles and soft, muted laughter. Miyeon's on the toes of those pretty pumps to lean in, closer, further, and Sana lets her.

Which is exactly how it happens: Miyeon kissing you. And she really kisses you, sweet, delicate - and somehow all-consuming. It sets off this chain reaction, a wildfire of unbridled desire: that thread in Sana that can be almost violent, and one that Miyeon always manages to bring to the surface of her skin. Because now Miyeon's gripped and pinned, and Sana, bless her, pulls the fabric of her own dress up over her head until she's naked alongside her. Working towards a common goal. Here's two hands. Here's two more. They're helping you out of your shirt. It's pretty easy from there. You're all unraveling together, just falling apart - Sana and you, working in tandem to unclasp the pearl snap buttons trailing up and down the sides of Miyeon's sinfully short skirt, peeling back the cotton. Miyeon holds the swell of your cock tight in one hand, pumping, while Sana rakes her nails over Miyeon's breasts; both girls taking off the final scraps until every article of clothing is tossed to the floor.

And Miyeon here is simply unbelievable. Your hands are all over her. Her razor-fine waist, her thighs. Her lips. Those soft tits, and that cute mole above her nipple. Because even her imperfections deserve the same lavish attention.

You kiss her, and kiss her, and you can't help thinking how filthy it feels. This wet mouth and tongue, everything you could want in the slide of her mouth - just, messy-perfect and a bit sloppy; how her whimpers leak out in soft, a tight inhale. You cup the side of her jaw as your hips grind into her and a low, uneven sound escapes you. Sana's small fingers wrap her ribs to grip a breast, knead the supple curve and supply her thumb to the indent. It's really, so soft, and warm, and then wet: your precum dribbling over her knuckles, rolling down. Miyeon has her head tilted to let her jaw lean into your palm - she smiles, and laughs like it's nothing - like you're not there, towering over her lithe little frame. Like the head of your cock isn't brushing into her bottom rib under all the twists and jerks of her wrist.

"Your cock is so hard," Miyeon threads into a sigh, in that throaty, almost melodic voice. And then she laughs because she knows exactly what it’ll fucking do to her. "And fucking heavy. I thought I was going to get a real good look earlier in the airport," she confesses.

"Let me guess." Sana presses a kiss to her temple from behind; a lull in the scene. You fuck yourself gently into the curl of her fist. "You've been thinking about it this whole time. About getting him inside you. With that naughty little mind of yours running at a million miles an hour. God, that must've been such a tease, getting stuck with just the thought while we sat through lunch, and the flight-"

"Don’t forget right now-" Miyeon presses in. Her breath is hot against your neck. "While we're talking."

"Princess," Sana says into her ear, and it makes her tip her head - until she’s revealing the pale skin of her neck. God, yeah; maybe she really is nobility. "I'd be hard-pressed to leave you wanting. Your body's all wound up for us."

"She's fucking soaked," you confirm, like you aren't pointing out the most obvious thing in the room.

Miyeon bites her lip; you're gripping your shaft, urging her wrist to go faster. "This is the part where you turn me inside-out, no?" Miyeon is a walking fucking cliche and she knows it, smiling all slyly with her teeth. She says it so damn casually: "so why isn’t my pussy getting any attention, really. I wonder, I wonder-"

"Trust me, neither of us are interested in teasing," Sana assures her. "We're going to fuck you until you can't remember your own name. And then we'll fuck you some more."

You push down hard on her collarbone, and in that same instant Sana drops her free hand below and runs the flats of her fingertips along the plane of Miyeon’s tummy - until Miyeon tilts her hips - everything else still, almost lazy. Her feet leave the floor and then come back down again. The momentum of the fall ends up being enough to jostle the three of you towards the nearest wall where Sana's back is kissing the cold drywall. And you're already there - pressed into both: Miyeon's palms flat against your chest as you haul her thighs around your waist.

Hoisted, lifted, cradled between you and your girlfriend - who by the way is inching two fingertips under the top of a lacy-banded thong, slipping beneath the white trim, to finally (oh, god) pull her hand away and slip it into Miyeon's parted mouth. "Look at you." A hum in her chest. "The most beautiful, perfect-"

(You push your cock into her, and hand to god, you swear Miyeon's voice breaks like a bottle over pavement.)

"And all for us- your slutty little pussy is already so wet- Miyeonie, we've barely even started.”

Just think. The code word system you've been employing for months - "We were actually thinking... if you're not doing anything else... what's the harm in the two of us getting more familiar with you." - has proved exceptionally reliable in getting Miyeon out of her clothes and into your lap, but here's where it all vanishes into thin air. Sana's mouth is hovering over Miyeon's shoulder; her body, caught between the two of you. And she's trading in on the implied permission to tell you more directly:

"She needs to cum all over that cock, babe. Fuck her pussy until she’s creaming, won't you."

"Right." You groan in tacit approval, hands holding firm onto the firm swell of her hips - that round little ass, the dimples you can feel the dip of, just under your thumbs. She's already thrown her arms up around the back of your neck when your cock slips inside her, to tug you in; this wordless begging: need, need, need.

It's not even a totally new sensation. Nor is it even the first you've ever been inside her, but god - Miyeon takes one deep breath, and on the second inhale, you sink another thick inch of your cock into her slippery slit: she's completely, gloriously bare, just this slick heat that only opens more and more and more. You draw back, thrust in, and there's this sopping sound, all wet press, into the soft muscle - you don't even remember pulling her panties to the side. But they're bunched into the crease of her thigh and that's rather convenient.

Her breath hitches as she slots down onto your shaft, again - in rhythm - like a total dream. "Fuck, that's so tight," she grates, her voice rough and gutted; something like, 'I cannot believe you feel this good.'

-and they groan in unison when you pick up speed. All of it. Together.

Because it's not just Miyeon's perfect cunt wrapping you up tight, squeezing and pulsing, even better on the backstroke - but it's the way Sana is catching your lips in the space over Miyeon’s shoulder. That you three can play each other with the promise that every last moan or gasp or the single, resounding thrill of pleasure will find a perfect partner: one for your mouth and one for Sana's fingers at Miyeon's collar bone, a tickle along her hip, pressing an insistent fingertip around and around in small circles, dipping into the give.

Her body's shaking so much through every push and pull. Fuck. She's so small - and you're the one filling her. Fucking her. Breaking her. Pressing two girls into the wall like you've earned the right. You're splitting Miyeon apart so that Sana can fill the spaces you leave empty and vice versa: and she's so, so desperate, the little noises she's making, "Please," like it hurts. "Fuck," like it's the best feeling. "Keep going, please, fuck- don't stop."

"See, baby? It feels better when you just give up, doesn't it?" Sana's got her fingers down further between Miyeon's thighs; you can see her swipe upwards. Hear the wet sound. She says, "there," into her ear. "Nice and slow, while he fucks that cunt, and I rub you like this, we want to keep making you feel good. So take what you need, hm. I don't hear you-"

"Oh my god," Miyeon moans. And she means it - feels herself dripping all over you. "I need it. I need it, I-"

"Come on, darling," Sana chuckles, soft and low in her ear.

"N-need," Miyeon chokes.

And what kind of idiot wouldn't take their palm off her breast, or undig their fingers from the round of her ass for even a second. It's having her in the palm of your hand. With one foot dangling against your thigh and the other tangled up above you, the stretch in Miyeon's body is entirely for the convenience of letting you fuck her to pieces.

"There it is," Sana is murmuring into your mouth again, and that’s a reward of its own, her wet, full kiss at the junction between Miyeon’s neck and shoulder as her thumb digs deeper into the curve of the girl’s thigh. You listen to Miyeon moan your own name, uttered like it was written by god and meant to form on her lips as it tumbles down through the ragged mess of pants and gasps.

“Fuck, baby-” You press harder. “Your pussy feels incredible- how you suck me right up like you're the good girl you love to pretend you are- like a perfect toy," you breathe, "-all nice and hot. Licking, swallowing around my cock, getting dicked out for my enjoyment-"

"Yeah, yes," she pants out, the total capitulation. "It feels so fucking good."

You feel the mindless, blissful roll. A rhythm in the give of her thighs as you slide home again and again. There's a clink from the bracelets on her wrists; her hair falling into her eyes; there's the sheer ecstasy written all over her pretty face when Sana reaches one hand to start drawing slow circles on her clit.

"You're just fucking me so god-damn-good." She’s breathless; you’re taking everything from her. The poise, the finesse, the dignity.

"Of course we are," Sana supplies, and it's fitting. You're both holding her up. You'll be the ones tearing her down.

Miyeon's arms tighten around the back of your head, arching, squeezing, and there's that feeling that always accompanies Miyeon: like she's completely melting you to her core and turning your brains into fucking mush. Everything from her tight little pussy to her breathtakingly pretty eyes to the way her spine flexes to meet the pitch of her voice - it's fucking ridiculous, that she's even real in the first place - let alone that your cock is buried so deep in her cunt you think you can hear her sob. Or that all five-foot-two of her is making these tiny desperate noises as you use the width of her hips to bounce her harder onto your cock.

Sana's long fingers slip and press - they're not touching anything except the swell of her pussy, just this ghostly brush of a light, almost chaste graze. It's enough: a touch like that, and fuck, another-

Miyeon cries out.

“I'm going to cum-"

"Say it again," Sana's whispering, "tell us what you need," and in a sort of coup-de-grace-style-of-climax, she bites at the skin over the top of Miyeon's jaw and slips a fingertip right onto her aching clit. Presses down. "You're such a fucking slut, Miyeon, such a gorgeous cocksleeve-"

"I-"

She's actually whimpering, the poor thing. Eyes squeezed shut, toes clenching; everything is trembling, tense with release. You’re fucking her into a puddle of a person, and she’s holding her lip between her teeth like it might do a goddamn thing. It makes sense; the tightness, and wet and heat is what she knows.

"Go on," Sana answers her, and it's like her words slice the voice in Miyeon’s throat to shreds, "cum all over his cock. So. Fucking. Good, baby," a hard push through every syllable as her teeth snag into the shell of her ear. She rides the boundary of degradation and downright debasement because she knows that’s how Miyeon will absolutely cum for her. For you, for both of you. "Do what you're fucking made for, and just take it, pretty, lovely, you can’t live a second without having his fat cock and my fingers in you, can you? You look like a filthy little angel like this, I swear."

You’re both on the same page, telling her over and over - shh, shh, you take that cock so well, feel that cock fuck you apart, baby, and all you have to do is cum - only, you’re paying homage to the title: you call her princess. Sana takes the opposite approach. Tells her, "you want everyone to know, don't you, what a goddamn fucking slut you are. You filthy, dirty little thing-"

It works. They both work, and so does everything else.

Your blood has gone totally hot. Like molten lava. Boiling over and about to spill.

The last thing Miyeon says: "Oh god - I'll be good, I'll do anything, I'll be your slut - Sana - anything-"

And it's one of the best lines to ever leave her mouth.

"-for this beautiful cock and these fucking perfect fingers, shit - fuck! Right there, right there, right-fucking-there-"

You fuck deeper, harder. The orgasm ripping through her muscles lets you leave marks and bruises you’ll be coming back to all weekend. Miyeon's face falls against the crook of your neck, mouth pressed there - you can feel every gasping inhale, the open-mouthed warmth of her body. It's you that whispers a shudder, half-voweled - "Miyeon," and she’s already there, so ready - it's kind of crazy how everything about this girl works so intricately and precise, like her very design was to take you to the hilt and melt all over your cock, because Miyeon's response comes as a mind-blanking:

"You can," a muffled whine in her throat. "Do it. Cum inside me. I want to-"

Sana’s eyes flare like she can feel that cable snapping, too. How your mind is all white noise. The torque of blood rushing through your head. You're thrusting deep into her well-fucked cunt with all the strength you can muster, your hips stuttering in the follow-through. When you catch the smile in her lips - the curl in her lips like she knows you’re about to spill everything, like the perfect siren’s call- you hear Sana over her shoulder: "fuck her. Use her. I think she wants to feel it in her fucking stomach - you know, the whole reason we’re here-"

You cum inside her - there’s no question - filling her tight hole up. Shit. You actually cum all over her too.

In fact, you manage to drag yourself all the way out from Miyeon, the wet quivers and hot aftershocks, all so Sana can get a good visual of how you’re fucking ruining her: the loose rope of white that streaks up her tummy, splaying out beneath her breasts. The absolute debauchery; it’s even more pornographic when your fist pumps another splatter of cum right onto the swollen lips of her pussy. Miyeon moaning on impact.

Sana supplies her own soft gasp, scraping the air past her teeth, tension hanging in the silence - and then you bury the rest of your load back inside her cunt.

And here's a feeling that's going to stick with you for a while. Beyond the fireworks in your pulse - the shake-ripple that leaves you with nothing, no muscles, no brain matter - you slide your cock through her cunt again, and again - just to feel how your cum pushes back out. And she's watching, she’s letting you watch: how messy she's become. Her tits. Her sweat-dewed thighs. How every second seems to bring its own unique ache.

Really, you’re left only with a near mental blank. “God, Miyeon-”

You have just the barest capacity to consider the way Miyeon's trembling frame clings hard - pulling her ass cheeks down flush against your hips - your thick cock completely seated, stuffing her fucking cunt as she goes weak and submissive. You hold her there, suspended as your orgasm softens inside her and Sana hums along your lips, the soft coos spilling into Miyeon's ear: "what a messy, nasty girl. Princess needs to be full and leaking everywhere, doesn't she. How many creampies do you think you're going to ask for?” Sana laughs. “How many will ever be enough? I hope he gave you something worth begging for."

It's not really surprising how a feeling can hook its teeth into you when you're cumming like that. Subjugating the deepest reach of her sopping cunt to fulfill your own filthy fantasy.

And look: Miyeon is soaked - soaked and wrecked and pliant. You kiss her and kiss her, and Sana kisses you, kisses her too, all of it muddled up - and your mouths are a mess. Your hands go into her hair, onto her ass; there's cum down her thighs and all over the floor. The smell of you three: her slicked arousal and your sweat and Sana's expensive perfume.

Here, come come - Sana is a flurry of activity; she's helping Miyeon out of her second heel after you'd fucked the first one off her foot without bothering to get the strap unhooked. There's her careful proclamation of, "thank god the walls aren't paper," as you practically carry Miyeon to the edge of the sofa, this dreamy vision of messy hair and a royally-befit-blush. In the whole world, not once has Miyeon looked like anything less than nobility.

And now's no different, really.

You sink down onto the plush, tufted fabric - a chair whose shape might confuse you if Sana hadn’t told you earlier it was explicitly built for fucking, or whatever it is you're doing. She's smiling at you, settling her face right onto your shoulder and peering up.

"Sana," she says wistfully, but looks right at you. "My legs are still a noodly-mess. Could you turn on the jets in the tub?"

"And leave the two of you unsupervised?" She jokes. "Never."

Miyeon sticks out her lip. Pouts, almost: "it'd just be a second."

"She's only asking for a minute," you add in.

Sana rolls her eyes. "And since you've suddenly turned into two hopeless idiots, it can't be trusted. If I'm drawing a bath," a flick of the gaze, "the least you can do is join me. A chance to recover if nothing else."

Miyeon, being Miyeon, has already dropped her face down to your lap, curling up with your cock at her lips. When she gets her first, tantalizing, almost chaste little swipe at the tip, she smiles all impressed with herself. With those big brown eyes, her fingertips skating delicately along your stomach, and her dark lashes beating slow - all of Miyeon, right now, is on purpose, calculated. Precise.

Her voice is even worse: "she wants her own go first, don't you think?"

Sana watches where your fingers thread into the ends of Miyeon's silky hair, just the gentlest twist and tug. How you have her mouth ready and open, waiting; how Miyeon glances over for approval.

"Well," Sana turns a cheek, "he's already so worked up." Her dark eyes look towards you - a mock frown. "I don't know if we can convince him otherwise."

Miyeon's throat clicks - she's not choking yet, but left to her own devices, she will be. Her expression melts into an almost-gasp as your cock fills the empty space in her mouth. There's that plush little gag as she opens, lips wet. You rock your hips, and then you get to watch her nose kiss the trail leading up the smooth plane of your belly.

"I could go for a soak," you admit, with Miyeon drooling on your cock.

Because Sana's doing that thing where she turns around, has the smug look over her shoulder. Makes a slow, teasing movement that leads your eyes from her pretty face all the way down the cut of her back, until finally she's pushing the soft waves of her hair into one hand so that her ass is perfectly presented-

And jesus, sure: the sloping hips, the inviting lines - the sharp points and soft edges, where she is and isn't; her cupped fingers come up to her own chest, just to show off the heft of her tits, hanging heavy. Everything is sensually posed. You're only a little bit mesmerized. Her figure has always had the cut of a pinup model. Curves like a siren. Her waist to hip ratio is - oh-fucking-kay, maybe you could do it right now - bend her in half - get her fucking sobbing until you kiss her quiet and cum so deep in her cunt it's all she can think about for days-

You realize then you're pulling too hard on Miyeon’s hair.

Not meaning to, or maybe too eager.

Hey, you have a pretty girl sucking life back into your cock and one more giving you bedroom eyes from across the room all ready to sit on it; you never said you weren't trying your best.

"Careful, honey. I'm getting impatient." Sana's hand traces the wallpaper trim in the hall, a sweeping path; a vague reminder as she disappears down and around the corner. You hear the squeak of the faucet and then the sound of her light footsteps. And then it's just an echoey and unapologetic, "one day I might not let you have all the fun," followed by, "my goodness-"

Sana, appraising her reflection in all likelihood. All bright smiles

You turn back to find a second set of eyes staring back, full of hunger, as a wet, messy heat wraps around the base of your shaft and follows to the top with the flutter of her tongue - and then all the way to the back of that tempting throat. Miyeon's moving at the tempo you'd put her at. You appreciate that. But you lift her jaw and hold the side of her face so she's looking straight at you - and as soon as you pop yourself out from between her lips, you say, "you'll let me taste Sana, too, won't you, baby?"

(Miyeon's never been good at saying no - to anything. That doesn't change here in the slightest.)

The way you laugh is easy and sweet. You kiss the space over her temple. "We've always been in this together, Miyeon," a soft tease. "Go ask her nicely, and I bet she lets you clean me up," before adding, "maybe, after you lick all the cum out of my girlfriend's tight ass."

And Miyeon simply grins. The promise of that sloppy fucking mess. She's ruined herself time and time again over far less.

"Oh," she says, "you know how good I look with cum dripping down my chin.”

It's kind of impressive how shameless she can be. So fucking blase - what are friends for, anyway.

“Shall we?"

You scoop Miyeon right up into your arms and, upon standing, swing her little body around in front of you. And she knows that's the sort of thing she shouldn't enjoy: being manhandled, told what to do, having someone lift the choice off her shoulders like that - but that doesn't stop her from tangling herself up around your neck and tilting her hips back into you in that playful-fake, overly innocent-cute mien - where she says in this tiny whisper, "are we, you think?"

Your mouth lands on her ear, nips the softness there, "behave yourself, sweetheart."

And then a low, breathless laugh escapes her: "when's the last time that was even an option."

(For the record, the answer is never, and you're probably actually so fucked - it's kind of hilarious to look back at it, and think, because how could any two people who have spent as many weeks (months) as you, putting all the right pieces into the right places, get all the stars align at once? The idea that the three of you are hooking up and nobody's getting hurt, murdered or hung out to dry is statistically improbable; and the likelihood that anyone in this presidential suite will survive the weekend without breaking at least four limbs in various places is rapidly dropping with each passing hour. You've been taking the old adage and clutching it against your chest -

It can't be a sin, if it makes you happy.)

Past the door, the first thing you notice is that Sana's hair is all pinned up. Always pretty like that.

However it doesn't change the picture a whole lot. A few inches more bare skin isn't exactly a big difference when there's the whole, naked, porcelain expanse that spans the soft length of her shoulders, along her hips and waist, and runs to her feet. It's still kind of incredible. The hourglass shaped silhouette. All the natural curves finding relief in the right places. Model-esque, that sort of thing. And, yes: her tits, the absolute heaven-sent frame of her ass and those amazing legs.

It goes without saying.

She's there with her back arched, an arm perched on the granite of the counter. So relaxed. An elegance only afforded to the very lucky or the very rich. She lets her head fall back, the fine curve of her chin canting above a neck that you would've been biting kisses into just moments ago if she hadn't put herself in full profile to take your breath away.

"Show off," Miyeon mumbles, and then whispers to you, "sorry. My body can't do that, like-" she indicates - with a weird wobbly hand gesture, about the height of Sana's pelvis. "Whatever that is."

Sana tilts her head forward and meets the glance you give her reflection.

"Hmm," is her eloquent contribution to the airy room, woven into the pitter-patter of bathwater, lapping at the surface. "Now why am I left to wonder why there's no one making good on my requests, huh."

You cross the space; get close. And Miyeon stays curled up against you, doesn't let you slip away as you walk over, doesn't let go. She kisses the front of your shoulder, hums softly.

"My bad," You say. It's very believable. You sound a bit winded; kind of a wreck, but your sincerity shines through in that sort of 'I'll fuck it better' kind of way.

"Excuses, excuses." A dismissive shrug. "The water's perfect. But if you insist," and the sultry drop of Sana's eyelashes is deliberate, an invitation. Her breath is caught as your mouth finds the space between her neck and shoulder blade - the place where she's gone all pink, "I'd hardly pass up the chance for you both to eat my pussy first."

And look: it's not a lie, per se, but the natural instinct for Miyeon-logic is just to provide the justification, "the faster we get you a cumming, squirming, desperate mess-" her hand slips to cup the junction of her jaw and the crook of her throat. "-the sooner it'll be 'til he fucks me senseless again."

"We have a long way to go to get even, sweetie," argues Sana. "Last time, you were both pretty self-absorbed."

"We'd never ignore you on purpose," you whisper into the crook of her neck, and Sana turns to let you follow that deep, velvety mouth as the kiss flows across her lips. "You're absolutely necessary."

"Only by accident, then. That's a little bit worse," snarks Sana. The reprimand dies down into something soft as Miyeon lets her tongue trail flat over a nipple. She shudders.

"If I keep going, maybe you can forgive us?" You watch her eyelids flutter open, a haze of ecstasy passing behind her eyes. You keep an arm at her hip, wrap around and press flat until her whole flat tummy is pinned against your cock.

"Mmm," Sana hums. It's that sultry note she likes to let trail from the very end of her throat. "Ask me again after you get me off. But slowly: I want to savor every detail."

Miyeon traces kisses across Sana's rib until your girlfriend presses two wet fingers to her mouth. Easy.

"Then you should probably do something about her," you say, and - as if in agreement - Sana twists her hand into the cascades of her Miyeon's hair. You lean into her shoulder. She sighs; exhales, deeply, while her back is shimmying further backwards into the countertop.

"And you should help her make it up to me," Sana chimes, her voice clear and melodic, every inflection playing right at home in her vocal cords. "Two mouths are better than one, and I have so many other places you should be kissing."

Sana has a verifiable gravitas, for one, and when she's not hiding in plain sight behind the bubbly-bright act she likes to put on, it's nearly impossible not to fall in line behind her. This isn't to say you couldn't win her over either; it's a pretty small crowd here. But you choose one direction and watch her skin pink up and turn to red; you grab a wrist and it goes cold and white. Every last part of her is so damn expressive. The point is that she doesn't need you to make a fool out of yourself to know you're into her - or vice versa.

(Or. You're such a goddamn sucker, as Miyeon likes to remind you with a scoff, a little eye-roll, and then her hands on your belt. At least, before everything else: the knowing smirk, the dangerous suggestion).

You let your fingers find the backs of Sana's thighs as she spreads her knees apart, and there, you're reminded of the one thing. That of all the ways these two girls are identical, you've never found a comparison that really works. Not by any useful measure.

Miyeon has all the softer features: a bit dainty, the doe eyes and the lone dimple, like a doll with an aw-so-cute factor, whereas Sana is all sharp, clean angles; the sculpted muscle in her calves and thighs, the firmness and muscle underneath - which, yeah, definitely not the worst trade off. Don't get it confused, both girls crave your approval; both prefer when things get rough and sloppy. Describing either as anything but the most submissive holy-shit-take-me-now-I-need-you type, when put under the slightest pressure is laughable.

Not when Miyeon lets you use her like a toy. Or when Sana tells you exactly what you need to do to fuck a baby into her (hypothetically speaking; she gets a little silly and dumb around the edges whenever she's about to cum and her brain starts tripping over her tongue). Neither will hesitate when given the option of having your hand on the side of their throat, pinning their wrists to the headboard or the shower wall, fucking them until they go liquid and collapse in your arms, shivering, whimpering and begging, their pussies pulsing around your cock. In fact, there's really no hard or fast rule at all. But here, you recognize, is a great point of difference -

"Baby," you murmur into the inside of Sana's thigh. You leave a mark with your lips that you’ll come back to. "So. Fucking. Gorgeous-" right as Miyeon starts pressing her mouth against her cunt. "Aren't you, baby? The most beautiful girl. And all of this is just mine?"

Listen - the praise kink your girl has is actually pretty textbook: Sana wants to be called sweet, she wants to be complimented, rewarded, and all that good stuff; she wants you to talk to her the way everyone who sees a flash of her skin or a sway of her hips wants to - the best parts of adulation, arousal, love, without any of the side-eye of it being totally obscured in a crowded venue.

Direct.

To the point.

She wants to hear each and every you're sexy, you look hot, your ass drives me crazy. She wants it on the gruff in your voice, how it gets a little rough at the edges. Tell me you're mine. You make me so hard. This is just the very essence of who Sana is, and you have learned that you need to give as well as take: feed her a tiny ego boosting here and there, and she will completely throw herself at you in return.

Miyeon watches you run your tongue over her cunt like she’s taking notes, and it’s clear you’re more than prepared to give it all up to her. There's always been this veneration, this reverence for every inch of her, a pull towards her - her eyes, her mouth, her wrists, her long beautiful legs, the place where the skin of her thighs meets - you've always had this insane fascination with Sana, this need to know what she'd taste like or sound like. At any given moment.

"Oh," Sana pushes Miyeon closer, moaning. "Yours. So yours, baby."

The moment you both have your tongues working at her - tasting, the sweetness of her dripping down onto both of your faces, making you lick your lips and kiss each other so Sana gets to watch - Miyeon hums approvingly. Lets out this very performative, "isn't she just the best?"

And it isn’t that you can't find the right word - divine, wonderful, heaven, incredible, without any flaw - there just isn't much room to read into the fact that you and Miyeon are both sunk to your knees on the bathmat, kneeling in worship, in adoration - sucking on Sana's clit. The imagery sells itself.

"We'd never forget the important things," Miyeon continues, dreamily.

She's trading with you the folds of Sana's dripping pussy and the outline of her lips for her thigh. You pick up where she leaves off, and that earns you Sana's hand raking through the back of your hair, pressing you so close you can hear her heartbeat in her pulse; her blood burning through the very spot.

“That's how you make me feel, baby: so fucking good. Amazing." You taste it. You chase it. There is nothing like her cum filling your mouth. "Pretty. Mine. All mine."

“Yeah, okay - sure - that feels really fucking good.”

Sana's orgasms always start slow; a slight adjustment of her hips, the rub of one calf against the other, she's never been the quiet type but there's not quite the screaming or yelling just yet. Her jaw is set.

"You're, uh-," she adds, failing at anything else.

Miyeon tries for it. That edge of danger; not in pain or frustration, but, "there you go, sweetie: you sound so fucking pretty when you're worked up. Just tell us - the words, we need the words to make it good, baby."

"Fine," says Sana, tilting her head down, breathing deeply, and she makes a sound that's neither a whimper nor a laugh, but a crossroads of both. "Right there, oh my god, you are so fucking dangerous, holy shit. Oh, please. Please. You two- just, please, don't you dare- just a little bit - mmm. Why do you have to be so good at that?"

"Right?" Miyeon laughs out loud - like you're the one missing a vital point, like it's your fault your face is buried in her folds. “I used to think guys just didn’t like doing it. And then, well-"

And you drag your tongue flat and up over her pussy, right through that whole slicked up slit, your fingers still pumping in and out, and then you flick it just hard enough to-

"-yeah," she huffs, panting.

Miyeon presses her thumb into the mess of Sana's cunt, and it causes Sana's whole body to shudder apart - you lift your face to breathe, or to promise, "we can go for hours if you want, taking turns making you cum," before pressing into her again, and Sana's only got so much patience and stamina when you're two steps ahead of the curve, because her legs are practically going to wobble off her body.

"Poor, pretty baby," Miyeon murmurs against her, and she's talking like she’s taken all the control now. Operating in that cycle of push and pull.

And to her point: Sana is whining, gasping - every bit as hot and bothered and needy. She's whispering please and not giving up her requests.

"Fuck. Okay, sorry-” she apologizes. For some reason.

Your nose keeps getting bumped, her cunt is grinding down into your chin. That is fine. If it keeps on like this, your whole face will be soaking wet.

"I'm going to just- going to go ahead and cum, I think- so fucking. Yeah, keep on going just like, shit, please: my pussy is fucking throbbing."

This is the easy part, if you've read the rest right. If the hours and the minutes, and all the passing days: you know which direction the pieces are about to fall.

Sana arches her spine, rolls her hips into your face, and when you swirl your tongue all over the wet heat at her core, the sound she makes is music: low, throaty and delicate. Your mouth is attached to her clit still when you look up over the hand you have steadying each tremble in her diaphragm. And possibly as a sort of vengeful maneuver, Miyeon is shoving two fingers under your jaw and far enough into Sana's pussy that each curl of a knuckle is all that’s left to find Sana cumming right onto your mouth, your chin.

She wants to scream, to cry out, but her mouth joins her face, in that frozen expression of anguish, of an absolute that perfect pleasure.

"Shh, shh, it's okay," Miyeon consoles, standing up, leaning in - close, really, impossibly close; she presses their foreheads together, murmuring against Sana's ear, whispering what-do-you-need, there you go. Baby, that was perfect. They each know the song and dance. They can shamelessly recite each other's lines. Miyeon slides an arm to the small of Sana's back, one across her shoulders, and Sana leans against her with this gorgeous look of a perfect, mind-numbing orgasm on her face, her eyes bright, her lashes fluttering - a sheen of sweat across her forehead; your stomach falls and bottoms out; you can't not be fucking attracted to these two. Miyeon smooths down her hair, reassuring her. Her hand reaches lower, wraps around her, pulls.

The bath is well filled at this point, water near overflowing, and Sana is equally fucking soaked. This storm of wet and hot beneath your lips. You clean her off with the broad stroke of your tongue and don't spill a drop, because the noise she's making - it sounds like rapture, ecstasy. She's half-delirious, panting, with her hands gripping the sides of your head.

"Where," she gasps, trying her damnedest. You have the best girls in the world, you really fucking do. Miyeon rubs the heel of her palm against the soaked, red hood of her cunt. Sana lets out a sound halfway between a gasp and a groan; the arch of her hips chasing Miyeon's touch; "you, are you two - god damn, if I hadn't already-"

"Shhh. My poor girl. You're not thinking about his cock just yet," and those are Miyeon's slender fingers coaxing your jaw free from Sana's cunt, prying her free from you so she can sit alone at her throne. "They always keep lube in these kind of places," Miyeon reaches into a drawer, fumbling about. It takes a moment for it to register that she's actually talking to you. "It usually looks like some body oil, you know the nice massage kind, in these tiny bottles. Help me look, will you?"

It does not take long - hotel management understands what these rooms are for. The scandal and the romance and everything in between. Because Miyeon finds what she’s looking for in the next drawer down: a sample-sized container of massage oil, something slippery and organic. It smells vaguely of lavender.

"Look at me," Miyeon tells you, and Sana is absolutely listening along too. It's all very seamless: Sana and then Miyeon. All the synchronized parts. Their signals have some sort of feedback even if you're not always actively aware of the things they pass back and forth.

Miyeon guides Sana onto her shaky legs, turns her toward you - So you swallow, hard, and run your thumbs into the crease of her ass - you're kneeling, still, still totally naked and wet all around the jaw. "Eat her ass, and I'll keep her cumming until she can't feel anything else."

You shift your weight and run a kiss along the tender skin at the back of Sana’s thigh. The contact has her bracing a hand on the counter for support.

“And then-” Miyeon says, with a gleam in her eyes like she knows what the fuck she wants. She slides back down to the floor until Sana is pinned between a rock and a hard place. Her two favorite people in the world: namely, your hands gripping Sana's hips, and Miyeon's tongue all over the aching little clit you'd just had your mouth wrapped around moments ago.

"And then?" you provide, hovering a kiss onto the beautiful round of Sana's ass. Her fucking cheek. You have to slap it. Just a little. And when you watch it ripple back and forth with your handprint there, a spot of pink already blooming, well, she has to be giving you a sultry look that demands to know when it is exactly that you are going to stick your cock inside of her, and it is absolutely just impossible to look anywhere else.

"And then," Miyeon supplies, "we're going get that beautiful cock in her ass so you can fuck her brains to mush."

"Thanks I guess, for the explicit permission," you scoff, and here you drop your lips, trail them into the crack of Sana's ass, up and down, teasing the taut stretch of her hole with the tip of your tongue.

"Someone has to take responsibility for-," she pulls on Sana's leg and stretches it forward, repositions her ever so slightly. She sucks Sana's clit into her mouth with an exaggerated sort of satisfaction.

You wait for Miyeon to continue, and then realize with the unshakeable notion: she isn't going to, because it's too damn much trouble. There is no reason to pull apart the premise and not the girl straddled between your faces. The only option is to follow her lead, and to worship Sana. To trace every crevice of her, lick between her ass and the sensitive, clenching heat of her pussy.

"Can we, like, take a timeout-" Sana's mouth is slurring into the skin of her forearm. Her upper thighs are quaking, quivering as you sink your teeth in. Her head's gone all heavy as a slutty little moan rings out and straight down her lungs.

And maybe the realization is setting in. You and Miyeon are going to fuck her until you all can't think - until you're nothing but primal urges, nothing but bodies with beating, pounding hearts; and every thought in Sana's head will be to the two of you; to Miyeon, whose hand finds the front of Sana's stomach and guides her pelvis into rolling forward and grinding into her mouth, to you, with your tongue lathering and lapping at her asshole, and running your hands around her hips until her whole body's shaking, "oh fuck, my god-"

(The writing is on the wall. You and Miyeon are going to fuck her until none of you know where you end, where the other begins.)

Sana tries again, and the question ends in a deep, rumbling, "don't you want, Miyeon, wouldn't you rather just really, fucking love, having his thick cock stretch you apart," - she swallows - and when she glances behind her back and finds you watching her, there is just pure, unadulterated arousal burning through her eyelashes, over the flare of her ass.

You catch the fucking bow of her lower lip wobbling as she adds, a little more pointed and a lot more determined, "when you're, fuck, begging and screaming for his load? To be his cumdump, his little bitch," it's like she's got her heart set, and her mouth can't stop moving fast enough, and "to do whatever he wants just because it makes you look and feel so damn hot?"

You can hear Miyeon's mouth smacking with the way it works, the way she is swallowing, gasping. You can hear the sound she makes when her mouth goes loose, and says, agreeing, "you're going to love it Sana, every god-damn-inch, you always do" and Sana is falling apart again into your grip, moaning, and then "it's so much better. All the stretch, that tightness. But she needs your fingers first.

You can hear Sana gasping too, dripping a mess into the place where her pussy and ass meet. Miyeon licks a wide strip from her core all the way up and kisses it. Lick. Kiss, lick - her hands pulling Sana closer by the hip - kiss, kiss, lick - pulling her mouth around your girl's clit. So close to the place in Sana's bubbly cheeks, where your mouth supplies long sucks and soft kisses - so close you can practically taste the scented flavor in Miyeon's lip gloss.

"I can't- shit. Hold on, guys," Sana whispers. It's her nails scraping against the granite. "You need to-" and then the loud, dull thwap of her knee knocking into the cabinet.

She's cumming again - this time, loud and guttural, but another really beautiful sound - her cunt pulsing hard into nothing while the air hangs in limbo, Miyeon's tongue circling her clit, your palms around Sana's beautiful, round ass. You're half convinced they'd be fine with being locked away in some tower. Forget the world and its obligations. Or, rather: let the world stop spinning; leave only this.

There is not much talking from then on.

Mostly whining, whimpers and pleas to: not stop, yes, there, yes, please, fuck, and Miyeon wraps her fingers around you - almost the same thing she did when you were pumping your cum into her quivering cunt earlier, asking, please, may I-?

Sana bends herself over the counter, like something instinctual. The perfect bend and arch in her spine, the bow of her knees and the press of her thighs. Inviting, pleading. You can feel the tingle, the stiff tension in the muscles, when you reach out and lift her ass; it gives so easily to your touch. Your palm, her cheeks. There's a beautiful flush as the pink starts to run, fade, and reappear along her back, and - fuck, okay, seriously-

Miyeon's there, kneeling next to you: stroking her fingers up your length. She’s kissing you too. It’s hard to think.

But the sound of the cap coming off the bottle comes like an alarm clock, pulling you out of a dream.

Miyeon sits on her heels, smiling into the press of your lips as the bottle she procured tips out. Clear, viscous and smooth into her palm. When it becomes a lot of dripping; she swirls it against your cock - her knuckles wrapped around you, running and twisting into every curve, sliding her whole grip with long, calculated strokes.

"I don't think she's in any condition to keep a tally," Miyeon announces, "so, why don't you decide?"

"Meaning?" you're panting; your brain keeps working to formulate complete thoughts.

"Meaning," she slips her tongue against yours, slides her teeth and draws into your lower lip, "you should totally pound her gorgeously tight little ass" - another kiss, mostly on your lower lip; almost a bite - "and then you should dump that massive load of yours" - a shudder rolls through her shoulder and leaves a whisper in her wake - "right inside mine."

There are about eight thousand words in the English language but what you say is, "fuck."

Because she's right: Sana is blathering the moment you stand up and let your hands reach around, grab hold of her full, rounded hips. She’s not in any state to protest or complain about matters of equality or correspondence. Her lips and tongue are barely even fit to say anything but yes-yes-please-anything, oh god.

Which, okay, whatever: of course, whatever the fuck she needs - whatever they need - you pull at her hips until it's there, your cock sandwiched between those full, warm ass-cheeks, the perfect amount of pressure to get you so fucking hot, and Sana's not shy about rolling her hips to keep you pressed to the surface, rocking into your balls until her cunt's making slick, wet, hungry noises and she's just one endless, groaning moan.

"Love feeling your cock," Sana mutters; and there is a, "please, fuck me, baby- please?" thrown in for good measure.

"Please do, you're like - you're like ridiculously gifted," Miyeon adds, always the right touch of caustic.

"-please."

Sana's eloquence is short lived, because the second you give her ass a squeeze and Miyeon presses her thumb against Sana's cunt, her voice catches on her throat.

She sounds perfectly winded, completely out of breath, a tiny, sexed-up growl running through the notes as she speaks to her reflection in the mirror. Miyeon laughs. She can hardly get her own shit together when you lean up and grab a breast in hand, or start leaving slow-but-steady bite marks along the back of her shoulder blades; like it's all-too funny when you pin Sana to the counter until she starts to beg in that please, please, please tone: when every syllable and gasp is hitched and short.

"She doesn't want gentle," Miyeon tuts, finding her place next to Sana, holding her chin in her hands and catching the expression on her face. She presses a thumb into Sana's mouth for no reason other than: they're so soft. Wet. Pink and full, parted around her fingertip. "Isn't that right, baby?"

Your gaze follows their hips, swaying. And from this angle: identical. The hair, the jawline, the arch of the throat and shoulders, the elegant twist and fold of their limbs, the eyes, the blush, the smile, and the legs. They don't have to look exactly the same: their presence is near identical - Miyeon's the cuter one, sure. It's been established, but fuck, the look on Sana's face as you spread her asshole with just a finger is fucking dangerous. You're going to lose your mind. Both the flat tummies and the beautiful breasts and their matching hard nipples - and the fucking two best asses the world has ever seen. A line up over the counter: Miyeon and Sana, side by side; their reflections looking at you in tandem, wearing these same expressions. The eyes begging, asking and insisting, the pouting lower-lip and the glassy sheen of their eyelashes.

You tell them: "how am I supposed to" - you run the thick-glistening head of your cock along the pucker of Sana’s tight ass, grind your hips into the friction - "focus when you two look at me like that?”

"Um, just give up," says Miyeon, grinning; and then, when your jaw snaps closed and there's the obvious shift of your hips as your length strains through your body's need and pulls you closer to that incredible, tight, dark hole: "god, there you go. That is so fucking hot."

So, it's just like this:

They watch each other. The mirror is right there; every want, every motion.

And then, yeah, a low and throaty, "is that it?" - Sana nods into Miyeon's hand and smiles, with just the slightest hint of something that could resemble a blush - "why we always come back to him? Because, really-"

"Mmm." Sana hums agreement, dazed and drunk in her words, the slow breath of air you push out of her chest as your cock starts to sink in; the deeper the intrusion, the lower your names become - just murmurs and sighs and sounds: "god, yes, god-"

Her pussy starts to drip onto the tiles, her slick collecting at Miyeon's knees as Sana takes you all the way: and you hold, once you're all the way in; once that gorgeous little puckered rim has stretched around your entire width; there's just the smell of the room; lavender and rose and citrus - Sana's endless arousal - and you hold, and hold on tight - and your muscles shiver as Sana draws the first rocking motion of her hips.

The smallest, lightest grind.

"Jesus fucking christ," you curse, because the heat around your cock is excruciatingly tight. A slow-burning, tingling-aching pleasure as the flesh inside Sana's ass moves up and down the length, drawing out inch by inch of skin - until your entire cock is nearly pulled out.

You're the one that drives all the way back in.

Sana gasps. She runs her hand through her hair. She tries her damndest to remember what words are, clearly coming up empty.

"Baby." Miyeon is kissing her forehead, her nose, her lips, and coos praises in her ear. She sinks her fingers into the curve of Sana's immaculate ass, pulling on the soft cheek, showing-

You are speechless. It's just: that next stroke. And another. Your cock slipping in and out with each pass, so easy once Sana sighs, licks her lips and leans into your rhythm, there, all at once and then faster. And she looks in the mirror, because of course; of course she watches Miyeon run her hand all over her front, the perfect tits and a pretty stomach - your thrusting keeps up until every thrust has her hips rolling forward and snapping back, chasing her own momentum; chasing that thick, hard, stretch of cock and that beautiful pleasure-pain as the force and pace rocks her, pounds her so her entire body has to curl against Miyeon's chest for support, so that she's going a little weak in the knees.

"How is he?" Miyeon's tone gets wicked in these situations, a lot less innocent. She gets excited, giddy. "Pretty, handsome, stupidly attractive," her voice picks up a playful lilt, and she gets you grinning - it's only the start. "And he's all yours. But how's the cock, huh? He's gaping your ass so pretty. Your hole is so fucking open around him. It looks incredible, doesn't it?"

Sana reaches for the side of her ass, presses her fingertips to her skin: pulls and splits a fingernail into the tender flesh where her ass and thigh meet - right above her cunt. You snap your hips into hers and watch your cock disappear. Every motion gives, slurps and sucks until you're hilted inside her.

"Feels, mmmm - fuck." Her chest is fluttering, every part of her so fucking flushed, her blood running beneath the surface so every single inch of her skin is saturated with her own need, her want.

"Feels so good," you growl, your vision gone dark around the edges. Miyeon's there, vaguely, smirking into Sana's jaw, licking at the sweat, scraping her teeth along the skin to bite down, pull- "she's so fucking tight. Gripping the hell out of my cock. Like, it feels unbelievable, you know."

"Babe," she cries, though you give her no respite - you use that little sliver of slack and pull out far enough that she'll know it when your cock is hammering into her ass, a little more aggressive, and you start with quick, hard pumps that echo throughout the room - not for your pleasure or hers: just to hear it, listen, you're driving up so far into that perfect, gorgeous ass that it sends her tits rocking and rolling with every bounce of her chest; her moans, her babbling incoherence, are, again - it's like a drug - and Miyeon's smiling. And also, getting herself off.

"So pretty," Miyeon says into her temple, "with his cock fucking open your ass." And she has her fingers swirling, swirling, in little patterns around her cunt, grazing over a wet clit, like the way you're pounding Sana's ass and dismantling her whole consciousness is absolutely the most arousing thing ever, like Miyeon could stay and watch forever, like Sana's the most beautiful person in the world, and Miyeon would be right here with her every second - whispering praise in her ears - "god, babe, if I could, I would never pull his cock out. You take him so well, don't you? You're just made for it. He could stretch you out over and over and we could, you know - be fucked silly - no thinking - for, like, forever. All day long."

Sana's fingers claw, gripping at the bowl of the sink, while Miyeon has her hand glued to her clit, playing herself.

Miyeon doesn't wait - but she asks anyway - and of course: she's leaning up, in, nuzzling Sana and saying: "yes?"

"So," is all Sana gets out before gasping, because the sight, it's too much to not let yourself feel a little power drunk, and there is a sudden thrust that practically turns the poor girl's voice into a croak. "Yes. Fuck - fuck-"

You don't really have any clue where this is coming from but: "Miyeon, here, take this cock. Come get what's yours you fucking cocktease," and, whatever - who needs thoughts? Your girlfriend's already bent over the bathroom counter, your fingers holding the smooth curves of her ass apart, her beautiful body opened all up and pink.

Miyeon ruffles her hair as she finds the perfect angle, knees knocked up against the drawers, and she's got more oil spread onto her own puckered rim.

You know your girls: Sana is desperate for your cock, Miyeon lives to be used.

"I love how fucking cock-drunk she gets," Miyeon laughs, and then - the moment you've shifted from one gorgeous hole to the other - her mouth slackens, her eyelashes flutter: "shit. Holy - didn't really realize- oh wow."

"Kinda distracting?" you tease, knowing full well you're just going to lose your own words; watching a gorgeous ass swallow your cock; being told to keep giving and take, just as much: the warmth in your own core, your cunt, clenching hard - an aching pulse - the excitement coursing through your veins and this, this whole sensation of being connected: your bodies, all-encompassing and present, three whole units, joining at the hips, being forced back together-

"-you feel fucking, so tight. That's how the fucking joke goes, right?" Miyeon manages: to talk, still, even with a cock in her ass and your teeth and tongue painting pretty marks up the ridges of her spine.

Sana is catching her breath, brushing her fingers through her hair staring wistfully.

"Gives you two so much to talk about."

"Now don't even start- I really like it, alright."

Sana gives her ass the worst slap but your balls hit her cunt on the following thrust. Miyeon's so fucking tight you can barely breath. And her laughter tinkers off into a very pretty string of obscene moans from the way your cock spears into her, all at once: the flat, wet, throbbing sounds of a tight ass taking a thick cock without stopping, stretching and sliding with an increasing ease the longer it goes on for, until you're snapping your hips so far forward they're slapping Miyeon's ass and gripping, squeezing the round shape of her waist; until the movements are just you, the heavy weight of your balls against the hot wet skin between her legs.

And god damn it, she's got to start with:

"Forgot how much you stretch me, Jesus - baby, it is a really gorgeous cock you've got," - and that is when it hits, and her hands fist up, trying to grab at something, anything: "oh my god."

"You are such a whore," Sana laughs, but not unkind, because Miyeon can only grin in response, with your cock pounding out into the red-hot, clenched walls of her asshole. And then: a nice, hearty sigh.

You find yourself asking, almost by impulse, "isn't she, uh, tight. God."

And, fuck: you were thinking how insane it is you two ever managed without the third party. How now, not fucking Sana and Miyeon's glorious, matching asses side-by-side would drive you fucking crazy, and maybe that's why it's really the best news. How when your cock slips out of one ass, and slowly nuzzles into the other - how when you all three watch the pretty faces in the mirror twist and turn into a look of such pure fucking bliss - you just sort of-

"Oh."

That's Sana: with Miyeon pressed chest-first over the marble counter, Miyeon's cheek and nose flush against her face, their arms twisted, bodies crossed at the wrist and wrist - their skin shiny-red with exertion. They're the closest possible position: mirror images of the other, and - with the slightest push -

And it's pretty. It's fucking, you know.

"Perfect," you groan. "This is it. Look at you, the both of you - god - it's like. It's not normal to be as beautiful as the two of you are. Right. So, you know-"

"Hey," Sana is a little faster on the uptake when you're fucking Miyeon and her ass within an inch of dying, "your face. You look like you're close, are you close baby?"

The blood's starting to sing in your ears. Miyeon's forehead keeps bouncing into Sana's - their sweat, mixing, her skin peppered and blotchy pink from where she's gotten a little bit lost in her own head, her hips moving of their own accord, her body tensing, relaxing. You can read all of her movements, recognize her signals: the way she moans louder than usual, the way her cunt trembles against you, the way her ass squeezes, holds, lets go-

You pull out. Just to keep yourself from blowing, just to pull on your balls, to look and watch the perfect view. And Sana reaches back - a warm hand wrapped around you.

You feel her palm wrap around your cock, coaxing another serving of oil - like she knows just how rough it's going to be to start again.

"Just," she pants, leaning into Miyeon so you have to rut around to find your way back, "until the end."

There's something so pleasantly mind-numbing about the moment when you ease your cock into the sweet-soft ring of muscles again and she's just stretching and pulsing and grabbing all around you. The way you keep going: she's holding herself, giving her asshole a squeeze, a stretch - her lips kiss a sound onto the side of Miyeon's shoulder and she nods, gasps, breathes out heavy and pained, like the rest: a total fucking rush.

You watch Miyeon lean further, a beautiful shift of balance between the two. Her hands clamp around the sides of Sana's thighs for support, and the longer you pound into her, the deeper your cock sinks, the closer the pressure becomes as their heads turn in, looking to the same place, their foreheads knocking, and-

"Knees," you growl. You're holding your cock in your first - demanding: "Get on your fucking knees."

Sana smiles first. Then Miyeon. And when the lipstick smears against their cheeks, you don't have it in you anymore to think clearly. The line between your imagination and your fantasy is so blurred: you want their mouths moaning into eachother. You want Miyeon to clean the taste from Sana's lips. You want those cunts grinding, their clits making contact, and for one of them - fuck-

So: "I need the both of you."

And it's your name falling off of Sana's tongue when the tops of her shins hit the tile floor - she's kneeling, she's pulling Miyeon by her waist until the three of you have converged into this beautiful, glistening, open-mouthed trio. Sana kisses Miyeon hard while you cum all over the image: the contrast of their soft, wet, hot tongues against one another while your harsh grip pumps along your slick, throbbing length. It feels like a knot unraveling, a tension snapping loose, your cum landing on their cheekbones, their temples, between their lips - It's a long, slow roll through the valley of your abs - Miyeon licking into Sana's panting mouth and swiping through the streak of white you just pumped out into her fucking hair; the messy collision of lips, swallows, tongues; the faint, slow sounds, the slickness-

"Look," she breathes. You can hear the way their words hitch when their fingers hook eachother, guiding through the mess across their skin, dipping through the sticky cum, circling the plush pout of their bottom lips; and it's Sana that grabs Miyeon by the wrist, bringing her hand forward; sucking, running her mouth in a lazy path all across the width, "that's all, fuck, I need to. Wanna taste all of it."

You just groan.

Miyeon is slumped into the lacework of Sana's limbs, swapping the tastes between her tongue and the space of their breath; while her own thumb caresses the raw, stretched opening of her ass. Sana whispers things, incoherencies, into Miyeon's hair: kisses at her temple, strokes the muscles of Miyeon's back. Feeling how they shiver, they heave, they fall - exhausted and flushed in the heat of one-another's embrace. She licks the words across Miyeon's cheek and follows with her nose trailing Miyeon's jaw, and your cum's smearing a streak onto Miyeon's bottom lip, before their tongues have tangled themselves into another messy, well-fucked kind of collision.

"Good girls," you mumble, kissing Miyeon's knuckles, and helping Sana to her feet.

Your legs are a lot less shaky than either the two of theirs, but it's okay, you pick Miyeon up and set her on the sink; and then turn on the tap for the both of them, since they'd need a wash and some salve.

"Now, what?" says Sana. She's smiling; a washcloth at the ready; some dribble of soap from the bottle.

Miyeon gives her a smirk from over her shoulder, turning away just enough to flip her hair; the ends brush across her jaw. It's a cute little quirk of the eyebrow; the upward twinge to the corner of the lip; it's a motion that knows every muscle, every detail.

"Depends," says Miyeon, sharpening up her tone just the littlest bit, "the bath looks like a tight fit for all three of us but," and there it is - the mischievous glint; the curve in her hips, her mouth, and, of course - you notice the way her eyes drop to the stiffness of your cock. The way her voice purrs, all light, but a lot more intent: "Did you see the shower? It's absolutely gigantic."

"I saw the detachable head," Sana throws out. A teasing little comment, one you remember - that sends a pretty deep shudder down your stomach and thighs. Your cock twitches, hard and - okay, good thing Miyeon booked the room for a week and then some. The view is pretty great: watching your cock get rock-solid in under five seconds. Watching them kiss the same knowing look, sharing the private joke. Watching their hips swing, watching them slide the glass door: Miyeon in front and Sana from behind.

It's in unison that they both turn over their shoulder and ask, "won't you help us test it out?"

"Yeah, yeah. I'll be right there." You shake your head, "so thirsty," even though, you know you're equally to blame.

It's that tiny whisper of "don't look at me like you don't have cum in weird places either, hm?" that Sana gives you, while Miyeon is washing her hair, rubbing and sliding along the locks. "I'll help you with the spots that are hard to reach, come here."

It's that little, meaningful, mischievous curl in Miyeon's lip when the water's pouring, and your breath falls across her skin. The way her hands reach out for you, even when Sana takes her chin and plants a firm, messy kiss across her mouth. It's the same gesture Miyeon's making, using Sana's forearm for support. How she runs the palm of her other hand along the back of Sana's thighs, slipping and pressing forward to guide, nudge. She pulls Sana onto her toes, aligning their bodies. It's in the little laughs they share, the wet smacks of lips, the soft little hums they make when tongues slip over, into the open.

It's here too, that you first ever get them confused, just a momentary slip up of "Sana, could you grab the towel-" or some equivalent, when you glance away at the perfect wrong moment and you're left just a little puzzled, still mostly entranced by the sight of the steam on the glass and their fingertips drawing patterns into it as they lean in for another kiss, or a moan-

"Oh," Miyeon says, delighted, "I'm supposed to be her, right?"

They're fucking-

Sana is less enthused. "Stop. I do not. Am not."

- identical.

"Look, I didn't mean-"

Miyeon laughs to cut you off and skips the argument. She winks, and somehow that makes it worse.

It's there too, the look of regret when your fingertips curl into the skin of her breast, your thumbs a tease against the rigid nubs of her nipples and the texture of her pretty stomach. They don't realize how much you really love their matching expressions. So, they don't mind the mixup, and besides: you just follow Sana's guiding hands and let your lips ghost-kiss, so gently across Miyeon's thigh. It's impossible to imagine a version that isn't one and the other, the two of them, here, with you: sharing kisses, offering the gentlest, slowest exploration, teasing and tugging a gasp of a response.

"Hey," Miyeon muses, "does that mean you'll keep your cock warm in me once we go to bed and feed me a steady stream of ice cubes between all the sessions, mm?"

Sana raises her head in faux offense and drops back into the comfort of Miyeon's thighs. "Jeez-us christ," Sana huffs; "one day with him and she thinks she's me. Have mercy."

"She isn't?" you ask.

Sana sighs. "Um. Not even close."

Miyeon beams at the both of you. She even runs her fingers through Sana's hair, doting - affectionate. "She'll come around to the idea eventually, don't worry. Until then I'm more than happy to take on the role. It can't be that hard, yeah? Just to be all - naughty-sexy-sweet-oh, look, a surprise, i’m actually ready to get fucked six ways to sunday-"

-you get an eyeful of whatever they are doing, this time just, fucking-

Sana only says, "it'll have to take an exceptional amount of patience on both your parts."

-gorgeous, lewd, completely fucking filthy.

"I got a lot, babe."

The second Sana opens her mouth, it's followed with: "pfffht."

It's just, who wouldn't give them whatever they want? Whatever they ask? There's a list out there: no doubt the both of them, gagging. Throat-deep. In their little skirts. Panties. Naked and straddled, just, across their hands. One, maybe. Or both all the same, or still a different preference. One behind the other and taking turns. Something - and this is important, here:

"Look," they say, eyes wide up at you and blinking - on the same fucking beat no less, "you can trust us, okay?"

(Gentleman and distinguished scholars: the list, by the way, only ever gets longer.)

#sana smut #miyeon smut #twice smut #gidle smut #male reader smut #kpop fanfic #kpop smut

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youremyheaven · 10 months ago

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Punarvasu & Swati: Cosmogony, Reality & Consciousness

Punarvasu and Swati are deeply intertwined nakshatras with very similar patterns and themes. Punarvasu's deity Goddess Aditi embodies infinity and vast primordial space. She is boundless and limitless. Swati's deity Vayu is the ruler of air & wind and connected to the life force or prana (or qi).

Both these nakshatras connect to space, infinity, abundance and are known for being wealth giving nakshatras.

Ruth Handler, the inventor of Barbie had Swati Sun & Mercury along with Ketu in Punarvasu

Margot Robbie who played Barbie has Swati Moon & Punarvasu Rising

I had briefly mentioned this in my Tomie post but Swati & Punarvasu's themes are manifest in Barbie because Barbie is not a person, she is a type of doll, and she can be anyone or anything. Barbie is a whole universe into herself, this is the cosmic abundance and infinitude of Swati & Punarvasu.

My Tomie post also talks about how Tomie is a Punarvasu so do check that out!!

I have always thought that Punarvasu & Swati are related to time travel which makes sense provided the cosmic infinitude embodied in these naks.

Predestination, a time- travel movie starring Ethan Hawke who is Swati Sun (do watch it, its really good))

Bruce Willis has been in several time-travel movies, including 12 Monkeys & Looper. He has Jupiter in Punarvasu atmakaraka

The 1960 movie The Time Machine stars Rod Taylor who has Ketu in Swati.

The Terminator movies starring Arnold Schwarzenegger- Punarvasu stellium (mercury, venus & rising). Arnold like many Punarvasus have been in many sci-fi movies that concern the nature of reality, in fact his own autobiography is called Total Recall (he's been in a movie of the same name and its about what is real and what isn't- peak Punarvasu behaviour I must say)

Planet of the Apes stars Charlton Heston who has Punarvasu Moon, Swati Rising

Frequency stars Dennis Quaid who has Punarvasu Moon & Ketu

The Matrix/ The Lake House/Bill & Ted's Excellent Adventure are all time travel movies starring Keanu Reeves who is Punarvasu Moon.

Its interesting to me that many Punarvasus have often spoken about "creating your reality".

Octavia Butler, the writer has Punarvasu Rising (the themes of this nak is vv apparent in her work but I'll perhaps discuss that in a future post) and this^^ is a page from her journal that she wrote in the 1970s wayyy before manifestation was a "thing".

Butler grew up very poor in an era of racial segregation and suffered from dyslexia. She overcame great odds to become one of the best-selling sci-fi novelists of all time.

Miranda Kerr- Punarvasu Moon often talks about the power of our thoughts and has referenced writers like David R Hawkins (who talks about the nature of consciousness) a lot. Here's a quote from her book.

“Start each day by saying to yourself: ‘How amazing it is to be alive! What a wondrous feeling I have inside! I am awake, healthy and full of joy!’ Visualise every cell in your body being filled with vitality, health and love.”- Treasure Yourself

Miranda grew up quite lower middle class on a farm in rural Australia and then went on to become one of the best known models in the world and is now married to a billionaire.

Arnold Schwarzenegger- Punarvasu Rising (and stellium)

If you've read his autobiography or watched his Netflix documentary yk that he talks constantly about the power of the mind, having focus etc

He grew up in a small town in Austria (after WW2) with an abusive father and also suffered from dyslexia. He then went on to become one of the biggest movie stars of all time and was the Governor of California???

Ariana Grande- Mercury in Punarvasu sings about manifestation and law of attraction quite a lot. She was a side character on a Nickelodeon show and 10yrs later she's one of the biggest pop- stars.

Nikola Tesla, Punarvasu Sun & Venus

Tesla discovered automatic current transmission & generation technology which is responsible for modern day wireless connections. He's also super Punarvasu core as a person, he had eidetic memory, apparently did not sleep more than 2 hours per night, was interested in Vedic cosmology & philosophy (he used terms like akasha & prana to describe the relationship between matter & energy). I find this quote by him very interesting, "To me, the universe is simply a great machine which never came into being and never will end". I personally don't believe in the Big Bang theory and I'm inclined to believe that the universe has always existed instead of having come into existence at one point, which imo, is a very anthropocentric idea. Tesla's quote is a reflection of the boundless nature of Aditi, who is the cosmic mother, she embodies creation.

fun fact: Elon Musk who named Tesla after him is Punarvasu Mercury & Rising.

Interestingly enough, several decades before the Big Bang theory gained mainstream acceptance and was studied by scientists, Edgar Allan Poe published a lecture/essay on the matter titled Eureka: A Prose Poem in 1848 (!!!!). He had Swati Rising

Can you believe that he, a man with zero scientific background essentially came up with ideas that would serve as the basis of 20th century scientific discoveries & theories??? That too in 1848???

Analysis of Eureka's scientific content shows congruities with modern cosmology, stemming from Poe's assumption of an evolving Universe and it also contains ideas about the unity of space and time, the mathematical equality of matter and energy, the velocity of light and a rudimentary concept of relativity, black holes (including one at the centre of our Milky Way), a "pulsating" universe that renews itself eternally, and other universes in other dimensions with different laws of nature.

A writer & poet who dropped out of college came up with all that in 1848. Swatis & Punarvasus have the ability to understand complex concepts, systems, and processes intuitively. This is why they are so good at analysis, strategy and planning. They have a futuristic vision because its easy for them to see how current events will affect other things and manifest in the future. Those who don't have these placements will struggle to understand what this is like because most of us aren't endowed with this sort of ability to see the trees and the forest all at once.

Interestingly, the scientist Georges Lemaître who first proposed the "Big Bang theory" of the origin of the universe, calling it the "hypothesis of the primaeval atom", and later calling it "the beginning of the world" is a Punarvasu Sun.

Leonardo da Vinci is known for his foresight and is considered a visionary. He, in the 15th & 16th centuries, pondered upon the possibilities of human flight and left behind diagrams and models of the helicopter, the parachute, the machine gun, the humanoid robot, the revolving bridge, the ideal city and much more. He had Ketu in Punarvasu.

Carl Jung created some of the best-known psychological concepts, including synchronicity, archetypal phenomena, the collective unconscious, the psychological complex, and extraversion and introversion. He had Punarvasu Mercury & Venus and it explains why there was such a heavy emphasis on "darkness" vs "light" in his work (Punarvasu being "the return of the light").

He is the father of Analytical Psychology which seeks to "analyze the relationship between a person's individual consciousness and the deeper common structures which underlie them. Personal experiences both activate archetypes in the mind and give them meaning and substance for the individual. At the same time, archetypes covertly organize human experience and memory, their powerful effects becoming apparent only indirectly and in retrospect. Understanding the power of the collective unconscious can help an individual to navigate through life."

In fact, vedic astrology (Jung did use astrology as well btw) serves as a very interesting way to explore the collective unconscious and the many archetypes that are manifest in individuals possessing them.

I will make a post in the future comparing Freud & Jung and how their different astrological placements contributed to their similar but differing views.

George Orwell, who was a fierce critic of totalitarianism had Swati Rising, if you read his works, you can see how he's able to analyse the effects and consequences of the same, especially 1984 which was sooo ahead of its time in the sense that much of what was written in the book is eerily similar to what's going on in the world right now. The novel examines the role of truth and facts within societies and how they can be manipulated.

Swatis & Punarvasus are super Futuristic, as individuals or visionaries as well as in their art & work. They dominate in the surreal/scifi genre.

Robin Williams- Swati Rising stars as an android in Bicentennial Man which is a movie about a robot who learns how to be human. Transcending humanity is a big theme in the works of Swati natives.

On this note, I have noticed several Swati & Punarvasu natives star in movies featuring/about cloning 👀 This does not surprise me as I had already mentioned this in my Tomie post but it is fascinating how Swati & Punarvasu's ability to be many many versions of themselves is made manifest in this trope of clones.

I have to mention how both Rahu & Jupiter have a very boundless, obese energy that is hard to contain. This can be manifest negatively because its very easy for energy of this proportion to be misused and misdirected but when they're harnessed positively, these individuals are capable of envisioning change that have few/no other parallels.

Moon (2009) is a movie that features the main character and his clones. Sam Rockwell, Swati Sun plays the main character.

Tom Cruise, Punarvasu moon (acc to Claire Nakti) stars in Oblivion and plays a clone of himself. One version of him is good, his "clone" is evil. The battle between good & evil within oneself is a VERY Jupiterian trope (and I shall make a post solely about that in the near future).

Multiplicity is a 90s scifi-comedy about a guy who clones himself so that he can do all the things he wants to do. Michael Keaton who plays the protagonist has Swati Moon

The Sixth Day is a movie starring Arnold Schwarzenegger (Punarvasu stellium) and it is about cloning. The title is a reference to the Abrahamic Genesis concept of how God created mankind on the sixth day.

This in itself is very interesting because Punarvasu is the 7th nakshatra and in the Bible, it is said "And on the seventh day God finished the work that he had done, and he rested on the seventh day from all his work that he had done. So God blessed the seventh day and made it holy because on it God rested from all the work that he had done in creation."

7 is a number that has profound spiritual meaning and is present in many religions as a figure of significance. From this verse taken from the Book of Genesis, it is interesting to note that ""7" is the culmination of creation. It is the day on which God rested because he had already created. It is not nothingness, it is the day on which everything already existed. This is a significant Punarvasu theme.

Replicas stars Keanu Reeves (Punarvasu Moon) as a neuroscientist who tries to revive his deceased family members by cloning them.

Its interesting how in these films, natives appear either as a clone or as the ones who do the cloning, furthermore connecting it back to Punarvasu's creation trope.

Harrison Ford, Punarvasu sun & moon stars as in and as the Blade Runner (1982) where he must "pursue and terminate four replicants who stole a ship in space and have returned to Earth to find their creator."

David Cronenberg is a director best known for making really weird, surreal, futuristic movies that heavily feature themes related to the nature of reality, consciousness etc

He is a Punarvasu Moon & Jupiter

Gakuryu Ishii, Punarvasu Moon is another filmmaker who makes movies that heavily centre around truth, reality, consciousness, the future etc.

I recommend his movie Mirrored Mind which heavily deals with identity, consciousness etc (its vaguely reminiscent of Perfect Blue)

Robert de Niro Punarvasu Rising, stars in the movie Awakenings (based on a true story) as a catatonic patient who has an "awakening" before tragically going back into catatonia, Robin Williams, Swati Rising stars as the doctor who administers a drug that induces this awakening.

In Vedic philosophy, there are 3 gunas, Rajas, Tamas & Sattva.

Tamas is a state of darkness, inertia, inactivity,

Rajas is a state of energy, action, change, and movement.

Sattva is a state of harmony, balance, joy, and intelligence.

Punarvasu belongs to the Rajas guna whereas Swati belongs to Tamas guna.

Tamas can be described as a state of statis or stagnation as there is no transformation and thus no change. Punarvasu natives are prone to passivity and it is only when they face their own destructive shadow, do they emerge out of passivity to their natural state of Rajas. In this movie, Deniro's experience where he emerges from his catatonia with a desire for freedom and to live life to the fullest before eventually accepting the fact that his condition cannot be remedied inspires the Doctor played by Robin Williams to emerge out of his own shell and live life more fully.

Punarvasus are often restricted by situations beyond their control yet they are possessed by a yearning to live life to the fullest. Swatis often have unmeasured freedom and do not know how to utilize it, they are restricted by their own character.

The Gaia Hypothesis proposed by James Lovelock (1972) suggests that living organisms on the planet interact with their surrounding inorganic environment to form a synergetic and self-regulating system that created, and now maintains, the climate and biochemical conditions that make life on Earth possible.

It is a holistic view, which is generally not appreciated in science that likes to favour randomness, chance or whatever instead of the innate harmony and union behind creation.

James Lovelock has Punarvasu moon & Swati rising

Lynn Margulis who co-developed this theory with him most likely has Revati Moon and I will be exploring her symbiotic view of evolution on a different post as it goes beyond the scope of this one.

Edit: as @brundlefly333 pointed out, the French philosopher Henri Bergson (Punarvasu Moon) has a book called Creative Evolution which extrapolates that whilst "evolution of species can come from external factors "like natural selection", it most importantly (comes) from an internal impulse (a creative force). This creative force is inherently unpredictable and non-linear, leading to the emergence of novelty and complexity in living organisms over time.

I find his "Cone of Memory" (depicted above) hypothesis very fascinating.

The Cone of Memory model can be imagined as an inverted cone, with the apex representing the present moment, the base symbolizing the entirety of one’s past experiences, and the cone’s vertical axis signifying the flow of time. As the present moment progresses, the apex of the cone moves upward along the axis, continuously stretching the cone outward as it incorporates new experiences and memories into a person’s consciousness. The memories from our past experiences are layered into the cone, with the most recent memories residing closer to the apex and older memories located further down, towards the base.

Bergson’s model emphasizes the active role of individual perception, memory, and experience in shaping one’s consciousness. The human mind, as depicted by Bergson, interacts with the objective world while drawing from its accumulated memories to create individual experiences in real time. The Cone of Memory focuses on the dynamic interplay between perception, memory, and experience, hoping to account for the generation of novel understandings and interpretations of reality.

Bergson’s emphasis on experience at the personal level also has significant implications for how we understand the self. In his view, the self is not a static entity but rather a constantly developing process, shaped by the dynamic interplay of perception, memory, and experience. This more fluid conception of the self contrasts sharply with many traditional notions of a fixed, unchanging identity. It also invites us to recognize the transformative power of our own experiences and encounters in the continuous interweaving of the past and present in our temporal consciousness.

It can be summed up with this quote:

"To exist is to change, to change is to mature, to mature is to go on creating oneself endlessly"- Henri Bergson

Rudolf Steiner- Ketu in Punarvasu, Swati rising

Steiner's breadth of work encompasses many fields, he pioneered modern-day organic farming, anthroposophical medicine (what we call alternate medicine including homeopathy, massages and frequency work etc rooted in the human body's ability to heal itself) invented the Waldorf education system (alternative schooling) and tried to merge science and spirituality.

All of this is vvv Punarvasu & Swati coded because its these natives who are frequently drawn to non-traditional systems of thought & experience and also merging a vast variety of techniques + being well versed in a lot of different fields etc comes down to having the inner space to hold all of it. This is literally not something most other people can do. Pursuit of knowledge can easily drain/deplete people but Punarvasu & Swati natives have a boundless thirst for knowledge and innately understand the profound truth that everything is connected.

Symbiosis, synergy, syncretism etc are all themes prominent in the works of Swati & Punarvasu natives who tend to view things as a coherent whole and not separate from one another; everything in creation exists to serve one another and exist in perfect harmony. Its not by "accident" that human beings took shape on earth where all the elements exist to continually support human life, every tiny detail is manifest in divine perfection and it helps us understand that we are a part of a larger system and that what we do affects changes at both the micro and macro level.

"Synergetics is the empirical study of systems in transformation, with an emphasis on whole system behaviours unpredicted by the behaviour of any components in isolation. R. Buckminster Fuller (1895–1983) named and pioneered the field. His two-volume work Synergetics: Explorations in the Geometry of Thinking."

Buckminster Fuller had Punarvasu sun & jupiter

I think I had made a post about how Punarvasu natives tend to make geometric art that features repetitive patterns and motifs. I thought Fuller's use of the term "Geometry of Thinking" was very Punarvasu of him.

Pls look him up and his work, its very interesting and if you have Punarvasu placements you might find things you resonate with. I dont want to make this post any longer so I'm not including more of his work although all of it really fits with the theme tbh.

Amartya Sen, the Indian economist and philosopher has Swati Sun, he is best known for his contributions to welfare economics, social choice theory, and development economics. His work incorporates the same holistic view of how everything exists in close interaction with everything else, interconnectedness as well as an all encompassing-ness are themes that dominate his work. Society affects the market, the market affects society, all of this affects interpersonal relationships, it takes a Swati/Punarvasu native to deeply embody this sentiment in their thought/work.

George Harrison aka the Spiritual Beatle had Swati moon, Jupiter in punarvasu amatyakaraka.

"It's being here now that's important. There's no past and there's no future. Time is a very misleading thing. All there is ever, is the now. We can gain experience from the past, but we can't relive it; and we can hope for the future, but we don't know if there is one."

This quote by him really sums it up.

Robert A Heinlein had Punarvasu sun, jupiter and rahu

Heinlein used his science fiction as a way to explore provocative social and political ideas and to speculate how progress in science and engineering might shape the future of politics, race, religion, and sex. Within the framework of his science-fiction stories, Heinlein repeatedly addressed certain social themes: the importance of individual liberty and self-reliance, the nature of sexual relationships, the obligation individuals owe to their societies, the influence of organized religion on culture and government, and the tendency of society to repress nonconformist thought. He also speculated on the influence of space travel on human cultural practices.

This is yet another example of the interconnectedness of Punarvasu as well as the analytical nature of these natives.

I will end this post here because I've been rambling for too long but I hope this was informative!! Apologies that this was kinda science heavy and not very pop culture centric :/

#vedic astro notes #astrology observations #sidereal astrology #vedic astrology #nakshatras #astrology #astro notes #astro observations #astrology notes #astroblr #Punarvasu #swati #Jupiter #rahu #carl jung #Freud

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