#cogenitor

[raurquiz]

#transdayofremembrance #startrek #thenextgeneration #theoutcast #soren #odan #deepspacenine #dax #ezridax #enterprise #cogenitor #StarTrekDiscovery #adiratal #graytal #strangenewwords #DrAspen #CaptainAngel #startrekpicard #kovarinesmar #startrekprodigy #zero #startrek58

[s3venofhearts]

may have just watched the worst star trek episode i have ever seen in my life (Ent: Cogenitor) moments before checking my phone to see that tiktok shut down. what a day

[sshbpodcast]

Character Spotlight: Jonathan Archer

By Ames

Just when you thought we were done with Enterprise, our character spotlight series returns somehow! And if our full watch of the series assured us of anything, it’s that Cap’n Jonathan Archer is an angry, ill-prepared, conceited, racist, little nepobaby. Now sometimes, that’s perfectly in character for a prequel series about confronting our first stumbling blocks into space exploration. And sometimes, it’s agonizing to watch how humans as a species were represented by a man who made the worst choices you could make, and then patted himself on the back about it.

But I’m getting ahead of myself! Your hosts here at A Star to Steer Her By can always find something that Archer did to gripe about. And even a couple moments we didn’t hate his guts. Check them all out below and listen to our diatribe on this week’s podcast (jump in time to 1:00:09) as we peruse the actions of our first Enterprise captain. Now back in the pool for some water polo!

[Images © CBS/Paramount]

Best moments

Torturing prisoners = bad! I laugh because this sentiment will be entirely contradicted when we get to season three, but Archer starts out in “Fortunate Son” advocating NOT capturing and torturing pirates. The bar was low for us back in season one, and Archer meets it when he tells Mayweather that humans should display proper ethics in situations like the Fortunate’s dealings with Nausicaans.

T’Pol’s had enough of your help. Stay away from her. After spending much of season one racially profiling every Vulcan he meets (more on that in the next segment), Archer meets a Vulcan that everyone is right to hate in “Fusion.” While he is way too quick to trust the V’tosh ka’tur just because they like having emotions, Archer deserves some credit for believing T’Pol about her assault and letting Tolaris have it, that asshole!

Now is not the time for British gumption Archer may be the extrovert that makes us introverts uncomfortable, but it actually pays off in “Minefield”! Reed is pinned in the leg, and the captain is able to deal with both disarming the Romulan mine AND keeping his security chief alive when he is fully prepared to martyr himself at the drop of a hat. Their smalltalk keeps the tension in check and Reed mostly lucid.

How much is that doggy in the incubator? One sympathetic trait that the writers were wise to build into the Archer character is his love for Porthos. It’s easy to connect with a dog person, so Archer is at his most humanized during “A Night in Sickbay” when all he wants is to be with Porthos during the beagle’s time of need. The rest of that episode, not so much, but how much he cares for his puppy is lovely.

What if we trap them in an elevator together? Because Enterprise is a prequel, we know very well that Humans, Andorian, and Vulcans (and Tellarites eventually) will get along well enough to found the Federation. But right now, it’s baby steps and Archer’s goal is to just get them in a room together without actively killing each other in “Cease Fire.” So major kudos for getting Shran and Soval into a conference room.

The House of Duras is without honor We gave Worf credit back when he did a similar thing back in “Reunion,” so we’ll have to count this one for Archer as well, and that’s killing the hell out of Duras. That whole Klingon line is just no good, so when Archer blows his ship to high hell in “The Expanse,” we are very pleased. The only good Duras is a Duras blown to high hell.

I’m not leaving you In a spur-of-the-moment decision, Archer saves T’Pol from a wave of some anomaly or other in “Twilight,” even after she told him to save himself (or perhaps because he’s just so used to doing the opposite of everything she says). We learn non-chronologically that the anomaly that hits him because of this causes his anterograde amnesia, but it was nice of him to help his XO.

You wanted to kill someone, kill me Not only does it take responsibility and honor to sacrifice himself when the Triannons force them to adhere to their dumb justice system in “Chosen Ream,” but it turns out to be a ruse when Archer tricks them into thinking the transporter is a disintegration device that kills people. Fools, it’s only that some of the time! We commend Archer for his really clever thinking!

We’re talking about a one-way trip Speaking of Archer taking responsibility when the going gets tough, he is fully prepared to kamikaze the Xindi weapon in “Azati Prime,” even after both Mayweather and Trip have offered to do it (I guess Reed was out of earshot or he’d’ve begged to do it too). We’ll talk in a second about how bad of an idea this was, but hell, he was ready to get blown up to save humanity.

If that’s what it takes to be advanced, I don’t want any part of it You’ve got to love when a captain calls out another race for absolutely bullshit behavior, and Archer is fully righteous when he tears the Organians a new asshole for treating other species like test subjects in “Observer Effect.” Plus, yet again he is ready to sacrifice himself for crewmates when he exposes himself to the contagion to try to save Trip.

Loop-de-loop hole Archer is again attempting diplomacy in getting the Andorians and Tellarites in a room together without killing each other (this sounds familiar), and volunteers himself to duel in the Ushaan in “United.” It all conveniently works out because for some reason this fight to the death has enough loopholes in it to scare off a trypophobe. But it’s nice of Archer not to kill Shran.

The final frontier begins in this hall. Let’s explore it together. Finally, the two-parter “Demons” and “Terra Prime” really succeeds at reminding us that we all need to overcome our prejudices and malice if we want to make our ways in the universe. Archer sums the whole thing up after defeating Paxton and his Terra Prime cult members. His speech at the end of “Terra Prime” really should have been what the whole show finale’d on.

—

Worst moments

What’s all that mean anyway? You know I have to include Archer’s constant xenophobia against Vulcans because it really colored my perception of the captain, and “The Andorian Incident” is emblematic of that. Out of sheer racism, he forces T’Pol to bring him to P’Jem after she advises against it, makes a terrible impression on the monk who’s only doing his job, and then wrecks up the chapel room to expose an Andorian. Maybe ask first, dingbat.

Correction, sir, that’s blown out We also just had to include this early example of just awful acting out of Scott Bakula. Though the bay is being rapidly decompressed, Archer somehow drapes himself over a railing and dangles over the side during his fight with Silik in “Cold Front.” Was he in any danger? Did he expel all the air from his lungs? Were there any consequences to being in vacuum? Who knows.

Someday my people are going to come up with some sort of a doctrine This one will surely come up again in our Phlox character spotlight, but it was Archer’s word to permit the genocide by inaction in “Dear Doctor.” Not only is it morally reprehensible to wash their hands of the fate of the Valakians, but the science that Phlox easily convinces Archer is emphatically wrong. And the Prime Directive reference? The turd on top of this shit sundae.

What else should I be? All apologies. Though we commended Jonathan for his devotion to Porthos in “A Night in Sickbay,” for the rest of the episode he’s an absolute pissant. All the Kreetassans want is for him to apologize for defiling their sacred tree with Porthos’s piss. You’d think he’d not have brought his filthy dog to their sacred site in the first place, but to act like such a prick about it is even more pathetic.

On my world, when someone asks for asylum it has to be given serious consideration We’ve struggled with the messaging of “Cogenitor” from the get go, and apparently so has Archer. Charles requests asylum from the Starfleet crew and Archer forces them off the ship instead, back into the hands of their oppressive culture. And then Archer screams (screams!) at Trip about violating the non-existent Prime Directive. And he’s supposed to be right?

Torturing prisoners = good? Most of Archer’s bad moments are rightly coming from season 3, an absolutely drek collection of episodes, and it immediately goes south in “Anomaly.” This is Archer’s first foray into torturing people, as he throws Orgoth, the Osaarian prisoner, into an airlock and threatens to space him just to get information. And the cap’n’s actions will only get worse from here…

These are Trip’s quarters It’s a controversial choice for Archer to allow the simbiot to be created in the first place in “Similitude” just to harvest his organs. But that’s mostly a Phlox fault. What we’re harping on here is how terribly Archer treats Sim. Again, he screams at him (there’s a lot of Bakula screaming at Connor Trinneer in this show) for staying in Trip’s quarters and for, I dunno, wanting to live.

How selective could this memory wipe be? A lot of interesting concepts come out of “Stratagem,” but then if you think about it for more than a second, you realize what Archer does to Degra is super messed up. Normally, when someone tampers with someone else’s mind to exploit them for information, it’s the villain of the show doing it. So it’s clever as a scheme, but Archer, my dude, you are the bad guy of this episode.

Let’s torture the canary we took out of this coalmine One of the absolute worst things we see Archer do comes in “Harbinger” (you’re going to see a lot of “Harbinger” in this spotlights) when he tortures that Sphere Builder before he even knows who they are. He jumps to the wildest conclusion that this guy might have information, with absolutely no proof at first, and he tortures the guy. And this is the hero of the show, people!

If that’s a problem for history, then history will have to suffer We may have just credited Archer with doing the honorable thing and wanting to sacrifice himself in “Azati Prime,” but it’s also absolutely idiotic. For once, Archer refuses to listen to Daniels who warns him that if Jon destroys the Xindi weapon, they will only build another one. Please, Archer, do the peaceful, diplomatic thing. No? Why choose now to be so unreasonable?

Out of my way, I’m a motorist! We rag on “Damage” a lot because of the hypocrisy of it all. Archer finally thinks he’s crossing a line when he steals the warp coil from the Illyrians’ ship, despite all the lines he’s been crossing all season. And what a shitty thing to do to these people! He strands them in the expanse and we never hear about them again. Dude, at least send them an Uber.

Even though you don’t wish to own me, I still wish to please you Because I feel like shitting on “Bound” at least a little bit, let’s shit on how Archer so easily gets tricked by the Orions all episode long. You can blame the pheromones for tampering with his senses, but dude, you couldn’t have put some female MACOs in charge once you knew the ruse? You didn’t smell something was up when space pirates wanted to do business? And god, that scene when he talks about sexual slavery is just so uncomfortable. Vomit.

—

Sorry, Cap’n, but someone needed to put you in your place. Will our other Enterprise character spotlights be a little more positive? Keep track by following along here on the blog! You should also keep up with our watchthrough of Discovery over on the podcast on SoundCloud (or wherever you listen to podcasts), exchange water polo gossip with us over on Facebook, and maybe scream at Trip a little less. Just a little.

[tinabelcherseverythingisokface]

Just finished the Cogenitor episode of Enterprise (S2E22) and I’m fucking pissed. I’ve liked Archer up until this moment, and trying to blame Trip for what happened is bullshit, this is on Archer. If he had respected the right of a sentient member of a poorly treated underclass to request asylum, this wouldn’t have happened.

[purplespacekitty]

Magnifying Glass: "The Outcast"

Episode: "The Outcast"

Series: Star Trek: The Next Generation

Season 5, Episode 17

Original Air Date: March 16, 1992

Screenwriter: Jeri Taylor

Director: Robert Scheerer

I feel like Star Trek as a fandom doesn’t really talk about this episode enough. I find this episode extremely fascinating and have a lot of thoughts about it, but I don’t want to subject anyone who isn’t willing to my (VERY LONG) ramblings, so please, keep reading at your own discretion.

First, a quick synopsis: an alien planet called J'naii enlists the Enterprise-D to help them find a lost shuttlecraft in their star system. First Officer Commander Riker is paired up with Soren, a member of the J'naii, to devise a rescue mission for this shuttlecraft and along the way, the two catch romantic feelings for one another. However, the J'naii are a majority androgynous, aromantic and asexual race and those who deviate from this norm are persecuted and forced to undergo a kind of conversion therapy to "cure" their "condition". Soren confides in Riker her feelings towards him and her identity as a woman, things she could not share with her own people for fear of the violence she has seen others like her face. Understanding the risks, the two pursue a relationship with one another, but eventually the other J'naii find out and Soren is put on trial, where she makes an impassioned speech to stand up for herself and others like her. After the trial, Riker tries to fight for Soren's right to seek asylum with the Federation, but his support and efforts are in vain. Unfortunately, by the end of the episode, Soren has been subjected to psychological treatment and no longer feels any attraction to Riker. The Enterprise leaves, having finished their business with the J'naii and Riker is left to pick up the pieces of his broken heart.

I could go on and on about the "bury your gays"/"queer and trans people must suffer" trope this episode and others like it within the franchise fall into (i.e. DS9's "Rejoined" and ENT's "Cogenitor"). And while I will be criticizing the casting and writing decisions this episode's creators made, I think it's important to recognize the ways in which this episode does achieve some level of success with Star Trek's most favored format for addressing social and political issues; allegorical storytelling. However, I will be dragging this episode before I compliment it, so bear with me.

I’ll be honest…I’m not super jazzed about the way they handled sexuality in this episode. The J’naii reproduce asexually and it is not socially acceptable to have sex or procreate sexually in J’naii society. Which is in an of itself mostly fine, except that the writers portray the agender, aromantic and asexual J’naii as largely dispassionate, cold and close-minded, unable to connect with each other or other beings in meaningful ways which, hey, right off the bat, not a great depiction of aspec folks. The J’naii are supposed to be an antithesis of (‘90s) Earth conventions of gender and sexuality, but in their creation as one of the very few sets of characters up until this point that are generally androgynous, aromantic and asexual, they fall in line with a kind of alienation not uncommon in Star Trek: ‘look at this species, they do things differently from the majority of humans! isn’t that neat? but it’s just unique to them, so what sets us apart from them must be what makes us fundamentally human’. Take Spock, Data, Seven of Nine and Odo for instance, all characters who on some level struggle with human/humanoid conceptions of sexuality and all characters who have a complicated relationship to humanity as they themselves are not (just) human. Each of them are generally received by human characters as cold, calculating and are purposely shown to have difficulty connecting with others intimately because they are not (just) human. The often-used trope is that if only they were human, they would understand what love is (queue Foreigner’s “I Wanna Know What Love Is”). This more broadly implies that romance and sex are essential to humanity and human intimacy, which they are not. Creating a species that is predominantly agender, aromantic and asexual and because of this, predominantly operates in cold a and stagnant way creates a monolith of aromantic and asexual people and ignores the complexities of the aromantic and asexual spectrums, especially against the backdrop of a central star-crossed lovers plot.

Riker's actor Jonathan Frakes insisted that it would have been more impactful to cast Soren with a male actor rather than a cisgender actress. Indeed, because this episode originally was made to challenge viewer attitudes towards homosexuality, such a decision surely would have shaken people’s foundations a bit more and would have actually better-achieved what the writers were going for. Maybe this episode would have been as beloved as “Rejoined” if it had featured Star Trek’s first kiss between two men. However, if they had had Soren still identify as a woman when played by a male actor, we would still have someone who does not live our stories telling our stories for us. A truly meaningful representation of trans people would have seen Soren cast with a trans actress. But as I mentioned, an allegory for trans people wasn’t really what the writers were going for and they probably didn’t see hiring actual trans people as a viable option in the first place. If you look on Memory Alpha, you will see that none of the writers in the room for “The Outcast” were trans or queer themselves. Jeri Taylor herself says that while she is not gay, she wanted to do this story because homosexuality is such a controversial issue and "as a woman [she does] consider [herself] in a particular minority; [she knows] what it feels like to be disenfranchised – not in that precise way – and [she] felt like [she] had a touchstone to some of the feelings that must be involved" (Captains' Logs: The Unauthorized Complete Trek Voyages, p. 240). I think it's admirable that she wanted to head a project like this and to give the issue a great deal more compassion than others would have in her place, but the fact still remains that she herself is not queer or trans, meaning that, again, people who do not live our stories and were mostly just fishing for clout were trying to tell our stories for us.

All this to say, I do think this episode has some things going for it that I would like to outline below. Because regardless of the casting decisions and the way the writers actually ended up handling conventions of gender and sexuality, Soren is a trans woman: she identifies as a gender different from the gender she was assigned at birth. And Riker falls for her and gives her his love with an open ease that Soren’s own people do not.

When I watched “The Outcast” for the first time, I hadn’t come out yet and I hadn’t even begun to delve into the world of my own gender or sexuality. So it wasn’t my trans awakening or anything, but it certainly is one of the things I ruminate on when I think back to, as we LGBTQIA+ people are wont to do, all the times when perhaps I could have realized it.

Yeah, I know this episode gives us just another of many Riker romances, but it is not at all flippant or without depth in the way it unfolds. The focal romance of this episode is part of what makes it all the more heartbreaking. Riker falls fast and hard for Soren in an era of American TV where trans characters were routinely played for laughs (I’m looking at you, Frasier). Popular cis male characters of the 1990s are vastly insecure about their masculinity and sexuality in interactions with trans people, particularly with trans women. If TNG teaches us nothing else, it certainly teaches us that Riker is admirably comfortable in both his masculinity and sexuality. Of course, Star Trek takes place lightyears ahead of the eras it’s filmed in. This episode was written in the 1990s and is therefore restrained in its exploration of gender by mainstream, Western ‘90s understandings of gender. But by the 24th century, humanity is supposed to have addressed and healed the wounds of its prejudices. So by the time the Enterprise sidles up to J’naii, humanity has had plenty of time to learn about and understand the multitudes of gender, not just in their own cultures but in those of other species (I’m thinking here of Star Trek’s tendency to favor Western cultural values over others). There are no mentions in this episode of the many genders that have been recognized by various Earth cultures throughout history and the writers did not anticipate the way in which gender identities and definitions have now been recovered and expanded, a process one might assume will only continue as we move forward.

"The Outcast" aired in 1992, when the term “nonbinary” had not yet made its way into mainstream English vernacular. But as pointed out above, it is not unaccompanied by other episodes in the franchise addressing gender politics: “The Offspring” showcases Data’s relationship to gender and his determination to let his android child decide their own gender; DS9 has an entire character whose gender and sexuality are fluid depending on their host and the symbiont Dax’s gender is never confirmed; the wormhole Prophets’ genders are never confirmed; there are many episodes in both TNG and DS9 which examine Ferengi gender politics; one episode shows us Sisko and Bashir excitedly discussing a male lieutenant’s pregnancy and upcoming baby shower; etc. However, while it's easy to argue that it would have been plausible for the human officers aboard Enterprise-D to easily grasp the concept of a species where androgyny is the norm, it is precisely the incongruity of a mainstream Western '90s understanding of gender paired with the supposed utopian Earth of the 24th century that makes this episode resonate with me (as I'm sure it has with others) in particular. Science fiction is more about the past than the future, after all. “The Outcast” approaches genderqueerness and pronouns with the compassion and curiosity expected of Starfleet. And because of this, we get to see multiple characters grow in this episode, particularly Riker and Worf, both of whom initially struggle with the idea of gender neutrality.

Now, getting into the romantic plot. Riker’s love for Soren is unconditional, a hopeful light in the face of two different worlds (Earth from our side of the screen and J’naii from the other) that constantly deny trans people our right to exist, which paint us as sick, demented, perverted, monstrous and disgusting. When Soren confides in Riker about her identity, he is not deterred. He is curious and kind, glad to have been shown this part of her truth, even as he struggles to understand J’naii’s general attitude towards gender. Furthermore, there are no reservations on Riker’s part about Soren’s appearance. Although Soren is played by a cisgender actress, binarism in our society pressures many trans people to transition medically in a way that Soren has not, an issue that is of no concern to Riker who is simply in love with her as she is. Which is cool, considering that the majority of Riker’s romantic interests are hyper-feminine. What this shows us is that Riker is not so shallow as to be concerned solely with a person’s appearance when it comes to who he's attracted to and does not so deeply equate gender presentation with gender identity that he is unable to see Soren as the woman she is. He is already attracted to Soren before she confides her gender identity to him.

Soren does not mention anyone who has felt similar feelings for her or for whom she has felt similar feelings and explains that the concept of gender is highly “offensive” to the J’naii. She has spent the majority of her life in fear of her truth being exposed, but in Riker’s company, feels safe to share it with him as he is an outsider who has shown an honest interest in learning. He comes to understand her in a way that she has not been allowed to let others understand her before, in a way that has not been safe before, which is the door that opens them both to their care and love for one another. Though we don’t get to see them learn all that much about each other personally, they do learn that they share an interest in exobotany and get to spent some truly heart-melting moments together.

Back on the Enterprise, Riker has a significant conversation with Deanna about Soren, expressing his deep love for her and letting Deanna know that he wants to continue to pursue a relationship with Soren. Again, this demonstrates that Riker is not only head over heels for Soren but also that he is secure in his masculinity and sexuality, nowhere near ashamed of the feelings he feels for Soren, but simply concerned for the stability of his friendship with his ex. We love a respectful, communicative guy.

We don’t get to see Soren express her feelings for Riker or any potential shame she might harbor about them to anyone but him, which we know would lead to her persecution if she tried to share it with another J’naii. Which leads us to the end of this episode.

The tragedy, of course, is that the other J’naii do find out and do not respond with compassion or respect. Even after Soren has given everything to valiantly make her case, to stand up for herself and others who share her experiences of gender-based oppression, Riker and Worf return to J’naii one last time to rescue her only to find out that they are too late; Soren has already been forced to undergo psychotectic treatment (i.e. conversion therapy). Riker makes one last desperate attempt to get Soren to recall her true self but…she doesn’t. She can’t. And that clipped connection, that final tear in the string that bound them together in an inextricable truth, is what haunts Riker as Ensign Gates takes the Enterprise-D out of J’naii’s orbit.

Obviously, I would have loved to see Riker and Worf succeed in their rescue attempt, have our intrepid heroes break the Prime Directive to save Soren and help forge the first steps to liberating the trans people of J’naii. Unfortunately, for this episode to work, for it to resonate with its viewers as a meaningful commentary on the way our society treats queer and trans people, the screenwriters obviously felt that the tragedy of losing Soren in the end would garner more sympathy. We see a similar take with episodes like DS9's aforementioned “Rejoined”, where Jadzia Dax’s resolve to live the rest of her life with Lenara Kahn is ultimately in vain. She can only watch helplessly from the balcony above the Promenade as Kahn leaves, having chosen instead to favor the life of her symbiont and its future hosts over spending what time she can with the love of her life. Homophobia and transphobia tear people apart - real, living, breathing, loving, caring people. To deny someone their right to stand in their own truth is to deny them their existence. The screenwriters for “The Outcast” made the conscious decision to have us witness this violence, to make us sit with it and understand that Soren's experience represents the real experiences of real people. That the violence committed against queer and trans people harms both them and those who love them. Because Soren was loved. Is loved. She was held and shown a humility she for so long had no access to. And for a brief moment, she felt that love.

Absolutely, this episode could have been done better and I really, really wish they had hired actual trans people to tell Soren’s story or at least cast an actual trans actress to play her. But I do think there is something to be said for the episode’s fundamental, albeit accidental message which is that trans people are not broken or sick in the head. We are whole, vibrant beings entirely deserving of love, respect, support, happiness, care and, above all, life.

[zero-way-out]

One of the episodes i absolutely hate of star trek: enterprise is "Cogenitor" because of the message it tries to convey. Its in very simple terms "we shouldn't interfere with other cultures when we dont know the whole story" which on its own is a good message but how it is conveyed in the episode is absolutely fucked. This message would make sense with a simple missunderstanding but instead it tells you

"you should be okay with clearly sapient being with a mind of their own being oppressed because trying to override oppression takes too much work, the status quo will do just fine as long as the oppressed group is blissfully ignorant"

Its not as if the cogenitor in question is happy with their role, and it is only seen as oppression by Trip, the cogentor fucking kills themselves when they are forced back into oppression after tasting a tiny bit of freedom. And after all that its blamed on Trip, because he was compassionate enough to recognise that they were being oppressed.

[hashkath-skies]

"Plato's Stepchildren is the worst episode of Trek" this

"Dear Doctor is the worst episode of Trek" that

First of all, Cogenitor is the worst episode of Trek, followed by Code of Honor and Turnabout Intruder, so jot that down

Second of all, did you SEE the togas Kirk and Spock were put in in Plato's Stepchildren? Did you miss the Spock panty shot? Clearly you have no taste 😆

[wildishmazz]

Chapters: 1/1 Fandom: Star Trek: Enterprise Rating: General Audiences Warnings: No Archive Warnings Apply Characters: Jonathan Archer, Charles "Trip" Tucker III Additional Tags: Alternate Ending, Episode: s02e22 Cogenitor (Star Trek Enterprise) Summary:

What if Charles had lived, and gone back to Vissia with a plan?

[raurquiz]

#NationalComingOutDay #startrek #sulu #startrekbeyond #thenextgeneration #theoutcast #thehost #deepspacenine #lenarakan #dax #intendant #kiranerys #discovery #culber #stamets #enterprise #cogenitor #startrekpicard #7of9 #raffimusiker #lowerdecks #mariner #jennifer #startrek58

[giffingthingsss]

Cogenitor

Uncomfortable. I avoided a rewatch so I might not remember everything perfectly. But here's my take on it anyway.

I don't look back on an episode like this and think 'oh what terrible ethics.' I look back and see a remnant of a time when we were all being told to question our ethics.

There was a period of time, I'm not exactly sure when, I just remember hearing talk of it growing up, when it was fashionable to say something like 'there are no absolutes.'

Sort of an intellectual exercise of 'there is no absolute good or evil, so don't be judgey.' Add those ideas with a post 9/11 where there's all this talk of things like the treatment of women in the middle east, and you've got some people going -

'....well, I mean, that looks terrible to me, but maybe I'm just seeing it through my western values prism. maybe I'm a dodo head. maybe there's some reason for how they do things that i just don't understand. who am I to impose my beliefs onto another culture? maybe bad things would happen if i stuck my nose into something i didn't understand.'

It's kind of a twisted attempt at humility, and it might be true in a lot of circumstances.

I understand people looking at that episode today like, 'wtf is this?' The mood today is basically the opposite. It's something more akin to individual moral absolutism. 'If you don't agree with me allow me to escort you off the planet. None other has ever been as enlightened as I.'

There must be some middle ground between 'my way or the highway' and 'i should probably smother my gut when it tells me something is wrong.'

So anyway, I look at this ep and go, 'oh yeah. I remember that intellectual exercise time period.'

[sshbpodcast]

Character Spotlight: Charles “Trip” Tucker

By Ames

Screw Jonathan Archer. Trip Tucker is the real hero of Star Trek: Enterprise. He’s more likeable. He grows more as a character. Unlike John, he actually overcomes some of his racism. He commits way fewer atrocities than John too! We testify all the time on the podcast that he has the character journey that Archer should have had. So this week, your A Star to Steer Her By hosts are here to analyze the best Florida Man out there.

Don’t let the accent fool you: Trip knows his engineering shit. This Southern charmer is not only personable to everyone he meets, he’s more emotionally self-aware than most characters across the franchise. We need more Trip Tuckers in the world. So read on below and listen to this week’s podcast episode (tightrope walk over to 45:57) as we highlight our catfish-loving friend. And pass the pecan pie.

[Images © CBS/Paramount]

Best moments

Challenge your preconceptions or they’ll challenge you One of the early moments of growth we see from Trip comes in “Strange New World.” He spouts some absolutely horrid racist jargon at T’Pol while under the influence of space pollen, but when he snaps out of it, he not only apologizes, but he recognizes that he’s still learning to overcome the systemic racism he grew up surrounded by, which is hella introspective.

I feel like I got caught with my hand in the cookie jar Speaking of Trip apologizing to T’Pol, he knows to come clean to her after he read her very personal letter in “Breaking the Ice.” It’s Trip’s suggestion to Archer to have Hoshi decrypt the message instead of to (ya know) ask T’Pol about it, which is shitty, but then he’s honest enough afterwards that T’Pol sees in him someone she can trust to ask for advice about her arranged marriage.

I am just going outside and may be some time Who other than Trip could get Malcolm Reed, ship introvert, to come out of his shell? Their friendship becomes a show highlight after their misadventure during “Shuttlepod One.” Trip is even willing to Captain Oates himself to give Reed a fighting chance, but then ends up saving their asses when he prolongs their life support and then detonates their engine to get the Enterprise’s attention.

We all scream for ice cream Earlier in “Breaking the Ice,” Trip advised T’Pol to do what’s best for her (and eat pecan pie). Now in “Oasis,” we see him continue the trend when he advocates for Liana to make her own decisions, and it won’t be the last we see him champion others’ decisions. He also introduces Liana to ice cream, which makes him a goddamn hero. Someone, get this girl a bowl of rocky road.

It’s the CAPTAIN’S chair This is one of the cute moments we couldn’t help but include. It’s also a fun little acting showcase for Connor Trinneer when Trip gets absolutely fixated on tuning up Archer’s chair in “Singularity.” And when he’s clear-headed enough again not to redesign the whole thing, he figures out all he needs to do is lower it one centimeter. Work smarter, not harder, friends.

I’m not leaving him here We get even more benevolence from Tucker in “Dawn” when he’s stranded on a moon with Zho’Kaan, an Arkonian with whom he has no way of communicating. Though they’re distrustful and combative at first, the two men learn to help each other survive as the oppressively hot sunrise approaches. It’s just Geordi in “The Enemy” again, but that’s hardly a bad thing.

They would never let me learn those things There was a bit of a debate about which list to put “Cogenitor” on. You can’t deny that Trip is NOT the person to be making the legal and psychoanalytical decisions on Charles’s behalf. Problem is, there IS no such person on the Enterprise and the one person who could have granted them asylum resolutely refused. So that’s on Archer. Trip, on the other hand, is the only person treating Charles like a person, being the most compassionate crew member yet again.

You owe me one Turns out Sim, Trip’s symbiote in “Similitude,” is just as honorable a man as the original. First off, his engineering ingenuity saves the ship from the polaric field it was stuck in. And what a phenomenal job from Trinneer, distinguishing this subtly different character from Trip, and fighting for his right to exist. It’s a gut punch watching Sim accept his fate after his short life. Ow, my gut!

I’ve been putting off writing this for a while Trip’s emotional journey in season three is probably the most profound. We get to witness various stages of the grief he goes through after his sister’s death to the Xindi probe. Most of the season is anger, which is to be expected. But by the end of “The Forgotten,” we see how far he’s come when he writes the condolence letter to the Taylors, reflecting heavily on his own loss.

If I had suffered your loss, I’d feel the same way All the season three growth really does go to Trip! While Archer is torturing people and trying to kamikaze the Xindi, and T’Pol is a junkie for no logical reason, Tucker is here developing as a person. It’s just before Degra’s death in “The Council” that Trip and the Xindi weapons designer come to a sort of understanding with each other. There’s hope in this universe after all!

I think it was called: “The Ship that Couldn’t Slow Down” It may be pure spectacle, but it’s also impressive as hell when Trip shimmies through space between the Columbia and the Enterprise on a skinny little wire in “Divergence.” As usual, Trip is the only person who can save the day when the Enterprise has taken a cue from Speed and can’t slow down. Who else can say they tightrope-walked between ships at warp?

You’re sweet-talking the wrong guy While I would have much preferred if any of the lady crewmembers of the Enterprise did literally anything when the Orion slave girls take over the ship in “Bound,” I guess I’ll take the next best thing and see Trip do it. Because the typical Vulcan immunity is apparently transferable to their boytoys, Commander Tucker gets to save the day because pheromones don’t work on him.

—

Worst moments

Three hours of decompression in each direction Having to undergo decompression to visit an alien ship is a pretty cool concept we don’t see enough of in Trek, and maybe it’s for good reason. When Trip is decompressing during “Unexpected,” he’s absolutely insufferable. He spends the whole three hours whining and whining and whining, and flips the hell out even while Ah’len is assuring him everything’s fine.

Roll a stealth check Though we get some fun guest stars out of “Acquisition,” it feels like it’s missing something all episode long. I posit that what we’re missing is literally any clever engineering tactics from Trip, the only crew member free on the ship after it’s been taken over by Ferengi. Not only does he not do anything “Starship Mine”-y, but he gets himself nabbed by those doofuses!

A Night at the Risa-bury You wanna get your kicks on Risa, you go for it, Trip, but don’t be so disgusting about it. Watching him and Reed ogling all the aliens in the club in “Two Days and Two Nights” gets real gross real fast. But having the two of them get so thoroughly tricked by shapeshifting con artists until they were left tied up in their underwear shows how out of their depths they are.

I’d hate to be responsible for giving the crew the runs Considering how often you see other crewmen sitting in the chair whenever the captain is off gallivanting, it seems peculiar how utterly clueless Tucker is when he’s left in command during “The Seventh.” It’s like he’s forgotten how to make decisions. Or communicate with Vulcans. Or let Phlox and Reed do their damn jobs. Why is he suddenly inept?

Gives a whole new meaning to doing “The Stranger” Like we talked about a lot in our Kes post, some bad moments are actually things that don’t happen when they should. In this case, there is absolutely no pay off when Trip’s arm turns invisible in “The Communicator.” Nothing comes of this! In an episode where it would behoove everyone to be able to retrieve something undetected, wouldn’t an invisible hand work nicely?

Why, you stuck-up, half-witted, scruffy-looking nerf herder! Aside from just plain being a bad episode, “Precious Cargo” also contains a lot of terrible work from Commander Tucker. There is absolutely no chemistry between him and First Monarch Kaitaama, and yet they go to bone town just because the plot needs them to. You’d think someone who’s gotten pregnant before from engaging in less would show a little more restraint.

I was brought up believing you don’t play around with another man’s wife Let’s be clear: Trip does nothing wrong in how he associates with Feezal in “Stigma.” This is one of those moments that’s all on the writers. Someone continuously and gratuitously coming on to another person who displays no interest is sexual harassment. And yet the jokey, cutesy tone suggests it’s Trip’s error in not banging someone he shows no desire to bang. That’s gross.

You can’t do that on the balcony, buddy? This show is pretty much four seasons of white men not listening to a woman, and it’s enraging. T’Pol, as logically as usual, suggests that Tucker not test the Xindi rifle in the middle of the armory (of all places!) in “The Shipment,” but Trip refuses to listen and nearly blows the thing up in the most explosive area of the ship. Go outside and blow things up like a normal person!

This mission is to save Earth, not an alien hatchery I’m not done shitting on “Hatchery,” which I started doing last week. And in our season three wrap. And in our series wrap. I just find it so detestable that the show tries to glorify Tucker organizing a full mutiny because the captain is trying to save the baby Insectoids. Exactly no one on the ship seems to understand that that is the ethical thing to do, even during war time. Especially during war time.

Bugs Bunny sawed off Florida too, you know We just spent a couple points above praising Tucker for overcoming his hatred of the Xindi, but to get there, he first had to be overwhelmed with wrath. It’s understandable after the lancing of Florida, but when Trip just starts riling Degra in “The Forgotten,” it is not the right time, dude. At this point, Degra is working with Starfleet. Save the guilt trip for when you’re less busy.

Taking my ball and going home The will-they-won’t-they shenanigans between Trip and T’Pol have gotten very tired by the time we get to “The Aenar.” The both of them are acting so juvenile because they can’t work through their emotions nor act professionally around each other. So it’s frankly pathetic that Trip runs away from his feelings by asking for a transfer to the Columbia. And the Tri’Pol shippers lament. 

Have a nice Trip. See you next fall. No Worst Moments list would be complete without the awful, awful way that they kill off a beloved character. “These Are the Voyages…” does Trip even dirtier than Nemesis does Data in how pointless a death it is. It feels like a slap in the face to fans, ya know, like that whole finale does. The explosion scene is rushed. The acting is subpar. A piss-poor way to go.

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We, however, still have a long road to go ourselves, with several more character spotlights on the way. So make sure you’re following along here, keeping up with our watchthrough of Discovery over on SoundCloud (among all the other podcast places), get some neuropressure with us over on Facebook, and save us some popcorn at movie night!

[protectspock]

Archer's middle name should be "Iraq War Propaganda" also anyone who ever puts any captain over Archer when considering crimes against humanity (or sentient beings, whatever) hasn't seen the Official Worst Episode of Star Trek Ever, "Cogenitor"

[star-trek-fandom-confessions]

Confession #173

"I hate "Cogenitor" for making Trip Tucker out to be the bad guy when he was the only main character in that episode who wasn't acting like a sexist douchebag."

[pissfaggit]

I know I've pretty much already said it but Tucker is such an interesting character to me solely because he's a commander who low key fucking sucks at his job and I find the subtle but very present implications that he actually does fuck all most of the time SO FUCKING FUNNY. Like he's the third highest ranking officer on the ship but he's more preoccupied with what film to show next on movie night than his actual job 😭 and like there'll be really serious high stakes life or death episodes but then they'll throw in a Tucker B Plot™ that's like. "Trip accidentally loses a wrench down a tube in engineering and has to figure out how to get it out" and that'll be it 😭😭

[dalesramblingsblog]

OK conversely to my rant about The Disease, I have to confess that I... do actually quite like Cogenitor. Like, I understand why people have such a visceral reaction to it, I really do. The dialogue around gender is, well, it's a very 2003 understanding of gender; Archer's condemnation of Trip's actions is very tough to stomach, and it's easy to read the episode as a straightforward agreement with that condemnation.

But I think a *lot* of the discourse surrounding this episode really fails to take into account that the issues of moral relativism and unilateral intervention here have a very specific resonance for the world of April 2003. In a world where right-wingers were constantly bringing up the plight of women and girls in countries like Afghanistan and Iraq purely to justify an opportunistic imperialist invasion, Trip's actions were very pointed.

And, like, for all that people really like to say that Trip was made out to be the villain of the piece, I... really don't think he was? He's shown to have slipped up, yes, but I think the episode is actually remarkably clear in showing every step of his thought process, and how the values traditionally associated with Star Trek led him to the conclusions he made. The fact that so many viewers empathised with him enough to feel outraged at Archer's closing speech *IS VERY MUCH THE EPISODE'S POINT*.

The point is not "You are wrong, viewer, for feeling the same way as Trip, and while we're at it you shouldn't protest the treatment of women by the Taliban btw." It's something a lot more nuanced, and frankly for an episode produced just a month after the Iraq War began - even though Trip's actions are obv far less severe - it's actually a rather bold indictment of American foreign policy and the tendency to assume that the global south is just full of backwards villains who need a rugged square-jawed good old boy from the South to liberate them.

(For the best illustration of how warped the discourse around this episode is, look no further than the person who claimed that Cogenitor exemplified Enterprise's inheritance of the post-9/11 political climate. Which really doesn't jive with the whole "It's a polemic against meddling in other cultures because 'muh moral relativism'" narrative, unless you're seriously under the impression that the dominant response to 9/11 was "Actually, we shouldn't invade the Middle East because morals are relative." And frankly if that really is what you think well then that's fucking precious. Like, babe, do you even *know* who Donald Rumsfeld was?)

[youngpettyqueen]

what is with Archer in these last couple episodes?? first he's gonna sit there and tell the victim of oppression and mass murder that a conversation with one of his oppressors will change his mind, and now he's blaming Trip for the death of the cogenitor?? so he's willing to violate the Antaran's right to refuse treatment and Phlox's right to abide by his patient's wishes but he draws the line at saving someone asking for asylum?? ok