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#coeur des enfants
arphang · 1 month
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FERME BIO DE LA HAVANE DE L'ASSOCIATION DES PETITS COEURS DE CUBA.
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alapagedeslivres · 3 months
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Bilan JUIN 2024 : 8 lectures
En juin, le bilan est relativement positif au vu de mes contraintes familiales et professionnelles. J’ai eu peu de temps pour moi, encore moins pour lire et pour tenir le blog… Mais, je ne me plains pas (je fais ce que je peux…). Les lectures sont quand même diversifiées : trois romans historiques (2ème guerre mondiale deux fois… et un thriller médiéval), deux BD et deux romans contemporains et…
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coovieilledentelle · 5 months
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J'ai soif de gens vivants, de gens simples et aimants. J'ai soif de gens amoureux, doux, tendres. J'ai soif de gens qui ne jugent pas, qui aident et qui évoluent. J'ai soif de gens qui pardonnent et qui rient. J'ai soif de gens authentiques et qui s'en fichent du paraître. J'ai soif d'esprits attentifs et profonds. J'ai soif de gens qui s'aiment vraiment. J'ai soif de rencontres folles et de gens qui s'amusent.
STOP aux habitudes qui n'ont aucun sens et des passés révolus qui nous tirent vers le bas. STOP aux voix trop fortes et trop sérieuses. STOP aux esprits malins et voraces. STOP aux gens qui font mal parce qu'ils ont mal.
Je dis oui à l'amour, à la joie. Je veux rencontrer des âmes sensibles au cœur tendre et des gens qui ont les yeux qui brillent. Je veux rencontrer des enfants et des grands enfants qui voient la vie en couleurs.
Vive les coeurs et les âmes. Vive la sensibilité et la gentillesse. Vive l'imperfection. Vive la folie ! Vive l'Amour.
Jenny Trolliet, Aux Anges
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pompadourpink · 14 days
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With respect to the earlier post of hot french actors please share some hot french movies/tv shows. Or simply some good shows and movies to watch
Hot movies:
Yves Saint-Laurent (by Jalil Lespert)
La baie des anges
La collectionneuse
La vie d'Adèle
8 femmes
Le mépris
Et Dieu créa la femme
La piscine
Belle de jour
La folie des grandeurs (in a romantic way)
Un été brûlant
Une femme de ménage
Trois coeurs
Swimming pool
Good movies:
Le fabuleux destin d'Amélie Poulain
Amour
Le scaphandre et le papillon
La jetée
Joli Mai
Pierrot le fou
A bout de souffle
Mon oncle
Playtime
Les 400 coups
L'atalante
Le voyage dans la lune
Les enfants du paradis
Le samouraï
Cléo de 5 à 7
La boum 1 + 2
L'étudiante
Peau d'âne
Le Magnifique
L'homme de Rio
Le rayon vert
De rouille et d'os
La haine
Le grand bleu (weirdly sexy)
Jo
La grande vadrouille
Fantomas
Le grand blond
Les tontons flingueurs
L'année dernière à Marienbad
Ciao pantin
Shoah
120 battements par minute
La classe américaine
Les demoiselles de Rochefort
Les parapluies de Cherbourg
Notre Dame de Paris
Les rivières pourpres
Polisse
Les diaboliques
L'assassin habite au 21
And many more! La folie des grandeurs has been my favourite French movie since primary school so I would add it to the second list - must-watch if you're the "most ardently" type.
(I can't help with shows, I haven't seen many French ones!)
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lisaalmeida · 7 months
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Être une femme libre de ses choix
Être une femme, c’est choisir d’être soi-même
Faire brûler sa flamme pour ceux que l’on aime
Dessiner son chemin pour construire son demain
Aimer sans limite, aux plus pauvres tendre la main
Couvrir le monde de sa féminité pour donner naissance à la beauté
S’épanouir du bonheur d’un enfant, le couvrir de tendresse et de bonté
Ouvrir son coeur au bonheur pour inonder le monde de volupté..................................❤️
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coolvieilledentelle · 7 months
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J'ai soif de gens vivants, de gens simples et aimants. J'ai soif de gens amoureux, doux, tendres. J'ai soif de gens qui ne jugent pas, qui aident et qui évoluent. J'ai soif de gens qui pardonnent et qui rient. J'ai soif de gens authentiques et qui s'en fichent du paraître. J'ai soif d'esprits attentifs et profonds. J'ai soif de gens qui s'aiment vraiment. J'ai soif de rencontres folles et de gens qui s'amusent. STOP aux habitudes qui n'ont aucun sens et des passés révolus qui nous tirent vers le bas. STOP aux voix trop fortes et trop sérieuses. STOP aux esprits malins et voraces. STOP aux gens qui font mal parce qu'ils ont mal. Je dis oui à l'amour, à la joie. Je veux rencontrer des âmes sensibles au cœur tendre et des gens qui ont les yeux qui brillent. Je veux rencontrer des enfants et des grands enfants qui voient la vie en couleurs. Vive les coeurs et les âmes. Vive la sensibilité et la gentillesse. Vive l'imperfection. Vive la folie ! Vive l'Amour.
Jenny Trolliet, Aux Anges
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Le cœur d'un père est toujours en admiration pour ses enfants et s'agrandit avec chacun d'eux.
#au-jardin-de-mon-coeur #ma citation ✒️
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pebblysand · 7 months
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hello! you may find the entire playlist on spotify here. below is some more information on my song choices.
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Castle by Eminem: if you have finished the fic, you will understand. if you haven't, i don't want to spoil you :).
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Things We Lost In The Fire by Bastille: it's funny, i'm a massive bastille fan but it didn't really hit me how castles that song is until i went to see them live last summer. i remember being in the crowd and thinking to myself: god this is so on point. i think the lyric that gets me most is: the future's in our hands and we will never be the same again. there's such a dichotomy to that and it's so representative of what is happening in this chapter, which is harry and the trio sort of reconning with the concept of time and the post-war state of things and: now what? the excitement of: we survived and the future's in our hands, but also we'll never be the same again because we lost all these things (people) in the fire (war). i just find it very apt.
O Children by Nick Cave & The Bad Seeds: firstly, i love that song, i thing it's beautiful and it just nails that post-war tone of the early chapters. the cleaners are coming one by one, they measure the room, they know the score, etc. secondly, this is obviously the harry& hermione song, which is a massive vibe and plot point of this chapter. i will defend the dance to my dying day, i think it's one of the most beautiful scenes in the whole film and those who don't like it because of the harmony vibes are wrong. that's it 😅.
UNHEALTHY by Anne-Marie: this is a more recent addition, but doesn't this song kind of have early harry/ginny vibes? i'll let you listen and be the judge.
Wonderwall by Oasis: harry mentions oasis in this chapter, so of course i had to add this. i have listened to this song so much in the past 20 years, i can't even tell if i like it or not. anyway, here's wonderwall 😅.
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Pompeii by Bastille: ah. the infamous break down of everything. as i've already said, absolutely love bastille, and this one is a classic.
Shadow Preachers by Zella Day: i added this one more recently but i feel like it also had very strong early harry/ginny vibes. i also like that it sounds a bit similar-ish to pompeii in that sort of break down of everything vibe. there's a sort of desperation to that song that i feel really fits well.
Place de la République by Coeur de Pirate: firstly, if you think of coeur de pirate as comme des enfants and don't know anything else from her, i am begging you to open to your heart to her other songs/albums, she's incredible. secondly, i've always loved this song. it so well captures this sort of regretful break up situation where she is breaking up with someone because of distance and giving them one last chance to show up and they don't. i feel like it's very much a ginny song in chapter 3, this way she doesn't really want to break up with harry but has to. it's just 😫.
Someone You Loved by Lewis Capaldi: i've gone back and forth a lot on this song, whether to include it or not. it's almost Too Much. but, also, harry is a bit Too Much in this, so it just fits.
Achilles Come Down by Gang of Youths: this is... very literal, i don't think i need to explain. i will say, for a very long time, i didn't know where the french bits were from. it sounded like some sort of documentary about suicide, which i thought was odd, but it's actually a reading of the myth of sisyphus by albert camus. i've never read it because i've only ever read camus's fiction, but he is one of my favourite french authors, so i was happy to find that out. it works with the song incredibly well, obviously.
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Hell or Highwater by Passenger: we're back with the break up songs. i love this one because it very much is about the confusion and the not knowing what caused the break up, which i think is very fitting for harry, here. i also just love the writing in this song, the way he uses the "hell or highwater" saying in a different way - it's a song i very much love, even outside of castles.
Six Degrees of Separation by The Script: idk, this song has such strong 2000s vibes, and it's so break-up-y dramatic - it just fits, you know? 😅.
Giants by Dermot Kennedy: this playlist supports irish artists! ✊🏻 jokes aside, i kind of see this song as having a bit of a double-meaning here. like, of course, it's hinny break up song and plays - again - to that lack of understanding (we used to be giants, when did we stop?) but i also see it as reflective of harry's broader state of mind. it's this post-war confusion of: we used to do these great, important things, and what is our purpose, now? obviously, this first arc is very much about finding a reason to live after the war, so i feel like this song works for both plotlines.
As It Was by Harry Styles: i'm not a massive harry styles fan so the first time i ever heard this song was when he was on tour and the 'LEAVE AMERICA' trend was all over tiktok. and, i don't know, the moment i heard the song as a whole i was like, 'fuck, this is such a castles song!' especially of that early, post-war, confused era of: 'harry what are you doing sitting at home on the floor, what kind of pills are you on?' it just had to be in this playlist.
Fear of Fear by Passenger: this song is just a mood. i feel like it could play over a montage of the weeks passing in chapter four, and harry just going to work, trying to sleep, and going running in the night.
Le vent nous portera by Noir Désir: there's two reasons why this song is here. firstly, i feel like it signifies healing and the passage of time, which works very well with this chapter. it's a gorgeous song and has this idea of the wind just blowing the hardships away, an "it'll be alright" motto that i love. but also, what my international audience might not know is that this song is highly controversial - bertrand cantat, the lead singer of the band, beat his girlfriend - french actress marie trintignant - to death in 2003. he was arrested, went to jail - if you are french, just know that i'm not going to get into the Debate of whether he should still played/be listened to, etc. we all have our opinions and whichever way you're leaning i'm not going to change yours but i just wanted to note that i wouldn't have put this song in the playlist for any other chapter. but with the added theme of DV in the case giulia and harry work on here, i felt it was fitting.
Brave by Sara Bareilles: this is obviously giulia's pep-talk song haha! harry, get out of your rut, and be brave. i love it.
You're Not Special, Babe by Orla Gartland: i love this song. and, again, it's very giulia. i feel like both of these last songs for this chapter have this vibe of her telling harry to just get off his arse and do something, which is what he needed at that point. quit moping around, quit blaming yourself, you're not that special. it's really the kick off, onto chapter five.
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Insomnia by Ren: ah, ren. if you've been following the playlist for a while, you will have noticed that i had a major ren moment between the end of 2023 and the start of 2024 and added, like, fifteen millions of his songs to the playlist. i feel like castles generally has such a ren "vibe" to it, which is wild because i didn't find him until well into writing the story. this song has this incredible line: i used to use drinking as a way to stop thinking and my problems with drinking made me feel like i was sinking, so i dried up my drinking and then i couldn't sleep a wink, and now i'm thinking, now i'm thinking, now i'm thinking, now i'm thinking about nothing. fucking nothing. and everything and nothing - i hate not sleeping. this is so on point for this chapter, which has harry's insomnia stalking those post-war months, and i absolutely love it.
The Last Unicorn by Passenger: ah, the first mia song 😫. my child. this is so scarily on point.
J'écoute du Miles Davis by Navii: this is really one of the core, OG castles songs as far as i'm concerned. i remember listening to it on loop very early on, writing the early chapters. i love the chorus of 'Et le temps passe' (and time passes) - it's this factual statement that i feel is very castles. "Time just - passes."
The Way I Am by Eminem: i was so mad to find out i couldn't use this song in text because it came out in 2001. obviously, very related to the press, fame, etc. which are topical for this chapter.
Dominoes by Ren: i added this one fairly recently. it's one of those songs that isn't precisely topical to the chapter itself, but i really liked the riff of "we fall like dominoes, dominoes, falling". it echoes that thing harry says about how he's afraid to fold because if the "leader" falls, then everyone comes cascading down. i felt like there's an interconnection in that song that resonates, here. and also, i think the thing about public perception and body shaming is also somewhat related to the treatment of girls in harry's life in the press.
Read All About It, Part III by Emili Sandé: i thought most people would already know this song because it was featured so prominently in the 2012 London Olympics, but i suppose it still didn't make it to america, 'cause i've had quite a few comments from people saying the playlist was the first time they'd heard it. anyway, it's obviously about harry using his voice and finally talking to the press, and it's amazing :).
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Babylon by Barns Courtney: the vibes of this song feel like the fall of a civilisation and "the walls are caving in, you're paying for your sins" and... yeah. idk, i see this as the theme song to the whole battle scene at the lace mill.
What He Wrote by Laura Marling: this was always Giulia's "song" in my head, i'm not even sure why. it's got nothing to do with her but just based on vibes. i listened to this on loop writing her death. and, also, the connection with Peaky Blinders, which heavily inspired the first act of castles.
Fourth of July by Sufjan Stevens: this is just... a beautiful song about death lol. how cheerful 😅.
All My Tears by Ane Brun: and... another one, lol. also, another connection to PB.
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Jimmy by Moriarty: i only have two songs for this chapter, probably because it used to be paired with chapter six so i initially didn't think of it as an independent item. anyway, this is one of my favourite songs in the world, and it's recently come to my attention that it fit quite well in here, with this idea of "coming home" (to the burrow, in harry's case. i feel like it works well with the general mood of the chapter.
CORALINE by Måneskin: ah. coraline, coraline, di me la tua verita... this is the beginning of harry, and ginny, and the letters, really.
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Zombie by The Cranberries: canonically, Mia is a fan and while two cranberries songs are mentioned in this chapter, i always felt like this one fit better. first, because it's about a civil war that, in many ways, resembled the wizarding war. second, because i've always sort of thought as amycus as a bit of a zombie. like, he's dead but he still plagues ginny (and later harry) with the things he's done and their ramifications.
Rather Die by Barns Courtney: obviously, i'm a massive fan of barns courtney and i've always felt this song is very ginny during the war. basically, 'i'd rather die than give in.'
Repeat After Me by KONGOS: this song is obviously about the absolutist christian faith and someone trying to escape it, but i think there's something so rhythmic about it. in my head, i could see it playing over a montage of the DA pulling off stunts, getting attacked, getting back up again, fighting again, losing again, etc. there's also the 'repeat after me' of indoctrination that could very much apply to the ministry's propaganda. i remember listening to this song so much as i was writing this chapter, just to remind myself of the relentless sort of pacing i wanted to achieve.
Dopamine by Barns Courtney: okay so. this is the song of this chapter. i know it feels like it's not really about this chapter (it's clearly about drug addiction) but you cannot possibly imagine the number of times i listened to it as i was writing. i don't know. i love everything about it. the loud rock and instrumentals, the production, the lyrics. if we end it all, at least you're by my side. we could never die. and this: it's always the same. see the drink couldn't wash out the taste of your name. i literally think it's one of my favourite songs ever, and one of my favourite sentences ever written. i think in my head it's a bit about ginny sinking, about amycus, about harry. about everything. i would say dopamine is probably one of the most important songs in this playlist. i am so attached to it.
Thirteen Thirtyfive by Dillon: and... the last song. i will say this: i have since learnt that this song is about a woman who has lost a child (either through miscarriage, abortion or death after birth, it's not clear) and is reminiscing about what her life could have been. that is... not how i initially interpreted it. you may listen and come to your own conclusions. if you interpret it like the above, maybe it fits with pansy's story. if you don't... well. you'd be thirteen, i'd be thirty-five, gone to find a place for us to hide. be together but alone, as the need for it has grown. make of that what you will.
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Formidable by La Bronze (Stromae cover): god, do i love this song. and god do i love this cover almost more than the original. i love how she made it less sad and more angry with the more rock-like music, as well as the sound of arabic. it works So Fucking Well. the chorus of this song sort of says it: we were incredible.
The Kid I Used to Know by Arrested Youth: just one of those songs i used to listen to on loop while writing/planning that arc of castles. i do think of this time in this fic as the formal end of harry's childhood, when he finds out about ginny and realises that all their innocence has gone. so long to the kid i used to know.
Hold On by Ren: i feel like there's such a restlessness in this chapter that you also find in this song. this sort of endless torrent of stuff coming harry's way, and him trying to... get through it and hold on.
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Blind Leading The Blind by Mumford & Sons: i had originally put this one in for chapter nine, but i actually think it's more of a chapter ten song. welcome to the trials, aka the epitome of the blind leading the blind.
Why'd You Only Call Me When You're High? by Arctic Monkeys: ah. were you also a teen in the early 2010s? welcome to the song. obviously - very harry & ginny in this chapter.
Falling Is Like This by Ani DiFranco: i've always adored this song ever since i discovered it referenced in another fic. it's where i got the idea of the car running off a cliff in last chapter - it's also very heavily referenced in this chapter. think of it like a transition song lol. just such a Mia mood. falling is like this.
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Je suis un homme by Zazie: i was looking for a song this morning to operate the transition between falling is like this and the kids are all rebels, and i settled on this one. judge me all you want but i love zazie, and i think this works quite well with the beginning section of this chapter that is a little bit like the song: humans and their institutions going round in circles.
The Kids Are All Rebels by Lenii: i loooove lenii. she's irish (🇮🇪🥳) and this song is such a DA song. there's this dimension of youthful idealism hitting the brick wall of adulthood, and the things they see the government do which they're not happy with. the song itself was written about trump's covid policies, but it fits so well here too!
Anthem by YOKANA & Barns Courtney: i think this is self-explanatory. harry is starting to doubt his "no comment" strategy...
Statues by Alexandre Desplat: we're... starting a new war in courtrooms, aren't we? jokes aside, it's probably my favourite music from the films, very war-coded, it makes me want to rise up to battle, so.
Remember the Name by Fort Minor & Styles of Beyond: there's something about the relentless rhythm of this song that i just love for the end of this chapter. like: LET'S GOOO!
Legendary by Welshly Arms: i see this as the DA's song, too, you know? not just harry. they're all doing something legendary.
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Till I Collapse by Eminem: this is one of my favourite eminem songs, and i think it fits really well with the beginning of this chapter. the onslaught of press coverage regarding harry's and the DA's actions, and their common desire to push through no matter what.
Instant Crush (feat. Julian Casablancas) by Daft Punk: i actually wanted to put da funk in this playlist (which is the song mentioned in the fic) but i chose not to subject you all to five minutes of lyric-less late-naughties techno music 🤣. i also feel like putting this right after Till I Collapse is a bit of an insult to eminem ("you don't know me, you're too old, let go - it's over, nobody listens to techno" 😅), which is a bit funny lol.
Teenage Culture by SKYLAR: it's funny, i listened to this song on loop the summer of 2023 but didn't really find an excuse to add the song to the castles playlist until it finally hit me now that it was per-fect for this chapter. i love skylar and i love this song, it's so tongue-in-cheek and yet lyrically incredibly clever. i think this is such a teenage anthem and fits so well for this chapter, both in the "partying" side of it, but also in a the-kids-are-all-rebels sort of way. i just absolutely love it.
Everyone's at It by Lily Allen: i've just realised this is the first lily allen song in this entire playlist which, if you know me and how much of a lily allen stan i am, is wild. i stole some of the lyrics of this song for the chapter; it's about the double-standards that exist in dealing with drug addiction, which ginny talks about a bit. it's a song that was very important in opening my young eyes on this topic, when i was a teenager. i feel like it also goes so well with the SKYLAR song, it's like the millenial-advocate-y song to SKYLAR's gen z, more apathetic/don't-care take.
all the good girls go to hell by Billie Eilish: i have a very strange relationship with Billie Eilish's music where i listen to her only for very specific occasions and moods, but i do love that song. and, idk, i kind of see it as a symptom of ginny's slight "descent" in this chapter, where under the surface, partying and sleeping around begins to be less "fun" than it used to be. there's something weirdly haunting about Billie Eilish's music (esp the first album, that i feel fits here).
Any Other World by Mika: i added this song to the playlist rather recently but if you are a the good wife fan, it will of course sound familiar. i think i was looking for a song to finish off this chapter and recently was lucky enough to see Mika play live in dublin, and thought it just fit. it's neither really a love song nor a political song, it's a third thing, and i think it's really symbolic of the conclusion you reach at the end of this chapter of "say goodbye to the world you live in". i think this chapter is really the point of no return, this sort of deep realisation that nothing will be the same anymore. it's also the halfway point of the fic (in terms of chapters), so i reckon it works.
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Un peu d'espoir by Joyce Jonathan: i relistened to this song recently and i think it really suits the beginning of the chapter. there's a growing up vibe to it and, nostalgia, sadness and hope at the same time. i really see it playing in that time where harry reflects on the upcoming anniversary of the war and where he and ginny talk about the aftermath.
Dance Monkey by Tones and I (Stripped Back): okay. i know this is a bold choice but let me explain. basically: i was working on completing the playlist and was looking for a song for the end of the trials, draco's hearing and all the politics in this chapter. i looked up my top songs of 2022 (which is when this chapter was written) and found out i actually listened to this song quite a lot that year (the original version of it). and yes, this is a dance song, but when you look at the lyrics, there's a vibe of, like, the establishment and the wider world forcing you to do something you don't really want to do? like, sure, here, this is a woman who's being told, basically "why don't you dance/smile more" but i think this is also applicable to harry and his relationship with the press and the wizarding world in general. there is a dimension in it of "dance monkey! dance!" where he's just like - not feeling it. this is the chapter where he rebels, too, and actually doesn't stick to the script, and pushes the wizarding world to change, and we love that for him. i chose the stripped back version for the playlist, because i feel it just fits the mood more than the dance version of this song.
bad guy by Billie Eilish: ugh. do i need to explain? i mean, harry, come on. stop toying with two girls at the same time.
Bad Habits by Ed Sheeran: a bit the same as the above. my bad habits lead to you - you can't quite let ginny go, can't you?
Arcade by Duncan Laurence: if you were on tiktok in the golden age of dracotok, this song will need no introduction. i don't even think the lyrics fit but i now have such a strong association between draco malfoy and this song, it needed to be there in this chapter.
This Is What Makes Us Girls by Lana Del Rey: i feel like this is a lesser-known Lana song, but it's haunted me for years. i think there's a vibe of "for us girls, it's just the way wars are fought" in that song. and, with this chapter being the one where we find out about pansy, i couldn't not include it.
Broken Crown by Mumford & Sons: i've always felt like this was such a castles song overall, but struggled to find a good spot for it in the playlist. and then, i don't know. i feel like this moment after malfoy tells harry the truth and when he's having his tirade about systems just... works. this is a song that to me, represent the both of them, actually. i'll never wear your broken crown, i'll never be your chosen one. for malfoy, it's realising just that - he's not the chosen one. for harry, it foreshadows what's to come with alecto.
Mr. Sandman by SYML: okay, i cannot possibly explain this but i very strongly associate this song with the vibe of draco in prison, and that last scene. it's bizarrely haunting, and i think fits the mood perfectly.
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Wrecked by Imagine Dragons: this song is one of those songs about grief that are maybe a bit one the nose but idk, i like it. i listened to it loads the summer it came out, and it inspired me to bring giulia back in this chapter. so there you go haha.
In Your Heart by The Franklin Electric: this is a song i love and i've listened a lot, but again, one that i couldn't really find a good place for in the playlist. but i was looking for a song to cover sort of the alecto/kingsley era of this chapter and i think it's perfect. it's vague enough that it could be about anything, and generally it's very much about guilt and substance abuse, and feeling lost, and very "in your head" which fits the bill. the beginning in particular really speaks to me: it's your fault, when your pride grows thicker than your skin, it's burning up like oxygen. and also this: the teachers never told you about reasonable doubt. i think it very much resonates with harry making that awful decision in that moment, and the guilt/unease that flows from it.
Foundations by Kate Nash: ah, do i even need to explain this one? this article was making the rounds a while back and it's So On Point. this song is an anthem to the breakdown of that first adult relationship you have with a boy that's a dickhead and this is mia's anthem. she deserves it. my fingertips are holding onto the cracks in our foundations and i know that i should let go, but i can't. i feel like this is so representative of that moment where everything points towards mia leaving him, but instead she asks him to come with her. darling, you deserve so much better!
People Help The People by Birdy: i was looking for a song to cover the memorial and i think this one (this version in particular) is just so beautiful. there's something very breathy and airy and the lyrics really resonate. the ups and downs of the verses v. the chorus of people helping people. give me your hand and i'll hold it is also building towards the hinny moment later. i really love this here.
Tobacco In My Sheets by Lauren Aquilina: god, i've loved and listened to this song so much. to me, it's the ginny&molly song. i've also hesitated on placement, it could have been earlier when molly and ginny were fighting, or later in 22, but ultimately, that scene with the hug is what i'm choosing. this song breaks my heart into a million pieces every time i hear it.
Higher by Lily Allen: ugh. this is probably one of my old time favourite lily songs. it took me a long time to understand it, listen to an interview when she was explaining this was written from the POV of her ex-husband. there's something so tragic about it, but i also really like the conflictual-ness of it, the one-upping each other which is a little bit what harry and ginny are doing for part of their conversation. there's also harry's unrelenting, unyielding attitude towards ginny's fuck ups, both tolerating them, but also making it clear that it needs to stop. it's your life, i said i'd never let you waste my time, i said you'd never hear me say that twice. you crossed that line. i just fucking adore this song.
Delilah by Florence + The Machine: there's a complexity in that song of i'm gonna be free, i'm gonna be fine, but also holding on for your call, i can never let go that i feel is very much the dichotomy of ginny in this chapter. the certainty and confidence but also the vulnerability of her conversation with harry at times.
Supernatural by Barns Courtney: i kind of see this song also as a transition into next chapter. one last time, let you back into my head - to me, it's harry and ginny sort of dancing around each other like they do in the of that conversation. want-me-want-me-not. they both do it at times, and especially harry in the next chapter, and i think it's a good song to launch the next part.
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I'm Not A Saint by Billy Raffoul: this song has strong castles!harry vibes - at least for that era of his life lol. i kind of both see it as the opening song for the whole alecto mess, but also as an anthem for the whole chapter. i've one too many cigarettes, burning off my tongue, and the chorus of i'm not a saint but i could be if i tried is very harry/mia.
Lap Dance by Ycare: i fucking love this song. literally, i see it as the harry&hermione dancing scene song. more figuratively, it's harry dancing around with mia and ginny hot-and-cold-ing harry.
Trigger Bang (feat. Giggs) by Lily Allen: another of my favourite lily songs ever - i remember it came out as one of the early releases on no shame and i fucking gasped when i first heard it, i think it's my favourite song on the album. i actually listened to that album a lot while writing act 2 of castles; it's an album that deals a lot with addiction and messing up, which obviously is very much ginny's arc at that point. particularly, this song inspired the party thing where ginny says she'll avoid the party because (in other words), it's triggering to her. i was trying to find an excuse for the "one time they didn't meet" to fit with the theme of the chapter, and that song is what inspired me to write the whole party subplot, actually. that's why i can't hang with the cool gang, everyone's a trigger bang, bang, bang, bang, bang.
The List by Maisie Peters: i love the successions of these two songs because they kind of build off on each other. it's new resolutions and turning a page, which is very much what ginny does here.
July by Noah Cyrus: ugh. self-explanatory. this is the most mia song ever. leave him. just leave him (spoiler alert, she can't).
Double Denim - the one to cry to at 3am by SKYLAR: another massive ugh. mia, stop falling for the bad boys. and harry, you are this song in this chapter. this song also have some of my favourite lyrics by SKYLAR ever, which apply so well in this context: mister, mister, if she's like a sister, why did you kiss her? what? to be polite? but aphrodite don't go kiss athena so why d'you kiss her? just, out of spite?
Back To Black by Amy Winehouse: ah, amy, my love. another victim of the tabloid press. i've always seen this song as mia's break-up song, and the title of the paris fic is taken from back to black. he left no time to regret, kept his dick wet, with his same old safe bet. baby, mia, my dear, i'm so sorry.
BLIZZARD by Fauve: there's this meme on french tiktok right now that's like: "the kids who used to passionately listen to Fauve in the summer on 2015, how are you all doing??" 😅 not well is the answer to that question lmao. jokes aside, for anyone not familiar, Fauve were a bit of a musical concept back in the day, and they have a lot of slam/rap songs about love and mental health and stuff that were very #deep but sure look, i still fucking love them. and, this song is so castles!hinny, it's very much about taking a leap and believing in the future, which is the sort of trajectory they're choosing for each other at the end of this chapter. tu nous entends l'amour, tu nous entends? Si tu nous entends, il faut qu'tu reviennes parce qu'on est prêts maintenant, ca y est. on a déconné c'est vrai mais depuis on a compris, et là, on a les paumes ouvertes avec notre coeur dedans, il faut qu'tu l'prennes et qu'tu l'emmènes 🥹
Que tout s'danse by Noé Preszow: this song is another of those songs that are incredibly important to castles and have really shaped the narrative of the fic. it basically says "you tell me anyone can dance through everything". it's a song about love and resilience and fucking up, and really was essential to the whole hinny arc in part 2. it has these lyrics about "i know it doesn't seem like it but i need to be laughed at, i need anonymous letters accusing me of all crimes" - to me it speaks to the very thesis of why harry chooses ginny: because she challenges him and makes him a better person. but, in my head, this song is also a war song, and a castles song. it's very linked to the trials arc of part 2, which also concludes in this chapter. in the song, the lyrics state: tu me dis que tout s'danse, même la gêne, même la haine, même l'errance. Que tout s'danse, la solitude, l'état de siège, l'état d'urgence. that last part, basically translating to "you can dance through anything, a siege or a state of emergency" is a direct reference to the state of emergency that was declared after the bataclan attacks in paris in 2016. as i've said before, i drew a lot of inspiration from the bataclan trials for castles, which were ongoing as i was writing, and from the bataclan attacks in general, which had a massive impact on my life and in part, motivated me to write castles. it's a gorgeous song, and one that has been in the playlist from the very start of this journey.
Friends (The Way I Wrote It) by Ian McConnell: i don't think i need to explain this one. it's the very last of the harry/mia song. it's cute and sad and weirdly perfect.
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Paris by The Chainsmokers: i listened to this song a lot whilst writing chapter 15/16 and i couldn't help but feel like i had to include it somewhere. at first i was like "this has got to be mia related because it's paris," but ultimately, i think it's a very hinny-in-chapter-16 song. you'll see anyway that this whole chapter is pretty much one travel-related song after the other (lol), so here's the first one of many haha. i love the "let's show them we are better" and "if we go down, let's go down together" - it's very them and is also a good transition between 15 and 16.
Iris by The Goo Goo Dolls: i really struggled with this chapter regarding whether or not to include the muggle songs that are referenced in the text into the playlist. in the end, i decided not to, apart from this one and the Manu Chao one (see below). i don't think stuff like the real slim shady or wannabe or Dido are particularly relevant to this story, but this one is just so perfectly cliché and great for Ron & Hermione - i just had to include it.
Caravane by Raphaël: i know, i know. if you're french, you can't stand this song anymore cause it's been so overplayed, think: james blunt's you're beautiful. BUT it is a beautiful song. and, it's: harry and ginny leaving. being free. just the two of them. 🥹
Young as the Morning Old as the Sea by Passenger: i just love this song, it's gorge. but yeah, just another travel song in fairness ^^.
Fast Car by Tracy Chapman: so, funnily enough, this song was supposed to be a song harry and ginny danced to at the wedding. i took it out because all things considered, it's not a super hopeful song. but just now, i was looking for song to cover their first fight in misty village and like, idk. i love the metaphor in this, the way the first few pages of the trip (and the first few songs) are very happy-go-lucky and "yaay! we're going on an adventure" but then this one is like: is the adventure really a happy ending? it follows the hopeful beginning of this song and the more tragic end, almost. also this one and the previous one are very guitar-based, so they go well together.
Renegades by X Ambassadors: aaaaaand, they're back on the road lol.
The Seer's Tower by Jamie Cullum: this is a cover of a Sufjan Stevens song but Jamie Cullum's version fucking haunts me. i think it fits so well the low-key tension that exists between harry and ginny in that part of the chapter, around chicago and the midwest, where they're actually talking and making progress but also, everything's a bit complicated. i just adore this. and, obviously, the title of the song is a reference to Sear's Tower in chicago, which harry and ginny visit.
Bongo Bong by Manu Chao: aaaaaand, we're back on the road lol. with this quintessential european 90s song lol.
Sword from the Stone by Passenger: this is probably one of my top three passenger songs and the only "covid" song i can tolerate lol. i was sort of looking for a place for it in castles and then it hit me while making the playlist for this chapter. it's got that sort of desperation to it and that "i can't do it alone" and the ups and downs that are. very symptomatic of harry and ginny in this chapter. to me, this is really representative of the lead up to their final fight and of the fight itself.
It's Called: Freefall by Paris Paloma: this is a cover version which you probably already heard if you're on tiktok - it really inspired this chapter, and particularly the grand canyon moment.
What Is Love? by The Red Pill & Alan Watts: a bit the same as the above, i just love the text and it really symbolises that idea of taking a leap and believing in love for the two of them.
LETTRE A ZOÉ by Fauve: this is probably my favourite Fauve song and to me it so symbolises the vibe of the grand canyon aftermath, the very early, exciting stages of a reconciliation. it's such a beautiful song and i think it transitions wonderfully into the new "stage" of castles.
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Mona Lisa, Mona Lisa by FINNEAS: this is the era/chapter of love songs, lol. i love this one, it's so happy and symbolic of the first half of this chapter - harry and ginny enjoying the honeymoon phase haha.
Room Service by Holly Humberstone: i can't recall how i first heard this song but i always thought it had such hinny undertones of that era in castles, covering both this chapter but also the one before - this quietness of a refuge found in bedrooms and hotel rooms just the two of them. the love that transpires. i am burying the things that hurt you. i'm digging holes in the garden, babe, i made a tomb to put them in - everything. i also love the part that goes 'cause you've lost too much sleep for one lifetime - that really speaks to the two of them and their nightmares.
Rosie by Passenger: another cosy song for this cosy chapter. funny story but passenger said he wrote that song as a lullaby for his cat who was scared of the storm. it's a beautiful ballad about not worrying and being protected. i adore this song, it always gives me hope and feels whenever i hear it.
Party Tattoos by dodie: continuing with the cosy feeling, but this song is also about social anxiety and taking leaps of faith to actually do things, which i think speaks to harry and ginny finally enjoying themselves in this chapter. that being said, i mostly picked this song for this iconic line: they're not bruises, they're just party tattoos. that really spoke to me in this chapter, not in the context of the song specifically, but more in the context of the "bruises" and "wounds" that harry and ginny are working to heal together, and this concept that they're not bruises, they're just party (or maybe life) tattoos. i love that idea and the metaphor, which is why i included the song here.
Petite Marie by Francis Cabrel: and, again, we finish with a love song. probably one of the most beautiful of all. sorry for those who don't speak french, you're missing something. je viens du ciel et les étoiles entre elles ne parlent que de toi. (i come from the sky and amongst themselves, the stars only speak of you.)
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ernestinee · 6 months
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Tout d'abord on lui a dit qu'il ne dépasserait pas les 6 ans de vie, et son coeur de maman s'est brisé.
Ensuite on a discuté elle et moi, le petit avait 2 ans et quelques, et le pronostic se basait en fait sur des observations. "Non il n'a pas su faire l'examen en fait, le petit bougeait trop"
Le généticien avait dit "Il a les pouces plats, les yeux fort écartés, le visage est caractéristique de tel syndrome, ces enfants là ne vivent pas au delà de 6 ans"
Elle avait pleuré pleuré pleuré, à la maison, au bureau, en voiture, aux toilettes sûrement, sous la douche aussi, elle avait les yeux des personnes dévastées de chagrin mais qui doivent tenir. Parce qu'il y a le petit, la grande sœur, et un bébé dans son ventre.
J'étais un peu dans le déni, c'était déjà mon patient depuis quelques mois, j'ai dit "y a rien qui nous le prouve" et elle me dira plus tard qu'elle s'est accrochée à ça comme à une bouée. Y a rien qui nous le prouve.
L'année suivante, le petit était plus calme, les tests génétiques ont pu être faits et révéler autre chose. Un truc qui ne le condamne pas, j'ai pas retenu. Un truc qui lui file juste une tête typée, des pouces plats et des traits autistiques.
"Autisme sévère", on lui a dit. "Ne vous attendez pas à ce qu'il parle". Là il avait 4 ans. Il va sur 8 ans maintenant.
Je crois que j'avais parlé ici de son premier mot.
Hier c'était sa première phrase.
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arphang · 2 months
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RETROUVAILLE AVEC LE CARDINAL DE CUBA A LA HAVANE
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alapagedeslivres · 8 months
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TOP TEN TUESDAY : Livres que j’avais l’intention de lire en 2023 mais que je n’ai pas pu lire
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lcasr · 2 years
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kilfeur · 1 day
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Ce qu'un enfant ferait pour ses parents
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Lors de l'épisode 8 de la saison 3, Rayla décide de rester à la flèche de tempête pour payer le prix de la faute de ses parents et Callum voit sa raison de rester comme une fierté. Dans l'épisode 9 de la saison 6, Callum a fait un bracelet de phoenix de lune pour qu'elle puisse revenir dans le monde des vivants. Dans le nid de Zubeia, Callum a utilisé un sort de lune pour connaître la vérité sur ce qui s'est passé ! C'est grâce cette information que Rayla a pu dire que c'est grâce à ses parents que l'oeuf est en sécurité et qu'ils ont pu le ramener à sa mère. Malheureusement, elle se sépare d'eux et bien que ça lui brise le coeur. Ses parents comprennent mais ils savent qu'elle aura une bonne vie. Ce qui contraste avec Claudia qui retrouve Viren car elle a besoin qu'elle lui montre le bon chemin, que c'est grâce lui, qu'elle a pu se construire. Mais Terry essaie de la raisonner car un mort ne peut pas donner de réponses. Viren était son phare qui s'est éteint dans les flammes.
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Rayla décide de sauver Runaan lui rappelant qui il était, l'assassin mais aussi le père qui l'a élevée. Et par son amour et celui d'Ethari, elle le ramène dans le monde des vivants auprès de Callum. Tandis que Claudia en apprenant le passé d'un père aimant sa défunte fille. Cela lui permet de retrouver l'amour nécessaire, celui malsain et auto destructeur, pour exécuter le sort. Encore une fois leurs amours envers leurs parents se confrontent à nouveau (J'en parle plus ici). Rayla peut enfin tourner la page concernant ses parents. Elle avait quitté Callum pour traquer Viren, qualifiant même de vengeance dans la saison 4 pour avoir des réponses concernant sa famille. Alors que Claudia qui voit son modèle détruit, elle trouve du réconfort avec Aaravos en sympathisant avec sa peine. Quand à Terry, il trouve que cette histoire d'amour est devenu tordu par la suite. Aaravos la manipule en choisissant les bons mots pour décrire Leola mais aussi Viren. Il le qualifie d'un père aimant, un grand homme qui était prêt à tout sacrifié quitte à être mal compris. Ce qui se complète avec la phrase "peu importe si c'est ignoble ou dangereux".
En parlant avec mon ami, il trouve qu'il y a un contraste entre ces deux là, sur comment elles gèrent leurs deuils :
Claudia a longtemps été dans le déni en étant obsédé de ressusciter son père que quand ce dernier voit toute les erreurs qu’il a faite et qu'il décide d’en subir les conséquences, dans la paranoïa, sa fille croit que tout le monde l’abandonne pour au final essayer d’accepter la vérité.
Rayla se résigne à la mort de ses parents au début car elle les voyait comme des traîtres. Avant que Claudia lui donne les pièces deux ans plus tard pour qu'au final elle accepte qu'ils se soient sacrifiés en héros. Ramener ses parents aurait été égoïste de la part de Rayla, alors qu'Ethari attend toujours le retour de Runnan. Donc au final c’est Claudia qui a agit par égoïsme et Rayla par abnégation.
What Would a child do for their parents
In episode 8 of season 3, Rayla decides to stay at the storm spire to pay the price for her parents' wrongdoing, and Callum sees her reason for staying as pride. In episode 9 of season 6, Callum made a moon phoenix bracelet so she could return to the world of the living. In Zubeia's nest, Callum used a moon spell to learn the truth about what happened! With this information, Rayla was able to say that it was thanks to her parents that the egg was safe and that they were able to return it to his mother. Unfortunately, she's parting ways with them and although it breaks her heart. Her parents understand, but they know she'll have a good life. This contrasts with Claudia, who finds Viren because she needs him to show her the right path, that it's thanks to him that she's been able to build herself. But Terry tries to reason with her, because a dead man can't give answers. Viren was her lighthouse, which was consumed by flames.
Rayla decides to save Runaan, reminding him of who he was, the murderer but also the father who raised her. And through her love and that of Ethari, she brings him back to the world of the living, back to Callum. Claudia, on the other hand, learns of the past of a father who loved his deceased daughter. This allows her to regain the love she needs - the unhealthy, self-destructive love - to carry out the spell. Once again, their love for their parents collides (more on that here). Rayla can finally turn the page on her parents. She had left Callum to track down Viren, even calling it vengeance in season 4 to get answers about her family. While Claudia sees her role model destroyed, she finds comfort in Aaravos, sympathizing with his grief. As for Terry, he finds the love affair twisted in the aftermath. Aaravos manipulates her by choosing the right words to describe both Leola and Viren. He calls him a loving father, a great man who was ready to sacrifice everything even if it meant being misunderstood. This is complemented by the phrase “no matter how vile or dangerous”.
Talking with my friend, he finds that there's a contrast between the two of them, in terms of how they deal with grief:
Claudia has long been in denial, obsessed with bringing her father back to life, but when he sees all the mistakes he's made and decides to face the consequences, in paranoia, her daughter believes that everyone has abandoned her, and finally tries to accept the truth.
Rayla resigns herself to her parents' death at first, seeing them as traitors. Then, two years later, Claudia gives her the coins, and she finally accepts that they sacrificed themselves as heroes. Bringing back her parents would have been selfish on Rayla's part, while Ethari is still waiting for Runnan's return. So in the end it was Claudia who acted out of selfishness and Rayla out of self-sacrifice.
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clhook · 8 months
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J'achète des trucs sur vinted pour la déco du mariage et je suis tombée sur cette assiette pour enfant :
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et bah je l'aime de tout mon coeur ????? est-ce que j'ai un enfant ? non est-ce que j'en aurais l'utilité ? absolument pas mais je la VEUX
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lisaalmeida · 4 months
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Que recherchons-nous à travers nos relations, rencontres et échanges ?
Quel est le sentiment que nous désirons ardemment éprouver, tout au long de notre vie ?
L’amour est évidemment la réponse à toutes ces questions.
L’amour est ainsi le principe et la source de toute vie, sans quoi rien ne pourrait exister ni subsister.
L’amour est la force qui fait tourner les mondes, l’énergie qui maintient la cohésion des atomes comme des planètes.
L’amour est au cœur des mystères que nous sommes venus appréhender et expérimenter sur cette Terre.
Chacun ressent et pressent, même confusément, que l’amour vrai est la clé et la solution de tous nos maux, individuels et surtout collectifs, économiques, politiques et sociaux.
Mais l’amour véritable n’est pas acquis d’emblée : il est à rechercher, ressentir, découvrir.
Il n’est ni instinct de possession, ni dépendance fusionnelle, ni suivisme grégaire, car il émane de soi.
Il est le résultat de l’alchimie intérieure, le fruit de la reconnexion à l’être essentiel et à la puissance de vie.
L’amour est la joie d’être, le signe d’une conscience éveillée et lumineuse, un présent accordé, offert et partagé.
L’amour est ce que nous sommes éternellement, en dépit de nos souffrances, illusions et désillusions et parfois grâce à elles ; il est notre état naturel, notre aspiration à une vie riche, fascinante, magique, inattendue, utile et initiatique.
L’amour est partout, omniprésent et protéiforme ; il se pare de toutes les couleurs et de toutes les fréquences, et se manifeste de multiples manières : amour du compagnon ou de la compagne, des amis, des enfants, des animaux, de la nature, de la beauté, des œuvres de l’esprit…
Mais c’est la relation amoureuse qui se révèle son territoire de prédilection, car alors le sentiment se mêle au désir, à la sensualité et à l’attraction des corps, lieu de toutes les convoitises, de tous les délires et de toutes les extases.
Ce que l’on nomme amour est rarement digne de ce nom : l’amour qui blesse et qui déchire, qui conquiert et qui rompt, qui domine et qui soumet, qui idolâtre et qui méprise, n’est qu’une caricature égotique, une maladie infantile du cœur, un balbutiement du sentiment.
L’amour qui prend fin n’a jamais existé ; l’amour qui se meut en haine ou indifférence, n’était qu’illusion, transfert, projection, malentendu.
Les relations évoluent et donnent souvent lieu à séparation, éloignement, divergence. Mais comment peut-on rejeter, nier ou diaboliser l’être que l’on a tenu tendrement dans ses bras, si ce n’est précisément à cause de la douleur créée par son absence ?
L’amour véritable est patient, sincère, honnête et compréhensif ; il se nomme bienveillance, bonté, compassion, douceur, tendresse, sollicitude ou empathie.
De la nature de l’amitié, il dure la vie entière, car il n’est pas fondé sur l’image ou les apparences, mais sur les liens invisibles et mystérieux qui unissent les âmes et les cœurs.
Aussi le chemin de l’amour, que tous nous empruntons à notre manière, est-il un apprentissage, qui mène de l’égoïsme à l’altruisme, de l’aveuglement à la connaissance, de la consommation au partage, de la prédation au don.
L’amour est éternel car il est spirituel ; il est la joie libre du cœur qui s’est ouvert ; il ne sait que grandir, fleurir et embellir.
L’amour est si puissant qu’il se joue des barrières, frontières, critères, normes et interdits.
Car l’amour est libre et il souffle où il veut ; il ne peut être contraint, obligé ou mis en cage ; l’autre ne nous appartient pas et l’emprisonner, ce n’est pas l’aimer.
L’amour ne donne ni droits, ni devoirs ; il est une extraordinaire opportunité de vivre des moments merveilleux et magiques, une chance à ne surtout pas laisser passer.
Et si l’amour était sagesse, philosophie éminemment subtile, art et science oubliés, à retrouver, découvrir, réinventer ?
L’amour est un défi. Saurons-nous y répondre ?
LA SAGESSE AMOUREUSE
Yann Thibaud
Extrait de «L'Alchimie émotionnelle ou la métamorphose du coeur»
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coolvieilledentelle · 10 months
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Décembre est la fin qui ressemble à un début. Décembre remplit nos cœurs de miséricorde et d'humilité. Décembre est le temps des miracles, le temps des contes de fées, le temps de la magie et des cadeaux. Un cadeau que nous avons attendu toute l'année. Parfois le plus cher à notre coeur. Une série de moments magiques pour les familles. Les gestes du cœur, l'affection, la chaleur du mois de décembre sont disposés de manière tentante dans le collier le plus exquis. Un collier qui illumine l'arrière-plan enneigé et réfracte nos rayons de soleil préférés dans un arc-en-ciel coloré d'espoirs pour un début coloré. Décembre brille de toutes les couleurs sur le fond blanc… Comme une feuille sur laquelle on écrit les moments passés et les projets d'avenir… entre les lignes du bilan. L'évaluation pour savoir si nous avons été bons, si nous avons été plus heureux au cours de l'année écoulée, ce que nous serons au cours de la nouvelle année… Nous colorons de nouveaux rêves, et ce que nous voulons oublier reste sous la ligne. Nous effaçons les attentes erronées pour faire de la place dans nos yeux pour de nouveaux couchers de soleil magnifiques , mais seulement pour les retrouver après des levers de soleil encore plus beaux. Décembre est la flamme dans la cheminée, qui est allumée par les étincelles de nos sourires, par l'affection dans nos yeux, par les mains tendues avec gratitude. Décembre a la couleur de l'amour et du vin rouge. Il nous enivre au fil des jours du calendrier. Et il nous rend réels. Il nous fait revivre nos souvenirs d'enfance. Il nous donne de l'humanité, de la foi, de l'espoir et du partage ! Décembre est notre prière… Ne pas être seul ! Soyons meilleurs ! Que nos enfants soient plus heureux ! Que nos proches soient en bonne santé ! Que nos cœurs soient pleins ! Que la route soit lumineuse ! Les gens - bénis… Qu'il en soit ainsi !
Charlotte
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