#coax it out of me

[bastardcherub]

fuck. wanna be put in my place so bad it’s not even funny

[puppppppppy]

who is your favorite AA character? 👁️👁️

ziska… I hope capcom brings her back someday

[imvec]

Sequel to Sunshade

[electric-plants]

AGSHFJFKGLH yaoqing trio is so funny like what do you mean feixiao gave moze permission to try and assassinate her and praises him for it??? what do you mean moze’s hobbies include cleaning jiaoqiu’s house??? like pls im so in love with them😭🤚🤚

[fisheito]

omg where'd you get your top it looks like it would fall apart after one cycle in the wash

[lazzarella]

And the way Style keeps trying to coax Fadel away from his current life without giving himself away? Why don't you find a new job that lets you love? You don't have to live someone else's life. And so on. The way he tells Kant he's getting kinda attached to Fadel (at least in the subs), but when he's talking to Fadel like this, you know it's more. Because he's trying to steer Fadel to a life where they can be together. No obstacles. No danger.

But he can't say 'please stop killing people because I'm worried about you and I want to be with you' and he can't warn Fadel about the police because, as open as he's being emotionally, now, he's still scared and conflicted

And then, when Fadel tries to reassure him, because he's working toward a life free of danger where they can be together, it doesn't help because Style still knows what Fadel doesn't (again), and I love that play between the one who knows being the one who feels off-kilter, and the one in the dark—though he thinks he isn't—being the one who feels like he's on solid ground

And then it's flipped again at the end! He's so happy to finally see Fadel again, and I don't think he thinks they're home free or anything, but he is happy and he looks relieved. But then Fadel is told Style and Kant are the snitches and now he's one step ahead. He's the one who knows the thing keeping them apart. And it reminds me of that tit for tat they had in their early encounters, where they were always one-upping each other, but now the stakes are higher and the angst is angsting and it's so gooooooood and ugh!!!!

Anyway, this is a mess, and I'm honestly not sure where I intended to go with it, but I'm just really enjoying the writing and the acting and everything in this show

[jaynovz]

In discussions about the finale of Black Sails, one of the things I often see is folks hard-focusing on Flint's fate, in an either-or binary fashion, usually presented as "Which do you believe-- that Silver killed him? or sent him to the plantation?"

Now, for posterity's sake, gonna mention a few things-- first off, that's simply not thinking broadly enough. There are farrrr more than two options here and I've come up with my share of the reallyyyyy bad ones for sure. Whatever your mind chooses, none of those are happy endings anyway, there are bittersweet, bad, and worse endings all the way down. (They are paused, they are in a time loop, and also all endings and no endings are happening simultaneously)

But also, the more cogent point is that, it doesn't actually matter what happened *to Flint* The story is... not actually about him at that point. We have transitioned from Flint as protag to Silver as protag, setting up for (the fanfiction that Black Sails has ended up making of, ugh, king shit) Treasure Island.

And so, I just, don't find it to be of particular interest exploring what we think Flint is actually doing or if he's alive for real. What is EXTREMELY interesting to explore though is how Silver's speech at the end to Madi is sort of giving Thomas back to Flint as a pacifier/comfort object, but how... Silver is giving Flint that thing in his own mind as his own type of pacifier/comfort object.

That's the REALLY chewy bit. What actually happens to Flint is not the purpose of that scene for me, of Silver's recounting of events to Madi. It's more about... projection. It's about how Silver is dealing with whatever happened to Flint/whatever he did.

And I just feel like it's missing the point to focus so hard on if Flint is alive or not.

He is the ghost of the story regardless, that's what's important. He's going to haunt the narrative for the rest of everyone's lives. No one has been untouched or unscarred by coming into contact with Captain Flint; he has a forever legacy. I'm not the first to call him this, but he's Schrödinger's Flint and he's staying that way.

But this?

"No. I did not kill Captain Flint. I unmade him. The man you know could never let go of his war. For if he were to exclude it from himself, he would not be able to understand himself. So I had to return him to an earlier state of being. One in which he could function without the war. Without the violence. Without us. Captain Flint was born out of great tragedy. I found a way to reach into the past... and undo it. There is a place near Savannah... where men unjustly imprisoned in England are sent in secret. An internment far more humane, but no less secure. Men who enter these gates never leave them. To the rest of the world, they simply cease to be. He resisted... at first. But then I told him what else I had heard about this place. I was told prominent families amongst London society made use of it. I was told the governor in Carolina made use of it. So I sent a man to find out if they'd used it to hide away one particular prisoner. He returned with news. Thomas Hamilton was there. He disbelieved me. He continued to resist. And corralling him took great effort. But the closer we got to Savannah, his resistance began to diminish. I couldn't say why. I wasn't expecting it. Perhaps he'd finally reached the limits of his physical ability to fight. Or perhaps as the promise of seeing Thomas got closer... he grew more comfortable letting go of this man he created in response to his loss. The man whose mind I had come to know so well... whose mind I'd in some ways incorporated into my own. It was a strange experience to see something from it... so unexpected. I choose to believe it... because it wasn't the man I had come to know at all... but one who existed beforehand... waking from a long... and terrible nightmare. Reorienting to the daylight... and the world as it existed before he first closed his eyes... letting the memory of the nightmare fade away. You may think what you want of me. I will draw comfort in the knowledge that you're alive to think it. But I'm not the villain you fear I am. I'm not him."

This is the speech of a man who is self-soothing, who is spinning himself a tale, who is projecting, who is coping.

and THAT is just, way chewier, innit?

[lycanlovebites]

You know what? Fuck you *hits Father Ardelian with the shoujo filter and babygirlifies your priest*

@stjohnstarling

[starry-bi-sky]

Just the idea of clone Danny and clone Talia working out much bette then him and Talia would confuse poor Bruce. And best part all 4 of them don'T believe he is batman Danny: "We know he is your Sugarbaby, Mom and dad talked about it." Clone Talia:" So no fear, my OG liked a Himbo. And well Danny is a one too."

FR THO AND THEN THERE’S BABY DAMES IN THE CORNER SWEATING BECAUSE HE KNOWS. HE KNOWS. THE LoA TOLD HIM. He’s not saying SHIT though because this is hilarious. He’s silently laughing in the corner. And yessss Clone Danny and Clone Talia working out much better is exactly why I thought of it -- because one its funny and two the potential angst. the could have been.

It doesn't ever occur to Bruce to tell them he's batman but that conversation still comes up during mealtime one day while Danny's recovering (he has to be tied to his chair because he found the gym and nearly dislocated his shoulder trying to train. Dammit Danny your bones are made of glass right now from destabilizing, let your cells repair before doing anything!) because the four of them were talking about Batman and his clan of kids.

Danny, frowning: im not a himbo?

Nasra: reportedly when you first met Damian, your first response to his attacking you was to... grab the blade with your hands, multiple times. This resulted in you slicing a nerve in both hands and permanently weakening your fine motor control.

Danny: well--

Nasra: even now you're rubbing your palms, you only do that when your hands are bothering you.

Damian, snapping his head up: what!?

Danny: you noticed that?? also i learned. I didn't repeat myself when you attacked me when we met, did I?

Nasra: i. suppose not. you're still a himbo, however.

also Danny does his usual 'run on negative sleep' bullshit while in the manor except now he has not only damian but also Nasra tag-teaming his bullshit. Like no, Danny. you need sleep to recover your strength. your ghostly investigation can wait until you're not about to pass out and break your nose on your laptop. They have whole ass arguments in arabic - all three of them - as damian AND nasra drag danny to the closest soft horizontal surface. Danny returns the favor to the both of them when those two are also doing their 'negative sleep' stuff.

Dick at bby Dames: so do you....

Damian: know that you guys are Batman and his family? Yeah. Grandfather and Mother told me before I was living with Danny.

Tim: how come Danny and Nasra don't know then?

Damian: I didn't think it was important to tell Danny that his original was Batman. He does know of the League, however. He calls Grandfather my "super evil, ecofascist grampa and his cult of killers" and doesn't want to know more out of worry of needing to get involved.

Dick: I - really?

Damian: yes, he figured that since grandfather had yet to successfully wipe out my original, then that whatever Damian Wayne was doing was working. And that if he knew more, then he might have to get involved, and he has own problems to worry about than the League of Assassins.

[byoldervine]

Been seeing a lot of ‘don’t tell people that their first draft is supposed to suck’ posts lately and I want to make it extra clear for anyone with literal thinking or who may otherwise have been lead under any impression otherwise;

What any advice-giver worth their salt should mean when they say this is “Don’t worry about getting it perfect on the first draft, it’s not obligated to be the best work you could ever make it right off the bat”

For a lot of people the first draft is often the worst draft, and as such we tend to jump to reassuring people that their first draft is meant to be that way, to assure them that it’s not a true reflection of the quality of their writing skills - but that doesn’t mean that it’s the same for everyone, and many people absolutely adore their first drafts, myself included

Because let’s be honest; the first draft isn’t inherently bad. Many are actually incredible, in fact! Sometimes editing isn’t to fix something, it’s just to refine it; sand off the edges and paint on a last coat of polish. It doesn’t mean that what you have isn’t good, and I’d bet money that even the writers who think their first drafts are abominations have written some amazing first drafts

And the idea that your first draft has to be bad because you didn’t suffer the whole time you worked on it? I want to promise you something; the more you enjoy creating it, the better the story will be. You’ll be more creative and imaginative and your readers will feel the love and care pouring out of every word. Nobody wants to read something that nobody wanted to write. There are very, very few ways to write wrong, and the biggest one is to not overall enjoy it

The term ‘suffer for your art’ gets thrown around a lot, and the way I interpret it is that you should be willing to persevere with your passions even when it becomes difficult, as well as learning from your experiences and allowing them to shine through in your work. This means knowing when to take a break when it’s no longer fun, then coming back to it when you’re next in the right headspace to do so, not that you need to push through burnout or god forbid hate the entire process of writing

The number one rule of creative writing, or any form of art, is to have fun. The process can be long and challenging and stressful, and you’re bound to hit a rough patch at least once, if not many more times, just like with any long-term project. But if you’re not ultimately enjoying the process, what’s the point? Suffering for your art does not mean that art is suffering

Write for fun. Enjoy the process, even if you don’t enjoy every step of it. Suffering for your art doesn’t mean hating it. You’re allowed to like your first draft, and there’s absolutely nothing wrong with that. Your first draft may very well be your worst draft, as the nature of drafting goes, but your worst is still good and worth loving and enjoying. Anyone who tells you that any first draft is inherently bad either has a different take on the meaning of the phrase or is sadly misinformed. And even if something is inherently bad doesn’t make it unenjoyable or unlovable, or vice versa

[deoidesign]

Someone killed my boss last night and he sent me this I'm so fired

god I can't wait to make this comic.

[skyward-floored]

It’s botw’s birthday and I think we should all be very loud about Wild and what a cool guy he is

Happy birthday champion! 🎉

Look at him go!!! what a guy <3

[rambunctioustoons]

thinking about pre-virus friendships..

dragging each other to parts&service after smacking around intruders a little too good

[puppppppppy]

my mom read my copy of Our Dining Table and she brings back onigiri after visiting Lola and told my brother about using a donabe. Is this what being loved feels like

[borealing]

anyone else crying uncontrollably?

[bonefall]

good lord, eon mentioned in 2024

(sudden flood of comments of people recognizing Eon/Eona in my inbox)

Well! Guess that duology wasn't as obscure as I thought! Never actually met other people who had read them, lmao.

Full disclosure that I haven't read those books in like... good lord, 15+ years at this point. I do remember it having some super uncomfortable plot points, especially when it comes to Eona's romantic relationships.

I would explicitly tell any minors 16 and below to steer clear of Eon/Eona, for that reason. There are some VERY heavily sexual topics in this book, along with extreme ableism and misogyny. A baby is also killed on screen as part of a coup.

(Also prepare for very messy 2000s depictions of queerness. And an ending that is very abrupt.)