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#cleo miller ( visual )
ideasspeedsite · 2 years
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I'm gone take me outta my zone original i don't know no clone swerving off i hit the cone lyrics
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Maybe we could have dinner! Perhaps the Olive Garden! It's like eating in the private kitchen of a delightful Italian stereotype! Scudworth! You're walking on thin ice man! Clone of Karen Carpenter thin! I think this is an issue we need to talk about. Little do they know I have my own plans for. You're talking in a normal indoor speaking voice. Plans that don't involve these shadowy figures at all! Little do they know I have my own plans for these clones. Principal Scudworth if you were running this school there would be no riots! Only clone soldiers trained for superior physical and intellectual combat! Unacceptable! Did you see the pool? They flipped the b*tch! Look, we've all done things we're not proud of after a good cross-country meet. Good title, it draws the reader in without giving too much away. I'll title it, What It's Like to Be a Teenage Clone, colon, A Rope of Sand.
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But we're paying you to monitor these clones as closely as possible, so if you wanna keep your job, you can either write a report proving you know what it's like to be a student at Clone High. Why creating a mechanical British servant is no more eccentric than that tie you're wearing! Yeah well you do have a robotic butler named Mr. I'm sorry to disturb you but there's growing concern among the Secret Board of Shadowy Figures that you may be. The greatest minds the world has ever known! For what is more powerful than a high school PRINCIPAL? That's it Joan in the north and Cleo in the south hear me when I say a bedroom divided cannot stand on its own.
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I think Joan brings a good arguement to the table. I think what Cleo is trying to say is that she would be more respectful of Joan if she. I didn't expect that you two would divde the room horizontially. So how's the conflict? Mediated? Hello? Dinger!Ībe get down! DOWN! Joan went crazy after we divided to room. Clone High attracted mixed reviews from television critics upon its premiere, but it has since received critical acclaim and a cult following. Shortly after, MTV pulled the series, which had been receiving low ratings. It became embroiled in a controversy regarding its depiction of Gandhi soon afterward, which prompted hundreds in India to mount a hunger strike in response. The Clone High theme song was written by Tommy Walter and performed by his alternative rock band Abandoned Pools, who also provided much of the series' background music.Ĭlone High first aired in its entirety on Canadian cable network Teletoon between 20, later debuting on MTV. The show's design is heavily stylized and its animation style limited, emphasizing humor and story over visuals. It was later purchased by cable channel MTV, and was produced between 2002–03. Lord and Miller first developed the series' concept while at Dartmouth College in the 1990s, later pitching it to executives at American network Fox Broadcasting Company, who ultimately decided to pass on the program. The series also serves as a parody of teen dramas every episode is introduced as a "very special episode". The show's central cast includes adolescent depictions of Abraham Lincoln, Joan of Arc, Mahatma Gandhi, John F. The comedy centers on a high school populated by the clones of famous historical figures. as Clone High U.S.A.) is a Canadian–American adult animated television series created by Phil Lord, Christopher Miller and Bill Lawrence. Clone High (occasionally referred to in the U.S.
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hardfcclings · 4 years
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happy birthday, cleo
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borisbubbles · 5 years
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Eurovision 2010s: 60 - 56
60. Emma - La mia città Italy 2014 
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Emma is short for “Emmanuella”. 😍 Clearly the inspiration for this act:
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You may not know this, but “La mia citta” is probably my favourite song out of 2014? It’s ROCKIN’ A RIDE (na na na na na na) of high voltage energy that I instantly became addicted to.  😍 Of course we were also immediately forewarned that Emma couldn’t sing her own song (which is hilarious, but yeah  😬)  so I was expecting a ready disappointment.  What I did NOT expect however was that Italy would yank UP the fun factor by trapping Emma into the direct-to-video sequel of Tinto Brass’s Caligula and letting her steal the show even more. 😍 ITALY <3 <3 <3 
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The vocals may have been beyond subpar, but Emma flailing herself around the stage, contorting her body in IMPOSSIBLE angles, dismissively pushing the beta manfolk around like the boss she is gives me SO MUCH LIFE. If she had sung in a key that suited both her voice and the song, she would’ve ranked even higher, but a spot right outside of the highest tier will have to do. ALL HAIL THE EMPRESS OF TERRIBLE TASTE. 
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59. AWS - “Viszlát nyár” Hungary 2018
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[2018 Review here]
GIVE ME FIRE, I’M A FIGHTER!
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2018 may not have been as great of an experience for me as it has been for many others, but good god did it NEED AWS. A 2018 without AWS has no high voltage, uptempo, loud, aggro ENERGY. “But Boris there’s also Toy” yeah no. Na na banana I do what I wanna :-) 
and honestly, why shouldn’t we love “Viszlát nyar”? Loss songs that instead of mourning solemnly burst into a primordial tempest of ire and flame. IT’S INTENSE, all thanks to Orz’s excellent performance. 
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and this comes WITHOUT the consideration that AWS were the backstage deities for the 2018 contest as well, providing many hilarious interviews and other moments of levity. 
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AWS were great, because they weren’t a typical Eurovision entry. They are an indie metal band from Hungary that won A Dal by accident and in doing so were thrusted into an adventure beyond their wildest expectations. They never took Eurovision seriously, but regardless they had loads of fun with it and so did I. We will continue this line of thought when we get to a certain deadpan Slovene duo, much, much later in this ranking. 🤭
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58. Loïc Nottet - “Rhythm inside” Belgium 2015
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Cutting Loïc means I have my change my t-shirt into the one my friend gave me for my 25th birthday (😍)
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and I mean what is there to say about Loïc? He’s widely regarded as one of the most artistic and memorable entrants in recent years, sparking a hot streak of entries which ended when Sennek refused to rehearse her song/come up with an act. 
I may as well use this moment for a little confession: Avant Garde is one of my favourite Eurovision genres. AG entries are always interesting, always delivering, always different from what we’re used to. They are brave and inspired. When well-executed they can easily becomes some of the all-time best Eurovision entries.
“Rhythm inside” also falls into the category, taking a fairly simple subject (the beating of the human heart) and turning it into a metaphilosophical journey of discovery, star matter and mindblowiness. Loïc launched “Rhythm” into greatness, providing excellent vocals, dancing and miming. 
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and also like all amazing things in life, it contains a small dose of SuRie: 
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However, avant garde often comes with one massive problem: poorly-executed AG tends to frame every twirl, fart and headturn as a testament of some highly ~artistic vision~ when it adds nothing of value. In other words, fuckin’ meaningitis. “Rhythm inside” is actually one of the worst offenders, imo. For every epic moment of Loïc gazing into the camera or twirling around like an ebon cygnet, we get a tryhard one in which somebody lays themselves down and starts kicking their feet into the air for no reason and *sigh*. 
It saddens me that  “Rhythm inside”, despite being a very innovative composition that explores the boundaries of music, tries too hard to sell its own artistry and well... it is that moment of self-doubt which prevents me from ranking it inside the elite tier. BELIEVE IN AND LOVE THYSELF!!!
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57.  Madame Monsieur - “Mercy” France 2018
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[2018 Review Here]
Every year is defined by its political zeitgeist, and in 2018 there were two defining themes: #MeToo, covered by “Toy”, and “Transmigration” covered by Madame Monsieur. I soon was convinced one of them would win 2018, which happened, but sadly it was the weaker of the two entrants 😭
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Regardless, Madame Monsieur deserve all the praise they can get. It is SO easy to take a topic such as “migration” and turn it into an Americanized story of Wrong And Right. It’s SO easy to turn it into a sob story. It’s SO easy to cheapen the plight over others for self-gain. It is important to remain authentic, austere and respectful. 
Which is exactly that Madame Monsieur did. 
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Using a peppy synthpop beat as a platform to carry their haunting lyrics (”je suis ces enfant que la mer a pris” ::shivers::), Emilie and Jean-Karl turn “Mercy”, a tribute to a baby born at sea to refugee parents, into a true humanitarian hymn, focusing on their message and letting this speak for itself. The end result is pretty potent. THE SEA OF FISTBUMPS <3
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So naturally I really fucking love “Mercy”. However, I also think it was lacking in the little area of staging. While I do think the intent of keeping it sober and free of gimmicks was a clever coice, the gut-punching message didn’t exactly come across.
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The act was too subtle. It’s the Hassani story of France getting outclassed by Italy at the last second, but much stronger than with Bilal. I don’t think the lack of LEDs was the issue though, like, just bring stage props? Work the camera more? It sucks that I have to nitpick so close to the highest tier, but the fact that I do proves to me that “Mercy” can’t make it that far. RIP sweet synth angels. 
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56. DiHaj - “Skeletons” Azerbaijan 2017
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[2017 Review here] Another lovable avant garde angel, morph! DiHaj improved quite a bit for me on the rewatch, but I can’t let her move onto the elite tier for reasons that I think are obvious. (If they are not, please unmute your computer.)
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HOWEVER, I do think “Skeletons” a great, dark moody song that is highly entertaining. It is, for the most part a great example of how to do novelty at Eurovision: It displays the greatest strength of modern Azerbaijan: the visually stunning SPECTACLE. Music is supposed to a form of expression and DiHaj goes ALL OUT.
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Of course, I understand that the act isn’t to everyone’s taste and it does suffer a *little* bit from Fuckin’Meaningitis™ , which is fair enough. At the same time... the story told here is pretty obvious? There is no dispute that this song is about a broken relationship and the moral dilemma that often comes with it. Azerbaijan stuck with the source material provided by the song and that makes Skellingtons’ act much better than that of “Rhythm inside”. It’s a captivating story, because it makes sense. 
Too bad those Professional Swedish Backings sounded like crap tho...x
And that was the last of Azerbaijan,
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After a pretty terrible start of the decade, Azerbaijan reinvented themselves as trash angels and the rest is herstory. I hope they continue to dazzle us with ridiculousness in the years to come. 😍
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And now we move on to the higher tier. CONGRATULATIONS TO THESE (nearly) FLAWLESS ANGELS:
2010 
Juliana Pasha - “It’s all about you” Tom Dice - “Me and my guitar” Kuunkuiskaajat - “Työlki ellää” Jessy Matador - “Allez ola olé” Giorgos Alkaios & Friends - “OPA” Paula Seling & Ovi - “Play with fire” maNga - “We could be the same”
2011
Dino Merlin - “Love in rewind” Poli Genova - “Na inat” Lena - “Taken by a stranger” Maja Keuc - “No one”
2012
Ott Lepland - “Kuula” Pasha Parfeny - “Lăutar” Loreen - “Euphoria”
2013
Elitsa Todorova & Stoyan Yankulov - “Samo shampioni” Koza Mostra ft. Agathonas Iakovidis - “Alcohol is free” Gianluca - “Tomorrow” Who see ft. Nina Zizic - “Igranka” Anouk - “Birds” Zlata Ognevich - “Gravity”
2014
Aram MP3 - “Not alone” Conchita Wurst - “Rise like a phoenix” Cleo - “My słowianie- We are slavic” Tinkara Kovač - “Round and round” Ruth Lorenzo - “Dancing in the rain” Sebalter- “Hunter of Stars”
2015
Elina Born & Stig Rästa - “Goodbye to yesterday” Nadav Guedj - “Golden Boy” Aminata - “Love Injected” Polina Gagarina - “A million voices” Bojana Stamenov - “Beauty never lies” Måns Zelmerlöw - “Heroes”
2016
Iveta Mukuchyan - “LoveWave” Laura Tesoro - “What’s the pressure?” Poli Genova - “If love was a crime” Nika Kocharov & Young Georgian Lolitaz - “Midnight gold” Hovi Star - “Made of Stars” Francesca Michielin - “No degree of separation”
2017
NAVIBAND - “Story of my life” Blanche - “City lights” Joci Pápai - “Origo” fusedmarc - “Rain of revolution” JOWST ft. Aleksander Wallmann - “Grab the moment”
2018
Rasmussen - “Higher ground” Elina Nechayeva - “La Forza” Ieva Zasimauskaite - “When we’re old” DoReDoS - “My lucky day” Lea Sirk - “Hvala, ne!” ZiBBZ - “Stones”
2019
Kate Miller-Heidke - “Zero gravity” Mahmood - “Soldi” KEiiNO - “Spirit in the sky” Zala Kralj & Gašper Šantl - “Sebi”
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cinemalerta · 6 years
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91st ACADEMY AWARDS NOMINEES
BEST PICTURE
Black Panther
BlackKklansman
Bohemian Rhapsody
The Favourite
Green Book
Roma
A Star Is Born
Vice
BEST DIRECTOR
Spike Lee – BlackKklansman
Pawel Pawlikowski – Cold War
Yorgos Lanthimos – The Favourite
Alfonso Cuarón – Roma
Adam McKay – Vice
BEST ACTOR
Christian Bale – Vice as Dick Cheney
Bradley Cooper – A Star Is Born as Jackson “Jack” Maine
Willem Dafoe – At Eternity’s Gate as Vincent Van Gogh
Rami Malek – Bohemian Rhapsody as Freddie Mercury
Viggo Mortensen – Green Book as Frank "Tony Lip" Vallelonga
BEST ACTRESS
Yalitza Aparicio – Roma as Cleodegaria "Cleo" Gutiérrez
Glenn Close – The Wife as Joan Castleman
Olivia Colman – The Favourite as Anne, Queen of Great Britain
Lady Gaga – A Star Is Born as Ally Maine
Melissa McCarthy – Can You Ever Forgive Me? as Lee Israel
BEST SUPPORTING ACTOR
Mahershala Ali – Green Book as Don Shirley
Adam Driver – BlacKkKlansman as Philip "Flip" Zimmerman
Sam Elliott – A Star Is Born as Bobby Maine
Richard E. Grant – Can You Ever Forgive Me? as Jack Hock
Sam Rockwell – Vice as George W. Bush
BEST SUPPORTING ACTRESS
Amy Adams – Vice as Lynne Cheney
Marina de Tavira – Roma as Sofía
Regina King – If Beale Street Could Talk as Sharon Rivers
Emma Stone – The Favourite as Abigail Masham
Rachel Weisz – The Favourite as Sarah Churchill
BEST ORIGINAL SCREENPLAY
The Favourite – Written by Deborah Davis and Tony McNamara
First Reformed – Written by Paul Schrader
Green Book – Written by Nick Vallelonga & Brian Currie & Peter Farrelly
Roma – Written by Alfonso Cuarón
Vice – Written by Adam McKay
BEST ADAPTED SCREENPLAY
The Ballad of Buster Scruggs – Screenplay by Joel Coen & Ethan Coen; based on the short stories All Gold Canyon by Jack London, The Gal Who Got Rattled by Stewart Edward White, and short stories by Joel Coen & Ethan Coen
BlacKkKlansman – Screenplay by Charlie Wachtel & David Rabinowitz and Kevin Willmott & Spike Lee; based on the book by Ron Stallworth
Can You Ever Forgive Me? – Screenplay by Nicole Holofcener and Jeff Whitty; based on the book by Lee Israel
If Beale Street Could Talk – Screenplay by Barry Jenkins; based on the book by James Baldwin
A Star Is Born – Screenplay by Eric Roth, Bradley Cooper & Will Fetters; based on the 1954 screenplay by Moss Hart and the 1976 screenplay by Joan Didion, John Gregory Dunne & Frank Pierson; based on a story by Robert Carson & William A. Wellman
BEST FOREIGN LANGUAGE FILM
Capernaum – Nadine Labaki – Lebanon
Cold War – Paweł Pawlikowski – Poland
Never Look Away –Florian Henckel von Donnersmarck – Germany
Roma – Alfonso Cuarón – Mexico
Shoplifters – Hirokazu Kore-eda - Japan
BEST ANIMATED FEATURE FILM
Incredibles 2 – Brad Bird, John Walker and Nicole Paradis Grindle
Isle of Dogs – Wes Anderson, Scott Rudin, Steven Rales and Jeremy Dawson
Mirai – Mamoru Hosoda and Yūichirō Saitō
Ralph Breaks the Internet – Rich Moore, Phil Johnston and Clark Spencer
Spider-Man: Into the Spider-Verse – Bob Persichetti, Peter Ramsey, Rodney Rothman, Phil Lord and Christopher Miller
BEST DOCUMENTARY FEATURE
Free Solo – Elizabeth Chai Vasarhelyi, Jimmy Chin, Evan Hayes and Shannon Dill
Hale County This Morning, This Evening – RaMell Ross, Joslyn Barnes and Su Kim
Minding the Gap – Bing Liu and Diane Quon
Of Fathers and Sons – Talal Derki, Ansgar Frerich, Eva Kemme and Tobias N. Siebert
RBG – Betsy West and Julie Cohen
BEST CINEMATOGRAPHY
Cold War – Łukasz Żal
The Favourite – Robbie Ryan
Never Look Away – Caleb Deschanel
Roma – Alfonso Cuarón
A Star Is Born – Matthew Libatique
BEST EDITING
Cold War – Łukasz Żal
The Favourite – Robbie Ryan
Never Look Away – Caleb Deschanel
Roma – Alfonso Cuarón
A Star Is Born – Matthew Libatique
BEST PRODUCTION DESIGN
Black Panther – Production Design: Hannah Beachler; Set Decoration: Jay Hart
The Favourite – Production Design: Fiona Crombie; Set Decoration: Alice Felton
First Man – Production Design: Nathan Crowley; Set Decoration: Kathy Lucas
Mary Poppins Returns – Production Design: John Myhre; Set Decoration: Gordon Sim
Roma – Production Design: Eugenio Caballero; Set Decoration: Bárbara Enríquez
BEST COSTUME DESIGN
The Ballad of Buster Scruggs – Mary Zophres
Black Panther – Ruth E. Carter
The Favourite – Sandy Powell
Mary Poppins Returns – Sandy Powell
Mary Queen of Scots – Alexandra Byrne
BEST MAKEUP AND HAIRSTYLING
Border – Göran Lundström and Pamela Goldammer
Mary Queen of Scots – Jenny Shircore, Marc Pilcher and Jessica Brooks
Vice – Greg Cannom, Kate Biscoe and Patricia Dehaney
BEST VISUAL EFFECTS
Avengers: Infinity War – Dan DeLeeuw, Kelly Port, Russell Earl and Dan Sudick
Christopher Robin – Christopher Lawrence, Michael Eames, Theo Jones and Chris Corbould
First Man – Paul Lambert, Ian Hunter, Tristan Myles and J. D. Schwalm
Ready Player One – Roger Guyett, Grady Cofer, Matthew E. Butler and David Shirk
Solo: A Star Wars Story – Rob Bredow, Patrick Tubach, Neal Scanlan and Dominic Tuohy
BEST ORIGINAL SCORE
Black Panther – Ludwig Göransson
BlacKkKlansman – Terence Blanchard
If Beale Street Could Talk – Nicholas Britell
Isle of Dogs – Alexandre Desplat
Mary Poppins Returns – Marc Shaiman
BEST ORIGINAL SONG
"All the Stars" from Black Panther – Music by Mark Spears, Kendrick Lamar Duckworth and Anthony Tiffith; Lyrics by Kendrick Lamar Duckworth, Anthony Tiffith and Solána Rowe
"I'll Fight" from RBG – Music and Lyrics by Diane Warren
"The Place Where Lost Things Go" from Mary Poppins Returns – Music by Marc Shaiman; Lyrics by Marc Shaiman and Scott Wittman
"Shallow" from A Star Is Born – Music and Lyrics by Lady Gaga, Mark Ronson, Anthony Rossomando and Andrew Wyatt
"When a Cowboy Trades His Spurs for Wings" from The Ballad of Buster Scruggs – Music and Lyrics by David Rawlings and Gillian Welch
BEST SOUND EDITING
Black Panther – Benjamin A. Burtt and Steve Boeddeker
Bohemian Rhapsody – John Warhurst and Nina Hartstone
First Man – Ai-Ling Lee and Mildred Iatrou Morgan
A Quiet Place – Ethan Van der Ryn and Erik Aadahl
Roma – Sergio Díaz and Skip Lievsay
BEST SOUND MIXING
Black Panther – Steve Boeddeker, Brandon Proctor and Peter J. Devlin
Bohemian Rhapsody – Paul Massey, Tim Cavagin and John Casali
First Man – Jon Taylor, Frank A. Montaño, Ai-Ling Lee and Mary H. Ellis
Roma – Skip Lievsay, Craig Henighan and José Antonio Garcia
A Star Is Born – Tom Ozanich, Dean Zupancic, Jason Ruder and Steve A. Morrow
BEST DOCUMENTARY – SHORT
Black Sheep – Ed Perkins and Jonathan Chinn
End Game – Rob Epstein and Jeffrey Friedman
Lifeboat – Skye Fitzgerald and Bryn Mooser
A Night at the Garden – Marshall Curry
Period. End of Sentence. – Rayka Zehtabchi and Melissa Berton
BEST LIVE ACTION SHORT FILM
Detainment – Vincent Lambe and Darren Mahon
Fauve – Jérémy Comte and Maria Gracia Turgeon
Marguerite – Marianne Farley and Marie-Hélène Panisset
Mother – Rodrigo Sorogoyen and María del Puy Alvarado
Skin – Guy Nattiv and Jaime Ray Newman
BEST ANIMATED SHORT FILM
Animal Behaviour – Alison Snowden and David Fine
Bao – Domee Shi and Becky Neiman-Cobb
Late Afternoon – Louise Bagnall and Nuria González Blanco
One Small Step – Andrew Chesworth and Bobby Pontillas
Weekends – Trevor Jimenez
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bongaboi · 6 years
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2019 Academy Awards - The List.
Best Picture
Green Book – Jim Burke, Charles B. Wessler, Brian Currie, Peter Farrelly and Nick Vallelonga
Black Panther – Kevin Feige
BlacKkKlansman – Sean McKittrick, Jason Blum, Raymond Mansfield, Jordan Peele and Spike Lee
Bohemian Rhapsody – Graham King
The Favourite – Ceci Dempsey, Ed Guiney, Lee Magiday and Yorgos Lanthimos
Roma – Gabriela Rodríguez and Alfonso Cuarón
A Star Is Born – Bill Gerber, Bradley Cooper and Lynette Howell Taylor
Vice – Dede Gardner, Jeremy Kleiner, Adam McKay and Kevin J. Messick
Best Director
Spike Lee – a
Spik
Paweł Pawlikowski – Cold War
Yorgos Lanthimos – The Favourite
Adam McKay – Vice
Best Actor
Rami Malek – Bohemian Rhapsody as Freddie Mercury
Christian Bale – Vice as Dick Cheney
Bradley Cooper – A Star Is Born as Jackson "Jack" Maine
Willem Dafoe – At Eternity's Gate as Vincent van Gogh
Viggo Mortensen – Green Book as Frank "Tony Lip" Vallelonga
Best Actress
Olivia Colman – The Favourite as Anne, Queen of Great Britain
Yalitza Aparicio – Roma as Cleodegaria "Cleo" Gutiérrez
Glenn Close – The Wife as Joan Castleman
Lady Gaga – A Star Is Born as Ally Maine
Melissa McCarthy – Can You Ever Forgive Me? as Lee Israel
Best Supporting Actor
Mahershala Ali – Green Book as Don Shirley
Adam Driver – BlacKkKlansman as Philip "Flip" Zimmerman
Sam Elliott – A Star Is Born as Bobby Maine
Richard E. Grant – Can You Ever Forgive Me? as Jack Hock
Sam Rockwell – Vice as George W. Bush
Best Supporting Actress
Regina King – If Beale Street Could Talk as Sharon Rivers
Amy Adams – Vice as Lynne Cheney
Marina de Tavira – Roma as Sofía
Emma Stone – The Favourite as Abigail Masham
Rachel Weisz – The Favourite as Sarah Churchill
Best Original Screenplay
Green Book – Written by Nick Vallelonga, Brian Currie & Peter Farrelly
The Favourite – Written by Deborah Davis and Tony McNamara
First Reformed – Written by Paul Schrader
Roma – Written by Alfonso Cuarón
Vice – Written by Adam McKay
Best Adapted Screenplay
BlacKkKlansman – Screenplay by Charlie Wachtel & David Rabinowitz and Kevin Willmott & Spike Lee; based on the book by Ron Stallworth
The Ballad of Buster Scruggs – Screenplay by Joel Coen & Ethan Coen; based on the short stories All Gold Canyon by Jack London, The Gal Who Got Rattled by Stewart Edward White, and short stories by Joel Coen & Ethan Coen
Can You Ever Forgive Me? – Screenplay by Nicole Holofcener and Jeff Whitty; based on the book by Lee Israel
If Beale Street Could Talk – Screenplay by Barry Jenkins; based on the book by James Baldwin
A Star Is Born – Screenplay by Eric Roth, Bradley Cooper & Will Fetters; based on the 1954 screenplay by Moss Hart and the 1976 screenplay by Joan Didion, John Gregory Dunne & Frank Pierson; based on a story by Robert Carson & William A. Wellman
Best Animated Feature Film
Spider-Man: Into the Spider-Verse – Bob Persichetti, Peter Ramsey, Rodney Rothman, Phil Lord and Christopher Miller
Incredibles 2 – Brad Bird, John Walker and Nicole Paradis Grindle
Isle of Dogs – Wes Anderson, Scott Rudin, Steven Rales and Jeremy Dawson
Mirai – Mamoru Hosoda and Yūichirō Saitō
Ralph Breaks the Internet – Rich Moore, Phil Johnston and Clark Spencer
Best Foreign Language Film
Roma (Mexico) in Spanish and Mixtec – Directed by Alfonso Cuarón
Capernaum (Lebanon) in Arabic – Directed by Nadine Labaki
Cold War (Poland) in Polish and French – Directed by Paweł Pawlikowski
Never Look Away (Germany) in German – Directed by Florian Henckel von Donnersmarck
Shoplifters (Japan) in Japanese – Directed by Hirokazu Kore-eda
Best Documentary – Feature
Free Solo – Elizabeth Chai Vasarhelyi, Jimmy Chin, Evan Hayes and Shannon Dill
Hale County This Morning, This Evening – RaMell Ross, Joslyn Barnes and Su Kim
Minding the Gap – Bing Liu and Diane Quon
Of Fathers and Sons – Talal Derki, Ansgar Frerich, Eva Kemme and Tobias N. Siebert
RBG – Betsy West and Julie Cohen
Best Documentary – Short Subject
Period. End of Sentence. – Rayka Zehtabchi and Melissa Berton
Black Sheep – Ed Perkins and Jonathan Chinn
End Game – Rob Epstein and Jeffrey Friedman
Lifeboat – Skye Fitzgerald and Bryn Mooser
A Night at the Garden – Marshall Curry
Best Live Action Short Film
Skin – Guy Nattiv and Jaime Ray Newman
Detainment – Vincent Lambe and Darren Mahon
Fauve – Jérémy Comte and Maria Gracia Turgeon
Marguerite – Marianne Farley and Marie-Hélène Panisset
Mother – Rodrigo Sorogoyen and María del Puy Alvarado
Best Animated Short Film
Bao – Domee Shi and Becky Neiman-Cobb
Animal Behaviour – Alison Snowden and David Fine
Late Afternoon – Louise Bagnall and Nuria González Blanco
One Small Step – Andrew Chesworth and Bobby Pontillas
Weekends – Trevor Jimenez
Best Original Score
Black Panther – Ludwig Göransson
BlacKkKlansman – Terence Blanchard
If Beale Street Could Talk – Nicholas Britell
Isle of Dogs – Alexandre Desplat
Mary Poppins Returns – Marc Shaiman
Best Original Song
"Shallow" from A Star Is Born – Music and Lyrics by Lady Gaga, Mark Ronson, Anthony Rossomando and Andrew Wyatt
"All the Stars" from Black Panther – Music by Mark Spears, Kendrick Lamar Duckworth and Anthony Tiffith; Lyrics by Kendrick Lamar Duckworth, Anthony Tiffith and Solána Rowe
"I'll Fight" from RBG – Music and Lyrics by Diane Warren
"The Place Where Lost Things Go" from Mary Poppins Returns – Music by Marc Shaiman; Lyrics by Marc Shaiman and Scott Wittman
"When a Cowboy Trades His Spurs for Wings" from The Ballad of Buster Scruggs – Music and Lyrics by David Rawlings and Gillian Welch
Best Sound Editing
Bohemian Rhapsody – John Warhurst and Nina Hartstone
Black Panther – Benjamin A. Burtt and Steve Boeddeker
First Man – Ai-Ling Lee and Mildred Iatrou Morgan
A Quiet Place – Ethan Van der Ryn and Erik Aadahl
Roma – Sergio Díaz and Skip Lievsay
Best Sound Mixing
Bohemian Rhapsody – Paul Massey, Tim Cavagin and John Casali
Black Panther – Steve Boeddeker, Brandon Proctor and Peter J. Devlin
First Man – Jon Taylor, Frank A. Montaño, Ai-Ling Lee and Mary H. Ellis
Roma – Skip Lievsay, Craig Henighan and José Antonio Garcia
A Star Is Born – Tom Ozanich, Dean Zupancic, Jason Ruder and Steve A. Morrow
Best Production Design
Black Panther – Hannah Beachler (production design); Jay Hart (set decoration)
The Favourite – Fiona Crombie (production design); Alice Felton (set decoration)
First Man – Nathan Crowley (production design); Kathy Lucas (set decoration)
Mary Poppins Returns – John Myhre (production design); Gordon Sim (set decoration)
Roma – Eugenio Caballero (production design); Bárbara Enríquez (set decoration)
Best Cinematography
Roma – Alfonso Cuarón
Cold War – Łukasz Żal
The Favourite – Robbie Ryan
Never Look Away – Caleb Deschanel
A Star Is Born – Matthew Libatique
Best Makeup and Hairstyling
Vice – Greg Cannom, Kate Biscoe and Patricia Dehaney
Border – Göran Lundström and Pamela Goldammer
Mary Queen of Scots – Jenny Shircore, Marc Pilcher and Jessica Brooks
Best Costume Design
Black Panther – Ruth E. Carter
The Ballad of Buster Scruggs – Mary Zophres
The Favourite – Sandy Powell
Mary Poppins Returns – Sandy Powell
Mary Queen of Scots – Alexandra Byrne
Best Film Editing
Bohemian Rhapsody – John Ottman
BlacKkKlansman – Barry Alexander Brown
The Favourite – Yorgos Mavropsaridis
Green Book – Patrick J. Don Vito
Vice – Hank Corwin
Best Visual Effects
First Man – Paul Lambert, Ian Hunter, Tristan Myles and J. D. Schwalm
Avengers: Infinity War – Dan DeLeeuw, Kelly Port, Russell Earl and Dan Sudick
Christopher Robin – Christopher Lawrence, Michael Eames, Theo Jones and Chris Corbould
Ready Player One – Roger Guyett, Grady Cofer, Matthew E. Butler and David Shirk
Solo: A Star Wars Story – Rob Bredow, Patrick Tubach, Neal Scanlan and Dominic Tuohy
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adamwatchesmovies · 6 years
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The 91st Academy Awards
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I’m lousy at predicting the Academy Award winners and losers but since I’ve seen MOST of the films and do think the Awards do matter as much as they don’t, I’ve got stakes in the game. Here are my PREDICTIONS of who would win. This isn’t necessarily who I’d vote for. I’ve omitted categories in which I’ve seen less than half of the nominees and have indicated with an asterisk (*) the films I have not seen. Here we go:
Best Picture
Black Panther
BlacKkKlansman
Bohemian Rhapsody
The Favourite
Green Book
Roma
A Star Is Born
Vice
Best Director
Spike Lee – BlacKkKlansman
Paweł Pawlikowski – Cold War*
Yorgos Lanthimos – The Favourite
Alfonso Cuarón – Roma
Adam McKay – Vice
Best Actor
Christian Bale – Vice as Dick Cheney
Bradley Cooper – A Star Is Born as Jackson "Jack" Maine
Willem Dafoe – At Eternity's Gate as Vincent van Gogh
Rami Malek – Bohemian Rhapsody as Freddie Mercury
Viggo Mortensen – Green Book as Frank "Tony Lip" Vallelonga
Best Actress
Yalitza Aparicio – Roma as Cleodegaria "Cleo" Gutiérrez
Glenn Close – The Wife as Joan Castleman
Olivia Colman – The Favourite as Anne, Queen of Great Britain
Lady Gaga – A Star Is Born as Ally Maine
Melissa McCarthy – Can You Ever Forgive Me? as Lee Israel*
Best Supporting Actor
Mahershala Ali – Green Book as Don Shirley
Adam Driver – BlacKkKlansman as Philip "Flip" Zimmerman
Sam Elliott – A Star Is Born as Bobby Maine
Richard E. Grant – Can You Ever Forgive Me? as Jack Hock*
Sam Rockwell – Vice as George W. Bush
Best Supporting Actress
Amy Adams – Vice as Lynne Cheney
Marina de Tavira – Roma as Sofía
Regina King – If Beale Street Could Talk as Sharon Rivers
Emma Stone – The Favourite as Abigail Masham
Rachel Weisz – The Favourite as Sarah Churchill
Best Original Screenplay
The Favourite – Written by Deborah Davis and Tony McNamara
First Reformed – Written by Paul Schrader
Green Book – Written by Nick Vallelonga & Brian Currie & Peter Farrelly
Roma – Written by Alfonso Cuarón
Vice – Written by Adam McKay
Best Adapted Screenplay
The Ballad of Buster Scruggs – Screenplay by Joel Coen & Ethan Coen; based on the short stories All Gold Canyon by Jack London, The Gal Who Got Rattled by Stewart Edward White, and short stories by Joel Coen & Ethan Coen*
BlacKkKlansman – Screenplay by Charlie Wachtel & David Rabinowitz and Kevin Willmott & Spike Lee; based on the book by Ron Stallworth
Can You Ever Forgive Me? – Screenplay by Nicole Holofcener and Jeff Whitty; based on the book by Lee Israel*
If Beale Street Could Talk – Screenplay by Barry Jenkins; based on the book by James Baldwin
A Star Is Born – Screenplay by Eric Roth, Bradley Cooper & Will Fetters; based on the 1954 screenplay by Moss Hart and the 1976 screenplay by Joan Didion, John Gregory Dunne & Frank Pierson; based on a story by Robert Carson & William A. Wellman
Best Animated Feature Film
Incredibles 2 – Brad Bird, John Walker and Nicole Paradis Grindle
Isle of Dogs – Wes Anderson, Scott Rudin, Steven Rales and Jeremy Dawson
Mirai – Mamoru Hosoda and Yūichirō Saitō*
Ralph Breaks the Internet – Rich Moore, Phil Johnston and Clark Spencer
Spider-Man: Into the Spider-Verse – Bob Persichetti, Peter Ramsey, Rodney Rothman, Phil Lord and Christopher Miller
Best Original Score
Black Panther – Ludwig Göransson
BlacKkKlansman – Terence Blanchard
If Beale Street Could Talk – Nicholas Britell
Isle of Dogs – Alexandre Desplat
Mary Poppins Returns – Marc Shaiman
Best Original Song
"All the Stars" from Black Panther
"I'll Fight" from RBG
"The Place Where Lost Things Go" from Mary Poppins Returns
"Shallow" from A Star Is Born
"When a Cowboy Trades His Spurs for Wings" from The Ballad of Buster Scruggs*
Best Sound Editing
Black Panther – Benjamin A. Burtt and Steve Boeddeker
Bohemian Rhapsody – John Warhurst and Nina Hartstone
First Man – Ai-Ling Lee and Mildred Iatrou Morgan
A Quiet Place – Ethan Van der Ryn and Erik Aadahl
Roma – Sergio Díaz and Skip Lievsay
Best Sound Mixing
Black Panther
Bohemian Rhapsody
First Man
Roma
A Star Is Born
Best Production Design
Black Panther
The Favourite
First Man
Mary Poppins Returns
Roma
Best Cinematography
Cold War – Łukasz Żal*
The Favourite – Robbie Ryan
Never Look Away – Caleb Deschanel*
Roma – Alfonso Cuarón
A Star Is Born – Matthew Libatique
Best Costume Design
The Ballad of Buster Scruggs – Mary Zophres
Black Panther – Ruth E. Carter
The Favourite – Sandy Powell
Mary Poppins Returns – Sandy Powell
Mary Queen of Scots – Alexandra Byrne
Best Film Editing
BlacKkKlansman – Barry Alexander Brown
Bohemian Rhapsody – John Ottman
The Favourite – Yorgos Mavropsaridis
Green Book – Patrick J. Don Vito
Vice – Hank Corwin
Best Visual Effects
Avengers: Infinity War
Christopher Robin
First Man
Ready Player One
Solo: A Star Wars Story
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5heclai · 6 years
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Who I Want to Win at the Oscars 2019
- I would say the movie I enjoyed most this year was The Favourite - it was super witty, the production was gorgeous, and the acting was superb. 
Best Picture
Black Panther – Kevin Feige, producer
BlacKkKlansman – Sean McKittrick, Jason Blum, Raymond Mansfield, Jordan Peele, and Spike Lee, producers
Bohemian Rhapsody – Graham King, producer
The Favourite – Ceci Dempsey, Ed Guiney, Lee Magiday, and Yorgos Lanthimos, producers
Green Book – Jim Burke, Charles B. Wessler, Brian Currie, Peter Farrelly, and Nick Vallelonga, producers
Roma – Gabriela Rodriguez and Alfonso Cuarón, producers
A Star Is Born – Bill Gerber, Bradley Cooper, and Lynette Howell Taylor, producers
Vice – Dede Gardner, Jeremy Kleiner, Adam McKay, and Kevin J. Messick, producers
Best Director
Alfonso Cuarón – Roma
Yorgos Lanthimos – The Favourite
Spike Lee – BlacKkKlansman
Adam McKay – Vice
Paweł Pawlikowski – Cold War
Best Actor
Christian Bale – Vice as Dick Cheney
Bradley Cooper – A Star Is Born as Jackson "Jack" Maine
Willem Dafoe – At Eternity's Gate as Vincent van Gogh
Rami Malek – Bohemian Rhapsody as Freddie Mercury
Viggo Mortensen – Green Book as Frank "Tony Lip" Vallelonga
Best Actress
Yalitza Aparicio – Roma as Cleodegaria "Cleo" Gutiérrez
Glenn Close – The Wife as Joan Castleman
Olivia Colman – The Favourite as Anne, Queen of Great Britain
Lady Gaga – A Star Is Born as Ally Maine
Melissa McCarthy – Can You Ever Forgive Me? as Lee Israel
Best Supporting Actor
Mahershala Ali – Green Book as Don Shirley
Adam Driver – BlacKkKlansman as Philip "Flip" Zimmerman
Sam Elliott – A Star Is Born as Bobby Maine
Richard E. Grant – Can You Ever Forgive Me? as Jack Hock
Sam Rockwell – Vice as George W. Bush
Best Supporting Actress
Amy Adams – Vice as Lynne Cheney
Marina de Tavira – Roma as Sofía
Regina King – If Beale Street Could Talk as Sharon Rivers
Emma Stone – The Favourite as Abigail Masham
Rachel Weisz – The Favourite as Sarah Churchill
- It would be wild if Emma Stone and Mahershala Ali won again at the same time
Best Original Screenplay
The Favourite – Written by Deborah Davis and Tony McNamara
First Reformed – Written by Paul Schrader
Green Book – Written by Nick Vallelonga, Brian Currie, and Peter Farrelly
Roma – Written by Alfonso Cuarón
Vice – Written by Adam McKay
Best Adapted Screenplay
The Ballad of Buster Scruggs – Screenplay by Joel Coen & Ethan Coen, based on the short stories All Gold Canyon by Jack London and The Gal Who Got Rattled by Stewart Edward White
BlacKkKlansman – Screenplay by Charlie Wachtel & David Rabinowitz and Kevin Willmott & Spike Lee, based on the memoir Black Klansman by Ron Stallworth
Can You Ever Forgive Me? – Screenplay by Nicole Holofcener and Jeff Whitty, based on the memoir by Lee Israel
If Beale Street Could Talk – Screenplay by Barry Jenkins, based on the novelby James Baldwin
A Star Is Born – Screenplay by Eric Roth and Bradley Cooper & Will Fetters, based on the 1954 screenplay by Moss Hart, the 1976 screenplay by Joan Didion, John Gregory Dunne & Frank Pierson, and a story by Robert Carson& William A. Wellman
Best Animated Feature Film
Incredibles 2 – Brad Bird, John Walker, and Nicole Paradis Grindle
Isle of Dogs – Wes Anderson, Scott Rudin, Steven Rales, and Jeremy Dawson
Mirai – Mamoru Hosoda and Yūichirō Saitō
Ralph Breaks the Internet – Rich Moore, Phil Johnston, and Clark Spencer
Spider-Man: Into the Spider-Verse – Bob Persichetti, Peter Ramsey, Rodney Rothman, Phil Lord, and Christopher Miller
Best Animated Short Film
Animal Behaviour – Alison Snowden and David Fine
Bao – Domee Shi and Becky Neiman-Cobb
Late Afternoon – Louise Bagnall and Nuria González Blanco
One Small Step – Andrew Chesworth and Bobby Pontillas
Weekends – Trevor Jimenez
Best Original Score
Black Panther – Ludwig Göransson
BlacKkKlansman – Terence Blanchard
If Beale Street Could Talk – Nicholas Britell
Isle of Dogs – Alexandre Desplat
Mary Poppins Returns – Marc Shaiman
Best Original Song
"All the Stars" from Black Panther – Music by Mark Spears, Kendrick Lamar Duckworth and Anthony Tiffith; Lyrics by Kendrick Lamar Duckworth, Anthony Tiffith and Solána Rowe
"I'll Fight" from RBG – Music and Lyrics by Diane Warren
"The Place Where Lost Things Go" from Mary Poppins Returns – Music and Lyrics by Marc Shaiman and Scott Wittman
"Shallow" from A Star Is Born – Music and Lyrics by Lady Gaga, Mark Ronson, Anthony Rossomando, and Andrew Wyatt
"When a Cowboy Trades His Spurs for Wings" from The Ballad of Buster Scruggs – Music and Lyrics by David Rawlings and Gillian Welch
Best Sound Editing
Black Panther – Benjamin A. Burtt and Steve Boeddeker
Bohemian Rhapsody – John Warhurst and Nina Hartstone
First Man – Ai-Ling Lee and Mildred Iatrou Morgan
A Quiet Place – Ethan Van der Ryn and Erik Aadahl
Roma – Sergio Díaz and Skip Lievsay
Best Sound Mixing
Black Panther – Steve Boeddeker, Brandon Proctor and Peter Devlin
Bohemian Rhapsody – Paul Massey, Tim Cavagin and John Casali
First Man – Jon Taylor, Frank A. Montaño, Ai-Ling Lee and Mary H. Ellis
Roma – Skip Lievsay, Craig Henighan and José Antonio García
A Star Is Born – Tom Ozanich, Dean Zupancic, Jason Ruder and Steve Morrow
Best Production Design
Black Panther – Production Design: Hannah Beachler; Set Decoration: Jay Hart
The Favourite – Production Design: Fiona Crombie; Set Decoration: Alice Felton
First Man – Production Design: Nathan Crowley; Set Decoration: Kathy Lucas
Mary Poppins Returns – Production Design: John Myhre; Set Decoration: Gordon Sim
Roma – Production Design: Eugenio Caballero; Set Decoration: Bárbara Enrı́quez
Best Cinematography
Cold War – Łukasz Żal
The Favourite – Robbie Ryan
Never Look Away – Caleb Deschanel
Roma – Alfonso Cuarón
A Star Is Born – Matthew Libatique
Best Costume Design
The Ballad of Buster Scruggs – Mary Zophres
Black Panther – Ruth E. Carter
The Favourite – Sandy Powell
Mary Poppins Returns – Sandy Powell
Mary Queen of Scots – Alexandra Byrne
Best Film Editing
BlacKkKlansman – Barry Alexander Brown
Bohemian Rhapsody – John Ottman
The Favourite – Yorgos Mavropsaridis
Green Book – Patrick J. Don Vito
Vice – Hank Corwin
Best Visual Effects
Avengers: Infinity War – Dan DeLeeuw, Kelly Port, Russell Earl, and Dan Sudick
Christopher Robin – Christopher Lawrence, Michael Eames, Theo Jones, and Chris Corbould
First Man – Paul Lambert, Ian Hunter, Tristan Myles, and J. D. Schwalm
Ready Player One – Roger Guyett, Grady Cofer, Matthew E. Butler, and David Shirk
Solo: A Star Wars Story – Rob Bredow, Patrick Tubach, Neal Scanlan, and Dominic Tuohy
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College Installs "Cry Closet" As Safe Space For Student Snowflakes
New Post has been published on http://foursprout.com/wealth/college-installs-cry-closet-as-safe-space-for-student-snowflakes/
College Installs "Cry Closet" As Safe Space For Student Snowflakes
With finals week well underway at the University of Utah, students walking through the J. Willard Marriott Library encountered a white booth with a door on the front, adorned with a sign reading “Safe Place for Stressed Out Students Otherwise known as The Cry Closet.” 
so my school installed a cry closet in the library LMFAOOOOOOOOO what is higher education pic.twitter.com/6rGcJv9qjr
— jacks (@aJackieLarsen) April 24, 2018
After knocking to ensure no other students are utilizing the the tiny safe space, overwhelmed millennial adults can step inside and cuddle with a variety of children’s stuffed animals.
Designed by University of Utah student and visual artist Nemo Miller “in collaboration with Tony Miller and David Meyer,” the booth is basically a functional art installation.
Yooooo!! I’m THE Cry Closet Creator ™️. I’m so stoked that the response has been so incredible!!
— Nemo Miller (@Nemosanartist) April 25, 2018
That said, Utah students who are afraid to come out of the closet will be verklempt after learning that it has a 10 minute time limit. At least students queued up to cry won’t have to wait too long before releasing their emotions all over the stuffed animal companions.
One might think Miller and his two co-creators would have finished their booth using proper craftsmanship techniques easily found on YouTube, but no – from the side it looks like a giant unfinished shipping crate for emotionally underdeveloped adults. One might expect some drywall with perhaps sob-absorbing sound deadening material.
Random fact… this is the side view pic.twitter.com/i16aJv54Gg
— Dev (@DevThaExplora) April 25, 2018
Of the five Cry Closet rules, #5 is to use “#cryclosetuofu” over social media – which people promptly did, with several noting that it can also serve as a local masterbatorium: 
Please note, future employers will also have a ‘Cry Closets.’ They’re known as your car in the parking lot after your sorry ass has been fired after realizing you don’t get paid to be uncomfortable. #cryclosetuofu https://t.co/ZwrJKJ9HQl
— Cleo Volunteer (@cleothevol) April 25, 2018
Oh MY! I sincerely hope it won’t be used for *alternative* purposes. 😂😂😂 #cryclosetuofu
— The Grinchess 🇬🇧 #flatliner (@LaGrinchess) April 25, 2018
#cryclosetuofu finna beat my meat in peace before class starts
— Gachimuchi Enthusiast (@BanchouBaddie) April 25, 2018
#cryclosetuofu I nutted on the blue dog
— John.gif (@ChiefGrief_) April 25, 2018
Pshhhht more like coitus closet. No one bats an eye at the cries. #cryclosetuofu
— Spot Bear 🐻 (@spot_bear) April 25, 2018
U of U tried to play it off like the Cry Closet is a joke…
Point taken, @dexdawg. We will cease and desist all attempts at humor across campus.
— University of Utah (@UUtah) April 24, 2018
When called out on it, the University hedged – saying it “wasn’t JUST humor. It is an art installation that is meant to provoke feeling, thought and conversation, which the artist has apparently achieved.” 
stop pretending that it was humor – you think i can put my pops statue in inside the library without any consequences? You folks are just pathetic virtue signalling at its finest!
— jilldavis (@Jillrocksyou1) April 25, 2018
So, did everyone just get punk’d by Nemo? Was Nemo actually making fun of people who need safe spaces in order to function, as the University of Utah just suggested over Twitter? 
Either way, the real world still awaits any and all who need to use a Cry Closet – or a similar, soon to be all-too-real facsimile – to get through finals.
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