#clearly i did no perspective grids or references for this one just had fun with it
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today's practice sketch is young Enna performing in a traveling circus! He is obviously really good at climbing and balance having spent his childhood in the shroud. Digone meets Enna at one of performances in thanalan c:
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#enna iahay#ffxiv#miqote#sketch#i need to get better at backgrounds and scenes and perspective....and coloring and lighting and anatomy LOL#i am trying my best even tho it is agonizingly slow#clearly i did no perspective grids or references for this one just had fun with it
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On Arrow, Oliver Queen (Stephen Amell) is still behind bars and unable to protect his family, his team and his city in the way that heâd like to. Meanwhile, Felicity (Emily Bett Rickards) is getting in deeper when it comes to tracking down and dealing with the growing threat of Diaz (Kirk Acevedo) once and for all, and Curtis (Echo Kellum) goes undercover on a mission for ARGUS with Diggle (David Ramsey) and Lyla (Audrey Marie Anderson).
During this one-on-one interview with Collider, which was held at the Warner Bros. Television offices in Los Angeles, actor Echo Kellum, aka Mr. Terrific, talked about the changes of season 7 and what new showrunner Beth Schwartz brings to the show, what itâs like to be living his dream of becoming a superhero, getting to be a part of Team ARGUS, whether Curtis prefers to be in front of the computer or out in the field, the dynamic between Curtis and Felicity, whatâs it meant to him to work with Emily Bett Rickards, how Curtis feels about the new Green Arrow, his involvement in the upcoming âElseworldsâ crossover episode, and his dream mission for his character.
Collider: I love the trio of Lyla, Diggle and Curtis. What were the Team ARGUS scenes like to do? Echo Kellum: Itâs definitely fun to work with Audrey [Marie Anderson] and David [Ramsey]. They are absolutely extremely talented and professional, but theyâre also just so much fun and down to earth and silly. Itâs always such a pleasure to work with them. It definitely feels different. Thatâs the thing I love about our show. You can really mix and match some pieces to get some different dynamics and gold, in a lot of aspects. In season 4, I had never worked with John Barrowman until the last two episodes. Itâs so funny that you can have an entire season and never see the actors, and then come in together and have these fun, interesting scenes with each other. Itâs really cool.
Is it fun for Curtis to feel like heâs the one whoâs sort of in charge of the mission because theyâre relying on him to guide them? EK: Yeah, itâs really fun! I always love Curtis when heâs focusing on tech and that aspect. I always love him being in the field, too, but itâs nice to switch it up and have him be in charge, in the van and on computers, and telling them what to do.
Do you feel like Curtis is much more comfortable with hanging out in a van with computers than he is going out in the field and fighting as Mr. Terrific? EK: Just based on seeing his trajectory, going out into the field, I would have to say that heâs probably more comfortable in the van. There are less punches being thrown his way, so thatâs always nice. But I really do feel like he was coming into his own in the field, too. If he had a preference, it probably would be behind the computer with tech. He can send the T-Spheres out.
When you think back to when you first signed on to be a part of this TV series, is where youâre at with the story and character now, in season 7, anything like you could have imagined? EK:: No way! You can think many different things, but until youâre actually thrust into it, you just donât have the perspective. Itâs interesting. But I really love where the characters went, and I love what the writers have done for them. Itâs a blessing, just to get to see how it all has been playing out, over the last four years. Thereâs definitely been a lot of surprises, along the way, but I think they do such a good job with the show. I do my job, but then I get to go home and look at the rewards from the hard work that weâve put in, and see how much the fans love it and reach out. Itâs been really cool.
As someone whoâs clearly a fan of this type of project, did you have any hopes or expectations when you signed on, and did you meet them? EK: Yeah. Whatâs funny is that, before I auditioned for this show, a couple of best friends and I had come up with this thing, called Letâs Take Over Hollywood. Basically, what that meant to us was working out every day, writing as much as we could, and really giving in fully to our careers. I went to the gym and was going hard and was like, âWeâre gonna be superheroes!â And then, I booked this show. They said, âWell, he has the potential to be Mr. Terrific,â and I was like, âThatâs pretty sweet!â And then, when it actually started happening, I was like, âI canât believe it! This was a game plan of mine, two years ago, and now itâs actually happening and coming into fruition. This character is really dope!â Itâs still very surreal. I look back now and Iâm like, âWow, thatâs part of my life!â This is all still a shock, and I pinch myself. Itâs one of the coolest things in the world, coming up and getting picked on for being a nerd, my entire life, to having the privilege to show people what I saw, as a kid. To get beat up and then rewarded for the same thing is really cool. Iâm just in a constant state of shock that I even get to do this in my life, and to get to do it with such a cool character on such a great show, and run by a great studio and network is like all of the cherries on top. Iâm just so grateful. And Iâve got a super suit. I literally have a suit that will forever be tied to me. Thatâs so cool, that I will be in the echelon of the DC comics lore.
As a fan, do you ever think about how youâre a part of the show that launched all of the other DC shows, and that you also get to have crossover episodes that bring everybody together? EK: That is never lost on me. Itâs very surreal. Iâm still very close with my best friends, from when I was nine and ten years old. We still talk, almost every day, and every once in awhile, weâll be like, âDude, life is nuts!â This is really, really, really, really not something we thought would ever happen, getting to be on a comic book show for the comic books we used to read, as kids. Iâm so fortunate, and Iâm so thankful that I get to be in this position in life, where little kids get to look up to this character and say, âI wanna do that!,â or âI wanna act!â Thatâs the most amazing thing. Thatâs what I saw as a kid, watching people on TV, like Will Smith and Jim Carrey, when I said, âI wanna do that!â The fact that there might be a group of four friends out there who love comic books, watch the show and go, âI wanna act!,â that is one of the dopest things in the world.
Are you a part of this next crossover? EK: Yeah, I did get to be a part of the crossover. It was really cool. It definitely has a different feel, and itâs awesome. It was really awesome to be on set, during this crossover, and get to work with everyone, to get to see Grant [Gustin] and Stephen [Amell] like Iâve never seen them before, and to get to work with John Wesley Shipp. It was the coolest. I feel like this whole interview is just me saying that Iâm blown away and canât believe my life, but it was just one of those moments where you have to take it in and be like, âWoah, this is my life. This is what I do.â It was very, very awesome to be a part of the crossover this year.
Without revealing any spoilers, was there a specific stand-out moment for you? EK: Absolutely, there was a moment. The biggest moments for me were when I got to work with John Wesley Shipp. I canât really go into detail on what was happening in the scene, but I had to keep reminding myself to stay in the scene and not get lost in working with him.
It seems as though the team is pretty spread around this season. Everyone has the same bigger goals, but all of the characters also have their own things going on. Has that been an interesting shift for you? EK: Yeah. If you look at the first part of last season, especially before we split up, there was a lot of team stuff. Especially when Diggle was Green Arrow, we were all heavily teamed up. So now, to be in these different pockets is a very interesting perspective. I really like it, though. Itâs nice just to mix it up sometimes, but we definitely still get to play with each other, which is great, and have those team aspects. Itâs nice to be in your own zone and have the different dynamics with the characters.
With Felicity seemingly willing to go to any lengths to get Diaz, is Curtis starting to worry about her? EK: How traumatizing is it, everything sheâs been put through with Diaz? Her husband is in jail, and this guy is still trying to terrorize her. Sheâs off, trying to live her new life with pink hair, and this dude is still coming at her and William. The thing is that sheâs just tired of running and tired of being chased by this guy. She wants to be proactive and take him down. Sometimes when youâre blinded by revenge, it might not work out best. She almost left John hanging on the train. I get that aspect of enough is enough. That will create some friction between her and Curtis, for sure, but in the end, he will support his friend. They all know that Diaz is a problem and they want him off the grid, not creating and sewing confusion and destruction in the city. Curtis will go about it the traditional way of using ARGUS and the police. Theyâre all supporting the same mission, but they have different ways of going about it, which they definitely will discuss with some tense back and forth conversations.
Because weâve really gotten to know Curtis through his relationship with Felicity, whatâs it been like to have Emily Bett Rickards to share this experience with? EK: Itâs been amazing! She really set the tone for what the show was, when I came on. I remember when I first booked the role and I was watching it, I was like, âOh, man!â Itâs a little intimidating to go onto a hit show because you feel everyone is gonna be like, âDonât look me in the eye, and also refer to me as Mr. Amell!â But then, when I got on set, Emily treated me as if I had been there from the beginning, and thatâs how everyone is. Everyone is super accepting and loves working with each other. It was a very amazing moment to work with her and see how down to earth she was, and the rest of the cast. I literally love working with her. Sheâs a really great person, and really funny, too. Everyone is so funny. We laugh so much on set, and theyâre screaming at us like, âActors!â Weâre like, âSorry!â When you have fun on set, that really comes through on screen. You can see that people really enjoy each other, and we do that. Thatâs what I learned from Emily.
What can you say to tease whatâs next, after this weekâs episode, especially for Curtis? EK: Definitely, youâll see Curtis getting into the field in some different ways than you ever have. Heâs gonna be going undercover with ARGUS in some capacities. Whether heâs 100% on board or not doesnât matter, he definitely will do what he can. Youâre also gonna see him really struggling with the consequences of last year and what he wants to do, in terms of either getting back out into the field or chilling at ARGUS. There will be some really interesting things happening for him, in the future.
How does he feel about where things are at now? EK: Heâs definitely torn. A part of him definitely enjoys being at ARGUS, and a part of him misses being more active, out in the field, doing what he can to help the denizens of Star City. I think although he is torn, heâs probably landed on the side of doing what he can while abiding by the plea deal and running the innoventions department at ARGUS.
How does Curtis feel about the new Green Arrow vigilante? EK: He definitely doesnât agree with everything that the new Green Arrow is doing. Thereâs a part of him that thinks, if the person is doing the right thing by the citizens, that maybe itâs a good thing, but he also wonders whatâs going on with this person.
At the beginning of this season, when they clued you in on the general idea of where things would be headed, did they tell you who the new Green Arrow is? EK: Nope! They stopped telling me secrets about the show, a long time ago. I used to give out way too many spoilers. I spoiled who Prometheus was before the show ever aired, and no one caught it, thankfully. I posted a picture of the whole cast, and Josh Segarra as Prometheus was right there. I posted it online, and then one of the people in the office was like, âI donât think you can post that picture.â I was like, âOh, my god, Iâll take it down!â Nobody ever saw it, but now they know not to share stuff with me, so I have no idea. Iâm definitely curious. I think that what Beth [Schwartz] and her crew are doing is some really fun stuff. People are in for a great time this season.
Whatâs it like to have a new showrunner in season 7, with Beth Schwartz taking over? EK: Itâs always nice to switch it up and get a fresh pair of eyes on it. Obviously, Beth has been in the trenches of the show. She started off as an assistant and now sheâs so showrunning, so she has a personal feel for the show and knows everything about the show. Sheâs such a brilliant study of all that comes into this, and sheâs done such a great job, jumping in feet first. Weâre all really thankful that she is as talented and brilliant as she is, and that sheâs breathing a lot of new life into the show. I think people are gonna be really, really happy with where it goes this season.
If you could have Curtis go on any type of mission, what would it be? EK: A mission to get the T-Spheres to have the ability to fly Curtis around the world. Thatâs the mission I want him to work on. He needs to be flying. We need to work that out. If you could talk to the effects people, Warner Bros. and Beth, tell them that I want to get that in. I wanna fly and go through different dimensions.
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Mighty Morphinâ Power Rangers Season 1 Episode 2: High Five
Starting off strong with Trini leading a Tai Chi class and reminding us how stable and far reaching our unsuited heroes are as pillars of the community.
Jason climbing a rope with Zack and Kim supporting him within falling distance. This time period was obssessed with rope climbing as a show of physical strength. It was so prevalent, even the Simpsons made a reference to it; In the words of Principal Skinner, "No one can climb a rope, it's physically impossible."
Trini's familiarity with the Simpsons and fear of heights causes her to worry about Jason.
Because boys like to climb trees, or in this case ropes (watch Boys in the Trees, it's a great complex coming of age story) Jason only becomes aware of the dangers of his nonstop pushing himself attitude when an outside perspective expresses worry over his actions. Of course Jason tries to play it off that he never gets worried while climbing, when there is clearly worry on his face in this screenshot. Typical leader trying to play it cool. Then Billy walks in.
And then Jason gets this face.
And then he does this to Billy.
And then Billy gets THIS face.
And then they become a human pendulum.
And then they wipe out, with Trini doing the sassiest "I told you so" face while on the machine bench press. Honestly this seems like a cruel prank that the jock pulls on the nerd, but since there's a strong enough trust, adoration, and support between the main characters I guess it's just a fun boys being boys thing?
Just some fun loving support after a wipeout.
Not to disparage carnival workers, but are geeks lower on the chopping block than carnival workers? Also this shot and blocking is terrible, the punching bag eclipses Bulk and it's only used for Bulk to throw the punching bag back at skull.
The sexual tension is palpable.
Of course Season 1 Bulk needs to out macho Jason.
I actually laughed at this gag. It's weirdly intimate while demonstrating Skull's willingness to follow Bulk's orders with no questions asked, then Skull plays it off perfectly straight. It comes together really well.
Gotta go all in on the slap stick.
That is an impressive amount of "dry wall" dust to cough up, both in universe and as an actor.
Bulk suffereing and re-evaluating his life.
Billy showing off the band frequency communicators he engineered. He's only been to the command center twice, TWICE on screen, where the first one he didn't know what was going on. He managed to not only create communicators to the command center that uses who knows what kind of alien technolgy, but he also managed to tap into the power grid, AS A HIGH SCHOOLER. They really downplay his intelligence in this show as if it was no big deal, where as the only thing I know about wave based communications is that the sender and receiver need to oscillate at the same frequency.
Oh yeah, also they can be teleported as colored energy and reconstituted perfectly fine from the communicator. One of their classmates had to notice the bright colors followed by the group of five disappearing right?
Dog pile on Alpha! I hope the suit wasn't awkwardly cutting into the actor at all.
Not even going to comment on this.
Meanwhile Team Rita works on a plan involving a time device (Read Space Shutle)
Finster sculpts a good quality monster that could definitely be used as a toy mold.
And out comes Bones. I really wish he had a stereotypical smoker voice, but instead he has a voice actor who sounds like a Psycho Ranger even though he's not. Tom Wyner did the voice of Bones, along with other voices in MMPR AND the Puppetmaster from the Ghost in the Shell movie english dub.
I'm astounded by the model work. They not only made a to scale model of a time device (Space shuttle) But they also managed to create a believable to scale fuel thrust effect, they also managed to do so without harming the model in anyway. Also the way the time device (shuttle) flies from the work bench back to Earth is semi believable assuming that Rita's palace has low gravity; the trajectory was smooth like a plane taking off, which would be possible assuming it doesn't require much energy to leave the gravitational pull of Rita's palace. Also I'm curious how they made that practical effect; did they have a really taut fishing line that was hooked high off frame for the model to slide along?
That time machine has an interesting decal! (The space shuttle definitely has the rising sun flag as a decal on both wings to signify that it's a Japanese space shuttle, probably the space shuttle from the opening).
Look at those hardworking American construction workers/maintenance crew! (They're totally Japanese).
And then the time device (Space shutle) Opens up and sends out an energy wave. Also the imperfect sticker work is visible on the model, which isn't terrible since it's a very short shot and it took this zoomed in to show off the imperfections of the model.
The energy wave creates a time bubble that affects "Downtown Angel Grove" somehow?
Meanwhile there's a group of putties outside of the command center which our heroes sneak to to gather intelligence. They are quickly caught from behind, as expected.
THE TWO FIGHTY BOIS START OFF THIS ENCOUNTER WITH A PERSONALIZED HANDSHAKE TO HYPE THEMSELVES UP. AND THEN DO A SICK BACK TO BACK POSITION SWITCH.
After a little bit Billy and Trini break off to lead some putties away from Zack, Kim, and Jason.
Billy climbs a mountain and then gets cornered on a high up ledge.
Knowing her friend is in danger, Trini engages with her fears to try and save Billy.
Ol' Butter Fingers Billy here fumbles his Morpher.
First off, that morpher is lost forever under the brush. Second off, with the access to the Morphing Grid, shouldn't there be some worry of a massive energy release from the jolts on the morphers.
Meanwhile the other group is losing in an incredibly aggressive game of red rover.
Trini getting on the same level as Billy and the Putty getting the Putty's Attention.
Tini successfully getting the Putty's attention. Side note, those eyes are EXTREMELY expressive. He reminds me of the main antagonist in Halloween Town.
Putty crab walking to go over to Trini.
Trini moving up to confront the Putty.
Trini Rushing to engage the Putty.
TRINI, WHERE ARE YOU GOING, THE PUTTY WAS BACK THERE.
Trini straight up defending Billy. I guess in a way it's admirable that Trini gave up a tactical advantage with secure surroundings to be 100% convinced she could protect Billy.
Trini and Billy's sidestep gambit to have the Putty go over the edge. If that gambit went poorly/ the putty were smarter, all three of them would have gone off the edge together.
Billy shows his gratitude in the maximal capacity that he can.
The other part of the team being held captive in an incredibly abrasive team huddle.
Good job! Attack them from behind! Also Billy channelling his inner pterodactyl.
Aaaaannndd they decide to join the wall and try to break it from within. They could've just as easily been corralled in with the rest of the team. This could have been the end of the power rangers.
Jason and Zack deciding to take a page out of the Megazords and decide to combine. Their formation looks incredibly natural, like they've given piggy back rides/played chicken countless times.
Jason showing he is in fact mortal and not a Greek god as he has some trouble holding up his friends.
Fun fact, these three form the second megazord in the entire series right here. Not only does Zack leaning back help to balance against Kim's moment in the front, but by extending himself horizontally he also increases the moment of inertia about the axis of Jason. Assuming that Jason can maintain the same angular velocity no matter what composition of Zack, Zack managed to increase the angular momentum and energy in the system by extending out like this. But also, WHEN DID THEY COME UP WITH THIS IDEA, HOW MANY TIMES HAVE THEY DONE THIS BEFORE, WHAT MADE THEM THINK THIS WOULD BE USEFUL??
The formation defeat the putties, causing them to run away in shame and pain. Fun fact, no putty has actually been destroyed yet.
A Pile of Bones gets introduced to the rangers.
Again, I'm impresed by the practical effects of reconstituting Bones. After his body is formed, his head neatly curves on top of his shoulders. I have no idea how they accomplished that.
It's hard to take him completely seriously when he enjoys a merry go round so thoroughly. Also Sentai footage tends to be used to showcase the monsters in the Viewing Globe(tm) before the rangers encounter them.
There's something about the color saturation and fidelity of the Sentai footage that makes the suits seem so powerful and appealing.
Before they can even engage at the amusement park Bones transports them into what I can only assume is his dimension of death.
Where he summons his army of the dead as minions to take on the rangers.
My boy Jason taking on Bones alone.
Meanwhile Squatt and Babboo plant a bomb next to the time device (Space Shuttle). Their plan is to destroy the time device to trap the Rangers in the time warp; I wonder what their actual plan is for super sentai. Also notice the cherry blossoms blooming on the tree. In Japanese culture, the cherry blossom symbolizes the transience and fleeting nature of life due to them blooming and then disappearing in a very specific time frame in Japan. This is a dimension of death, the black abyss and the singular cherry blossom tree signify the bleak nature of their surroundings.
I'm being completely serious here. A Mission Impossible Theme knock off song plays while the wick is burning.
Next Bones opens up A CRACK TO HELL IN THE TIME WARP. COULD THERE BE ANYMORE EVIDENCE THAT THIS IS A DEATH DIMENSION?
Jason takes up al of Bones's attention.
To have the rest of the Rangers become a firing squad and open up on Bones. I really love these original battle strategies in Super Sentai. It's nice to give the lower tier weapons the spotlight in earlier episodes to show their usefulness while also creating a reference point for the power of later weapons.
Direct Powerful looking hit! Bones then becomes a pile again and Billy realizes that they need to steal Bones's head.
So Billy leaps to interrupt Bones's reformation and capture the head.
And then Billy has the absolute genius idea to shroud Bones's eyes with his cape in order to disorient him and make his body unable to locate his head. I wonder if blue Zyuranger's inteligence was also one of his definining characteristics?
The army of the dead coming out to secure their master's head.Billy then passes the head to Trini.
Where Trini takes out 4 deadites successively as she runs the head in for a touchdown.
Trini preparing to chuck the head straight into hell.
The Head falling into hell.
Bones's body collapses right in front of the cherry tree with no more blossoms.
Then he just explodes.
With Bones dead, Rita teleports her giant and her castle to the source of the temporal warp. That's honestly a really aggressive move to make her headquarters so visible and vulnerable. Does Rita always have that amount of magic available to her? Can she teleport her castle whenever she wants? Also the fact that the hand reaches into the death dimension signifies that it's the same episode/sequence of events in Super Sentai, so what was Bandora's plan with Bones, the death dimension, and the giant?
The Giant reaches in and takes Jason. There's not a toy in place of the red ranger, so a scale model of a hand must have been constructed with the red ranger placed in its hand in order to get this shot.
This is a really freaking intimidating shot. I feel like one of the strongest scenarios available to Super Sentai/Power Rangers is the use of subjective scale between regular human size and "Make my Monster Grow (C)" size.
With the time device destroyed, the rangers and giant get teleported to a barren area to fight.
Even though the point of view monster stomping shot is really overused, I still like it as a way to drive home the mass of the monsters and how easily they would be able to squash the rangers like insects.
The company wants to make it seem like an actor is the red ranger instead of a toy that they actually articulate the arm of the red ranger figure mid scene during a voice over to make it seem alive.
The Red Ranger uses his knowledge of giants to get free. No need to defeat the giant, just sting him and annoy him enough to let go and cover his wound. Did the actor in the red ranger do a stunt fall and then did they overlay the giant's form in post production, or did they also have a to scale model of the Giant's hand for the red ranger to fall from? I guess if the red ranger was struggling inside a hand they had a model of the hand. This blog is making me really aware of all the random part models employed for one off scenes.
Here we have a group shot on the ground as the giant plants his sword in the ground. Once again I love this use of scale.
There's just something about the angled sleek design of the zord that gives it personality, power, and uniqueness that help to accentuate its solitary existence.
The mouth is moving up and down; they had to actually make a six to ten foot tall model of the zord's head to have the actor stand on top of while in front of a green screen. Where is this head located and how much can I pay to own it.
I really like the nonrecycled battle footage. Like with the blasters, it helps to showcase the power of the zord when it fights on its own compared to the megazord. Also, the megazord was available episode 1, why didn't Jason just call it? In Zyuranger they actually had to take time to locate and befriend each zord, so it was a process that eventually got to the megazord.
The Giant having his swing blocked by the stubby Zord arms.
I'm pretty sure Godzilla did a similar tail lift taunt.
The Zord preparing a mouth blast.
Which freaking VAPORIZES the Giant. If the Tyrannozord has a vaporization beam available, why isn't it used instead of the megazord?
With the day saved Ernie is the first to spread the good word of the Power Rangers to his customers.
Ernie pondering the identity of the Power Rangers in front of the main group.
Where the gang's immediate reaction is to burst into laughter while being color coded.
With the communicators fixed, Kim comments on what it's like. Is having a communicator that's also a teleporter really that nineties, or are they just trying to become the symbol of the nineties?
Kim, Billy, and Jason giving Trini praise for engaging with her fears in order to save Billy.
Zack sneaking into frame.
Jason TOTALLY aware of Zack's intentions while also harboring a smirk of support.
Zack dons a skeleton mask. Bro, Trini took on four skeleton warriors a couple hours ago without a sweat, what are you expecting to happen here?
Luckily for Zack, Trini looks to verticality to be her answer to the encroaching skeleton man.
And the last frame for all of us to notie how much Trini has grown while also kind of taking her earlier fear of heights as trivial? Guess all's well that ends well? Overall there were a couple story lines this episode that transitioned betwween one's ending and the other's beginning. I'm curious how the Death Dimension segued into the Giant in the Zyuranger episode.
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