#claude schwartz

[romanbymarta]

Roman Polanski, Catherine Deneuve, Gerard Brach, Jean-Luc Godard at The Cannes Film Festival 1965. Photo by Claude Schwartz

[eternal--returned]

Claude Schwartz ֍ Jane Birkin in The Devil in the Heart (1975)

[garadinervi]

Mutations, (1972, 7'30"), Film by Lillian F. Schwartz, Music by Jean-Claude Risset, Commissioned by Office de radiodiffusion-télévision française (ORTF) [© Lillian Schwartz, Jean-Claude Risset]

[paintsplash1712]

Stephen Schwartz is generally a genius with leitmotifs.

I've seen people talk about the songs in Wicked and how the themes evolve through the story but I recently rewatched Hunchback of Notre Dame and it blew my mind!

Quasimodo and Frollo literally have the same motif! It's literally the same except Quazi's is faster and with softer instruments while Frollo is far more dramatic and somber (I don't know musical terms).

"Who is the monster and who is the man" indeed!

[jainasolo1994]

Howard Shore adds/removes specific instruments in the Fellowship theme as the members of the Fellowship join/die, and that is honestly the Least impressive thing about his score for the Lord of the Rings trilogy.

The world of LotR was created through music and that is absolutely reflected in the genius way the film score changes perfectly to match the events, feelings, and themes of the story throughout.

leitmotifs never get old to me like holy shit dude there’s this melody that corresponds to this one guy and if you hear the melody it means the guy is there. holy shit. and sometimes it refers to ideas too not just guys. has anyone heard about this

[yandere-toons]

Someone: *says something rude about the reader*

Yandere: You talk a lot of shit for someone who's house is so flamable.

Characters that have this vibe:

Patrick Hockstetter

Kai (Ninjago)

Tom Lucitor

Bridgit Pike | Firefly

Iblis (Blue Exorcist)

Smaug

Matthew Patel

Deadpool | Wade Wilson

Godzilla

Hades (Hercules 1997)

Snotlout Jorgenson + His Monstrous Nightmare Hookfang

Ruffnut & Tuffnut Thorston

Zuko

Jesse Gemstone

Lili Zanotto

Red Son (Monkie Kid)

Eric Cartman

Mr Piranha

Vaas Montenegro

Coriolanus Snow

Lord Garmadon

Roger the Alien

Stewie Griffin

Negaduck | Jim Starling

Bender Bending Rodríguez

Rocket Raccoon

Cherri Bomb (Hazbin Hotel)

Blitzo

Rin Okumura

Five Hargreeves

The Joker

Shelby Brothers

Rob (The Amazing World of Gumball)

Lili Zanotto

Judge Claude Frollo

Mushu

Daemon Targaryen

Joffrey "for someone whose head is so cuttable" Baratheon

Sheldon J. Plankton

Bowser

Emperor Zurg

Emperor Nefarious

Handsome Jack

Trevor Philips

Gremlins

Bakugou Katsuki (early on)

Dabi

Duncan (Total Drama)

Heather (Total Drama)

Honourable Mentions:

Gru + Minions, Vector (Despicable Me), Megamind (when he was villainous), Doctor Nefarious, Gyro Gearloose and Technical Boy would consider arson too lowbrow. In their tech-savvy minds, shrink rays, piranha guns, dehydration guns, atomisation, robot and clone armies and breaking every bone in the person's body all send the correct message.

"Why settle for a house?" wonders most iterations of the Doctor (Doctor Who). "Why not drop them on some desolate planet or in some hostile universe where they die over and over again?" Bill Cipher seconds this notion.

Jack Frost (Rise of the Guardians) would freeze the doors and ice the floors and windows, effectively creating a giant icebox as fires cannot stay burning in his presence.

Dark Helmet, Kylo Ren, Armitage Hux and Darth Vader would vaporise the person's house (and planet to boot) from space. If the person was off-world at the time, those who are Force or Schwartz users will proceed to Force-choke or laser the person even after they have lost everything.

Scar (The Lion King) would arrange an accident that is tragically and unavoidably fatal while Shenzi, Banzai and Ed would maul the person in full view of a crowd.

Gaz Membrane is constantly rude to anyone who dares to be her obsession, but if anyone else tries the same rudeness, they will pay. Zim and the two main Tallest also have shades of this.

Albert Wesker (Resident Evil 5 era): Look, another test subject for Uroboros has presented itself.

Urdnot Wrex, Grunt (Mass Effect 2) and Wolverine/Logan are not the burn-your-house-down types. It would be too easy for the person to learn nothing from the experience, such as how much they should be afraid of running their mouth to the wrong stranger in the future. These three will knock the person out before they even finish the sentence.

Yzma has exactly the right potion for this human flea, except that she adds an extra four or so steps to the plan.

Lord Hater invades the scoundrel's home planet with the support of Commander Peepers and his army of Watchdogs, or he may blast the world to smithereens with a laser.

Lord Dominator delights in crushing this pest's home world with her drill and making them watch every life on it come to an end.

Marvin the Martian said it best: "Be polite, or I'll vaporise you."

[jules-has-notes]

Aca Top 10: Disney Villains — VoicePlay music video

Many actors contend that it's more fun to play baddies who get to indulge their darker desires without regret. The same often applies in musicals, whether they're on stage or screen. Disney knows how to craft a good villain song. These are some of their most fun, slick, seductive, and dastardly.

Details:

title: Aca Top 10 – Disney Villains

original songs / performers: "Friends on the Other Side" by Keith David as Doctor Facilier in The Princess and the Frog (2009); [0:33] "Mother Knows Best" by Donna Murphy as Mother Gothel in Tangled (2010); [0:50] "Trust In Me" by Sterling Holloway as Kaa in The Jungle Book (1967); [1:08] "The Siamese Cat Song" by Peggy Lee as Si and Am in Lady and the Tramp (1955); [1:28] "Oogie Boogie's Song" by Ken Page as Oogie Boogie in The Nightmare Before Christmas (1993); [1:52] "Cruella De Vil" by Bill Lee as Roger Radcliffe in 101 Dalmatians (1961); [2:16] "Gaston" by Jesse Corti as LaFou & Richard White as Gaston in Beauty and the Beast (1991); [2:50] "Hellfire" by Tony Jay as Claude Frollo in The Hunchback of Notre Dame (1996); [3:06] "Poor Unfortunate Souls" by Pat Carroll as Ursula in The Little Mermaid (1989); [3:25] "Be Prepared" by Jeremy Irons as Scar in The Lion King (1994)

written by: "Friends on the Other Side" by Randy Newman; "Mother Knows Best" by Alan Menken & Glenn Slater; "Trust In Me" by Robert & Richard Sherman; "The Siamese Cat Song" by Peggy Lee & Sonny Burke; "Oogie Boogie's Song" by Danny Elfman; "Cruella De Vil" by George Bruns & Mel Leven; "Gaston" by Alan Menken & Howard Ashman; "Hellfire" by Alan Menken & Stephen Schwartz; "Poor Unfortunate Souls" by Howard Ashman & Alan Menken; "Be Prepared" by Elton John & Tim Rice

arranged by: Geoff Castellucci & Layne Stein

release date: 22 March 2019

My favorite bits:

Layne kicking things off with scampering percussion before settling into a swingy groove

J.None showing off his smooth lower range

the vibratto Earl puts on that final high ♫ "motheeer" ♫

both Eli and Layne doing snaky hand motions during "Trust In Me" 🐍

Geoff's big bass drops on ♫ "ey-yyyes" ♫ and the final ♫ "meee" ♫

that crunchy harmony on ♫ "don't pleeease" ♫

all the shenanigans with the tiny kitty figurine 🐈

getting a preview of the "Oogie Boogie" production to come

that funky take on the second half of "Cruella"

the back row's dubious reactions to Geoff asserting his intimidation factor in "Gaston" as Layne fixes his hair

the extended transition — ♫ "Gimme hip-to-hip" ♫ ::Eli and J start flossing:: 🕺 "Chapstick!" ::Earl holds up a tube::

the clever coordination of ♫ "[tur]-ning me to" ♫ and ♫ "number two" ♫ at the end of "Hellfire"

Layne's bubbly percussion during "Poor Unfortunate Souls"

Earl getting annoyed at J and Eli joining him on the lyrics of "Be Prepared" before they return to harmonies

the three octave unison between Geoff and Earl

that nice clean ending

Trivia:

○ VoicePlay had recorded or performed several of these songs before.

They did a full version of "Cruella de Vil" in collaboration with Disney for the Diamond Edition release of 101 Dalmatians on Blu-ray. They also included an excerpt in their aca-Disney medley to celebrate 20 years of Disney shows on Broadway.

"Gaston" is part of their Beauty and the Beast medley, Tale As Old As Time, on their 2012 album "Once Upon an Ever After". (They also later included it on their 2024 compilation album "VoicePlay Villains".)

"Be Prepared" is part of their "OUaEA" Lion King medley, The King Has Returned. (That's also where the snippet over the end screen is from.)

"Mother Knows Best" was part of "The Story of Rapunzel" that they performed at Disney World's 2015 Social Media Moms Celebration.

○ They had also previously created a shorter villains medley including several of these songs for Jonathan Freedman as part of their Disney Sessions collaboration with the Aladdin stage cast.

○ Since this video was released, the guys have recorded longer versions of several more of these tunes.

"Friends on the Other Side" was their Halloween video for 2021, as well as their first reunion with J.None after he left to join the U.S. Navy Band.

"Oogie Boogie's Song" was their Halloween video later in this year.

"Poor Unfortunate Souls" was included in their Little Mermaid medley with Rachel Potter a year and a half later.

"Hellfire" was their Halloween video in 2023, also with J.None as the featured guest.

Geoff did a short of "Trust In Me" on his solo channel in 2024.

○ The guys' shirts are once again thematically appropriate.

Eli — Darth Vader from Star Wars in the style of Leonardo Da Vinci's "Vitruvian Man" drawing

Earl — the face of Hades from Hercules in blue and purple linework with yellow eyes and teeth, surrounded by blue flames, all with a glow effect meant to imitate neon lights

J.None — a full-body portrait of Claude Frollo from The Hunchback of Notre Dame with one hand extended to the side (I couldn't find the exact design, but I found one that's somewhat close and did a bit of editing to get it closer.)

Geoff — the stylized face of Scar from The Lion King

Layne — Dr. Facilier from The Princess and the Frog mirrored in the style of a playing card, with glowing red cards floating near his outstretched fingers and his name on a banner across the middle

○ Geoff later mentioned in his interview on The Charismatic Voice that he'd considered auditioning for Gaston at Disney World when he worked there, but that the guys who play the role are usually four to six inches taller than him due to the costume and choreography required.

○ They garnered a bit of praise from prolific a cappella arranger Rob Dietz, who they'd met during The Sing-Off, and who would become a frequent collaborator in a few years.

○ An artist fan was inspired to create a gender bent version of Cruel-Layne De Vil.

drawing by rtlndr_ on Instagram

○ The boys busted out some of their best evil laughs to further entertain their social media followers.

View this post on Instagram

A post shared by VoicePlay (@thevoiceplay)

○ This is the final entry in a mini-series within their "Aca Top 10" series, which was preceded by countdowns for "Disney Heroes" and "Disney Sidekicks" over the previous year and a half.

[flickys-courage-club]

If my CTCD OCs have headcanon voices(or what would they sound like)

Olive - Mammon (Helluva Boss) [VA - Michael Cusack]

Felix - Lisa Loud (Loud House) [VA - Lara Jill Miller]

Justin - Mater (Cars) [VA - Larry the Cable Guy]

Clive - Joe Swanson (Family Guy) [VA - Patrick Warburton]

Nathan - Moxxie (Helluva Boss) [VA - Richard Horvitz]

Teresa - Pearl (Steven Universe) [VA - Deedee Magno]

Barry - Edd/Double D (Ed, Edd n Eddy) [VA - Samuel Khouth] or Lani-Loli (Crash Bandicoot) [VA - Richard Horvitz]

Grinz - Toko Fukawa/Genocide Jack (Danganronpa games) [VA - Amanda Celine Miller]

Frownz - Byakuya Togami (Danganronpa games) [VA - Jason Wishnov]

Sirius - Dr Facilier (Princess and The Frog) [VA - Keith David]

Petal - Onion Cookie (CRK) [VA - LilyPichu]

Alan - Warp Darkmatter (Buzz Lightyear Of Star Command) [VA - Diedrich Brader]

Jacob - NOS-4-A2 (Buzz Lightyear Of Star Command) [VA - Craig Ferguson]

Lauren - Eda Clawthorne (Owl House) [VA - Wendie Malick] or Carmilla Carmine (Hazbin Hotel) [VA - Daphne Rubin-Vega]

Oliver - Andrealphus (Helluva Boss) [VA - Jason LeShea]

Matt - Jafar (Aladdin) [VA - Jonathan Freeman]

Lucifer/Puppeteer of Terrors - Joker (DC) [VA - Mark Hamill]

Fear King - Zestial (Hazbin Hotel) [VA - James Monroe Iglehart] or Asmodeus (Helluva Boss) [VA - James Monroe Iglehart]

Sin Clowns(Pride and Lust) - Blitzø (Helluva Boss) [VA - Brandon Rogers]

Sin Clown(Wrath) - Captain Gantu (Lilo and Stitch) [VA - Kevin Michael Richardson] or Shan Yu (Mulan) [VA - Miguel Ferrer]

Sin Clown(Greed) - Coachman (Pinocchio(1940s) [VA - Charles Judel]

Sin Clown(Envy) - Chris McLean (Total Drama) [VA - Christian Potenza]

Sin Clown(Glutton) - Verosika Mayday (Helluva Boss) [VA - Cristina Vee]

Sin Clown(Sloth) - Glitz and Glam (Helluva Boss) [VAs - Faye Mata]

Wendell - Lil Lightning (101 Dalmatians: Patch's London Adventure) [VA - Jason Alexander]

Toxin - Scarface (BTAS) [VA - George Costanza] or Crimson (Helluva Boss) [VA - Richard Horvitz]

Bon - Rosie (Hazbin Hotel) [VA - Leslie Kritzer]

Damien - Grigori Olyat (Henry Stickmin) [VA - PuffballsUnited]

Smiler - Harley Quinn (DC) [VA - Arleen Sorkin]

Snowflake - Adorabat (Mao Mao: HOPH) [VA - Lika Leong]

Malcolm - Demoman (TF2) [VA - Gary Schwartz] or Groundskeeper Willie (Simpsons) [VA - Dan Castellaneta]

Damon - Vulture (Spectacular Spider Man) [VA - Robert Englund]

Chief Azrael - King Andrias (Amphibia) [VA - Keith David]

Geo - Collin (Helluva Boss) [VA - Jayden Libran]

Alicia - Harley Quinn (DC) [VA - Hynden Walch]

Bunitty - Nifty (Hazbin Hotel) [VA - Kimiko Glenn]

Claude - Honest John (Pinocchio - 2022) [VA - Keegan Michael Key]

Krimson - Emperor Belos (Owl House) [VA - Matthew Rhys]

Radley - Morty (Rick and Morty) [VA - Justin Rolland/Harry Balden]

Maria - Nasira (Disney's Aladdin in Nasira's Revenge)

[magpiepills]

Season 2 Javi

Mario

Gregor

Wings Daniel

Claude

Inigo Montoya

Edmund

Ben Schwartz Interview

[mariacallous]

Earlier this week, WIRED published a story about the AI-powered search startup Perplexity, which Forbes has accused of plagiarism. In it, my colleague Dhruv Mehrotra and I reported that the company was surreptitiously scraping, using crawlers to visit and download parts of websites from which developers had tried to block it, in violation of its own publicly stated policy of honoring the Robots Exclusion Protocol.

Our findings, as well as those of the developer Robb Knight, identified a specific IP address almost certainly linked to Perplexity and not listed in its public IP range, which we observed scraping test sites in apparent response to prompts given to the company’s public-facing chatbot. According to server logs, that same IP visited properties belonging to Condé Nast, the media company that owns WIRED, at least 822 times in the past three months—likely a significant undercount, because the company retains only a small portion of its records.

We also reported that the chatbot was bullshitting, in the technical sense. In one experiment, it generated text about a girl following a trail of mushrooms when asked to summarize the content of a website that its agent did not, according to server logs, attempt to access.

Perplexity and its CEO, Aravind Srinivas, did not substantively dispute the specifics of WIRED’s reporting. “The questions from WIRED reflect a deep and fundamental misunderstanding of how Perplexity and the Internet work,” Srinivas said in a statement. Backed by Jeff Bezos’ family office and by Nvidia, among others, Perplexity has said it is worth a billion dollars based on its most recent fundraising round, and The Information reported last month that it was in talks for a new round that would value it at $3 billion. (Bezos did not reply to an email; Nvidia declined to comment.)

After we published the story, I prompted three leading chatbots to tell me about the story. OpenAI’s ChatGPT and Anthropic’s Claude generated text offering hypotheses about the story’s subject but noted that they had no access to the article. The Perplexity chatbot produced a six-paragraph, 287-word text closely summarizing the conclusions of the story and the evidence used to reach them. (According to WIRED's server logs, the same bot observed in our and Knight’s findings, which is almost certainly linked to Perplexity but is not in its publicly listed IP range, attempted to access the article the day it was published, but was met with a 404 response. The company doesn't retain all its traffic logs, so this is not necessarily a complete picture of the bot's activity, or that of other Perplexity agents.) The original story is linked at the top of the generated text, and a small gray circle links out to the original following each of the last five paragraphs. The last third of the fifth paragraph exactly reproduces a sentence from the original: “Instead, it invented a story about a young girl named Amelia who follows a trail of glowing mushrooms in a magical forest called Whisper Woods.”

This struck me and my colleagues as plagiarism. It certainly appears to satisfy the criteria set out by Poynter Institute—including, perhaps most stringently, the seven-to-10 word test, which proposes that it’s “hard to incidentally replicate seven consecutive words that appear in another author’s work.” (Kelly McBride, a Poynter SVP who has described this test as being useful in identifying plagiarism, did not reply to an email.)

“If one of my students turned in a story like this, I would take them before the academic dishonesty committee for plagiarism,” said John Schwartz, professor of practice at the University of Texas at Austin’s journalism school, after reading the original story and the summary. “I find this just too close. When I was reading the Perplexity version, I just thought, there’s an echo in here.”

Perplexity and Srinivas, the company’s CEO, did not respond to a detailed request for comment in which they were presented with the criticisms experts made of the company for this story.

Bill Grueskin, professor of professional practice at Columbia Journalism School, wrote in an email that the summary looked to be “pretty much ok” for a chatbot identified as such, but that it was hard to say because he hadn’t had time to read the original WIRED story. “Quoting a sentence verbatim without quote marks is bad, of course,” he wrote. “I'd be pretty mortified if a news org ran an AI summary like this without disclosing the source—or worse, pretending it came from a human.” (Perplexity, of course, isn’t claiming this material came from a human.)

Perhaps luckily for Perplexity and its backers, this is a literal academic debate. Plagiarism is a concept pertaining to professional ethics, important in contexts like journalism and academia where being able to identify the source of information is of fundamental importance but of no legal significance in itself. If a rival studio releases a film containing a reasonable chunk of footage from Inside Out 2, Disney would sue not for plagiarism but for copyright infringement; similarly, a letter Forbes reportedly sent Perplexity threatening legal action is said to mention “willful infringement” of Forbes’ copyrights. Here, legal experts say, Perplexity is on somewhat safer ground—probably.

“In terms of the copyright, this is a tough call,” says James Grimmelmann, professor of digital and information law at Cornell University. On one hand, he argues, the summary is reporting facts, which cannot be copyrighted; but on the other, it does partially duplicate the original and summarize the details found in it. “It’s not a slam dunk copyright case, but it’s not trivial, either. It’s not frivolous.”

Grimmelmann sees a host of potential issues for Perplexity, among them consumer protection, unfair advertising, or deceptive trade practices claims he believes could be made against a company that says it respects the Robots Exclusion Protocol but doesn’t follow it. (The standard is voluntary but widely adhered to.) He also thinks it could be vulnerable to a claim of misappropriation of hot news, in which a publisher argues that a competitor summarizing its material before it’s had a chance to commercially benefit from it, or in a way that undermines its value to paying subscribers, is infringing on its copyright. Perplexity’s evident ability to circumvent paywalls “is a bad fact for them,” he says, as is the fact that its system is automated.

Grimmelmann also says that Perplexity may be forfeiting the protection of Section 230 of the Communications Decency Act. This is the law that, among other things, protects search engines like Google from liability for defamation when they link to defamatory content because they are services passing on information from other content providers; as he sees it, Perplexity is similarly shielded as long as it accurately summarizes material. (Whether AI-generated material enjoys 230 protection at all is a matter of debate.)

“They’d only get in trouble if they summarized the story incorrectly and made it defamatory when it wasn’t before. That’s something that they actually would be at legal risk for, especially if they don’t credit the original source clearly enough and people can’t easily go to that source to check,” he says. “If Perplexity’s edits are what make the story defamatory, 230 doesn’t cover that, under a bunch of case law interpreting it.”

In one case WIRED observed, Perplexity’s chatbot did falsely claim, albeit while prominently linking to the original source, that WIRED had reported that a specific police officer in California had committed a crime. (“We have been very upfront that answers will not be accurate 100% of the time and may hallucinate,” Srinivas said in response to questions for the story we ran earlier this week, “but a core aspect of our mission is to continue improving on accuracy and the user experience.”)

“If you want to be formal,” says Grimmelmann, “I think this is a set of claims that would get past a motion to dismiss on a bunch of theories. Not saying it will win in the end, but if the facts bear out what Forbes and WIRED, the police officer—a bunch of possible plaintiffs—allege, they are the kinds of things that, if proven and other facts were bad for Perplexity, could lead to liability.”

Not all experts agree with Grimmelmann. Pam Samuelson, professor of law and information at UC Berkeley, writes in an email that copyright infringement is “about use of another’s expression in a way that undercuts the author’s ability to get appropriate remuneration for the value of the unauthorized use. One sentence verbatim is probably not infringement.”

Bhamati Viswanathan, a faculty fellow at New England Law, says she’s skeptical the summary passes a threshold of substantial similarity usually necessary for a successful infringement claim, though she doesn’t think that’s the end of the matter. “It certainly should not pass the sniff test,” she wrote in an email. “I would argue that it should be enough to get your case past the motion to dismiss threshold—particularly given all the signs you had of actual stuff being copied.”

In all, though, she argues that focusing on the narrow technical merits of such claims may not be the right way to think about things, as tech companies can adjust their practices to honor the letter of dated copyright laws while still grossly violating their purpose. She believes an entirely new legal framework may be necessary to correct for market distortions and promote the underlying aims of US intellectual property law, among them to allow people to financially benefit from original creative work like journalism so that they’ll be incentivized to produce it—with, in theory, benefits to society.

“There are, in my opinion, strong arguments to support the intuition that generative AI is predicated upon large scale copyright infringement,” she writes. “The opening ante question is, where do we go from there? And the greater question in the long run is, how do we ensure that creators and creative economies survive? Ironically, AI is teaching us that creativity is more valuable and in demand than ever. But even as we recognize this, we see the potential for undermining, and ultimately eviscerating, the ecosystems that enable creators to make a living from their work. That’s the conundrum we need to solve—not eventually, but now.”

[roleplayfinder]

I am over the age of 18. I am seeking other roleplay that are over 18 year old as well.

MxM roleplay. No feminine clothing or features. No furry

oc and characters will be over 18 years old.

No group roleplay or group chat.

The character listed below i can roleplay as.

Tear of the kingdom

Link

Tauro

Metal gear Solid

Solid Snake

7sin

Bann

Final fantasy

Tidus

Cloud Strife

Zack fair

Spy x Family

Loid Forger

Full metal Alchemist

Roy Mustang

Aot

Eren yeager season 4 appearance

Reiner Braun

Demon Slayer

Uzui Tengen

Jujutsu kaisen

Toji Fushiguro

Satoru Gojo

Fire Emblem

Male Byleth

Ike

Ryoma Sakamoto

Full Service

Kovit Chaiyarit

Rald Schwartz

Dc

Red Hood

Marvel

Miguel O'Hara

Fate

Arash

Achilles

Caster Gilgamesh

Napoleon

Beowulf

Emiya Archer

Persona

Akihiko Sanada

Ren Amamiya

Ryuji Sakamoto

Yu Narukami

Pokemon

Spark

Brawly

Shin Megumi Tensei

Jeng Yun Tsai

Code vain

Louis

Yakumo

Kingdom hearts 3

Riku

Voltron

Takahashi Shirogane

Genshin Impact

Alhaitham

Wriothesley

Childe

Resident evil

Chris Redfield RE5 appearance

Leon Kennedy Re4 remake appearance

Carlos Re3 remake appearance

I am seeking someone to roleplay as the character listed below here. with my male oc only.

Touken ranbu

A Uchigatana Touken

DC

Nightwing

Marvel

Captain America

DBZ

Son Goku

Goku Black

Adult Trunks

Below here are fandom ship that i want to roleplay.

Kingdom heart

Riku x Sora

Fire emblem three houses

Dimitri, Claude or Sylvain with Male Byleth

Chrom x Male Robin

Jinx

Joo jaekyung x kim dan

Resident evil

Chris Redfield x Leon Kennedy

Attack on titan

Eren yeager x Levi Ackerman

Persona 3

Minato Arisato x Akihiko Sanada

Smash bro

Ike, Little Mac, Link, Chris Redfield, x Solid snake

basic plot for male oc x male oc

Police pull over

Doctor

New Neighbors x bored Husband

Teacher x college students

Coach x jock

Father best friend

Best friend father

Plumber

Gardener

Carpenter

Pool Cleaner

Hitchhiker

Summon demon x bored husband

.

[brookstonalmanac]

Birthdays 11.14

Beer Birthdays

Philip Kling (1818)

John H. Stahl (1825)

Gary Sink (1962)

Five Favorite Birthdays

Louise Brooks; actor (1906)

Aaron Copland; composer (1900)

Claude Monet; French artist (1840)

McLean Stevenson; actor (1929)

D.B. Sweeney; actor (1961)

Famous Birthdays

Leo Hendrik Baekeland; chemist, inventor of Bakelite (1863)

Sandahl Bergman; actor (1951)

Stephen Bishop; rock singer (1951)

Boutros Boutros-Ghali; UN secretary-general (1922)

Wendy Carlos; composer, keyboardist (1939)

Prince Charles; British royalty (1948)

Josh Duhamel; actor (1972)

Robert Fulton; inventor (1765)

Fred Haise; astronaut (1933)

Robert Ginty; actor (1948)

Brian Keith; actor (1921)

Veronica Lake; actor (1922)

Charles Lyell; British geologist (1797)

Joseph McCarthy; politician, commie hunter (1908)

Jawaharlal Nehru; Indian politician (1889)

P.J. O'Rourke; writer (1947)

Dick Powell; actor (1904)

Condoleezza Rice; politician (1954)

Run (a.k.a. Joseph Simmons); hip-hop singer (1964)

Laura San Giacomo; actor (1962)

Sherwood Schwartz; television producer (1916)

William Steig; illustrator, writer (1907)

Patrick Warburton; actor (1965)

Yanni; Greek new age musician (1954)

James Young; rock guitarist (1949)

Buckwheat Zydeco; zydeco accordionist (1947)

[vmonteiro23a]

ONCE IN ’79: Metal Boys - "Sweet Marylin"

ONCE IN ’79: Metal Boys – “Sweet Marylin” “July 10, 1979 THE METAL BOYS are actually the latest anglicized version of French band Metal Urbain, who have had three previous releases on Rough Trade Records. The group got together in April of ’77 and are Claude Panik on vocals, Eric Debris on synths, Nancy Luger and Herman Schwartz on guitar. The new 45 is “Sweet Marylin” and “Fugue For A…

[jules-has-notes]

A Cappella at the Rock (Newtown, PA) — VoicePlay live performances

The annual pop a cappella festival at Council Rock High School North consists of a day of workshops and master classes, followed by an evening competition, then a concert from a professional group that includes a special group number with all the students. In 2017, the featured professionals were VoicePlay (with Erik Winger as their substitute baritone). This event was the middle of a whirlwind weekend for the guys, but they always enjoy doing educational outreach.

NOTE: The video quality for most of these recordings isn't great because the audience member was trying to be discreet and respectful of their neighbors. The audio is okay, though.

.

This clip is missing the very beginning of the song and a view of the guys, but you can definitely hear them.

Details:

title: Ride

original performers: Twenty One Pilots

written by: Tyler Joseph

arranged by: Geoff Castellucci

performance date: 1 April 2017

My favorite bits:

Eli, Earl, and Winger pulling off that fast harmonized patter live

that rapid-fire percussion Layne does behind ♫ "bullets coming through" ♫

Geoff wandering into the basement on ♫ "I'm falling sooooo" ♫

the gradual layering in the bridge

Eli's big old belts in the last section

Trivia:

This arrangement was originally the third video in their PartWork series, with just Eli, Geoff, and Layne covering all five parts.

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The videographer managed to get a view of the stage in this one, albeit upside-down. The guys still sound as fantastic as always.

Details:

title: Aca Top 10 – Broadway

original songs: [0:07] "Everyone's A Little Bit Racist" from Avenue Q; [0:35] "Sherry" from Jersey Boys; [0:50] "Belle" from Beauty and the Beast; [1:14] "Seasons of Love" from Rent; [1:33] "Master of the House" from Les Miserables; [1:50] "All That Jazz" from Chicago; [2:11] "He Lives In You" from The Lion King; [2:28] "Popular" from Wicked; [2:50] gentle mockery of Spider-Man: Turn Off the Dark; [2:53] "Phantom of the Opera" from Phantom of the Opera; [3:18] "Hello!" from The Book of Mormon

written by: "Everyone's A Little Bit Racist" by Robert Lopez & Jeff Marx; "Sherry" by Bob Gaudio; "Belle" by Alan Menken, Howard Ashman, & Tim Rice; "Seasons of Love" by Jonathan Larson; "Master of the House" by Claude-Michel Schönberg, Alain Boublil, & Jean-Marc Natel; "All That Jazz" by John Kander & Fred Ebb; "He Lives In You" by Lebohang "Lebo M" Morake, Mark Mancina, & Jay Rifkin; "Popular" by Stephen Schwartz; "Phantom of the Opera" by Andrew Lloyd Webber, Charles Hart, Richard Stilgoe, & Mike Batt; "Hello!" by Trey Parker, Matt Stone, & Robert Lopez

arranged by: Layne Stein & Geoff Castellucci

performance date: 1 April 2017

My favorite bits:

Layne's fun scampering percussion run at the end of Avenue Q

Winger and Eli doing their villager voices in "Belle"

the rising crescendo in "Seasons of Love"

the Spider-Man gag

Geoff's growled drop in "Phantom"

that big final ♫ "Hellooooo!" ♫

Trivia:

The guys recorded their video for this medley in September 2014, and performed it on the 2015 Sing-Off tour the following spring.

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Although the view is peeking between other audience members, you can still see a bit of the guys' antics during this romp through nonsense lyrics and phonations.

Details:

title: A Crimpella

original songs / performers: [0:55] "Walk the Dinosaur" by Was (Not Was); [1:11] "Witch Doctor" by Alvin & the Chipmunks; [1:19] "Chitty Chitty Bang Bang" from Chitty Chitty Bang Bang; [1:23] "We Go Together" from Grease!; [1:30] “Motownphilly” by Boyz II Men; [1:38] "Imma Be" by the Black Eyed Peas; [1:46] "Tutti Frutti" by Little Richard; [1:49] "Shoop" by Salt N Pepa; [1:53] "Jock-A-Mo" (aka "Iko Iko") by James "Sugar Boy" Crawford; [2:03] "Mahna Mahna" from The Muppet Show; [2:14] "Lovin, Touchin, Squeezin" by Journey; [2:38] "Goofy Goober Rock" from The SpongeBob SquarePants Movie; [2:41] "MMMBop" by Hanson; [2:53] "Hooked on a Feeling" by Blue Swede; [2:57] "Bawitdaba" by Kid Rock; [3:02] "Breaking Up Is Hard to Do" by Neil Sedaka; [3:10] "Bohemian Rhapsody" by Queen; [3:25] "Bad Romance" by Lady Gaga; [3:30] "Can't Get You Outta My Head" by Kylie Minogue;[3:36] "Limbo La La" by James Lloyd; [3:40] "All Night Long" by Lionel Richie; [3:57] "Wanna Be Starting Something" by Michael Jackson; [4:04] "Na Na Hey Hey Kiss Him Goodbye" by Steam

arranged by: VoicePlay

performance date: 1 April 2017

My favorite bits:

Geoff's extensive list of social media accounts before they start singing (and whoever clucks)

Eli getting launched into the air

the audience joining in with Winger before the rest of the guys return to their mics

using the final ♫ "Good-byyyyye" ♫ as their exit line

Trivia:

This medley was one of the earliest videos on their YouTube channel, and a staple of their live shows for many years.

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For the final number of the night, the guys were joined on stage by the student groups to create an ocean of sound. (And this videographer was much less shy about capturing it for posterity.)

Details:

title: Don't Stop Believin'

original songs / performers: "Don't Stop Believin'"; [2:36] "Open Arms"; and [2:45] "Any Way You Want It" by Journey; [2:29] "Oh Sherrie" by Steve Perry

written by: all songs written by Steve Perry in collaboration – "Don't Stop Believin'" with Jonathan Cain & Neal Schon; "Oh Sherrie" with Randy Goodrum, Craig Krampf, & Bill Cuomo; "Open Arms" with Jonathan Cain; "Any Way You Want It" with Neal Schon

arranged by: Layne Stein & Geoff Castellucci

performance date: 1 April 2017

My favorite bits:

all the kids dancing and connecting with each other

the guys turning around and dropping out during "on and on" to let the chorus shine

Earl's opt-up at the end of ♫ "searching" ♫

the layering of the polyphony section

Trivia:

This song has been part of their catalog since their 4:2:Five days. The earliest concert performance I've found is from a 2009 benefit concert at the University of Rochester.

They finally recorded a video for it when they were the featured artists at Camp A Cappella 2016.

This video was originally posted to Facebook by one of the parents of a student at Neshaminy High School in Langhorne, PA.

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Additional photos

pre-show naps // post-show smiles (except grumpy Layne)

[jerryantiques]

Antiques & Collectibles Art Jewellery Dolls Fashion Pottery Glass: Tue, January Seventeenth

Looking to spend a leisurely day outdoors, whereas checking out outstanding antiques? The Utica Antiques Market offers it all- from primitives to quality furniture, jewellery to books, pottery to glassware, you need nj estate sales to have the power to discover your coronary heart's desire as you browse the market. Located on the Knights of Columbus Grounds, on 21 Mile Rd, 1 mile east of Van Dyke, the Utica Antiques Market is fast and simple to search out.

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[eventseeker789]

The Hunchback Of Notre Dame Musical

"The Hunchback of Notre Dame" is a musical adaptation of Victor Hugo's classic novel of the same name, with music by Alan Menken, lyrics by Stephen Schwartz, and book by Peter Parnell. The story follows Quasimodo, a hunchbacked bell-ringer of Notre Dame Cathedral in 15th-century Paris, who longs to venture beyond the confines of his bell tower. He becomes infatuated with the beautiful gypsy dancer Esmeralda, and their fates become intertwined with that of the cruel Archdeacon Claude Frollo and the valiant Captain Phoebus. As Quasimodo navigates love, loyalty, and prejudice, the musical explores themes of acceptance, forgiveness, and the human condition. With a rich score blending choral arrangements, operatic elements, and stirring ballads, "The Hunchback of Notre Dame" delivers a powerful and emotionally resonant theatrical experience.