#classic seats

[gsmperformance]

💼 New Product Spec Launch – Introducing the Mirco Classic S Retro Edition Bucket Seat for those who appreciate a blend of retro design and modern comfort with a stylish fibreglass shell. Perfect for classic cars or retro-inspired builds, this seat brings vintage charm with the support and quality you expect from Mirco. 🏁

Explore the full specs and add a touch of elegance to your classic car interior: https://www.sportseats4u.co.uk/product/mirco-classic-s-retro-edition-bucket-seat/

AutomotiveInterior #ClassicCarSeats #MircoClassic #ProductLaunch #SportsSeats4U #RetroEdition

[jennifers-worlds]

[katabay]

(cage the elephant voice) money don't grow on trees, I got bills to pay, etc etc etc

ngl this month has been Rough™: for whatever reason, I've been going back to Thief for something familiar. which is. well. it's definitely not the same as relaxing, I have never felt relaxed playing the original Thief games lmao but it is familiar! I wrote an outline for a longer fan comic set after Deadly Shadows using themes/etc I enjoyed from the 2014 reboot but I got sidetracked reading up on the gnarlier politics involved in the Industrial Revolution. so. we'll see what happens with that!

[neeetr]

blinkie dump

some internet goodness to start your day. you can find all the blinkies ive ever made here. heavenly + belle and sebastian blinkies are just startoffs for my friend @edienotsedgwick over at twee.net, if you have an interest in the twee pop music subculture of the 1980s-2000s, would recommend checking out the work they do over there! very lovely little site. lots of love from me :)

[devilsrains]

led zeppelin circa 1970s. (via zepplike on ig)

[artthatgivesmefeelings]

Gustav Klimt (Austrian, 1862-1918) Seated Young Girl, 1894

[aroaceleovaldez]

Your blog is the only blog where I feel safe enough asking this question. What do you think of Percy Jackson fans who feel as though they and the series have a moral superiority to Harty Potter ? Obviously, Harry Potter and its author are laden with questionable and sometimes straight-up hateful takes and views. But the way PJO fans constantly compare the two, its authors (even though RR is far from flawless), and the two MCs (ignoring how the two both share similarities in the fact that they are both traumatised, abused, angry teenage boys). I'm sorry that this ask got so long, but this has been annoying me for a while now.

This is an interesting question - for one, fandom fights over superiority is a concept that has been around for ages and has never been constructive. PJO and HP fandoms have been fighting in that exact way (and it has gone both ways!) for literal decades (remember, PJO turns 20 this year) so this isn't new, it's just taken on a moral flavor. Let's go over some things though (but please keep in mind i never got into HP and never read the books or fully watched the movies so my knowledge of HP is primarily pop culture absorption/secondhand from my family and friends):

Are either series perfect? No. HP absolutely is full of hateful sentiments and JKR is a hateful person and I do not respect her for that. Disney's marketing recently has absolutely fully leaned into trying to put Rick above her as a moral paragon and emphasizing how progressive he is and his support of diversity in middle grade series, despite some failings to reflect that in the actual text. Are Rick and JKR equally bad? Definitely not. Rick has had tangible good influence on adhd/dyslexia awareness that very directly impacted people like me as a neurodivergent kid going through school in the 2000s. JKR meanwhile has directly negatively impacted trans laws internationally very recently.

Rick absolutely isn't perfect, but he's vocally supportive, has made a lot of effort in the past to be inclusive, and still attempts to do so. Most of his issues simply stem from his own unaddressed internalized bigotry/biases and his research on varying topics not being great (plus poor management decisions such as not hiring a sensitivity reader actually fit for the story he's trying to tell). But he's not hateful. JKR is. JKR is very vocally hateful and bigoted and this is absolutely reflected in her work as well even in earlier HP. They are comparable in that they are both middle grade authors of easily two of the most popular middle grade fantasy (or specifically hidden world fantasy) series out right now. They are not equivalent in the slightest in their bigotry or tangible damage.

In terms of Percy versus Harry, I personally don't think they're very comparable. They share some similarities, but mostly just in that they're both the protagonists of their stories and thus serve protagonist purposes. Beyond that their use within the narrative is pretty different functionally. Their worlds' magic systems are not comparable. The hidden world aspect in both their universes isn't even comparable, since in PJO the "hidden world" aspect is very different from most hidden world fantasy formats because the entire point is that it's functionally not a hidden world. The characters themselves are very different as well - Percy's personality and the way he behaves and reacts to his environment is absolutely nothing like Harry's.

Most of the anti-HP-in-general sentiments stem from wanting to cut off JKR's notoriety, which I think is valid to want to do. And I do think there are a lot of issues with continuing to support JKR's work especially in ways that functionally promote her work or support her financially. Obviously, we will never be able to scrub HP from the cultural zeitgeist. It's just not feasible and I'm very anti-book burning so I do think it's important to acknowledge the role HP has had in pop-culture alongside acknowledging its harmful materials. HP is a text you absolutely can't death-of-the-author your way out of because a lot of the vitriol is baked into the text and worldbuilding in very overt ways - and there are plenty of other pop-culture staple novels like this. But fandom in general, at least true fandom and not mainstream fandom, is so obscure most of the time that I don't think, so long as people are not ignoring negative themes of the source material and are being thoughtful as they navigate engaging with it, that it is an inherently bad thing for HP fandom to just exist at all. It's never going to just stop existing no matter what people do. And HP fandom are not the only ones who should be thoughtful about how they engage with their source material - PJO fandom is not exempt from examining some of the problematic aspects in our own text and figuring out how to be respectful with those topics. It's just a lot easier for PJO fandom to tune it out without it being noticed because there's less of it and it's (at least sometimes) less overt. Honestly if HP fandom decided to go more down the path of a fandom like Warriors or Miraculous Ladybug, where the average sentiment is more along the lines of "Oh god no don't read/watch the source material it sucks/we stopped paying attention to it year ago and it's not relevant at all to what we're up to. We're over here functionally rewriting everything from the ground up/doing our own thing" I would very much support them in that endeavor. I do think there is merit in limiting promotion of the HP source material as much as possible, though.

Hopefully that all makes at least some amount of sense.

[boschintegral-photo]

Seat 600 L Especial Port Vell, Barchelona, Spain

[coolthingsguyslike]

[theengineerspost]

Porsche Cars

[classically-tragic]

Dostoevsky has me spider climbing the walls and chewing electrical cords rn

[gsmperformance]

A look back at our customer's Datsun fitted with Cobra GT3 seats. Due to their popularity, we keep these in stock for immediate collection/dispatch!

Cobra GT3 Seats: https://www.sportseats4u.co.uk/product/2-cobra-gt3-historic-bucket-seats/

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[jennifers-worlds]

Feel free to direct message, if you interested In hookup 😌

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[toyastales]

A colorful and cozy style

[commander0fmyheart]

i think one of my favorite things about earn and lada is that when they were trying to use engfa & ratee to make each other jealous they would look RIGHT INTO EACH OTHERS EYES instead of looking at the person they were supposed to be talking to. Like lada invited ratee to lunch but she was looking at EARN THE ENTIRE TIME SHE WAS TALKING WITH RATEE.

Someone passing by probably thought lada WAS inviting earn to lunch with how intensely she was looking at her while talking with ratee.

[galleryofart]

Ask Me No More

Artist: Lawrence Alma-Tadema (British, 1836–1912)

Date: 1906

Medium: Oil on canvas

Collection: Property of a European collector

Ask Me No More

'Ask me no more: thy fate and mine are seal'd: I strove against the stream and all in vain: Let the great river take me to the main: No more, dear love, for at a touch I yield.' Alfred, Lord Tennyson, The Princess.

'Ask me no more', which takes its title from a poem by the Poet Laureate Alfred Lord Tennyson, is a quintessential Alma-Tadema subject. In fact he treated it so often that it is probably the one with which he is most closely associated: a pair of lovers seated on a marble bench overlooking the Mediterranean Sea. The sun always shines in these pictures, although it never seems oppressively hot; and the lovers are invariably shown in a state of emotional anticipation rather than succumbing to passion itself. As Vern Swanson, the leading authority on Alma-Tadema, states in his catalogue raisonné of the artist's paintings, love-making is shown not 'at the point of climax, but rather earlier, when the tension is mounting.

A trademark feature of the painting is the marble bench. Alma-Tadema had made a specialty of painting marble since the late 1850s, and it had become one of his most celebrated accomplishments, endlessly commented on in reviews and even joked about in Punch. Dutch artists had always excelled at still-life, and Alma-Tadema's marble-painting is in this tradition. The same skill emerges in the way he handles flowers, as 'Ask me no more' also demonstrates. But the exquisitely rendered bunch of anemones does more than testify to the painter's virtuoso technique. Evidently a tribute from the youth to his sweetheart, it adds a touch of poignancy to the narrative. It is also a vital compositional element, placing an accent precisely where it is needed, and it provides a focal point for the colour scheme, a subtle interplay of blues, mauves and creams balanced against the pale aquamarine of the girl's dress.

This chromatic harmony is enhanced by the pearly light that pervades the scene, coming from behind the figures to create a contre-jour effect and cast delicate shadows onto the marble pavement. In 1884 Alma-Tadema had taken over 17 Grove End Road, St John's Wood, a house previously occupied by the French artist James Tissot who had fled back to Paris on the death of his muse and mistress, Kathleen Newton. He proceeded to remodel it extensively, furnishing it in a variety of exotic styles and generally turning it into one of the sights of London. Among its many notable features was the apsidal end of the artist's studio, which he had lined with aluminum to create the diffused and silvery light so typical of his later works. 'Ask me no more' is a classic example.

The picture is almost the last in which Alma-Tadema painted his ever-popular theme of a young couple suffering the palpitations of romance, although a watercolour version, entitled Youth, followed in 1908. 'Ask me no more' was the only picture he showed at the R.A. in 1906. He had seldom contributed more than three examples, and one became more or less the norm during his final years.