#classic seats

[gsmperformance]

💼 New Product Spec Launch – Introducing the Mirco Classic S Retro Edition Bucket Seat for those who appreciate a blend of retro design and modern comfort with a stylish fibreglass shell. Perfect for classic cars or retro-inspired builds, this seat brings vintage charm with the support and quality you expect from Mirco. 🏁

Explore the full specs and add a touch of elegance to your classic car interior: https://www.sportseats4u.co.uk/product/mirco-classic-s-retro-edition-bucket-seat/

AutomotiveInterior #ClassicCarSeats #MircoClassic #ProductLaunch #SportsSeats4U #RetroEdition

[jennifers-worlds]

[neeetr]

blinkie dump

some internet goodness to start your day. you can find all the blinkies ive ever made here. heavenly + belle and sebastian blinkies are just startoffs for my friend @edienotsedgwick over at twee.net, if you have an interest in the twee pop music subculture of the 1980s-2000s, would recommend checking out the work they do over there! very lovely little site. lots of love from me :)

[devilsrains]

led zeppelin circa 1970s. (via zepplike on ig)

[artthatgivesmefeelings]

Gustav Klimt (Austrian, 1862-1918) Seated Young Girl, 1894

[coolthingsguyslike]

[classically-tragic]

Dostoevsky has me spider climbing the walls and chewing electrical cords rn

[toyastales]

A colorful and cozy style

[commander0fmyheart]

i think one of my favorite things about earn and lada is that when they were trying to use engfa & ratee to make each other jealous they would look RIGHT INTO EACH OTHERS EYES instead of looking at the person they were supposed to be talking to. Like lada invited ratee to lunch but she was looking at EARN THE ENTIRE TIME SHE WAS TALKING WITH RATEE.

Someone passing by probably thought lada WAS inviting earn to lunch with how intensely she was looking at her while talking with ratee.

[flatoutin-eaurouge]

Mika chauffeuring Ron Dennis, 1993

[dairyfreenugget]

(Alt text under read more)

I think "one or more of them is in danger or almost fucking dies, in the process discovering their child's impurity, and then after a lot of emotional turmoil they just pass the fuck out the second they're safe and calm again thanks to the awful, exhausting day they've had" is a scenario I write weirdly often for this messy as hell family

Anyway. Family cuddles. My babygirl is exhausted and deserves to be held for once

ID start: A black and white doodle of the Pale King, White Lady, and Pure Vessel from Hollow Knight as humans. The three of them are covered in bruises and scratches. They're sleeping in a pile of blankets with the Pure Vessel tucked in between their parents, with only their face showing. The Pale King is hugging them with both sets of his arms, his face buried in their hair, while the White Lady lays beside them with her arm drapped over the both of them and roots coiling around them. End ID.

[gsmperformance]

A look back at our customer's Datsun fitted with Cobra GT3 seats. Due to their popularity, we keep these in stock for immediate collection/dispatch!

Cobra GT3 Seats: https://www.sportseats4u.co.uk/product/2-cobra-gt3-historic-bucket-seats/

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[jennifers-worlds]

Feel free to direct message, if you interested In hookup 😌

Daddy’s girl is right here to make you cum ❌❌

[cazzyf1]

I was reading up on racing driver and helping founder of BRM Raymond Mays. Not as wildly known as others but Raymond May was also gay. Here's an extract from a forum post by Doug Nye about Raymond that I found

And a link if you want to know more about him

[theskyisthelimit06]

these rumors of Franco allegedly dating China Suarez makes the point of some classic and modern drivers casually dating younger women look like a walk in a park.

[galleryofart]

Ask Me No More

Artist: Lawrence Alma-Tadema (British, 1836–1912)

Date: 1906

Medium: Oil on canvas

Collection: Property of a European collector

Ask Me No More

'Ask me no more: thy fate and mine are seal'd: I strove against the stream and all in vain: Let the great river take me to the main: No more, dear love, for at a touch I yield.' Alfred, Lord Tennyson, The Princess.

'Ask me no more', which takes its title from a poem by the Poet Laureate, Alfred, Lord Tennyson, is a quintessential Alma-Tadema subject. In fact he treated it so often that it is probably the one with which he is most closely associated: a pair of lovers seated on a marble bench overlooking the Mediterranean Sea. The sun always shines in these pictures, although it never seems oppressively hot; and the lovers are invariably shown in a state of emotional anticipation rather than succumbing to passion itself. As Vern Swanson, the leading authority on Alma-Tadema, states in his catalogue raisonné of the artist's paintings, love-making is shown not 'at the point of climax, but rather earlier, when the tension is mounting.

A trademark feature of the painting is the marble bench. Alma-Tadema had made a specialty of painting marble since the late 1850s, and it had become one of his most celebrated accomplishments, endlessly commented on in reviews and even joked about in Punch. Dutch artists had always excelled at still-life, and Alma-Tadema's marble-painting is in this tradition. The same skill emerges in the way he handles flowers, as 'Ask me no more' also demonstrates. But the exquisitely rendered bunch of anemones does more than testify to the painter's virtuoso technique. Evidently a tribute from the youth to his sweetheart, it adds a touch of poignancy to the narrative. It is also a vital compositional element, placing an accent precisely where it is needed, and it provides a focal point for the colour scheme, a subtle interplay of blues, mauves and creams balanced against the pale aquamarine of the girl's dress.

This chromatic harmony is enhanced by the pearly light that pervades the scene, coming from behind the figures to create a contre-jour effect and cast delicate shadows onto the marble pavement. In 1884 Alma-Tadema had taken over 17 Grove End Road, St John's Wood, a house previously occupied by the French artist James Tissot who had fled back to Paris on the death of his muse and mistress, Kathleen Newton. He proceeded to remodel it extensively, furnishing it in a variety of exotic styles and generally turning it into one of the sights of London. Among its many notable features was the apsidal end of the artist's studio, which he had lined with aluminum to create the diffused and silvery light so typical of his later works. 'Ask me no more' is a classic example.

The picture is almost the last in which Alma-Tadema painted his ever-popular theme of a young couple suffering the palpitations of romance, although a watercolour version, entitled Youth, followed in 1908. 'Ask me no more' was the only picture he showed at the R.A. in 1906. He had seldom contributed more than three examples, and one became more or less the norm during his final years.