#clara anselmo

[topreviewin]

The median cost of a detached home in Marin features declined almost 7percent in the last 12 months, whilst total values rose in Bay region housing market. The median figure for final thirty days had been $1.65 million, down from $1.77 million in September 2022, in accordance with brand-new information introduced because of the county assessor’s workplace. But the cost ticked up from $1.51 million median for August. The Marin median continues to be really underneath the $2 million limit it smashed in April and will of just last year. The median pricing is the point where 1 / 2 the domiciles offered for lots more and 1 / 2 at a lower price. In product sales amount, the county recorded 147 discounts for detached domiciles final thirty days, in comparison to 158 the last September. In the Marin condominium and townhome marketplace, the median cost final thirty days had been $790,000, in comparison to $875,000 the prior September, based on the county information. Product sales dropped from 61 in September 2022 to 45 final thirty days. In certain areas of Marin, median costs for detached domiciles final thirty days included $3.55 million on seven product sales in Tiburon; $3.14 million on eight product sales in Larkspur; and $2.9 million on seven product sales in Mill Valley. The county published a $13.5 million median in Belvedere, however it had been according to one purchase. Other median numbers in Marin for September included $2.33 million on three product sales in Sausalito; $2.2 million on three product sales in Ross; $1.86 million on four product sales in Corte Madera; $1.7 million on four domiciles in Fairfax; $1.6 million on 49 product sales in unincorporated regions of the county; $1.52 million on 18 product sales in San Rafael; $1.46 million on 12 product sales in San Anselmo; and $1.12 million on 31 product sales in Novato. In the entire Bay region, the median cost for a detached residence final thirty days had been $1.3 million, a year-over-year boost of 6.6percent, the Ca Association of Realtors reported Wednesday. Product sales declined almost 24percent across one-year period. Santa Clara County led the nine-county area in year-over-year median cost gains final thirty days, increasing 9percent to $1.85 million, the relationship reported. The Sonoma County median rose 5.3percent, to $848,000. Napa County had the steepest decrease, dropping almost 11percent to a median of $890,000. San Francisco’s median declined 4.2percent, to $1.58 million. Higher interest levels still consider available. The U.S. once a week average for a 30-year fixed-rate home loan had been 7.63percent since Thursday, up from 7.57percent the last few days, in accordance with Freddie Mac, the federally chartered mortgage company. Last year, the typical had been 6.94percent. “As mortgage rates surge to new highs not seen in more than two decades, home sales are being tested and are likely to remain tepid for the next few months,” stated Jordan Levine, main economist for the Ca Association of Realtors. “With the Fed planning on holding rates higher for longer, the cost of borrowing will remain elevated and may not come down much in the near term. Housing affordability will continue to hinder sales activity for the rest of the year, especially in the low- and mid-price ranges.” The home loan prices, at their particular greatest amount in 23 many years, have actually frustrated some potential vendors from dealing up their particular domiciles, maintaining the offer tight. “We have an extreme lack of inventory here, and I don’t see that changing anytime soon,” stated Jim Hamilton, president for the Silicon Valley Association of Realtors and a representative with Compass in Los Gatos. Bay Region residence product sales declined 23.7percent from September 2022 to final thirty days. Nationwide, product sales of used domiciles in 2023 are anticipated hitting their particular least expensive amount since 2011, as soon as the U.S. had been coping with the 2007 housing industry crash.

Properties are not sitting long-on industry: the typical Bay region residence invested fortnight available in September, in comparison to 26 times this past year. Some potential customers just last year thought we would hold back until interest levels arrived down, but that's improbable to take place any time soon. “Some of my buyers have been waiting for rates to drop since last year, and regrettably rates have gone up since then,” stated Jen Robles, a real estate agent in san francisco bay area. Sellers, also, whine that despite costs rebounding recently, obtainedn’t had the opportunity to bring the large costs seen whenever interest levels had been reduced, stated Ana Mernik Bohra, a representative with Christie’s Overseas property Sereno in Santa Clara County. “Both the buyers and sellers feel like they’re getting the short end of the stick,” she stated. Bay Region Information Group added to the report. #Marin #nation #median #home #price #hits #million #year

[buzupontocom]

Série: Kd meu Buzu? Pernoitão Nas imagens você pode conferir algumas linhas do Sistema Pernoitão e algumas identificações do Sistema Corujão nos pontos da Lapa. (Arraste pro Lado --->) Confira as linhas do "Corujão Salvador" na reformulação do Pernoiitão em 2015. 1. Lapa x Paripe (Comércio / Calçada/ Subúrbio) 2. Lapa x Pirajá (São Caetano / Est. de Campinas / Pirajá) 3. Lapa x Faz. Grande do Retiro (Nazaré / Liberdade / Faz. Grande do Retiro / Capelinha) 4. Lapa x Ribeira (Ribeira/Massaranduba/ Vl. Rui Barbosa/Uruguai) 5. Lapa x Santa Mônica (Cidade Nova/Pau Miúdo/Caixa D´Água/Pero Vaz/IAPI/Sta. Mônica) 6. Lapa x Brotas (Daniel Lisboa/Brotas/Eng. Velho de Brotas/Cosme de Farias/Luís Anselmo/Matatu/Lad. Bandeirantes) 7. Lapa x Águas Claras (Est. Matadouro/Cajazeira 6/7/Águas Claras) 8. Lapa x 7 de Abril (Sete de Abril/Nova Brasília/Est. do Coqueiro Grande/Faz. Grande 4/3/2) 9. Lapa x Castelo Branco (Castelo Branco/Cajazeiras 8/11/ Faz. Grande 1/Boca da Mata) 10. Lapa x Pernambués/Cabula (Pernambués / Silveira Martins / Hospital Roberto Santos / Est. Barreiras / Sussuarana / Paralela / Cabula 6 / Tancredo Neves/Mata Escura/Jd. Sto. Inácio) 11. Lapa x Vale dos Lagos (Paralela/São Rafael/Vale dos Lagos/S. Marcos/Pau da Lima/Colina Azul) 12. Lapa x Centro de Convenções ( Imbui/Boca do Rio / Itapuã / Praias do Flamengo/ Pituba) 13. Lapa x Barra/Graça (Centenário / Barra / B.Avenida / Lad. da Barra / Graça) 14. Lapa x Chapada (Itaigara /Orla/ Av. Dorival Caymmi / S. Cristovão/ Mussurunga) 15. Lapa x Federação (Cardeal da Silva/ Eng.velho da Federação/Amaralina/Nordeste) #BuzuPontoCom #KdmeuBuzu #Pernoitão #Corujão #ÔnibusnaMadrugada #Salvador #Bahia (em Salvador, Bahia, Brazil) https://www.instagram.com/p/Cn7KlACrxJy/?igshid=NGJjMDIxMWI=

[wickedheadache]

Argentinian TV Shows Favorite Ships: Jorge x Clara (Esperanza Mía)

Clara, la monja, ¿de dónde la conoces? ¿A qué viene esto ahora? ¿Ella es tu ex novia? ¿Esta es la mujer que toda la vida estuvo entre nosotros? ¿Es ella?

[balburder]

[Vem comigo] Laerte, Muriel e o Minotauro

[Vem comigo] Laerte, Muriel e o Minotauro

Nessas últimas semanas saiu um artigo meu sobre alguns quadrinhos da Laerte na fase “Manual do Minotauro” e queria compartilhar com vocês aqui. (more…)

[loja-agroff]

Clique AQUI e compre agora mesmo*

*Após o pagamento, envie o comprovante para: lojaagro@farmacianafazenda.com.br

Observação: ao assinante da Loja AgroFF este livro virtual está sendo publicado na versão boletim, com consulta exclusivamente pela área de acesso do assinante.

APRESENTAÇÃO DO LIVRO VIRTUAL:

O atual cenário que passa o mercado exige das empresas um processo de gestão mais qualificado para perenizar a sua marca no mercado.

Nesse cenário, a solvência é o principal objetivo de uma empresa visando a sua sobrevivência mercadológica, segundo o Professor Anselmo Montes, autor deste e-book.

De modo específico, o mercado do varejo agropecuário, representado aqui pelas lojas agropecuárias e pet shops, apresenta um crescimento exponencial nos últimos anos, no qual se observa um crescimento do mercado agropecuário (direcionado para lojas agropecuárias) e um avanço muito forte do segmento pet, no qual as pessoas tratam cada vez mais dos seus pets, exigindo do comércio um profissionalismo para atender esta demanda.

Diante disso, a Loja AgroFF e o Prof. Anselmo Montes apresentam o livro virtual: Como montar o Capital de Giro: Lojas Agropecuárias & Pet Shops.

A obra trata da importância da profissionalização da gestão para esses segmentos do varejo, principalmente para viabilizar economicamente financeiramente o estabelecimento.

O professor Anselmo, no auge de sua experiência, nos apresenta um conteúdo prático, objetivo e dinâmico, em linguagem clara, cujo objetivo é orientar os empresários lojistas agropecuários e de pet shops, gestores e gerentes desses estabelecimentos e demais interessados quanto às bases conceituais do capital de giro, sua composição e como calculá-lo, além de vários exemplos práticos.

Esperamos que as orientações presentes neste e-book possibilitem melhorar sua gestão e suas finanças.

E não deixe de acompanhar nossas publicações: https://loja-agroff.tumblr.com/

Bons estudos e negócios, e será um prazer tê-lo como Leitor.

Prof. Alessandro Camargo, Ph.D.                                                                                                 Prof. Guilherme Augusto Vieira, MV, Ph.D.

[disneydude94]

Amphibia: Calamity War - Fancast

Here are some lists I made for each characters for fancast when you hear some voices inside of your head.

Brenda Song - Anne Boonchuy

Justin Felbinger - Sprig Plantar

Amanda Leighton - Polly Plantar

Bill Farmer - Hopadiah Plantar, Goofy, Pluto, Horace Horsecollar, and Sleepy

Anna Akana - Sasha Waybright

Haley Tju - Marcy Wu

Troy Baker - Captain Grime, Hawkeye/Clint Barton, Loki Laufyson, and Whiplash

Bret Irwin - Mickey Mouse

Kaitlyn Robrock - Minnie Mouse, Webby, Clara Cluck, Fauna, and Felicia Sundew

Tony Anselmo - Donald Duck, Huey, Dewey, and Louie

Tress MacNeille - Daisy Duck, Chip, Gadget Hackwrench, Kanga, Merryweather, Princess Tatiana (TLK), Cannonball, Felix, and Doris

Corey Burton - Dale, Yen Sid, Ludwig Von Drake, Magic Mirror, Grumpy, Mad Hatter, Captain Hook, Frollo, and Chernabog

Matt Braly - Frobo and Chuck

On Braly - Mrs. Boonchuy

Brian Sounalath - Mr. Boonchuy

Keith David - King Andrias and Dr. Facilier

Michelle Dockery - Lady Olivia

Zehra Fazal - General Yunan

Susanne Blakeslee - Maleficent, Evil Queen, Cruella De Vil, and Valeriana

Jim Cummings - Pete, Darkwing Duck, Monterey Jack, Winnie the Pooh, Tigger, King Louie, Kaa, Cheshire Cat, Ed, Don Karnage, Negaduck, Big Bad Wolf, Hondo Ohnaka, the Shocker

Dee Bradley Baker - Bessie, Perry the Platypus, Pinky the Chihuahua, Diogee, Waddles the Pig, and Tick Tock the Crocodile.

April Winchell - Clarabelle Cow, Queen of Heart, Braddock, Fens, Tuti, and Sylvia (Wander Over Yander)

Katie Michelle Crown - Ivy Sundew

Jill Bartlett - Maddie Flour

James Patrick Stuart - One-Eyed Wally and Evil Emperor Zurg

Stephen Root - Mayor Toadstool

Laila Berzins - Sadie Croaker

Brian Maillard - Leopold Loggle

Marlow Barkley - Rosemary Flour

Mia Allan - Lavender Flour

Ella Allan - Ginger Flour

Mona Marshall - Sylvia Sundew

Matt Jones - Percy

Darin De Paul - Bog

Nicole Byer - Gertie

RuPaul Charles - Head of FBI Agent

Jason Marsden - Max Goof

Bernardo De Paula - Jose Carioca

Jaime Camil - Panchito Pistoles

Enn Reitel - Scrooge McDuck

Breck Bennett - Launchpad McQuack

Paget Brewster - Della Duck

Michael Bell - Quacker Jack

Maurice LaMarche - Mortimer Mouse

Rod Roddy - Microphone Mike

Daveigh Chase - Lilo Pelekai

Chris Sanders - Stitch

Tara Strong - Angel and Mary Jane Watson

Kevin Hamilton McDonald - Pleakley and Albus Duckweed

Kevin Michael Richardson - Gantu, Groot, and Mr. Flour

Rob Paulsen - Reuben, Steelbeak, and Gladstone Gander

Christy Carlson Romano - Kim Possible

Will Friedle - Ron Stoppable

John William DiMaggio - Dr. Drakken and Stumpy

Nicole Julianne Sullivan - Shego

Vincent Martella - Phineas Flynn

David Errigo Jr. - Ferb Fletcher

Ashely Tisdale - Candace Flynn

Alyson Stone - Isabella Garcia-Shapiro

Maulik Pancholy - Baljeet Tjinder

Bobby Gaylor - Buford Van Stomm

Dan Povenmire - Heinz Doofesnhmirtz

Jeff "Swampy" Marsh - Major Monogram

Mitchell Musso - Jeremy Johnson

Kelly Hu - Stacy Hirano

Michaela Zee - Ginger Hirano

Ariel Winter - Gretchen

Madison Pettis - Adyson Sweetwater

Diamond White - Holly

Isabella Acres - Katie

Isabella Murad - Milly

Olivia Olson - Vanessa Doofenshmritz

Tyler Alexander Mann - Carl Karl

Jason Ritter - Dipper Pines

Kristen Joy Schaal - Mabel Pines, Trixie, and Bella the Bellhop

Alex Hirsch - Stanley Pines, Soos, Bill Cipher, King Clawthorne, and Hooty

J.K. Simmons - Stanford Pines

Linda Edna Cardellini - Wendy Corduroy

Eden Sher - Star Butterfly

Adam McArthur - Marco Diaz

"Weird Al" Yankovic - Milo Murphy

Sabrina Carpenter - Melissa Chase

Mekai Curtis - Zack Underwood

Chris Houghton - Cricket Green

Marieve Herington - Tilly Green

Bob Joles - Bill Greens and Sneezy

Wendi McLendon-Covey - Nancy Green

Artemis Pebdani - Alice Green

Jeff Bennett - Merlin, Lumiere, White Rabbit, March Hare, Bashful, Mr. Smee, Zazu, and Hamsterviel

Frank Welker - Oswald the Lucky Rabbit, Figaro, Abu, Rajah, Pegasus, Cri-kee, Sparky, Kixx, Spooky, Yin, Yang, Splodyhead, and Slushy

Audrey Wasilewski - Ortensia the Cat

Cary Elwes - Gus the Gremlin

Brad Garret - Eeyore

Travis Oates - Piglet

Tom Kenny - Rabbit

Aidan McGraw - Roo

Pamela Ribon - Snow White

André Sogliuzzo - Doc

Joseph Ricci - Pinocchio

Joe Ochman - Jiminy Cricket

Rosalyn Landor - Blue Fairy

Jennifer Hale - Cinderella

Grey Griffin - Fairy Godmother, Captain Marvel/Carol Danvers and Roxanne

Blayne Weaver - Peter Pan

Kate Higgins - Princess Aurora

Barbara Dirickson - Flora

Charles Fleischer - Roger Rabbit and Benny the Cab

Jodi Benson - Princess Ariel

Philip Lawrence - Sébastien

Pat Carrol - Ursula

Paige O'Hara - Belle

Robby Benson - Beast

Richard White - Gaston

Scott Weinger - Aladdin

Linda Larkin - Princess Jasmine

Dan Castellaneta - Genie and Megavolt

Johnathan Freeman - Jafar

Gilbert Gottfried - Iago

Cam Clarke - Simba

Kevin Schon - Timon and Happy

Ernie Sabella - Pumbaa

Khary Payton - Rafiki

David Oyelowo - Scar

Whoopi Goldberg - Shenzi

Cheech Marin - Banzai

Irene Bedard - Pocahontas

Tom Hanks - Woody

Tim Allen - Buzz Lightyear

Joan Cusack - Jessie

Annie Potts - Bo Peep

John Ratzenberger - Hamm and Yeti

Wallace Shawn - Rex

Pat Fraley - Mr. Potato Head

Estelle Harris - Mrs. Potato Head

Blake Clark - Slinky Dog

Jeff Pidgeon - Little Green Men

Tony Hale - Forky

Madeleine McGraw - Bonnie Anderson

Tate Donavan - Hercules

Susan Egan - Megera

James Woods - Hades

Bobcat Goldthwait - Pain and Nosey

Matt Frewer - Panic

Ming-Na Wen - Fa Mulan

Mark Mosely - Mushu

Billy Crystal - Mike Wazowski

John Goodman - James P. Sullivan and Baloo

Hayden Rolence - Nemo

Albert Brookes - Marlin

Ellen DeGeneres - Dory

Craig T. Nelson - Mr. Incredible

Holly Hunter - Elastigirl

Sarah Vowell - Violet Parr

Huck Milner - Dash Parr

Owen Wilson - Lightning McQueen

Larry the Cable Guy - Tow Mater

Anika Noni Rose - Princess Tiana and Dr. Jan

Bruno Campos - Prince Naveen

Michael-Leon Wooley - Louis

Mandy Moore - Rapunzel

Zachery Levi - Flynn Ryder

Kelly Macdonald - Merida

John C. Reilly - Wreck-It Ralph

Sarah Silverman - Vanellope VonSchweetz

Jack McBrayer - Fix-It Felix Jr., Toadie, Irving Du Bois, and Wander

Jane Lynch - Sergeant Calhoun

Idina Menzel - Elsa

Kristen Bell - Anna

Johnathan Groff - Kristoff

Josh Gad - Olaf

Scott Adsit - Baymax

Ryan Potter - Hiro Hamada

Jamie Chung - GoGo Tomago

Khary Payton - Wasabi

Genesis Rodriguez - Honey Lemon

TJ Miller - Fred Fredrickson

Kaitlyn Dias - Riley Anderson

Amy Poehlher - Joy

Phyllis Smith - Sadness

Mindy Kaling - Disgust

Lewis Black - Anger

Bill Hader - Fear

Ginnifer Goodwin - Judy Hopps

Jason Bateman - Nick Wilde

Auli'i Cravalho - Moana

Dwayne Johnson - Maui

Drake Bell - Spider-Man/Peter Parker

Dove Cameron - Spider-Gwen/Gwen Stacy

Ogie Banks - Kid Arachnid/Mile Morales/Spider-Man

Roger Craig Smith - Captain America/Steve Rogers and Sonic the Hedgehog

Mick Wingert - Iron Man /Tony Stark

Travis Willingham - Thor Odinson

Frederick Owen Tatasciore - Hulk and Soggy Joe

Laura Bailey - Black Widow/Natasha Romanoff

James C. Mathis III - Black Panther/T'Challa

Kathreen Khavari - Ms. Marvel/Kamala Khan

Jack Coleman - Doctor Strange

A.J. LoCasio - Star Lord/Peter Quill

Vanessa Marshall - Gamora

David Sobolov - Drax the Destroyer

Nolan North - Rocket Raccoon and Deadpool/Wade Wilson

Samuel L. Jackson - Nick Fury and Frozone

Clark Gregg - Phil Coulson

Matt Lanter - Venom

Liam O'Brian - Red Skull

Charlie Adler - M.O.D.O.K.

Clancy Brown - Taskmaster and Red Hulk

Anthony Daniels - C-3PO

Daisy Ridley - Rey

John Boyega - Finn

Oscar Isaac - Poe Dameron

James Arnold Taylor - Lieutenant Bek

Adam Drivers - Kylo Ren

Domhall Gleeson - General Hux

Michael Giacchino - FN-3181

Daniel Craig - First Order Stormtrooper

Jeff Leech - First Order Stormtrooper

Matt Vogel - Kermit the Frog, Floyd Pepper, Sweetums, Uncle Deadly, Camilla the Chicken, and Crumpet the Frog

Eric Jacobson - Miss Piggy, Fozzie Bear, Animal, and Sam the Eagle

Dave Goelz - Gonzo, Dr. Bunsen Honeydew, Zoot, Waldorf, and Figment

David Rudman - Scooter, Beaker, and Janice

Bill Barretta - Pepe the King Prawn, Swedish Chef, Dr. Teeth, Rowlf the Dog, and Big Mean Carl

Peter Linz - Walter and Statler

Ikue Otani - Pikachu

Sarah-Nicole Robles - Luz Noceda

Wendie Malick - Eda Clawthorne

Mae Whitman - Amity Blight

Tati Gabrielle - Willow Park

Isaac Ryan Brown - Gus Willow

Zeno Robinson - Hunter

Matthew Rhys - Emperor Belos

[art-now-argentina]

Otras Formas, Guillermo Jones

A work of project codes. The work is accompanied by a 90 mm lens diameter (Imagen digital. + lupa Ø 90 mm.) series of 5. In 60 it occurs in Argentina discussed between form and content of the works of art related to ideological factors. In the background of this work I use scans of the leaves of the minutes of 1979 declassified, published by the Ministry of Defence in 2013. Where you can see people classified as "formula 4", that rate implies "Register Marxist ideological background that make it advisable entry and / or stay in the public administration. it did not provide collaboration. be sponsored by the state. Etc. " Among the names that are in this work include: Aciar Mario Edgardo, Profesor Artes Plástica Acosta Armín Norberto, Locutor Agosti Héctor Pablo, Profesor-periodista Agüero Ydelfonso, Pintor Aguirre Margarita Sofía de Aráoz Alfaro, Escritora Aguirre Serafín José, Periodista Aisemberg Hugo Saúl, Concertista de piano Alberti Blas Manuel, Escritor-sociólogo Alcón Alfredo, Actor Aldonate Julio Alberto, Periodista Aleandro Norma, Actriz Aleandro Pedro, Actor Alezzo Agustín, Director Teatral Alfaro Emilio (Real: Vallarino Gaspar Emilio), Actor Alonso Carlos, Artista Plástico Alsina Bea Ernesto, Periodista Alterio Héctor, Actor Alvarez Diana Elena, Abogada Alvarez Joaquín, Periodista Alvarez Leandro Néstor, Profesor-Escritor-Periodista Alvarez Rubén Alberto, Profesor Bellas Artes Antiguez Arístides Alexis, Artista-Titiritero Aráoz Anzoátegui Raúl Manuel, Periodista-Poeta Ares, Julio, Periodista-Locutor Arnedo Alvarez Gerónimo, Escritor-Periodista Arrigorriaga Rodolfo Benjamín, Periodista-Escritor Asquini Pedro, Actor Astesano Eduardo Bartolo, Abogado-Escritor Ayala Gauna Velmiro Bienvenido, Profesor-Escritor-Argumentista de Cine, TV y Radio Averbach Reinaldo, Locutor-Publicista-Periodista radial Bader Oscar Ricardo, Periodista Bagú Sergio José, Periodista-Profesor Universitario Bajour Szymsia, Músico Barragán Isidro Julio, Pintor-Plástico Bayer Osvaldo Jorge, Gremialista-Periodista Benavente Saulo, Escenógrafo Berenguer Elsa, Actriz Bermúdez José, Docente-Dibujante-Artista Plástico Bernetti Jorge Luis, Periodista Berni Delisio Antonio, Pintor Bianchi Marta, Actriz Bidón Chanal Daniel Rodolfo, Artista Bidón Chanal Jorge Julio, Artista Biscione Carlos, Escultor Boero Alejandra (Real: Digiano Viera Boero Ofelia), Actriz Bonardo Augusto Domingo, Periodista-Comentarista-Locutor-Productor de TV. (Autorizado a actuar. Antes de nuevas contrataciones consultar SIP) Brandoni Luis, Actor Brindisi Rodolfo, Actor Brisky Norman, Actor Bruno Víctor, Actor Bruzzone Alberto Tito, Artista Plástico Butinof Roberto Leo, Artista de Variedades-Titiritero Cali Didio Rosario Américo, Abogado-Escritor Calvo Carlos Mauricio Andrés, Periodista Canto Alba Estela, Escritora Carella Carlos, Actor Carlen María Adela, Locutora Carlino Alfredo Vicente, Poeta-Periodista Casal Helio Marcial, Artista Plástico Castillo Abelardo Luis, Periodista Cavano Miguel Angel, Redactor-Periodista Cazes Camareco Pedro Luis, Periodista Cedrón Juan Carlos, Músico-Compositor Cidade Ramón Gumersindo, Artista Córdoba Iturburu Cayetano Policinio, Periodista-Escritor-Crítico de Arte Cortázar Julio, Escritor Cossa Roberto Mario, Escritor Teatral Crilla Hedy, Directora Teatral Cristaldo Adolfo, Redactor Cúneo Enrique Dardo, Periodista Cuzzani Agustín Antonio, Escritor-Abogado Dávalos Jaime, Guitarrista-Compositor-Poeta-Folklorista-Músico D’Atri Raúl Celso, Periodista Delgado Graciela Susana, Corresponsal Dell’Acqua Amadeo, Pintor Plástico (peruano) Di Mauro Eduardo Francisco, Artista-Educador-Titiritero Di Mauro Héctor Antonio, Titiritero Domínguez de Castro Ricardo, Periodista Dragún Osvaldo, Escritor-Dramaturgo Edelman Luis Carlos, Escritor Teatral Eichelbaum Edmundo, Periodista-Escritor Escope Enrique, Profesor de Actuación Escardó Florencio, Médico Pediatra-Profesor-Escritor Escudero María, Actriz Estévez Mildred Clara de Fernández, Cantante-Profesora de Coro Fabiján Carlos Emilio, Escultor Favio Leonardo (Real: Jury Fuad Jorge), Director de Teatro-Director de Cine-Actor-Cantante-Autor Fernández de Rosa Alberto Francisco, Actor Fernández Marcos Ovidio, Músico-Gráfico Ferrari Juan Carlos, Periodista-Autor teatral Ferraro Ariel (Real: Pereyra Escudero José Humberto), Escritor Ferrigno Oscar, Actor Fígoli Sergio Hugo, Estudiante-Actor Figueroa Francisco, Integrante de Los Trovadores Filipelli Eugenio, Actor teatral Flores Julio Argentino, Profesor de Arte Escénico Fontana Rubén, Publicista Francia Juan Manuel, Periodista Fuertes Nicanor, Periodista Fux María Ana, Profesora de Danzas Gaete Nicolás Eufracio, Titiritero Gam Martha, Actriz Gambaro Griselda, Escritora de teatro Gambini Hugo Alfredo, Escritor-periodista Gandolfo Carlos, Director de teatro García Delia Amadora de Zavalía, Actriz García Lupo Rogelio Juan Miguel, Periodista Garo Carlos (Real: Derhairabedian Carlos), Locutor-Abogado Gené Juan Carlos, Actor-Director Teatral Germany Gino, Profesor de Psicología-Periodista Getino Justo Octavio, Publicista de Cine Ghioldi Orestes Tomás, Periodista Giacosa Luis Victorio, Periodista Giberti Eva Evelina de Escardó, Psicóloga-Escritora Gilbert Isidoro, Periodista Giudice Ernesto, Periodista Goldman Luis Jaime, Escritor Gómez Alfón Antonio, Músico Gómez Eduardo Hernán, Músico Gómez Rufino, Periodista Gorostiza Carlos, Escenógrafo González Cañas Hernán Enrique, Pintor González Ernesto, Periodista González Raúl, Periodista-Escritor Gowza Juan Guillermo, Periodista Granouers Carlos César, Locutor Grassi Italo, Pintor Artístico Greco Edgardo Horacio, Periodista Guarany Horacio (Real: Rodríguez Eraclio Catalín), Cantante Folklórico Guastavino Carlos Vicente, Compositor-Pianista Gueñol Zelmar (Real: Guegnolle Zelmar José Daniel), Actor Guerghdig Bera de Pichel, Periodista Guerrieri Espartaco, Locutor-Comentarista radial Guerrieri Salvador, Actividad gremial y televisiva Guerrieri Ulises, Locutor Guevara Nacha (Real: Acosta Clotilde), Actriz-Cantante Guillén Sawz Abraham, Escritor-Periodista Gutiérrez José María, Actor Guzmán Miguel Angel, Artista Plástico Halac Ricardo, Escritor Teatral Harris Alberto Angel, Periodista Herrera Orfilio Mario Blas, Periodista Higa Juan Carlos, Periodista-Traductor Hoffman Israel, Escultor Hughes Galeano Eduardo Germán María, Periodista-Director de la Revista “CRISIS” Ibáñez Fanto Genaro, Corresponsal Inchausti Guillermo Faustino, Músico Irigoyen José Miguel, Periodista Iscaro Rubens Libertario, Periodista Isella César, Cantante-Compositor Itzcovich Marta, Comentarista Radial Jacovkis Fanny de Edelman, Profesora de Música Jitrik Noé, Actor Juane Osvaldo Amelio, Pintor Artístico Juárez Fernando Evaristo, Locutor Radial Jurcich Milenko Juan, Periodista Katz Zulema, Actriz Khun Rodolfo, Escritor Teatral-Director Cinematográfico Kogan Jaime, Actor-Director Teatral Kohon David José, Cinematografista Kordon Bernardo, Periodista Kraiselburd Daniel Norman, Periodista Labuckas Pedro Raúl, Locutor Lago Virginia, Actriz Lamaison Lidia, Actriz Laplace Víctor, Actor Laragione Raúl, Escritor Lasalle Ana María de Mayol,Escritora-Periodista Ledesma Inda (Real: Rodríguez Inda de Salazar), Actriz León María Teresa de Alberti, Escritora Levy Claude Leopold, Periodista Liberman Zelonka Jacobo, Periodista Lima Quintana Hamlet, Escritor-Poeta Lincovsky Cipe, Actriz Lipzer Luis, Agente de Publicidad Gráfico Lizarraga Andrés, Actor Lovero Onofre, Actor Lozza Elbio Raúl, Crítico de Arte-Pintor-Escritor Luciani Mario, Contador-Actor Luppi Federico, Actor Macaio Rómulo Félix, Artista Plástico Maddomri Derlis Oscar, Pintor Plástico Manauta Juan José, Profesor de Letras Marangoni Pedro Raúl, Escritor-Poeta Márbiz Julio (Real: Mahárbiz Julio Ernesto), Productor-Animador-Locutor Marcial Alejandro (Real: Navone Jorge Renée), Actor Marino Pedro, Periodista Martín Olga Nélida de Hammar, Periodista Martínez Gabriel, Locutor Martínez Miguel Angel, Pintor Artístico Martínez Tomás Eloy, Periodista-Crítico de Cine Mathe Alfredo Víctor Rafael, Periodista Mattar Beatriz, Actriz Marzio Duilio (Real: Peraucio Duilio Bruno), Actor Mayor Edgardo José, Locutor Mazzeo Francisco, Músico Mazzitelli Francisco, Músico Mazzitelli Pascual, Músico Mechetti Martínez Selear, Escultor-Dibujante-Periodista Medina Alfredo Omar, Publicista Merchensky Marcos, Periodista Midón Hugo Rodolfo, Actor Mindlin Adolfo, Escritor-Músico Mirón Vicente, Escultor Mombru María Clemencia de Escope, Poetisa-Escritora-Profesora de Arte Escénico Montemayor Rafael, Pintor Artístico Montenegro Adelmo Ramón, Periodista Montenegro José Oscar, Periodista Montero Rodolfo, Periodista Monti Ricardo José, Autor Teatral Monteverde Mario Roberto, Periodista Moreno Julio César, Cronista Radial Moyano Daniel, Periodista-Escritor Mujica Bárbara (Real: Moinelo Bárbara de Rovito), Actriz Murúa Lautaro, Actor Navarro Lider Samuel, Publicista Nervi Juan Ricardo, Poeta-Escritor-Pintor Noriega Bernardo Francisco, Músico Onzari Juan José, Músico Orgambide Pedro, Escritor Teatral Ortiz Evar Nildo, Músico Otero Jorge Evaristo, Músico Oyerzábal Nilfredo Anselmo José, Locutor Radial Padilla Haydée, Actriz Paoletti Alipio Eduardo, Periodista Paoletti Mario Argentino, Periodista Pasik Inés Beatriz, Pintora Passano Ricardo (padre), Director Teatral Pavón Villarreal Nicanor, Artista Plástico Peco José María, Periodista Peluffo, Laura Julia de Roveda, Folklorista Pelypenko Alejo, Escritor-Sacerdote Ortodoxo Ucraniano Penon Arturo José, Músico Petroni Adema, Pintora Piccione Carlos Hugo, Músico Pipino Alberto Omar, Escritor-Periodista-Dibujante Plouchouk León Daniel, Locutor Politti Luis, Actor Pondal Ríos Sixto, Escritor-Periodista-Director de Cine-Argumentista Cine Portantiero Juan Carlos, Periodista-Profesor de Filosofía y Letras de la UNBA Pugliese Osvaldo Pedro, Músico-Director de Orquesta Puiggrós Rodolfo José, Periodista-Político-Historiador Raccagni Mirta Cecilia, Pintora Ramos Jorge Abelardo, Periodista-Escritor-Historiador Rasello Omar Rubén, Director Teatral Reyna Jorge Emilio, Dibujante Publicista Rivera López Jorge (Real: Retorta Jorge José), Actor Rivero Ernesto Hugo, Corresponsal Robles Nilda Elena, Locutora Rocha José Ricardo, Periodista Rodríguez Horacio Daniel, Periodista Rodríguez Miguel Emilio, Periodista-Corresponsal Romagnoli Jorge Armando, Locutor Romero Roberto, Periodista Romeu Alberto Félix, Cantante de Coro Rosen Rosa (Real: Roseen Gregoria de Ferrari), Actriz Ross Marilina (Real: Parrondo María Celina), Actriz Rotger Gustavo Adolfo, Locutor Saavedra Juan, Bailarín Folklórico Sáenz Dalmiro, Escritor Said Samuel, Periodista Saltauskas Estanislao, Periodista Samet Jacobo, Escritor-Editor Sánchez Enrique Eduardo, Locutor Sanguinetti Ricardo, Periodista-Fotógrafo San Martín Rafael, Periodista Santángelo Simón Héctor Ambrosio, Artista-Periodista Santos Angélica Ignacia de Nanio, Profesora de Música Scalco Juan, Artista Plástico (brasilero) They also appear in the list: Schmidtt Giomar de Klachlo, Directora del Periódico “COMBATE” (P.R.T.) Schojed Raquel Luisa, Pianista Selser Gregorio, Periodista Simón Marcelo, Libretista Simonetti Enrique Marcelo (hijo), Productor Cine y TV Simpson Tomás Moro, Pintor Sinay Rubén, Periodista Sluguer Sara, Periodista Soba Susana Esther de Barroso, Escritora-Poetisa Solanas Fernando, Cineasta Soruco Barba Luis, Periodista Sosa Mercedes, Cantante Stampone Antonio Atilio Julio, Músico-Compositor Stivel David (Real: Stivelberg David), Director Teatral Suárez Edgardo, Actor-Locutor Szpunberg Alberto, Periodista Tealdi Héctor, Actor Tejada Gómez Armando, Escritor-Poeta Tesolín Nélida, Actriz de TV y Teatro Timerman Jacobo, Periodista Tirri Enrique Néstor, Escritor (ensayista) Tischkovsky Pablo (Alias: Pablo Palan o Marcelo Herrán), Periodista-Escritor Todoro Antonio, Músico Tomaselli Víctor Manuel, Periodista-Locutor Torre Eddi Julio, Profesor de Pintura y Grabado Triani Osidire, Periodista Trunpes Vladimiro Francisco, Músico Urondo Francisco, Escritor-Periodista Valencia Rómulo Oscar, Músico Valinceti Vicente Hugo, Artista Plástico Vallejos Carlos Martín, Músico Vaner María (Real: Aleandro Robledo María Josefa Angela), Actriz Varela Alfredo Martín Pedro, Escritor-Periodista Vázquez Aníbal Abelardo, Escritor-Periodista Vergara Federico Eduardo, Periodista Viguerchio Carlos Alberto, Periodista Villalba Welsh Alfredo, Periodista Villegas Juan Carlos Emilio, Periodista Viñas David, Escritor Teatral-Periodista Voldkin Isidro, Locutor-Periodista Voltaire José Cosentino, Periodista Wolcoff Brillante Aarón, Periodista Yanover Héctor, Escritor Yupanqui Atahualpa (Real: Chavero Héctor Roberto), Músico-Compositor- Cantante Folklórico Yussem Samuel, Periodista Zaldarriaga Roberto Alejandro, Periodista

https://www.saatchiart.com/art/New-Media-Otras-Formas/64423/2854804/view

[expbrasilanselmoalmeida]

DECORAÇÃO

❤ 4 DICAS PARA DECORAR APARTAMENTOS PENSADOS PARA A FAMÍLIA

Decorar o apartamento é uma tarefa desafiadora que requer alguns cuidados e investimentos, além disso, é preciso aproveitar os espaços e imprimir personalidade e características da família no ambiente. ⠀

Na hora de decorar é importante levar em conta a escolha das cores, dos móveis, a possibilidade de integrar os ambientes e até a identidade da família. ⠀

Confira abaixo quatro dicas para decorar o seu apartamento: ⠀

1 - Monte espaços integrados ⭐ Para ganhar a sensação de amplitude na casa uma das estratégias é derrubar paredes e integrar espaços. ⠀

2 - Atenção aos elementos utilizados na decoração ⭐⭐ Cores claras ajudam a dar a sensação de amplitude aos ambientes. ⠀

3 - Escolha uma identidade ⭐⭐⭐ A decoração também tem que ser compatível com a personalidade e o estilo dos moradores.

4 - Escolha dos móveis ⭐⭐⭐⭐ Hoje o que todos buscam são espaços flexíveis e móveis versáteis.

Gostou? Então COMPARTILHE com seus amigos e familiares e SALVE para consultar quando precisar. ⠀

Fonte: Digital Trix ⠀

Anselmo Almeida Corretor de Imóveis

CRECI 180628-F ⠀

👤 CONTATOS: LINK NA BIO DO INSTAGRAM 👁 @expbrasil.anselmoalmeida

#zonanortesp #santana #imirim #zonanorte #zn #znsp #guarulhos #tucuruvi #mandaqui #casaverde #tremembe #lauzanepaulista #brasleme #serradacantareira #lançamentos #sp #vilamaria #mercadoimobiliario #imoveis #minhacasaminhavida #brasil #realizadordesonhos #imovel #imovelavenda #instaimoveis #caixaeconomicafederal #caixa #cef #decor #decoracao

[whattimeisitintokyo]

Somos Familia Ch 39: It Hits the Fan

Chapter 39: It Hits the Fan

Today was the day!

Miguel's birthday!

Héctor chuckled to himself as he finished shaving and wiping off the leftover shaving cream off his face, leaving behind the little tuft of hair that was his goatee. He had often considered shaving it off completely, being too old to have such juvenile facial hair, but at this point in his life it was practically trademarked. All his official photos and even illustrations of him all had it. He was practically stuck with it.

He chuckled again, letting his mind drift over these trivial things that made him smile. Any thoughts that didn't include what this day also was. Yes, he would put items on the ofrenda for his beloved daughter, tell her how much he missed her and loved her. Even give a respectful nod to Ernesto's foto. But other than that his thoughts were only on Miguel's birthday party. All the family would be there, everyone would feast on Miguel's favorite meals, presents, games, laughter and love. If he just concentrated on that then the pain wouldn't be so bad.

He didn't sleep well last night. He never did on the days leading up to Dia de Muertos. He vaguely remembered waking up crying once last night, but he was soon lulled back to sleep by his wife's calming presence and he was fine afterwards. She didn't even say anything when he awoke the next morning, and he was thankful for that. He could pass off the dark circles under his eyes on his age, and no one besides Imelda would notice.

He stepped into his walk-in closet and pushed aside Imelda's beautiful dresses to get to his clothes. He was feeling particularly festive today and pulled out his royal purple suit jacket off the hanger. Thinking about which tie would go well with hit, he looked up and saw something gleaming in between the hanging clothes.

The golden tooth of a grinning skull.

Immediately his mood dropped as he blankly stared at the headstock of his once prized guitar. He didn't feel any pride or joy in looking at it, hadn't even played it for over nine years, but he couldn't bring himself to hate it either. Many times he had considered giving it away or, in his more depressive states, simply throw it into the dumpster where he felt it belonged.

But he never could. Because his beloved wife had given it to him on his birthday, oh so many years ago.

'Y-you… bought this for me?! I don't know what to say…'

'You don't need to say anything Héctor. Feliz Cumpleaños. Now stop saving your money for it and go buy yourself some food, tonto.'

And then she had kissed him for the first time ever. On the cheek, yes, but it had made his whole head burst into flames and his ears buzz. It was the true beginning of their relationship, and this guitar was the key. It was a precious moment in his life: a fond memory. So no, he couldn't get rid of it so easily. But it wasn't going to stay in the closet anymore either. He'd have a talk with Chente later about sending it off to Rivera de La Cruz Records to be put on display to the public if they wanted it. It would still be his, but he wouldn't have to look at it anymore.

Out of sight, out of mind.

Picking up a red necktie he pushed a bunch of clothes over the guitar, concealing it again, and walked away.

--------------------------------------

"Facundo! Don't smear icing on your sister's dress! Anselmo! Osvaldo! Stop fighting, you're in front of company, show some respect! Ay, Dahlia hold the baby for me, would you? You're the oldest, you need to help Papá."

Miguel walked into the courtyard with Victoria to absolute mayhem, with Victoria pulling him out of the way just in time before a sticky pastry struck the wall where his head was. Nodding his thanks to his niece he looked out to see Elena and Charlie playing with five other small, very rambunctious children dressed in their best church clothes. Soiled in mud, breakfast foods and sans shoes of course, but there was an effort to get Martín and Rosita's children dressed nicely for the special occasion. Martín was standing over them, trying not to be knocked down by the running, screaming children as he also tried not to drop the baby girl in his arms. Matty was also seated at the table set outside, holding Clara and looking very smug that his own children were behaving themselves properly, and Julio was looking out at the chaos with a thousand-yard stare.

Sitting down after finally passing the baby to his eldest, Martín slumped into a chair with a groan and leaned towards Matty in exhaustion. "Remember the Nazis? How easy it was with them? They were so neat and organized. Precise."

"They blew your leg off, amigo."

"At this point in my life, I wish they blew something else off."

"Papá, Papá!" One of Martín's sons came up to him, pulling on his sleeve and smiling with gapped teeth. "Charlie wants to play horses! Can we, por favor?"

"Ay, all right." Reaching down underneath the table, Martín fumbled around a little with belts and straps before pulling off and giving the child his prosthetic leg. "Don't get it dirty and do not, I repeat, do not… stick forks in it again."

Suddenly Julio sat up with a smile and shouted. "Hey everyone! The birthday boy is here!"

All the little children stopped immediately to look at Miguel standing in the doorway, before screaming again and running into him for hugs. This time Victoria didn't help, and Miguel let out a squawk when he was bombarded with seven sticky children. "Feliz cumpleaños, Miguel!" several little voices yelled out.

"Agh!... Gr-gracias… AHH! You guys are squeezing me to hard!"

"Ah, there you are mijo." Imelda swooped in and managed to pry the little ones off her son, brushing down his hair and giving him a kiss. "Fashionably late to your own party, I see. You look very nice today."

"Gracias, Mamá." Miguel said, pulling down his sleeves to cover up the wristbands that Victoria had made for him. 'I've gotta look nice for my performance tonight.' He said to himself. It wasn't a charro suit that he would have liked to wear, like a professional mariachi, but the bolo tie and shiny new boots were a nice touch.

"Well I hope your hungry." Imelda said. "We've been cooking up a storm all morning in that cramped little kitchen. And Wanda has made a delicious surprise for you."

"Cinnamon rolls!" Wanda said happily, placing a tray of pastries absolutely dripping with icing and candied nuts on the table. "My grandmother's recipe. I really hope you'll like them, but if you're anything like your brother then I know you're going to love them Miguel."

"No, I don't love them." Matty said, already double fisting the freshly glazed rolls with hungry eyes. "I'm damn near addicted to them. I crave them all day every day. But they're considered a Sunday food, and I'm forced to go without all week! It's torture, hermanito, pure torture."

"Which reminds me, since I'm making them on a Friday that means you've had them two times this week. So, we can skip them on Sunday and have them the next week."

"What?!"

"It's actually a little funny." Wanda said as Matty started to hoard as many rolls as he could in front of him. "Rosita's had three so far, but she's been pouring lime juice all over them. Lime juice! Can you believe it? How can you eat something so sour with something so sweet is beyond me!"

The others laughed a little and started to doll out the rest of the pastries to everyone else, with only Matty noticing the way Martín's face had turned pale white and he sunk lowly in his chair. "Lime juice?… Oh, no no no no nooo…"

Matty shook his head with pity, but mostly with exasperation, and ate his cinnamon roll. "Cochino…"

Breakfast was delicious, of course, and the party continued throughout the day. There were party games, cake and ice cream and even more sugary delights that threw all the little children into an even more manic frenzy until they had finally passed out underneath the shade of the tree. The ofrenda had been set up, decorated with flowers and offerings for Imelda's parents, Leti, the late Facundo and even Matty's friend Barto, while the adults shared stories of their dearly departed despite Héctor's best efforts to divert their attention to another party game or business idea he had. Even Chente and his best friend Javier had come to whish him a happy birthday to join the festivities. They always seemed really cool to Miguel, and he also felt like they understood his frustration with the lack of music.

Miguel absently kept checking the clock every so often, time seeming to move achingly slow as it creeped towards seven. He had hidden his guitar underneath the ofrenda table, somewhere he knew his father wouldn't be near that much, so it would be ready to be picked up when he left.

But for now his concentration was on opening the last birthday present, then he could go get his real gift. "Wow, sneakers! Gracias Tío Oscar y Tío Felipe!"

"Not just any sneakers." Felipe said proudly.

"But the new Rivera Freeflyers!"

"The new line of children's shoes-"

"-that goes on the market next year."

"Designed by us of course."

"But you're the first kid to wear them!"

"Feliz cumpleaños!"

Smiling, Miguel set the shoes back in the box. "That's really cool. Thanks again. Is that the last present? Aw man, that's sad. But I guess good things can't last forever. Well, if we're done I have some stuff I-"

"Atata. Not so fast, Miguel." Héctor walked up to him, smiling widely. "Because I also have a present for you."

Sitting back down, glancing at the clock again, Miguel's smile drooped a little in uncertainty. "Okay…"

Clearing his throat theatrically, Héctor stood next to his son in the center of the room spoke loud for all to hear. "Twelve years ago today, Miguel Rivera… beloved nephew, tío, brother and son… was brought into this world. A harrowing, frightful day for the whole family, especially for his dear mother, mi diosa, but one that ultimately ended in triumph. For that tiny baby was able to grow into a healthy little boy, and who has now grown into the fine young man standing before us all today."

"And since you are on the brink of adulthood, it's high time that we start thinking about your future, Miguel. Specifically what you're going to do for a living when you grow up. Now as much as we, and pretty much the whole world, loves your Mamá's shoes I get the feeling that's not where your passions truly lie. But after having a talk with Chente yesterday, we came to the conclusion that maybe your future lies with… Rivera de la Cruz Records."

Miguel noticed the way his father flinched at saying Ernesto's name, like he always did, but that didn't matter at the moment. There was a sudden bubbling of excitement and anticipation welling up inside of him, and he happily looked over at Chente for a confirmation. The former assistant, now CEO of the biggest movie and music production company in Mexico, gave him a silent smile and thumbs up. Turning back to his father with a big smile, Héctor continued.

"So your mother and I talked about it last night, and we both decided the best opportunity for you would be-"

Miguel could see it now: His name in lights, the crowd chanting his name, strumming a guitar just like, no better, than Tío Nesto's. Singing songs that he had written himself, the crowd singing along with him because they were so good, so memorable. Immortalized for all time by doing the one thing he truly loved to do: Playing the guit-

"-to start training you in business, just like your brother! And to start with that, we're going to enroll you in business management classes!"

…..

…..

"… What?"

There was not a sound coming from anyone else in the room. Wanda, Julio and Coco looked at each other in complete disbelief and mild disgust, Matty slowly bringing his hand over his eyes in complete exasperation. The other adults in the room cringed and suddenly became very interested in their plates of leftover food and cake, except for Vicente and Javier. Poor Chente stared at Héctor like he had just condemned the man to his death, eyes wide and mouth agape in horror, while Javier was bent nearly in half in his chair. Shoulders shaking and biting down on his clenched fist, Javier was doing everything he could to not just bust out laughing at the entire fiasco in front of him. Oblivious to everyone's obvious displeasure of his grand announcement, Héctor continued.

"There's a school nearby. In San Benito. They specialize in training children for college. Mateo, you went there, remember?"

Nodding and smiling painfully, Matty said, "Yes, Papá. I remember going… I remember willingly going-"

"Well, you did so well there that we thought Miguel would too! Now, they've got a new program where they include room and boarding, and you can do your regular schooling there."

"Which" Imelda interjected, "I have already vetoed. They still have just the same smaller classes every other weekend that you went to, Mateo. I don't want our little boy to be away from home for so long."

"Right," Héctor said. "I agree with her. You'll still go to school here, so don't worry about that. You won't miss your friends or your family. But I feel like this is a great opportunity for you."

Miguel felt like congratulating himself for how well he was hiding his displeasure from his parents. No, displeasure was too light a word for how he was feeling. He felt like his face was about to break and shatter for how long he was holding the rictus of his earlier smile, and his heart and stomach freefalling down to his boots. He felt like he was slowly dying, and yet his parents were looking at him like they were doing this for his own good. And they were proud of it too!

Maybe it was his own fault: being so secretive about who he truly was and what his interests were. His parents didn't know who he was at all and thought he would be glad that they were practically dooming him to a fate worse than death.

Swallowing painfully, almost as if he felt like he was about to cry, Miguel croaked out. "W-well… That's… a lot to take in."

"It's just an idea, mijo." Héctor said gently, as if finally sensing that his son might not be totally ready for such a radical change in his life. "And you've got plenty of time to decide. We can talk about more in the morning alone."

"It's just that that- uh…" Miguel fumbled a little with his wristbands hidden under his sleeves. "I'm not like Matty was when he was my age. I mean… I'm more like a normal kid, you know. Not a nerd like him."

"…Hey…"

"I mean I not as smart as him. I won't be any good in a school like that."

"Don't worry about that, Miguel." Imelda said softly, placing her head gently on his head and smoothing his hair. "You'll have your family here to guide you. We'll help you every step of the way. You won't be alone."

"And to help you even more, here's another present!" Héctor said. From behind his back he pulled out a small briefcase, made from leather dyed in a brilliant shade of red, and the letters M.R. embedded on the front in solid gold. Placing in the boy's hands, Héctor smiled widely and clapped his hands with pride. "Look at that. Another businessman in the family! You look so professional already! Ha ha!"

Glancing down miserably at the briefcase, as if he were handed a live grenade instead, Miguel nodded and once more looked up at his parents with that same faked, gritting smile. "Gracias Papá… Gracias Mamá…"

"Aw, feliz cumpleaños, my boy!" Héctor said as he hugged his son happily. "And don't just thank me. Thank Chente, since this was also his idea!"

"Ohhh…." Vicente moaned, trying to ignore the way Javiar was applauding loudly next him with that stupid smug grin of his. "Please don't thank me…."

"Better watch out!" Héctor jokingly said. "One day Miguelito here will take your job out from under you!"

"…I'll do that…"

As the adults carried on with their conversation, Miguel kept looking at the briefcase in hands. It really was a beautifully designed briefcase, something that Matty probably carried around all the time and would probably love having himself, but all it did was make Miguel want to cry. This wasn't what he wanted at all. This wasn't him. And the fact that his own parents didn't see that in him, couldn't see that, broke his heart.

He would have started crying then and there until he felt a hand on his shoulder. Turning he saw Victoria standing next to him, giving him a look of sympathy and understanding. But also of defiance. Glancing down at the briefcase in disgust, she said, "Put that thing away and go get your guitar. Wanda and Papá will distract Abuelito and everyone else. It's showtime, Tio."

With a start Miguel looked over at the clock and gasped. All his inner turmoil had made him nearly forget about the contest! And it was in twenty minutes! With Victoria giving him an encouraging smile and a slight shove Miguel took off to the ofrenda room. Ducking underneath the tablecloth he flung the accursed briefcase underneath it and grabbed his prized guitar, feeling so much better now that it was in his hands. Glancing to his late sister's foto, and then to his Tío Nesto's, Miguel gave them a watery smile.

"Wish me luck." He whispered, and then headed out the doorway.

No one noticed he, Victoria, Matty and Coco leave the party at all.

Except for one little girl with a big mouth.

---------------------------------

Picking up a small, fried grasshopper from the bowl on the side table, he twisted it to and fro for his grandson to see. It was such a lovely surprise: Here he thought there wasn't many chapulines left for the season, and then all of a sudden Julio gifted him with a heaping bowl of the crunchy little things! Then Wanda had come up to him, saying that his grandchildren wanted to spend some time with their grandfather and to tell them stories. He was more than happy too, even if it was odd that he and the children were practically shoved into the kitchen and the door was slammed shut. But for now, with Clara babbling happily in his arm and with Charlie's rapt attention, he continued his story.

"So at the end of the day, there I was: Scratched up by dried alfalfa, bitten all over by every mosquito there ever was, and with a bag of caught grasshoppers slung over my shoulder. I took it to old Señor Perales and he would fry them up for the customers, and for my pay he would give me a handful of them on a stale tortilla. Sometimes that would be the only thing that I would get to eat for the whole day. But I didn't mind much, it was worth it for me. They're good, no?"

"They're salty." Charlie said as he crunched one with a grimace.

"Sí. Salty, crunchy and my favorite snack. And that was the first job I ever had at four years old. Your age, mijo! Grasshopper catcher extraordinaire."

"My friend Timmy likes to pick out earthworms from his Mommy's garden and eats them too, even with dirt on them! Is that the same thing, Grandpa?"

"No, your friend's just odd."

"Oh."

The sound of the door being opened caused the three of them to look, only to see Elena poking her head in. Héctor was immediately worried: His granddaughter looked very troubled, staring at the floor and lip trembling, trying to decide if she should come in or not. Shifting the baby in his arms to free his hand he held it out. "Elena? Is there something wrong?"

Nodding a little, she slowly edged her way in and closed the door. "My tummy hurts…"

"Aww, too much cake and ice cream, huh?" Héctor asked kindly, squeezing her hand when she took it. "I guess it also didn't help that your cousins gave you too much excitement as well. Well, if you want I can walk you home-"

"It's not that, Abuelito." Elena said softly. "My tummy hurts because I feel guilty."

"Guilty? Did you and your sister have a fight? Because if you said or did something to make her upset I'm sure she'll forgive you. That's what a family who loves each other does, mija. We always forgive each other with time."

Eyes widening, Elena looked up at her grandfather with a slight glimmer of hope. "Really? Family forgives each other for anything?. They don't… get really mad and hate them for it?"

"Of course not."

Elena smiled a little at that, looking like she felt a little better. Then her smile faded, and she shook her head. "No, no… Papá says that I should always do what my parents say…"

Blinking in confusion, Héctor nodded in agreement. "Uh, yes… Yes, children should do what their parents say. Your Papá's right."

"Buuuut…"

"…But?"

"But you're Mamá's papá…" Elena said slowly, nervously picking at her fingers and biting her lip hard in agitation. "So, she has to do whatever you say… right?"

Now he was growing concerned. Pulling his granddaughter close to him, Héctor made Elena look at him squarely in the eye. "Elena, if something is wrong with your Mamá you need to tell me, claro? Now, what's going on?"

"….Well…"

------------------------

"Congratulations, Señor Magallanes."

"Oh you too, Mrs. Rivera."

Chuckling and clinking their mugs of coffee, Julio and Wanda sat on the old boarded up well and each took a sip of the hot brew. They watched as the Reyes children ran around the courtyard in a wild frenzy, having woken up from their sugar comas and putting an end to their parents' moment of peace and quiet, and smiled smugly to themselves. Both because they were thankful that their own children were not as wild and rambunctious, and also for a job well done.

"Nice work on getting the fried grasshoppers so late and getting so many. I'm told they're a seasonal…delicacy." Wanda grimaced at the word.

"Gracias. And that was a nice move of giving him your kids. 'Charlie wants to hear all about you when you were his age!'" Julio chuckled at that. "It really was a nice distraction."

Wanda hummed and gave a sultry smile, gazing off into the distance. "Well, Matthew has always said that I am… a master of distraction. In more ways than one"

"…Uh, right…" Taking an uncomfortable gulp from his coffee mug and coughing awkwardly, Julio changed the subject. "So when should they be back?"

"Well Miguel is the first act." Wanda said. "So it'll start at seven, he'll sing his little song, then Matthew and Coco will bring him right back. So I guess they should be back in about half an hour? Plenty of time before anyone notices they're gone. And if they ask we'll just say he went to a friend's house."

"Thirty minutes?" Julio asked, a little downhearted at the thought. "So, he won't get to stay to see if he wins?"

Wanda nodded in sympathy. "Yes, it is a shame. But honestly do you really think he would win? I mean, I know he's very good, but he'd be going up against musicians who have been playing for much longer than he's even been alive. It seems a little unlikely, right?"

"Sí, you're right… It still would be amazing if he did, though."

"Honestly I think the poor boy just wants to be heard. Can you blame him? Especially after that… gift his parents gave him. Ugh…"

"Sí. Let him have some fun for one night." Julio nodded, bring the cup back up to take a sip. "Thirty minutes. Plenty of time. Go out, perform, come back. No one will suspect a thing."

"All will be well." Wanda agreed.

The sudden slamming of a door hitting the wall startled everyone in the courtyard. All the children skidded to a halt, the adults stopped talking immediately, and all eyes turned towards a very livid Héctor Rivera.

"MIGUEL IS GOING TO PLAY THE GUITAR IN THE PLAZA?!"

Clara started to cry in fright in her grandfather's arms, but Héctor paid her no heed as he marched up Julio and Wanda. "Elena just told me that Miguel's playing in the contest! Julio, is that true?!"

Julio stared at his father-in-law, chalk white and looking like he was about to drop dead on the spot. His mouth worked itself up and down, but all that came out was choked squeaks and croaks. "Uh-uh…uh uh…ah…uh."

With a growl, Héctor turned his glare to his daughter-in-law. "Wanda, did you know anything about this?!"

Wanda, also much whiter than usual, managed to give a nervous half smile and shrugged with a weak chuckle. "Uh… No hablo es-pan-ol?..."

"Forget it!" Héctor shouted, placing the now screaming baby in her mother's arms and turning out to the exit. "You all want to go behind my back?! Fine! I'll put a stop to this myself!"

As Héctor left the courtyard in a mad dash, Julio wilted with a moan. "No no no no! This has all gone to hell. We had one job to do and we failed even that! Matty and Coco are going to kill us!"

Wanda shook her head, trying to calm down her poor baby. "No, they won't!"

"You're right. Only Coco is going to kill only me!" Julio cried. "Elena, why did you tell Abuelito?! You promised you wouldn't!"

Elena was sobbing by now. This wasn't supposed to happen: Abuelito had said that he wouldn't be angry, that he wouldn't hate Miguel for what he did. But it was all a lie! "You don't keep secrets from family, Papá! I couldn't stand lying to Abuelito!"

"What is going on here?!"

They all turned to see Imelda, Rosita, Martín and the twins coming out of the ofrenda room, confused as to why everyone was either in shock, scared or crying their eyes out. With a sigh Wanda came up to them. "Oh, Mamá Imelda, you might as well know now. Miguel was going to play the guitar at the music competition in the plaza-"

"What?!"

"- and Papá Héctor just found out. He's going after them to stop him. I've never seen him look so mad! I think he's going to do something-"

"Stupid…" Imelda finished, hitching up her skirts to run as fast as she could in her high heeled boots. "Dios mio, Héctor! Héctor come back!"

"Oh Rosita, could you take the baby?" Wanda asked as she handed Clara to Rosita. "I need to go to! Matthew might need my help! Come on Julio, Coco needs you to!"

"Wait! Coco will need my help as well!" Rosita cried out. "Martín, mi amor, hold the baby and hold down the fort. Oscar, Felipe! Let's go!"

"Wait, what?!" Martín cried out, watching helplessly as all the adults ran out of the Rivera complex, leaving him alone with nine children all under eight years old, screaming and crying with fright. Looking at Clara in one arm and his own crying daughter in the other, Martín growled in frustration. "Oh sure! Leave all the kids with the one guy who can't run away! I see how it is! This is discrimination! I am a war veteran, I deserve some respect and a break!"

"Don't worry, Tío Martín…" Elena sadly said, taking Clara away from her uncle and holding the baby close. "I'll help you with the babies…"

"Ay, gracias Elenita." Martín sighed in relief, patting her head gratefully. "You're a good kid."

Burying her face in her little cousin's blanket, Elena tried to hide as the tears came pouring out again with her sobs. She wasn't good. She didn't deserve the praise. She deserved to be punished, not Miguel. Miguel was going to be kicked out of the family. Abuelito hated him now.

It was all her fault.

----------------------------------------

"I knew it." Miguel moaned as he, his siblings and Victoria made their way to the plaza. Clutching his guitar for dear life, as if he was afraid it would be ripped away from him, he hung is head low while Victoria guided him by his shoulders. "I knew Papá would never even consider letting me play music, he just hates it too much. I'm gonna have to play in secret for the rest of my life."

"Yeah." Victoria sighed with a pout. "I guess I'm going to have to as well. I'll never get to dance in the likes of La Scala or the Royal Opera House. I'd even settle for dancing at a rec center at this point."

"Cheer up, both of you." Matty said. "Miguel, you know Papá doesn't hate music. He just… has some hang-ups about it that is hard for him to overcome. A lot of bad things happened to him, and he attributes it to music. You understand, sí?"

"No, I don't." Miguel said. "And that's easy for you to say. Papá sang and danced with all three of you and let you play instruments. I never had that."

"That's not true, Miguel." Coco said. "Papá used to sing to you all the time, especially when he tucked you into bed. And he played his guitar for you, don't you remember that?"

"No. I was a baby, Coco."

Coco tsked and shook her head in mock sorrow. "Well that is a shame. You should remember stuff like that. I, for one, can remember stuff quite vividly all the way from when I was about two years old. It's a gift I possess."

Breaking out of his current funk, Miguel looked up at his older sister and smirked. "Gee Coco, maybe you should be the one in the talent show instead of me."

Matty barked out a laugh and nodded. "Yeah, you could tell everyone what you had for breakfast in May of 1936."

"Or recite an old shopping list you made ten years ago." Victoria added.

Coco huffed and crossed her arms with pout. "All right, all three of you can go kiss a burro."

"Well we can't do that now, because," Matty said as they rounded the corner, "we have arrived at our destination."

As they all walked into the plaza, Miguel smiled when he saw the gazebo decked out in the familiar decorations for Dia de Muertos: garlands of cempazuchitl flowers, papel picado and, most excitingly, posters for the contest. He also saw several other musicians dressed up in charro suits and practicing on their own instruments. They had probably been practicing for much longer than he ever had and were probably better than him too. But Miguel didn't care if he won or lost the contest, he just wanted to perform in front of people. To show them all that he had what it took to be a musician. And luckily for him there were plenty of people who had come to watch.

A very… large amount of people.

Practically the whole town. Even other kids from his school were there.

Suddenly Miguel felt a nauseous curl in his belly, and his breath seemed to stick in his throat. Without realizing it he took a step backwards, softly bumping into his sister, and flinched in surprise when she knelt down to speak to him.

"Miguel?" Coco asked softly. "If you're nervous you don't have to go up there."

"Wh-what?" Miguel asked, wincing when his voice gave an unexpected squeak and trying to cough it away. "Nervous? I'm not nervous!"

"You're really pale Miguel, and you started sweating bullets in less than five seconds." Victoria pointed out. "It's actually quite impressive."

"Callate!" Miguel grumbled.

"It's alright if you've changed your mind, Miguel." Coco said and rubbed his shoulder comfortingly. "We can just go right back to the museum, and Papá will have never known you were here."

The very mention of his father, how much he hated music, how he would be forced to play music in secret again if he backed away now, how this might actually be his last chance to perform before he was to go to that stupid business school, steeled something inside of Miguel. Straightening up, jaw clenched tight and his guitar held up like a shield, he shook his head vigorously. "No! No way! I'm gonna play in mariachi plaza if it kills me!"

"That's the spirit!" Matty said. "And good thing too because it looks like you're on now!"

"What?!"

"They're beckoning you over! Knock 'em dead and break a leg, gordito!" With a hearty slap on the back Matty propelled his little brother towards the stage. As they all watched the boy meekly walk to the contest coordinators, Matty leaned into Coco. "He can sing, right?"

Coco nodded. "Of course! He has the voice of an angel, you're going to be blown away."

"Either that or he's going to blow his dinner all over the stage floor." Victoria said.

Miguel took his place next to the steps of the gazebo, turning back to wave at the siblings and niece, who all returned it with a thumbs up. With his back turned to them again Matty sighed wistfully. "Papá would really love this. He would be so proud. If… you know…"

"If he was like he used to be?"

"Si…" Matty nodded. "It just doesn't feel the same without him here. Miguel is so much like how our father was: Filled with a love of music, bursting with creativity. Miguel may look up to Tío Nesto, but I see Papá in him more than any of us."

"You're right." Coco sighed. "I wish Papá were here to see this too."

"SOCORRO! MATEO!"

Coco and Matty immediately felt their hearts stop, blood seize up, insides clench and air leave their lungs as they heard their full names bellowed out from behind. Turning around they saw a sight they had never seen before. Héctor Rivera, normally so jovial and mild-mannered with all he encountered, marching towards them red-faced and glaring holes into their very souls. As he got closer and closer to them, Coco whispered, "Itakeitback, Itakeitback!..."

Placing himself in front of his sister and niece like a shield, Matty leaned causally on his cane and smiled shakily. "H-hola, padre! Qué tal? I d-didn't expect to see you come to the plaza today. They're having a music contest right now so you might want to go back and-"

"Would you both care to explain to me," Héctor said as he reached them, very close to seething like a bull. "why I had to hear from Elena that my son is going to play the guitar, on a stage, in front of an audience?!"

With a loud groan Matty turned to glare at Coco. "You told la Lengua Larga about the plan?!"

"I told you it was a bad idea, Mamá."

"So this was your idea!" Héctor growled as he glared at Coco. Distantly they could hear Imelda calling out as she was making her way to the plaza herself, but they all ignored her for the moment. "You're letting your brother perform? After what nearly happened to you? What did happen to your godfather?!"

Coco glared back. "What happened to Tío Nesto was terrible, but it was an accident that could have happened anywhere! It had nothing to do with music! Why can't you see that?"

"It has everything to do with what happened to him!" Héctor shouted. "And I will not have the same thing happen to my-"

"Put your hands together for our first contestant, Miguel 'De la Cruzito' Rivera!"

As a loud smattering of applause and cheers erupted, the family turned to see Miguel taking the small stage of the gazebo. Smiling nervously and waving at the crowd, he didn't seem to notice the brewing turmoil taking place amongst the audience. Héctor gritted his teeth and was about to make his way towards his son to put an end to this nonsense, when one of the nearby bands decided to strike up some intro music for the young guitarist. After all, the son of the world's greatest songwriter, the patron of Santa Cecilia, deserved a grand entrance for his musical debut.

And they couldn't have picked a worse song.

As the trumpets blasted the upbeat version of Remember Me and the audience clapped along to the beat, Matty and Coco moaned in dread and instantly went into damage control. Coco and Victoria shouted in vain over the crowd to get the musicians to stop, but their voices were lost among the deafening cheers and song. Imelda heard the song playing from the distance, and with a curse tried to run even faster to her husband. Matty grabbed his father by the shoulders and shook him, trying to direct his attention to him. "Papá! Papá, listen to me. Listen to my voice. It's okay. It's just a song. Come with me, we'll get you out of here…"

It had been about a year since he had heard that song last. Not intentionally, of course, but when a song is that popular people are bound to either sing it aloud or try to play it themselves. One such incident occurred when he was out with Elena for a treat of ice cream, when suddenly he had heard it. A quite lovely rendition on a violin by that scarf-wearing kid with the weird facial hair whose named escaped him. But it was enough to do the trick. Several painful minutes of him hunched low to the ground, pressing the heels of his hands into his ears hard, trying to get his breathing under control. His own granddaughter, seven years old at the time, was forced to take action herself: Swatting that kid with her shoe in order to stop him from playing, then sitting with him silently and comfortingly until the panic had finally passed. They had both lost their ice creams on the ground that day, but the two had grown even closer due to the experience.

But those same feelings were rushing back just like that last time: Nothing had changed. Immediately his heart started hammering and it became hard to breathe, his insides squirmed and clenched painfully and those awful visions flashed in his mind again. As the song continued he didn't see his eldest son frantically trying to get his attention, but his youngest daughter wheezing her last breaths in his arms. Of Ernesto walking away from him to the stage, underneath the bell that would eventually turn him into nothing but a smear. And the blood, so much blood. He could smell it, practically taste it.

He was about to try to block out the sounds like he always did and then curl up in a ball, when he happened to glance at the stage again. Ernesto was there, about to perform with the bell perch precariously over his head. But no, that wasn't Ernesto standing there. It was-

"MIGUEL! NO!"

Breaking Matty's grip on his arms he made a run for the gazebo, pushing and shoving others out of the way. He didn't hear their exclaims of alarm and pain as they were roughly shoved aside or to the ground, nor the cries of his family as they begged him to wait, to come back. No, all he heard was that damned song playing loudly in his head, now a ticking timer to the point where, at the end, his boy would be no more.

Miguel didn't notice his father parting through the crowd at breakneck speed, too busy tugging on the emcee's sleeve to tell him to make those musicians stop playing the song 'That's the song I'm going to play.' But it was too late, and as the band played the last triumphant note he turned back to the crowd with an eye roll and hefted his guitar up to begin to play the song everyone had just heard.

Just in time to see his father diving straight for him.

Imelda reached her oldest children just in time to see Héctor tackle Miguel and send them both flying to the back of the gazebo. The incident was so shocking that aside from a large gasp from the crowd, it became so still and quiet. Quiet enough that everyone was able to hear the sickening crunch once the two of them landed in a crumpled heap.

A flash of terror made it's way down Imelda and her children's spines. "No…" she breathed, and then quickly made her way to the gazebo herself, the others following her.

The song was over, put panic was still surging through Héctor as he got up and immediately started checking over his boy. "Miguel! Are you all right?! Sit up, let me see!" He patted his body up and down, trying to see if there were any injuries, thankfully finding none. But the boy seemed shocked, and frantically he cupped the boys face to look in his eyes. "Did you hit your head? Look at me, mijo-"

"Papá…"

Miguel's eyes were widened with shock, but surprisingly the wind was not knocked out of him nor was he scuffed or marked in any way from the surprise tackle. The guitar in his hands, however, was not so lucky. It had taken the brunt of the assault and protected the boy from harm, but it had not survived. Three of the strings had snapped right off and were coiled in bent angles, the body was completely caved in from the center hole and up, and the neck had broken cleanly in half, now only connect by the remaining strings. His beloved guitar was now destroyed. His father had destroyed it.

"What-? Why?... What have you done?" Miguel whispered as he gripped the broken neck and tried in vain to get it to stick back into the position. "It's ruined…"

Héctor looked down at the broken guitar in his son's hands, taking in the cheap gold paint that had been sloppily painted all over it. The crude designs done in brown, and the headstock. That same mocking skull that looked so much like his own, except for the one personal detail that he had made for his older brother: The thin mustache above perfectly white grinning teeth. His worries and concerns over his son instantly vanished. He was fine. Now what came back was more comfortable, easier for him to handle: Rage.

"Where the hell did you learn to play guitar?!"

Miguel's attention snapped back to his father, and he shrunk back at the ferocious anger meekly. Before he was able to squeak out a pitiful answer, he felt eyes on him. Turning slightly he paled when he saw everyone in the crowd looking at him with morbid curiosity. The whole town had watched as his supposed debut had crumbled to ash, his most prized possession had been reduced to kindling, and his father was now bearing down on him about to start a very public fight.

It was all ruined. It was too much for him, and the poor boy broke.

With a choked-out cry of heartbreak Miguel flung what was left of his guitar away, shot up to his feet and fled from the gazebo. The crowd gave him enough room to make his getaway and he was grateful. He didn't want to be held back, didn't want to be touched by anyone. Especially his family. He heard his Papá angrily yelling at him to come back, his Mamá pleading with him to do so as well. But he couldn't even look at anyone right now.

He just ran and ran, broken sobs escaping as he gasped and panted.

He hated his birthday.

[tretarec]

Seis filmes originalmente pernambucanos ou ambientados por aqui e aclamados mundialmente que talvez você ainda não assistiu.

Pernambuco sabe fazer filme bom sim e vou te mostrar na lista a seguir!

Baile Perfumado é um filme dirigido por Lírio Ferreira e Paulo Caldas lançado em 1997 baseado no documentário do libanês Benjamin Abrahão acompanha a vida diária do cangaceiro “Lampião” e todo seu bando, mostrando como o documentarista conseguiu ser aceito pelo grupo, registrar depoimentos e filmá-los em ação. É considerado um marco da retomada do Cinema Pernambucano. Em novembro de 2015 o filme entrou na lista feita pela Associação Brasileira de Críticos de Cinema (Abraccine) dos 100 melhores filmes brasileiros de todos os tempos. O elenco composto por Duda Mamberti (Benjamin Abrahão), Luiz Carlos Vasconcelos (Lampião), Aramis Trindade (tenente Lindalvo Rosas), Chico Díaz (coronel Zé de Zito), Jofre Soares (Padre Cícero), Cláudio Mamberti ( coronel João Libório), Zuleica Ferreira (Maria Bonita).

Amarelo Manga é um filme de drama dirigido por Cláudio Assis lançado em 2002. O longa retrata a vida de alguns moradores do centro histórico de Recife, guiados pelas suas paixões e frustrações do dia a dia. Inspirado no curta “Texas Hotel” do diretor.

Vencedor do prêmio Ministério da Cultura do Brasil para filmes de baixo orçamento, foram gastos o valor de apenas 450 mil reais para realização do filme também venceu o Grande Prêmio Cinema Brasil de Melhor Fotografia e recebeu doze indicações nas categorias: Melhor Filme, Melhor Diretor, Melhor Ator, Melhor Atriz, Melhor Ator Coadjuvante, Melhor Roteiro Original, Melhor Figurino, Melhor Maquiagem, Melhor Direção de Arte e Melhor Montagem. Matheus Nachtergaele, Jonas Bloch, Dira Paes, Chico Diaz, Leona Cavalli estão no elenco.

Dirigido por Marcelo Gomes e lançado em 2012, Era uma Vez Eu, Verônica retrata a história de Verônica (Hermila Guedes) tem 24 anos e vive uma fase de transição. Ela mora com o pai, José Maria, e acabou de se formar em Medicina. Sem tempo para a agitada vida que tinha quando era estudante, ela agora se dedica ao início da vida profissional em um ambulatório de hospital público de Recife. As condições são precárias e o cotidiano muito cansativo, não apenas pelo trabalho em si mas também por ouvir os problemas de dezenas de pacientes todo dia. Uma noite, ao voltar para casa, ela resolve usar o gravador para falar de seus próprios problemas. O início segue o melhor estilo dos contos de fadas, com o clássico “era uma vez”.

Este é 3º filme do diretor. Os anteriores foram Cinema, Aspirinas e Urubus (2005) e Viajo Porque Preciso, Volto Porque Te Amo (2010). Além de Hermila Guedes, João Miguel W. J. Solha Renata Roberta fazem parte do elenco.

Tatuagem é um drama dirigido por Hilton Lacerda ambientado entre Olinda, Recife e Cabo de Santo Agostinho que conta a história de um grupo de artistas que chocam a moral e os bons costumes pregado pela ditadura militar nos idos de 1978.

Paulete (Rodrigo García) , a estrela de um ousado grupo de teatro, recebe a visita de seu cunhado militar, o jovem Fininha (Jesuíta Barbosa). Surge um tórrido relacionamento entre os dois, e agora o soldado precisa lidar com a repressão existente no meio militar em plena ditadura. O filme trás Ariclenes Barroso, Sílvio Restiffe, Sylvia Prado e Irandhir Santos. Ganhou o Kikito de Melhor Filme, Melhor Ator – Irandhir Santos, Melhor Trilha Musical – DJ Dolores no Festival de Gramado além dos Prêmios FIPRESCI de Melhor Longa Latino-Americano, Melhor Longa-metragem Ficção – Prêmio do Público, Melhor Ator – Jesuíta Barbosa, Melhor Ator Coadjuvante – Rodrigo García e Prêmio Especial do Júri – Ficção no Festival de Cinema do Rio em 2013.

Aquarius é um longa de drama e suspense escrito e dirigido por Kleber Mendonça Filho coproduzido por Walter Salles e estrelado por Sônia Braga, Humberto Carrão, Maeve Jinkings e Irandhir Santos. Ambientado em vários bairros do Recife, bem como na Praia dos Carneiros, a 80 quilômetros da capital pernambucana. O roteiro fala da historia de Clara (Braga) que é uma viúva de 65 anos e a última moradora do edifício que dá título ao longa na orla da praia de Boa Viagem, no Recife.

Esse eu já tive o prazer de assistir e posso falar com propriedade. Somos convidados à entrar na vida daquela viúva bem sucedida e acompanha-la no seu dia a dia através dos relacionamentos com seus amigos, familiares junto ao acréscimo de uma construtora de imoveis que quer comprar o prédio a todo custo, visando erguer um mais moderno no local. No sub texto da película são abordados temas pré-concebidas sobre a vida e sexualidade de uma mulher na terceira idade além da especulação imobiliária, passagem do tempo e memórias eternizadas através de uma trilha sonora poética e cativante.

Alias, a trilha sonora aqui em Aquarius é um personagem a parte e bem importante no desenvolvimento da trama pois Dona Clara é fã de discos de vinil e possui uma vasta coleção em sua instante na sala de estar do pequeno apartamento que reside e eu como fã de artistas musicais também tenho uma singela coleção de CD’s com quase 100 na minha prateleira e pretendo aumenta-la brevemente. Então, me identifiquei bastante com a personagem nesse aspecto. O filme foi exibido pela primeira vez em maio de 2016 no Festival de Cannes onde concorreu à Palma de Ouro (o Oscar francês). Foi muito bem recebido pelos críticos, que elogiaram sua direção, roteiro e a atuação de todo o elenco — particularmente a de Braga, considerada por alguns como uma das melhores de sua carreira. E realmente Aquarius é uma obra espetacular. Foi um sucesso de público, atingindo meio milhão de espectadores entre Brasil e França. Vai lá assistir na Netflix!

Os moradores de um pequeno povoado do sertão brasileiro, chamado Bacurau, descobrem que a comunidade não consta mais em qualquer mapa. Aos poucos, percebem algo estranho na região: enquanto drones passeiam pelos céus, estrangeiros chegam à cidade. Quando carros se tornam vítimas de tiros e cadáveres começam a aparecer, Teresa (Bárbara Colen), Domingas (Sônia Braga), Acácio (Thomás Aquino), Plínio (Wilson Rabelo), Lunga (Silvero Pereira) e outros habitantes chegam à conclusão de que estão sendo atacados. Falta identificar o inimigo e criar coletivamente um meio de defesa.

Pronto, essa é a premissa desse visceral faroeste nacional que sem duvidas foi um dos melhores filmes que tive a oportunidade de assistir no cinema em 2019 que conta com a rápida participação da nossa talentosissima artista pernambucana Lia de Itamaracá.

Na verdade, as filmagens aconteceram na povoação de Barra no município de Parelhas e na zona rural do município de Acari, no Sertão do Seridó, Rio Grande do Norte mas para a trama transcorrer adequadamente, o diretor Kleber Mendonça Filho (responsável por Aquarius já citado acima) em parceria com Juliano Dornelles aderiram à ideia de dar esse nome ao filme por causa do último ônibus que circula nas madrugadas do Recife, e pela origem do nome de uma ave de hábitos noturnos comum nos sertões brasileiros, que era chamada pelos povos tupis de wakura’wa.

Clique aqui para assistir Bacurau

O surrealismo arrebatador e brutalidade poética de Bacurau o fez conquistar o Prêmio do Júri no Festival de Cannes ano passado sendo assim o segundo filme brasileiro da história a vencer na categoria geral, após O Pagador de Promessas (1962) de Anselmo Duarte e ganhou diversos prêmios nos festivais de cinema ao redor do mundo e foi até exibido no Festival cinema de Nova York. É conceito, coesão e aclamação que você quer? Tá tendo sim!

Bacurau segue em cartaz em salas de cinema de arte, aqui no Recife você ainda pode vê-lo por apenas 10$ lá no Cinema São Luiz (foi lá que eu assisti!). Espero que tenha gostado das minhas dicas regionais e boa sessão!

[cartaspelaeducacao-blog]

ALUNOS DA ESCOLA VERA CRUZ

- 12 05 2019 - 

Carta de alunos da escola Vera Cruz em apoio ao movimento contra o corte de verba destinada à educação

São Paulo, 12 de maio de 2019.

“Acreditamos que a educação sozinha não transforma a sociedade, sem ela tampouco a sociedade muda. Se a nossa opção é progressiva, se estamos a favor da vida e não da morte, da equidade e não da injustiça, do direito e não do arbítrio, da convivência com o diferente e não de sua negação, não temos outro caminho senão viver a nossa opção. Encará-la, diminuindo, assim, a distância entre o que dizemos e o que fazemos” Paulo Freire Como declarado pelo educador brasileiro, planetariamente reconhecido, Paulo Freire, a educação exerce um papel de extrema importância ao funcionamento e à existência de uma sociedade, obtendo uma relação de ação e reação no comportamento de cada cidadão. Ademais esta é um direito fundamental e social, como consta no Título II (Direitos Fundamentais), Capítulo II (Direitos Sociais), artigo 6º da Constituição Federal da República de 1988. E assim é dever do Estado não só garanti-la, mas deve-se investir em uma educação de qualidade e para todos. Entretanto, dentre os múltiplos ataques apresentados pelo governo Bolsonaro, desde o início deste ano, eis um de massiva importância para o futuro da sociedade brasileira: o corte de R$7,97 bilhões do investimento em educação, do ensino básico até o ensino superior. Nas últimas semanas, o MEC e Weintraub divulgaram o corte total de R$819 milhões nas bolsas de pesquisa de pós-graduação. Porém, a conta realizada pelo ministro Abraham Weintraub é nitidamente tendenciosa; os cortes foram realizados em cima de despesas discricionárias, pois o MEC não pode interferir em despesas obrigatórias, como as com gastos de funcionários. Assim, sobre essas despesas não obrigatórias, o corte foi, de fato, de cerca de 30%. Deste modo a universidade pública, que representa não apenas a pesquisa brasileira em todos os níveis, mas também um meio acessível que visa formar um aluno crítico e participativo, vinculando a aprendizagem a questões da realidade, está sendo derrubada, asfixiada pela mesquinharia elitista que nos rodeia historicamente no Brasil. O corte de verbas é só um início para uma problemática que se aprofunda ainda mais quando a discussão é a privatização da universidade pública como uma solução para suas contas. Tanto os cortes quanto a defesa de que a privatização são uma saída viável, excluem ainda mais os pobres e as minorias que vêm atualmente ocupando tais lugares. Essas medidas reforçam a marginalização àqueles que historicamente sempre tiveram um espaço de educação de qualidade negado. Assistimos a uma cegueira estratégica. Assim, nós, grupo de alunos do ensino médio da Escola Vera Cruz, entendemos que a qualidade do ensino não pode de forma alguma ser precarizada e, deste modo, gostaríamos de explicitar nosso  apoio à paralização  que acontecerá no dia 15 de maio de 2019 (quarta-feira). Independente de nossa situação nos parecer privilegiada, já que somos estudantes da rede de educação particular da zona Oeste de São Paulo, é importante lembrar que tal corte também nos afeta. Apesar de circularmos em um meio educativo privado, muitos de nós desejam acessar o ensino universitário público. Deste modo, a paralização representa um instrumento de posicionamento não só sobre o futuro do nosso país, mas também sobre o nosso próprio. Diante disso, convidamos todas e todos os estudantes da Escola Vera Cruz a se manifestarem  no dia 15/05.

Assinaturas:

Grêmio da Construção Coletiva

Alunos: Anita Schwenck Nejme; Daniel Moraes Santana; Veronica Bagnoli D'Amore; Vitor Park Wu Sofia Domingues Belinky Maria Fernanda Saraiva Fernando Pencak Felipe André Mirshawka Bruna Tito Renan Funtowicz Valentina Yusta Fernanda Lazaretti Marina Navale Cecco Gabriel de Held Silveira João Pedro Maroni Gustavo Ruy Fernandes Davi Terra Felipe Rottgering Bianca Marcomini Laís Bastos Laura Dick Danilo Lima Amanda  Sanches Louro Sofia Schuppli Sofia Mendonça Lucca Levin Cecato Francisco Ferraz Rafael Kovach Viktor Schmadel Bruna Carvalho Fernanda Veronezi Sofia Mendes Nina Klotzel Manoela Varella Peixoto Olívia Blay Gabriela Giardino Rafaela Dowbor Stefani Romano Flávia Vallejo Isabela Miranda Luana Kotscho Elise Boccia Fabiana Tarantino Manuela Abramo Manuela Ferraz Luiza Mendonça Natália Tito Ana Luiza Tararam Clara Smith Laura Cicerone Ana Luiza Tobara Manuela Magalhães Isabella Conti Cecília Almeida Paula Gaido Mila Mercadante Maria Eduarda Grassano Maria Pandeló Luana Nicolini Isabel Neves Laura Cruz Ana Carolina Roso Helena Pimentel Clara Paranhos Rafaela Nastari Joana Plapler Beatriz Soares Daniela Goichman Rita Barbiellini Sáfadi Catharina Caseiro Cavalieri Mariana Giannella Lina Mariana Abuhab Bialski Giulia Tonin Dora Duprat Martini Juliana Junqueira Fernanda Galvão Daniela Maciel Carolina Sertorio Helena Ditt Helena Winter Luana Baenninger Laura Mauser Mariana Brom Giulia Soares Clara kalili Clara Anselmo Godoy Corrêa Livia cristina busato Isadora Muylaert Helena Sader Pietra Porto Carolina Nigro Luiza Robin Fernanda Mendes Marina Sampaio Isabela Cosso Ana Luiza Politi Sabrina Polak Isabel Borgneth Sofia Farias Isabella Dalge Marina Franco Mansur Júlia Paliares Luiza Barros Vera Pizzo Catarina Schultz Ramos de Andrade Isabella Ekerman Kether Barata Ribeiro Levine Zoe Barata Ribeiro Levine Julia Livi Graziella Piacsek Fernanda Tito Costa Pereira Bruno Ligorio João Pedro Sartí João Alfredo Stella Nader Raquel Liberman Maria Clara Berni Fernandes Léo Ostermayer Fiuza Luca Perotti Pedro Magada Danilo Sztutman Laura Andrade Gabriel Starobinas Francisco Appy Clara Quinta Cunha Felipe Puliti Serson Gustavo Andriotti Gurman Joana Lagos Atala Frederico Levy Luara Dezordi de Oliveira Manuela Mazzucchelli Pedro Ferreira Cecília Tiné Torkomian Luana Tito Nastas Fabiana Biondi Camargo Francisco Barreto Dalla Vecchia Gabriela Pires CitIno Marina Gurman Nicholas Rigatto Noah Levin Tom Ricardo Rabinovitch Catharina Maia Gabriel Amorosino Sales Fernando Kerr Guimarães Bidetti Luana Farhat de Carvalho Felipe Cosso Gabriel Chiaratto Gabriel Lanchini Loures Bruno Ferraz Manzoli Karina Simone Fischer Isadora R. F. Cunha Antonio Losada Totaro André Thomas Monteiro Maria Clara Gonçalves Matheus Paulelli Gandolfo Antonio Levorin Antonio Mantovani Pedro Telles Lucca Reis Antonio Mendes Gandour Eduarda Siqueira Martins Daniel Viana Godinho Peria João Marques Magalhães Thales Corrêa Tavares Gabriel Machado Frossard Nina de Souza Furlan Gabriela Lobo Jeveaux

Responsáveis Legais:

Candida Rocha Schwenck; Roberto Emilio Nejme; Maria Helena Bagnoli; Carmine D'Amore Ingrid Davidovich v Paula Cruz Marta Inez Medeiros Marques

[buzupontocom]

#Repost @buzupontocom with @let.repost • • • • • • Cadê o Pernoitão? Nas imagens você pode conferir algumas linhas do Sistema Pernoitão e algumas identificações do Sistema Corujão nos pontos da Lapa. (Arraste pro Lado --->) Confira as linhas do "Corujão Salvador" na reformulação do Pernoiitão em 2015. 1. Lapa x Paripe (Comércio / Calçada/ Subúrbio) 2. Lapa x Pirajá (São Caetano / Est. de Campinas / Pirajá) 3. Lapa x Faz. Grande do Retiro (Nazaré / Liberdade / Faz. Grande do Retiro / Capelinha) 4. Lapa x Ribeira (Ribeira/Massaranduba/ Vl. Rui Barbosa/Uruguai) 5. Lapa x Santa Mônica (Cidade Nova/Pau Miúdo/Caixa D´Água/Pero Vaz/IAPI/Sta. Mônica) 6. Lapa x Brotas (Daniel Lisboa/Brotas/Eng. Velho de Brotas/Cosme de Farias/Luís Anselmo/Matatu/Lad. Bandeirantes) 7. Lapa x Águas Claras (Est. Matadouro/Cajazeira 6/7/Águas Claras) 8. Lapa x 7 de Abril (Sete de Abril/Nova Brasília/Est. do Coqueiro Grande/Faz. Grande 4/3/2) 9. Lapa x Castelo Branco (Castelo Branco/Cajazeiras 8/11/ Faz. Grande 1/Boca da Mata) 10. Lapa x Pernambués/Cabula (Pernambués / Silveira Martins / Hospital Roberto Santos / Est. Barreiras / Sussuarana / Paralela / Cabula 6 / Tancredo Neves/Mata Escura/Jd. Sto. Inácio) 11. Lapa x Vale dos Lagos (Paralela/São Rafael/Vale dos Lagos/S. Marcos/Pau da Lima/Colina Azul) 12. Lapa x Centro de Convenções ( Imbui/Boca do Rio / Itapuã / Praias do Flamengo/ Pituba) 13. Lapa x Barra/Graça (Centenário / Barra / B.Avenida / Lad. da Barra / Graça) 14. Lapa x Chapada (Itaigara /Orla/ Av. Dorival Caymmi / S. Cristovão/ Mussurunga) 15. Lapa x Federação (Cardeal da Silva/ Eng.velho da Federação/Amaralina/Nordeste) #BuzuPontoCom #Pernoitão #Corujão #ÔnibusnaMadrugada #Salvador #Bahia (em Na Madrugada) https://www.instagram.com/p/CkP0doWubs1/?igshid=NGJjMDIxMWI=

[alimentoseguro]

Capital de giro para loja agropecuária e pet shop: por que é importante?

A resposta a esta pergunta do título está contida no livro virtual Como montar o Capital de Giro: Loja Agropecuária & Pet Shop.

A solvência é o principal objetivo de uma empresa visando a sua sobrevivência mercadológica. E isso exige das empresas um processo de gestão cada vez mais qualificado, detalhando os gastos a curto e a longo prazo e as possíveis entradas de dinheiro, especialmente em termos de seu capital de giro, que nada mais é do que a diferença entre os recursos disponíveis em caixa e a soma das despesas e contas a pagar.

De modo específico, o mercado do varejo agropecuário, representado aqui pelas lojas agropecuárias e pet shops, apresenta uma profissionalização exponencial nos últimos anos, no qual se observa um crescimento do mercado agropecuário (direcionado para lojas agropecuárias) e um avanço muito forte do segmento pet, com as pessoas abraçando seus pets como membros da família, e exigindo do comércio um profissionalismo para atender estas demandas.

Nesse cenário, acaba de chegar ao mercado o livro virtual Como montar o Capital de Giro: Loja Agropecuária & Pet Shop (Autor: Anselmo Montes; Valor: R$25,00 - LINK). A obra -- que é mais um lançamento com a assinatura Farmácia na Fazenda do Professor Guilherme Augusto Vieira, em parceria com programa Loja AgroFF - Moderna e Competitiva --, trata justamente da importância da profissionalização da gestão para esses segmentos do varejo, principalmente para viabilizar economicamente financeiramente o estabelecimento.

No auge de sua experiência*, o autor professor Anselmo apresenta ao leitor um conteúdo prático, objetivo e dinâmico, em linguagem clara, cujo objetivo é orientar os empresários lojistas agropecuários e de pet shops, gestores e gerentes desses estabelecimentos e demais interessados quanto às bases conceituais do capital de giro, sua composição e como calculá-lo, além de vários exemplos práticos.

__*Sobre o autor : O Professor Anselmo Montes possui graduação em Administração de Empresas pela Universidade Federal da Bahia (1979) e mestrado em Ciências Contábeis pela Fundação Visconde de Cairu (2003). Atualmente é professor da Vag Concursos. Tem experiência na área de Administração, com ênfase em logística e gerência financeira, atuando principalmente nos seguintes temas: planejamento de estoques, compras, distribuição e armazenamento, planejamento e análise financeiras.

__SAIBA MAIS: Como montar o Capital de Giro: Loja Agropecuária & Pet Shop. Autor: Anselmo Montes; Valor: R$25,00. Clique AQUI e compre agora mesmo

OUT/22, PRESS RELEASE

[informativocolombia]

Tendencias del liderazgo consciente: Great Place to Work® reúne las Best Practices de las mejores empresas

Els grans desafiaments globals, la disrupció tecnològica, el canvi climàtic i les desigualdades socials no només atañen a governs i Ong’s. Els líders de les organitzacions tenen un paper clau que exerciran davant la fulla de ruta marcada: ajudar a construir negocis sostenibles des d’un lideratge conscient. Cada vegada cobra més importància equilibrar creixement econòmic, bé estar social i defensa de l’entorn. Els líders empresarials estan buscant fórmules per implementar el Propòsit en el seu dia al dia en el negoci i fer-ho tangible.

En aquest context, Great Place To Work®, consultora líder en la identificació i certificació de Excelentes Lugares per Trabajar, publica l’estudi “Liderazgo en los Grandes Lugares de Trabajo”, en el que han participat els líders de les empreses Admiral Seguros, Andorra Telecom, Axazure, Banca March, Baylos, Beam Suntory, Creditoh, DHL Express, Laboratorios Expanscience, Laboratoris Gebro Pharma, HomeServe, Nordic Pharma, Kairós DS, SC Johnson, SIDN Digital Thinking, Siemens Healthineers y Soluciones Cuatroochenta.

Els experts en els grans llocs de treball analitzen en l’estudi i dins del context actual com estan identificant els líders dins de l’organització, com acomiaden el seu desenvolupament i les seves recomanacions per a liderar la forma conscient i generar cultura d’alt rendiment i cura. de les persones.

Liderazgo humanista Laboratoris Gebro Pharma s’inspira en els principis de l’humanisme filosòfic. Isabel Salas, Directora de Comunicación y RRHH de la farmacéutica afirma que “el humanismo es rentable”.

“Los índices de resultados económicos están vinculados a ese cuidado por las personas, continua Salas ¿Qué nos dice el humanismo? Bàsicament, la tesis és que tot és incierto, pero hi ha una certesa irrevocable: nacemos y morimos solos/as. Això significa que en el tránsito de nuestra vida tenemos necesidades de afecto y reconocimiento”, concluye Salas. En aquest context, Isabel Salas afirma que “en los entornos donde se fomenta en las personas libertad para decidir, autonomía para crear, generar, etc. -creació”.

Una altra clau és el concepte de justícia. Segons comenta Salas en l’estudi, les persones quan creen que les diferències que s’estableixen corresponen a un criteri de justícia, se senten més vinculades al propòsit de la companyia i contribueixen més al negoci. En cuanto al liderazgo, en Laboratorios Gebro Pharma treballa l’autenticitat, líders que sean vulnerables, que reconeixen els seus errors, que no tinguin miedo a expressar les seves emocions, i connecten amb les persones. Salas afirma que “tenem també en compte la dimensió enfocada en els resultats, i aquí apliquem les metodologies àgils”. Per otro lado, Salas enfatiza en la capacitat d’influir en els líders, de crear xarxes, de connectar comunitats: “Trabajem per equips transversals més allá de la jerarquía i superant l’organigrama”.

Com s’identifica un gran líder

SIDN Pensament digital Per a Jesús Moya, CEO de SIDN Digital Thinking, a l’hora d’identificar futurs líders existeix una característica clara, i està molt relacionada amb el que en SIDN llamen les adyacencias. Segons Moya, “la forma que ha de desenvolupar-se, aspectes que ha desenvolupat al llarg de la vida, que mostren empatia, i altres qualitats que a vegades passen inadvertides, però que dins d’una organització permeten destacar les persones”. “Intentam potenciar aquestes qualitats que ja trae de forma innata el futur líder”, afirma Moya. Asimisme, “tractem de trobar una via de canalització per a que la persona pugui desenvolupar aquelles qualitats dins dels equips, evitant potenciar una part de sí mateixa que a la millor no és amb la que més còmoda/a se sent”. En relació a un consell de liderazgo, continua Moya, respecte al cuidado y éxito de las personas, “nuestra apuesta es la concentración de talento, porque de alguna manera ese talento se expande y conecta al resto de equipos”.

Banca March En Banca March, segons Anselmo Martín-Peñasco, Director de RRHH i Subdirector General de l’entitat, “buscamos un liderazgo inspirador que fomente nuestra misión de Crecimiento Conjunto, colocando a las personas en el centro de la estrategia”. Para Martín- Peñasco, aquesta és la clau d’un model de gestió excel·lent, en el que el líder prioritza el creixement de l’equip per sobre de la gestió de tarees o urgències. És fonamental escoltar, prosigue Anselmo, i entendre què necessiten les persones per ajudar-les al seu desenvolupament professional. “También és prioritària la generació d’un clima laboral positiu, on predomina la comunicació transparent i la confiança. I per suposat, el líder ha de ser el primer promotor de la cultura de l’organització, així com un exemple de compromís, motivació i valors”. Concluye Martín-Peñasco.

Axazure En opinión de Natalia Castelló, HR Director d’Axazure, per identificar als líders de l’organització és important: l’experiència (liderar amb l’exemple i si l’equip té més experiència en general que el líder, això es torna complicat); Las habilidades de liderazgo (comunicativas, empatia, paciencia, capacidad para enseñar y mentorizar…); i la voluntad de liderar i fer créixer professionalment a cada una de les persones de l’equip i no sol de ser jefe o promocionar en vertical. Finalitza Castelló.

Com es desenvoluparan els futurs líders d’una organització Admiral Seguros En lo que respecta al desarrollo de los líderes, para José María Pérez de Vargas, Director de Claims & AF de Admiral Seguros, disponen de diferentes grupos d’interès y programas formativos. Segons Pérez de Vargas, “destacamos la puesta en marcha d’un grup d’interès, “The Hill”, en el que des de la direcció s’ha integrat a un grup de gestors que participen junts a ells de forma activa en reunions estratègiques de negoci. Disposem d’un altre grup d’interès de gestors, “Pde”, i responsables i jefes d’equip, “LiderAS”. En quant a programes transversals de desenvolupament, destaquem el nostre programa “DaVinci”. A través d’un procés de selecció interior, es detecta a aquelles persones que tenen un bon rendiment i tenen expectativas de creixement dins de l’organització. També hem posat en marxa, continua Pérez de Vargas, el programa “Admiral Progress Tour”. Aquest programa permet connectar a una persona treballadora identificada dins de “Karisma”, otro de nuestros proyectos”.

Beam Suntory En Beam Suntory, segons Patricia de Blas, Senior HR Manager de l’empresa de begudes espirituosas, la millor manera de desenvolupar un líder que empra des de la seva carrera professional. Tots els empleats tenen un pla de desenvolupament i un pla de formació específic, afirma de Blas, a més d’una formació focalitzada en dones per a les dones que dirigeixen el salt a directores.

Kairós DS En Kairós DS, segons Javier Rubio, Development Brand & Culture de la tecnològica, desenvolupan els seus futurs líders treballant el desenvolupament professional i el desenvolupament personal. El desarrollo profesional, dice Rubio, “desde el punt de vista de coneixement de la seva àrea de treball, el fem a través de la formació, la participació en charles, deixant que tome decisions, acompanyant-los en tot el procés”. Però, per a Kairós, un líder no és tal si no té una part humana enfocada a les persones. “Per que crezca com a persona, continua Rubio, té la possibilitat de ser embaixador o embaixadora sent referents i impulsors de la cultura en els equips que estan en client o en Kairós DS”. “Son personas de referencia de los valores y cultura de Kairós”. Finalitza Rubio.

Consells per liderar de forma conscient i generar cultura d’alt rendiment i cura de les persones

DHL Express Per César Liaño, C&B + HR Development Manager de DHL Express, “a un líder l’aconsellaria que entienda que en organitzacions d’alt rendiment, les persones tenen el millor dia cada dia quan aprecien un lideratge exigent i estimulant en els resultats i forts en les dones. conductas respetuosas amb les persones”.

Creditoh Segons Sandra Infantes, HR Manager de Creditoh “a un líder li assessorarà generar un ambient i comunicació de proximitat, confiança i transparència”.

Farmàcia nòrdica Para Rafael Mella, Vice President Southern & Wetern Europe, de Nordic Pharma, “lo important d’un líder és tenir empatia”. Segons Mella, “un líder té que interessar-se als altres, posant-se a un costat per deixar que les persones puguin desenvolupar i créixer”.

Solucions Cuatroochenta En palabras de Celia Pallarés, Chief Human Resources Officer de Soluciones Cuatroochenta “a los managers que lideran personas le diría que nunca olviden la responsabilidad que tienen con su equipo, que nunca pierdan la cercanía y la capacidad de empatizar con cada uno de ellos/as . Ser un bon líder va més allá de la consecució de KPIs. Ser un bon líder consisteix en envoltar-se d’un equip que està al 100% contigo perquè els fa sentir part del projecte i creixen amb ell”.

Per a més informació, descarregar l’estudi “Liderazgo en los Grandes Lugares para Trabajar”

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[fredymetalshow17]

29 de noviembre de 1964. Nace el músico estadounidense Terry Glaze. Es conocido por haber pertenecido a la formación inicial de Pantera, habiendo participado en los discos de la banda en los que la influencia del glam metal y heavy metal clásico era más clara, desde 1981 hasta 1986. Glaze dejó la banda debido a disputas en el seno de la banda acerca de la dirección musical del cuarteto. Fue sustituido por Phil Anselmo, ex vocalista de Razor White, después de barajarse otros nombres. https://www.instagram.com/p/CW3z2XaL1qp/?utm_medium=tumblr

[religiones]

¿Cómo se origino el universo sin una inteligencia superior detrás?

La pregunta es absurda, los filósofos cristianos han tratado de probar la existencia de Dios racionalmente a través de distintos argumentos, por ejemplo el argumento del orden del mundo. Se dice que toda complejidad requiere de una causa inteligente que explique su existencia, pero puesto que no podemos retrotraernos ad infinitum entonces es necesaria una explicación última y trascendental que funja como principio de toda la cadena de inteligencias dentro de la naturaleza.Este argumento es tan antiguo como el cristianismo y la filosofía, ya aparece en San Agustín, continúa en San Anselmo y Hugo de San Víctor hasta desembocar en Santo Tomás de Aquino, siguiendo siendo bastante popular actualmente. Su mayor virtud es que sí se presenta bien puede resultar bastante intuitivo para la mente humana, pero aún así debemos explicar sus graves defectos. No planeo tocar todas las particularidades de cada formulación del argumento y eso es un error mío porque Santo Tomás no filosofa igual que San Agustín, pero trataré en la medida de lo posible de ser lo mas justo a cada uno como lo pueda ser.

Cuando hablamos de un argumento respecto al orden del mundo vemos que el filósofo tiende a adoptar una actitud dualista entre el ser biológico y el ser inorgánico considerando por ejemplo que toda cosa inorgánica se rige según las leyes de causa y efecto mientras que los seres biológicos se rigen según unos mecanismos tales que parecen dirigidos hacia una finalidad por algo mayor, a esto se le llama teleología. Cuando observamos más detenidamente vemos que en realidad no hay un principio en la biología que contradiga algún postulado dentro de la física actual, por tanto, si en la física podemos suponer que todo fenómeno tiene una causa natural igual de perfecta y compleja que el efecto entonces cuando nos referimos a seres inteligentes no tenemos por qué suponer que, de existir una primera causa, esta tenga que ser más perfecta o más inteligente que los seres orgánicos de los que conocemos.(1)Además y esto se aplica no solo a los argumentos de índole teleológico sino también los argumentos de raíz puramente cosmológicos, observamos que los seres que denominamos como "inteligentes" (humanos y otros animales) son de hecho una rareza dentro del universo conocido, a día de hoy solo vemos vida en la tierra mientras que el resto de cosas del universo no aparentan estar dotadas de inteligencia o consciencia. Según esto ¿Cómo de temerario hay de ser para suponer que de todas las cualidades que podría tener una posible "causa incausada" ésta tenga atributos mínimamente similares a aquellos poseídos por un conjunto minúsculo de seres dentro del universo? Simplemente es tan improbable que llega a lo imposible (no soy un experto en probabilidad pero no vería descabellado postular tal probabilidad como uno entre billones) Por tanto aquella causa no causada o no tiene nada que ver con la idea de Dios en la biblia (o de un ser inteligente en general) o simplemente es tan improbable que no hace daño suponer que no existe.Querría hacer dos apuntes, en el argumento (según lo presenta Hugo de San Víctor) éste parece referirse como parte de la perfección del universo al movimiento local (Aristóteles explicaba el movimiento en términos de cualidad, cantidad y desplazamiento siendo este último a lo que nos solemos referir con la palabra movimiento y opinaba según su doctrina del acto y la potencia que todo lo que se mueve es porque es movido por otro, también en el desplazamiento de los objetos) pero esto en el argumento de San Víctor es completamente erróneo y fue rechazado por los científicos desde el siglo XVI hasta la actualidad, invalidando el proceso que deriva en su conclusión.Respecto al argumento de Tomás de Aquino (en este caso me refiero a la primera y quinta vía) este se basta del principio de finalidad que dice que todas las cosas tienden a algo, una piedra si se suelta tiende a ir hacia abajo o una semilla tiende a crecer para convertirse en un árbol. Para objetar algo habría que entender las bases que Santo Tomás acepta de la teleología aristotélica, que está a su vez basada en la doctrina del acto y la potencia. La teleología en Aristóteles y Santo Tomás se resume en que todo objeto tiende a un desarrollo desde un estado de potencia a uno de acto acorde con la identidad del objeto. La teleología puede ser extrínseca, es decir que un determinado ser disponga las características de otro según un plan preconcebido e intrínseca o que un ser actúe y tienda a un estado según su potencialidad interna(2) Sí tomamos la quinta vía hasta sus últimas consecuencias todo el orden del universo es fundamentalmente extrínseco pues hay un ser que ha dispuesto los diversos objetos según un orden preconcebido pero como aún así el argumento en su núcleo se sostiene en la teleología intrínseca serán los fundamentos de ésta lo que vamos a analizar.Para entender el error de tal concepto hay que retrotraernos a tiempos de Aristóteles, la batalla contra Parménides el Eleata estaba candente, el problema del cambio era una cuestión compleja, si este no era más que un paso del ser al no ser entonces no hay movimiento posible puesto que "nada viene de la

nada" Esta argumentación de Parménides era fácilmente rebatible con el simple hecho de que sí el cambio era ilusorio entonces no se podía explicar la experiencia del mundo sensible, hecho radical de la vida humana a diferencia de su pretendido "ser" por tanto es más lógico pensar que el cambio es real y Parménides estaba equivocado.Pero Aristóteles fue más allá, planteó que de hecho el movimiento no es el paso del no ser al ser, sino del ser potencial al ser actual, noción de la que se nutre su teleología y por extensión la de Santo Tomás. Ésta más complicada respuesta venia de un criterio no filosófico sino psicológico, venía de la concepción de que el pensamiento abstracto es superior y que de hecho puede reemplazar a la experimentación sensible, error que fue común en la filosofía clásica y medieval. Aristóteles aunque fue a comparación de su maestro Platón un filósofo de mayor enfoque empírico jamás se libró de esta deficiencia y esto se ve tanto en su metafísica como en su filosofía de la naturaleza que fueron (para bien y para mal) muy influyentes durante toda la historia del pensamiento y fueron apropiadas por Santo Tomás de Aquino en su obra. Por eso es que a día de hoy es una noción fallida, obsoleta, porque su uso es completamente anacrónico, los griegos fueron geniales en geometría y matemáticas en general pero en cuanto a física cometieron errores fatales que perdurarían hasta mucho tiempo después, en su pensamiento la experimentación simplemente no existía el concepto de experimento o sí se manifestó fue en contadas ocasiones como el experimento de Eratóstenes.Por eso es que ha día de hoy el primer argumento cosmológico y el argumento teleológico en Tomás de Aquino fallan, porque son nociones anacrónicas, innecesarias y complicadas "pseudoexplicaciones"(3) heredadas de tiempos arcaicos y sin validez explicativa actual concebidas "desde las nubes" y sin base experimental alguna. La razón por la que muchos "neotomistas" o "aristotélicos" aceptan tal noción es porque es elegante, hasta bonita y desde luego prestigiosa, pero no necesaria. Éste es el mayor error de los argumentos de Santo Tomás y otros, la pseudoexplicación y la generalización sin base.Notas(1) Este argumento aparece en el libro "La filosofía científica" de Hans Reichenbach, Parte II capítulo XIII "la evolución"(2) Para una exposición clara de las doctrinas Aristotélicas en metafísica y filosofía de la naturaleza fuera de las fuentes primarias, consultad "Historia de la filosofía occidental" Volumen 1 de Frederick Copleston publicada por la editorial Ariel.(3) Este concepto también aparece en "La filosofía científica" Parte 1 capítulo 2P.D He escrito una respuesta tan larga porque me parecía que las respuestas de abajo no eran muy buenas. Procedencia QUORA