#cinematic tension

[captaingimpy]

13 Assassins (2011) Review: A Modern Masterpiece in Samurai Cinema

13 Assassins, directed by Takashi Miike, is an electrifying revival of the samurai film genre. It stands as a modern counterpart to classics like Kurosawa’s Seven Samurai, blending reverence for tradition with a willingness to push boundaries. Miike’s direction is as precise as it is chaotic, delivering a film that speaks to the soul of the samurai ethos while challenging our understanding of…

[bixels]

It's crazy how Dungeon Meshi's manga can feel more cinematic and emotional than the anime to me, even when they're practically the same. Compared to the anime, this moment is such a heartbreaking gut-drop. The way Kui uses negative space and flat compositions to create a sense of horrific stillness is so key.

The way the text (Senshi's monologue) is sequestered to an empty corner of a panel or huddled away from the edge of its text box is not only a great way of showing Senshi's headspace (fearful, isolated, dissociating), but creates a visual representation of pause, as if you hold your breathe after each line. The first panel puts us directly in Senshi's perspective too (compared to in the anime, which puts us as an outside observer over Senshi's shoulder). The detail of the door and bricks so effectively implies that he stared at it for so long, waiting and hoping, that its image is burned in his memory. The wood grain, the brick arch, the number of rivets. The lack of dialogue in the second panel shows a moment of realization too –– "he's dead" (also a great example of the Kuleshov effect). And it's that pause that creates a beat and sets a great rhythm to his headspace, like a music rest: "He never came back." (oh god.) "I'm all alone." Finally, the third panel's negative space, cropping Senshi, shows how truly alone he feels. Without his family, the world ceases to exists. Under shock, he traps himself in a 1-foot radius, too scared to even perceive a world outside its boundaries; a world that can hurt him, kill him, make him disappear with it. There is only his body, the stone beneath his feet and against his back, his thoughts, and that awful bowl of soup.

Even though they're a series of flat images, there's an implicit reading of silence in Senshi's realization and horror. Kui influences your experience to slow down and take your time.

Compare this to the anime, which fills every shot with dialogue. The pacing is fast; we never get to sit in silence like we do with the manga. The horizontal frame allowed the boarders to add Senshi, turning the composition into an over-the-shoulder shot, which takes us out of Senshi's POV. They also added a zoom-out in shot one, which adds unnecessary energy to a very somber scene. The tightening on Senshi as a close-up reaction shot also dulls the moment. In the original panel, Senshi stares ahead at the empty space to his left as a shadow surrounds his mind. It not only shows how Senshi's senses are dulling and his world is shrinking (setting up panel three), but shows how terrified Senshi is of what's in front of him, how the air itself becomes pitch black and opaque, how Senshi is surrendering himself to fear. The pacing is understandable and necessary; this episode packed a lot of story content together. It's just a shame because it really (imo) deflated one of the most nauseating moments in Dungeon Meshi.

[eosofspades]

godddd thinking about the red war first couple missions and going insane . that was so good and for what

[frog-chemicals]

Watching one of those 3 hour “surviving 100 days in [Modded Minecraft Scenario]” with Dramatic Narration and honestly? Willing to bet that a lot of videos in this genre are a lot better than the movie will be

[mariocki]

A young Christopher Lee guest stars as dastardly Larry Spence - a rising star in the world of journalism, turned blackmailer and then murderer - in The Vise: The Final Column (1.16, ABC, 1955); the episode wasn't seen in the UK until 1963, as part of ITV drama anthology Tension

[rocketbirdie]

Thoughts on the new Monster Hunter trailer?

Equal parts thrilled and apprehensive!

I've always preferred a more cartoony and colorful MH that doesn't take itself too seriously. World wasn't my cup of tea for various reasons, such as the emphasis on realism, too much time sucked away by a disinteresting plot, and the disgustingly visceral sound design.

Wilds is very obviously World-like. As soon as I learned it's FULLY voice acted, I groaned in agony not gonna lie. I'll be perfectly fine with it being plot heavy as long as they make cutscenes skippable. Not sure yet how I feel about having a handler again. Would like to see Sunbreak's followers system return, but I'm not confident.

New locale looks beautiful!! Mohran hype maybe??? The new large monsters are curious. Amphibian monster! Zamtrios?? Please please please zamtrios please pleeease please. Great Sword moveset is funky. I like the gap-closing counter attack, but I also kind of miss the goofy simplicity of the old school hit-and-run playstyle.

Seikret is precious. I hope we get to customize their colors and deck them out in cute cringey outfits. Very surprised that you can sharpen/drink potions etc. while riding them, that was the thing about Rise's palamutes that I felt needed to be nerfed. I DO like that Seikret can carry one other weapon for you to switch out between. Hopefully that means you can't freely change equipment at the main camp like in Rise. I like having to prepare more carefully for hunts!

[istadris]

Things that will never happen but would be absolutely hilarious : a sequel to the super mario bros movie based on Luigi's Mansion.

And in the trailer this time it's Mario who has a strangely homoerotic scene with King Boo making the fandom go bananas again.

[fogaminghub]

https://www.fogaminghub.com/post/until-dawn-explore-decision-making-in-horror-gaming

🌙✨ Ready to face your fears? Explore how decision-making drives the narrative in Until Dawn! From Dr. Hill's office to the fate of your characters, every choice counts. Will you embrace friendship or succumb to unease? 🌌🍂 Dive into our latest blog post to unravel the mysteries!

[izzy-b-hands]

Didn't think the 1989 version of The Woman In Black would be scarier than the one with Dan Radcliffe in it

I was Wrong flkjdsafkldsja, but I'm delighted to have been wrong. I had missed getting scared with more practical effects/careful timing of things in the background of shots appearing and disappearing, and this one scratches that itch well.

[cartoontees]

predicting it NOW that miles will try to save his dad from the falling building, not make it in time, but the dust clears to reveal that MIGUEL actually saved him despite all the canon event stuff because miles inspired him to have the courage to fight against destiny again

[sleepy-crypt1d]

i just woke up from the wildest dream about a horror movie called lume that was so vivid when i woke up i thought it was real

[desert-rat]

listen i know the trope is that americans love guns and all but i just finished two seasons of a bri'ish drama and there had to have been a gun in literally every scene

[misunderstandings-georg]

I Am About To Start Ripping Out Pages And Eating Them.