#cinema e cinema

[chez-mimich]

Questa è la leggendaria (si può ben dire) rivista “Cinema e cinema” (titolo mutuato da una famosa poesia di Majakowski), datata aprile 1977. Non avevo ancora sostenuto la maturità ma i miei docenti che ci consideravano giustamente dei semi-deficienti, ci “consigliavano” queste letture. Da questo numero scoprii Wenders, Herzog, Schlöndorf, Fassibinder e tanti altri. Me la procurò il mio anico Renzo Martelli della libreria La Talpa… Va beh cose che capitano ravanando nella biblioteca.

[psykopaths]

Paul Walker in 2 Fast and 2 Furious (2002)

[akinetonsworld]

[semioticapocalypse]

A still from the seance scene in the German silent film 'Dr Mabuse, the gambler (Dr. Mabuse, der Spieler), directed by Fritz Lang. 1922.

I Am Collective Memories   •    Follow me, — says Visual Ratatosk

[arvtisticfra]

[fallimentiquotidiani]

[iamtryingtobelieve]

Each cut, each scar, each burn, a different mood or time. I told him what the first one was. I told him where the second one came from. I remembered them all. And for the first time in my life, I felt beautiful. Finally part of the earth. I touched the soil, and he loved me back. Secretary (2002) Dir: Steven Shainberg

[antropofagis]

[cafefiorentini]

Filhos do Perímetro

[firelise]

Alfre Woodard on Crooklyn (1994) for R29:

“To my knowledge, we hadn’t seen a Black family that was just presented as we are in life, as human beings,” Woodard said. “I get told in Belgium by white Belgians ‘I love Crooklyn, it reminds me of growing up.’ Which is what happens when you tell a story from a specific point of view, you don’t have to mention race. You didn’t get up this morning like ‘I’m a black woman that wants a cup of coffee.’ You just want a cup of coffee. It was us as we are. Just us being fabulous, complex, funny, delightful, and making ends meet. And seeing, even within that story, that we’re not monolithic...The specificity is what makes it universal. Diversity is not the point; showing reality is the point.”

[providence-park]

SALTBURN (2023)

Dir. Emerald Fennell

[marrziy]

O GLOBO DE OURO É DELA!

★ Fernanda Torres

[rivercloak]

so, you're telling me that big-time millionaire director christopher nolan knew löded diper but not one direction??? that's a win for music in my eyes

[semioticapocalypse]

Bruno Barbey. Anna Karina. Paris, France. 1966

I Am Collective Memories   •    Follow me, — says Visual Ratatosk

[arvtisticfra]

[carbon-fiber-internal-organs]