#cindy g white | Explore Tumblr posts and blogs

blueminuet · 3 months ago

Text

So the JimmyTimmy PacRim AU is ending, so it's time to give everyone a rundown of what they really want...

A detailed list of all Jaegers in the AU and what they are based on:

The first few jaegers got really long, so sorry about the long winded post. A lot of this was stuff from my planning notes, and may or may not change depending on if I contradicted myself somewhere, or if co-author @fauvester accidentally contradicted me, in which case forget what I said, Fauve has never done anything wrong in her life.

The AU Itself

This AU takes place in roughly 2030, with the Kaiju War starting around 2015

The Jaegers

Logo made by fauve tm tm tm tm

Cranium Blast

In universe:

Mark III Jaeger built circa 2020

Original pilots: Cindy Vortex and Jimmy Vortex (née Neutron)

Originally stationed at the Anchorage Shatterdome

One of only two jaegers to be successfully solo piloted (by Cindy Vortex in 2025)

Retired in 2025 after encounter with Kaiju Calamitous

Re-activated in 2030 at the Hong Kong Shatterdome with pilots Jimmy Neutron and Timmy Turner

Meta Info:

Pretty obviously based on the canonical jaeger Cherno Alpha (personally my favorite jaeger)

Unlike Cherno, Cranium Blast is a third generation jaeger that incorporated the best of the Mark I Cherno Alpha, and made some improvements (notably, escape pods)

Also unlike Cherno, Cranium Blast has a detachable conn-pod, which sits on the front of the head (see: the little white box on the head in the image)

The "head" of this style jaeger is actually a huge amount of power cells that store excess energy from the jaeger's nuclear core, which allows it to have pretty powerful armaments, in exchange for slightly less mobility.

Cranium Blast's armaments: Tesla Fist, Static Cannon (mostly made up), and a Nuclear Vortex Turbine (the canonical name of the swirly thingy on the chest of G. Danger.)

Umbral Phantom

In universe:

Mark III Jaeger built circa 2019

Original pilots: Danny Fenton and Valerie Grey

Additional pilot teams: Danny Fenton and Jazz Fenton, Danny Fenton and Sam Manson, Danny Fenton and Tucker Foley

Originally stationed at the Anchorage Shatterdome

One of only two jaegers to be solo piloted (by Danny Fenton, 2024)

Valerie Grey retired from the program after the encounter with Kaiju Plasmius in 2024

Danny Fenton continued, cycling through 3 different co-pilots in two years, before quitting the program in 2026

Standard Mark III armaments, including the plasma cannon hand.

Meta Info:

Yeah, this is just Danny's trauma mech

I kind of imagine it being a mix between Romeo Blue and G. Danger but with the classic black/white Danny Phantom colors with ecto-green accents

Art and logo made by fauve tm tm tm tm

Tigre Pantera

In universe:

Mark V Jaeger built circa 2028

Original pilots: Rodolfo Rivera and Manny Rivera

Originally stationed at the Panama Shatterdome

Two years later, Tigre Pantera was reassigned to the Hong Kong Shatterdome.

Renamed to Tigre Fantasma in 2030, after Manny Rivera and Danny Fenton became the pilot team and the jaeger was re-fitted with one of Umbral Phantom's arms.

Logo made by fauve tm tm tm tm

Meta Info:

Very obviously based on Striker Eureka, right down to the father/son jaeger pilot team.

Fauve wisely added cat ears though.

The color scheme was very obviously chosen by Rodolfo, the shiny white with gold trim.

The armaments on this one are pretty much the same as Striker Eureka, but we added cat claws because obviously.

I put Tigre at the Panama Shatterdome even though Los Angeles is closer to where Miracle City would be, but like... p much all of these cartoons are either based in North America or a fictional version of North America, we gotta spread out a little.

OKAY YES FINE I FORGOT TO TALK ABOUT JENNY:

The XJ9 system is an artificial intelligence created by Dr. Wakeman to take on some of the neural load from jaeger pilots. All studies on artificial intelligence taking a full person's worth of the neural load have failed, but Dr. Wakeman found success with implementing AI to take the edge off.

Jimmy, personally, thinks Dr. Wakeman is kind of a nutjob, and the only reason the XJ9 system ended up in the Mark V jaegers is because Jimmy was not involved in its development.

Anyway, Manny loves Jenny, he insisted she pick a name and that's what she picked. She's his big Mech-AI sister and we love that.

Samurai Bravo

In universe:

Mark I jaeger built circa 2016

Originally assigned to the Tokyo Shatterdome

Original pilots: Johnny Bravo and Jack Oda

Reassigned to Hong Kong Shatterdome in 2030

Armaments: Plasma Sword, Chest Gatling

Meta info:

If I were to pick a canon jaeger this one is based on, it's Tacit Ronin

I decided that Johnny is from Russia in this AU, because really we needed people to spread out a bit.

I gave Samurai Jack the family name Oda because I'm from the Kamen Rider fandom where Oda Nobunaga's ghost, resurrected zombie, and catholic cowboy spirit imprint are all just vibing.

Oh right, people might want some backstory on Samurai Bravo…

Johnny is Russian in this AU, but is obsessed with America and “American culture” which is… why he is the way he is…

He probably did a study abroad in America back in college and still talks about it

(The political landscape of this AU is never discussed unless it is, but since Russia is one of the PPDC counties well just assume they are friendly enough to have had a study abroad program with the US.)

Anyway, Johnny was a cadet at the Russian Shatterdome at Vladivostok and could never find a drift partner because he’s… like that.

Jack is Japanese, obviously, but lived in America for some time, earning him the nickname “Jack”. (What’s his real given name? Unimportant.)

Jack joined up as a jaeger pilot cadet early in the program, but had trouble finding a partner because he was too closed off and individualistic.

Shatterdomes nearby each other (in a global sense) would often collaborate and send cadets to new Shatterdomes to try to find matches if they had enough skill to continue in the program. The Vladivostok Shatterdome was all too happy to send Johnny off to Tokyo…

Jack instantly disliked Johnny, especially as his reputation as an arrogant troublemaker preceded him.

Johnny did NOT pick up on that AT ALL, and just wanted to make a new friend who had lived in America to talk about America Stuff.

Jack eventually got fed up and challenged Johnny to a spar. He quickly learned that despite Johnny’s bravado (lol) he was actually quite observant and insightful.

Jack was still reluctant to drift with Johnny, but their first drift test went very well, both of them getting insight into the others’ was of thinking, and quickly learning how they could compliment each other.

Despite being assigned to Tokyo full time, Johnny maintained close connections with the Russian Shatterdome.

When the Utonium triplets were cadets, they were the first candidates for a triple pilot jaeger. Despite having strong drift compatibility, they experienced issues with maintaining the drift due to each of them preferring different strategies and styles

Chemical X

In universe:

Mark IV jaeger built circa 2026

The only three person jaeger

Originally stationed at the Vladivostok Shatterdome

Current pilots: Rangers Blossom, Bubbles, and Buttercup Utonium

Reassigned to Hong Kong Shatterdome in 2030

Armaments: Triple Arms!

Meta info:

Pretty obviously based on Crimson Typhoon.

I originally had the PPGs based out of Nagasaki, but decided to put them in Russia, and built in the narrative that Johnny may have helped train them (despite having been moved to Japan)

I would, again, like to apologize for killing off the PPGs...

Unstoppable Sitch

In universe:

Mark III jaeger built circa 2020

Originally stationed at the Los Angeles shatterdome

Original pilots: Rangers Ron and Kim Possible

Reassigned to Hong Kong Shatterdome in 2030

Meta info:

I thought about assigning Kim and Ron to Russia, in my shuffling around of people, but eventually decided they could stay in North America

I would like to, again, apologize for killing Ron Stoppable

ComVee Wild

In universe:

Mark IV, built circa 2024

Originally assigned to Sydney shatterdome

Original pilots: Rangers Eliza Thornberry and Darwin

Meta Info:

Only mentioned in dialogue, not actually active in the AU

Darwin is a human in this AU, that's it, that's all I got.

Football Heart

In universe:

Mark II built circa 2017

Originally stationed at Lima Shatterdome

Original pilots: Rangers Arnold and Helga Pataki

Meta info:

Only mentioned in dialogue, not actually active in this AU

Did I have Arnold take Helga's last name because I forgot what his is? Yes. Yes, absolutely I did.

Originally this was going to be one of the still active jaegers, but there were just too many things going on so I dropped them.

Also, Helga would never die, I fully believe that if there was going to be a third solo pilot, it would be her.

Castor Fury

In universe:

Mark I built circa 2015

Originally stationed at the PPDC Jaeger R&D yards in British Columbia. Later loaned out to various other coastal cities as there were few jaegers to go around.

Original pilots: Norbert and Daggett Beaver

Meta info:

Yeah, I literally made this jaeger up on the spot, I just saw another opportunity to drop in an OG nicktoons reference...

Castor is the genus name for beavers...

But I also felt like Castor was clever too for the association with twins (Castor and Pollux) and Norbert and Daggett would be twins in this AU.

I see Norbert and Daggett as being the equivalent of the Beckett twins in pacrim. They aren't necessarily good at fighting or anything, but they happened to be there when they needed to put two people with shared experiences into a robot.

Note: most jaegers past this point are mentioned in the prequel, Fools Rush In.

Puma Loco

In universe:

Mark I built circa 2016

Originally stationed at Panama Shatterdome

Original pilots: Rangers Jorge Rivera and Rodolfo Rivera

Retired in 2027 when Jorge Rivera finally retired and a new jaeger was commissioned for Rodolfo to pilot with his son.

Meta info:

Did you know there's a canon jaeger called Puma Real?

I just thought it was fun if the Riveras were still a legacy family in this AU

Hawaiian Shore

In universe:

Mark I built circa 2016

Originally stationed at Honolulu Shatterdome

Original pilots: Rangers Tito Makani and Raymundo Rocket

Retired in 2020 after death of co-pilot Raymundo Rocket

Meta info:

Fauve mentioned the Honolulu Shatterdome in a throwaway line, and I, knowing there was no Honolulu Shatterdome in pacrim canon, decided to make the Honolulu Shatterdome canon and then make everything tragic. This is my role as a radical canon inclusionist.

I need you to listen to me, I need you to hear what I am saying.......... Tito and Raymundo were gay for each other.

Rocket Power

In universe:

Mark III built circa 2020

Originally stationed at Honolulu Shatterdome

Original pilots: Rangers Reggie Rocket and Otto Rocket

Destroyed in 2024, both rangers lost

Meta info:

I actually really like Rocket Power, I promise...

You can't make a pacrim AU without killing a few Blorbos

If you were wondering, in Fools Rush In, yes, the blond guy is Sam and he's the only one of the gang that is still alive aside from Tito...

Honorable mention: "Marquez’s busted up Mark II"

This is Dora the Explorer's jaeger. No, I do not know who co-piloted. No, I do not know the name of it. It is canon to the AU though.

#my fics #the timmyjimmy pacrim au #will probably link this in the fic but not put it in the fandom tags here because woof

23 notes · View notes

edream93 · 7 months ago

Text

Thoughts on The Rise of Red

Okay, these are just my thoughts that I wrote down in my note app as I watched the movie.

SPOILERS if you haven't watched "Descendants: The Rise of Red" yet:

Uma crying talking about Carlos is definitely China crying for real. It’s definitely a plot inconsistency because as far as we know Uma and Carlos didn’t have any type of relationship outside of Mal but for China and the audience, I thought it was a touching nod to Cam.

Maybe it’s just me but I feel like over the past three movies we had gotten better with the wig situations and this movie felt like a bit of a step back for some of these wigs

The special effects in Red’s first song were pretty neat for a DCOM-adjacent movie

Maddox is kinda cute…This man is 44!?!?! 😍

Paolo Montalbano 😍 My first crush! Honestly he and Brandy and China are the only reason why I’m watching this.

Still not a total fan of Cinderella’s dress. It’s giving royal moo-moo

Brandy and Paolo are still cute together. Like not even in a romantic way but they are definitely co-actors that have great chemistry on screen together. Like it feels like they slipped back into their characters effortless.

I’m sorry Brandy but those shoes are ugly

OMG! Chad is their son!!! They really was like, the Prince Charming had a White dad and a Black mom so of course he and Cindy can have a White son 🤣

Is it me or are there already more songs in this movie than the previous?

Maybe it’s because it’s the only second song but I definitely expected that they would have given Rita and Brandy more to work with

I know Dylan and Thomas probably have grown out of working with Disney but I at least wish they gave a throw away line about where Harry and Gil are. Like we know at least where Mal and the others are and that Carlos apparently died. Idk, the lack of Harry’s line in Uma’s song made me miss them.

You know, for all of the fuss they made about the magic wand, the fact that the Queen of Hearts can easily cut it in half is funny to me

Is this Aladdin and Jasmin they keep cutting back to? I didn’t keep up with the movie production before it came out so maybe them being in this movie shouldn’t be surprising

“Now make me proud, for once,” is such a hard comment to hear from a parent.

Not Chloe’s wig changing randomly 🤣

The actress playing young Fairy G definitely looks like a younger actress of the original one. Good casting.

I feel like a lot of these songs are just sing talking. Like not really singing but just them talking and like I know they did that sometimes in the previous movies but it just feels…odd

….did Chloe’s wig change…again…???

It did….

Did both of their wigs change???

Honestly, I’m underwhelmed by the costumes. I know the same designer wasn’t on this movie but eh

Ella is like… “Mom? Who you calling mom?!??!” 🤣

I forgot that since this was before Auradon they probably would take classes about magic

Bridget’s and Red’s outfits are so far my faves

Jaladdin 🤣

“If you wanna roll together we can be a vibe” 🤣

…..Chloe’s hair changed again….Is this just her face hair or something because it’s not the hair she had in the previous scene

Morganna’s son!?!? Didn’t expect that. Again, I have been so far removed from keeping up-to-date about the production of this movie

Oh I forgot Maleficent and Hades were together at some point. Guess I just thought that was an Isle boredom fling thing

I love how this movie totally negates anything that has happened in the original movies, at least in terms of how they happened. I honestly like to think of the OG movies as royal propaganda 🤣

Okay so I think there’s three wigs that Chloe has had, a regular, a slightly more volumized one, and then what my friend calls the “chia pet” one 😅

Chloe…NO! 😫

Honestly, this portrayal of Cinderella is kinda my fave. She’s been through a lot

Okay, should have known the VK songs would be a bop

Maybe it’s just me but every time I see Hades in this, I think he looks like Chris Colfer

I feel like this movie has so many special effects which isn’t bad, it’s just interesting because I feel like big special effects were saved until the last half/battle

WIG CHANGE AGAIN!

Paolo acting his butt off to the pay the bills

Oooo that was too far Red…

Wig change

Yeah, this movie definitely has a lot more songs…😬

Also…why is her wig longer when they’re gardening?

Are there…are there FOUR wigs?!?!?!?!

Me snorting at the captions reading -hero music playing-

Morganna’s son is missing a few brain cells. Love him.

There’s 7 minutes left….what are they gonna do in 7 minutes!

Not the Queen of Heart’s hair blowing in the wind! 😊

I know it’s not that serious in this movie, but I wonder what’s the reasoning for Red never going to Auradon now that things have changed

I’m glad the Queen of Hearts is nice and all but there should definitely be a fanfic about how Red is trying to distinguish her old reality with her new. And no, it won’t be from me. I wipe my hands clean of this series. I mean it! I’m so serious! I totally don’t have any plot bunnies in my head now! Nope! None. At. All!

Wait! Uma! Are you implying there’s going to be some - GASPS- ramifications to the time traveling!?!?!?

Final thoughts:

Maybe it’s because I’m OFFICIALLY not part of the target demographic anymore but I kind of felt underwhelmed. Like the last three movies had things I wasn’t a fan of but there were at least songs, aspects, characters, that I was a fan of. Honestly, the only person I LOVED in this one was Maddox. If you liked this movie, that’s totally fine and I hope my thoughts don’t stop you from enjoying it. I hope you have all the head cannons and fanfic ideas and amazing energizing conversations with others in the fan. If they come up with more stuff with this series (which they probably will) I might tune in but I think this, plus that Pt.2 outline of WLTF that I still owe folks will probably be my last active contribution to this particular fandom.

Anyway, my faves of Descendants: The Rise of Red:

Uma, even if she was just serving the purpose of narrator/handing the torch from one generation to the next

The nod to Cameron

Brandy and Paolo. I LOVE them on screen together.

I actually really liked Ella and hope to see the actress, Morgan Dudley in more things

Maddox was cute but I honestly always seem to have a thing for movie/TV mad hatters (points to OUAT and the SyFy mini series Alice)

Things I’m “eh” about:

The WIGS!!!! And the costumes but the WIGS!!! Like, if this series continues they need to fix stat!

The songs were kinda forgettable. Uliana’s song at her hideout was kinda a bop and Red’s intro song is good too but everything else was kinda “bleh”

I also feel like we didn’t really get to know Red that well or maybe I was just too distracted by Chloe’s wig.

The plot and pacing. I mean, the OG Descendants movies weren’t perfect but I feel like they typically hit certain plot beats where, as much as you can with these type of movies, it feels like the stakes are high. I guess Merlin’s office being the scene of the last “battle” and then going back to their time just felt a little anti-climatic for me.

But anywho, those are my thoughts. If you don’t agree, that’s fine, just be polite, okay?

#Descendants: the rise of red #rise of red #descendants 4 #disney descents #edream93 speaks #just my thoughts #take them or leave them

27 notes · View notes

ginger-snaps014 · 1 year ago

Text

I recently posted a defense of Snow White after all the live action controversy, and I haven’t been able to stop thinking about the other Disney Princesses that face similar pop-feminist treat. As such, here is my defense for my childhood favorite, Cinderella. Ps sorry for the long post, but she’s my favorite. Also, TRIGGER WARNING - I put the domestic abuse items at the bottoms as number 7, but it referenced throughout.

1. Timeless and Universal Story

For those of you who are unaware, Cinderella is not only iconic as a Disney princess, but a version of her story exists in most parts of the world. In Egypt, you have the story of a Rhodopis (written between 64 BC and 24 AD). In China, there is the story of Ye Xian which dates back to 860 CE. The Malay-Indonesian people have the tale of Bawang Putih Bawang Merah (the swing version). The Vietnamese have Tam Cam. The Algonquin Indians of North America have "The Rough-Face Girl." In Germany, the Grimm brothers published "Aschenputtel" in 1812. The English have “Tattercoats”. The Russians have Vasilisa the Brave, or Beautiful, or Wise, or Fair… she is too popular for a single name. In Italy, there is Basile’s Cenerentola (published 1964). There is the French Cendrillon by Perrault (published 1967) (this is the one that the Disney version is based on). And in America, the iconic retelling is Disney’s version from 1950.

I’m sure there are more retellings by different countries. These are just the ones I remember and could quickly find. These are also limited to (i) the most known versions for each area, (ii) female protagonists, and (iii) instances where the happy ever after includes marriage to a man of wealth and standing. There are many others versions which do not include these points. After all, the base Cinderella story arc is simple: (i) protagonist in a good position that reflects a culture’s values; (ii) protagonist falls due to an injustice and loses one or several of the the following: family, wealth, status, looks, etc.; (iii) despite the fall, the protagonist keeps the values appreciated by the culture; (iv) an outside source comes to the protagonist’s aid and provides advise or items; and (v) thanks to the combination of protagonist’s values and the advise/items, the protagonist lives happily ever after in a secure position that is equal or better than where they started. When dealing with the classic Cinderella, the fall should occur in the domestic sphere with a personal transformation occurring after the fall, and security is reached when a female protagonist can leave the abusive environment permanently. Because this is a defense of Disney’s Cinderella in particular, I’m going to focus on that Film in an American context.

2. Femininity as a Neutral

While pop feminist like to point out that Cinderella is shown doing primarily domestic (aka historically feminine) work, needs a pair of heels to change her life and is saved by a prince, they never dive deeper into their arguments. At the end of the day, traditional femininity is a mixed bag in this film.

A. Domestic Labor

Yes, Cindy is shown doing domestic labor. However, that domestic labor is shown in a negative light. She’s is in rags, worn out, and trapped. Domestic labor is not painted as something good. It is part of the representation of the abuse she suffers. The most artistic image of this labor occurs while Cinderella sings with the soap bubbles. That song is immediately followed up by the cat Lucifer destroying her work. Showing the endless and thankless nature of domestic labor.

B. Makeover

The heels are magic and part of her transformation. They are shown as “good” because of what they give her (i.e. the ability to go to the ball and the ability to prove her identity). Her makeover does not occur in a vacuum. We see Cinderella admire her own reflection in the movie multiple times (while in rags and transformed). We see her fawn over her mother’s dress and enjoy feminine things. She is not forced to give up her identity conform to the femininity those around her want her to have. She is given an opportunity to be herself. She is the girl who like ballgowns. She is the girl who enjoys shoes. The clothing is her expression. Not her cage. If Cinderella did not like such things, her fairy godmother would not have forced her to wear them. Forced femininity is wrong. So is hating on femininity for existing. And hating those (of any gender) that enjoy it.

C. Prince as a Symbol

Yes Disney’s Cinderella’s happy ending comes with a man, but he is not the point of the ending. If you ever noticed how underdeveloped the prince is, you are not alone. Because the prince is a symbol of Cinderella’s dream rather than a well rounded character.

In the movie, the ball is set up last minute. From the moment of the king’s decision to host the ball to Cinderella’s midnight run, not even 24 hours have passed. If Cinderella had been only been dreaming of a ball and prince for the entire film, how could she be singing about that particular dream in the beginning of the movie. The ball has not even been planned. She can’t have. Her dreams referenced in “A Dream is a Wish Your Heart Makes” must then be about something else. Looking at the context of the story, we know it takes place in a capitalist, patriarchal, hierarchical society based loosely off 1800’s France. In a capitalist country, financial security comes from riches (like in the royal treasury). Hierarchical status come from high standing (like royalty). Female success in a patriarchy often equates to marriage. Cinderella was only taken care of and protected while someone who loved her was alive (her father). She knows the mere fact a person has a duty to take care of and protect her (the stepmother) is not enough. As such, Cindy would find love, not a contract marriage, more secure. At the ball, Cinderella does not even realize it’s the prince she dances the night away with. She learns after the fact.

And what is her happily ever after? A prince who loves her, marries her, raises her social standing, and provides financial security. He is the embodiment of love and safety in the society of the story. Is it wrong to dream about love and safety when your life is miserable due to the lack of both? Heck, I’m not in her situation, and I still dream of love and security.

D. The Stepsisters

Like Cinderella, her stepfamily enjoys beautiful things and fashion. They want financial security. They embrace femininity as much as Cinderella. But are despised for their attitude and actions. Cruelty, vanity, greed and jealousy. They push Cinderella down so they can appear higher than her. The toxic nature of these characters shows that femininity is not idealized on its own. It must be combined with other positive traits. Bows and ruffles do not make one a worthy person. Ballgowns and heels alone do not earn a happy ending.

Perhaps their failings are in the unfeminine sins of being loud and ugly, but other versions of these stepsisters (including the French versions) are described as beautiful and poised. They are still the antagonists. Perhaps it’s their vanity, but we spy Cinderella enjoying her looks on multiple reflective surfaces throughout the movie (bubbles, a fountain, a pond and a mirror). Cinderella cries as loudly as the sister sing off key. Despite the Disney Marketing Team using the term “Ugly Stepsisters,” the story focuses on the sister’s actions (like ripping up the pink dress violently) as much as anything else. Their cruelty is better remembered than the shape of their noses. It’s their souls that are ugly. And no amount femininity will change that.

E. Masculinity is also Neutral

While masculinity is not very present in this movie, it does appear in side or undeveloped characters. The unhinged king who acts rashly, violently and loudly (negative). The nervous duke who needs a vacation and seems on edge (neutral - but less traditionally masculine ). The underdeveloped prince (positive) . The nefarious cat Lucifer (negative). And the helpful mice - particularly GusGus (positive, but ignorant) and Jacque (positive, but condescending) . Marrying a man might have given Cinderella her opportunity to flee an abusive household , but the stronger masculine moments of the film (like the king with his anger and the midnight chase) are not seen as particularly positive. With such a mixed bag of representation, you cannot say masculinity is treated in a more positive light than femininity.

In fact, even adherence to gender expectations is varied. The king is the character obsessed with babies. That typical feminine trait is his redeeming quality. The evil stepmother is commanding. Her presence on screen is filled with power. The Duke is physically weaker and emotionally intelligent. The Prince is obsessed with “love” but not women in general. None of the men are ambitious with the potential marriage. The most adhered to gender convention is clothing. Something that this particular fairytale says can easily be transformed to match your true identity with a wave of a wand.

3. Capitalism and Media

Every piece of media contains parts of the society that made it. Cinderella is no different. You can see the Dior New Look as an animated fashion masterpiece, the glitter of postwar consumerism and influence of post-war propaganda. In 1950, the dream was to throw off the toil and dirt of the war years and drive in your Chevrolet Bel Air into a future of modern conveniences and beauty.

Some people have complained that Cinderella is too capitalistic - with her new magic clothing celebrating consumerist culture and with wealth being a part of her happy ending. Well, Cinderella was made in America post-WWII during the Cold War. Pro-capitalist sentiment was the name of the game.

Plus, many older and more recent versions continue this capitalist view because we still live within capitalist societies. They are merely reflecting the values of society back at the audience. There are Cinderella tales where the wealth is refused (1997 animated Anastasia for example).

Additionally, even in the Disney version, Cinderella must return to rags before she can achieve happiness. While in these rags, we see her happily daydream about the night before and hum to herself contently while getting ready to meet the duke (who is trying the slipper on all women). This joy did not require her to change into a fancy gown. Or adorn jewelry. She is not embarrassed by her rags. Her mood only sours when the stepmother locks her in the attic. The loss of her escape makes her weep. It’s the lack of freedom, not finery, that breaks her. Even the last images of this film show Cinderella running happily in a fairly simple wedding dress down a flight of stairs with her prince and entering carriage that pulls away. The last image of Cinderella is not entering a castle, wearing golden gowns, covered in sparkling jewels, or any definitive measure of her new wealth. It’s her escaping. With the person who loves her. Running towards a life free of abuse and fear.

4. Everyone is a Princess

One Cinderella retelling said it better than I ever could. Per the Little Princess, “I am a princess. All girls are. Even if they live in tiny old attics. Even if they dress in rags, even if they aren’t pretty, or smart, or young. They’re still princesses. All of us.” Cinderella is not about a chosen one. A prophesied hero with special powers or abilities. It’s a story about a person being abused by those more powerful and overcoming that trauma. Anyone who was ever been made to feel like less than, can see hope in this timeless tale. I would expand this sentiment beyond girls to anyone who wants to be included because as Sarah reminds us being a princess is a state of mind. Anyone can do so if they are kind, remember they are worthy of love, and refuse to let others make them think their life has no value.

5. Bow down to the Princess that saved a Studio

Prior to the release of Cinderella, Walt Disney’s studio was facing imminent foreclosure. Disney owed the Bank of America millions of dollars.“Cinderella” proved to be the hit the Disney studio needed. Had it flopped, Walt Disney would likely have gone out of business; instead, it was a huge hit, and, in 1955, he opened Disneyland. Disney reportedly said the magical dress transformation sequence in Cinderella was his personal favorite piece of animation. Cinderella has remained visually recognizable and iconic over 70 years after her introduction. She is often used as the face of the “Disney Princess” marketed items. No doubt just the art of this movie changed the pop culture landscape forever. Without Cinderella, there is no Disney World, Little Mermaid, Mulan, Marvel Studios (as we know it), Owl House, Mary Poppins, Parent Trap, Beauty and the Beast, Pirates of the Caribbean, Lion King, Mighty Ducks, Remember the Titans, Holes, Inside Out, Encanto, Coco, Princess Diaries, Hocus Pocus, etc.

6. Personal Bias

I will own up to my own bias. Cindy and Buffy (from Buffy the Vampire Slayer) were my two main fictional heroes. I love them. It should be noted also that I am blonde with lighter eyes so I strongly identified visually with Cinderella on screen. She is one of the reasons I so strongly support increased representation for the POC, LGBTQA+ community, disabled people, etc. I remember how much it meant to see someone who looked like myself on screen. I can’t imagine not wanting others to experience the same joy.

**Trigger Warning Domestic Abuse**

7. Classic Cinderella, a Domestic Abuse Survivor

A. Her Story is a Survival Story

A classic Cinderella character suffers from and escapes domestic abuse. Disney’s Cinderella is no different. She is a victim who overcomes her circumstances and becomes known as a role model, heroine, and royalty. The film narrator directly states, “… Cinderella was abused, humiliated, and finally forced to become a servant in her own house. And yet, through it all, Cinderella remained ever gentle and kind.” Her suffering does not limit her ability to find happiness and success. She wins. She escapes. The fact her success is in part due to her friends and support network is valuable. And at the end of the movie, Cinderella must run down the stairs herself to the get the Duke’s attention. She must take that last step to obtain freedom. That’s often the hardest step. And it was her choice and action.

There is nothing wrong asking for or receiving help. Cinderella’s worth is not diminished because she has friends. We should be encouraging domestic abuse victims to reach out and get help. It is an incredibly dangerous situation, and the victim’s life is most as risk at the moment of escape. Cindy relied on mice, a fairy godmother and royalty. If you are in that situation, pleas feel free to rely on a friend, family member, hotline, etc. Get yourself to a women’s shelter that can give you a roof, clothes and food. Cinderella received goods from her godmother. There is no shame in getting help.

Cinderella is not less valuable because she did not escape on her own. She just needed to escape. Happiness is only found outside of the abusive environment. This is the story of survival. Remaining gentle and kind despite the world. Not letting your trauma darken your heart. How can that not have value? Especially, when this is such a real world issue.

B. Blame Society and Abusers, not the Woman

In the context of a story which is loosely based on 1800’s France, we see no working women (other than Cindy as a servant). To leave without a reference (which the stepmother would never give) or a husband to provide, Cinderella would have ended up a prostitute. There were no domestic abuse shelters in the 1800’s. There were no ways to support or save herself within the world shown on screen without a “miracle”. If leaving a domestic abuse situation in our world is hard, dangerous and requires aid, Cindy required more. She required magic. Neither Cinderella nor any other domestic abuse victim should be blamed for the faults of their society.

We should also not fault Cinderella for being abused. I don’t understand how conveyers of pop-feminism can clearly explain the issues with victim-blaming in sexual situations, but then fail to grasp the exact same concept in popular narratives. Is it the animation as a method of storytelling? The fact the victims find happiness despite their trauma without always resorting to punishing the evildoers? The fact that these victims are hyperfeminine? As if looking a certain ways means you are asking to be hurt. How is this supposed to make real victims feel when they hear the cruel comments? When they identify with Cindy’s situation? Don’t blame the innocent party for failing to stop the actions of the abusers. Only the abuser is responsible.

C. Real World Issue and Inspiration

Much like Cinderella, we exist in a capitalist, patriarchal, and classist society. The USA struggles with domestic abuse and child abuse even today. On average, nearly 20 people per minute are physically abused by an intimate partner in the United States. During one year, this equates to more than 10 million women and men. 1 in 4 women and 1 in 9 men experience severe forms of domestic abuse (Domestic Abuse Statistics by the NCADV). In 2021, a reported 452,313 perpetrators abused or neglected a child. In substantiated child abuse cases, 77% of children were victimized by a parent. In 2022, 21% of people alleged to have abused a child were themselves children. (Child abuse statistics by the National Children’s Alliance).

The issue was even was worse in the past, which might explain why certain older versions of Cinderella still resonate. For the majority of western history, domestic abuse was explicitly legal. Maryland was the first state to make hitting your wife illegal in 1882. In North Carolina in 1886, the beatings had to be severe enough to cause permanent injury or malicious beyond reason to be punishable. Wife beating only became illegal in all of the United States in 1920. There were not serious legal changes between then and 1950 when Disney’s Cinderella was released. Domestic matters were seen as something private to handle at home. In 1962 (12 years after Cinderella’s release), Domestic violence cases were transferred from Criminal Court to Family Court in New York, making it nearly impossible for perpetrators to be criminalized if he or she assaulted someone. Also in 1962, the first guidelines for recognizing child abuse and neglect are printed. Maine opened one of the first women’s shelters in 1967. In Chicago during the 1970s, women’s who left their husbands due to battering were denied welfare because of their husband’s salary. The Child Abuse and Prevention Act only passed in 1974. Terms like emotional and physiological abuse were not used or recognized until right before the 1980s. Stalking wasn’t identified as a crime until the 1990’s. The Violence Against Women Act was not passed until 1994.

Given that Cinderella is a story where the victim, not only escapes, but thrives, it has merit. Because that the majority of domestic abuse victims are women, Cinderella’s gender and femininity seem all the more valuable. I know of at least one survivor who used this film for comfort while growing up. I hope she has stayed safe.

Cinderella is not defined by her pain or abuse. She is defined by her perseverance and good heart. She is defined by her escape from the abusive home. She is defined by finding love, security and acceptance. She is a valuable character who deserves to be iconic. I hope every survivor can see a little of themselves in her gentle kindness.

#cinderella #disney #disney cinderella #domestic abuse #defending my childhood movies #she’s a hero #long post #pop feminism counter #femininity #femininity in Cinderella #feminism

11 notes · View notes

alciefromwonderland · 11 months ago

Text

Hey, so uh!

I wrote a little one act play sort of thing. I'll have it under the cut if anyone wants to read!

Amelia - a woman in her mid 20's

Danny - a man in his mid-late 20's

[The scene opens on Amelia standing before a gravestone, a small bundle of flowers on top. The stage is almost completely bare otherwise. It is a cold winter's day in a cemetery. Amelia stares down at the grave, a look of sadness and contemplation on her face. She is wearing a sleeveless dress and rubs her arms absentmindedly.]

[Danny enters. He is dressed in a black suit and white button up shirt. Neither of them is dressed for the weather, but Danny seems far less bothered by it. He approaches Amelia who glances at him before turning back to the grave.]

Danny: Did you know him?

[Pause.]

Amelia, shaking her head: ...I don't think so.

Danny: (laughs) Don't think so? You're not sure?

[Pause. Amelia shifts uncomfortably.]

Amelia: ...I don't think I knew him.

[Beat. They both look quietly at the grave.]

Amelia: Did you?

Danny: Mm... [Pause. He contemplates his answer for a moment.] Not really. Heard about him, though.

Amelia: Yeah?

Danny: Yeah. Nothing too special or impressive or big, exciting news or anything. I mean, you can find it in the papers, but it's just because you know...they gotta report on all the deaths and everything.

Amelia: Nothing special? He was...what? Didn't even make it to 30. How does someone die that young and it's just discounted as "nothing special"?

Danny: Well, no, I just mean like...he wasn't involved in anything crazy. Just...one of those stupid kids who tried to go swimming before they should've.

[Pause. Amelia nods slowly. It's getting cold. She bunches her shoulders for a moment. Danny looks her over, realizing that she doesn't have a jacket.]

Danny: Here... [Reaches for the buttons on his suit jacket, hesitates, and drops his hands back to his sides.] Uh...listen. You should probably get back home soon. It's way too cold out here for something like that. [He gestures to her dress.] I mean...look, if you're here to see someone in particular, I can maybe help you find them.

Amelia: No, I'm... [Pause. She shakes her head.] I don't know why I'm here.

[Danny looks at her for a moment, a mix of concern and pity on his face.]

Danny: Okay...well...people don't usually come here without reason. I mean...you know, they come to see someone. They come to just enjoy the quiet. They come to learn or pay respects or to mourn. I mean...did something happen or...?

[Amelia shifts uncomfortably. She doesn't look up at him. He's a stranger and she's not sure what she should tell him, if anything. But he seems willing to listen and that's enough for her to start.]

Amelia: ...everyone I know is gone.

Danny, shocked: G...gone? Like...?

Amelia: No! No, they're not dead. They're just... [Pause.] I don't know who they are anymore.

[During this speech, Amelia slowly turns to Danny without realizing, only coming to her attention when she's looking into his eyes.]

Amelia: I don't...talk to them as often anymore. You know, we...we get busy. We all do. And that's fine. But it's...I mean, whenever I do try to catch up with them, it's like...like they're slowly fading away. Emmy...Emily...wants to be called her actual name now because nicknames are silly and childish. Chris has changed majors five times now and I just...I can't keep up. I thought Sarah and Cindy were engaged - but now she's seeing Gary? I - I haven't even spoken to Gary since we were kids, so I can't even imagine what he is doing, what he likes, who he is - but the...the people they used to be...the people I am friends with, they just...they don't exist anymore. I'm just friends with a bunch of ghosts.

[She realizes she's been staring at him, rambling. She looks down at the ground, pulling her arms in closer.]

Amelia: I'm sorry. [She shakes her head, muttering] So dramatic...

Danny: Hey... don't say that. It's not dramatic.

Amelia: But it is. I mean...I don't know why I'm so upset. They're still around. They're not *dead*, they're just... different.

Danny: Really different, sounds like.

Amelia, nodding slightly and gesturing to the grave: ...feel like I know Daniel here as much as I know...whoever Emily is.

Danny: Well...I dunno about that.

Amelia, shaking her head: (Speaking quickly and shakily) Well, I do. I thought it was just little things at first, but I... there's nothing left. We don't work in the same place. We're not part of the same clubs. Most of us don't live anywhere near each other anymore. I try to invite them over for things that it turns out they don't even enjoy anymore. I...I don't...know them anymore. I don't know if I ever did. I... they're gone. The people I loved are all gone.

[Danny nods. He has things he wants to say, but he doesn't want to burden her more. She's shivering.]

Danny: Tell you what...I'll be here tomorrow. We can talk more...when you come back with a coat and maybe some mittens, okay? I don't want you to freeze out here.

Amelia: ...maybe I do.

[Pause.]

Danny: Sorry, maybe...?

Amelia: Maybe I do. Want to freeze. I live with ghosts anyway. Maybe...maybe I should just join them. [laughs bitterly] I still...still try to bond with them sometimes. Even when they aren't there? I just...pretend they are. I watch our old favorite shows and play the games and keep up with our old bookclub series and I tell myself that I'm not alone, but...

[Danny pauses. He starts to reach out for her. She turns to look at him. She looks desperate and terrified. He drops his hand.]

Danny: My brother died when we were kids. Stayed out in the cold too long. Mom didn't know he was out there. Everyone kinda figured...you know...neglectful mom, couldn't be bothered to take care of her kid... (shrugs) She wouldn't be bothered. But she was.

[He gestures into the distance.]

Danny: The one with the flowers and the little toy car is his. She comes down and replaces the flowers every couple weeks and brings a new car when the one there already gets broken or rusted or lost. She keeps up with birthdays and Christmas and...hell, she went to all the soccer games he would've been in. Cheered for his team and...hung the victory pictures on the fridge as if he were in 'em.

[Pause.]

Danny: I think more people live with ghosts than we realize sometimes.

Amelia: It's different when they're still alive. I can't come here to mourn or...bring gifts.

Danny: No, but...

[He hesitates. He's not sure if he's about to say the right thing.]

Danny: What if you come here to make new friends?

Amelia, laughing: In a graveyard?

Danny, shrugging: You met me here, didn't you?

[Amelia smiles.]

Amelia: ...you said you'll be here tomorrow?

Danny: I will.

[Amelia looks up from the grave to Danny. After a moment, she looks over to the side where Danny had pointed out his brother's grave.]

Amelia, turning back to Danny: Same time?

Danny, smiling: With a jacket next time.

Amelia, smiling: And mittens. I'm Amelia.

Danny: Danny.

[Amelia smiles and briefly looks down at the grave with a curious look. She turns back to Danny.]

Amelia: Well...I'll see you tomorrow, Danny.

Danny: See you tomorrow.

[Exit Amelia.]

[Danny looks at the grave and approaches it. He rests his hand on the slide, sliding it up towards the flowers. His hand stops just before he touches them. He sighs.]

[Lights down. End scene.]

#tw death #tw child death #tw suicide #nature #naturecore #whump #emotional whump #love #loved #tale #mental health #dark academia vibes #staying strong #short story #keep calm #keepgoing #life meaning #meaning

2 notes · View notes

kiss-me-over-the-garden-gate · 9 months ago

Text

I decided to include some songs I like in each key for funsies.

c major (gay and warlike): Time After Time by Cindi Laupner, Hungry Like the Wolf by Duran Duran, New Slang by The Shins, Heaven by Bryan Adams, It's All Coming Back to Me Now by Celine Dion, Strawberry Blonde by Mitski

c minor (obscure and sad): Running Up That Hill (A Deal With God) by Kate Bush; Enjoy the Silence by Depeche Mode; Don't Speak by No Doubt; The Logical Song by Supertramp

d major (joyous and very warlike): Harvest Moon by Neil Young, Loser by Beck, The Middle by Jimmy Eat World, Maybe I'm Amazed by Paul McCartney

d minor (serious and pious): Careless Whisper by George Michael, Dilemma by Kelly Rowland (ironic these first two songs are about cheating; of course, maybe that's the point of them being in this key), I Hear a Symphony by The Supremes

eb major (cruel and hard): Welcome to Paradise by Green Day, I'm A Fool To Want You by Frank Sinatra, Blurry by Puddle of Mud (I guess I'm not really into this key bc it took me ages to find this much and I'm pretty meh on these)

e major (quarrelsome and boisterous): We're Not Gonna Take It by Twisted Sister, The Impression That I Get by The Mighty Mighty Bosstones, Weird Science by Oingo Boingo

e minor (effeminate, amorous, plaintive): Killing Me Softly by The Fugees, Bring Me To Life by Evanescence, Nothing Else Matters by Metallica

f major (furious and quick-tempered subjects): Self Esteem by The Offspring, Torn by Natalie Imbruglia, Chelsea Hotel #2 by Leonard Cohen, Something Like That by Tim McGraw, Vienna by Ultravox

f minor (obscure and plaintive): All The Things She Said by t.A.T.u, Genie In a Bottle by Christina Aguilera, Mambo No. 5 by Lou Bega, Brand New City by Mitski

g major (serious and magnificent): Two Princes by Spin Doctors, I Will Survive by CAKE, Unpretty by TLC, When You Say Nothing At All by Ronan Keating, All I Want For Christmas Is You by Mariah Carey, Picture Perfect by The Regrettes

g minor (serious and magnificent): Landslide by Fleetwood Mac, Roxanne by The Police, Tainted Love by Soft Cell, Thank You by Dido

a major (joyful and pastoral): Night Shift by Lucy Dacus, Take On Me by a-ha, Lovefool by The Cardigans, I'm With You by Avril Lavigne, Fade Into You by Mazzy Star, Bitch by Merideth Brooks

a minor (tender and plaintive): Losing My Religion by REM, Lovesong by The Cure, Dream A Little Dream of Me by Ella Fitzgerald, Historia De Un Amor by Luis Miguel

b major (harsh and plaintive): Wannabe by Spice Girls, Ironic by Alanis Morissette, Close To Me by The Cure, Talk Dirty to Me by Poison, Inside Out by Eve6, Drive by The Cars

b minor (solitary and melancholic): Maneater by Hall and Oats, I'm a Believer by Smash Mouth, (I Just) Died In Your Arms by Cutting Crew, White Wedding by Billy Idol

bb major (magnificent and joyful): Dancing In the Moonlight by King Harvest, I Get Along Without You Very Well by Chet Baker, There She Goes by Sixpence None the Richer, She's The One by Robbie Williams, Walking On Sunshine by Katrina and the Waves, In Circles by Sunny Day Day Real Estate

bb minor (obscure and terrible): I'm Still Standing by Elton John, Kiss From A Rose by Seal, Jump (for My Love) by The Pointer Sisters, Here Without You by 3 Doors Down

tag yourself

#I may as well specify these songs are from getsongkey.com and that they're more mainstream as a result #so they more accurately represent the tastes I had in high school #but I still like them #I just listen to more obscure music now #like a fucking hipster

13K notes · View notes

beansonbread2 · 2 months ago

Text

BEANSONBREAD AWARDS 2024 - BEST SONG

AWARD NO.3 - BEST SONG OF 2024

PAST WINNERS

2023 > Oneohtrix Point Never 'A Barely Lit Path' (see full list HERE)

2022 > Jockstrap ‘Concrete Over Water’ (see full list HERE)

2021 > Self Esteem ‘Prioritise Pleasure’ (see full list HERE)

2020 > Jockstrap ‘Acid’ (see full list HERE)

2019 > Weyes Blood ‘Andromeda’ (see full list HERE)

2018 >Let’s Eat Grandma ‘It’s Not Just Me’ (see full list HERE)

2017 > Richard Dawson ‘Ogre’ (see full list HERE)

2016 > Solange ‘Cranes In the Sky’ (see full list HERE)

2015 > Kendrick Lamar ‘The Blacker The Berry’ (see full list HERE)

2014 > FKA Twigs ‘Two Weeks’ (see full list HERE)

2013 > Oliver Wilde ‘Perrett’s Brook’ (see full list HERE)

2010 > Untold ‘Stop What You’re Doing (James Blake Remix) (see full list HERE)

2009 > Joker - ‘Digidesign’ (see full list HERE)

2008 > Lil’ Wayne - ‘A Milli’ (see full list HERE)

2007 > Panda Bear - ‘Bros’ (see full list HERE)

2006 > Hot Chip - ‘Over And Over’ (see full list HERE)

RULES - A maximum of THREE tracks from any one artist. Songs can be tied in the same position.

THE RUNNERS UP (in alphabetical order)

A.G. Cook ‘Pink Mask’

Astrid Sonne ‘Do You Wanna’

Beth Gibbons ‘Floating On A Moment’

Bon Iver ‘Things Behind Things Behind Things’

Bonnie Prince Billy & Tim O’Brien ‘Our Home’

Bullion & Charlotte Adigery ‘World Train’

Cassandra Jenkins ‘Only One’

Chappell Roan ‘Good Luck, Babe!’

Clairo ‘Juna’

Daisy Moon ‘Shadow Of Silhouettes’

Death’s Dynamic Shroud & Galen Tipton ‘Generate Utopia’

Fat White Family ‘Today You Become Man’ / ‘Bullet Of Dignity’

Faye Webster & Lil Yachty ‘Lego Ring’

Field Music ‘The Limits Of Language’

FKA Twigs ‘Eusexua’

Good Sad Happy Bad ‘Shaded Tree’

Gruff Rhys ‘Celestial Candyfloss’ / ‘Cover Up The Cover Up’

JPEGMAFIA ‘Sin Miedo’

Julia Holter ‘Spinning’

Katy J Pearson ‘Maybe’ / ‘Those Goodbyes’

Kendrick Lamar ‘ Squabble Up’

Kim Gordon ‘BYE BYE’

Laura Marling ‘Patterns’

The Lemon Twigs ‘My Golden Years’ / ‘A Dream Is All I Know’

Los Campesinos! ‘Long Throes’

Magdalena Bay ‘Killing Time’ / ‘Image’

Mantaraybryn ‘No Economy’

Marged ‘Bounce Back’

Mica Levi ‘Slob Air’

Mount Kimbie ‘Dumb Guitar’ / ‘Empty And Silent’

Nadine Shah ‘Topless Mother’

Naima Bock ‘Kaley’ / ‘Feed My Release’

Nilufer Yanya ‘Like I Say (I Runaway)’ / ‘Method Actor’

Nourished By Time ‘Romance In Me’

Panda Bear & Cindy Lee ‘Defense’

Panda Bear, Sonic Boom & Mariachi 2000 de Curtberto Peerez ‘Peligro (Danger)’

Pictish Trail ‘Island Family (Summer Redux)’

Richard Dawson ‘Boxing Day Sales’

Saya Gray ‘Shell (Of A Man)’

The Smile ‘Wall Of Eyes’ / ‘Friend Of A Friend’

Spectres ‘Nice Knowing You’

Trust Fund ‘Has It Been A While’ / ‘The Mirror’

Tyler, The Creator ‘Noid’

WHY? ‘The Letters, Etc’ / ‘G-dzillah G’dolah’

William Doyle ‘Now In Motion’ / ‘Relentless Melt’

Willie J Healey ‘The Apple’

Yaeji ‘booboo’

Zoee ‘Blossom’

THE TOP 25 SONGS OF 2024

25. Mun Sing 'Didn't Need U Anyway’

24. Beyonce ‘16 Carriages’

23. Fontaines D.C ‘Favourite’

22. Los Campesinos! ‘Feast Of Tongues’

21. Self Esteem ‘Love Second Music First’

20. Mermaid Chunky ‘Ceilli’

19. Richard Dawson ‘Polytunnel’

18. A.G. Cook ‘Britpop’

17. Mount Kimbie ‘Fish Brain’

16. Eva May ‘Where Does The Time Go’

15. Kendrick Lamar ‘Not Like Us’

14. MAY ‘Cynthia’

13. Squid ‘Crispy Skin’

12. Clairo ‘Sexy To Someone’

11. Magdalena Bay ‘Death & Romance’

10. The Lemon Twigs ‘How Can I Love Her More?’

9. JPEGMAFIA ‘I’ll Be Right There’

8. Mermaid Chunky ‘Chaperone’

7. Vampire Weekend ‘Capricorn’ / ‘Mary Boone’

6. Charli XCX ‘360’ / ‘Sympathy Is A Knife’

5. Charli XCX ‘Von Dutch’

4. Geordie Greep ‘Holy, Holy’

3. Self Esteem & Moonchild Sanelly ‘Big Man’

2. Vampire Weekend ‘Classical’

1. Nourished By Time ‘Hell Of A Ride’ / ‘Hand On Me’

#awards #list #2024 awards

0 notes

soliti · 2 months ago

Text

Nick Triani (Head chef at Soliti Recordings).

Highs

My family who keep me on the right path.

All the wonderful artists from Soliti. It’s been a vintage year.

Tottenham Hotspur when they are good.

The Maestro (Secret Morricone) by Ennio Morricone. UNTITLED (God) by Sault. Cowboy Carter by Beyonce. Three Bells by Ty Segall. Cautionary Tales: Jukebox Classiques by Pavement G stands for Go-Beetweens Vol, 3 by The Go-Betweens SOS- Sza. Opus by Ryuichi Sakamoto Bright Future by Adrianne Lenker Hey Panda by The High Llamas Night Reign by Arooj Aftab Spell Blanket – Collected Demos 2006 – 2009 by Broadcast TRANSA from Red Hot Org Alex Izenberg & The Exiles by Alex Izenberg Jazz Anthology by Dorothy Ashby Diamond Jubilee by Cindy Lee Metal Box by PIL

I listened to lots more music than this – but these are the one’s I recall now. Really did listen to and buy a lot of music in 2024 – so probably have missed out a great deal (need to check those shelves!)

Some books I managed to get too: Providence by Alan Moore and Jacen Burrows. Loaded: The Life (and Afterlife) of the Velvet Underground by Dylan Jones. White by Brett Easton Ellis. Munichs by David Peace.

Still the best magazine around is Sight & Sound.

Watched a lot of comfort tv – enjoyed The English mini series espeically and lots more. Watched some classic movies and the Alien series just gets better (especially the first two). Rewatched Pat Garrett and Billy The Kid (Peckinpah) – and it blew everything else away. Barely went to a cinema this year – but really did enjoy Smile 2 when I did go

Lows

Losing such personal heroes in Françoise Hardy and Kris Kristofferson really hit hard. Not handling going to gigs as well as I’d like (anxiety issues).

The British govt. The Finnish govt. A big fucking no to Netanyahu and his open genocide supported by Western allies and media. 2024 felt like the year that the ‘conventional’ world order lost its humility and morality.

See you in 2025 xoxo

#nick triani #soliti #music #culture #best of 2024

0 notes

ulkaralakbarova · 7 months ago

Text

The eccentric new manager of a UHF television channel tries to save the station from financial ruin with an odd array of programming. Credits: TheMovieDb. Film Cast: George Newman: ‘Weird Al’ Yankovic R.J. Fletcher: Kevin McCarthy Stanley Spadowski: Michael Richards Bob: David Bowe Harvey Bilchik: Stanley Brock Philo: Anthony Geary Raul Hernandez: Trinidad Silva Kuni: Gedde Watanabe Noodles MacIntosh: Billy Barty Richard Fletcher: John Paragon Pamela Finklestein: Fran Drescher Esther Bilchik: Sue Ane Langdon Head Thug: David Proval Killer Thug: Grant James Teri: Victoria Jackson Joe Earley: Emo Philips Gandhi: Jay Levey Cameraman: Lou B. Washington Bum: Vance Colvig FCC Man: Nik Hagler Bartender: Robert K. Weiss Spatula Husband: Eldon G. Hallum Spatula Wife: Sherry Engstrom Spatula Neighbor: Sara Allen Sy Greenblum: Bob Hungerford Crazy Ernie: John Cadenhead Blind Man: Francis M. Carlson Earl Ramsey: Ivan Green Joel Miller: Adam Maras Billy: Travis Knight Little Weasel: Joseph Witt Teri’s Father: Tony Frank Teri’s Mother: Billie Lee Thrash Fletcher Cronie #1: Barry Friedman Fletcher Cronie #2: Kevin Roden Phyllis Weaver: Lisa R. Stefanic Big Edna: Nancy Johnson Betty: Debbie Mathieu Little Old Lady: Wilma Jeanne Cummins Animal Deliveyman: Cliff Stephens Band: Guitar: Jim West Band: Bass Guitar: Steve Jay Band: Drums: Jon Schwartz Band: Keyboards: Kim Bullard Whipped Cream Eater: Barry Hansen Thug #3: Bob Maras Thug #4: George Fisher Guide #1: Tony Salome Guide #2: Joe Restivo Yodeler: Charles Marsh Mud Wrestler: Belinda Bauer Satan: Patrick Thomas O’Brien Conan the Librarian: Roger Callard Timid Man: Robert Frank Boy with Books: Jeff Maynard Promo Announcer (voice): M.G. Kelly Promo Announcer (voice): Jay Gardner Promo Announcer (voice): John Harlan Promo Announcer (voice): Jim Rose Film Crew: Production Manager: Gray Frederickson Original Music Composer: John Du Prez Editor: Dennis M. O’Connor Producer: Gene Kirkwood Producer: John W. Hyde Writer: Jay Levey Director of Photography: David Lewis Production Design: Ward Preston Set Decoration: Robert L. Zilliox Costume Design: Tom McKinley Makeup Effects: Allan A. Apone Special Effects Makeup Artist: Douglas J. White Sound Recordist: Ara Ashjian Sound Editor: Christopher Assells Sound Editor: Charles R. Beith Jr. Sound Recordist: Gregory Cheever Sound Editor: Clayton Collins Sound Re-Recording Mixer: Andy D’Addario Sound Editor: Dino DiMuro Sound Editor: G. Michael Graham Sound Re-Recording Mixer: Jeffrey J. Haboush Sound Mixer: Bo Harwood Sound Editor: Dan Hegeman Sound Editor: A. David Marshall Sound Editor: Diane Marshall Supervising Sound Editor: Dave McMoyler Sound Recordist: Art Schiro Sound Editor: Scott A. Tinsley Visual Effects Producer: John Coats Visual Effects Supervisor: William Mesa Visual Effects Art Director: Richard Kilroy Visual Effects Art Director: Ron Yates Post Production Supervisor: Susan Zwerman Production Supervisor: Bill Carroll Stunt Coordinator: George Fisher Stunts: Bob Maras Stunts: Brent Stice Stunts: T. Alan Kelly Stunts: J. Granville Moulder Stunts: Michael Steven Howl Stunts: Richard Drown Executive In Charge Of Production: Kate Morris Associate Producer: Becki Cross Trujillo Associate Producer: Joe M. Aguilar First Assistant Director: John R. Woodward Second Assistant Director: Benita Allen Casting Assistant: Gregory Raich Casting Assistant: Sandi Black Local Casting: Barbara Brinkley Henry Local Casting: Laurey Lummus Key Hair Stylist: Lynne K. Eagan Makeup & Hair: Roseanne McIlvane Wardrobe Supervisor: Ainslee Colt de Wolf Wardrobe Assistant: Phil O’Nan Boom Operator: Joel Racheff First Assistant Camera: Ed Giovanni Second Assistant Camera: Tiffanie Winton Second Assistant Camera: Brett Reynolds Second Assistant Camera: Cindi Pusheck Production Coordinator: Bonnie Macker Script Supervisor: Carol Stewart Second Second Assistant Director: Lorene M. Duran Third Assistant Director: Pam Whorton Additional Editing: Steve Polivka Assistant Editor: Lewis Schoenbrun Supervising ADR Editor: Karla Caldwell Music Supervisor:...

#game show #loser #music spoof #music video #satire #Top Rated Movies

0 notes

hanahaki-arcade · 11 months ago

Text

Familial f/os!

Parents/grandparents:

Medic

Heavy

Saxton Hale

Ga-men Coolatta (HLVRAI)

G' (HL)

The Seventh Doctor

Lesley (DHMIS)

The Six Guardians (The White Guardian, the Black Guardian, The Celestial Toymaker, The Dream Lord, The Papal Mainframe and Rassilon)

Itward

Eli Vance (technically my father in law but :3)

Azian Vance (Also technically my mother in law)

Dr. Issac Kleiner (same as the above two)

DJ Octavio (Dad)

Siblings:

Tommy Coolatta

Benrey

Yellow Guy

Olivia Mann

Cindy the SKULL

Uncles:

Barney Calhoun

Russel

Kids:

Chell

Wheatley

Rick

Fact Core

Space Core

Cuno

Cunoesse

1 note · View note

cindycross-39 · 11 months ago

Text

Me Cindy Cross crossdressing - my white lace g-string.

#g string #crossdressing

50 notes · View notes

thoughsofthemastermind · 1 year ago

Text

My soul left me after the Patar Beach

A "Paradise" is a fantastical location. Usually, it's an optimistic and entertaining environment. You may, therefore, describe a beach as a paradise to draw attention to the notion that the beach is your personal interpretation of a fantastical setting where you can enjoy yourself and feel delighted. Beach. It consists of five letters and can elicit a variety of feelings and provide therapeutic warmth when you are in the presence of the shore's wind and sand. When it comes to a person's vivid and effortless view of the beach, beaches are really simple, nonetheless, if someone is looking at them with complete appreciation and understanding, they may develop an in-depth meaning and view of the beach. Whether we like to acknowledge it or not, we are always able to determine when we are near the beach, or we are already at the beach when we smell the salty sea air, hear the sound of the waves crashing onto the sand, and rocks, and the sensation of the combination of heat and cold air.

The Patar beach at Bolinao, Pangasinan, is a personal representation of my paradise. This beach is among the most exquisite in the Philippines and is well-known for its abundance of immaculate beaches. It features this gorgeous beach with pristine white sand, crystal-clear waves, and mind-blowing views that will leave any visitor astonished. Since it is a public beach, it receives very little maintenance; yet, it is our duty as visitors to contribute to the beach's sustainability. Further, south down the coast are numerous more sections of white sand beach with little bays and formations of coral rock. Many of the lovely white-sand beaches on Pangasinan's western coast are just waiting to be discovered and may be easily viewed from online satellite maps. This coastline includes lengths of lovely beaches in the towns of Agno, Bani, Burgos, and Dasol.

While Patar Beach is a great place to swim, snorkeling only reveals a little in the way of underwater life. This is apparently due to the lack of coral in the area, though snorkeling may get better the further south you travel. In Bolinao, there are numerous attractions to see. On our second visit, as we drove along Patar Road on our approach to the beach, we saw signage pointing to three caves—Wonderful Cave, Cindy's Cave, and Enchanted Cave—which are actually underground pools. There are also several places where you can stay like G beach resort Bolina. Naturally, as soon as we were fully aware of the Patar beach, we had to begin discovering the best routes there. The Manila to Bolinao route is served by a number of buses, including the Philippine Rabbit, Dagupan Bus, City Trans, Five Star, and Victory Liner. It takes about five to six hours to get there, allowing you to pass the time by doing anything you like. Just rent a bike in Bolinao town center to go to Patar Beach. Another option is if you choose to travel by car, as we did, head towards Tarlac City via the North Luzon Expressway (NLEX) and the Subic-Clark-Tarlac Expressway (SCTEX). Take the Camiling road at Tarlac City and continue driving all the way to Alaminos, Pangasinan, and then to Bolinao. Before you enter the town proper, take the road on the left that is across from the Bolinao Central School if you want to go directly to Patar Beach (this road is named Saturnino Camangian on Google Maps).

As someone who loves the smells and feel of the oceans along the sands, I consider beaches as my home. You could consider the beach to be your home if that's where you feel the happiest and most at ease. Although it's not really a house, it feels like home, like the place where you belong. While Patar Beach may resemble other beaches, I believe they are all unique. The reason for this is that they have a variety of incredible recollections of the people who have visited them. My recollections are stored in the ocean's depths at Patar Beach.

Like our lives, the waves at the beaches are wildly unpredictable. It is extremely unpredictable, with the potential to be both peaceful and helpful to us, as well as destructive.

#beach #Spotify

1 note · View note

whypolar · 6 years ago

Text

Character design thoughts

I might redesign Cindy, since it’ll be so long before she shows up in any official comic material anyway. Undecided.

That kind of extremely put together and fashionable character embodies how I perceived the people in Toronto and the art school I attended but looking back on it now... most of the people didn’t actually look like that, even if there were more of them than where I grew up. You can’t really look like that without significant effort

Given that a good half my cast is already pathologically obsessed with appearances it might be nice to just let the character with normative mental health look .... normal, instead of like a model

I’ll probably keep the affinity for loud colours tho.

#remibloggue #comic development tag #cindy g white

2 notes · View notes

gothicswiftv · 2 years ago

Text

Emery’s 2022 SK8 Fanfiction Wrapped

(Really just Renga fanfics if I’m being honest)

These are some stories I’ve read since joining the fandom, so August 2022 - December 2022

Also, they’re all rated G or T but please be mindful of the tags (mostly for violence)

💠 FIVE FAVORITE FICS

A Moment to Be Real by MissLightBright

some kind of fairytale by arahir

Every Week and Counting by SKayLanphear

My house is a mess (so why don’t you clean it for me) by infinitelink

Yearning for the Freedom of Birds by LaurelNymph

minor spoilers ahead (in my Notes)

💠 FICS I KEEP COMING BACK TO

reki and langa are just friends (maybe) by zukushou

Ring ‘em Up | The One with the School Festival Trope and We’re Throwing These Rules Out The Window by LaurelNymph

Sunset | Cried Wolf | and Just a slime by Sleepwich

SNOW White and Going Once, Going Twice… by EnthusiasticCynicist

he was a skater boy, he said — no, you know what, no, we’re not calling it that by arahir

love signs, baby by discountscoobyart

I Don’t Dance (I Know You Can) by soupthatistoohot

The Dance by Undercoverqueer

The blue flowers up my throat. by zj3bson

💠 FICS THAT SURPRISED ME

The Tethering of Us by MissLightBright

Notes: I was wary going in, I really didn’t think I’d like a story that was a rewrite from canon without containing fantasy elements or something. I guess reading the description, I thought Reki and Langa wouldn’t spend enough time together (like I thought Langa would always be busy) but I was wrong and I was hooked 💗 🙌🏼 I binged this in a day and a half.

Skaters and Rulers by KurapikasScarletEyes

Notes: It was a short story that left me wanting MOAR 😭 the suspense of the sword fight/attack, and Reki and Langa’s interaction was so nice 💗💗💗 applause

Craving motion by livingonyoghurtandspite

Notes: Reki’s reaction was a unique take, fresh (even given the angst) and it left me wishing the best for Renga

Careful What You Wish For by Larisss

Notes: I thought this would be a silly goofy haha funny fic but what it did for Reki I just 💗🥹

💠 FICS THAT MADE ME CRY

If I Only Could (Make a Deal with God) by MissLightBright

Notes: THE 📃✍️ ✉️ MAN. THE 📃✍️✉️ GET ME EVRRY TIME. AND LANGA SUFFERING TOO I- *sobs*

Please Breathe by NevaraRaven

Notes: Langa was so scared T-T and just.. reading about Oliver’s death will never not make my heart hurt

more hearts than just mine. by brokencomatose

Notes: When Langa had to say goodbye ;_;

(…I’m just now realizing in these fics that made me cry, even ones I didn’t list, I would cry the moment Langa broke)

💠 FICS I WISH I READ THIS YEAR

bunny slopes by buzzcut__season

Notes: I wanted to read this before Christmas, but I read other shorter Christmas themed fics first. And then 2022 Renga Secret Santa stories started coming out and so I started reading those and yeahhh. I’ll still go back to bunny slopes asap

Another Cindereki Story by spottedinfinity (redhoodedwolf)

Notes: Same situation as bunny slopes! I read a bunch of shorter Cindereki fics before I could work my way to this one T^T I’m almost there Cindi!

💠 FAVE FIC FROM FAVE WRITER

A Moment to Be Real by MissLightBright

Notes: I’m not even super into fae stuff?? I think the sweetness + angst of their romance, and just the wonder-like/almost nostalgic feel I got throughout the story made my heart happy. Bro the second half of the fic so far *clutches heart* BRO I CANT BELIEVE THEY- [spoilers] 💘💞💗

💠 NEW FIC FROM (relatively) NEW WRITER

Strangers (to lovers) by Larisss

Notes: This one had me squealing “oooooo~ let’s goooo!!” Plus I love reading fics where Miya shows off how legitimately smart he is

💠 FICS THAT MADE ME LOL

Langa Has Fallen and Can’t Get Up by maddisunshine

Notes: omg this one part had me screaming. Langa: *injures leg* Reki: Ok man I’m gonna poke around, tell me where it hurts … how does this feel? Langa: it feels… Nice? (!!!) Reki: OK MAN

How Miya Played Matchmaker Without Actually Playing Matchmaker by wiseterria

Notes: THAT VINE REFERENCE CAME OUT OF NOWHERE AND HIT ME LIKE A SKATEBOARD TO THE FACE. I WAS CACKLING AT 2 IN THE MORNING EL OH ELLLLLL

your eyes, they never lie by kittenyoongs

Notes: Langa and Reki’s banter omggg enough said

Brain-to-Mouth Filter by theseathemoonandthestars

Notes: “Langa Kyan” 😌 Reki I know you’re freaking out rn but your friend is a riot

just thought you should know by egoisticluv

Notes: JUST,,, THE THOUGHT OF EVERYONE LIKE hey what the heck is up with Langa??? ???I don’t know???? haha

💠 FICS WHERE I CANT WAIT TO SEE HOW THEY END

At the End of This Thread by MissLightBright

Notes: When people put spins on the ‘red string of fate’ trope I get all 👀

A Magical Misunderstanding by banditoheart (eldritchpossum)

Notes: PLEASE UPDATE FOR THE LOVE OF GOD LANGA WAS SO SCARY AND COOL IN THE LAST CHAPTER 👁️👁️

Please, I’m Begging You, Check Yes by Sleepy_witch

Notes: High School In The 90s Au?? Mutual pining?? Please… I’m begging you… write more of this (lol see what I did there)

p.s. No pressure to update btw! Just letting you know I REALLY enjoyed what you wrote!

💠 FAVE SCENES

Language Barriers by athellos

Notes: REKI YOURE SO ROMANTIC DO YOU HAVE ANY IDEA

I used to hear a simple song That was until you came along - Cindereki by Marvel4Lifebitch

Notes: There was one part where my swiftie heart went HAYWIRE. Also, the fic heavily follows both Disney Cinderella movies, so near the end when it went off on its own thing I was afraid of what would happen and good God poor Reki ;~; and Prince Langa seeing him like that ;;;~;;;

Frostbite by soupthatistoohot

Notes: Chapter 2, Langa and Reki alone in the coffee shop, maaan 💞 that whole scene 💞💞

Don’t let your thoughts win by ScarletRigmor

Notes: THE WAY LANGA WAS SO SCARED WHEN REKI-

#sk8 the infinity #sk8 fanfic #sk8 fanfiction #renga #renga fanfiction #renga fanfics #reki x langa #links #archive of our own #ao3 link #read on ao3 #long post #rambles

42 notes · View notes