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gameshowtrainwreck · 3 months ago

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Mostly Disjointed Ramblings About Game Shows, and Why Making Good Game Shows is Easier Now Than They Have Ever Been (mostly as a letter to myself)

When it comes to producing game shows (at least as far as they go in the USA), the "here's how you play the game" is often one of the furthest down the depth chart on "reasons why this should be A Thing in commercial television." Budget, targets, media planning, strategies, and contingencies are often what will get a commissioning executive's attention. A lot of time here lately they are interested in a known quantity of some sort being attached to it (being successful in another market, a well-known brand or celebrity on board with it, etc). That was meant neither as a complaint nor a complement, simply the state of play as currently on the field.

That doesn't mean your game shouldn't have some thought into it, just that media buyers are looking for a lot of other things in addition to how unique or compelling your game idea is. Ideas are everywhere, ability and the demonstrations thereof are a little harder to come by. Just know that your audience are going to be the ones interested in the game, one that is just as fun to watch others play as it is to play along at home. The point is to cut out the middleman and play to the people who will be interested in what you have to offer, not somebody's conception of what will interest the right number of the right people for what they need.

The fantastic thing about the progress of knowledge and technology (as witnessed just over the course of my lifetime, at least) is that the internet has lowered so many barriers to entry that if you have at least a microphone and some kind of computer device to connect it to, the only reason to not make something is lacking the knowledge of how to put it all together (a hurdle I'm still trying to cross myself, but flight day is coming).

Don't worry about stats or metrics or demographics-- If you make a good game, the rest will follow. Everybody complains about nothing being on or that the wrong shows keep going while the good ones get cancelled. Not everybody is a Fred McPheely Rogers, because he felt that the best way to fight bad content was to produce the content he felt the world needed. I would like to follow his lead in that regard.

I wholly cop to the idea that this smacks as more than a little self-important coming from an amateur quiz producer in thinking the world needs game shows, but I'm focusing on Mr. Rogers' actions on this: he made what he wanted, how he wanted to make it, and he made it for a number of reasons that weren't solely to do with money. He was successful with the resources he had available; whether that was because of or in spite of his limitations is a debate for another day. An unexamined faith is worthless, as are unexamined motivations. A good project is easier to complete with the right motivations behind it.

Sturgeon's Law holds that 90% of everything is shit. Who cares? Make your shit anyway.

Even if you don't roll a crit on this attempt, take notes. Even if you crit-fail, nothing is a failure so long as learning took place. Find points in the logistics where things have slowed down/broken/were absolutely non-functional. Find ways to untangle the knots you can, cut and reroute around the knots you cannot. Be honest with assessing your own work, but give yourself the same credit you would give a friend showing off their art to you. This is something you want to be proud of, work to give them something they can be proud that you would share it with them. Art is never a gamble, creating anything is never a gamble. You will have better standing to get that 10% on your next attempt, even if you draw nothing more from it than the joy and satisfaction from the act of creation and seeing something you've always wanted to see in this world.

Put a game together, write and research some questions for it, learn OBS, invite your friends to a discord call and have them play it. Put it online.

Congratulations, you have now joined a pantheon of notable people including (but not limited to) Goodson/Todman, Barry/Enright, Hatos/Hall, Heatter/Quigley, Stone/Stanley, and Dewey/Chatham/Howe.

Game shows don't have to run on the payout offered or the people hosting it. the British Broadcasting Corporation has certainly got a lot of mileage out of the idea that people will line up and wait months to win a punchbowl* if it gives them the chance to show off their knowledge of something very few people may have even heard of. Lord knows in the episodes I have seen of Mastermind, there have been artists or writers or historical events I've looked up afterwards because of the questions a contender answered on them. Which I think is an absolutely wonderful byproduct from it.

Information Please ran for years on radio on the driest game possible –a simple question bee with multipart questions sent in by listeners with a reasonable request for accuracy attached (usually asking them to get 3 parts out of 4 right)– but it was the American QI before QI was even a thing. It worked on the strength of the panel's interplay with one another as they would bust each other's chops (or moderator Clifton Faddiman's chops for some of the questions he sprung on them), sometimes it would be in a guest panelist showing off knowledge of a field nobody would have thought was in their wheelhouse. (Groucho Marx and his always being there for questions about Gilbert & Sullivan may not have been one of those times, it was something of an understanding that the man was crazy for their operas over the multiple times he guested on there, even though he never got to perform in one until the Bell Telephone Hour had him play Koko in The Mikado. Considering that the part of Katisha usually was being played by Margaret DuMont-types, it's not like Groucho wasn't dropping hints his entire career)

Got a group of friends for a podcast but can't decide on a how or why for it? Make it a panel game. There are many ways to gamify a conversation, games that provide the launching point for conversations, and what makes them work often times lies in the panelists' frustration in working within the constraints the game presents. Don't worry if you think you'll be bad at them, people love to laugh at situations that didn't (but could just as easily have) happen to them.

If you're lost as to figuring out what to play, look up what has been played around the world-- One of my favorite types of games are the ones that have inspired extracurricular clubs outside of their productions: Indian college students have made the BBC's Just a Minute into something of a high-level academic tournament akin to American debate clubs.** The dearly-departed moderator for Just a Minute, Nicholas Parsons, took a trip to India for the BBC to document not just one of those tournaments but the program's fanbase there. Just a Minute's Indian Adventure was the documentary produced back in 2018 (coinciding with their recording episodes of JaM in Mumbai), do give it a watch if you have the opportunity.

In the Cyrillic-speaking world, the game show that has got homebrew of its own going is known as Что? Где? Когда?† It is one of the few shows that has the "Underground Countdown" subculture from The I.T. Crowd being a thing in real life. Not just in other countries doing their own version on television, but in regular tournaments where all the teams write questions to try and stump all the other teams, while trying to solve the riddles the other teams brought with them. I mean, all we're missing is the hardest phonk soundtrack you've ever heard and some adidas-branded clothing and you'd touch every single stereotype Americans associate with Russia in one package. Bingo, a full house, hands-down, eyes-up.

Old Man Goodson could have set a real nasty precedent back in the 1940s if he and Bill Todman thought to patent the lockout system he used for 'Winner Take All,' (nobody ever tried to do a quiz set up like a jump ball in basketball until that point) but their lack of capitalization on what they had has been the genre's overall gain as far as what or how to get in. See a game you like that ain't on anymore? Write your own, original questions for it, don't use their graphics, their sounds, or their trademarks, and get to producing something. Learn from Reg Grundy. Only seven stories in the world but an infinite number of ways to tell them? There's an equivalent amount of games in the world, and an equally equivalent number of ways to play them.

The idea in jazz is that you have to learn to imitate before you can innovate, to make your own contributions to the genre. I see no reason that same logic cannot apply to game shows or those looking to making any kind of art. Better content begins with you.

—in terms of a work update, I still ain't cracked shaders in Godot 4, but I am still trying. If I can get past this, I can start putting them on the main scene, and start getting the logic for it built. More info as it develops.

Sniff you jerks later.

Footnotes:

* [a very fine, artisanal, handcrafted crystal punchbowl that the BBC commissions especially for Mastermind, but a punchbowl nonetheless. For American conventions in the genre, prize descriptions containing fewer than ten words in it are usually reserved for 'zonks' or gag prizes; a cultural difference that is neither good nor bad but simply exists because the more airtime spent on it, the more the manufacturer/supplier/sponsor paid the production in order to have George Gray or Rod Roddy or Gene Wood or Johnny Gilbert say that about it. And Americans have been conditioned to be more impressed by prizes than they are by trophies.

That's also without mentioning the fact that British game show productions work a different compensation scheme for their contestants than their American cousins; a lot of times it will include spotting a contestant the train fare and a hotel room to be at the studio on tape day, as opposed to the absolutely non-existent mass transit system we have in the USA. Whatever; that's a soapbox for another day for a mentally-ill neurodivergent trying to keep their head down as it is in a country that absolutely loathes the disabled.]

** [The OG radio show works like this: one player is given a topic (e.g. "my favorite joke") and, on the moderators' cue, will speak on that topic for as long as they can without violating one of three standing rules: "Hesitation" (meaning you can break this rule if you don't immediately begin speaking on the moderator's cue), "Repetition" (down to the word, but some allowances are given for words as part of the topic itself), or "Deviation" (Stay on target. Your anecdotes have to have some bearing on the topic. Objections on factual inaccuracies stated by the speaker have been upheld as deviation, but monologues that are presented as flights of fancy are more or less allowed as long as they conform to the three standing rules). The other participants are listening in to raise objections whenever the speaker breaks one of those rules, and the prevailing party to an objection is given a point -- if overruled, the object-ee continues on the moderator's cue, if sustained, the object-or assumes the role as the current speaker on the topic to be continued on the moderator's cue. The topics are timed, and the current speaker when a minute ("Just a Minute") of total speaking has elapsed is given a point.

The Rule of Funny, although never stated outright, takes precedent over all of those rules; the moderator is empowered to award points for objections that normally would be overruled but drew a decent amount of laughs from the audience (the current speaker is still awarded a point for prevailing on an objection). The moderator is also empowered to have the audience decide stalemates based on a cheer/boo system on the moderator's cue, the loudest noise prevailing.

These particular rules do not appear to apply to the collegiate play I have seen, which I totally understand the reasons for why they need to would do that. Collegiate play also includes an extra rule or two to discourage competitors from metagaming, which I also totally understand.

From what I can tell, JaM is the first British game show format to ever be imported to American television screens. It ran on the DuMont network as One Minute Please in 1954 but could not find a sponsor after a year. Unfortunate, but that seemed to be the operative word for the DuMont Network's fortunes.]

† ['Chto? Gde? Kogda?' or literally 'What? Where? When?'-- totally different kettle of fish from the American Who, What, or Where Game

A game show that has flourished across two modes of production, the game's usual play loop involves a team of six experts playing against the viewing audience. Viewers send in riddles (a lot of downright clever ones from ones I've amateurishly-translated) for the experts to argue over for sixty seconds before the nominated captain for that round submits an answer. If the experts get it right, they take the round. If not, the viewers take it. Regulation matches are a best-of-13 affair, with a tournament structure I've not quite understood having the expert teams vie for position in order to square off against the viewers in an annual championship game.

Tom Scott's absolutely phenomenal Laterial is the closest analogue I know of currently in the English-speaking world (and if anybody in this world decided to become The Riddler in real life, we would be doomed seven ways to Sunday if his producer, David Bodycombe, decided he was to be That Guy. He's been a cool dude in my interactions with him but I'm still gonna try to stay on his good side, just in case). In 2011, Merv Griffith Productions took the black-tie-formal aesthetic from the original Russian production and converted it into a high-stakes, James-Bond-at-a-Bacharat-Table-tensioned type affair (complete with Authentic Mancunian Vernon Kay in a white tux to emcee) as Million Dollar Mind Game for ABC, a network who (apparently not knowing what to do with it) burned it off putting it on Sunday afternoons against late-season NFL games that were so inconsequential that not even season ticket holders were bothering to show up to.

But the original show and the story of its creation are why I put Ch?G?K? on my shortlist game shows as a legitimate work of art, along with Korea's Genius Game and USA's $25,000 Pyramid and a bunch of other shows that have really come to stretch even the least-plausible definition of 'shortlist.' ]

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fortunetellersdilettante · 5 years ago

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ਬੈਠਾ ਹਾਂ ਮੈਂ ਐਂਜਲਿਕ ਬਾਰੇ ਸੋਚਦਾ ਹਾਂ ਉਸ ਦੀਆਂ ਮਾਂਵਾਂ ਮੇਰੇ ਲਈ ਆਵਾਜ਼ਾਂ ਮਾਰਦੀਆਂ ਹਨ ਅਤੇ ਗੋਲੀਆਂ ਕੰਧ ਵਿਚ ਜਿੱਥੇ ਇਹ ਚੁੱਪ ਹੋ ਗਈਆਂ ਅਤੇ ਹਜ਼ਾਰਵੀਂ ਪਹਾੜੀ ਤੇ, ਮੈਂ ਅਲਬਰਟਾਈਨ ਬਾਰੇ ਸੋਚਦਾ ਹਾਂ ਉਥੇ ਉਸ ਦੀਆਂ ਅੱਖਾਂ ਵਿੱਚ ਜੋ ਮੈਂ ਆਪਣੇ ਖੁਦ ਨਾਲ ਨਹੀਂ ਵੇਖਦਾ ਰਵਾਂਡਾ ਹੁਣ ਜਦੋਂ ਮੈਂ ਵੇਖਿਆ ਹੈ, ਮੈਂ ਜ਼ਿੰਮੇਵਾਰ ਹਾਂ ਵਿਸ਼ਵਾਸ ਬਿਨਾਂ ਕੰਮ ਮਰ ਜਾਂਦਾ ਹੈ ਹੁਣ ਜਦੋਂ ਮੈਂ ਤੁਹਾਨੂੰ ਆਪਣੀ ਬਾਂਹ ਵਿੱਚ ਫੜ ਲਿਆ ਹੈ, ਮੈਂ ਉਦੋਂ ਤੱਕ ਨਹੀਂ ਜਾਣ ਦੇ ਸਕਦਾ ਜਿੰਨਾ ਚਿਰ ਤੁਸੀਂ ਨਹੀਂ ਹੋ ਜਾਂਦੇ ਮੈਂ ਇੱਕ ਸਮੁੰਦਰ ਦੇ ਪਾਰ ਇੱਕ ਜਹਾਜ਼ ਤੇ ਹਾਂ ਪਰ ਮੈਂ ਤੈਨੂੰ ਮੇਰੇ ਅੰਦਰ ਲੈ ਜਾਂਦਾ ਹਾਂ ਅਤੇ ਧੂੜ ਤੇ, ਧੂੜ ਮੇਰੇ ਪੈਰਾਂ ਦੀ ਰਵਾਂਡਾ ਹੁਣ ਜਦੋਂ ਮੈਂ ਵੇਖਿਆ ਹੈ, ਮੈਂ ਜ਼ਿੰਮੇਵਾਰ ਹਾਂ ਵਿਸ਼ਵਾਸ ਬਿਨਾਂ ਕੰਮ ਮਰ ਜਾਂਦਾ ਹੈ ਹੁਣ ਜਦੋਂ ਮੈਂ ਤੁਹਾਨੂੰ ਆਪਣੀ ਬਾਂਹ ਵਿੱਚ ਫੜ ਲਿਆ ਹੈ, ਮੈਂ ਉਦੋਂ ਤੱਕ ਨਹੀਂ ਜਾਣ ਦੇ ਸਕਦਾ ਜਿੰਨਾ ਚਿਰ ਤੁਸੀਂ ਨਹੀਂ ਹੋ ਜਾਂਦੇ ਮੈਂ ਦੁਨੀਆ ਨੂੰ ਦੱਸਾਂਗਾ, ਮੈਂ ਉਨ੍ਹਾਂ ਨੂੰ ਦੱਸਾਂਗਾ ਕਿ ਮੈਂ ਕਿੱਥੇ ਗਿਆ ਹਾਂ ਮੈਂ ਆਪਣਾ ਬਚਨ ਰੱਖਾਂਗਾ ਮੈਂ ਉਨ੍ਹਾਂ ਨੂੰ ਅਲਬਰਟਾਈਨ ਦੱਸਾਂਗਾ ਹੁਣ ਜਦੋਂ ਮੈਂ ਵੇਖਿਆ ਹੈ, ਮੈਂ ਜ਼ਿੰਮੇਵਾਰ ਹਾਂ ਵਿਸ਼ਵਾਸ ਬਿਨਾਂ ਕੰਮ ਮਰ ਜਾਂਦਾ ਹੈ ਹੁਣ ਜਦੋਂ ਮੈਂ ਤੁਹਾਨੂੰ ਆਪਣੀ ਬਾਂਹ ਵਿੱਚ ਫੜ ਲਿਆ ਹੈ, ਮੈਂ ਉਦੋਂ ਤੱਕ ਨਹੀਂ ਜਾਣ ਦੇ ਸਕਦਾ ਜਿੰਨਾ ਚਿਰ ਤੁਸੀਂ ਨਹੀਂ ਹੋ ਜਾਂਦੇ ਮੈਂ ਇੱਕ ਸਟੇਜ 'ਤੇ ਹਾਂ, ਮੇਰੇ' ਤੇ ਇਕ ਹਜ਼ਾਰ ਨਿਗਾਹ ਹੈ

Maiṁ baiṭhā hāṁ maiṁ ain̄jalika bārē sōcadā hāṁ usa dī'āṁ mānvāṁ mērē la'ī āvāzāṁ māradī'āṁ hana atē gōlī'āṁ kadha vica jithē iha cupa hō ga'ī'āṁ atē hazāravīṁ pahāṛī tē, maiṁ alabaraṭā'īna bārē sōcadā hāṁ uthē usa dī'āṁ akhāṁ vica jō maiṁ āpaṇē khuda nāla nahīṁ vēkhadā ravāṇḍā huṇa jadōṁ maiṁ vēkhi'ā hai, maiṁ zimēvāra hāṁ viśavāsa bināṁ kama mara jāndā hai huṇa jadōṁ maiṁ tuhānū āpaṇī bānha vica phaṛa li'ā hai, maiṁ udōṁ taka nahīṁ jāṇa dē sakadā jinā cira tusīṁ nahīṁ hō jāndē maiṁ ika samudara dē pāra ika jahāza tē hāṁ para maiṁ tainū mērē adara lai jāndā hāṁ atē dhūṛa tē, dhūṛa mērē pairāṁ dī ravāṇḍā huṇa jadōṁ maiṁ vēkhi'ā hai, maiṁ zimēvāra hāṁ viśavāsa bināṁ kama mara jāndā hai huṇa jadōṁ maiṁ tuhānū āpaṇī bānha vica phaṛa li'ā hai, maiṁ udōṁ taka nahīṁ jāṇa dē sakadā jinā cira tusīṁ nahīṁ hō jāndē maiṁ dunī'ā nū dasāṅgā, maiṁ unhāṁ nū dasāṅgā ki maiṁ kithē gi'ā hāṁ maiṁ āpaṇā bacana rakhāṅgā maiṁ unhāṁ nū alabaraṭā'īna dasāṅgā huṇa jadōṁ maiṁ vēkhi'ā hai, maiṁ zimēvāra hāṁ viśavāsa bināṁ kama mara jāndā hai huṇa jadōṁ maiṁ tuhānū āpaṇī bānha vica phaṛa li'ā hai, maiṁ udōṁ taka nahīṁ jāṇa dē sakadā jinā cira tusīṁ nahīṁ hō jāndē maiṁ ika saṭēja'tē hāṁ, mērē' tē ika hazārstau nemișcat Mă gândesc la Angelique mamele ei își dau vocea peste mine Și gloanțele din perete în care a tăcut Și pe o mii de deal, mă gândesc la Albertine acolo în ochii ei ceea ce nu văd cu ai mei Rwanda acum când am văzut, sunt responsabil Credința fără fapte este moartă acum când v-am ținut în brațele mele, nu pot să plec până nu sunteți Sunt într-un avion peste o mare îndepărtată Dar te port în mine și praful de pe, praful de pe, praful de pe picioarele mele Rwanda acum când am văzut, sunt responsabil Credința fără fapte este moartă acum când v-am ținut în brațele mele, nu pot să plec până nu sunteți Voi spune lumii, le voi spune unde am fost Îmi voi păstra cuvântul Le voi spune Albertine acum când am văzut, sunt responsabil Credința fără fapte este moartă acum când v-am ținut în brațele mele, nu pot să plec până nu sunteți Sunt pe o scenă, cu o mie de ochi asupra meaсижу спокойно Я думаю об Анжелике ее матери голос за мной И пули в стене, где он замолчал А на тысячном холме я думаю об Альбертине в ее глазах то, что я не вижу своими собственными Руанда теперь, когда я видел, я несу ответственность Вера без дел мертва теперь, когда я держал тебя в своих руках, я не могу отпустить, пока ты Я в самолете через далекое море Но я несу тебя в себе и пыль, пыль на моих ногах Руанда теперь, когда я видел, я несу ответственность Вера без дел мертва теперь, когда я держал тебя в своих руках, я не могу отпустить, пока ты Я скажу миру, я скажу им, где я был Я сдержу свое слово Я скажу им, Альбертин теперь, когда я видел, я несу ответственность Вера без дел мертва теперь, когда я держал тебя в своих руках, я не могу отпустить, пока ты Я на сцене, на меня смотрят тысячиsizhu spokoyno YA dumayu ob Anzhelike yeye materi golos za mnoy I puli v stene, gde on zamolchal A na tysyachnom kholme ya dumayu ob Al'bertine v yeye glazakh to, chto ya ne vizhu svoimi sobstvennymi Ruanda teper', kogda ya videl, ya nesu otvetstvennost' Vera bez del mertva teper', kogda ya derzhal tebya v svoikh rukakh, ya ne mogu otpustit', poka ty YA v samolete cherez dalekoye more No ya nesu tebya v sebe i pyl', pyl' na moikh nogakh Ruanda teper', kogda ya videl, ya nesu otvetstvennost' Vera bez del mertva teper', kogda ya derzhal tebya v svoikh rukakh, ya ne mogu otpustit', poka ty YA skazhu miru, ya skazhu im, gde ya byl YA sderzhu svoye slovo YA skazhu im, Al'bertin teper', kogda ya videl, ya nesu otvetstvennost' Vera bez del mertva teper', kogda ya derzhal tebya v svoikh rukakh, ya ne mogu otpustit', poka ty YA na stsene, na menya smotryat tysyachio lea ou te nofo filemu Ou te mafaufau ia Angelique faʻaalia aʻu e lona tina Ma pulu i le puipui na pa filemu Ma i luga o le afe afe mauga, ou te mafaufau ia Albertine iina i ona mata mea ou te le o vaʻai i ai ma aʻu lava Rwanda o lenei ua ou vaai, o aʻu lava e nafa O le faʻatuatua e aunoa ma galuega e mate i le taimi nei ua ou opoina oe i oʻu lava lima, ua le mafai ona ou faʻatagaina oe seʻia oʻo ia te oe O lo o ou i luga o le vaalele i luga o le sami mamao Ae ou te tauaveina oe i totonu ia te aʻu ma le pefu i luga, le pefu i luga, le pefu i oʻu vae Rwanda o lenei ua ou vaai, o aʻu lava e nafa O le faʻatuatua e aunoa ma galuega e mate i le taimi nei ua ou opoina oe i oʻu lava lima, ua le mafai ona ou faʻatagaina oe seʻia oʻo ia te oe O le a ou taʻuina i le lalolagi, o le a ou taʻu atu ia i latou le mea na ou i ai O le a ou tausia laʻu upu O le a ou taʻuina ia Albertine o lenei ua ou vaai, o aʻu lava e nafa O le faʻatuatua e aunoa ma galuega e mate i le taimi nei ua ou opoina oe i oʻu lava lima, ua le mafai ona ou faʻatagaina oe seʻia oʻo ia te oe Ua ou tu i luga o se tulaga, e afe foliga ia te aʻutha mi nam shuidhe fhathast Tha mi a ’smaoineachadh air Angelique guth a màthraichean os mo chionn Agus na peilearan sa bhalla far an do thuit e sàmhach Agus air mìleamh cnoc, tha mi a ’smaoineachadh air Albertine an sin na sùilean nach fhaic mi leam fhìn Rwanda a-nis gu bheil mi air fhaicinn, tha uallach orm Tha creideamh gun ghnìomharan marbh a-nis gu bheil mi air do chumail nam ghàirdeanan fhèin, chan urrainn dhomh a leigeil air falbh gus am bi thu Tha mi air plèana thar cuan fad às Ach tha mi gad ghiùlan annam agus an duslach air, an duslach air, an duslach air mo chasan Rwanda a-nis gu bheil mi air fhaicinn, tha uallach orm Tha creideamh gun ghnìomharan marbh a-nis gu bheil mi air do chumail nam ghàirdeanan fhèin, chan urrainn dhomh a leigeil air falbh gus am bi thu Innsidh mi don t-saoghal, innsidh mi dhaibh càite an robh mi Cumaidh mi m ’fhacal Innsidh mi Albertine dhaibh a-nis gu bheil mi air fhaicinn, tha uallach orm Tha creideamh gun ghnìomharan marbh a-nis gu bheil mi air do chumail nam ghàirdeanan fhèin, chan urrainn dhomh a leigeil air falbh gus am bi thu Tha mi air àrd-ùrlar, mìle sùil ormседим мирно Мислим на Ангеликуе њене мајке гласају преко мене И меци у зид где је утихнуо А на хиљадитом брду мислим на Албертине тамо у њеним очима оно што ја не видим са својим Руанда сада када сам видео, одговоран сам Вера без дела је мртва сад кад сам те држао у својим рукама, не могу те пустити док не будеш У авиону сам преко далеког мора Али носим те у себи и прашина, прашина на мојим ногама Руанда сада када сам видео, одговоран сам Вера без дела је мртва сад кад сам те држао у својим рукама, не могу те пустити док не будеш Рећи ћу свету, рећи ћу им где сам био Ја ћу задржати реч Рећи ћу им Албертине сада када сам видео, одговоран сам Вера без дела је мртва сад кад сам те држао у својим рукама, не могу те пустити док не будеш Ја сам на позорници, хиљаду очију на менеsedim mirno Mislim na Angelikue njene majke glasaju preko mene I meci u zid gde je utihnuo A na hiljaditom brdu mislim na Albertine tamo u njenim očima ono što ja ne vidim sa svojim Ruanda sada kada sam video, odgovoran sam Vera bez dela je mrtva sad kad sam te držao u svojim rukama, ne mogu te pustiti dok ne budeš U avionu sam preko dalekog mora Ali nosim te u sebi i prašina, prašina na mojim nogama Ruanda sada kada sam video, odgovoran sam Vera bez dela je mrtva sad kad sam te držao u svojim rukama, ne mogu te pustiti dok ne budeš Reći ću svetu, reći ću im gde sam bio Ja ću zadržati reč Reći ću im Albertine sada kada sam video, odgovoran sam Vera bez dela je mrtva sad kad sam te držao u svojim rukama, ne mogu te pustiti dok ne budeš Ja sam na pozornici, hiljadu očiju na menendakagara ndakadaro Ini ndinofunga nezveAngelique vamai vake izwi pamusoro pangu Uye mabara aive kumadziro kwaakanyarara Uye pane chikomo chezviuru, ndinofunga nezvaAlbertine mumeso ake izvo zvandisina kuona nezvangu Rwanda zvino zvandaona, ndine mhosva Kutenda pasina mabasa kwakafa Zvino zvandakakubata mumaoko angu, handigoni kurega kuenda Ndiri mundege kuyambuka gungwa riri kure Asi ini ndinotakura iwe mandiri guruva riri, guruva pamusoro, guruva kutsoka dzangu Rwanda zvino zvandaona, ndine mhosva Kutenda pasina mabasa kwakafa Zvino zvandakakubata mumaoko angu, handigoni kurega kuenda Ndichaudza nyika, ndichavaudza kwandakanga ndiri Ndichachengeta shoko rangu Ndichavaudza Albertine zvino zvandaona, ndine mhosva Kutenda pasina mabasa kwakafa Zvino zvandakakubata mumaoko angu, handigoni kurega kuenda Ndiri pachikamu, maziso ane chiuru kwandiriمان اڃا ويٺو آهيان مان اينجلڪ بابت سوچان ٿو هن جون مائرون منهنجي مٿان آواز ڪنديون آهن ۽ ديوار ۾ گوليون جتي اهو خاموش ٿي ويو ۽ هڪ هزار واري ٽڪري تي ، آئون البرٽائن بابت سوچيندو آهيان اتي هن جي اکين ۾ جيڪو آئون نٿو ڏسيان انهن سان گڏ روانڊا ھاڻي مون ڏٺو آھي ، مان ذميدار آھيان عملن کان سواءِ ايمان مري ويو آهي هاڻي مان توهان کي منهنجي ٻانهن ۾ جهلي ورتو آهي ، مان توهان کي ايستائين نٿو ڇڏي سگهان مان ڏور سمنڊ جي هڪ جهاز تي آهيان پر آئون توهان کي کڻندو آهيان ۽ منهنجي مٿان ، مٽي منهنجي مٿان ، مٽي منهنجي مٿان روانڊا ھاڻي مون ڏٺو آھي ، مان ذميدار آھيان عملن کان سواءِ ايمان مري ويو آهي هاڻي مان توهان کي منهنجي ٻانهن ۾ جهلي ورتو آهي ، مان توهان کي ايستائين نٿو ڇڏي سگهان مان دنيا کي ٻڌائيندس ، مان انهن کي ٻڌائيندس ته مان ڪٿان آيو آهيان مان پنهنجو لفظ رکندس آئون هنن کي البرٽائن ٻڌائيندس ھاڻي مون ڏٺو آھي ، مان ذميدار آھيان عملن کان سواءِ ايمان مري ويو آهي هاڻي مان توهان کي منهنجي ٻانهن ۾ جهلي ورتو آهي ، مان توهان کي ايستائين نٿو ڇڏي سگهان هڪ اسٽيج تي آهيان ، منهنجي مٿان هڪ هزار اکيو මම තවමත් වාඩි වී සිටිමි මම ඇන්ජලික් ගැන හිතනවා ඇගේ මව්වරු මට හ voice නඟති බිත්තියේ වෙඩි උණ්ඩ නිහ. විය දහසක් කන්දක් උඩ මම ඇල්බටයින් ගැන හිතනවා මගේ ඇස්වලින් මා නොදකින දේ ඇගේ දෑස් තුළ තිබේ රුවන්ඩාව දැන් මා දුටු නිසා මම වගකිව යුතුයි ක්‍රියාවෙන් තොර ඇදහිල්ල මැරී ඇත දැන් මම ඔබව මාගේ අත්වල තබාගෙන සිටින නිසා, ඔබ සිටින තුරු මට යන්නට බැහැ මම ඉන්නේ sea ත මුහුද හරහා ගුවන් යානයක නමුත් මම ඔබව මා තුළට ගෙන යන්නෙමි මගේ පාදවල දූවිලි, දූවිලි, දූවිලි රුවන්ඩාව දැන් මා දුටු නිසා මම වගකිව යුතුයි ක්‍රියාවෙන් තොර ඇදහිල්ල මැරී ඇත දැන් මම ඔබව මාගේ අත්වල තබාගෙන සිටින නිසා, ඔබ සිටින තුරු මට යන්නට බැහැ මම ලෝකයට කියන්නම්, මම සිටි තැන ඔවුන්ට පවසමි මම මාගේ වචනය රකිමි මම ඔවුන්ට ඇල්බටයින්ට කියන්නම් දැන් මා දුටු නිසා මම වගකිව යුතුයි ක්‍රියාවෙන් තොර ඇදහිල්ල මැරී ඇත දැන් මම ඔබව මාගේ අත්වල තබාගෙන සිටින නිසා, ඔබ සිටින තුරු මට යන්නට බැහැ මම වේදිකාවක සිටිමි, මා දෙස දහසක් ඇස්mama tavamat vāḍi vī siṭimi mama ænjalik gæna hitanavā ægē mavvaru maṭa ha voice nan̆gati bittiyē veḍi uṇḍa niha. viya dahasak kandak uḍa mama ælbaṭayin gæna hitanavā magē æsvalin mā nodakina dē ægē dǣs tuḷa tibē ruvanḍāva dæn mā duṭu nisā mama vagakiva yutuyi kriyāven tora ædahilla mærī æta dæn mama obava māgē atvala tabāgena siṭina nisā, oba siṭina turu maṭa yannaṭa bæhæ mama innē sea ta muhuda harahā guvan yānayaka namut mama obava mā tuḷaṭa gena yannemi magē pādavala dūvili, dūvili, dūvili ruvanḍāva dæn mā duṭu nisā mama vagakiva yutuyi kriyāven tora ædahilla mærī æta dæn mama obava māgē atvala tabāgena siṭina nisā, oba siṭina turu maṭa yannaṭa bæhæ mama lōkayaṭa kiyannam, mama siṭi tæna ovunṭa pavasami mama māgē vacanaya rakimi mama ovunṭa ælbaṭayinṭa kiyannam dæn mā duṭu nisā mama vagakiva yutuyi kriyāven tora ædahilla mærī æta dæn mama obava māgē atvala tabāgena siṭina nisā, oba siṭina turu maṭa yannaṭa bæhæ mama vēdikāvaka siṭimi, mā desa dahasak æssedím nehybne Myslím na Angelique jej matky hlasujú nado mnou Guľky v stene, kde zmlčali A na tisícine kopci myslím na Albertine tam v jej očiach to, čo ja sama nevidím Rwanda teraz, keď som videl, som zodpovedný Viera bez skutkov je mŕtva teraz, keď som ťa držal v náručí, nemôžem pustiť, kým nebudeš Som v lietadle cez vzdialené more Ale nosím ťa vo mne a prach na, prach na, prach na mojich nohách Rwanda teraz, keď som videl, som zodpovedný Viera bez skutkov je mŕtva teraz, keď som ťa držal v náručí, nemôžem pustiť, kým nebudeš Poviem svetu, poviem im, kde som bol Budem držať svojho slova Poviem im Albertine teraz, keď som videl, som zodpovedný Viera bez skutkov je mŕtva teraz, keď som ťa držal v náručí, nemôžem pustiť, kým nebudeš Som na pódiu, tisíce očí na mňasedim mirno Mislim na Angelique njene matere glasujejo nad mano In naboji v steno, kjer je utihnilo In na tisočini hriba mislim na Albertine tam v njenih očeh tisto, česar ne vidim pri svojih Ruanda zdaj, ko sem videl, sem odgovoren Vera brez dejanj je mrtva zdaj, ko sem te držal v svojih rokah, ne morem spustiti, dokler te ne Sem na letalu čez daljno morje Ampak te imam v sebi in prah naprej, prah naprej, prah na mojih nogah Ruanda zdaj, ko sem videl, sem odgovoren Vera brez dejanj je mrtva zdaj, ko sem te držal v svojih rokah, ne morem spustiti, dokler te ne Povedal bom svetu, povedal jim bom, kje sem bil Držal bom besedo Povedal jim bom Albertine zdaj, ko sem videl, sem odgovoren Vera brez dejanj je mrtva zdaj, ko sem te držal v svojih rokah, ne morem spustiti, dokler te ne Sem na odru, tisoč oči na menewali waan fadhiyaa Waxaan ka fikiraa Angelique Hooyadeed codkaygay ka qayliyaa Iyo rasaasta ku dhacay darbiga halka uu ka aamusay Iyo kun buur, oo aan ka fikiraa Albertine Waxaa indhaheeda ku jira wax aanan arkeynin oo iskey ah Ruwanda hadda oo aan arkay, anigu mas'uul baan ahay Rumaysad la'aan camalku waa dhintay hadda oo aan gacantayda kugu hayo, kuuma aan dayn karo ilaa aad iska noqoto Waxaan dul joogaa diyaarad meel bada fog ah Laakiin aniga ayaa kugu dhex jira iyo ciiddii, iyo boodhkii, iyo boodhkii cagahayga ku jiray Ruwanda hadda oo aan arkay, anigu mas'uul baan ahay Rumaysad la'aan camalku waa dhintay hadda oo aan gacantayda kugu hayo, kuuma aan dayn karo ilaa aad iska noqoto Waxaan usheegi doonaa aduunka, Waan usheegi doonaa halkaan tagay Erayga waan xajin doonaa Waan u sheegi doonaa Albertine hadda oo aan arkay, anigu mas'uul baan ahay Rumaysad la'aan camalku waa dhintay hadda oo aan gacantayda kugu hayo, kuuma aan dayn karo ilaa aad iska noqoto Waxaan ahay masraxa, kun indhood ayaa i saaranke lutse ke khutsitse Ke nahana ka Angelique bo-'m'ae ba lentsoe ho mpheta Mme likulo tse leboteng moo li oeleng teng Mme leralleng la sekete, ke nahana ka Albertine Mahlo a hae ke seo ke sa se boneng ka mahlong a ka Rwanda kaha joale ke bone, ke ikarabella Tumelo e se nang liketso e shoele kaha joale ke u ts'oere ka matsoho, nke ke ka u tlohela ho fihlela u khona Ke ka sefofane ka mose ho leoatle le hole Empa ke o jara ka ho nna lerole le holim'a lona, lerole ho 'na, lerole maotong a ka Rwanda kaha joale ke bone, ke ikarabella Tumelo e se nang liketso e shoele kaha joale ke u ts'oere ka matsoho, nke ke ka u tlohela ho fihlela u khona Ke tla joetsa lefatše, ke tla ba joetsa moo ke kileng Ke tla boloka lentsoe la ka Ke tla ba joetsa Albertine kaha joale ke bone, ke ikarabella Tumelo e se nang liketso e shoele kaha joale ke u ts'oere ka matsoho, nke ke ka u tlohela ho fihlela u khona Ke sethaleng, mahlo a sekete ho 'nanuju calik Kuring pikir tina Angelique indungna indungna liwat kuring Sareng peluru dina témbok tempat éta cicingeun Sareng di hiji bukit sarébu, kuring mikir ka Albertine aya di panon nya naon anu kuring teu ningal sareng kuring sorangan Rwanda ayeuna anu ku kuring parantos ningal, kuring tanggung jawab Iman tanpa perbuatan anu paéh ayeuna kuring ngayakeun anjeun dina panangan kuring, abdi henteu tiasa ngantep anjeun dugi ka anjeun Abdi nuju pesawat di peuntas laut anu jauh Tapi kuring di bawa ku anjeun sareng lebu dina, lebu dina, lebu kana suku kuring Rwanda ayeuna anu ku kuring parantos ningal, kuring tanggung jawab Iman tanpa perbuatan anu paéh ayeuna kuring ngayakeun anjeun dina panangan kuring, abdi henteu tiasa ngantep anjeun dugi ka anjeun Kuring bakal nyaritakeun dunya, kuring bakal ngawartosan tempat kuring kantos Kuring bakal tetep kecap abdi Kuring bakal ngawartosan aranjeunna Albertine ayeuna anu ku kuring parantos ningal, kuring tanggung jawab Iman tanpa perbuatan anu paéh ayeuna kuring ngayakeun anjeun dina panangan kuring, abdi henteu tiasa ngantep anjeun dugi ka anjeun Abdi nuju di panggung, sarébu panon kuringnimekaa kimya Nadhani Angelique mama yake sauti juu yangu Na risasi kwenye ukuta mahali ilipoanguka Na kwenye kilima cha elfu, nafikiria Albertine huko machoni pake kile sioni na yangu mwenyewe Rwanda sasa kwa kuwa nimeona, nina jukumu Imani bila matendo imekufa sasa kwa kuwa nimekushikilia kwa mikono yangu mwenyewe, siwezi kukuacha uende Niko kwenye ndege kuvuka bahari ya mbali Lakini nakubeba ndani yangu na mavumbi juu, mavumbi juu, mavumbi kwa miguu yangu Rwanda sasa kwa kuwa nimeona, nina jukumu Imani bila matendo imekufa sasa kwa kuwa nimekushikilia kwa mikono yangu mwenyewe, siwezi kukuacha uende Nitawaambia ulimwengu, nitawaambia ni wapi nimekuwa Nitashika neno langu Nitawaambia Albertine sasa kwa kuwa nimeona, nina jukumu Imani bila matendo imekufa sasa kwa kuwa nimekushikilia kwa mikono yangu mwenyewe, siwezi kukuacha uende Niko kwenye hatua, macho elfu juu yangu sitter stilla Jag tänker på Angelique hennes mödrar röstar över mig Och kulorna i väggen där det blev tyst Och på en tusentals kulle, tänker jag på Albertine där i hennes ögon vad jag inte ser med mitt eget Rwanda nu när jag har sett är jag ansvarig Tro utan gärningar är död nu när jag har hållit dig i mina armar kan jag inte släppa förrän du är det Jag är på ett plan över ett avlägset hav Men jag bär dig i mig och dammet på, dammet på, dammet på mina fötter Rwanda nu när jag har sett är jag ansvarig Tro utan gärningar är död nu när jag har hållit dig i mina armar kan jag inte släppa förrän du är det Jag ska berätta för världen, jag ska berätta för dem var jag har varit Jag kommer att hålla mitt ord Jag ska berätta för dem Albertine nu när jag har sett är jag ansvarig Tro utan gärningar är död nu när jag har hållit dig i mina armar kan jag inte släppa förrän du är det Jag är på scenen, tusen ögon på migнишастам Ман дар бораи Анжеликаро фикр мекунам модарони ӯ бар ман овоз медиҳанд Ва тирҳо дар девор, ки он ҷо хомӯш монд Ва дар теппаи ҳазорум, ман дар бораи Албертин фикр мекунам дар чашмони вай он чизе ки ман худам намебинам Руанда акнун, ки ман дидаам, ҷавобгарам Имон бе аъмол мурда аст акнун, ки ман шуморо дар дасти худ нигоҳ доштаам, наметавонам то вақти омаданам раҳо шавам Ман бо тайёра аз баҳри дур парвоз мекунам Аммо Ман шуморо дар худ мебардорам ва хок бар он, хок бар хок, хок ба пои ман Руанда акнун, ки ман дидаам, ҷавобгарам Имон бе аъмол мурда аст акнун, ки ман шуморо дар дасти худ нигоҳ доштаам, наметавонам то вақти омаданам раҳо шавам Ман ба ҷаҳон мегӯям, ба онҳо мегӯям, ки ман дар куҷо будам Ман каломи худро риоя мекунам Ман ба онҳо Албертинро нақл мекунам акнун, ки ман дидаам, ҷавобгарам Имон бе аъмол мурда аст акнун, ки ман шуморо дар дасти худ нигоҳ доштаам, наметавонам то вақти омаданам раҳо шавам Ман дар саҳна ҳастам, ҳазор чашм ба манnişastam Man dar ʙorai Anƶelikaro fikr mekunam modaroni ū ʙar man ovoz medihand Va tirho dar devor, ki on ço xomūş mond Va dar teppai hazorum, man dar ʙorai Alʙertin fikr mekunam dar caşmoni vaj on cize ki man xudam nameʙinam Ruanda aknun, ki man didaam, çavoʙgaram Imon ʙe a'mol murda ast aknun, ki man şumoro dar dasti xud nigoh doştaam, nametavonam to vaqti omadanam raho şavam Man ʙo tajjora az ʙahri dur parvoz mekunam Ammo Man şumoro dar xud meʙardoram va xok ʙar on, xok ʙar xok, xok ʙa poi man Ruanda aknun, ki man didaam, çavoʙgaram Imon ʙe a'mol murda ast aknun, ki man şumoro dar dasti xud nigoh doştaam, nametavonam to vaqti omadanam raho şavam Man ʙa çahon megūjam, ʙa onho megūjam, ki man dar kuço ʙudam Man kalomi xudro rioja mekunam Man ʙa onho Alʙertinro naql mekunam aknun, ki man didaam, çavoʙgaram Imon ʙe a'mol murda ast aknun, ki man şumoro dar dasti xud nigoh doştaam, nametavonam to vaqti omadanam raho şavam Man dar sahna hastam, hazor caşm ʙa manநான் இன்னும் அமர்ந்திருக்கிறேன் நான் ஏஞ்சலிக் பற்றி நினைக்கிறேன் அவளுடைய தாய்மார்கள் என் மீது குரல் கொடுக்கிறார்கள் அது அமைதியாக விழுந்த சுவரில் தோட்டாக்கள் ஆயிரம் மலையில், நான் ஆல்பர்டைனைப் பற்றி நினைக்கிறேன் அவளுடைய கண்களில் நான் என் சொந்தத்துடன் பார்க்கவில்லை ருவாண்டா இப்போது நான் பார்த்தேன், நான் பொறுப்பு செயல்கள் இல்லாத நம்பிக்கை இறந்துவிட்டது இப்போது நான் உன்னை என் கைகளில் வைத்திருக்கிறேன், நீ இருக்கும் வரை என்னால் விட முடியாது நான் தொலைதூர கடலுக்கு குறுக்கே ஒரு விமானத்தில் இருக்கிறேன் ஆனால் நான் உன்னை என்னுள் சுமக்கிறேன் மற்றும் தூசி, தூசி, என் காலில் தூசி ருவாண்டா இப்போது நான் பார்த்தேன், நான் பொறுப்பு செயல்கள் இல்லாத நம்பிக்கை இறந்துவிட்டது இப்போது நான் உன்னை என் கைகளில் வைத்திருக்கிறேன், நீ இருக்கும் வரை என்னால் விட முடியாது நான் உலகுக்குச் சொல்வேன், நான் இருந்த இடத்தை அவர்களுக்குச் சொல்வேன் நான் என் வார்த்தையைக் கடைப்பிடிப்பேன் நான் அவர்களுக்கு ஆல்பர்டைனைச் சொல்வேன் இப்போது நான் பார்த்தேன், நான் பொறுப்பு செயல்கள் இல்லாத நம்பிக்கை இறந்துவிட்டது இப்போது நான் உன்னை என் கைகளில் வைத்திருக்கிறேன், நீ இருக்கும் வரை என்னால் விட முடியாது நான் ஒரு மேடையில் இருக்கிறேன், ஆயிரம் கண்கள் என் மீதுNāṉ iṉṉum amarntirukkiṟēṉ nāṉ ēñcalik paṟṟi niṉaikkiṟēṉ avaḷuṭaiya tāymārkaḷ eṉ mītu kural koṭukkiṟārkaḷ atu amaitiyāka viḻunta cuvaril tōṭṭākkaḷ āyiram malaiyil, nāṉ ālparṭaiṉaip paṟṟi niṉaikkiṟēṉ avaḷuṭaiya kaṇkaḷil nāṉ eṉ contattuṭaṉ pārkkavillai ruvāṇṭā ippōtu nāṉ pārttēṉ, nāṉ po��uppu ceyalkaḷ illāta nampikkai iṟantuviṭṭatu ippōtu nāṉ uṉṉai eṉ kaikaḷil vaittirukkiṟēṉ, nī irukkum varai eṉṉāl viṭa muṭiyātu nāṉ tolaitūra kaṭalukku kuṟukkē oru vimāṉattil irukkiṟēṉ āṉāl nāṉ uṉṉai eṉṉuḷ cumakkiṟēṉ maṟṟum tūci, tūci, eṉ kālil tūci ruvāṇṭā ippōtu nāṉ pārttēṉ, nāṉ poṟuppu ceyalkaḷ illāta nampikkai iṟantuviṭṭatu ippōtu nāṉ uṉṉai eṉ kaikaḷil vaittirukkiṟēṉ, nī irukkum varai eṉṉāl viṭa muṭiyātu nāṉ ulakukkuc colvēṉ, nāṉ irunta iṭattai avarkaḷukkuc colvēṉ nāṉ eṉ vārttaiyaik kaṭaippiṭippēṉ nāṉ avarkaḷukku ālparṭaiṉaic colvēṉ ippōtu nāṉ pārttēṉ, nāṉ poṟuppu ceyalkaḷ illāta nampikkai iṟantuviṭṭatu ippōtu nāṉ uṉṉai eṉ kaikaḷil vaittirukkiṟēṉ, nī irukkum varai eṉṉāl viṭa muṭiyātu nāṉ oru mēṭaiyil irukkiṟēṉ, āyiram kaṇkaḷ eṉ mītuмин утырам Мин Анжелика турында уйлыйм Аның әниләре минем өстемдә тавыш бирәләр Дивардагы пулялар тынып калды Меңенче калкулыкта мин Альбертин турында уйлыйм Аның күзләрендә мин үзем күрмәгәнне Руанда хәзер күргәч, мин җаваплы Эшсез иман үле хәзер мин сине үз кочагымда тоттым, мин булганчы җибәрә алмыйм Мин ерак диңгез аша самолетта Ләкин мин сине үземдә йөртәм һәм тузан, тузан, аякларымдагы тузан Руанда хәзер күргәч, мин җаваплы Эшсез иман үле хәзер мин сине үз кочагымда тоттым, мин булганчы җибәрә алмыйм Мин дөньяга әйтермен, мин кайда булганымны әйтермен Мин үз сүземне тотармын Мин аларга Альбертинны әйтермен хәзер күргәч, мин җаваплы Эшсез иман үле хәзер мин сине үз кочагымда тоттым, мин булганчы җибәрә алмыйм Мин сәхнәдә, миңа мең күзనేను ఏంజెలిక్ గురించి అనుకుంటున్నాను ఆమె తల్లులు నాపై గొంతు విప్పారు మరియు గోడలోని బుల్లెట్లు నిశ్శబ్దంగా పడిపోయాయి మరియు వెయ్యి కొండపై, నేను ఆల్బెర్టిన్ గురించి అనుకుంటున్నాను ఆమె దృష్టిలో నేను నా స్వంతంగా చూడనిది రువాండా ఇప్పుడు నేను చూశాను, నేను బాధ్యత వహిస్తాను పనులు లేని విశ్వాసం చనిపోయింది ఇప్పుడు నేను నిన్ను నా చేతుల్లో పట్టుకున్నాను, మీరు ఉన్నంత వరకు నేను వెళ్ళలేను నేను సుదూర సముద్రం మీదుగా విమానంలో ఉన్నాను కానీ నేను నిన్ను నాలో మోస్తున్నాను మరియు దుమ్ము, దుమ్ము, నా పాదాలకు దుమ్ము రువాండా ఇప్పుడు నేను చూశాను, నేను బాధ్యత వహిస్తాను పనులు లేని విశ్వాసం చనిపోయింది ఇప్పుడు నేను నిన్ను నా చేతుల్లో పట్టుకున్నాను, మీరు ఉన్నంత వరకు నేను వెళ్ళలేను నేను ప్రపంచానికి చెబుతాను, నేను ఎక్కడ ఉన్నానో వారికి చెప్తాను నేను నా మాట నిలబెట్టుకుంటాను నేను వారికి ఆల్బెర్టిన్ చెబుతాను ఇప్పుడు నేను చూశాను, నేను బాధ్యత వహిస్తాను పనులు లేని విశ్వాసం చనిపోయింది ఇప్పుడు నేను నిన్ను నా చేతుల్లో పట్టుకున్నాను, మీరు ఉన్నంత వరకు నేను వెళ్ళలేను నేను ఒక వేదికపై ఉన్నాను, నాపై వెయ్యి కళ్ళుNēnu iṅkā kūrcunnānu nēnu ēn̄jelik gurin̄ci anukuṇṭunnānu āme tallulu nāpai gontu vippāru mariyu gōḍalōni bulleṭlu niśśabdaṅgā paḍipōyāyi mariyu veyyi koṇḍapai, nēnu ālberṭin gurin̄ci anukuṇṭunnānu āme dr̥ṣ��ilō nēnu nā svantaṅgā cūḍanidi ruvāṇḍā ippuḍu nēnu cūśānu, nēnu bādhyata vahistānu panulu lēni viśvāsaṁ canipōyindi ippuḍu nēnu ninnu nā cētullō paṭṭukunnānu, mīru unnanta varaku nēnu veḷḷalēnu nēnu sudūra samudraṁ mīdugā vimānanlō unnānu kānī nēnu ninnu nālō mōstunnānu mariyu dum'mu, dum'mu, nā pādālaku dum'mu ruvāṇḍā ippuḍu nēnu cūśānu, nēnu bādhyata vahistānu panulu lēni viśvāsaṁ canipōyindi ippuḍu nēnu ninnu nā cētullō paṭṭukunnānu, mīru unnanta varaku nēnu veḷḷalēnu nēnu prapan̄cāniki cebutānu, nēnu ekkaḍa unnānō vāriki ceptānu nēnu nā māṭa nilabeṭṭukuṇṭānu nēnu vāriki ālberṭin cebutānu ippuḍu nēnu cūśānu, nēnu bādhyata vahistānu panulu lēni viśvāsaṁ canipōyindi ippuḍu nēnu ninnu nā cētullō paṭṭukunnānu, mīru unnanta varaku nēnu veḷḷalēnu nēnu oka vēdikapai unnānu, nāpai veyyi kaḷḷu ฉันกำลังนั่งนิ่ง ๆ ฉันคิดถึง Angelique แม่ของเธอส่งเสียงฉัน และกระสุนในกำแพงที่มันเงียบ และฉันคิดว่าเป็นอัลไพน์บนเนินเขาหนึ่งพัน ในสายตาของเธอสิ่งที่ฉันไม่เห็นด้วยตัวเอง รวันดา ตอนนี้ที่ฉันได้เห็นฉันมีความรับผิดชอบ ศรัทธาที่ปราศจากการกระทำนั้นตายแล้ว ตอนนี้ฉันกอดเธอไว้ในอ้อมแขนของฉันแล้ว ฉันอยู่บนเครื่องบินข้ามทะเลไกล แต่ฉันพกคุณไว้ในตัวฉัน และฝุ่นบน, ฝุ่นบน, ฝุ่นบนเท้าของฉัน รวันดา ตอนนี้ที่ฉันได้เห็นฉันมีความรับผิดชอบ ศรัทธาที่ปราศจากการกระทำนั้นตายแล้ว ตอนนี้ฉันกอดเธอไว้ในอ้อมแขนของฉันแล้ว ฉันจะบอกโลกนี้ฉันจะบอกพวกเขาว่าฉันอยู่ที่ไหน ฉันจะรักษาคำพูดของฉัน ฉันจะบอกพวกเขาว่าอัลเบิร์ต ตอนนี้ที่ฉันได้เห็นฉันมีความรับผิดชอบ ศรัทธาที่ปราศจากการกระทำนั้นตายแล้ว ตอนนี้ฉันกอดเธอไว้ในอ้อมแขนของฉันแล้ว ฉันอยู่บนเวทีหนึ่งพันตาฉันC̄hạn kảlạng nạ̀ng nìng « c̄hạn khidt̄hụng Angelique mæ̀ k̄hxng ṭhex s̄̀ngs̄eīyng c̄hạn læa kras̄un nı kảphæng thī̀ mạn ngeīyb læa c̄hạn khid ẁā pĕn xạl phịn̒ bn nein k̄heā h̄nụ̀ng phạn nı s̄āytā k̄hxng ṭhex s̄ìng thī̀ c̄hạn mị̀ h̄ĕn d̂wy tạw xeng rwạndā txn nī̂ thī̀ c̄hạn dị̂ h̄ĕn c̄hạn mī khwām rạbp̄hidchxb ṣ̄rạthṭhā thī̀ prāṣ̄cāk kārk ra thả nận tāy læ̂w txn nī̂ c̄hạn kxd ṭhex wị̂ nı x̂xm k̄hæn k̄hxng c̄hạn læ̂w c̄hạn xyū̀ bn kherụ̄̀xngbin k̄ĥām thale kịl tæ̀ c̄hạn phk khuṇ wị̂ nı tạw c̄hạn læa f̄ùn bn, f̄ùn bn, f̄ùn bn thêā k̄hxng c̄hạn rwạndā txn nī̂ thī̀ c̄hạn dị̂ h̄ĕn c̄hạn mī khwām rạbp̄hidchxb ṣ̄rạthṭhā thī̀ prāṣ̄cāk kārk ra thả nận tāy læ̂w txn nī̂ c̄hạn kxd ṭhex wị̂ nı x̂xm k̄hæn k̄hxng c̄hạn læ̂w c̄hạn ca bxk lok nī̂ c̄hạn ca bxk phwk k̄heā ẁā c̄hạn xyū̀ thī̀h̄ịn c̄hạn ca rạks̄ʹā khả phūd k̄hxng c̄hạn c̄hạn ca bxk phwk k̄heā ẁā xạlbeir̒t txn nī̂ thī̀ c̄hạn dị̂ h̄ĕn c̄hạn mī khwām rạbp̄hidchxb ṣ̄rạthṭhā thī̀ prāṣ̄cāk kārk ra thả nận tāy læ̂w txn nī̂ c̄hạn kxd ṭhex wị̂ nı x̂xm k̄hæn k̄hxng c̄hạn læ̂w c̄hạn xyū̀ bn wethī h̄nụ̀ng phạntā c̄hạnhareketsiz oturuyorum Ben Angelique'yi düşünüyorum anneleri bana sesleniyor Ve duvardaki mermilerin sessiz kaldığı yer Ve bininci bir tepede, Albertine'yi düşünüyorum orada kendi gözlerimle görmediğim Ruanda şimdi gördüğüme göre, sorumluyum Eylemsiz inanç ölüdür şimdi seni kendi kollarımda tuttuğumdan, senden önce gidemem Uzak bir denizde bir uçaktayım Ama seni içimde taşıyorum ve toz açık, toz açık, ayaklarımdaki toz Ruanda şimdi gördüğüme göre, sorumluyum Eylemsiz inanç ölüdür şimdi seni kendi kollarımda tuttuğumdan, senden önce gidemem Dünyaya söyleyeceğim, onlara nerede olduğumu söyleyeceğim Sözümü tutacağım Onlara Albertine söyleyeceğim şimdi gördüğüme göre, sorumluyum Eylemsiz inanç ölüdür şimdi seni kendi kollarımda tuttuğumdan, senden önce gidemem Sahnedeyim, bin tane gözüm varMen otyryn Anjelik hakda pikir edýärin Ejeleri meniň üstümden ses alýarlar Diwaryň oklary bolsa, dymdy Müň depäniň üstünde bolsa, Albertine hakda pikir edýärin onuň gözlerinde meniň özüm bilen görmeýän zatlarym Ruanda indi görenimden jogapkär Amal etmezden iman öldi indi seni öz gujagymda tutanymdan soň, sen bolýançaň goýberip bilemok Uzak deňziň aňyrsynda uçarda Youöne seni içimde göterýärin üstündäki tozan, üstündäki tozan, aýagymdaky tozan Ruanda indi görenimden jogapkär Amal etmezden iman öldi indi seni öz gujagymda tutanymdan soň, sen bolýançaň goýberip bilemok Men dünýä aýdaryn, nirededigimi aýdaryn Men sözümi ýerine ýetirerin Men olara Albertini aýdaryn indi görenimden jogapkär Amal etmezden iman öldi indi seni öz gujagymda tutanymdan soň, sen bolýançaň goýberip bilemok Men sahnada, maňa müň gözсиджу на місці Я думаю про Анжеліку її матері озвучують мене І кулі в стіні, де затихло А на тисячній горі я думаю про Альбертина там в її очах те, чого я не бачу своїми Руанда тепер, коли я бачив, я несу відповідальність Віра без діл мертва тепер, коли я тримав тебе на своїх обіймах, я не можу відпустити тебе до тебе Я в літаку через далеке море Але я несу тебе в собі і пил, і пил, і пил на моїх ногах Руанда тепер, коли я бачив, я несу відповідальність Віра без діл мертва тепер, коли я тримав тебе на своїх обіймах, я не можу відпустити тебе до тебе Я скажу світові, я скажу їм, де я був Я дотримаю свого слова Я скажу їм Альбертин тепер, коли я бачив, я несу відповідальність Віра без діл мертва тепер, коли я тримав тебе на своїх обіймах, я не можу відпустити тебе до тебе Я на сцені, тисяча очей на менеsydzhu na mistsi YA dumayu pro Anzheliku yiyi materi ozvuchuyutʹ mene I kuli v stini, de zatykhlo A na tysyachniy hori ya dumayu pro Alʹbertyna tam v yiyi ochakh te, choho ya ne bachu svoyimy Ruanda teper, koly ya bachyv, ya nesu vidpovidalʹnistʹ Vira bez dil mertva teper, koly ya trymav tebe na svoyikh obiymakh, ya ne mozhu vidpustyty tebe do tebe YA v litaku cherez daleke more Ale ya nesu tebe v sobi i pyl, i pyl, i pyl na moyikh nohakh Ruanda teper, koly ya bachyv, ya nesu vidpovidalʹnistʹ Vira bez dil mertva teper, koly ya trymav tebe na svoyikh obiymakh, ya ne mozhu vidpustyty tebe do tebe YA skazhu svitovi, ya skazhu yim, de ya buv YA dotrymayu svoho slova YA skazhu yim Alʹbertyn teper, koly ya bachyv, ya nesu vidpovidalʹnistʹ Vira bez dil mertva teper, koly ya trymav tebe na svoyikh obiymakh, ya ne mozhu vidpustyty tebe do tebe YA na stseni, tysyacha ochey na meneمیں خاموش بیٹھا ہوں میں انجلیق کے بارے میں سوچتا ہوں اس کی ماؤں نے مجھ پر آواز اٹھائی اور گولیوں کو دیوار سے جہاں وہ خاموش ہوگیا اور ایک ہزارواں پہاڑی پر ، میں ا��برٹائن کے بارے میں سوچتا ہوں وہاں اس کی آنکھوں میں جو میں خود نہیں دیکھ رہا ہوں روانڈا اب جب میں نے دیکھا ہے ، میں ذمہ دار ہوں اعمال کے بغیر ایمان مر گیا اب جب کہ میں نے آپ کو اپنی بانہوں میں تھام لیا ہے ، میں آپ کے ہونے تک نہیں جانے سکتا میں ایک دور سمندر کے پار جہاز میں ہوں لیکن میں آپ کو اپنے اندر لے جاتا ہوں اور خاک ، دھول ، میرے پاؤں پر دھول روانڈا اب جب میں نے دیکھا ہے ، میں ذمہ دار ہوں اعمال کے بغیر ایمان مر گیا اب جب کہ میں نے آپ کو اپنی بانہوں میں تھام لیا ہے ، میں آپ کے ہونے تک نہیں جانے سکتا میں دنیا کو بتاؤں گا ، میں انہیں بتاؤں گا کہ میں کہاں رہا ہوں میں اپنی بات پر عمل کروں گا میں انہیں البرٹائن سے کہوں گا اب جب میں نے دیکھا ہے ، میں ذمہ دار ہوں اعمال کے بغیر ایمان مر گیا اب جب کہ میں نے آپ کو اپنی بانہوں میں تھام لیا ہے ، میں آپ کے ہونے تک نہیں جانے سکتا میں ایک اسٹیج پر ہوں ، ایک ہزار نگاہیں مجھ پر ہیںمەن ئولتۇردۇم مەن ئانگېلىكنى ئويلايمەن ئۇنىڭ ئانىلىرى ماڭا ئاۋاز قوشتى تامدىكى ئوقلار جىم تۇرغان مىڭلىغان تاغدا ، مەن ئالبېرتىننى ئويلايمەن ئۇنىڭ نەزىرىدە مەن ئۆزۈم كۆرمىگەن نەرسىلەرنى رىۋاندا ھازىر كۆردۈم ، مەن مەسئۇل ئەمەلسىز ئېتىقاد ئۆلدى ھازىر سېنى ئۆز قۇچىقىمدا تۇتۇۋالدىم ، سەن بولغۇچە قويۇپ بېرەلمەيمەن مەن يىراق دېڭىزنىڭ ئۇدۇلىدا ئايروپىلاندا لېكىن مەن سېنى ئېلىپ كېلىمەن توپا-چاڭ ، توپا-چاڭ ، پۇتۇمدىكى توپا رىۋاندا ھازىر كۆردۈم ، مەن مەسئۇل ئەمەلسىز ئېتىقاد ئۆلدى ھازىر سېنى ئۆز قۇچىقىمدا تۇتۇۋالدىم ، سەن بولغۇچە قويۇپ بېرەلمەيمەن مەن دۇنياغا ئېيتىپ بېرىمەن ، مەن قەيەرگە كەلگەنلىكىمنى ئېيتىپ بېرىمەن مەن گېپىمنى ساقلايمەن مەن ئۇلارغا ئالبېرتنى ئېيتىپ بېرىمەن ھازىر كۆردۈم ، مەن مەسئۇل ئەمەلسىز ئېتىقاد ئۆلدى ھازىر سېنى ئۆز قۇچىقىمدا تۇتۇۋالدىم ، سەن بولغۇچە قويۇپ بېرەلمەيمەن مەن بىر سەھنىدە ، ماڭا مىڭ كۆزMen hali ham o'tiraman Men Anjelika haqida o'ylayman uning onalari menga ovoz berishmoqda Va o'qlar jim bo'lib qolgan devorga tushdi Va minginchi tepada, men Albertinni o'ylayman uning ko'zlarida men o'z ko'zlarim bilan ko'rmaydigan narsalar Ruanda hozir ko'rganim uchun men javobgarman Ishlarsiz imon o'likdir Endi seni o'z bag'rimda ushlab turaman, sen turganingga qadar yo'l qo'yolmayman Men uzoq dengiz orqali samolyotda ketyapman Lekin men sizni ichimda olib yuraman va chang, oyog'imdagi chang Ruanda hozir ko'rganim uchun men javobgarman Ishlarsiz imon o'likdir Endi seni o'z bag'rimda ushlab turaman, sen turganingga qadar yo'l qo'yolmayman Men dunyoga aytaman, qaerda ekanligimni ularga aytaman Men so'zimni bajaraman Men ularga Albertinga aytaman hozir ko'rganim uchun men javobgarman Ishlarsiz imon o'likdir Endi seni o'z bag'rimda ushlab turaman, sen turganingga qadar yo'l qo'yolmayman Men sahnadaman, menga mingta ko'zđang ngồi yên Tôi nghĩ về Angelique mẹ cô nói với tôi Và những viên đạn trên tường nơi nó rơi vào im lặng Và trên một ngọn đồi ngàn, tôi nghĩ về Albertine trong mắt cô ấy những gì tôi không nhìn thấy bằng chính mình Rwanda bây giờ tôi đã thấy, tôi chịu trách nhiệm Không có niềm tin vào việc mình làm là chết bây giờ tôi đã ôm em trong vòng tay của chính mình, anh không thể buông tay cho đến khi em Tôi đang trên một chiếc máy bay băng qua một vùng biển xa Nhưng tôi mang bạn trong tôi và bụi trên, bụi trên, bụi trên chân tôi Rwanda bây giờ tôi đã thấy, tôi chịu trách nhiệm Không có niềm tin vào việc mình làm là chết bây giờ tôi đã ôm em trong vòng tay của chính mình, anh không thể buông tay cho đến khi em Tôi sẽ nói với cả thế giới, tôi sẽ nói với họ rằng tôi đã ở đâu Tôi sẽ giữ lời Tôi sẽ nói với họ Albertine bây giờ tôi đã thấy, tôi chịu trách nhiệm Không có niềm tin vào việc mình làm là chết bây giờ tôi đã ôm em trong vòng tay của chính mình, anh không thể buông tay cho đến khi em Tôi đang ở trên một sân khấu, một ngàn con mắt nhìn tôiRwy'n eistedd yn llonydd Rwy'n meddwl am Angelique ei mam leisio dros mi A'r bwledi yn y wal lle syrthiodd yn dawel Ac ar fryn milfed, yr wyf yn meddwl am Albertine yno yn ei llygaid beth dwi ddim yn gweld gyda fy hun Rwanda Erbyn hyn a welais, rwyf yn gyfrifol Ffydd heb weithredoedd yn farw nawr fy mod wedi eich dal yn fy mreichiau fy hun, ni allaf ollwng gafael nes eich bod Rwyf ar awyren ar draws môr pell Ond yr wyf yn cario chi ynof fi a'r llwch ymlaen, y llwch ymlaen, y llwch ar fy nhraed Rwanda Erbyn hyn a welais, rwyf yn gyfrifol Mae ffydd heb weithredoedd wedi marw nawr fy mod wedi cynnal chi yn fy mreichiau hun, ni allaf gadael i fynd nes eich bod yn Byddaf yn dweud wrth y byd, byddaf yn dweud wrthynt ble dw i wedi bod Byddaf yn cadw fy ngair Byddaf yn dweud wrthynt Albertine Erbyn hyn a welais, rwyf yn gyfrifol Mae ffydd heb weithredoedd wedi marw nawr fy mod wedi cynnal chi yn fy mreichiau hun, ni allaf gadael i fynd nes eich bod yn Rwyf ar lwyfan, fil o llygaid ar mistil Ik tink oan Angelique har memmen stimme oer my En de kûgels yn 'e muorre wêr't it stil foel En op in tûzenste heuvel, tink ik oan Albertine dêr yn har eagen wat ik mei myn eigen net sjoch Rûanda no dat ik sjoen haw, bin ik ferantwurdelik Leauwe sûnder dieden is dea no't ik jo yn myn eigen earms haw hâlden, kin ik net loslitte oant jo dat binne Ik bin op in fleantúch oer in fiere see Mar ik drage jo yn my en it stof oan, it stof oan, it stof oan myn fuotten Rûanda no dat ik sjoen haw, bin ik ferantwurdelik Leauwe sûnder dieden is dea no't ik jo yn myn eigen earms haw hâlden, kin ik net loslitte oant jo dat binne Ik sil de wrâld fertelle, ik sil har fertelle wêr't ik west haw Ik sil myn wurd hâlde Ik sil har Albertine fertelle no dat ik sjoen haw, bin ik ferantwurdelik Leauwe sûnder dieden is dea no't ik jo yn myn eigen earms haw hâlden, kin ik net loslitte oant jo dat binne Ik bin op in poadium, tûzen eagen op my Ndihleli phantsi Ndicinga ngeAngelique oomama bakhe ilizwi phezu kwam Kwaye iibhulegi eludongeni apho yawa khona Kwaye kwinduli eliwaka, ndicinga ngeAlfineine emehlweni akhe le andiyiboni eyam Rhuwanda Ngoku ke ndizibonile, Ukholo ngaphandle kwezenzo lufile ekubeni ngoku ndikubambe ezingalweni zam, andinakuyeka ukuya kuthi ga Ndikwindiza engaphesheya kolwandle Ke mna ndikuthwale ngam nothuli phezu, uthuli phezu, uthuli ezinyaweni zam Rhuwanda Ngoku ke ndizibonile, Ukholo ngaphandle kwezenzo lufile ekubeni ngoku ndikubambe ezingalweni zam, andinakuyeka ukuya kuthi ga Ndizakuxelela umhlaba, ndibaxelele apho bendikhona Ndiza kuligcina izwi lam Ndiza kubaxelela uAlfineine Ngoku ke ndizibonile, Ukholo ngaphandle kwezenzo lufile ekubeni ngoku ndikubambe ezingalweni zam, andinakuyeka ukuya kuthi ga Ndikwinqanaba, amehlo aliwaka kumאיך זיץ שטיל איך טראַכטן פון אַנגעליקווע איר מוטערס קול איבער מיר און די בולאַץ אין די וואַנט ווו עס איז שטיל שטיל און אויף אַ טויזנטסט בערגל, איך טראַכטן פון אַלבערטינע דאָרט אין איר אויגן וואָס איך טאָן ניט זען מיט מיין אייגענע רוואַנדאַ איצט אַז איך האָב געזען, איך בין פאַראַנטוואָרטלעך אמונה אָן מעשים איז טויט איצט אַז איך האָב דיך געהאלטן אין מיין אייגענע אָרעם, איך קען נישט לאָזן גיין ביז דו ביסט איך בין אויף אַ פלאַך אַריבער אַ ווייַט ים אָבער איך טראָגן איר אין מיר און די שטויב אויף, די שטויב אויף, די שטויב אויף מיין פֿיס רוואַנדאַ איצט אַז איך האָב געזען, איך בין פאַראַנטוואָרטלעך אמונה אָן מעשים איז טויט איצט אַז איך האָב דיך געהאלטן אין מיין אייגענע אָרעם, איך קען נישט לאָזן גיין ביז דו ביסט איך וועל זאָגן די וועלט, איך וועל זאָגן זיי ווו איך ווע געווען איך וועל האַלטן מיין וואָרט איך וועל זאָגן זיי אַלבערטינע איצט אַז איך האָב געזען, איך בין פאַראַנטוואָרטלעך אמונה אָן מעשים איז טויט איצט אַז איך האָב דיך געהאלטן אין מיין אייגענע אָרעם, איך קען נישט לאָזן גיין ביז דו ביסט איך בין אויף אַ בינע, טויזנט אויגן אויף מירikh zits shtil ikh trakhtn fun angelikve ir muters kul iber mir aun di bulats in di vant vu es iz shtil shtil aun aoyf a toyzntst bergl, ikh trakhtn fun albertine dort in ir aoygn vos ikh ton nit zen mit meyn eygene rvanda itst az ikh hob gezen, ikh bin farantvortlekh amunh on meshim iz toyt itst az ikh hob dikh gehaltn in meyn eygene orem, ikh ken nisht lozn geyn biz du bist ikh bin aoyf a flakh ariber a vayt im ober ikh trogn ir in mir aun di shtoyb aoyf, di shtoyb aoyf, di shtoyb aoyf meyn fis rvanda itst az ikh hob gezen, ikh bin farantvortlekh amunh on meshim iz toyt itst az ikh hob dikh gehaltn in meyn eygene orem, ikh ken nisht lozn geyn biz du bist ikh vel zogn di velt, ikh vel zogn zey vu ikh ve geven ikh vel haltn meyn vort ikh vel zogn zey albertine itst az ikh hob gezen, ikh bin farantvortlekh amunh on meshim iz toyt itst az ikh hob dikh gehaltn in meyn eygene orem, ikh ken nisht lozn geyn biz du bist ikh bin aoyf a bine, toyznt aoygn aoyf mirmo wa joko tun Mo ronu Angelique Awọn iya rẹ pariwo mi Ati awọn awako ni ogiri nibiti o dakẹ Ati lori oke ẹgbẹrun kan, Mo ronu ti Albertine nibẹ li oju rẹ ohun ti Emi ko rii pẹlu ti ara mi Rwanda ni bayi ti Mo ti rii, Emi ni iṣeduro Igbagbọ laisi iṣe ti ku nisinyi ti mo fi apa mi le ọ, emi ko le jẹ ki o lọ titi iwọ o fi wa Mo wa lori ọkọ ofurufu kọja okun ti o jinna Ṣugbọn emi gbe ọ ninu mi eruku loju, ekuru loju, ekuru ẹsẹ mi Rwanda ni bayi ti Mo ti rii, Emi ni iṣeduro Igbagbọ laisi iṣe ti ku nisinyi ti mo fi apa mi le ọ, emi ko le jẹ ki o lọ titi iwọ o fi wa Emi yoo sọ fun agbaye, Emi yoo sọ fun wọn ibiti Mo ti wa N óo pa ọ̀rọ̀ mi mọ́ Emi yoo sọ fun Albertine ni bayi ti Mo ti rii, Emi ni iṣeduro Igbagbọ laisi iṣe ti ku nisinyi ti mo fi apa mi le ọ, emi ko le jẹ ki o lọ titi iwọ o fi wa Mo wa lori ipele kan, ẹgbẹrun oju lori mingihleli ngithule Ngicabanga nge-Angelique omama bakhe izwi phezu kwami Nezinhlamvu ezazisodongeni lapho kwawa khona zithule Futhi egqumeni eliyinkulungwane, ngicabanga ngo-Albertine emehlweni akhe lokho angakuboni okwami ERwanda manje njengoba sengibonile, nginomthwalo wemfanelo Ukukholwa ngaphandle kwezenzo kufile manje njengoba ngikubambe ngezingalo zami, angikwazi ukuyeka uze ukhonze Ngindiza ngaphesheya kolwandle olukude Kepha ngithwele ngaphakathi kimi uthuli, uthuli, nothuli ezinyaweni zami ERwanda manje njengoba sengibonile, nginomthwalo wemfanelo Ukukholwa ngaphandle kwezenzo kufile manje njengoba ngikubambe ngezingalo zami, angikwazi ukuyeka uze ukhonze Ngizotshela umhlaba, ngizobatshela ukuthi ngake ngaphi Ngizogcina izwi lami Ngizobatshela u-Albertine manje njengoba sengibonile, nginomthwalo wemfanelo Ukukholwa ngaphandle kwezenzo kufile manje njengoba ngikubambe ngezingalo zami, angikwazi ukuyeka uze ukhonze Ngisesiteji, amehlo ayinkulungwane kimi

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