#christianartiste

[bowandbrush]

Donnie sketch

Doing his proper history research and daily tea time. If people can headcanon him so can I

I drew this without a reference :’)

God bless rottmnt

[artofrenee]

❤️Gods Love❤️

I wanted to draw myself with Jesus just once. He showed His Love to me more than once in such amazing ways that it felt so real to me. And this is what I tried to put on paper. The chains represent what I went through, that 'thing' he freed me from. And the heart show how he heals me. I'm not comfortable with it yet to share it online what I went through. I am doing better and I'm not so afraid anymore. I'm getting there somewhere with His help. He didn't 'take' it away from me, but it kinda is still around when I am tired it comes back, but He is then literally with me and I feel his presence which I describe as a warmth that feels burning like from a candle or the warmth of a heater, but than from within. And he soothes me with it, calms me and then 'that thing', it just goes away on it's own. Here you see the final result 😊First time with real gold leaf.....just hard to work with.

[cleansedmedia]

Nice to meet you! We hope you enjoy our projects to come! We wanted to introduce ourselves and let everyone know what we are about!

Qwest44

@viathatoneartist

@chrystallink

Valorrally

[ona-draws-haha]

Wow has it been months since I've posted here

[tatesalive]

He will always Bee with you 😊🐝♡

"How sweet are Your words to my taste, Sweeter than honey to my mouth!" Pslam 119: 103-105 🍯📃☆

Background Credit: https://pin.it/5SlYgaFXw 🏙️☆

Lil cute & silly thing I made today 😂♡ Thank You Holy Spirit for the Idea & Vision 💛♡✨

[totallynottrinkat]

I cooked today >:) May draw more of him too Love em so so much <33

[huiskind-story]

Wishing a Happy Easter and a safe long weekend!

[free2lovechrist]

This is Candace Owens

[beautiful-02-08-18]

1 Corinthians 10:14 (KJV)

Wherefore, my dearly beloved, flee from idolatry.

Fan Interpretation of Charming Gold’s parents from Running Man Animation.

When I was watching Running Man Animation, I at first never really paid much attention to Charming Gold. Before him, I was more interested in Pala, and even with the whole villain reveal, I still did not really pay him much attention until his backstory was revealed. I immediately became attached to CG after that.

In Charming Gold’s backstory, we are shown his parents and what’s interesting is that they are the only characters with faces. The other Pikok members have some sort of comedy theater mask on their faces, or even not drawn at all.

I probably thought more of these characters, if you can call them that, than what was intended. They were only present for precisely 15 seconds combined but there are so many storytelling elements on them. We were only shown their bust and side view and for this reason, we were never shown their full designs. It was hard trying to make their designs as it was in a flashback sequence with a yellow filter on everything so we, the audience, did not even know what colors they were. They do not even have names! They are called “Charming Gold’s mother” and “Charming Gold’s father” or “Charming Gold’s parents”. Even then, I actually liked these characters. Or their story potential regarding Charming Gold.

I’ll go talk about their names first instead of calling them “Charming Gold’s mother” and “Charming Gold’s father”. I named his mother Charming “Darling” Diamond because the diamond is one of the most valuable gemstones, fitting for the queen of the beautiful Pikok tribe. For his father, I was originally going to name him Charming Cobalt so his name is an alliteration similar to Charming Gold and also to reference his blue feathers. However, I thought that would make Charming Gold an outlier. My friend pointed out many years ago that Charming Gold's name is “Gold” but he’s blue. Since there are already characters with alliterations on their names I changed it to Charming Platinum. I made this as a reference that Gold's father is higher in power than him as platinum, which can also be known as white gold, is more valuable than gold.

On to their designs, as I said before in my Dazzling Diaspore character art I have a headcanon that the women of the Pikok tribe have duller colors compared to their male counterparts. I used a real-life image of a peahen so that’s why Diamond has a blue neck. Platinum has a hue of deep rich blue color, to further emphasize his authority over Gold, who has a standard blue color.

Using Charming Gold as a reference for their designs, I noticed that while looking at Gold’s design his whole body is a gradient. From a light teal on his nose to dark violets on the tips of his hair to even the icy blue color of his tail. With bold colors of red and gold on his face with purple eyes. I incorporated that detail into the designs of Pikok characters.

I did not want Charming Gold’s parents to be an exact copy of him, so I tried my best to make them look different, but still similar, to CG. Granted that, I may have overdone it. I did 3-4 color tests to see what I liked the most.

Another headcanon is the makeup they wear is a part of their face. So that eyeshadow and goatee on Charming Gold is actually a part of his face. While looking at the close-up shot of Platinum I noticed that there seemed to be some sort of bottom eyeliner, and since I wanted them to look like their son more so I made him have eye makeup similar to Gold. There seems to be no make-up on Diamond so I had to improvise.

Charming Gold seems to embody Korean beauty standards like his androgynous body and flawless skin. His backstory of being horrifically bullied is a common story in Korean Media, especially stories about beauty standards.

With that in mind, I designed Diamond and Platinum from those beauty standards. In Korea, facial hair is seen as unattractive, but according to history, men were not allowed to harm their bodies and that includes hair. That is why I had Platinum sport a beard than Gold’s goatee. (Side note: Fandom Wiki just described it as a “red line” but I personally see it as Gold having a goatee.) Diamond have freckles and a mole because from what I had researched these beauty marks are at best neutral or at worst ugly in Korea. I found no solid statement even though some KPop idols, who are known to follow Korean beauty standards, have these same beauty marks. She was shown to have pronounced eyelashes so I made sure to show that.

I also have a headcanon that as they age, their faces darken from a white to a gray color. I picked the gray from their grayscale.

For the clothes, Charming Platinum's design was simple enough as his clothes seemed to be a long-sleeved polo shirt with buttons paired with black pants and shoes. He had this cloth wrapped around him like a belt and was wearing a large cape or a royal mantle. He was noticeably wearing the same backless vest Gold wore in the show. Hence, I see the vest like a crown, where the king, Platinum, passed it down to his heir, Gold. And let me tell you, it was hard getting a decent reference for this very symmetrical pattern.

For Charming Diamond here, we were never shown much. I had interpreted it as her wearing a royal mantle and a sleeveless dress and that is all. I noticed that the design on her brooch has the same design that can be throughout the show, like the window in one of the references.

Their royal mantles are rather interesting to me since Charming Gold never wore one in the show; however, since the mantles have peacock patterns on them, I think they were supposed to represent a peacock’s tail, similar to how Gold wore one during Season 1. I did some creative liberty while designing their clothes as we were never shown their full frontal view. Clothes from the Pikok tribe are surprisingly rather simple.

For my headcanons about their deaths, it is rather simple. I did not really think much about it, just a vague idea about how they died. Charming Diamond died from an illness, and she never knew about Gold’s ability and that he was the one behind the missing persons cases. Charming Platinum was stabbed in an assassination attempt by a member of the Mong tribe, who Gold killed to save the former, ultimately revealing his secret power. Platinum later died from the injury he sustained but was on rather good terms with Gold after learning the latter’s ability.

I do not really like the idea that Charming Gold killed his parents. While yes, he probably killed all of the members of the Pikok tribe I just can not really see him as the type of person to kill his parents. Maybe that is just my rose-tinted glasses, but I like to interpret his relationship with his parents as complicated but loving. In his backstory, it was implied that Gold immediately went to his parents after being bullied again. We can assume that this was not the first time this had happened to him, and he possibly went to his parents for consolement.

When he realized that even his own parents were ashamed of him, he was completely heartbroken as implied by the emphasis on the single teardrop. Charming Gold’s parents were ashamed of him because of his appearance, so it is possible that when Gold gained his energy absorption ability and became “beautiful” they started to treat him better. They did have some sort of familial love for him before that, but it became more apparent after the “curse” was lifted. But this is just my interpretation.

For their personalities, we were never shown much. What little we get is where they are in a stressful situation, so we can not really know for sure how they normally act. But Gold’s personality and skill must have come from somewhere.

I might draw and flesh them out more but this is it for now. I have been trying a new art style where I lean into the gothic medieval style so that is why the art has a yellow filter, but there is still the other version where there is no filter. Drawing these two was hard because as it turns out, I’m not actually good with drawing two characters existing in the same space with correct proportions.

Thank you for reading!

[juniorsecondblack]

Merry Christmas 03: the gift from Bucky

[kmillustration]

"Let my prayer be counted as incense before you, and the lifting up of my hands as the evening sacrifice!"

-Psalm 141:2

[artofrenee]

" He's with you in the brokenness." ❤️

Don't have much to say about this, that's what I tried to put into the painting here. I have really experienced it, his hold and love. Hence the reason why I wanted to paint this, He really does exist and loves us deeply.🥰 @kuroshironekoserver

[ak47stylegirl]

My latest print 😄I love this shade of yellow #art #artwork #artist #artistsoninstagram #printmaking #printmaker #printmakersofinstagram #christianart #christianartist #christianity #jesuschrist #brisbaneartist #australianartists #tafe #tafequeensland #diplomaofvisualarts https://www.instagram.com/p/CqWaamDvelx/?igshid=NGJjMDIxMWI=

[ona-draws-haha]

I don't post here much, but here is something that got popular real quick

*THESE CHARACTERS DO NOT BELONG TO ME (EXCEPT THE GOBLIN)* THESE BELONG TO PARTY COFFIN AKA CLOWN ILLUSTRATIONS

[tatesalive]

His Love 💗♡

Give thanks to the Lord, for he is good, for his steadfast love endures forever. Pslam 136:1 ❤️‍🩹🌿♡

[ronaldanthony4]

So it was when the angels had gone away from them into heaven, that the shepherds said to one another, “Let us now go to Bethlehem and see this thing that has come to pass, which the Lord has made known to us.”

And they came with haste and found Mary and Joseph, and the Babe lying in a manger. When they had seen Him, they made widely known the saying which was told them concerning this Child. And all those who heard it marvelled at those things which were told them by the shepherds. But Mary kept all these things and pondered them in her heart.

(Luke 2:15-19)

As Christmas approached again, I found myself revisiting a piece of art I had created years ago, in 2019. That artwork had been special to me—a simple but heartfelt depiction of the Nativity scene. This year, I decided to reimagine it as a digital painting, blending my evolving artistic skills with the timeless beauty of that sacred moment. Recreating the Nativity scene in a new medium allowed me to capture the essence of the story freshly and innovatively.

In this new artwork, I chose to capture the scene where the shepherds, guided by the angel’s proclamation, came inside the stable cave to witness the miracle of the new-born Christ. I wanted to preserve the humble simplicity of the setting while highlighting the profound emotions of that night. Every detail mattered to me because I didn’t just want to illustrate a scene; I wanted to tell a story—a story of faith, wonder, and joy. The use of mixed media allowed me to add depth and texture to the piece, enhancing the overall impact of the narrative.

The central focus of the artwork is, of course, the infant Jesus, wrapped snugly in swaddling clothes and laid in a manger. For this manager, I imagined a practical design—a cut-out stone water trough with a wooden hay rack attached beside it. To ensure the infant’s comfort, I depicted the trough filled with a woollen cushion, giving the impression of care even in the humblest of surroundings. The light of a handmade lantern nearby casts a soft, warm glow over the scene, adding to the serene and sacred atmosphere.

Joseph stands nearby, watching with a calm and protective gaze as the shepherds, rough and weathered from their time in the fields, gather around. Their expressions are a mix of awe and adoration as they look upon the divine infant—the child the angel had told them about. Each shepherd is distinct, their clothes and features reflecting their modest lives, but their shared sense of wonder ties them all together. The air is filled with a sense of reverence and wonder as the shepherds see the newborn baby.

Mary, seated close to the manger, gently watches over the babe. Her face radiates both joy and serenity as she takes in the significance of this moment. She is not only a mother but also a quiet observer of this extraordinary event, treasuring every word and gesture, pondering them in her heart as the Gospel of Luke so beautifully describes. In awe of what they are witnessing, the shepherds kneel before the baby in humble adoration, their hearts filled with a newfound sense of purpose and hope. The scene is a beautiful reminder that even the most ordinary individuals can be touched by the extraordinary grace of God.

The cave itself, though a humble and rugged setting, exudes a sense of warmth and safety. I wanted to capture the idea that even in the most unassuming places, something extraordinary can occur. The natural stone walls and scattered hay add texture and authenticity, grounding the scene in its historical and biblical context. The flickering light from the small lantern casts a soft glow on the faces of the visitors, illuminating their expressions of wonder and awe. The baby, wrapped in swaddling clothes and lying in a manger, seems to radiate a sense of peace and innocence that touches each person's soul.

As I painted, I found myself reflecting deeply on the Nativity story and its message. It is a story of humility—the King of Kings was born not in a palace but in a stable. It is a story of hope—light shining in the darkness. And it is a story of inclusion—the angels did not announce Christ’s birth to kings or scholars but to shepherds, ordinary people going about their daily lives. The simplicity of the setting serves as a reminder that great things can come from humble beginnings. The Nativity scene captures the essence of the Christmas story, inviting us to contemplate the true meaning of the holiday season.

As I put the finishing touches on the painting—the warm glow of the lantern, the soft shadows of the shepherds, the peaceful expression of Mary—I felt a deep sense of gratitude. Art has always been my way of connecting with stories, with faith, and with others. Through this Nativity scene, I hoped to remind viewers of the true meaning of Christmas, a message that remains as relevant today as it was over two thousand years ago. The act of creating this piece brought me a sense of peace and joy, knowing that I was able to convey such a powerful message through my art. I hope that those who view this painting will be inspired to reflect on the significance of the birth of Jesus and the love and hope it represents.