#Christiancreative

[artofrenee]

❤️Gods Love❤️

I wanted to draw myself with Jesus just once. He showed His Love to me more than once in such amazing ways that it felt so real to me. And this is what I tried to put on paper. The chains represent what I went through, that 'thing' he freed me from. And the heart show how he heals me. I'm not comfortable with it yet to share it online what I went through. I am doing better and I'm not so afraid anymore. I'm getting there somewhere with His help. He didn't 'take' it away from me, but it kinda is still around when I am tired it comes back, but He is then literally with me and I feel his presence which I describe as a warmth that feels burning like from a candle or the warmth of a heater, but than from within. And he soothes me with it, calms me and then 'that thing', it just goes away on it's own. Here you see the final result 😊First time with real gold leaf.....just hard to work with.

[gentlespiritgirl]

This is your reminder to pray for someone today!! Lift up your voice to your Heavenly Father on behalf of someone 🤍

Full Video Link Below 👇🏽

[beautiful-02-08-18]

1 Corinthians 10:14 (KJV)

Wherefore, my dearly beloved, flee from idolatry.

Fan Interpretation of Charming Gold’s parents from Running Man Animation.

When I was watching Running Man Animation, I at first never really paid much attention to Charming Gold. Before him, I was more interested in Pala, and even with the whole villain reveal, I still did not really pay him much attention until his backstory was revealed. I immediately became attached to CG after that.

In Charming Gold’s backstory, we are shown his parents and what’s interesting is that they are the only characters with faces. The other Pikok members have some sort of comedy theater mask on their faces, or even not drawn at all.

I probably thought more of these characters, if you can call them that, than what was intended. They were only present for precisely 15 seconds combined but there are so many storytelling elements on them. We were only shown their bust and side view and for this reason, we were never shown their full designs. It was hard trying to make their designs as it was in a flashback sequence with a yellow filter on everything so we, the audience, did not even know what colors they were. They do not even have names! They are called “Charming Gold’s mother” and “Charming Gold’s father” or “Charming Gold’s parents”. Even then, I actually liked these characters. Or their story potential regarding Charming Gold.

I’ll go talk about their names first instead of calling them “Charming Gold’s mother” and “Charming Gold’s father”. I named his mother Charming “Darling” Diamond because the diamond is one of the most valuable gemstones, fitting for the queen of the beautiful Pikok tribe. For his father, I was originally going to name him Charming Cobalt so his name is an alliteration similar to Charming Gold and also to reference his blue feathers. However, I thought that would make Charming Gold an outlier. My friend pointed out many years ago that Charming Gold's name is “Gold” but he’s blue. Since there are already characters with alliterations on their names I changed it to Charming Platinum. I made this as a reference that Gold's father is higher in power than him as platinum, which can also be known as white gold, is more valuable than gold.

On to their designs, as I said before in my Dazzling Diaspore character art I have a headcanon that the women of the Pikok tribe have duller colors compared to their male counterparts. I used a real-life image of a peahen so that’s why Diamond has a blue neck. Platinum has a hue of deep rich blue color, to further emphasize his authority over Gold, who has a standard blue color.

Using Charming Gold as a reference for their designs, I noticed that while looking at Gold’s design his whole body is a gradient. From a light teal on his nose to dark violets on the tips of his hair to even the icy blue color of his tail. With bold colors of red and gold on his face with purple eyes. I incorporated that detail into the designs of Pikok characters.

I did not want Charming Gold’s parents to be an exact copy of him, so I tried my best to make them look different, but still similar, to CG. Granted that, I may have overdone it. I did 3-4 color tests to see what I liked the most.

Another headcanon is the makeup they wear is a part of their face. So that eyeshadow and goatee on Charming Gold is actually a part of his face. While looking at the close-up shot of Platinum I noticed that there seemed to be some sort of bottom eyeliner, and since I wanted them to look like their son more so I made him have eye makeup similar to Gold. There seems to be no make-up on Diamond so I had to improvise.

Charming Gold seems to embody Korean beauty standards like his androgynous body and flawless skin. His backstory of being horrifically bullied is a common story in Korean Media, especially stories about beauty standards.

With that in mind, I designed Diamond and Platinum from those beauty standards. In Korea, facial hair is seen as unattractive, but according to history, men were not allowed to harm their bodies and that includes hair. That is why I had Platinum sport a beard than Gold’s goatee. (Side note: Fandom Wiki just described it as a “red line” but I personally see it as Gold having a goatee.) Diamond have freckles and a mole because from what I had researched these beauty marks are at best neutral or at worst ugly in Korea. I found no solid statement even though some KPop idols, who are known to follow Korean beauty standards, have these same beauty marks. She was shown to have pronounced eyelashes so I made sure to show that.

I also have a headcanon that as they age, their faces darken from a white to a gray color. I picked the gray from their grayscale.

For the clothes, Charming Platinum's design was simple enough as his clothes seemed to be a long-sleeved polo shirt with buttons paired with black pants and shoes. He had this cloth wrapped around him like a belt and was wearing a large cape or a royal mantle. He was noticeably wearing the same backless vest Gold wore in the show. Hence, I see the vest like a crown, where the king, Platinum, passed it down to his heir, Gold. And let me tell you, it was hard getting a decent reference for this very symmetrical pattern.

For Charming Diamond here, we were never shown much. I had interpreted it as her wearing a royal mantle and a sleeveless dress and that is all. I noticed that the design on her brooch has the same design that can be throughout the show, like the window in one of the references.

Their royal mantles are rather interesting to me since Charming Gold never wore one in the show; however, since the mantles have peacock patterns on them, I think they were supposed to represent a peacock’s tail, similar to how Gold wore one during Season 1. I did some creative liberty while designing their clothes as we were never shown their full frontal view. Clothes from the Pikok tribe are surprisingly rather simple.

For my headcanons about their deaths, it is rather simple. I did not really think much about it, just a vague idea about how they died. Charming Diamond died from an illness, and she never knew about Gold’s ability and that he was the one behind the missing persons cases. Charming Platinum was stabbed in an assassination attempt by a member of the Mong tribe, who Gold killed to save the former, ultimately revealing his secret power. Platinum later died from the injury he sustained but was on rather good terms with Gold after learning the latter’s ability.

I do not really like the idea that Charming Gold killed his parents. While yes, he probably killed all of the members of the Pikok tribe I just can not really see him as the type of person to kill his parents. Maybe that is just my rose-tinted glasses, but I like to interpret his relationship with his parents as complicated but loving. In his backstory, it was implied that Gold immediately went to his parents after being bullied again. We can assume that this was not the first time this had happened to him, and he possibly went to his parents for consolement.

When he realized that even his own parents were ashamed of him, he was completely heartbroken as implied by the emphasis on the single teardrop. Charming Gold’s parents were ashamed of him because of his appearance, so it is possible that when Gold gained his energy absorption ability and became “beautiful” they started to treat him better. They did have some sort of familial love for him before that, but it became more apparent after the “curse” was lifted. But this is just my interpretation.

For their personalities, we were never shown much. What little we get is where they are in a stressful situation, so we can not really know for sure how they normally act. But Gold’s personality and skill must have come from somewhere.

I might draw and flesh them out more but this is it for now. I have been trying a new art style where I lean into the gothic medieval style so that is why the art has a yellow filter, but there is still the other version where there is no filter. Drawing these two was hard because as it turns out, I’m not actually good with drawing two characters existing in the same space with correct proportions.

Thank you for reading!

[hugopineda]

Gracias @ramontowrs por la confianza para realizarte una pieza de mi autoría. Un faro firme sobre las rocas, no está de más contar que representa a Dios en medio de las tribulaciones. . . #haps #stopbadchurchgraphics #prochurchmedia #illustrator #worshipandcreative #wacomcentroamérica #tbt #throwbacktuesday #engageart #theologymatters #christiancreative #crtvchurch #reformedsociety #scrossmedia #churchcommunity #creativeanddesign #blackwork #blackworkerssubmission #blackworker #blackandwhite #mylighthouse #inking #lighthousetattoo #rendcollective #mylighthouse https://www.instagram.com/p/CHtiyZ0penZ/?igshid=NGJjMDIxMWI=

[ronaldanthony4]

So it was when the angels had gone away from them into heaven, that the shepherds said to one another, “Let us now go to Bethlehem and see this thing that has come to pass, which the Lord has made known to us.”

And they came with haste and found Mary and Joseph, and the Babe lying in a manger. When they had seen Him, they made widely known the saying which was told them concerning this Child. And all those who heard it marvelled at those things which were told them by the shepherds. But Mary kept all these things and pondered them in her heart.

(Luke 2:15-19)

As Christmas approached again, I found myself revisiting a piece of art I had created years ago, in 2019. That artwork had been special to me—a simple but heartfelt depiction of the Nativity scene. This year, I decided to reimagine it as a digital painting, blending my evolving artistic skills with the timeless beauty of that sacred moment. Recreating the Nativity scene in a new medium allowed me to capture the essence of the story freshly and innovatively.

In this new artwork, I chose to capture the scene where the shepherds, guided by the angel’s proclamation, came inside the stable cave to witness the miracle of the new-born Christ. I wanted to preserve the humble simplicity of the setting while highlighting the profound emotions of that night. Every detail mattered to me because I didn’t just want to illustrate a scene; I wanted to tell a story—a story of faith, wonder, and joy. The use of mixed media allowed me to add depth and texture to the piece, enhancing the overall impact of the narrative.

The central focus of the artwork is, of course, the infant Jesus, wrapped snugly in swaddling clothes and laid in a manger. For this manager, I imagined a practical design—a cut-out stone water trough with a wooden hay rack attached beside it. To ensure the infant’s comfort, I depicted the trough filled with a woollen cushion, giving the impression of care even in the humblest of surroundings. The light of a handmade lantern nearby casts a soft, warm glow over the scene, adding to the serene and sacred atmosphere.

Joseph stands nearby, watching with a calm and protective gaze as the shepherds, rough and weathered from their time in the fields, gather around. Their expressions are a mix of awe and adoration as they look upon the divine infant—the child the angel had told them about. Each shepherd is distinct, their clothes and features reflecting their modest lives, but their shared sense of wonder ties them all together. The air is filled with a sense of reverence and wonder as the shepherds see the newborn baby.

Mary, seated close to the manger, gently watches over the babe. Her face radiates both joy and serenity as she takes in the significance of this moment. She is not only a mother but also a quiet observer of this extraordinary event, treasuring every word and gesture, pondering them in her heart as the Gospel of Luke so beautifully describes. In awe of what they are witnessing, the shepherds kneel before the baby in humble adoration, their hearts filled with a newfound sense of purpose and hope. The scene is a beautiful reminder that even the most ordinary individuals can be touched by the extraordinary grace of God.

The cave itself, though a humble and rugged setting, exudes a sense of warmth and safety. I wanted to capture the idea that even in the most unassuming places, something extraordinary can occur. The natural stone walls and scattered hay add texture and authenticity, grounding the scene in its historical and biblical context. The flickering light from the small lantern casts a soft glow on the faces of the visitors, illuminating their expressions of wonder and awe. The baby, wrapped in swaddling clothes and lying in a manger, seems to radiate a sense of peace and innocence that touches each person's soul.

As I painted, I found myself reflecting deeply on the Nativity story and its message. It is a story of humility—the King of Kings was born not in a palace but in a stable. It is a story of hope—light shining in the darkness. And it is a story of inclusion—the angels did not announce Christ’s birth to kings or scholars but to shepherds, ordinary people going about their daily lives. The simplicity of the setting serves as a reminder that great things can come from humble beginnings. The Nativity scene captures the essence of the Christmas story, inviting us to contemplate the true meaning of the holiday season.

As I put the finishing touches on the painting—the warm glow of the lantern, the soft shadows of the shepherds, the peaceful expression of Mary—I felt a deep sense of gratitude. Art has always been my way of connecting with stories, with faith, and with others. Through this Nativity scene, I hoped to remind viewers of the true meaning of Christmas, a message that remains as relevant today as it was over two thousand years ago. The act of creating this piece brought me a sense of peace and joy, knowing that I was able to convey such a powerful message through my art. I hope that those who view this painting will be inspired to reflect on the significance of the birth of Jesus and the love and hope it represents.

[kusierne]

Wedding Phil & Sarah

[natalianaomibrand]

But God is the strength of my heart and my portion forever!

[lifeverses]

Excited to share the latest addition to my #etsy shop: Bible Verse Printable | Be Joyful Romans 12:12 #bible #christianartist #christiancreative #biblescripture #christianblog #christianmemes #biblejournaling #christianblogger #christiancoma #bibletext #biblequotes #christian #christianliving #printable #christiangrey #wallart #christians #biblestudy #christianmom #christianquotes #christianapparel #christianwoman #bibleverse #bibleverses #christianity #christianwomen https://www.instagram.com/p/CpZJ4EuoNWJ/?igshid=NGJjMDIxMWI=

[theladysteffi]

Reposted from @daughterswithpurpose For every reason that you have for giving up, God can give you even more to KEEP GOING!! If you are reading this, keep going! Keep living! God cares for you, and He has need of you! You WILL get through this, whatever your "THIS" is. Yea, though I walk THROUGH the valley of the shadow of death. This place is not for you to stay, it's not your residency. It's for you to go THROUGH to get to what God has for you! 💛 #daughterswithpurpose #christiancreative #graceofgod #purposedriven #womanoffaith #womanofworth #grace #purposedrivenlife #womenoffaith #christianwomen #christianwoman #purposefulliving #purposedrivenwomen #womenofworth #purpose #daughterwithpurpose #trust #christiancontent #christiancontentcreator #womanofgod 🌹LadySteffi (at Warrendale, Detroit, Michigan) https://www.instagram.com/p/Co3oHLqMyy0/?igshid=NGJjMDIxMWI=

[allforgodmuziksblog]

'NOTHING THAT MY GOD COULDNT DO' 🎙️ FEB 4TH, 2023 👉NEW MUSIC!!! 💯💨 JESUS LOVES YOU 💯 (SONG LINK - MUSIC & MORE 👇👇👇) - - STREAM THIS SONG HERE👇👇👇 https://songwhip.com/allforgodmuzik/nothing-that-my-god-couldnt-do - christian - 👇 SUPPORT US HERE 👇 http://Linktr.ee/Afgmuzik - - Follow us for more amazing content @allforgod_muzik - - #christianmusic #christianrap #christianhiphop #christianinfluencer #christianmen #christianpost #christiancreative #christianwomen #christianmom #christianposts #christianinspiration #christianartist #christianclothing #christiancommunity #christianfaith #christianlifecoach #christian #christianity #christianlife #christianliving #christianblogger #christians #christianwife #christiangirl #christianart #christianwoman #christianapparel #christiansong #christiancreatives #christianradio (at Atlanta, Georgia) https://www.instagram.com/p/CoPsJ71uenw/?igshid=NGJjMDIxMWI=

[ryey22]

Shining Bright: A Youthful and Uplifting Bible Verse Design

[artofrenee]

" He's with you in the brokenness." ❤️

Don't have much to say about this, that's what I tried to put into the painting here. I have really experienced it, his hold and love. Hence the reason why I wanted to paint this, He really does exist and loves us deeply.🥰 @kuroshironekoserver

[gentlespiritgirl]

New post on my Instagram! 🤍✍🏽✨ The full post is linked below, I pray that Jesus our beloved Saviour and hope of this world will bless you today friends! ☺️

View this post on Instagram

A post shared by gentle spirit ministry ♡ (@gentlespirit_)

[erikamastersonphotographicartist]

Protector

This image is really about trust to me. 

Please comment what you see!

This image was photographed with black and white 4x5 film. I hand develop the film myself and then scan into my computer. My camera is a Graflex super D from the 1940’s. I call her “Betsy”.

If you’d like to see and read more about my work please join my email list through my website! Link in bio ❤️🕊🙏🏻

#unchartedterritories2023 #erikamastersonfineartimagery #propheticart 

#christianart #christianbusinesswomen #christiancreative #artdaily #madeinusa #lionandthelamb #artofinstagram #Brand #Florida #Lifestyle #designer #interiordesign #interiors#artformywalls #collecteurs #contemporaryartcollector

#holyspirit #createdtocreate #christianity #jesusfollower #artistinthestudio

[lightoftheworld03]

#christian #christianchurches #wordofgod #christianbook #godawgs #christianblogger #christianclothing #christianity #jesuscristo #jesuschrist #christiancreatives #godblesstheusa #god1st #christianart #christianapparel #jesus #christianityhotlineofficial #christianityfollower #christianblog #holyspirit #god #godblesseveryone #christianity_for_all #christianity_world #intags #holyspiritchurch #godblessamerica #godbless #christianartist #christianbale

[ronaldanthony4]

Now in the sixth month the angel Gabriel was sent by God to a city of Galilee named Nazareth, to a virgin betrothed to a man whose name was Joseph, of the house of David. The virgin’s name was Mary. And having come in, the angel said to her, “Rejoice, highly favoured one, the Lord is with you; blessed are you among women!”

But when she saw him, she was troubled at his saying, and considered what manner of greeting this was. Then the angel said to her, “Do not be afraid, Mary, for you have found favour with God. And behold, you will conceive in your womb and bring forth a Son, and shall call His name Jesus. He will be great, and will be called the Son of the Highest; and the Lord God will give Him the throne of His father David. And He will reign over the house of Jacob forever, and of His kingdom there will be no end.”

Then Mary said to the angel, “How can this be, since I do not know a man?”

And the angel answered and said to her, “The Holy Spirit will come upon you, and the power of the Highest will overshadow you; therefore, also, that Holy One who is to be born will be called the Son of God. Now indeed, Elizabeth your relative has also conceived a son in her old age; and this is now the sixth month for her who was called barren. For with God nothing will be impossible.”

Then Mary said, “Behold the handmaid of the Lord! Let it be unto me according to your word.” And the angel departed from her.

(Luke 1:26-38)

-----------------------

As an artist who loves exploring different themes, creating Christian art during Christmas is both a joy and a spiritual calling. This year, amidst the bustling preparation for my main nativity artwork, I was drawn to a particular biblical moment—the Annunciation. The story of the angel Gabriel appearing to Mary to announce that she would bear the Son of God has always been a profound event. It encapsulates not only divine intervention but also human courage and faith. Inspired by this, I poured my heart into crafting a piece that captures the essence of this sacred moment.

For this artwork, I decided to use James Tissot's famous painting, "Annunciation," as the foundation. Tissot's work has always intrigued me because of its detailed historical references. His rendition of Mary’s house, inspired by the plan found in the Church of Annunciation in Nazareth, exudes authenticity. Trusting his artistic research, I chose to adopt his background for my piece. The composition, with Gabriel on the left and Mary on the right, adheres to traditional artistic conventions. It provided a solid structure for me to work on while allowing room for my interpretations.

One significant deviation in my artwork is Mary’s appearance. While Tissot portrayed her in a heavily cloaked manner with fair skin, I reimagined her with dark skin and black curly hair. This decision stemmed from my desire to achieve historical accuracy. Mary was a young Jewish woman from first-century Nazareth, and she likely had a Middle Eastern complexion. For her attire, I drew inspiration from William Ladd Taylor’s nativity artwork. I depicted her in a simple white robe, and a nightgown, reflecting her humility and modesty. Unlike Tissot’s Mary, shrouded in layers, my Mary is more accessible, more human—a young woman startled by the unexpected presence of an angel.

The setting in my artwork suggests the event occurred at night. I imagined Mary resting when Gabriel suddenly appeared, radiating a divine light that illuminated the room. This detail is drawn from Luke 2:9, which mentions the glory of the Lord shining brightly. The stark contrast between the dark surroundings and the angel’s glow symbolises the breaking of divine light into the ordinary. This interpretation emphasises the humanity of Mary and the sudden, unexpected nature of the angel's visitation, making the scene more relatable to viewers. The use of light and darkness in the setting adds depth and symbolism to the artwork, enhancing the overall impact of the narrative.

The character design for the angel is a blend of artistic license and traditional depictions. It is important to note that the angel in my artwork should not be confused with a cherub or a seraph, both of which have more detailed and superior descriptions in the Bible. The angels mentioned in the Gospels are often portrayed as young men dressed in white (Mark 16:5, Luke 24:4, Acts 1:10) and be like lightning (Matthew 28:3), which inspired the glowing, radiant look I gave him. Although angels are commonly depicted with halos, I decided against it, acknowledging its pagan origins. Instead, I focused on other elements that conveyed his heavenly nature. The flowing robes and ethereal wings added a sense of grace and divinity to Gabriel's character, while the subtle use of gold accents hinted at his celestial origins.

Gabriel’s beardless, youthful face signifies his glorified state. I gave him blonde hair and blue eyes, a nod to traditional artistic depictions of angels, even though these features are just guesses since only vague descriptions from the Gospels are available. The overall effect was a portrayal of Gabriel that was both familiar and unique, capturing the essence of his angelic nature while also leaving room for interpretation. The wings, however, are not present in this depiction, since the only angels that have been mentioned to have wings were the cherubim, seraphim and the four living creatures and there's no indication in the Bible that the messenger angel like Gabriel has wings.

The colour choices in my artwork are also symbolic. The off-white colour of Mary's linen robe signifies its earthly origin, contrasting with the angel's purely white attire, which symbolises its heavenly provenance. This visual contrast underscores the divine-human encounter, highlighting the sacredness of the moment. The whiteness of the angel's outfit not only represents purity but also serves as a visual cue to the heavenly realm from which the angel hails. The use of colour in this way adds depth and meaning to the scene, enhancing the overall spiritual impact for viewers.

In creating this artwork, I aimed to capture the essence of the Annunciation, a moment of profound significance in the Christian faith. The scene is not just a historical event but a timeless message of hope, faith, and divine intervention. As I worked on this piece, I was reminded of the power of art to convey deep spiritual truths and to inspire reflection and reverence. The Annunciation, with its themes of divine election, purity, and the promise of salvation, continues to resonate with believers and non-believers alike, reminding us of the enduring relevance of this biblical narrative.

As I worked on this piece, I reflected on the humility and faith of Mary. Here was a young woman, likely in the age of consent in ancient times, being told she would carry the Son of God. Her response, as recorded in Luke 1:38, "Behold the handmaid of the Lord; be it unto me according to thy word," is a testament to her strength and trust in God. I tried to capture that mixture of awe, fear, and acceptance in her posture and expression. Her raised hand, meeting Gabriel’s gesture, signifies her willingness to embrace this divine calling despite her initial trepidation.

The process of creating this artwork was both challenging and rewarding. Balancing historical accuracy, artistic interpretation, and spiritual symbolism required careful thought and research. Yet, every brushstroke felt purposeful, as if guided by the story itself. This piece is a prelude to the nativity artwork I am preparing to upload on Christmas Eve. While the Annunciation sets the stage for the miracle of Christ’s birth, the nativity captures its fulfilment. Together, these artworks celebrate the incredible story of God’s love and the people who played a role in His divine plan.

In conclusion, my rendition of the Annunciation is a labour of love, a blend of historical accuracy, artistic license, and spiritual reflection. It is a tribute to the masterful works of James Tissot and William Ladd Taylor, as well as a personal interpretation of a timeless biblical event. As I prepare to unveil my nativity artwork on Christmas Eve, I am filled with a sense of awe and gratitude for the opportunity to explore and express my faith through art. May this artwork serve as a reminder of the divine-human encounter that changed the course of history and continues to inspire generations.