#chitara

[lunaestudio1214]

Chitarita

Esta es mi gatita Chitara

[unsarutsiamplecat]

Întuneric în culori

[modernamazons]

[p0tasiu]

Me and my guitar at 2 am on a school night

[soundgrammar]

From The Great Race (2012) by Jagdish Chitara (artist) and Nathan Kumar Scott (writer)

[booticro]

Capodastrul iti permite sa interpretezi anumite piese, mai sus sau mai jos, fara a fi nevoie sa transpui piesa pe alte acorduri, sau sa utilizezi prea multe acorduri barate. Capodastrul poate fi folosit la chitara acustica, electrica, mandolina si chiar ukulele. Setul contine si o pana de chitara, forma Standard, din plastic.

[x4nnyb4r]

Gonna have to turn your phones but here's our holiday setup. Enjoy guessing how many blankets that is

[starweed]

the clerics are so cool

live watch of the 2011-2012 reboot of thundercats, so sorry everyone

[kindwhispers]

Ballroom e Youkoso: Dreams, Passion, & Self-discovery through the art of dancing

Spoilers ahead!

This will always be one of my top favourites of mine. One of the many things I loved about this manga– aside from my obvious adoration in its magnificent art (especially its motion art) is how it explores the intricacies of finding your own dreams for yourself. Tatara is on a constant pursuit of understanding himself as he digs into ballroom on a deeper lens; the becoming of a pair with Chinatsu being the fire that ignited Tatara’s self-discovery, how his realizations in staying in the ballroom world & encountering more people- especially Bres arc- is foisting him to ruminate on his dreams, purpose, motivation, and the courage to keep up despite it being a place that is still so enigmatic & distant from his own grasp.

There are lots of chapters that have been introspective & I really love ALL of the characters (they’re all so beautiful) i can’t wait to see how Tatara’s experiences in ballroom will mould his growth as a dancer & as himself. I still don’t understand why they cut a certain scene from the manga in the anime considering Tatara’s feelings & admiration for Shizuku is imperative for his quest in entering ballroom dancing. esp. how he views his own motivation as asinine (and acknowledges it as part of his self discovery).

One of my favourite chapters includes the one with Chinatsu- Tatara on his quest for the essence of dancing, confronting his qualms about himself leading up to a harmonious moment with Chinatsu and becoming one with her. Their growth as a dynamic has been wonderful, I love them so much (and before everything has been said and done, I am a platonic!chitara admirer). I also love the way Tatara has been recognizing ballroom as a bridge that connects him to the people he admires until he met these people who provoke his convictions to himself… now that he’s gained awareness, he HAS to fundamentally think about his own dreams for himself.

After Bres, I really love how discernible Tatara’s growth is as seen through different lenses (Chinatsu, Kiyoharu, Marisa). His ruminations abt his motivations in ballroom and seeking what’s beyond it allowed him to flourish & I can’t wait to see how it’ll pan out for him. Also side note, I just wanna reiterate how much I appreciate Tatara & Kurauchi’s relationship. They met not too long ago but the influence they’ve had on each other through their conversations alone have been so meaningful, and how much of their multifaceted layers of themselves are being constantly uncovered.

I want to see him face his love for Shizuku & realize it’s fine that his feelings for her, wherever it might come from, is his reason why he dances! That after all, ballroom is the pathway that makes way for him to reach the people he admires. So happy that he always has convos with Kurauchi that hinders him from running away from his feelings & finally confront it.

& Tatara on his feelings for Shizuku: I think, whether it comes from a place of profound admiration or romantic love, it’s a lot deeper (doesn't mean it's romantic, it also doesn't necessarily have to be, but it's definitely an immense feeling that is significant to him). I’d love to see how Tatara will address these feelings & if this will bloom into a new approach w dancing.

Tatara has been building his self-confidence through dancing, & to me he is constantly learning to love ballroom through the people he started it for & the people he dance with. Which is so interesting!!! I’d love to see more of his growth as a leader too, and Tatara who has his own sense of pride as a dancer.

[fire-lord-katara]

Hoje é aniversário de Brasília, essa cidade com tantos defeitos que eu amo, então venho aqui humildemente recomendar duas produções brasilienses que recentemente me marcaram muito.

A primeira é "Mato Seco em Chamas"

Sinopse: Na favela de Sol Nascente, na Ceilândia, a principal moeda de troca entre grupos inimigos é o petróleo. Chitara, grande gasolineira da região, tenta fidelizar a clientela junto ao seu poço particular com a ajuda da irmã. Quando o Brasil se torna mais conservador e ameaça votar na extrema-direita, o posicionamento de Chitara se transforma em um ato político.

O filme é um híbrido de documentário e ficção. Filmado sem roteiro, as histórias e vivências reais dessas mulheres se misturam com as aventuras das gasolineiras que reinam no Sol Nascente, que batem de frente com o contexto político brasileiro da eleição de Bolsonaro.

A segunda indicação é "A Cidade é uma Só?"

Sinopse: A cidade satélite de Ceilândia, no Distrito Federal, é o ponto de partida do documentário. No início da década de 1970, a população foi retirada à força do local sob uma promessa de urbanização que não se cumpriu.

O filme também mistura realidade com ficção, porém com uma distinção clara nesse caso. Faz uma reflexão do processo de urbanização da capital e da exclusão dos próprios trabalhadores que construíram a cidade.

(Link do filme completo no youtube)

Ambos os filmes são do diretor brasiliense Adirley Queirós, também conhecido pelo filme "Branco Sai, Preto Fica".

[cigaretteparfum]

this was prolly the worst way to do it.

gonna start pushing my ikoku nikki agenda in earnest starting today.

[lunaestudio1214]

El viaje de Chitara

Chitara y Carolina viajan ,solo que no se dieron cuenta de que están en el mundo de los gatos azules.

[eskrimcukulat]

Dibilangin jangan mewek, malah kejer ya ini. Lagu malam yang better jan diputer pas malem.

[mondo-handmade-withlove]

Chitara dulce!

Materiale necesare:

carton gros pentru a susține dulciurile;

multe dulciuri (numărul lor va fi în funcție de dimensiunea chitării);

poze cu momente memorabile;

ață și ac pentru a face corzile chitării;

scotch;

lipici.

Recomandare:

dacă chitara se îndoaie din cauza greutății, lipiți pe spatele chitării, pe verticală, un carton în formă de triunghi pentru a construi echilibru.

Put a smile on someone's face! ★ Good luck, you can do it! ♡