#chinese drum music

[beyourselfchulanmaria]

作曲：青瑤

錄音：張洋

混音：徐曉暉

琵琶：青瑤

中國鼓：王佳男（著名國樂大師，中國歌劇舞劇院首席打擊樂演奏家）

[rocketqueen1989x]

you can tell Duff is on dad mode

(GRACE IS SO FUCKIN PRETTY !)

[madeleineengland]

Remember the Opening Ceremony on the 2008 Beijing Olympics.

A fitting 2,008-strong ensemble of drummers took to the stadium, each armed with an individual bronze Fou drum. The Fou drum is an ancient Chinese percussion instrument, once used in ritual music. As they pound their drums, the players chant in unison.

[yebreed]

Serpentine Drum Stand From The Warring States Period

Another surrealist masterpiece. Artifacts like this make Warring States one of my favorite eras.)

The stand is conceived for the Jian type drum (建鼓), a double-headed drum with a pole, fixed on this base. The drum was skewered on a pole, just like an olive on a toothpick:

The top of the pole was often ornate with fluttering feathers (羽葆), the structure itself being reminiscent of the archetypal Axis Mundi and the World Tree. The motif of ascent to the heavenly realms thanks to drumming is characteristic of shaman beliefs.

Han dynasty relief depicting the Ascension to Heavens. A pole with a two-headed Jian drum is portrayed in a shamanic manner, as the World Axis, piercing the realms. Jiangsu Normal University Museum (江蘇師範大學博物館).

The slot is surrounded by sixteen principal serpentine beings with progressing in fractal minor ones. They were inlaid with now lost turquoise.

Although intricate, the base is symmetrical. Four rings along the contour were used as carrying handles. The weight of the device is impressive: more than 192 kg. Unearthed in 1978 from the tomb of Marquis Yi of Zeng (Leigudun Tomb No.1 ), Suizhou, Hubei. On display in Hubei Provincial Museum (湖北省博物館).

Photo: ©湖北省博物馆藏

[barananduen-blog]

🔊Yan Nan Xing's drum dance in "Follow Your Heart" ep. 1🔊

[romanceyourdemons]

when the song combines pop and synth elements with traditional/folk instruments !!! !!

[wildbeautifuldamned]

7 vintage antique gofun papier-mache Oriental Japan Asian Dolls Lot ebay My Old Dolls Inc

[a-modernmajorgeneral]

獨奏：謝從馨 Solo: HSIEH Tsung-Hsin 指揮：任燕平 Conductor: JEN Yen-Ping 錫穗國樂團 Xisui Chinese Orchestra   / xsco2012   《錫穗風采》2020-08-13 於臺北市國家音樂廳

打擊樂協奏曲《商銅》王辰威 作曲 Concerto for Chinese Percussion «Bronze Age of Shang» Composed by Wang Chenwei https://wangchenwei.wordpress.com/

Three thousand years ago, the Shāng Dynasty bequeathed two cultural treasures to China: the oracle bone script and Chinese bronzeware. The exquisite craftsmanship and design of Shāng bronzeware bear witness to the illustrious history of ancient China. Inspired by an exhibition of Shāng Dynasty ritual objects and musical instruments at the National Palace Museum in Taipei, this concerto exclusively features Chinese percussion instruments. It evokes the grandeur of the Shāng Dynasty through three movements, each themed after a type of bronzeware.

First Movement: Yuè – Battle Axe of Kings

The Yuè was a weapon that doubled as a ceremonial object, symbolising a king’s military command. This movement depicts King Tāng of Shāng rallying his vast army to campaign against the ruthless King Jié of Xià in 1600 BCE.

The soloist performs on the Jiàngǔ (mounted drum) and Páigǔ (arrayed drums) while the wind instruments carry the melody. To evoke the clash of weaponry, the orchestra musicians strike with wooden sticks and stomp their feet to portray infantry drills.

Second Movement: Jué – Wine Vessel of Aristocrats

The Jué was a wine vessel used by rulers and aristocrats on occasions such as forging alliances, going out to war and celebrating victories. This elegant and relaxed movement conjures images of a palace banquet with intermingling winecups and graceful dancers.

The soloist plays rhythmic figures with relative pitches on suspended Chinese cymbals and gongs. Bamboo clappers are used in the middle section. At the beginning and end, the soloist presses a cymbal on a gong while playing tremolo on the gong to imitate the sound of pouring wine. Plucked string instruments are featured for the melody, incorporating techniques like slides, pitch bends and harmonics.

Third Movement: Dǐng – Ritual Cauldron of Sovereignty

The Dǐng, a cooking vessel, became a ritual and ceremonial object symbolising a country’s sovereignty and was adorned with ancient Chinese characters engraved in the bronze script. The movement’s main motif, “D-G-A”, comprises three notes separated by the musical interval of fourths, symbolising the ancient three-legged and four-legged Dǐng.

The soloist plays the Biānzhōng (pitched bells), Yúnluó (pitched gongs), Huāpéngǔ (low drum), Xiǎochǎ (small cymbals) and Fēngluó (thin gong). Some segments involve one hand playing pitched notes on the Yúnluó and the other hand simultaneously playing unpitched rhythmic accompaniment on the drum. The main theme, presented by the bowed string instruments, is stately and dignified, portraying the vast and prosperous lands of the Shāng dynasty.

A highlight of this movement is the recitation by the orchestra of a verse from the poem The Swallow from Poetry Classics: Shāng Odes using Old Chinese pronunciation (a scholars’ reconstruction of Chinese pronunciation two millennia ago). The meaning of the verse is as follows:

Heaven mandated the swallow, To descend and give birth to the Shāng, Dwelling in Yīn, a vast state. God appointed the martial Tāng, To secure the kingdom great.

Commissioned and premiered by the Taipei Chinese Orchestra in 2019, this piece has since been performed by several other orchestras, including the Taoyuan Chinese Orchestra, Kaohsiung City Chinese Orchestra, and Beijing Chinese Orchestra.

[stickerskingdom]

global musical instrument sticker

[atlasbeetles]

oh my god wait a second im autistic

[oh-hools]

help sumakay ako tricycle tas may background music si kuya

[rocketqueen1989x]

please can I have your hair routine ? pretty pleaseeeeeeeee

[hongkongalleys]

Sweet Nightmare

From the 3-track single Brave People / Dark Clouds by Hong Kong Alleys

[blasphemousclaw]

why Divine Beast Dancing Lion has the best soundtrack in the entire game

When I watched the first DLC trailer 6 months ago, I was so focused on Messmer that I never gave the lion dancers a second thought. But in a shocking turn of events, Divine Beast Dancing Lion is now my favorite boss in the whole game. To me, what makes this fight truly exceptional is its soundtrack, so I want to go through the music and outline all the things that make it so great!

What makes the music stand out is that it feels SO different from the rest of the OST… the majority of the boss tracks have a pretty similar style and instrumentation, but Divine Beast stands out in my opinion because of how it emphasizes its rhythm and texture.

Conceptually, this boss fight is first and foremost a dance — you are fighting two Hornsent warriors operating a lion costume based on the traditional Chinese lion dance in an arena that’s actually a giant stage.

The Chinese lion dance is typically accompanied only by percussion (drums, gongs, and cymbals). So naturally, Divine Beast’s soundtrack has much more pronounced percussion in comparison to the rest of the soundtrack, featuring heavy drum beats and cymbals, plus shouts and chants from the choir. The music is in a steady 6/8, with 2 beats per measure divided into three pulses (think 1 2 3, 1 2 3) giving it a lilting, dancelike quality (this type of meter is often used in folk and traditional dances!). And, in the boss’s second phase, the dancing lion’s lightning, wind, and frost phases each have their own music and are timed to transition as the music transitions. The whole boss fight is programmed like a dance, so when you fight the boss it feels like you’re dancing with it too!

The choir has a range of vocalizations that goes beyond singing melodies and harmonies; as I touched on before, they’re also shouting and chanting. The shouts are used percussively and help accent the rhythm of the dance, and the low chanting also brings to mind a sort of religious ritual? Which is exactly what this boss fight is… in Hornsent culture, the lion dance is a ritual for invoking divinity:

“A charm depicting the crazed, cavorting dance of the divine beast conducted at the tower festival. Raises potency of storms. Divine beasts are messengers of the heavens, and their rage mirrors the tumult of the skies, of which storms are the pinnacle.” (Enraged Divine Beast talisman)

The lion dancers, or “sculpted keepers,” are those amongst the divine beast warriors (themselves the chosen amongst the tower’s horned warriors) who truly excelled at divine invocation, and were “granted the honor of the lion dance” (Divine Beast Warrior Armor). In the boss cutscene, the Hornsent Grandam calls upon the divine beast to possess the bodies of the sculpted keepers, and rise again to defend the tower… so the lion dance, performed by warriors skilled in divine invocation, is essentially a ritual for invoking the presence of the divine beast within the dancers in order to commune with the heavens.

The sculpted keepers, having invoked the rage of the divine beast, are able to channel the forces of the stormy skies — lightning, wind, and frost. The force of the storm is represented in the music by quick runs in the high woodwinds and strings that come and go like gusts of wind. The music almost never lets up or loses momentum; it goes at a powerful, furious pace until the end, embodying the divine beast’s fury.

But the Divine Beast that we fight has an extra layer of emotion that goes beyond divine ritual:

“When the Impaler's army assailed the tower, the ritual of the lion dance was turned toward martial ends—its divinity, its fury, its light-footed beauty.” (Remembrance of the Dancing Lion)

What was once a beautiful ritual dance conducted at the tower festival was forced to become a weapon of war in order to fight against their people’s annihilation at the hands of Messmer’s crusade. And even this was not enough…

The Dancing Lion that we fight was slain, lying in a pool of dried blood, when it is miraculously awoken again with a fervent prayer. This is the last lion dance that may ever take place, giving us a mere glimpse of this ruined city’s long-vanished splendor.

Listening to the soundtrack, there is not only pride in the music, but also an urgent, visceral, warlike rage, a multitude of voices joining in a desperate fight for their civilization’s very survival.

[jealousmartini]

BETTER CR INTRODUCTION PT.1

— Welcome home —

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[ # 000 :: BASIC INFO ]

Date of DR :: 2024 / 26 / 08

Name :: Lucia R. Martinez

Adopted name :: Lovely R. adopted surname

korean birthname :: Hwang Chae-kyung

Nicknames :: Keisha/keesh, lucy, liv, kyu

Age :: 18

DOB :: 2006 / 20 / 06

Current occupation :: College student

Ethnicity :: Puerto rican & Korean

MUM: (american)SOUTH KOREAN/Japanese

DAD: PUERTO RICAN/Mexican

Race :: Black (mixed)

Languages :: English, Spanish, Korean, and Portuguese (a little bit of Mandarin Chinese)

Birth family :: Mum (46), Dad (50), older sister (21), and younger sister (9)

Pets :: 2 bunnies. Tiffany(Tiff for short) and Maple

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[ # 001 :: TALENTS ]

Can mimic different artstyles || Plays the guitar (electric, acoustic and bass) , drums, cello, flute, and violin || can cook || can sing, freestyle rap and dance various styles || can crotchet and sew || can scrapbook ||

[ # 002 :: HOBBIES ]

Comic artist (Digital and traditional) || Animator || Music production & Song writing || Fashion style influencing/modelling || Editing (Like tiktok edits lmao☠️) || Creative writing || Youtube content creation (Commentary / Reacting, Animations, Live streaming) || Cosplays || Cooking || Gaming

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[ # 003 :: SONGS PRODUCED AND WRITTEN]

MAGNETIC by ILLIT

Lucky Girl Syndrome by ILLIT

Monster by Lady gaga

Flying to space by Andriod52

LIGHT by RITCHRD

Say by RITCHRD

BROOKLYN BLOOD POP by SYKO

Fluxxwave eternal remix by Release

Lovesick girls (instrumental only) by BLACKPINK

FEEL SPECIAL by TWICE

Trouble by Annella

Girls never die by TripleS

LA DI DA by EVERGLOW

MOLLY by Playboi carti

Heaven sent by ???

etc.

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[ # 004 :: SOCIAL MEDIA ]

[ # 005 :: FUTURE AMBASSADORED BRANDS]

Vivian Westwood || Pandora || Juicy Couture ||

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[ # 006 :: CASH ]

Parent's Networth combined :: 970M

Bank account :: 715M

Cash in purse :: 40K

How much I get paid doing :: Youtube — £20K weekly, £250K monthly || Making music — £450K monthly || Art commissions — £600 weekly || Modelling — £300K weekly

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[ # 007 :: BEDROOM ]

This exact room layout/format

This kind of vibe :: Big, Bright, Pink

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Waiting room intro coming soon😋🤞🏾

@livingmydreamlife5555 @4ellieluv @chichis-interlude @samara444 @revrealities @sincerehimbo @theshifterbear