#china zorrilla

[haveyouseenthismovie-poll]

[theginkosakata]

[etinfernum]

Why do you ship Argentina with an irrelevant country like Uruguay?

Pensaba traducirlo al inglés pero consideré que ante la bronca era mejor escribir todo esto en mi idioma. Antes de volver a decir una burrada como esa, mejor siéntese, cállese y escuche porque no estoy con mucha paciencia últimamente. Voy a tomar esta pregunta como lo que en realidad fue, un insulto hacia el país y no hacia el personaje: Uruguay no es irrelevante.

Es un país rico en cultura musical, actoral, escritura, futbolística, etc. ¡Tienen los paisajes más hermosos! Por sus grandes parecidos culturales con nuestro país suelen ser los más queridos entre los extranjeros, además que tanto nuestro acento como nuestros modismos son muy parecidos, compartimos también el mate, el dulce de leche, etc.

Por nombrarte ejemplos:

-Punta del Este y Montevideo son unos de los destinos turísticos más preferidos por los argentinos.

- Escuchamos su música rock (No te va a Gustar, La vela Puerca), en nuestras fiestas abunda la plena (Nietos del futuro) y en sus fiestas se escuchan nuestro cuarteto y cumbia villera. También en las épocas más hermosas de carnaval hemos tenido como invitadas a grandes murgas uruguayas.

- Tienen escritores famosísimos como Mario Benedetti, Eduardo Galeano u Horacio Quiroga.

- Hemos recibido con los brazos abiertos a tremendos actorazos uruguayos, algunos de los que se me vienen a la mente son: China Zorrilla (quien tuvo un papel importantísimo en la icónica película "Esperando la carroza"), Natalia Oreiro, Enzo Vogrincic ("La sociedad de la nieve"), Mónica Farro (actriz teatral y vedette), Osvaldo Laport, etc. Además que en su país se consume nuestra farándula/televisión

- ¡Incluso el relato más conmovedor de nuestra historia futbolística (el gol de Maradona a los ingleses) fue realizado por un uruguayo: Victor Hugo Morales! Quien hasta hace poco fue periodista en uno de nuestros noticieros más conocidos. Asímismo en su selección de fútbol masculino tienen a Fernando Muslera, quien nació en Argentina y se nacionalizó uruguayo para jugar allá. Ni qué decir de Luis Suárez, futbolísta también queridísimo por acá, que es también uno de los mejores amigos de Lionel Messi.

Tengo mil y un motivos más para querer a Uruguay, más allá de que tambien lo llevo en mi propia sangre porque toda mi familia es de allá y emigraron a Argentina hace más de dos décadas.

Si no te gusta una ship, bloquea el hashtag o mejor bloqueame a mi. Pero no vengas a molestar ni a insultar a todo un país.

[bagofbonesmp3]

jugando a un preguntados el otro día me enteré que la china zorrilla es uruguaya NOOOOOOO

[saturdaynightmatinee]

CALIFICACIÓN PERSONAL: 7.5 / 10

Título Original: Las venganzas de Beto Sánchez

Año: 1973

Duración: 85 min

País: Argentina

Dirección: Héctor Olivera

Guion: Ricardo Talesnik

Música: Óscar López Ruiz

Fotografía: Víctor Hugo Caula

Reparto: Pepe Soriano, Federico Luppi, Irma Roy, China Zorrilla, Héctor Alterio

Productora: Aries Cinematográfica Argentina

Género: Comedy; Drama

FRAGMENTO:

[agendaculturaldelima]

#ProyeccionDeVida

🌎 Cine Club del Banco de la Nación, presenta:

🎬 “ELSA & FRED” ❤🍿

🔎 Género: Romance / Comedia / Vejez

⌛️ Duración: 106 minutos

✍️ Guión: Marcos Carnevale, Lily Ann Martin y Marcela Guerty

📷 Fotografía: Juan Carlos Gómez

🎼 Música: Lito Vitale

💥 Argumento: Elsa (82) es una mujer llena de vitalidad y con una imaginación desbordante. Alfredo, un poco más joven que ella, ha sido siempre un hombre convencional, serio y responsable. Al quedar viudo, desconcertado y angustiado por la ausencia de su mujer, su hija lo anima a mudarse a un apartamento más pequeño, donde conoce a Elsa, que es la vecina. A partir de ese momento, ella irrumpe en su vida como un torbellino dispuesta a demostrarle que el tiempo que le queda es precioso y tiene que disfrutarlo como le plazca.

👥 Reparto: China Zorrilla (Elsa), Blanca Portillo (Cuca), Manuel Alexandre (Alfredo), Federico Luppi (Pablo), Roberto Carnaghi (Gabriel), Carlos Álvarez-Nóvoa (Juan) y Omar Muñoz (Javi)

📢 Dirección: Marcos Carnevale

© Productoras: Sahazam Producciones & Tesela P.C.

🌎 Países: Argentina-España

📅 Año: 2005

📽 Proyección:

📆 Miércoles 14 de Febrero

🕡 6:30pm. 

🎥 Auditorio Artes de la Nación (av. Javier Prado Este 2499, 5º piso - San Borja)

🚶‍♀️🚶‍♂️ Ingreso libre, previa reserva: https://info.bn.com.pe/CineClubBN

[cooltivarte]

Este 27 de mayo 2023 vuelve a la Sala China Zorrilla del Teatro Alianza Inolvidables, el emblemático musical de Rafael Pence e Ignacio Cardozo donde el público va a poder revivir aquellos momentos únicos e inolvidables a través del canto y el baile.

[miscquellanius]

Juan Zorrilla de San Martín (Montevideo, 28 de diciembre de 1855 - Ib. 3 de noviembre de 1931) fue un escritor, periodista, docente y diplomático uruguayo. Entre sus descendientes se encuentran el exdiputado por San José y ex Embajador, Alejandro Zorrilla de San Martín, la actriz China Zorrilla, la vestuarista Guma Zorrilla, los pintores Alfredo Zorrilla, Enrique Zorrilla de San Martín y Miguel Herrera Zorrilla y el escritor Enrique Estrázulas, entre otros. #nofilter #sculpture #escultura #statue #estatua #art #arte #Zorrilla #Montevideo #Uruguay #igers #ig_Montevideo #ig_Uruguay (en Rambla Punta Carretas Golf) https://www.instagram.com/p/CoTEZQ7v8JW/?igshid=NGJjMDIxMWI=

[theginkosakata]

@CheNetflix

[alternativassi]

Revista Alternativas-⭐⭐⭐suplemento Cultura- 13/03/2022

Revista Alternativas-⭐⭐⭐suplemento Cultura- 13/03/2022

⭐1)  Por Chile -«Adagio en mi país» ⭐2) Uruguay -China Zorrilla: cultura desde la risa hasta la emoción ⭐3) Los valiosos cuadernos y aprendizajes de Doris Lessing Cultura «Adagio en mi país» por Alfredo Zitarrosa (Uruguay) marzo de 2022 Publicamos este canción de Alfredo Zitarrosa, que en verdad es un poema de amor a su país- minutos antes de que Gabriel Boric asuma la presidencia de nuestro…

[timelessjacob]

En un momento dado, ellos están solos en el mundo. El ruido de las aguas empieza a desaparecer. Querido Marcello, tengo que confesarte algo: Te amo. Te amo más de lo que nunca quise a nadie antes. Gracias.

Elsa y Fred. (2005). Una película de Marcos Carnevale. 

[dergarabedian]

Sandra Costabel canta a Mario Benedetti, en 17 fotos y 7 videos

Sandra Costabel canta a Mario Benedetti, en 17 fotos y 7 videos

[elcorreografico]

“Imposible”: show de ilusionismo y magia en el Teatro Coliseo Podestá

“Imposible”: show de ilusionismo y magia en el Teatro Coliseo Podestá #LaPlata

En el marco de los distintos espectáculos gratuitos que ofrece el Teatro Coliseo Podestá, la Municipalidad de La Plata invita, el próximo jueves 30 de agosto a las 21.00hs, a la presentación de “Imposible”, un espectáculo de comedia, magia e ilusionismo a cargo de ‘Jota’, que se desarrollará en la Sala ‘China Zorrilla’.

Con ingreso libre y gratuito, los espectadores podrán disfrutar de una…

[romanovanatalia]

MerlinMemoryMonth - day 12: path III (emotion/mood: curious)

[elarchivodeariel]

LA GRACIELA QUE NO MIRAMOS

En plena dictadura militar, una joven actriz se convirtió en productora cinematográfica. Y la película no trataba un tema liviano.

Graciela Alfano es la productora y protagonista de La Invitación, un filme de Manuel Antin basado en la novela de Beatriz Guido, con Rodolfo Bebán como protagonista, la participación de Pepe Soriano, Ulises Dumon, China Zorrilla, Élida Gay Palmer y los jovencísimos Boy Olmi y Roberto Antier. Un elenco, a todas luces, de probada calidad.

La película, que no tiene desnudos, ni escenas de extrema violencia, ni lenguaje adulto, se estrenó el 30 de septiembre de 1982, y la dictadura militar la rotuló como prohibida para menores de 18 años.

¿Por qué?

Un cazador (Rodolfo Bebán) llega a una estancia del sur argentino para cazar, pero en realidad vino para negociar con Pepe Soriano una entrega de armas. La hija del estanciero se enamora del cazador y así descubre quién es en verdad su padre, y qué hace en realidad el cazador.

La Invitación es una tragedia corta, que termina con una información histórica sobre las armas en Argentina y el enfrentamiento entre militares y subversión, bajo el gobierno de Isabel Perón.

Sí. Graciela Alfano produjo una película de alto compromiso político bajo una dictadura militar. Alfano no sólo es una mujer bellísima que protagoniza escándalos en realitys o en programas de espectáculos. Graciela es modelo, actriz, ingeniera, vedette, escandalosa, desprejuiciada y sexualmente provocadora. Graciela es un misterio. Una caja de Pandora.

Flavia Vecellio Reane.

Mayo 24, 2021.

@FlaVecellio

[melisa-may-taylor72]

Queen's hectic days in Argentina: secrets behind the shows, the meeting with Maradona and a love affair for Freddie Mercury

The band arrived in the country in 1981. Curiosities and "pearls" of a very special visit

By Matías Bauso- Infoshow

An exultant and provocative figure, who may appear in tight white pants provocatively exposing his ass to a heated audience or who sits at the piano with a very short and tight satin pants that would blush the most enthusiastic devotee of sadomasochism, a guitarist who plays in a t-shirt with an immense Union Jack, crazed masses, street chases in search of an improbable autograph, China Zorrilla, Miguel Romano, Diego Maradona, ItalPark, the military, the repressive climate, the Rambla marplatense and even an unknown love affair. This story has everything. Queen's visit to Argentina in 1981 was much more than a musical tour.

Queen's enthusiasm - both current and retro - is a faint reflection of what happened in the country at the end of February 1981. Like the Beatlemania in the sixties, the presence of the English quartet unleashed a collective madness never before seen in Argentina.

▪Queen at Velez Sarsfield Stadium

Queen monopolized the attention for more than a week. Television news, radio programs, magazine covers, conversations in bars, newspaper supplements (not so the covers of the main ones: at that time it was still not allowed to put show business news on the cover; only Chronicle excepted for that rule).

The band led by Freddie Mercury gave five concerts in Argentina. Three in the Vélez stadium, one in Mar del Plata and another in Rosario. The public success was colossal.

The first performance was on February 28 in Velez, repeated  the next day, then stop in Mar del Plata and Rosario. The last show was again in Buenos Aires. That day the capacity of the stadium overflowed. The contagious reaction had taken effect. Those who had not gone, wanted to go; those who had already witnessed some of the shows wanted to be there again.

▪Queen gave five shows in Argentina

The regulations of the spaces in the public spectacles, in those times, were at least, morose. Just look at the photos of any grandstand in a superclassic of the early 1980s. Producers sold more tickets and that fifth show was the busiest. It is estimated that between those who paid for their tickets and those who snuck in more than 60,000 people attended that night. At one point the capacity The crowd could barely move. Whoever reached into the pocket to take out the lighter for a cigarette could set in motion a human tide that would end up crashing into a paravalanche or the barbed wire. In the field, the situation was a little more relaxed. Being the first experience in which this section was offered for sale, the estimates were more cautious. Thus, the police decided that the best way to decompress the people was to drill holes in the Olympic fence and allow part of the public to pass into the field through these improvised holes.

The magnitude of the event and its immense repercussion can be explained. It was the first time that a rock band had reached the country at the peak of its career. These shows were part of the world tour to present the album "The Game". Queen was one of the most important bands in the world and arrived in Argentina at its peak.

Although the specialized critics did not treat them very well (it was a habit that had started in the United Kingdom and had spread to the United States) the album contained several hits: Another One Bites the Dust, Crazy Little Thing Called Love, Play the Game, Save Me. The British band was a pioneer in including Latin America in their itinerary. Until then the world tours were not such, they only included the United States, Europe and Japan.

The history of Queen's Latin American tour shows why this was so. In Mexico, six of the scheduled performances had to be cancelled, Pinochet did not authorize the performance in Chile, in Brazil the Rio and Porto Alegre shows were suspended, and in Venezuela two more due to the official declaration of mourning for the death of an ex-president. However, the band's bet, beyond these improvisations, unthinkable today, (in times of presales, early birds, insurance and armies of lawyers), was more than successful.

There was a precedent in the country of an international star appearing in a stadium. In 1973 the Mexican guitarist Carlos Santana played with his band in old wooden stadium of San Lorenzo. But despite his reputation and fame, Santana did not have the repercussion of the English band and at that moment in his career his musical search was turning towards fusion, towards jazz-rock. The lack of experience made the stage stand in the middle of the arena and there was no audience in the field. The closest spectator was, hopefully, 40 meters away from the artists. The sound - the lack of it - was another problem.

In 1981 Queen came to the country with only that antecedent. The show they brought was unlike anything seen in the country. A huge stage, consoles of moving lights, an impressive sound power, fireworks and tricks, a worked scenic staging, immortal hymns and a performer like Freddie Mercury.

Queen's vocalist's ability to perform - but especially on stage - exceeded expectations. There he was, in front of more than 50,000 people, imposing the rules. What he wanted was at stake. A game that had no public exposure in the country, that was silenced and repressed. He did not modify his proposal despite the repressive climate, the censorship. One of the particularities of his performances in the country was that at the five of them they played a song that was somewhat lost in their discography and that many Argentinians did not know: Get Down, Make Love. It was a carnal, erotic and explicit song, with direct references to oral sex.

▪Diego Maradona and Queen

Queen did not show any major itching in regards to those who ruled in the places where they performed. This South American tour was a good example; in its initial schedule it passed through three countries governed by dictatorships. Years later it was also presented in South Africa despite international sanctions due to Apartheid.

It is often claimed that Queen's musicians met with Argentina's president, Roberto Viola. The truth is that Viola had not yet assumed that role. He was a member of the military board, Chief of the Army, but the president was still Jorge Rafael Videla. His investiture would take place weeks after the visit of the British.

Viola had a more political profile and believed that a slight opening was convenient. In that plan, and instigated by his son -who had been a football player-, he met at home with Freddie Mercury, Brian May and John Deacon. Roger Taylor, the drummer, missed the appointment. Today, almost four decades later, many affirm that his absence was due to his political positions, even though he neither at that time nor now has issued any opinion on the matter.

▪ The band met with Roberto Viola, one of the members of the Military Board

The memories of several of those involved - members of the band, technical staff, manager and even the photographer - are impregnated with political valuations that seem to have been concocted with the passage of time and do not represent what they thought and felt at the time. If so, it can be said that they had a unique capacity for dissociation, almost constituting multiple personalities. The presence of military and police personnel was strong. That was because the arrival of the English band had unleashed an excitement rarely seen. Every movement, every displacement was followed by hundreds or thousands of fanatics. And no one wanted any disturbance to happen or the musicians to do any harm.

The repressive vocation of the Argentine military forces of those times does not need to be underlined or exaggerated. For example, the correspondent of the American Rolling Stone magazine described the ditch that separates the South stalls from the playing field at the Stadium as a key to the Argentine dictatorship.

This interpretative excess (most of the Argentine stadiums built in the forties and fifties have a ditch) is combined with certain data, with images of police and military forces repressing whoever approaches the musicians, violently liberating their path. Around the Sheraton Hotel,  teenagers stood guard to try to and get in touch with their idols.

▪ Another of the Argentine magazines that showed the presence of the group in the country

In Mar del Plata, the musicians stayed at the Provincial Hotel. Freddie Mercury's movements were limited. Enclosed in his room, the best in the hotel, he let time pass watching the movement of the Rambla from the window. So it was that one afternoon, that habit turned into a love split. His partner at the time, Peter Morgan, offered him to go shopping around the city. Freddie explained that it would be impossible for him to go ten meters without being buried under the youthful enthusiasm. A couple of hours later, the artist saw from the window of his room his partner talking to a young man on the Rambla. The jealousy was immediate and so was the breakup, despite the fact that Morgan denied that he was the one who was walking with another young man on that Mar del Plata sunset.

This concert was the worst of the five. The security was very bad, thousands of people entered the stadium without tickets, the mounted police attacked the public in the same field of play of the World Cup Stadium. To continue the tour, the musicians demanded that the security issue be adjusted. The condition was fulfilled.

 ▪ There were strong police operations to “protect” the band

The press and the local public were dazzled by the performance of the quartet. The visual proposal was unique, Freddie's vocal and histrionic abilities, May's musical skills, the solvency of the rhythmic base, the impact of the staging. However, international critics still treated the group with disdain. The Rolling Stone critic gives them no more merit than a pub band. He even mocks their incompetence. Only the dedication in each show and the enthusiasm of the Argentine public stand out. One of the events that most surprised the local public, beyond the almost perfect succession of invincible hits, was Mercury's display and magnetic attraction. The local rock leaders were static, even somewhat modest.

As their stay in the country continued, the musicians received more and more affection from the public. They were amazed by the reaction of their fans to each song, how they knew the lyrics, how they participated enthusiastically and actively in the show. The peak was unfailingly produced in Bohemian Rapsody and, almost on the other side of that opulent and operatic work: Love of My Life was played with Freddie on the piano and Brian on the guitar. The audience sang the entire lyrics, without pauses. In the video recordings of the song you can see the mixture of surprise and joy of May and Mercury.

For the last concert of the tour in the country, they returned to the Vélez stadium. In the encores came the surprise. Freddie re-entered with the Argentine National Team shirt and addressed the audience in English: "I want to introduce you to a friend of yours: Maradona". The pirate recordings allow you to hear the roar of the crowd, you even hear some "Maradooo, Maradooo". Diego with his tight, high curls came on stage with sweatpants and a blue t-shirt. The footballer spoke fluently: "I want to thank Freddie and Queen for making me so happy. And now “Another bites the dust”.

Deacon and Taylor start Another One Bites the Dust, the group's latest hit.  Then would come the famous photos in the locker room. Freddie with the light blue Argentine T-shirt from Diego (in the show he used another one), and Maradona with a T-shirt with a big British flag that covered all his torso, similar to the one worn by Brian May in some part of the concert. That photo, would have been unimaginable a year later (Fauklands's War). At the time of the concert, although today it seems unreal, Queen was better known worldwide than Maradona.

 ▪ Miguel Romano, one of the stylists of the moment, together with the musicians

Journalist Juan Manuel Cibeira says that in a barbecue at the Argentine producer's house, Mercury announced that he would go out with the Argentine t-shirt. The Argentines present tried to dissuade him. They had a hard time explaining the situation to him. Rock and football in those days were two worlds that in Argentina had no point of intersection. For the rock people, football was something without brightness, without any evaluation. Any reference to it or the adoption of any of its rites or symbols was frowned upon. Mercury, more accustomed to the crossing of these two popular passions by what he saw in England, did not listen to the advice. And, in this way, he produced one of the first contacts between football and rock in the country, a situation that became naturalised in the mid-nineties.

Maradona was not the only local celebrity who came into contact with Queen. In Youtube circulates a video of an interview that the actress China Zorrilla did to Freddie Mercury. The Uruguayan actress in perfect English speaks about the answers of the singer, monologue, almost does not ask questions and forgets the simultaneous translation, thus a bizarre truncated dialogue of more than three minutes in English takes place in central time.  

Local Journalist Juan Alberto Badía, on the other hand, was the one who interviewed the musicians for Channel 9, which broadcasted the first live concert for the whole country and for Brazil ( it made very high rating peaks). The presenter was also the one who introduced them in the stadium. In the magazines of the time you can also see how the stylist Miguel Romano cut Mercury's hair before the last show and how in his free time, Brian May took his family to Ital Park, playground where several generations of citizens spent their childhood.

Queen's five concerts in the country marked an era, pioneering the arrival of great rock figures to Argentine stadiums. Many years would pass, the monetary convertibility and a much more global structure of the record business so that international stars would take the country as a reasonable place for their presentations.