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THE NEON GLOW OF AFTERHOURS: AN INTERVIEW WITH GABA WRIGHT

~ By Stephanie Lyon

Woah. Clubs and pubs get Gaba Wright’s debut album ‘Afterhours’ onto your playlists NOW. It’s full of dance floor tracks which ‘actually’ make me want to dance. I was always the chick standing at the side of the dance floor feeling out of place and waiting for my friends to get tired of dancing so we could go home. Rock shows were always where I felt at home. Gaba Wright blends the power pop, electronica, and alternative genres with modern music production. Reinvigorating the 80’s sound an era in music it’s hard to believe came and passed two decades before Wright was born. I recently had the opportunity to speak to Gaba Wright about the 80’s, his single ‘World Gone Mad’, his album ‘Afterhours,’ and his creative processes.

“I think the main thing that appeals to me regarding the ‘80s’ vibe is how so many of the songs from the era are still being played and sung today. I feel that a big part of that is the catchy and sing-a-long nature a lot of them have. It’s something I was really keen to integrate in my own tunes, as I reckon that plays a big part in the relatability between audience and artist. I also just really dig synths.” Gaba explains when I ask what about the 80’s sound appealed to him.

“‘World Gone Mad’ is definitely the most 80s sounding track on the album. The main decisions to run with it as the lead single was due to the aforementioned sing-a-long-ability, large anthemic hooks, and vocals. For me it was a fun, upbeat song that was both poignantly relevant to the turmoil of the current international landscape, but also could just be something that people sing out at a pub. Gaba says when I ask why ‘World Gone Mad’ was chosen as the lead single.

“Pretty much all the songs I wrote on this album were written at night; and generally the themes and tones of the songs reflect things that seem to happen most after the sun goes down. Self-reflection, the highs and lows of relationships, internal conflict etc. I felt the overall vibe of the songs compiled together gave off this ‘night-time feel’, almost as if their meanings were heightened (for me, at least) after hours.” Gaba reveals when I ask how he feels the title ‘Afterhours’ sums up the album.

“I’ve never actually been to Stockholm, but would definitely love to go. This track is about mental health, and my observations of the ups and downs it ensues. The title ‘Stockholm’ is more a metaphor for the specific subject of the song.” Gaba replies when I ask about his track ‘Stockholm’ and whether he’s ever been to Sweden.

“I love writing lyrics, and I’m focusing a lot more on words in my current songwriting. I think I try to channel things I experience, see or crave into my songs - and a lot of the time they’re optimistic commentaries of otherwise negative things (such as ‘World Gone Mad,’ which describes the turbulence of current-day life, as well as the need to stay positive in the face of that). A lot of what I’m trying to get across in the songs is the duality between the ups and downs of life - be that through contradicting sadder themes with upbeat instrumentals, or otherwise.” Gaba responds when I ask where he draws most of his inspiration from when writing.

“Interestingly I usually start with a title of a song, and then work with the music and lyrics at the same time as I write different sections of a track in order. Generally having a title first helps me set the tone and subject for the song, as well as the direction the story or intensity of the music to go. Though sometimes I pump out a whole song and set lyrics to it, and sometimes I write some poetry and feel like it has a whole song that has to be composed around it. So it depends here and there.” Gaba answers when I ask about his creative process.

“I’d probably say either ‘High Tides’ or ‘A Foreign Land.’ I feel these two tracks are probably the most encapsulating of my style, as well as probably the biggest and most sprawling in terms of sonic journey and themes. But each track has a special place in my heart for one reason or another.” Gaba tells when I ask what his favourite song is on ‘Afterhours.’

“I’m super excited for 2020 and getting much more into gigging, releasing new content and being able to play to as many people as possible! There’s one or two singles from the album on the way, along with a music video and more visual stuff, which I’m very keen for. But thanks for reading and stay tuned if you’re interested in more juicy music!” Gaba adds.

‘Afterhours’ is fresh. It’s Bold... It has everything you want lyrics full of meaning, storytelling and poetic imagery. Vocals full of emotion. Choiristic backing vocals. Electronic music loops. Synths to get you dancing and sing a long choruses. It’s perfect for a party or dancing around your room at 3am with your headphones on. Highlights for me are dancefloor anthem ‘World Gone Mad.’ The slightly more melancholic tones of ‘Stockholm’ and ‘Painkiller’ the second of which seems to be a follow the story of earlier song on the album ‘Someday.’ ‘Painkiller’ hits me on a story level though too... I’ve definitely gotten used to leaving people behind and people leaving me in recent years.

Check out Gaba Wright’s debut album ‘Afterhours’ now:

Instagram: https://www.instagram.com/gaba_wright_music/

Facebook: https://www.facebook.com/gabawrightmusic/

Bandcamp: https://gabawright.bandcamp.com/releases

Soundcloud: https://soundcloud.com/gabawrightmusic

Link to album on socials: https://ffm.to/3ypb5yy

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BACK IN MANLY VALE: AN INTERVIEW WITH HAYDEN BYRNES OF THE PHAZES

~ By Stephanie Lyon

Looking back at 2019... Sydney band ‘The Phazes’ had an eventful year with the release of their second EP ‘Manners’ before following up with stand alone singles ‘ISLA’ and ‘Manly Vale.’ I recently chatted with Hayden Byrnes of ‘The Phazes’ about their 2019 releases, their inspiration, and how their creative process is similar to baking a cake.

 “Firstly, thanks for having me. “Manly Vale” is a stand-alone track. We never intended on releasing it or even recording it but we thought it’d be a nice little Christmas treat for all the listeners over the break as we get ready for our biggest EP to date.” Hayden explains when I ask if Manly Vale is a stand alone track or the beginnings of the next EP.

 “Manly Vale is a suburb in Sydney where Hayden and Liam live. It was a dump but it’s copped some government funding so it’s scrubbed up alright over the past couple of years. The lyrics are a brief insight into who we are as people, the boys in the band, we like girls who smoke ciggies and we like stickin’ it to the Big Four banks!” Hayden says when I ask about the story behind Manly Vale.

 “Isla is more of a metaphorical type girl who we’ve all met and yet she is real, her name is not Isla, however. That’s all I got to say!” Hayden reveals when I ask if ‘Isla’ is a real girl or just a character in the song.

 “Isla” was initially intended to be the first track on a five-track EP, however it didn’t turn out how we imagined it and so we had to re-evaluate the whole process. “Manly Vale” is a different kettle of fish all together, it’s nothing like we’ve ever done before. It’s very ‘now’ if that makes sense, a real head banger anthem type song to get all the kids movin’!” Hayden replies when I ask how he feels both ‘Manly Vale’ and ‘Isla’ are different to their last EP ‘Manners’.

 “I honestly love the EP “Manners”, I love all the tracks like my own children because they’re so beautiful in their own way, but like any bad parent I’m gonna say ‘Defective’ is my favourite. It’s the quirkiest of the bunch and melodically is so pretty. I could go on for hours about it so please, for me, just listen to ‘Defective’.” Hayden explains when I ask about his favourite track on ‘Manners’.

 “When I’m writing the songs I usually draw inspiration from that weird little subconscious part in my brain which correlates to what I’ve been listening to at the time. “Manly Vale” is very Blur/Skegss, I can’t stress that enough: it’s a Blur verse with a Skegss chorus. Listen to it and you’ll understand.” Hayden responds when I ask where inspiration is drawn from throughout the writing process.

 “The creative process for The Phazes has altered slightly over the past 24 months. It used to be Hayden writing everything before he started co-writing with Liam.  Liam’s style is very unique, you can hear his guitar work in the songs ‘Sunflower Bean’ and ‘Control My Radar’. The writing process now bounces between Hayden writing a shell and acquiring Liam and Will to decorate it. Think of it as a sponge cake: you know before you add cream or jam or coconut or whatever delight you desire. Will is super talented and a weapon guitarist, Liam is super unique and collectively it makes the band a genuine powerhouse. I honestly mean it when I say it that we can be the biggest band in the world because we are that f*****g good.” Hayden explains when I ask about their creative process.

“I’d like you to hear it here first, when people talk about 2020 they’re going to say, “Yeah that was the year The Phazes dropped that EP that has all my favourite ever songs on it”. Something like that anyway. Thanks for reading and stay tuned!” Hayden adds.

[stephanielyon88music]

BITE THE BULLET AND JUST BE BRAVE: AN INTERVIEW WITH THE GOLDHEARTS TRACEY KICK

~ By Stephanie Lyon

The nineties is one of my favourite decades of music (right behind noughties pop punk) for me the nineties is childhood nostalgia... I like to think my mum helped shape my love of 90’s music. I was a toddler at the beginning of the decade and my mum would put me to bed; turning on the radio as she left the room. Turning the music of the nineties into my lullaby. For a while now, I’ve been craving the nineties sound and fortunately Gold Coast indie rock band The Goldhearts orbited onto my radar with their new EP ‘Be Strong,Be Bold, Be Brave.’ It’s modern rock with everything we loved about 90’s music. The hooks you can’t help but sing along too, down to earth lyrics regarding everyday life we can all relate too, and rhythms and beats you want to move too no matter your mood. Not surprisingly The GOLDHEARTS nail the 90’s vibe though, the band is founded by members of 90’s Brisbane band ‘Dream Poppies’ and a little ‘Razel.’

I recently chatted with Goldhearts guitarist Tracey Kick about the 90’s era, how the music industry has changed over the last couple of decades, and the new EP ‘Be Strong, Be Bold, Be Brave.’

“For me...the guitarist... it’s the guitar sounds of course and the plethora of bands with female role models through the burgeoning Riot Grrl movement but also in the UK and here in Australia. We loved and were influenced by many bands: The Breeders, Sleater Kinney, Hole, Throwing Muses, The Primitives, Lush, Darling Buds, Elastica, Veruca Salt and the list goes on.” Tracey replies when I ask about her favourite aspects of the 90’s era.

“Yes a bit different in a range of ways. Music is far more accessible now. You can get airplay all over the world. It is definitely harder to break through though as there is so much music out there. Gigs pay less, fewer punters come out to live shows. I think the festival business has changed the way punters look at music - they are spoiled for choice and save up for those events.” Tracey says when I ask about how the music industry has changed since the 90’s.

“This EP is very much about resilience and the ups and downs of life but in a way it’s also a celebration of what we have achieved as a band since 2015. It's hard to gain momentum and build a live audience despite having had significant airplay here and overseas. There’s also an element of being indie music survivors - it’s a hard slog but we love it nonetheless.” Tracey answers when I ask how when I ask how the band decided on the name ‘Be Strong, Be Bold, Be Brave.’

“Margy writes our songs and draws inspiration from everyday life. What she goes through and what we as band have going on in our personal and work lives.” Tracey responds when I ask where they draw their inspiration from throughout the writing process.

“Margy brings the songs she has written to the band and we jam on them to build structure and refine the feel and instrumentation. It depends on how mature the song is at the time of bringing - sometimes we will rework or write a new middle eight, other times we play along and it already works.” Tracey explains when I ask about their creative process.

“For me it’s "Run Down". We all had a period in the middle of the year where we had some real struggles personally and it’s very uplifting to play as well as really fun.” Tracey says when I ask about her favourite song on ‘Be Strong, Be Bold, Be Brave.’

‘Be Brave’ is standing up and putting one foot in front of the other in the face of adversity. ‘Run Down’ is finding the motivation to get back on track to where you want to be... kind of where I am right now. 2020 is bringing change... well hopefully. ‘Road To Roam’ brings forth memories of road trips but it’s also finding comfort not knowing quite where the journey of your life will take you. ‘Stars’ is finding your light again and moving on. ‘Fall From Grace’ is the tale of a troubled relationship we can all relate too. I’m definitely adding this EP to my novel writing playlist on Spotify.. ‘Be Strong, Be Bold, Be Brave’ it’s uplifting, it’s inspiring, it’s real.

“Thanks for your support - find our music on your favourite digital service and come and see a live show!” Tracey adds.

[stephanielyon88music]

FOUR YEARS: AN INTERVIEW WITH DAN CONNELL OF AMBERDOWN

~ By Stephanie Lyon

Four years, 48 months, 1461 days. Four years can change everything. Four years ago I was still incredibly trusting of everyone. I was innocent. I was naive. I was a different person. Enough about me ‘Four Years’ is the title of the new debut album by Perth’s own Amberdown. I recently chatted with Amberdown guitarist / vocalist Dan Connell about touring with Motley Crüe and Alice Cooper, their album ‘Four Years’, and covering the well known Romantics song ‘What I Like About You.’

"Amazing! We were not allowed to meet Mötley Crüe or Alice Cooper. Apparently they had been hassled enough by too many people and had no interest in meeting anyone. But that didn’t stop us from enjoying one of our biggest gigs to date." Dan exclaims when I ask about touring with the likes of Alice Cooper and Motley Crüe.


"I wanted to call the album ‘Four Years’ because almost all the songs on it are about a relationship I had that lasted four years, which was horrific from the start. It felt impossible to get out of as well and I guess writing these angst filled songs was my therapy." Dan says when I ask how the title 'Four Years' sums up the album.

"I recorded and composed both ‘Ember’s Song’ and ‘Stockholm Syndrome’ alone in my spare room at my house which most of the songs were recorded in. ‘Ember’s Song’ is very personal and is about a friend who has terminal cancer that was given six months to live. It’s been almost five years now and she is still with us to which I am grateful. But I needed to get my sadness out and this was the best method for me."

“Stockholm Syndrome” is about being stuck in the four-year relationship. I felt like I had fallen in love with my capture and that I could never escape the depression and sadness that I felt because of it." Dan responds when I note the personal feel of the tracks 'Embers Song' and 'Stockholm Syndrome'.

"We have often had a problem fitting into genres and fitting in with other bands for touring or gigs because of our sound. There is a lot of variance in genre and styles but we don’t want to be pigeon-holed with a genre of sound and we just prefer to write what we want to write. If people like it then fantastic but we don’t want to be swayed by the trends of people when it comes to our writing." Dan responds when I ask if there are any challenges with being a multi-genre band.

"Most of the inspiration was through pain and anger in the relationship I was in. It helped write a more aggressive and meaningful album. At least something good came from all that pain and torment."


“Putting all our cards on the table helped the writing process. All our pain and all our emotional torment. Not just from me but from all the guys in the band. It was our release on so many levels." Dan answers when I ask about the main inspiration of 'Four Years'.


“Sometimes the creative process is best in solace and in loneliness but at least half the songs were written together as a band." Dan replies when I ask about the bands writing process.


“My personal favourite is “Casey ii”. I feel like that this was the song that helped me shove off my resentment and anger from the relationship. I said everything I needed to in it and it was mostly said for myself to hear in times of reflection. The writing process for this song definitely helped me move forward." Dan explains when I ask about his favourite song on the album.

"I have always loved this song. My dad, who showed me all the best rock bands that shaped my childhood, had played this song for me countless times as a baby and apparently I would dance around the house like a nut. I guess that it also stuck with me as an adult. We felt it was a really good cover for us to change up the more aggressive tracks in the album also." Dan replies when I ask what inspired the decision to cover Romantics 'What I like About You'.


"We will be recording another full-length album next year. Keep us on your radar!" Thanks Dan we’ll definitely keep our eyes and ears open for what I’m sure will be another stellar album.

‘Four Years’ is fresh, it’s raw, it’s relatable. I think we’ve all been in at least one relationship or friendship which has been toxic to us... I certainly have. There’s definitely days I miss them. I still feel guilty for hurting them by leaving; but when you’ve tried setting boundaries and asking for change to no avail. There comes a time where you have to accept you deserve better and find the strength to walk away. In so many ways I’m still healing but I’m proud of how far I’ve come... and the new goals I’ve set.

Listen to ‘Four Years’ now

https://open.spotify.com/album/4kOY7nca02aFRfxmoKDjzM?si=AK6qufkVQM-l_if8kkSBXg

[stephanielyon88music]

MAKE ME FEEL ALIVE AGAIN: AN INTERVIEW WITH GERRIT GMEL OF CITIZEN OF THE WORLD

~By Stephanie Lyon

We’ve all had relationships both good and bad… Whether your in Sydney, Australia where ‘Citizen Of The World’ have been based for the past six years; or in lead singer/songwriter Gerrit Gmel’s hometown of Lausanne, Switzerland where the band was formed. Love is the universal language… It’s what makes the new 'Citizen Of The World’ EP 'Window To Your Mind’ relatable. To commemorate the recent release of 'Window To Your Mind’ I took the opportunity to chat to Gerrit Gmel about the bands evolution from rock to indie, the inspiration for the new EP, and the bands writing process.

I think the challenge has been not to do it sooner. Matt and Kris have always advocated to play around with synths and sound effects, but I felt like I had to get comfortable with one genre first before exploring new horizons. It’s only after I thought I got the hang of writing folk-rock songs that I began to think some synth and processed vocal samples would be nice. I feel like I owe them an apology for taking so long…” Gerrit says when I ask if there’s been any challenges evolving from folk to indie.

The five songs on the EP encompass the entire progression of a romantic relationship 'Deep Blue Eyes’ is the first attraction. 'The Comedown’ is the honeymoon phase where your both happy and everything is great. 'Interlude’ is where the serious commitment is made. 'Free To Go’ is where everything is falling apart and you break up. 'Nothing At All’ is when it’s all over and you’re all alone again.

“What a great pickup! We definitely thought about the emotional journey we wanted to take the listener on. A happy but intense start, a bit of rest in the middle, and then a cathartic finish. As almost all these songs are about relationships, or certain 'special someones’, the analogy works perfectly. I can’t believe I haven’t thought about this myself!” Gerrit responds when I ask if the journey is intentional or coincidence.

“Window To Your Mind is a lyric fragment from the lead single 'Deep Blue Eyes’, which ties this all together rather nicely. It’s also an admission of the honesty of the tracks: if you listen closely to this EP, you will know us pretty intimately…” Gerrit replies when I ask how he feels the title 'Window To Your Mind’ sums up the five tracks on the EP.

“Each song is deeply personal and is a snapshot of a feeling, mood, person, or place that was most defining at the moment we wrote each song. I love listening to some of the old songs I’ve written and reminding myself of the mental state I was in a few years back, I find that super powerful.” Gerrit answers when I question where he draws his inspiration from throughout the songwriting process.

“Most of the time I will come up with a skeleton of chords and melody, Matt and Kris then normally have their way with it and arrange the chords a bit to make it all more interesting. This process normally takes a few days or weeks at most. The devil is in the detail: we spend months mixing and editing, adding new sounds, changing a chord last minute, modifying the beat in some places. At some stage we have to force ourselves to say stop, or we would run the risk of never releasing anything.” Gerrit reveals when I ask what the bands creative process entails.

“It kind of varies on the mood, but I must admit I’ve been jamming out to 'Interlude’ a fair bit. I do enjoy playing 'Deep Blue Eyes’ live though, it’s got a nice energy to it which the crowd picks up fast.” Gerrit says when I ask what his favourite song on the EP is.

Experience has taught me to only fall in love with places, music, and art but I absolutely love this EP because it makes me want to believe in love again. I want to get out of my default mode of believing 'love’ is just something that happens to other people.

'Deep Blue Eyes’ is fun, its exciting, its catchy and you just want to sing along. 'The Comedown’ has a beautiful piano instrumental,and a theatrical chorus with one of my favourite hooks on the EP 'make me feel alive again’ who doesn’t want to feel alive. 'Interlude’ is calm and dreamy with strong imagery in the lyrics. The calm before the storm.

'Free To Go’ is powerful instantly transporting the listener back to the last time they had their heart broken. I love the brass instrumental, the trumpet / the saxaphone in this one. 'Nothing At All’ with its beautiful piano and I think it’s a a flute I hear is soothing to the soul. The storm has passed, the pain has eased, and now your free to move forward.

What are you waiting for? Listen to 'Window To Your Mind’ here:

https://open.spotify.com/artist/0UmaNV2YrFJxN2dLYxV2BU?si=gtrWzfy-QlOVJmxK1XWw9w

[stephanielyon88music]

NOW YOU’RE BROKEN, NOW YOUR SCARED: AN INTERVIEW WITH ALEX BARKER OF FOXTON KINGS

~ By Stephanie Lyon

‘With Love’ is something we’ve all said at some point, signing off a greeting card, or saying farewell to someone we still care about because sometimes in order to grow we need to part ways. Distance doesn’t mean we stop caring, sometimes it’s the only option. It’s a theme each and every one of us can relate too. 'With Love’ is the title of Foxton Kings new EP. I recently chatted with Foxton Kings’ Alex Barker about the process of writing the EP, the link between an iconic Fremantle building and their song 'Roundhouse,’ and how Foxton Kings has changed since their last EP 'Mookait.’

“When we started writing the EP almost two years ago, we made a decision from the get-go to write the entire thing as a collaborative band effort. It was two rehearsals a week, record on iPhones, listen back during the week, come back to rehearsal and chop/hone/edit what we’d been jamming on. It was a lengthy process that pushed the four of us to learn to compromise and work together. For example we had a rule. If you didn’t like an idea, you had to justify your opinion and provide an alternative, or you had to commit to playing that idea to the best of your ability. There was a solid twelve months of writing and recording before the songs were finished; and another six months of mixing/promoting/gigging etc before two of our members, Cliff Johnson (guitar) and Dane Koek (bass) decided to move on from the band. It was a very amicable split and thankfully we’re all on good terms and still love and support each other in our respective projects. While Joel and I were tasked with recruiting two replacements; it was also time to finalise the EP and release it. It was quite an unsteady and turbulent time. After the whole process, we figured calling the EP ‘With Love’ was an adequate way to not only sum up the entire almost two-year process, but also to close the door on it and move on with our new lineup to the next project.” Alex explains when I ask how he feels the title 'With Love’ sums up the five tracks on the EP.

“Our singer Joel used to see the Roundhouse when he’d walk his dog in Fremantle and did some research to find out the history of it. In the mid-1800s a teenage boy named Johnny Gavin was wrongly convicted of murder and hanged there. He was the first person to be hanged at the Roundhouse and he was only 15. The song was originally called 'Johnny Gavin’ but we decided to call it 'Roundhouse’ for the EP.” Alex says when I ask if the first track 'Roundhouse’ has any association with the iconic building in Fremantle. It makes me realise how little I know about my own local history. I knew the Roundhouse used to be a prison. When I was a little girl my mum would regularly take us to Fremantle and the Roundhouse was one of my favourite places to go. The cold round stone building with a well in the middle and tiny cells which were nothing but stone walls and floors circled around the well… and I realise I liked the eeriness, and the way the building sparked my imagination… although I only knew it as a prison (the age appropriate response for my questions at the time). Now I’m older I might have to do some of my own research.

“From the get-go, we decided that all of our ideas would be fresh - no riffs from ten years ago that we came up with in the bedroom. Most of the musical ideas came from our improvised jams. Usually we could pull one or two ideas from 10 minutes of jamming. We wanted to simplify our songs more than 'Mookaite’ and 'Run Baby’ and we drew inspiration from Rage Against the Machine, Rival Sons, Royal Blood and Jack White to name a few. We tried to hone our ideas with the aim of making people want to dance at our shows, so things became much more groove-based compared to the 'Mookaite’ release.”

“Lyrically, two of the songs reference a former associate of the band who we had a falling out with just prior to when we started writing 'With Love’. Another one, 'Gold’, was written about a breakup that occurred during the writing process. In contrast, 'Roundhouse’ is about the hanging of teenager Johnny Gavin in Perth in the 1840s and 'Burn’ is a fictional story about unrequited love. So there is a mix of inspiration between the five tunes.” Alex responds when I ask where they drew their inspiration from throughout the writing process.

“We tried to step away from the ‘prog’ aspect of our previous releases and write more digestible songs. 'With Love’ is a lot more groove-based than 'Mookaite’ and 'Crooked Tales’. There’s definitely more of a pop element, and a ‘less is more’ kind of vibe.” Alex replies when I ask how he feels 'With Love’ is different in comparison to their previous EP’s.

“I would have to say 'Money, Money’ is my favourite track. It’s got a good amount of quirk to it and is probably the most digestible on the EP. The super slow groove is great fun to play.” Alex says when I ask about his favourite track on the album.

“When we’ve played them live, there’s one point in each tune where we almost always get a cheer or a ‘yeww’ from the audience, which is awesome,” Alex laughs when I ask what the audience reception has been to the new tracks.

Check out Foxton Kings new EP 'With Love’ today. Catchy lyrics and killer riffs included.

Photo courtesy of Peter Heathcote

[stephanielyon88music]

WELCOME TO THE ‘RX’ GENERATION ALBUM REVIEW: GOOD CHARLOTTE - GENERATION RX

~ By Stephanie Lyon

I woke up in my Melbourne hotel room unable to contain my excitement any longer. I opened Spotify and put an ear bud in my ear and the other ear bud into my sisters ear to listen to Good Charlotte’s ‘Generation Rx’. This album has so many feelings. One of the things I have always loved about this band is the fact the songs mean something, the lyrics are always relatable… They’ve constantly evolved their style over the years, refusing to create the same album twice… This time though I feel like they’ve reignited their old school spark again. They’re in full control of their music (owning their own record label) and they’re using their position in the music industry to raise awareness to what has become known as 'Generation Rx.’ The epidemic of opioid addiction taking over the world.

It’s Good Charlotte at their best, delving deeper into the harsh reality that our generation is in so much pain we’re literally addicted to pain relief…

I’m not addicted to drugs but I’m alive in this time where we are more connected than ever with social media but the technology is interfering with our interpersonal relationships… I have my own traumas and past hurts. I scroll through my social media feed and I see everyone’s highlight reels full of engagements, first homes, births and marriages and I feel the fear of being left behind. The reality is I’m 30 and I’ve never had a full time job, not from lack of trying… but after battling unemployment throughout my early to mid twenties I’m just thankful for my current permanent part time job which allows me a bit of time to focus on my creative outlets. I’ve been single pretty much all my life except for one really short relationship… Partly because I’ve always struggled to put myself out there. I’ve struggled with rejection since I asked a girl in first grade to be my friend and she said 'No, I don’t need anymore friends,’ and up until this point almost every guy I’ve ever trusted romantically or platonically has hurt me or majorly let me down in some way… I’m not a man hater. I really do want some guy to sweep me off my feet and prove me wrong some day… but I’m at the point where I’m not expecting it. I’m just trying to live my best life alone.

Getting back on track I guess I’m trying to demonstrate we all have issues, we all have pain and 'Generation Rx’ is a voice of our thoughts, our feelings, and our constant battles with ourselves, and the impact addiction has on us all… Let’s take at look at the 9 songs track by track.

GENERATION RX

…. Is the haunting intro which is perfectly layered starting with a ghostly ooo- ooo - ooo tune and slowly builds momentum creating an accurate representation of being trapped in the darkness of depression. You’re unsure if you can get out and when the the drums kick in it feels representational of a heartbeat. The hope that comes with the fact whilst you’re still alive you can still change the future. Lyrically it questions whether we’re alone? why we are the way we are? Why we’re in so much pain?

SELF-HELP

… Perhaps my favourite song on the record because lyrically it’s where I am in my life right now. I’m still trying to heal from events in my past. I still have days where my emotional turmoil holds me back. However, in the past year I’ve majorly moved forward. I’m fighting to take back my life. I’m searching for meaning, I’m challenging myself, I’m facing my fears straight on instead of running from them… I’m proud of the progress I’ve made, and I’m excited about where I’m going.

Highlights include the sick beat. The guitar solo toward the end, and Joel screaming in the intro. It’s a heavier Good Charlotte with the signature sing along vibe. I can’t wait to be in the mosh front and centre feeling like I’m having a sing off with Joel to this one at some LIVE shows.

SHADOWBOXER

…. Is one we can all relate too. The negative self talk - the self hate we are all guilty of at some point. The suffering we cause ourselves through what we tell ourselves. The self loathing we can’t run away from no matter how hard we try… The battle we have with our own shadow. I love the grungy darkness of this one, the heavy instrumental, the anger, you can hear the authenticity.

ACTUAL PAIN

… Is the story of addiction from the point of view of someone whose loved one is controlled by addiction. The pain of seeing your loved one struggling but your love not being able to cure them. The turmoil of seeing them turn into someone else. The frustration of not being able to force them to get help. The fear of opening the door to find them dead.

The guitar chord repeating throughout the track reminds me of a ticking clock which I feel represents the unpredictability of the behaviour of the addict. I love the part with the woah, woah and the kick ass guitar solo.

PRAYERS

… Reminds me of their 'The Chronicles Of Life And Death’ album. It comments on the bigger picture, the state of the world right now. Why do we hurt each other? The wars, the famine, the disaster, the horrific images the media floods us with… and the lack of real action to help. We’re all quick to send prayers but it doesn’t really change anything. This one is more of a ballad and is softer instrumentally compared to the previous tracks.

COLD SONG

…. Has a uplifting hopeful feel. It’s about knowing you’re not alone even when you feel alone. It’s knowing your enough. It’s moving forward even if your not sure where your going. Having the faith that life will guide you exactly where you’re meant to be. Knowing that life gets hard sometimes but light always comes after the darkness.

The piano on this track is beautiful… and the guitar solo conflicting with the piano is masterful.

LEECH (FEAT SAM CARTER)

… Is the heaviest track on the record. A collaboration with British guitarist, singer, and songwriter Sam Carter from the band Architects. It uses lots of religious symbolism and metaphor. I’m not religious but it seems to explore the idea of Hell being a metaphor for Earth. Similar to when the Angels fell / were banished from heaven - we as humans were born into hell to suffer for our sins and locked out until we learn our lessons. Highlights include Sam’s solo and the choir singing in the background toward the end of the song.

BETTER DEMONS

…. Is a song of acceptance of our flaws, our issues, our demons… The realisation that even in the wake of recovery the demons we battle don’t just go away. We have to learn to be friends with them…. We have to choose to be 'better demons’ with them. We have to find healthy ways to cope on the tough days. We can never be who we were before no matter how hard we try. I can’t speak for everyone but I know theres days where I miss who I used to be… Yet there’s days where I know some of the things I like about myself now are the direct result of the same events that changed me. I’m braver, stronger, and more resilient than ever. Psychiatrist Benji at the end asking the girl about the dream is an extra special touch.

CALIFORNIA (THE WAY I SAY I LOVE YOU)

… Has got to be the song on the record written for the fans. It’s definitely one of my top two songs. I see California as a metaphor for all of us fans…. and it’s their way of saying they love us.

“And I watch you come and go Yeah, these changing tides are all I’ve ever really known, I’ve told you And you run through lives unknown But one thing you can always count on, I will always love you I’ll spend my lifetime trying to show you”

All of us fans at the shows are the tides, it’s poetic but watching all of us flood into the venue and watching as we leave would be reminiscent of high and low tide.

The lyrics which stick with me are:

“Just forget the ones who let you go Forget the ones too scared to know you”

In the last few years I’ve lost at least a handful of friends, some who let me go and others whom I let go because I demanded to be treated better and they didn’t like the boundaries I set…. It’s like a little reminder to me to stop dwelling on the past.

* * *

As the sun began to set I walked into JB-HIFI on Melbourne’s Elizabeth Street in my Good Charlotte hoodie. 'There it is’ I call back to my sister as I break into a run to the 'Generation Rx’ promotional stand and take my copy to the counter. I may have had pre-orders in transit, I may have been in a different city but I wasn’t going to break with the tradition of going to the record store and getting a copy on release day.

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TWO SIDES: AN INTERVIEW WITH AMA QUINSEE

~ By Stephanie Lyon

There may be ‘Two Sides’ to every story. There’s 'Two Sides’ to every coin. 'Two Sides’ to a sheet of paper… and now local Perth rock band 'Legs Electric’ give us 'Two Sides’ a selection of tracks which perfectly mix a strong influence of 1970’s rock music with the modern rock of today. Listening to 'Two Sides’ is like being in a time warp between the 1970’s and the present. We never quite arrive at the 1970’s, neither do we ever leave the present… but we’re getting the best of both eras. I recently had the opportunity to speak to Legs Electric singer Ama Quinsee about their 1970’s influences, the criticisms of being in an all female rock band, and the process of creating 'Two Sides.’

“We love the 70’s, the music, the fashion, the culture and we have a real diverse range of musical influences including Deep Purple, The Rolling Stones, Fleetwood Mac, Led Zep, Black Sabbath, Grand Funk Railroad & Whitesnake.” Ama says when I ask about the 1970’s influence.

“Yes we do get some form of criticism from time to time and some people view our gender as the reason to our success which is in parts is true being an all girl line-up but we’re all very confident women and competent in our craft and don’t rely on "being female” to get us over the line.“ Ama responds when I ask if there were still challenges to being a female rock artist in the music industry.

"The title 'Two Sides’ represents the old and new line-ups of the band and the "two sides” to our sound on this ep. It has taken us a while to get to recording these songs with line-up changes and our first song “Kingdom” has gone through many changes but has fast become referred to as the Legs anthem.“ Ama replies when I ask about the inspiration behind 'Two Sides.’

”'Wanna Riot is loosely based on the Riot Girl movement of the 90’s, speaking out and having a voice. For us it was finding our place in rock!’“ Ama says when I ask about my favourite song on the EP 'Wanna Riot.’

"Strange Addiction! I really dig everything about it, it’s full of grit, cool harmonies and is a great song to rock out to.” Ama responds when I ask about her favourite song on 'Two Sides.’

“We all do a bit of everything when it comes to writing but I predominantly write the lyrics first for the songs or the girls will show me a riff and I’ll lay some lyrics over the top. All depends on the creative mood.” Ama says when I ask about their creative process. Check out the Legs Electric new EP now… and if your in Queensland or can get there on October 6 and 7 see Legs Electric LIVE for their first Queensland show at the Byron Bay Guitar Festival.

Tickets available here: https://www.byronbayguitarfestival.com

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I JUST WANNA LIVE: GOOD CHARLOTTE MARCH 2018 (PART 1)

~ By Stephanie Lyon

My heart was pounding, my hands trembling as my flight was called to board. This had been my dream for so long but now it was happening I wasn’t sure I could go through with it. Travelling to see your favourite band was one thing, travelling alone to see them three times in a week was another, doing so whilst battling anxiety was a different challenge entirely.

My dad told me once more of all the do’s and don’t of travelling alone. Don’t leave your drinks unattended, Don’t let anyone into your hotel room, and call us when you get back each night so we know you’re safe. Mum gave me some words of encouragement and walked me to the queue building at the gate. I kept looking back at my parents a little unsure, partly wanting them to stop me, yet knowing I wasn’t going to back out when I was this close to the dream. I’m not a quitter and anxiety has taken so much from me over the years. It wasn’t taking this too.

I hadn’t seen Good Charlotte as a whole band in nearly 7 years; since they went on hiatus in 2011. I’d always dreamt of following Good Charlotte on tour since I found them in 2003 (I was 15)… Lost, broken, scared because I couldn’t imagine a future for myself. I honestly didn’t think I’d live to see 25… I’m 30 later this month. What?

I still remember the first time I listened to ‘The Young and The Hopeless’ like it was yesterday. I’d had an argument with my dad where he’d said some really hurtful $#*%. I ran to my bedroom, slammed my door, picked up my copy of TY&TH, noted that Benji looked angry, and Joel seemed to look like he had something to say. Stuck it in my CD player, sat with my back against my door and cried until by the end of the album I was smiling because for the first time in a long time I didn’t feel so alone, I felt this element of understanding, a safe place to go to… and time and time again through each album I’ve found an emotional connection to their songs. (I’d like to note today my dad and I laugh about how ‘The Anthem’ became the soundtrack to my teenage door slams.)

TY&TH now lived in my CD player and the more I listened… I realised we all go through shit, we all have pain, we all have our own stories and they inspired me to write a series for television (writing I left behind a long time ago….it was cringe worthy.) It got me writing, and dreaming about being a writer.. which began my journey which led me here. They gave me hope, they gave me dreams, they gave me purpose, they gave me something to believe in… They were the beginning of my love of music. I spent so much of my youth spending my money at JB HIFI on this elusive search to find another album which makes me feel the way TY&TH made me feel. To this day I still haven’t found it… A few albums have come close though.

Life went on with its ups and downs…

In 2010, I’m 21/22. I’ve spent far too long running from my mental health issues, pretending I’m ok… Like most people with undiagnosed mental health issues I’m scared of the stigma… but unfortunately I’m far from okay. My OCD. I’ve had slight symptoms of since I was 7 has spiralled out of control. My compulsions are visible to everyone, my OCD has gripped onto every single element of my life. The intrusive thoughts and anxiety are 24/7, leaving the house is a struggle and I’m constantly having fights with my family because my fears are irrational and my compulsions don’t make sense to them. I can’t just stop. I want to stop, but I can’t. I cry because I feel like my life is over. I can’t imagine it ever getting better and once again I contemplate suicide..

Lucky for me I have tickets to see Good Charlotte in April 2011 though and I decide I have to at least see them again before I go… Fortunately by the concert I’ve officially been diagnosed with depression and OCD. I’m getting help and doing a little better but Benji says some words that night that really speak to me..

“…I can tell you if I didn’t have my band I don’t know if I would be here today. So I want to sing this next song out to anybody tonight that’s going through something tough. That maybe feels like it’s not going to get better. That’s why you’re all here. That’s why you’re listening to me. And I want to tell you that it does get better. No matter how hard you think it is. No matter how far gone you think you are. It really does get better and that is what this song’s about…”

I knew from that moment I had to keep fighting because as silly as it sounded… I couldn’t let Benji down… and far out life got better. In the years since I’ve gotten a Bachelor of Arts degree in creative and professional writing and publishing. I’ve broken out of unemployment (In the retail sector, my dream of writing for a living still eludes me but I’m working towards it) and I’ve started travelling. I’ve accepted my mental illnesses as part of who I am. I’m not ashamed by them and I have started using my writing to open up a dialogue, sharing my experiences to normalise mental illness.

No, anxiety wasn’t going to win, today, I scanned my ticket at the gate and walked on through stopping to wave at my parents one last time through a window that looked back into the terminal… I took my seat on the plane bound for Melbourne. The time to achieve this dream was now. Good Charlotte weren’t playing in Perth, I had the savings to go for it, and this year I’ve officially been a Good Charlotte fan for half my life. It was time to live… Even if it meant facing my fears. To

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THE OTHER SIDE OF AUTUMN: AN INTERVIEW WITH ALEX ARPINO

~ By Stephanie Lyon

Kick off your high heels, put on your comfy shoes or heck just rush over to the dance floor barefoot. The party has started and the rhythm is infectious. Don’t feel like dancing. Impossible. Alex Arpino’s debut self-titled album will have you bopping to the beat and singing along in no time at all. Don’t let debut fool you Arpino has been making the rounds in the local music scene for the past decade fronting indie pop favourites ‘The Autumn Isles.’ Now breaking out on his own 'Alex Arpino’ continues to share his reputable songwriting skills, whilst showcasing his natural abilities to produce. I recently had the opportunity to talk to Alex Arpino about his other talent visual art, the transition from frontman to solo artist, and the production of his recent self-titled album.

“I actually completed all the artwork for the album myself. Visual art was my first passion, particularly graffiti art. Gradually music became more of a focus. It is a digital painting, a medium I have recently picked up, I thought this would be a great opportunity to tackle a bigger project. I wanted to find different aspects of the music and express that in the different faces. I love high detailed rendered art. I was also trying to find a cinematic quality to the images.” Alex responds when I compliment the artwork of his self titled album and ask why he chose that particular design. I can completely relate to the choice between different creative passions. I’ve always juggled writing and traditional painting myself, however I’m completely unfocused having phases where I concentrate on one more than another. Painting is purely about escaping / quieting my mind whilst writing allows me to sort through and organise my thoughts and ideas.

“When the Isles finished up in 2015, I just continued with a similar schedule, writing, recording, gradually stocking up a new batch of songs. The difference was there wasn’t any external pressure, or deadline. I just took my time and tried to really enjoy the process. This allowed me to experiment more and run with any ideas I had. I think it forced me to really trust my instincts, as I didn’t really have anyone to run anything by. I think that has been a healthy thing in a lot of ways. It was also a very rewarding experience playing multiple instruments.” Alex replies when I ask what inspired the solo album and how different the experience was working solo rather than collaborating with a band.

“I really like the idea of the listener drawing their own personal conclusions or finding meaning for themselves. I found myself reflecting on an early period of my life when I was discovering the joy of music, I wanted to tap into that and find some of that inspiration again. This led to a reflective place lyrically also.” Alex says when I ask about the autobiographical element of his songwriting.

“I’m primarily a rhythm guitarist and singer, or that’s what I have always done in a live setting. In the studio though I enjoy playing piano, bass, percussion, synths. If I have access to an instrument and I believe it will add a colour, texture or dynamic then I will work with it. If I don’t have access or ability then I will bring in people that can, for this album it was brass and cello. I also believe in getting the right drummer. I can hold a beat but to bypass a drummer who’s sole musical life is playing drums, I think it’s a wasted opportunity. So I have avoided recording drums, for official releases anyway.” Alex explains when I note the album is instrumentally eclectic and ask how many instruments were used and what his favourite instrument is to play.

“That’s a hard question, I love aspects of each of them. The one I find myself going back to listen to, at the moment anyway is ‘Falling Away to the Moonlight’. It doesn’t have any tricks, it’s just a simple driving pop tune that hits the spot for me, musically and lyrically. There is a real strength in simplicity I think.” Alex says when I ask about his favourite song on the self titled.

“The first song I wrote was ‘Melodies and Self Deprivation’. It was around the time The Autumn Isles was finishing up, and I was coming to terms with my decision. There is a tone of questioning and ultimately acceptance in that song, I think it captures that period of time well for me. From there I approached each song in the same way, write and record simultaneously. Then re-track and edit as the song develops, gradually finding the finished product.” Alex answers when I ask how the initial writing for the self titled began.

“I usually start with a chord and vocal melody progression, then layer instruments for that point. Final stage is lyrics. I did try some different approaches this time though, building from a drum grove, or looping piano line rather than a chord progression.” Alex replies when I ask about his creative process.

Featuring the singles 'Space Ghost (In A Puppet)’ and 'I Remember You (Dancing With The Devil)’ Alex Arpino is the perfect mix of storytelling, sometimes obscure lyrics, metaphor, original music compositions with multiple instruments intricately layered in perfect detail. 'Alex Arpino is so much more than a debut album. It’s a soundscape.

If you love your music on vinyl you can order an 180g gatefold vinyl copy through bandcamp debut album here: https://alexarpino.bandcamp.com/album/alex-arpino-2

[stephanielyon88music]

Photo courtesy of Lawrence Jones

JOURNEY TO A HIGHER PASSAGE: AN INTERVIEW WITH KYM REDMOND

~ By Stephanie Lyon

There’s an emptiness in my heart as I listen to ‘Band of Missfits’ latest EP ‘Higher Passage.’ The stitches have recently been ripped out of my heart by the passing of my grandma. I know she’s in a better place now. She’s not suffering anymore but I physically feel this painful emptiness inside. The same feeling I’ve experienced in the past whether it be from being dumped or walking away from several toxic friendships over the last couple of years. I’m no stranger to loss… but who isn’t? To love and to lose is all part of the human condition; and that’s where 'Higher Passage’ gets it right. I recently talked to Kym Redmond of 'Band of Missfits’ about their second EP 'Higher Passage’ and it’s universal themes of disappointment, longing, loss, and moving on.

“I didn’t deliberately set out to write this EP with any set intention in mind. This EP pretty much wrote itself. When I’m driven by a feeling or an idea that I’m passionate about they come quickly and they are honest, raw and heartfelt.. I had a hard year.” Kym laughs.

“I think if I had set out to write this album by a certain time it wouldn’t be the same. I don’t think songs should be forced. If they don’t come naturally they never make the cut.” Kym says.

“I had a lot of inspiration coming at me from different directions and before I knew it I had the lyrics for over 40 songs written within a year. The ones that formed quickly after I had composed them made the cut and we decided to put out 'Higher Passage’. Kym answers when I ask about the inspiration behind the EP.

“Actually 'Words Of Silk’ came extremely quickly in half an hour. It’s the one I’m most proud of lyrically too. Once it was written nothing changed and I composed it the same afternoon.” Kym responds when I ask if 'Words of Silk’ was challenging to write lyrically with all the beautiful metaphor and strong imagery the lyrics contain.

“Lyrically, definitely 'Words of Silk’ and musically it would have to be 'Nothing at All’. Why? Because words of silk is lyrically my best work on the EP and 'Nothing at All’ as soon as I had written it, I felt like this one was kind of special. From the drums to the lead licks throughout to the freedom I allowed myself vocally with this one. It’s large! I love it.” Kym replies when I ask about her favourite song on the EP.

“I guess 'Higher Passage’ our first single was the first song to be written in a series of songs. We wrote it whilst recording our debut EP in Yallingup but for some reason we never put it on the album. It wasn’t meant for the debut I guess. It had other ideas so when it was time for the name, it was just a given it would be called, 'Higher Passage’.” Kym says when I ask why it was decided to name the EP 'Higher Passage.

Initially i didn’t set out to write an Ep in it’s entirety. I didn’t wake up and thought today i’ll write an Ep. I write when i’m upset, angry, lonely, sad. Songs are pills for me i guess. I’m eluding the mental health system by doing so. I write when i need it for my own sanity to push past the difficulty and move forward and it’s these very songs that deeply affect me so much that are some my finest work i feel..” Kym answers when I ask how the writing for 'Higher Passage began. As a writer and painter I can definitely relate I don’t create because I want to. I create because I have too… It’s this strong compulsion to just create something or an idea that continues to linger.

“I always have so many lyrics laying around un-composed because i’m writing all the time . I always write lyrics first then music. Always have. It works for me so i keep on doing it this way.” Kym says.

“I have noticed a pattern of song themes carrying over to the next song especially since our debut Ep, 'Into the storm’ Sometimes all i need to say just can’t be put into one song and i’ve noticed the songs that follow are a 'follow up’ story. I don’t deliberately mean to but somehow they work out this way.. Off our Debut Ep, 'Into the storm’ the songs, We Rush’ and 'Lights out’ were a classic example of this. There are some in Higher Passage too..” Kym notes.

If you’re currently going through a break up or in the midst of healing from one… you’ll find some comfort and understanding in this collection of songs. Listen to 'Higher Passage’ now you won’t be disappointed with its relatable storytelling, strong vocals, and an instrumental backing you can’t help but rock along too.

[stephanielyon88music]

INTO THE UNIVERSE: AN INTERVIEW WITH JAIME PAIGE

~ By Stephanie Lyon

Life is insane. A few weeks ago we finally got a vinyl record player and as we began going through my dads old vinyl LP’s from the 60’s, 70’s, and 80’s. I began feeling nostalgic for the sound of classic rock n roll that often seems lost in the popularity of pop songs which have the emotional depth of sitting on a futon couch (no offence intended Missy Higgins) nothing but love. I just prefer music with lyrics which you can emotionally identify with and interpret in a way to correspond with your own history, memories, and experiences. I listen to music to feel… Days later I found myself listening to the newly released Jaime Page’s Dark Universe album ‘Into The Black’ and my jaw dropped in awe. This is the album I’d been searching for and I didn’t even know it. It’s a new age rock opera of sorts lyrics which you can feel deep in your soul, powerful vocals which embrace real emotion. It’s okay to rip off the facade you wear to face the world and be your true self here. Haunting guitars with riffs which sound like nothing I’ve heard before. The drums create a sense that’s sometimes angry and sometimes urgent. This is everything music should be.

I recently interviewed Jaime Page about 'Into The Black.’ Whether it can be considered a concept album, the inspiration for the album, the first single 'Weight of The World, the creative process, and what artist alive or dead would be a dream come true to share the stage with.

“A lot of people do talk about the journey effect and yes, you might consider it a concept album, but then I think that everything I write is a concept piece, from the first song I ever wrote to the very latest work in progress.

What is the concept though? I think that it mirrors life. Life is a journey. We live, learn, make mistakes and have our triumphs. From the moment we are conceived to the moment we die, we all have amazing stories, maybe I reflect on that unconsciously in my songs.

If I had to pick one word to describe the story it would be RESILIENCE. Every song, every word, every note is loaded with emotion and the feelings are mostly derived from the experience of learning to be resilient. I tend to feel things very deeply and that translates into music, but it can be a curse!” Jaime replies when I ask whether 'Into The Black’ could be considered a concept album.

As someone who feels deeply myself I can relate to the curse and resilience is definitely a core quality of why I often refer to myself as a Phoenix. It’s definitely a theme which resonates from the songs with the dramatic percussion and guitar riffs that I can imagine going perfectly with a visuals of warrior battle scenes.

“Into the Black is like two different timescapes rolled into one. Originally we were going to do a full first album but due to time and other constraints we had to release the Dark Universe album as an extended EP.

Into the Black started as a deluxe version of the first album, but I kept writing new songs at a fast pace and we kept squeezing them in, to the point that it was a complete new album. (And would you believe I have a third album written and ready to record).

The great thing was that the songs on Into the Black had plenty of time to develop, and I wanted to get as much heartbreaking emotion in there as I could! This is notable on ‘Whatever’, ‘Falling in a Dream’ and ‘Alone at the End of the World’.

Funnily enough the songs are in reverse order, the oldest being last, except for ‘Weight of the World’ which was promoted up the order as the single.” Jaime answers.

“I felt that ‘Weight’ packed a punch and was very immediate. Many songs on Into the Black are sort of ‘growers’ that insidiously creep up on you. I wanted to come out with a bang, of which the song ends with LOLZ.

Weight is a song that is quite angry and sarcastic in its own sweet way. I felt it was quite a relevant statement at this point in time, and that many may be able to relate to its feelings of alienation and subjugation. ” Jaime says.

“It is a bit like your family. You love each of them differently and it is impossible to pick a favourite. Having said that, I would probably say ‘Alone at the End of the World’.

Why? Because the emotions contained within are so personal and timeless. It is like stripping ones soul bare for me on that one.” Jaime responds when I ask about a favourite song on 'Into The Black.’

“My process is always evolving but usually it will be sparked by something, usually when I am feeling down or angry at a perceived injustice.

It can be inspired by a picture or art. I particularly love gothic imagery. I also read a fair amount and often a word or a phrase will inspire a song. Most of my lyric sheets contain many bits of cut and pasted text that are there to trigger ideas.

I also like my music to evoke an image if I can, but that is not a conscious thing. I try to find a place to write where the brain is off and the heart and mind are free to roam.

I have learned to filter myself and break things down into what I really like about an idea and have the nerve to cut something that is not sitting right.

As a matter of fact I am going through said creative process as I answer these questions. Guitar, laptop, Pro Tools and the quiet of my bedroom. The new song is called ‘Bastardes Tyrannis’. Inspired by The Handmaiden’s Tale.” Jaime tells me when I enquire about the creative process.

“Wow, so many wonderful people to consider. I used to daydream about this scenario, imagine I was on stage with my heroes. I think maybe David Bowie in his Ziggy Stardust phase would have been very cool, but I would love also to do something with Kate Bush!” Jaime responds when I finish the interview asking what band or musician living or dead would be a dream come true to perform with.

If you’re bored with popular music, want something new which throws back to the quality artistry of the past check out 'Into The Black.’ You’ll also love this if you like the theatrical rock opera storytelling of Queen, or My Chemical Romance.

[stephanielyon88music]

REASONS I CAN’T FALL ASLEEP: AN INTERVIEW WITH LUKE FOX

~ By Stephanie Lyon

What are the reasons you can’t sleep? Those dreaded sleepless nights we all have them. They’re the reason I don’t have a set bedtime and prefer to write, read, or watch Netflix until I’m so exhausted I fall asleep without even trying. What keeps me awake? Anxiety, regret, past hurts, fear of failing, the fear of being alone, creative inspiration as my head hits the pillow, and lists of all the things I’ve got to do tomorrow. Next time you can’t sleep seek comfort with Luke Fox’s new single ‘Reasons’ from his debut EP 'Sugarloaf’ which also includes last years well received single 'Fly In The Champagne.’

Recorded by Matt Gio (Birds of Tokyo, San Cisco) and mastered by Willy Bowden (Gotye, Paul Dempsey) 'Sugarloaf’ consists of six unique tracks consisting of masterful storytelling, strong imagery, coastal riffs, and Luke Fox’s uniquely Australian vocals. To commemorate the release of 'Sugarloaf’ I talked to Luke about the EP, his new single 'Reasons’, his inspiration, and his creative process.

“Reasons is about stress causing insomnia. I was left with swirls in my head from some major events and it was compounded as smaller stresses seemed bigger too.” Luke says when I ask about his inspiration for Reasons.

“A great deal. I’m very much a product of my environment (small town south west Australia). I love the south west. Everything I feel I relate back to it in some sense, and that goes beyond music.” Luke replies when I ask what the great outdoors mean to him.

“'Fly in the Champagne’. My mate was going through a breakup so we went on a road trip, surfed and saw him through a period of grief. I love this song because I wrote it for a friend - the other tracks are all introspective. Also I think the riffs are extra sweet and the native imagery of our trip made for really appropriate metaphors.” Luke explains when I ask about his favourite song on 'Sugarloaf’.

“Sugarloaf Rock is an iconic landmark in the south west, a giant rising from the ocean at the edge of the cape. It’s exposed to all. This EP is very much a tribute to home, relationships and authenticity so I think it sums it up pretty well.” Luke says in response to why he named his EP 'Sugarloaf’.

“I wrote this EP in 2016 and recorded 2017. 'Fly in the Champagne’ was written first, and made sense to me to record first, I was most excited about that song. I had a lot of songs laid out and it was hard to choose which to record. The EP started from a very quick procession of major events. I quit a job I didn’t like, started a dream job, my dad got diagnosed with terminal cancer, my relationship of five years ended sourly, I went on a great trip to Portugal/Morocco and my pet died. It’s not a hard luck story, because everything out of those events was stubbornly optimistic. It motivated me to finally share my songs which hadn’t left my room which then turned into making a record.” Luke explains when I ask how the initial writing for 'Sugarloaf’ began.

The quick procession of major events is tough. The hard times shake us up but they definitely make us stronger and set us on different paths which are both exciting and scary. 'Sugarloaf' is definitely a silver lining to be proud of. Personally, I took off on what was supposed to be a dream holiday to Europe in 2016 had a falling out with one of my travel buddies early on and I subsequently walked away from a 16 year friendship, then I returned home to my boyfriend at the time dumping me to pursue a relationship with someone who was supposed to be a mutual friend but in the month I was gone they'd gotten closer. 18 months on though and I can see dealing with multiple losses at once made me stronger. I'm much more cautious about the people I'm friends with and I'm not afraid to stand up for myself or to walk away from situations that aren't right for me. Best of all having few friends and being single I'm slowly venturing out and finding my independence travelling more of the world alone.

“I haven’t really had a process I follow. I don’t have a musical education, so I just do what feels right. Mostly it’s a melody, but sometimes it’s lyric notes in my phone from thoughts/ideas I was holding onto, sometimes riffs, sometimes the songs have come from loops and loops and loops I put together and I deconstruct them. I took the songs to friends of mine (now my bandmates) and producer Matt Gio to refine them. Their contribution was significant and I am stoked with their enthusiasm and support. I learnt a lot from this first EP and I’m already working on a new bunch of songs with a clear vision I’m excited about.” Luke responds when I ask about his creative process.

It might only be early in the year but 'Sugarloaf’ is definitely set as a high contender in my list of local releases for 2018; and I look forward to hearing more of Luke's songs. 'Sugarloaf' is a release which showcases the vast talent Western Australia has to offer. 'Sugarloaf’ is the perfect companion for your next coastal road trip, surfing holiday, or camping weekend.

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TASTE THE SUMMER WITH ALMOND SOY: AN INTERVIEW WITH BRANDON STOCKBRIDGE

~ By Stephanie Lyon

Summer in Perth is days at the beach, balmy summer nights, barbecues, road trips, ice cold beer, and the promise of fresh new music. This summer the tradition has continued with indie-pop newcomers ‘Almond Soy’ cresting the sound waves with their debut EP 'Social Misfit’ produced by The Money War’s Dylan Olivierre. To commemorate the release I spoke to one of Almond Soy’s leading men Brandon Stockbridge about 'Social Misfit’, their surfy sound and why they called the band 'Almond Soy.’

“It’s hard to pick our favourite song from ‘Social Misfit’, it changes from day to day. Lately ‘I Could Be the One’ has been the song of choice at the Almond Soy camp because of its groove based-summer vibe.” Brandon says when I ask what his favourite song is on 'Social Misfit.’

“The surf sound in Almond Soy is a reflection of the members in the group, I guess the influence could be taken from us all growing up around the beach.” Brandon replies when I ask if their surfy sound is intentional. “Social Misfit’ is a line from the third track ‘Whiskey’. It sums up the general feeling of the EP of new-found independence and acceptance of one’s self.” Brandon answers when I ask how they came up with the name of their EP. I personally love this interpretation of the social misfit. I guess I’ve always viewed being a social misfit with negative connotations due to my own experiences. I’ve often felt isolated when I don’t fit in… but yes there is definitely a feeling of being content and at peace when you fully accept who you are, and you free yourself from what other people think. “The first song written on ‘Social Misfit’ was ‘I Always Wanted the Moon’ which was written two years prior with no intention of being used on the EP. The rest of the songs were written inside of a six-month period prior to the recording of the EP.” Brandon says when I ask what song on the EP was written first. “The process differs from song to song. Most of the time the chords, structure and melodies get written together on an acoustic guitar and then it’s taken to the band to be fleshed out.” Brandon responds when I ask what their creative process entails.

In case your curious “The band name stemmed from my band mates teasing me about not being able to say milk properly and then it led into a conversation surrounding almond and soy milk,which intern led to the name Almond Soy,” Brandon explains.

If you’re a fan of the sand and surf, or looking for the soundtrack for the fading summer days. The surfy vibe of 'Social Misfit’ is precisely what your looking for. Dip into the ocean of sound and experience everything summer has to offer in four fresh new tracks which will have you dancing one moment and allow you to cool down, lay back with a drink in hand, soaking up the sunlight the next.

[stephanielyon88music]

LIVING IN MADNESS: AN INTERVIEW WITH ROBBI ZANA

~ By Stephanie Lyon

Most of us were introduced to Madness by Lewis Caroll through Alice’s Adventures In Wonderland… One of my favourite books for sure but now that I’m older the rabbit hole no longer takes me to Wonderland. I’m not complaining though because these days the rabbit hole leads me underground into the high energy, raw, and always exciting world of rock and roll… We may not hear much rock and roll on commercial radio anymore, but Melbourne band ‘Shadowqueen’ are well and truly proving pure rock is still very much alive. Their first album took Europe by storm and now their back with their second album ‘Living Madness’.

I recently spoke to Robbi Zana Shadowqueen’s singer and bass player about the making of 'Living Madness’, love songs, and music.

“Tough call, but 'Tonight’ would be my favourite song on 'Living Madness’. Love playing that song! I love the riff, and I especially love the feel of the song, it has such a driving beat. The lyrics are revolved around power from another realm and experiencing Déjà Vu. A bit of fantasy flavour. Growing up I loved reading Raymond E. Feist books such as the 'Magician’. I still love fantasy and science fiction. I’d love to do an awesome clip to that song, but need to wait and put together some more funds.” Robbi replies when I ask about her favourite song on the new album.

“To tell you the truth, there isn’t much of a theme with love in regards to our album 'Living Madness’. I actually find love songs quite difficult to write lyrically, because I read it back as I’m writing them and usually think it’s too chessy, so I usually scrap them. My lyrics are just as eclectic as the music itself. I address universal themes that people are usually curious about. Like science fiction, fantasy, history, astronomy, ancestry and mental health issues. There are two songs on the album that are different to these themes and are more about relationships about love. 'Unconditional’ is a song that teases or ridicules unconditional love. I remember writing that one after I heard someone had divorced their parents! Love obviously has conditions! The other song you would be referring to is 'Ruin Me’, which would be about a painful relationship but you still love it and go back for more. Tell me you haven’t heard of someone in that situation or been in one yourself!” Robbi responds when I question her about a possible theme regarding love and relationships on the album… I can definitely relate to the kind of painful relationship of 'Ruin Me’ we’ve all been there. Love is an addiction after all.

“I’m glad you acknowledge our many eclectic musical influences. 'Living Madness’ has musical influences from Queens of the Stoneage, Royal Blood, Muse, Soundgarden, to a variety of old school 70’s rock bands like Led Zeppelin. As I am a bass player and vocalist I can admit some riffs can be difficult to play and sing at the same time. I believe we had more technical riffs from our first album which were much trickier to perfect playing and singing at the same time. As we have written them I guess it’s no longer a challenge playing them live, however, during the writing process I certainly had to think hard about what I was playing against the phrases of some of the melodies.” Robbi says when I ask if the eclectic elements of their songs are challenging LIVE.

“From memory, I believe 'Burning’ was the first song we wrote for 'Living Madness’, however, we had written some songs during the first album such as 'Stars’ that didn’t make it onto our first album that we happened to rehash and rework. Lyrically, 'Burning’ is about dealing with mental health issues, and 'Stars’ was inspired by astronomy and fortune tellers. We never stop writing, and have many ideas down, but as you know not all songs make it onto album releases. One of my favourite song ideas didn’t even make it onto 'Living Madness’. You never know, it might make it onto our next album. We are a three-piece band and we have decided that we need to unanimously agree that we love it or it gets placed on a back burner.” Robbi responds when I ask how the writing process began for 'Living Madness’.

“This process is never the same. Sometimes just lyrics, or at least a concept of the story line or short story. Sometimes lyrics and chords flow out at the same time. Sometimes just the music. All three of us contribute to the music, and sometimes ideas aren’t made in the rehearsal room, and sometimes they are. We have no rules, and there are no boundaries to how or when we are creative.” Robbi replies when I ask about their creative process. “Alex Deegan (drums), Simon Hopman (guitar) and I have been through a lot together. Even through a marriage and divorce. Simon and I got together at a young age, and we divorced during the making of our first album. Yet our band is still together. We believe in our music more than words can explain. Vocally it is quite distinct, and musically we sound huge as a three piece, and our music sounds like all your favourite classic rock music influences put together. We will release more songs in the future and make more clips as we love this process. If you get a chance, please come see us live.” Robbi adds.

'Living Madness’ is in a world of its own, it’s the originality we’ve been craving. It’s eclectic in style with something for everyone. Beats which will have you tapping your feet, power chords and guitar riffs which will have you in awe, catchy lyrics which will have you singing along before you know all the words; whilst Robbi’s pitch, vocal range, and the rock attitude in her voice is something Australian rock has been waiting for. Shadowqueen are a band you’ll want to keep your eye on.

[stephanielyon88music]

ENVY KNOWS ME WELL: INTERVIEW WITH SEGERS

~ By Stephanie Lyon

Envy she’s everybody’s friend… We’ve all got something we can’t have but we desperately want. Segers new single ‘Call Out Loud’ co-written and produced by Eskimo Joe’s Joel Quartermaine is a beautiful juxtaposition. It’s losing something important to you to somebody else. It’s being jealous it’s no longer yours. It’s the confusion of not even wanting it anymore because in the end the truth didn’t align with what you envisioned. It’s the melancholy of missing it now it’s gone and the battle with yourself to let go and move on to better things… because damn right you deserve better.

To commemorate the launch of her latest single I recently interviewed Segers about the juxtaposition in her song, her inspiration and her creative process behind 'Call Out Loud.'

"I would like to say yes, but it was actually a little less intentional. I wrote it over a few weeks and in that time experienced all these emotions, and I wasn’t quite sure what I wanted or what was going on. I guess it was a genuine expression of what was playing out in my head.” Segers says when I ask if the juxtaposition was intentional.

"I generally tend to write about personal experiences initially and then they become part of a story. I can’t say a whole song is all about me but ‘Call Out Loud’ definitely started as a reaction to my experience. I was pissed off, but also feeling a bit tormented.” Segers responds when I ask if 'Call Out Loud’ is a reaction to personal experiences or a masterful piece of storytelling.

"I was driving to the airport to say goodbye to my sister (she was going overseas) and I had this song idea while I was driving so I actually pulled over on one of the highways and started writing the melody and singing some lyrics.” Segers replies when I ask how the initial writing of the song began.

They generally come together for me, when they don’t it is melody first. I find if I write a whole heap of lyrics they sit idle in journals and are more just ideas or thoughts. I do ditch a lot of ideas. Probably too quickly, but I get bored if I am not immediately really excited by it.” Segers says when I ask what her creative process entails and whether she starts with lyrics or the instrumental track.

'Call Out Loud’ is a song you will listen to once and want to listen to again and again. Segers beautiful voices shines as it takes us on an emotion fuelled journey whilst the instrumental arrangement encompasses a dramatic alluring darkness.

Check out the video here: https://youtu.be/Ugc-u9FUuYc

[stephanielyon88music]

EVEN WHITE LIES HAVE BLACK EYES: INTERVIEW WITH BEN CATLEY

By Stephanie Lyon

Lies, one of the few things I really detest is being lied to. I’m an extremely honest and understanding person. Therefore, it frustrates me when people deny me the truth. Of course I’m not innocent. I’ve told the odd white lie to spare the feelings of someone else too..

The burden of temporarily believing white lies ultimately sucks though. Readers let me try and put an end to this one. When breaking up with someone do not tell them ‘'we can still be friends' under the pretence you aren’t ready for a serious relationship… When really you just decided you wanted to date another woman (a supposedly mutual friend) of yours and your now ex. Honestly just tell her the truth outright. Admit you’re leaving her for someone else. Give her the opportunity to cleanly cut you both out of her life. It’s going to hurt a lot less now, than your new girlfriend spending weeks denying she is interested in you, questioning your ex on all elements of your previous relationship? All whilst already dating you. It hurts your ex way more than the initial break up to find out that she’s not only been abandoned by someone she trusted, she has been betrayed by a so-called friend as well. Not to mention the embarrassment of you most likely knowing everything she’s said post break up. Yep I’ve been in some fucked up situations.

Why are we talking about lies? Perth musician Ben Catley has recently released a new single 'Open Skies’ is a song lyrically exploring the concept of lies. To commemorate the release I took the opportunity to talk to Ben Catley about lies, his recent Queensland tour, and the creative process of 'Open Skies.

Straight into a deep and meaningful! I can’t really think of any stories of lies, but I think we’re all guilty of a white lie here and there. Like telling a mate I can’t catch up because I’ve got some really important and urgent stuff to do, when really I’m sat on a beanbag watching Stranger Things. While it seems harmless, if your mate finds out, it probably doesn’t feel great.“ Ben says when I ask if he has a personal story of a time he’s been lied to or told a lie himself.

"It’s hard to pick highlights, but I really liked the Sunny Coast area. It’s all incredible though. Getting to travel to beautiful places around Australia, playing music and meeting new people is such a pleasure. And a privilege! I love playing to new crowds. I personally really like playing to people who don’t know you or what to expect.” Ben responds when I ask about his Queensland tour.

"It's quite a simple thought really, that basically acknowledges that we all tell white lies sometimes and even those can get you in some trouble… “Even white lies get black eyes”. So it’s about trying to be as open and honest with conversations and relationships as possible. I guess it’s a reminder to myself. Once we commit songs to the world as musicians I think it helps to manifest the thought and keep ourselves in check!” Ben replies when I ask about his inspiration for the track.

I was messing around with some fun over-the-neck guitar playing. The progression became really upbeat and summery, so I wanted to let some lyrics form that were a bit of a surprise; a bit of an open admission straight off the bat.“ Ben says regarding the initial writing for 'Open Skies.

Pretty much always guitar first and then I’ll typically sing a melody and write down the first words I sing to it. I’ll either reverse engineer the lyrics from there, or start changing them to fit with what I want to talk about.” Ben responds when I ask if he starts with the instrumental or the lyrics first.

'Open Skies’ is an upbeat song fit for summer which is extremely relatable and reminds us all that even white lies carry consequences.

Ben Catley would like to say a big cheers to everybody who’s shown the love at the shows on the East Coast. It’s been so good seeing more of Queensland and New South Wales and he’s super keen to go back in January.

To keep up to date on upcoming shows you can visit

Facebook: bencatleymusic

Instagram: @bencatley