#chilling adventures of sabrina part 2

[end0r4]

Zelda Spellman, Chilling Adventures of Sabrina | Chapter 𝟙𝟝 : Doctor Cerberus's House of Horror

[harveyslocket]

& so a touch that was my birthright became foreign my beloved ghost & me, sitting in a tree, d y i n g

[adivinationwitch]

It's only Part 1 and Lilith is already tired of this shit

[blackcatfilmprod]

Next week Boys 'n' Ghouls Film Review Podcast will review The Chilling Adventures of Sabrina Part 2 here. So see you all then. https://www.youtube.com/watch?v=YbmABiphJQk via YouTube

[mellxncollie]

Part 1 of looking into some of the technical cinematography aspects of the show

(or, why does Dead Boy Detectives look Like That?)

(update 6/30/24: there's now a part 2! check it out here)

Dead Boy Detectives has some interesting things going on with the cameras. You probably noticed it at some point while watching the show. Whether it was the weird blurs or the sort-of-fisheye, there’s something about many of the shots that doesn’t look the way many people expect TV shows to look.  

The main reason why is because it uses an anamorphic lens instead of a spherical lens. These lenses are pretty different from spherical lenses, and the recent rise of anamorphic lenses in TV has not been without some pushback, as viewers unaccustomed to them may find the look weird, distorted, or that it pulls their focus away from the content. Whether you enjoy how Dead Boy Detectives looks or find the cinematography distracting, this post is designed to explain the different effects that the lens has on the show.

This post is very long and very graphics heavy (I made lots of gifs to illustrate my points) so the rest is under a read more.

What is an anamorphic lens and what is it used for?

To begin with, a bit of history and technical info. Say you’re making a movie at most any point before the mid-'90s and you want it to be widescreen. However, the 35mm film you’re shooting on has a smaller aspect ratio (closer to a square than widescreen). You could use letterboxing (black bars on top and bottom) but then you waste the top and bottom parts of the film, and it ends up being slightly lower in ‘resolution.’ The solution: use a lens that records the full height onto the film, but squishes the picture horizontally so that it fills up the whole film frame without any letterboxing. Then, a projector (or a computer) can stretch it out again to display the whole thing in widescreen. The kind of lens that can do that is an anamorphic lens. They've technically been around since before the 1920s but were mostly used between the 1950s and the 1990s.

Up until sort of recently, television networks broadcasted using a smaller aspect ratio that they required shows to be in, and TV shows were not given the kind of cinematography budgets that movies were afforded. Anamorphic lenses are expensive and for widescreen, so they really just weren’t used for TV shows. Instead, a spherical lens was used, which is just the standard lens you think of when you picture a camera lens. 

In the 90s, new flat/spherical film formats came out that allowed for widescreen (one of the popular ones being Super 35) caused anamorphic lenses to drastically drop in popularity. However, there has been a recent resurgence, one that you’ve probably subconsciously noticed in both film and television.

In the last 10-15 years, TV has been given larger and larger budgets. Additionally, the rise of streaming services and the use of phones and computers to watch shows rather than actual televisions has meant that networks have started allowing wider aspect ratios, paving the way for anamorphic lenses to begin to be used for series. 

The history of these lens’ usage means they’re associated with a ‘cinematic’ look. They have a lot of characteristic effects that are not really ‘natural’ and depending on the viewer, this either enhances the experience or detracts from it.

Lots of recent series have been embracing these lenses (to varying degrees of success), including The Witcher, Sandman, Shōgun, Narcos: Mexico, The Mandalorian, Andor and Chilling Adventures of Sabrina. Doctor Who also started using anamorphic lenses at the switch to the 13th Doctor, so that may be a good reference point. For some of these, it’s a very subtle look, for others, the lens choice is glaringly obvious and overdone (I’m looking at you Sabrina), and sometimes, as is the case with Dead Boy Detectives, it’s really obvious but it remains an effective and compelling choice. 

Why use an anamorphic lens in the 21st century when you could just use a spherical lens?

Anamorphic lenses create a look that some filmmakers desire, whether for their associations with a more cinematic look or their sometimes unusual quirks. In a film and tv world filled with spherical lenses that are nice, clean, and precise, anamorphic lenses introduce some irregularity and character. Making an informed decision on what kind of lens to use can enhance different themes of the work. 

I want to briefly bring up Moonlight to illustrate this point. Go watch the trailer if you haven’t seen it, and you’ll probably see some parallels with the cinematography of Dead Boy Detectives. There’s less of the ‘radial’ look, but otherwise, there’s a lot of the same kinds of things. Moonlight uses an anamorphic lens and it makes the whole thing look dream-like, nostalgic, and a bit like we’re getting into the character’s heads. To me, it indicates that the story is being filtered through people. We’re not detached from the characters, observing them. The story we are watching is personal, emotional, and necessitates intimacy. 

Dead Boy Detectives really benefits from the same visual effects. This is not because it enhances a dream-like or nostalgic quality, but because in the context of the show, it makes it look a bit otherworldly, magical, or otherwise supernatural. Additionally, the constraints of the lens means we get lots of focusing in on individual characters, with nice long looks at their faces allowing for more reflection on their dialogue and reactions.

So, here’s 5 different effects of anamorphic lenses to point out to you all. Starting with the one that allows us to easily identify that anamorphic lenses are being used in the first place.

You’ve probably heard of bokeh before. It's the way the lens renders the direct sources of light that are in the background but out-of-focus. You can see in this shot of Jenny how all the string lights are not circular, but elongated. On a spherical lens, these would be round.

In this next shot of the Cat King, the candles around the floor are all those elliptical shapes. Additionally, lots of other details in the background that aren’t from direct light sources also have an elongated shape. This is sometimes called waterfall bokeh.

Finally, check out this shot of one of the cats. Not only are the lights in the background irregular and elongated, but if you look to the left where the ‘horizon’ line is, there's a series of elliptical shapes where the light hits the edge of the docks.

The bokeh effect is one of those things that just happens because of the lens, and makes it pretty easy to identify that an anamorphic lens is being used. Unlike some of the other effects I’ll mention, I don’t have much to say about how this does or doesn’t add to the visuals.

Breathing is how the field of view changes when you refocus to a subject closer or farther from the lens. While spherical lenses also breathe, there’s a much more distorted look to the breathing that occurs with an anamorphic lens.

Lets start with this shot:

You can see how much the frame widens when the focus shifts from the jar of coins to Jenny. It affects the edges much more than the middle of the frame. Here’s the same shot, but with some of the features outlined (forgive my messy outlining, I used my laptop trackpad) so you can see the movement.

The frame widens when the focus goes from the foreground to the background. It appears like the whole shot is being stretched apart horizontally and compressed vertically.

However, it also does the reverse, narrowing as the focus moves from the background to the foreground.

(also in that last shot of hell, notice how the two points of light in the background elongate into those oval bokeh once they are no longer in focus)

Breathing is a very dramatic way of refocusing, and it forces us to pay attention to different things. In the shot of the Night Nurse, we have a light but the important thing after it turns on is not the light but the reaction that the people have to the cause of the light. In that shot of Niko and Edwin, it’s telling us: listen to Niko. In the shot of hell, it’s not letting us forget what the characters are running from. 

The next effect is the lens flare. You can get a lens flare from a spherical lens too, but anamorphic lenses typically generate strong, horizontal flares. A spherical lens would typically create a more radial flare, with multiple lines shooting out in different directions from the light source like rays from the sun.

We see these all over the show, sometimes they’re very prominent, such as in these shots with obvious light sources:

And sometimes they're a bit more subtle. Take this shot of Edwin, Charles, and Crystal on the dock:

While the lens flare at the top of the frame has a clear source, there’s a bunch of other horizontal lines cutting across near the middle and bottom half of the frame. These likely come from light sources outside of the frame.

Some directors, cinematographers, and other creators really like anamorphic flares. Others don’t. For a show with so many dark scenes that have colorful and dramatic lighting, the lens flares seem to enhance this. They are also a constant reminder of the interaction between the lights and the camera, kind of a fingerprint of the production. Sure, they make it seem more ‘cinematic,’ but I think they also ground us in the physicality of the production. (Kind of ironic given the lack of physicality of the main characters, and also you could consider the flares themselves to be the ghosts of the lights and the camera!)

Barrel distortion is where we start getting into why exactly the show looks the way it does. This is basically a subtle fisheye effect. Because of the squishing and stretching of the footage, anamorphic lenses have more distortion than spherical lenses, and it is strongest around the edges. 

You can see it most clearly in shots that have lots of vertical lines. They are relatively straight in the middle of the frame, but the closer to the edges, the more they are warped.

Looking at that shame shot of Niko in the bathroom, I have set it to stop at 3 different spots. Pay attention to the shape of the edge of the door.

At the start, it’s curved outward, like an open parentheses: (

Then, in the middle, it’s a vertical line: |

Finally, as the door passes all the way across the frame to the opposite side, it curves inward, like a closed parentheses: )

Again, notice how the lines in this shot of the Lost & Found Department change as they move from the outside towards the center. The door has an outward bulge at the beginning but becomes more 'normal’ shaped as it gets further away.

Anamorphic lenses can also have a pretty shallow depth of field and it’s used a lot in this show which is why we get a lot of those centered close-ups, and why we get that ‘radial blur.’ 

The center of the frame is where the actors are least likely to be distorted, meaning its easiest to have just one character in the dead center (pun intended). With a shallow depth of field, the background is out of focus, and since the actor is in the center, the background gets the most affected by the barrel distortion, leading to the sense that the background has been radially blurred. 

This blurred background with a strong, centered foreground really makes objects in the foreground pop. We are then able to really focus in on different objects and characters. It brings immediacy and intimacy. Here, we have nothing to do but consider Charles. He isn’t speaking so we must consider his reaction to what’s being said. 

Also, the further a character is from the center of a shot, the more they are distorted, such as Edwin and Charles in this still:

This kind of distortion definitely lends a more unnatural look to the shots, which definitely supports a show about ghosts and the supernatural. If the subjects are able to see things in our world in a way the viewers cannot, then why display the physical world the way we see it?

Finally, we have focus falloff. This is (like some of the other effects) a distortion that occurs around the edges. Here, the focus decreases the further from the center of the frame even if they’re all about the same distance from the camera.

In this shot of the Tongue & Tail, the sign 'Butcher Shop’ is clear and legible. But imagine if that sign was up in the top left or right corners, where things start to get blurry. We probably wouldn’t be able to read it.

It's also visible in this shot of Edwin. Not only does the floor get blurrier the further you get from the center, but you can see how the rope is less in focus in very top and very bottom of the frame.

The falloff (combined with the barrel distortion) is how we get the really unique dream-like look of the Edwin and Niko scene on the roof in Episode 8. (If you’re having a hard time spotting the falloff here, look at their legs)

When you start looking for falloff in this show, you start to see it everywhere. It’s easiest to spot in the corners of shots, but you can usually see all the way around the edges.

Look at the corners of this still of Edwin, or the way the top and bottom of Niko’s rent envelope aren’t as clear as the middle of it.

Or in this still, look at Charles’ jacket. The arm closest to the center has a much more defined line between it and the background compared to the arm closest to the edge. 

This blur definitely is one of the more noticeable effects in the show, and it’s good at focusing our attention on the center of the frame. It guides the viewer exactly to what we should be looking at. We get tons of centered shots in this show because of this and the barrel distortion. 

The falloff makes the show look softer and artistic, sometimes painterly or impressionistic. More than any other effect, the falloff is what makes me feel like I’m watching a dream or a vision. It puts us into the sensation of being fully immersed in a story.

I would argue that all of these effects (but especially the last two) not only enhace the supernatural aspect of the show, but they help us fall in love with the characters. They focus us on their faces, and encourage us to reflect on their motivations, reactions, and thoughts. The lens is telling us that we are not to take things at face value. It’s not letting us forget that there are multiple people and multiple stories involved, that things are blurry around the edges, and that things are not perfect and clean-cut. 

-----------

Sometime in the next week or so I’ll be working on part 2, where we’ll take a closer look at the cinematography of Edwin’s flashback to 1916 in Episode 1. It's posted! Read it here.

I really wanted to highlight the work of the cinematographers, Marc Laliberté, Craig Powell, and Pierre Gill because it’s clear that there was so much care and intention put into every aspect of this show. 

I’m so glad fans of this show are really embracing the work of different crew members, like the work of costume designer Kelli Dunsmore (and if you somehow haven’t seen @captainfantasticalright's posts about the costumes and other aspects of the show, please go check them out right now. My roommates and I have a kind of 'stop everything, new costume analysis dropped' attitude towards their posts, and their approach to show analysis was definiteily an inspiration for this)

If you want to read more about anamorphic lenses, the article Why ‘Shogun’ (and the Rest of TV) Is Slightly Out of Focus in The Ringer is about Shōgun and the rise of anamorphic lenses in TV (Marc Laliberté also worked on a few episodes of Shōgun) and it's a great place to start.

Finally, I want to first thank @skyvoice for these tags on one of my gifsets for semi-inspiring this post (I was already considering making this but these made it into a reality).

[hadesoftheladies]

FEMALE MOVIE/TV RECS (PART 1 / FANTASY)

got inspired from a recommendation post so decided to make a list of movies and shows with female-centric stories/female protagonists. since i can't post all of the genres in one post, i'll split it into multiple posts and y'all can save or add to the list as you wish. (disclaimer: i have watched most of these, but i only know about the existence of others. not every movie/show on these lists will be my recommendation. my recommendations will be beneath the list with reasons. also some of these are way better than others in terms of storytelling/performance--which is why i'll list my faves separately):

#1. FANTASY/ADVENTURE (LIVE ACTION)

Common Themes of Media In the List:

-Strong female friendships

-Romance critical (or anti-romantic centrism)

-Emphasis on female-female relationships

-Warrior girls and women

-Revenge against awful men

-Distrust of male love interests

Ones I Haven't Watched:

His Dark Materials

Everything Everywhere All At Once

Paradise Hills

Crimson Peak

Outlander

The Chilling Adventures of Sabrina

House of the Dragon

The Nevers

Cursed

NOT LISTED BUT QUALIFIES

Pan's Labyrinth

Mary Poppins

Twilight

The Craft

The BFG

PERSONAL NOTES FOR THE ONES I'VE WATCHED

The School for Good and Evil

5/10

There were many things about it that were good. The chemistry between the two leading actresses, the primacy of friendship over romance, the effects, the costume and set design, the insane cast (Charlize Theron, Cate Blanchett, Michelle Yeoh, Kerry Washington?!) and the score. Some of the performances were good, too. The pitfalls of the film had more to do with the writing and directing. Some scenes were rushed, some dialogue was embarrassingly bad, some plot points were just nonsensical and childish. The magic system was also not well executed (though I've seen worse).

It's mostly mid, but the ending is refreshing for the fairytale genre and if you like fairytale fluff, you'll probably be more willing to forgive the film's transgressions. If you can, there'll be a lot of fun left to have with it.

2. Damsel

6.5/10

More action than fantasy and with a much smaller cast. Most of the movie focuses on Millie's character. The performances in this were pretty good, though. If you like heroines getting revenge, non-cliche fantasy stories involving princesses, and dragons, this movie is right up your alley! Also the costuming is delightful! It's predictable, but it is also entertaining.

3. Willow

7/10

This show was just fun. Fantastic effects, female heroics, tomfoolery, lesbians, action, evil forces, cool costuming, lesbians, sword-play, riddle-solving, dumbass princes, sarcastic mentors, and lesbians! This show knew exactly what it was trying to be. Aside from some poor performances, my overall impressions is positive.

4. Wednesday

7/10

I personally enjoy Wednesday Addams' character wherever I see her. Having a whole show of her was just a treat. I didn't care for the typical highschool-shenanigans (like the cliques) as much, but there were many enjoyable elements in this for me. Particularly, the effects, the crime, the other female characters, and the ending. It's entertaining and pretty to look at. Also I'm always on my wenclair propaganda.

5. Shadow & Bone

6/10

I've read the Six of Crows duology and the first book of the Shadow & Bone trilogy, so for me this show was a let down. For new watchers, however, you'll find interesting female characters, cool effects, and an entertaining (though sometimes choppy) plot. Inej Ghafa is my queen forever, regardless.

6. Renegade Nell

7/10

This is puts the fantasy in revenge fantasy. I love all the actresses from Derry Girls, and Louisa Harland is still charming in this. It's basically if Gentleman Jack (same director, I think) and Tinkerbell teamed up. Or if Little Women was also Pirates of the Caribbean but instead of taking to the sea it was highway robbery! The action sequences are so fun, the villains are nuanced (particularly the villainess) the comedy isn't overbearing (like I forgot I was watching a Disney show tbh) and the silly towel boy from Ted Lasso is here! I personally had fun. I hope it's renewed.

7. Alice in Wonderland/Through the Looking Glass

7/10 (i love these so much so it's 8/10 for me)

It sucks that Depp is in this, but I can never ever forsake my girl Mia Wasikowska. I just love these movies. I love the design, the music, the costumes, the irreverence toward marriage and romance, Alice's personality and relationship with her mother, how it tackles the pathologisation of female autonomy, the performances, etc. The books are one of my favorite books of all time so there's that.

8. Maleficent

7/10

I really loved the performances in this, the metaphor for rape, the satisfying revenge. I don't mind that it was cliché. I love Maleficent movies. AND the Lana Del Ray cover for "Once Upon A Dream." Also, the first one makes me tear up every time. The mother-daughter love is just so touching to me.

9. Warrior Nun

(?/10)

I love the premise of this show and I can get behind the characters. The protagonist just annoyed me so much so often I have taken multiple breaks and can't remember the story. I am all for imperfect, asshole girl characters. But this protagonist was just whiny and careless beyond reason. And it was taking too long for her to get with the nuns. Like I was not invested enough in her running away arc. Like sis get your ass to the coven you are not that main of a character!

She took up so much screentime when literally every other character in the show was more interesting than she was.

At least there's lesbians.

10. Snow White & The Huntsman

(8/10)

What can I say? Kristen Stewart was hot in this, as was stepmother. Effects? Stellar. Direction? Stellar. Performance? Mostly stellar. Drama? Action? Magic? All there. Thoroughly entertaining. Refreshingly anti-Disney. Unfortunately there are some annoying men involved (I'm talking about the dwarves of course) but it never gets too overbearing. This is, however, the least feminist of the entire list and scores lowest on the above common themes.

[matchesarelit]

MatchesAreLit Masterlist

REQUESTS OPEN

Bridgerton Masterlist Marvel Masterlist Firefly Masterlist Squid Game Masterlist Smosh Masterlist

*= suggestive (minors dni) ** = smut (minors dni) Tiny imagine <150w Small imagine <1000w Imagine >1000w

Dark Matter

Three

The Bridge* (small imagine)

Bunking

Meeting back up with the crew of the Raza but with their new crew members there’s only one bed left at the end of the night.

＊*•̩̩͙✩•̩̩͙*˚　　˚*•̩̩͙✩•̩̩͙*˚＊

Ghostbusters-CU

Lars Pinfield

Just us

Lars has invited you over to the lab before, so why is it awkward today?

Scientists of an Absurd Field

You visit the lab and as always the air is full of condescending words and unspoken compliments.

Workplace Attire (small imagine)

In the aftermath of Garraka Lars makes his way back to the lab... You are just a little amused at the state he's in.

Zookeeper

The only thing left for the day was feeding the ghosts their dinner... Lars is there and ready to help, help keep you company that is.

＊*•̩̩͙✩•̩̩͙*˚　　˚*•̩̩͙✩•̩̩͙*˚＊

Oscar’s hotel

Oliver

Oscar’s Protégé (tiny imagine)

Capabilities (tiny imagine)

＊*•̩̩͙✩•̩̩͙*˚　　˚*•̩̩͙✩•̩̩͙*˚＊

Rusty Lake

Jakob\Mr Owl

The Gardening Job (small imagine)

David

Research (small imagine)

＊*•̩̩͙✩•̩̩͙*˚　　˚*•̩̩͙✩•̩̩͙*˚＊

Friday Night Dinner

Johnny

Adam’s Bestie*

＊*•̩̩͙✩•̩̩͙*˚　　˚*•̩̩͙✩•̩̩͙*˚＊

Lucifer

Lucifer Morningstar

Back With A Badge, Part 2, Part 3, Part 4, Part 5, (INDEFINATE HIATUS)

Detective Hatch is reunited with a friend when she is transferred to LA but what will happen when she gets ‘acquainted’ with the Devil.

＊*•̩̩͙✩•̩̩͙*˚　　˚*•̩̩͙✩•̩̩͙*˚＊

DC

Dick Grayson 

The Mysteries Of Dick Grayson*

“Now as far as I know this rooftop is neither yours nor in a city you have sworn to protect. So what, pray tell is a little birdie doing up here in the dead of night?”

Felicity Smoak

Proposal (small imagine)

＊*•̩̩͙✩•̩̩͙*˚　　˚*•̩̩͙✩•̩̩͙*˚＊

Chilling Adventures of Sabrina

Dorian Gray

The Newest Fad 

A new club has Dorian’s empty and he is furious... until hes not. I mean how could he be with that familiar voice in his ear.

Ambrose Spellman

Old ‘Friends’

You visit the home of two women who are practically family, but so much has changed in the last 70 years since you lost your best friend. what will it be like to see him again.

＊*•̩̩͙✩•̩̩͙*˚　　˚*•̩̩͙✩•̩̩͙*˚＊

Tin Can Bros

Scrags

Hands up (small imagine)

＊*•̩̩͙✩•̩̩͙*˚　　˚*•̩̩͙✩•̩̩͙*˚＊

Grimm

Trubel

Anti-Grimm (small imagine)

＊*•̩̩͙✩•̩̩͙*˚　　˚*•̩̩͙✩•̩̩͙*˚＊

Who

11th Regeneration

“Sorry”* (small imagine)

Make out sesh (small imagine)

10th Regeneration

Two Hearts (small imagine)

Clara Ozwald

“Best Friends” ... sure (small imagine)

Rory Williams

A Hunky Nurse

＊*•̩̩͙✩•̩̩͙*˚　　˚*•̩̩͙✩•̩̩͙*˚＊

Stranger Things

Robin or Steve

Heading to Hawkins P1

While staying with the Hendersons you meet someone new.

P2 Robin x F!Reader

P2 Steve x F!Reader

P2 Steve x NonF!Reader

＊*•̩̩͙✩•̩̩͙*˚　　˚*•̩̩͙✩•̩̩͙*˚＊

Curious Creations of Christine McConnell

Christine + Norman x reader

Poly (small imagine)

＊*•̩̩͙✩•̩̩͙*˚　　˚*•̩̩͙✩•̩̩͙*˚＊

Jurassic Park

Ian Malcolm

Cuddling Him (HCs)

Au pairs and attacks

Last Moments?**

injuries getting in the way? quite the opposite

＊*•̩̩͙✩•̩̩͙*˚　　˚*•̩̩͙✩•̩̩͙*˚＊

Evan Peters

An Interesting Rest

During a week or so break off of filming you and some friends go on a trip, that results in a new friend who looks strikingly familiar.  But will this friendship tear apart another?

Fp Jones

Picnic (small imagine)

Tommy Shelby

An Easy Target

Samuel Davenport Archive 81

Visser**

Visser P2 **

[flappervcmp]

KYLEE'S 𝑪𝑶𝑴𝑭𝑶𝑹𝑻 𝑳𝑰𝑺𝑻! 🦇👻🧛‍♀️🌙

comfort food(s) :   chicken nuggies, cookies (specifically triple choco chip chips ahoy), salt & vinegar chips, fruit gushers

comfort drink(s) :   tea (any kind), hot choco, ginger ale

comfort movie(s) :   avatar & avatar: way of water, twilight (all of them), pride & prejudice (2005), howls moving castle, labyrinth, crazy rich asians, lord of the rings trilogy (extended edition), beauty and the beast (cartoon)

comfort show(s) :    the vampire diaries, the walking dead, game of thrones (excluding s7-s8), gilded age, downton abbey, chilling adventures of sabrina, buffy the vampire slayer, interview with the vampire (if u havent watch it, u should bc its amazing)

comfort clothing :   a skort and a crop top for at home, or my pjs

comfort song(s) :  espresso - sabrina carpenter, better than revenge - taylor swift, endwalker (footfalls) - masayoshi soken, roses of may - nobuo uematsu, canned heat - jamiroquai, we didn't start the fire - fall out boy cover vers., phantom of the opera - ramin karimloo & sierra boggess, masquerade - phantom of the opera (25th anniversary show vers.), ain't no love in oklahoma - luke combs, 8 dates (demo version) - cast of why am i so single, long face - lestat de lioncourt (played by sam reid)

honestly my music taste is all over the place generally so its a mix of some of my fave songs, along with stuff that im listening to on repeat lately

comfort book(s) :   twilight - smeyer , the vampire diaries -lj smith, the forbidden game series - lj smith, acotar - sarah j maas, ruinous love trilogy (3rd one isnt out yet but i know ill love it) - brynne weaver , phantom of the opera - gaston leroux, vampire academy - richelle mead, lights out - navessa allen, the princess and the grilled cheese sandwich - deya muniz, ice planet barbarians series - ruby dixon

comfort game(s) :   oblivion (the superior elder scrolls), any legend of zelda game (tho OoT is my favourite overall), final fantasy x, final fantasy xiv, final fantasy ix, final fantasy x-2, final fantasy xiii-2, baldur's gate 3, stardew valley, the sims, dragon age inquisition, final fantasy 7 remake (part 1 & 2), vampire the masquerade bloodlines, animal crossing, assassins creed

tagged by the lovely @dopplgaenger 🥰

tagging (ofc feel free to skip if you're not comfortable sharing!) - @broknfeed, @little-miss-buffy, @burninq, @insanislupus, @vervainlacedveins, @wiredcapability, @twiicetheheart

[dear-indies]

Hi, May I please ask for some ideas for a twenty-one to thirty year old female actress/faceclaim with a gothic look that would fit into a college/university setting, please? Thanks so much in advance for your time and help.

Lily Sullivan (Romper Stomper and Evil Dead Rise)

Juliette Motamed (We Are Lady Parts) Iranian - has spoken up for Palestine!

Naomi J. Ogawa (Wednesday) Japanese.

Lyrica Okano (The Runaways) Japanese.

Tati Gabrielle (Chilling Adventures of Sabrina, Uncharted) African-American, ¼ Korean.

Linnea Berthelsen (Stranger Things) Indian.

Ruth Codd (The Fall of the House of Usher) - is an amputee.

Adeline Rudolph (Chilling Adventures of Sabrina, Resident Evil) Korean / White.

Emma Dumont (The Gifted)

Cierra Ramirez (Drink Slay Love) Colombian and Mexican.

Blair Lamora (Shoresy) Ojibwe and Argentinian.

Mika Nakashima (Nana, Nana 2) Japanese.

Fairuza Balk (The Craft)

Pauley Perrette (NCIS)

Kim Director (Book of Shadows: Blair Witch 2).

Older but played a goth:

Carrie Brownstein (Portlandia) Jewish - has spoken up for Palestine!

Sadly there's not many goth characters in media but I hope this helps!

[slasherbvnnie]

Masterlist

Welcome to my Masterlist, please check below for character works. Some characters may have poly writings with others, so please mind for cross tags. Click the character of your choice below to see what i’ve written for them.

♡ fluff

☆ smut

✧ angst

✿ misc

Harry Potter

-Harry Potter

-Draco Malfoy

-George Weasley

       Two Can Play That Game  ♡

-Fred Weasley

        Two Can Play That Game  ♡

-Ron Weasley

-Neville Longbottom (best boy)

-Mattheo Riddle

         Cinnamon and Cigarettes  ♡ ✧ ☆

Heathers

-Jason Dean aka J.D.

        Marry a Fucking Lawyer

-Veronica Sawyer

Scream

-Billy Loomis

       Until We Found You   ♡ ☆ ✧

       Who’s Watching Billy  ♡ ☆ 

-Stu Macher

       Until We Found You  (Parts 1-9)♡ ☆ ✧

       Dirty Little Secret  (Parts 1 and 2)♡ ☆

       Blood Candy Hearts  ♡ ✧

       The Perfect Girl  ☆ ✧

-Ethan Landry

-Charlie Walker

Marvel

-Peter Parker

-Steve Rogers

-Namor

Stranger Things

-Steve Harrington

-Eddie Munson

-Billy Hargrove

-Vecna (uncrispy ver.)

Chilling Adventures of Sabrina

-Harvey Kinkle

-Nicholas Scratch

American Horror Stories

-Tate Langdon

Twilight

-Jasper Hale

-Edward Cullen

Random

-Brahams

-Kurt Kunkle

-Joe Goldberg

-Nate Jacobs

[end0r4]

Zelda Spellman, Chilling Adventures of Sabrina | Chapter 𝟚𝟘 : The Mephisto Waltz

[harveyslocket]

[misswittylistyc]

✨ Masterlist ✨

Hello! I’m Misty and welcome to my feed. Here are some fic I wrote and currently writing, take a look if you have some time. 🧡

🕸️Wednesday🕸️

Larissa Weems x Reader

Plethora Of Hopes 🌧️/🔥 (multi-chapter, ongoing)

Chasing Fire 🌧️ (one-shot)

Spring Break 🔥 (one-shot)

One-Man Show ☀️ (one-shot)

🐈‍⬛ Chilling Adventures of Sabrina 🐈‍⬛

Zelda Spellman x Lilith x Original Character

The Blood Trinity 🔥 (multi-chapter fic, finished)

part 1 | part 2 | part 3 | part 4 | part 5

🌧️ - hurt and comfort / sad / angst

🔥 - spicy / smut

☀️ - fluff

[locke-esque-monster]

A few years ago, @chasingowlsdownalleys and I watched The Chilling Adventures of Sabrina together. Ambrose was obviously our favorite character, and yet that poor guy was stuck with the thankless role of Cassandra - knowing everything happening was bad idea but not being able to stop it.

By the final season, we had summed up Sabrina and Ambrose's relationship as such:

Sabrina: "Hey, so you know how things are terrible? I have this incredibly reckless way to fix it."

Ambrose: "Do not do that. I have a library full of books saying that will end horribly."

Sabrina: "Nah, I got this. It'll be fine. We're in an impossible problem and this is the best solution."

Ambrose: *gestures at books with a vein popping on his forehead* "BUT THE BOOKS!"

*One episode later*

Sabrina: "Hey, so that thing I did kind of solved problem A, but it had all these unforeseen consequences that are actually way worse than the issue before. But don't worry, I have a new plan! It's a little reckless, but I got this. "

Rinse and repeat.

@chasingowlsdownalleys and I were discussing this in detail and how stressed Ambrose was all the time and how unfortunate that was as our favorite character. Not only that, but it seemed we were the only ones aware of the toll it took on Ambrose. And she then declared "And I, for one, care about Ambrose Spellman's blood pressure."

And that statement has been rattling around in my mind all through season 2 of Daredevil. Poor Foggy Nelson. I feel so bad he's been perpetually left with the mess Matt has left behind, and it only got worse this season. Like when Matt signs him up defending Frank Castle for the trial of the century, then proceeds to immediately bail on planning the case, and flake out throughout it like the world's worse partner in a group project. And then when he does show up, he fails to do the one task Foggy set for him (even though that's more Frank's or the Kingpin's fault than Matt's). And after all this, Foggy is left to be confronted by Matt's sort-of girlfriend/co-worker who can't understand why Matt is a mess. A woman Foggy almost dated himself, and is now stuck in the uncomfortable position of neither lying to her, or spilling Matt's secret. Keep in mind, Matt's actions cause a chain reaction to basically every stressful thing that happens to Foggy this season, including Foggy getting shot.

I mean, I love how Foggy gained all this confidence in himself as a lawyer as part of this. I love people seeing his value and the opportunities he's going to have because of it. Even if it's the end of Nelson and Murdock, I'm glad Foggy can get some breathing room from Matt so his career isn't so tied to the mess Matt is, because I think it'll give their friendship some chance to breathe and maybe even recover. But through all that, I still couldn't help repeating to myself in my head, almost gleefully, like a secret: "And I, for one, care about Foggy Nelson's blood pressure."

[rd-caos-kk-headcanons]

Chilling Adventures of Sabrina. REWRITE IDEAS:

Lilith doesn’t kill Ms. Wardwell. She puts her into an eternal sleep and wakes her up at the end of Part 2.

The Weird Sisters are more flashed out and their individual personalities are more empathized and they all have individual hobbies and interests. Prudence likes to read and expand her horizon, Agatha likes to dance and starts to get interested in being a DJ, Dorcas is artistic and loves to do creative projects.

When Sabrina goes full time to the Academy, she interacts with other witches aside from Nick and the weird sisters.

Only the Weird Sisters wear these dark dresses with lace collars. The other witches wear outfits based on the time periods of their 16th birthdays. Witches who turned 16 in the 80s wear 80s based outfits, those who were 16 in the 90s wear 90s outfits etc.

Sabrina actually explains to Harvey how the Witch World works and she also explains to Nick how the Mortal World works.

There are more interactions between Sabrina’s mortal friends and her witch friends.

We will see the familiars of Faustus, Constance, Prudence, Agatha, Dorcas, Melvin and Elspeth.

We actually get to see Zelda bringing new witches, including Heather into the coven.

After the Church of Night becomes the Order of Hecate. The witches start to pursue their personal hobbies and interests.

Mambo Marie doesn’t go to the Underworld.

Prudence uses Nagaina’s Head in order to get rid of Blackwood, because Petrification does not mean that someone is dead.

[lexiklecksi]

Get to know me (tag game)

Thanks for tagging me @hippiewrites, this was fun! I'm tagging @simkarta333 @eos109 @margotbardot @songbirdii @starlit-studies @njnetails @betweenthetimeandsound @kyofsonder

Last Song:

Favourite colour or colours: turquoise like the sea

Last TV Show or Film: Chilling Adventures of Sabrina (Part 2)

Currently Watching: What if? by Marvel (season 2)

Currently Reading: Six of Crows by Leigh Bardugo (the collector's edition)

Sweet, Spicy, or Savoury: sweet! I love chocolate, cupcakes, cake, cookies, ice cream mmmh

Last Thing I Searched Online: headband crochet tutorial free

Last Thing I Searched For Writing Purposes: Schmidt sting pain index

Current Obsession: The Grishaverse created by Leigh Bardugo and the relationships in The Six of Crows they are so cute