#chicago house dj mix

[priokskfm]

#MixOfDay #Podcast #Radioshow #LiveDjset DJ Pete Williams (Natural Rhythm) - Exclusive mix for Manuscript records radioshow #485 Please donate to my family paypal in Ukraine promos.vincent.inc@gmail.com ♥♥♥♥ A special thanks to our patrons, without their financial support, this project wouldn't be possible ♥♥♥♥ https://ift.tt/Mw1hiEd https://ift.tt/yNtsc7Y https://ift.tt/v3poB2F https://ift.tt/tfl5hnm https://ift.tt/ylMTAHD oxia, mendo, other2sides, "jackin house dj mix", "chicago house dj mix", "house music dj mix", "deep house dj mix", "lil mark", "lil' mark", "jr from dallas", "sonz of the pitch", "mikey v", "max porcelli", "luke solomon", "dj sneak", "the outfit", "darko janevski", "miss mee", "kinky movement", "bas ibellini", "joss moog", "eric gadd", "Mood II swing", "demarkus lewis", "mass digital", "justin harris", "dirty sole", "dj heather", "my system echo" www.priokskfm.online https://ift.tt/WXfVvYD

[jnkmamma]

(Dj Anto)

[camphorfreya]

Prelude to the Weekend warm up mix on Mixcloud

[lazorcrab]

HOUZE Mix #1

In my house, there is only house music! This is HOUZE — where the walls vibrate with the pulse of pure house music! Get ready for a journey through the heart of '90s and early 2000s beats, with surprise drops from modern cuts. This mix isn’t just about nostalgia—it’s about keeping the party alive, bringing those classic grooves back to the dancefloor, and spinning them into something new.

Tracklist:

Funkadelic - Ain't That Funkin' Kinda Hard on You? (feat. Kendrick Lamar) (Louie Vega Remix)

Daft Punk - Revolution 909 (Roger Sanchez & Junior Sanchez Remix)

Roy Davis Jr. & Peven Everett - Gabriel (Live Garage Version)

Missy Elliott - 4 My People (feat. Eve) (Basement Jaxx Vocal Mix)

Gusto - Disco's Revenge (Mole Hole Dirty Mix)

Paris Mitchell & Wax Master vs. Daft Punk - Ghetto Shout Out!! vs. Teachers (Dewmed Fubar Mashup)

Paul Johnson - Hear The Music

Armand Van Helden - The Funk Phenomena (Da Hool Remix)

Soul Avengerz - Enjoy Yourself (Mix 2)

Paul Johnson - Get Get Down

Wisdome - Off The Wall (Enjoy Yourself Mix)

Fantom - Faithfull

DJ Kom - And Da Beat Goes...

CZR - Chicago Southside

Mark Knight & Armand Van Helden - The Music Began To Play

[theparanoid]

Soul Clap - Watergate 19

(2015, full live mix)

[Deep House, Chicago House, French House, Nu-Disco, Smooth Jazz]

[team-avia]

I'm intrigued to knowing what type of music genre they all listen to, but we all know alcina likes jazz. But other than jazz, does she likes something else? 👀

Also, what type of music does Miranda even listen to? OMMGGG???

Miranda has two things she listens to. Publicly she listens to classical and like world recognized musicians. In private she listens to 80s-90s pop and yes I'm sorry to tell you she listens to Taylor Swift

She actually really likes Linkin Park

Donna likes listening to Michael Buble and Christina Perri too, people with soft voices that can be calming and as previously mentioned Mitski and Alt Rock

Cinder

for bela, she likes classical because she uses it to help her study, but she likes to a lot of angrier classical music like Dance of the Knights by Prokofiev

cassandra listens to a lot of musicals (heathers candy store is her number one song….for reasons, but she also likes cell block tango from chicago)

daniela likes listening to indie rock, old school rock, lo-fi for calmer moments when she wants to relax, but mostly she'll listen to everything, even angie's awful dj mixes

angie likes music that gets her hyper- think edm, house, rave, techno, pop music or remixes of popular songs. she hates classical because she thinks it's boring, and she also hates slow songs

alcina is mainly jazz, but she does on the occasion indulge in some swing and is surprised to find she doesn't mind electro swing but would never admit this to anyone or be caught dead listening to it

Bee

[randomvarious]

Today's compilation:

DJ-Kicks - The Tracks by Stacey Pullen 1996 Techno / Deep House

Allow me to make one thing very clear here before diving into this release: this is *not,* I repeat, *not* the DJ mix version of Detroit techno legend Stacey Pullen's terrific volume in !K7's super consistent DJ-Kicks series. What this is instead is the double-12-inch version of it, which is markedly different. See, sometimes when labels put out a DJ mix on CD or cassette, they also release a different edition of it on vinyl too, and those ones usually come with fuller-length, unmixed versions of tracks that appear within the DJ mix itself.

Now, I have mixed feelings about this particular release here; on one hand, there is some really great mid-90s techno and deep house on this thing, and if you loved any tracks on the DJ mix version of the album, then, with this vinyl edition, you'd have the fuller-length, unmixed versions of its songs. But on another hand, this particular vinyl release is only limited to being a double-12-inch, so you couldn't possibly fit longer versions of every single song that was used in the DJ mix itself onto two records; electronic tunes are generally way too long for you to be able to do that.

So, given that constraining factor, I really don't think that the 7 songs that were ultimately chosen for this vinyl edition are really all that fully representative of the true nature of Stacey Pullen's very excellent DJ mix. Basically, if you've never heard this dispatch from the DJ-Kicks series before, don't bother listening to this double-12-inch to get your fill of it; go listen to the actual DJ mix instead; it's spectacular.

Still though, all of this isn't to say that there aren't bangers on these two records here, because there definitely are; especially the last two tracks: Kenny Larkin's "Q" and "Funk de Fino" by Gypsy. It's just that the actual DJ mix has a whole lot more bangers on it than this release does.

Kenny Larkin's "Q" does this wonderful techno thing of laying down placid string pads and then eventually unleashing intermittently disruptive bunches of stabbing and galloping snares atop it, while also allowing a thin and fuzzy membrane of liquid acid to fester between it all too. In fact, speaking of galloping rhythms, Chicago house pioneer Marshall Jefferson uses a pretty similar formula to that one on a great techno track of his own called "The Horse" too, which was released a few years after "Q." I wonder if he drew any inspiration from Kenny Larkin for it! 🤔

And Gypsy's "Funk de Fino" is a terrifically deep hybrid of chilly ambient techno and dubby progressive trance. This tranquil and pleasing beast only gets a little over 2 minutes in Pullen's mix, but here, in its full-length state, it takes up an entire side of a record, clocking in at over 13 and a half minutes instead! Sweet, sweet, steady journey here to close out this particular release. One of the pros of this vinyl edition of the album is that you get to hear this awesome tune in its entirety 😌.

But nevertheless, trust me, folks: while this has some quality electronic music on it, the actual DJ mix of Stacey Pullen's DJ-Kicks is still leaps and bounds better.

Highlights:

Silent Phase - "Psychotic Funk" Gerd - "Arkest's Blaze" Wulf-N-Bear - "Raptures of the Deep" Kenny Larkin - "Q" Gypsy - "Funk de Fino"

[vinnylignes]

The Chicago House Scene

How House Music was Born

I recently became a fan of house music and always wondered how it was created. After doing further research I stumbled upon a video called "How House Music Was Born" it was one of the most informational and interesting videos I have watched and talked about how the House music scene in Chicago started.

As disco started to lose its cultural hegemony in the late 1970s and early 1980s, house music's history began. This created a gap that Chicago DJs immediately filled by incorporating funk, soul, and the electronic sounds coming out of Europe. One DJ, Frankie Knuckles, who is frequently referred to as the "Godfather of House," began experimenting with synthesizers and drum machines in the Warehouse, a club located on the west side of the city. He created a new genre that quickly became known as "house" music thanks to his inventive mixing and catchy compositions, which also drew a devoted fan base. It originated as a new version of music for dancing and partying. It emerged during one of the darkest times in the US which was the great depression. The rise in house music was drastic and people would line up outside of clubs just to hear house music for the first time. No one has ever head of this type of music before. Frankie Knuckles a notorious DJ who performed at the warehouse was one of the most popular DJ's for house music at the time.

It was considered as the "coolest underground dance music." They also referred it to a "sound scape". Frankie Knuckles brought in a whole new style of music. Eventually people began to rebel against disco music because they said considered for "Blacks or Gays". On July 12, 1979 There was a night called Disco Demolition Night during an MLB game which resulted in a riot.

Disco sparked a major backlash among the Rock fans at the time. At the climax of the event disco records were being blown up and fans stormed the field in an effort to end disco music. Eventually there was a rise in popularity of house Dj's in Chicago and it all originated from Freddie knuckles. They started learning how to sample music and how to play a smooth DJ set as well as transitioning between songs. Without a question, Chicago has had a lasting impression on the world of music. The city has created an atmosphere that allows house music to flourish, change, and expand its audience, thanks to the contributions of musicians like Frankie Knuckles, Marshall Jefferson, and DJ Pierre as well as current DJs and producers. Chicago's status as the birthplace of house music is still honored and cherished in light of the genre's worldwide renaissance and the emergence of a new generation of house fans and musicians. This was the underground music before underground music was a thing. After doing all this research I think the history behind how House music was made and the House scene is so interesting because of how popular it is today, that it once used to be considered underground and frowned upon. House music provides a beat and soul unlike any other for anyone seeking to experience the real essence of house music. Every dance floor is a haven for those who share a passion for the groove, every beat tells a tale, and every track is a journey. House music is more than simply a genre in the city where it all started; it's a way of life. Here are some of my favorite house songs at this moment.

[c-40]

A-T-4 147 Cut Ups & Megamixes

No posts for a while because I've not been well (plus I fell down a rabbit hole writing a long read, hopefully that'll be done by the end of the year!)

1984 was a great year for Cut Ups and Megamixes building on the work of pioneer DJs like Shep Pettibone and his radio show on Kiss FM, Chuck Chillout and Red Alert also on Kiss, the Latin Rascals on WKTU, Marley Marl on WBLS's Mr Magic's Rap Attack. Outside New York carving their own path Hot Mix 5 and Steve "Silk" Hurley are killing it on Chicago radio station WBMX. In Florida the crew Jam Pony Express have begun playing live shows

In the UK Sanny-X is DMC's megamixer and Street Sounds Electro series are being mixed by Herbie Laidley, better known as Mastermind Herbie, the man behind The Rapologists

This is post Double Dee & Steinski, Malcom McLaren And The World’s Famous Supreme Team, Art Of Noise, and Herbie Hancock's Rockit. You can clearly hear their influence in the cut ups and mega mixes from this year

Getting mixed is Hip Hop, Electro, Synth Pop, Disco, and Italo

(Orig.) Big Apple Production Vol.II - Genius At Work like many of these bootleg megamixes the people involved stay in the shadows. This one is of course the work of the Latin Rascals doing what they did on their radio show

DJ Chuck Chillout - Hip Hop On Wax Vol. I for Vincent Davis's Vintertainment. Chuck Chillout was in The B Boys who had released the cut up track Cuttin Herbie (literally cutting up Rockit) the year before. They also released two other classics in 1983 imo Rock The House and Two, Three, Break. Chillout would return to Two, Three, Break under the name DJ Born Supreme Allah in 1985 with the more explicit cut up Two, Three, Break (Part II - The Sequel)

DJ Red Alert - Hip Hop On Wax Vol. II Red Alert goes berserk on the follow-up to Chuck Chillout's effort - he even cuts in what sounds like The B Boys. Sorry this is the best Youtube clip I can find. Red Alert is a DJ for the disgraced hip hop architect Afrika Bambaataa's Universal Zulu Nation and in 1983 he joined Kiss FM's Master Mix Party, which was originally Shep Pettibone's spot on Kiss. Tony Humphries was the first to take the ropes from the increasingly busy Pettibone and in 1983 Red Alert would alternate with Humphries

D.ST - Megamix II: Why Is It Fresh? The Grand Mixer who provided the scratching on Herbie Hancock's Rockit. I thought I knew what Megamix II was a sequel of but now I'm not so sure. Anyway D.ST brings together his hits along with half a dozen other Celluloid tracks

Z Rock Records - Scratch Party #2 first of three mixes coming from the West Coast. Z Rock Records released three Scratch Party megamixes in 1984. Who knows who put these together

Ian Darby - Break City 7" edit bonkers record by Bobby Orlando who had been trying his hand at hip hop/electro/Art Of Noise style production. There's a longer 12" version but the 7" is tidier. Not really cut up, certainly not a megamix, but I felt it sat alright on this list because of it's nutball samples

Scratchmatic - Sound Of The Street by DJ Antron who Discogs tells me won the first DJ Battle held in Los Angeles at the famous Radiotron event. It shows a preference for the techno style

New York Scratch Masters - Scratchmasters Jam #1 the Italo the mix begins with is more like what Hot Mix 5 were doing in Chicago but not as good. Jam #1 would be followed by three more in 1984 and the final Jam #5 in 85. Jam # 4 (The Rap) is pretty great

Mix-Trix #3 The Break Mixer the first Mix-Trix 12" was released in 1983 with another three coming in 1984. Apart from it coming out of LA I have no info on these

Marley Marl on Mr Magic's Rap Attack in 1984

[priokskfm]

#MixOfDay #Podcast #Radioshow #LiveDjset The Cover Mix: Laseech 🔥 Sanctify vol 7 Laseech is a producer & DJ with a preternatural ear for the more adventurous and eclectic side of deep house, a sound never lacking in soul or vitality. After cuts on labels including BBE and Lumberjacks in Hell, the Croatian artist dropped "Hey Love" on vinyl featuring vocals by Desney Bailey and remixes by Dego and Patrice Scott this spring, which you can read about later in the latest issue of 5 Mag. This 5 Mag cover mix, released as the latest in our deep house mix series Sanctify, is "a warm up mix of songs I dig lately. A mix of everything, from deep disco Chicago inspired edits, to contemporary deep house and broken beat, it features three of my recent productions, two songs from the Hey Love EP and a song called 'Forbidden Estuary.' Really hope you like it." photo by Petra Tadic TRACKLIST: 1 — DJ Darryn Jones - Mouth Passion 2 — Soul of the Makossa Man - Simoncino Ritual Dub 3 — Patrice Scott - Moments & Concepts 4 — Laseech feat. Desney Bailey - You See 5 — Leron Carson - 88th & Luella (Original Mix) 6 — Color Code feat. Tanya Denise - We've Got All Nite (Club Mix) 7 — Darshan Jesrani - Gotta Do 8 — Laseech - Forbidden Estuary 9 — Kevin Yost - One Starry Night 10 — Ayzmuth - E Mulher (Ashley Beedle 'Afrikan On Marz' Remix) 11 — Laseech feat. Desney Bailey - Hey Love (Dego Remix) ✯ ✯ ✯ FOLLOW LASEECH ✯ ✯ ✯ https://ift.tt/ceSn9wf https://ift.tt/iB9qEdr https://ift.tt/FcHWGla https://ift.tt/ukygpSC ✯ ✯ ✯ FOLLOW 5 MAG ✯ ✯ ✯ Everything: https://5mag.net https://ift.tt/cmGLasu https://ift.tt/2iV1poZ https://ift.tt/aShJfRC https://ift.tt/4fcPFUy https://ift.tt/5ze0m6o croatia, dego, sanctify, 5mag, "Deep House", "house music", "chicago house", "patrice scott", "dj set", "dj mix" www.priokskfm.online https://ift.tt/wZ50qR2

[moochilatv]

The Death Beats and Charley Young presents: Energy

Drumwave Mix

It's a original combination between 80's vibe mix with new electronic style.

The Death Beats join forces with acclaimed Synthwave artists Cassetter and Color Theory, alongside singer / songwriter Charley Young, to lay down a chaotic and dystopian fusion of Darksynth, Jungle, and Techno, set to a foundation of UK DnB.

Unearthly synth tones forge an immersive musical landscape, building towards a crescendo of driving rhythms, hefty bass lines, and rhythmic arpeggios as the track switches effortlessly between genres and styles.

Color Theory’s unsettling harmonies parallel a barrage of hostile vocal hooks from Charley Young, adding an antagonistic dimension as their performances cut through the powerful instrumentation, further fueling the chaos and disorder.

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BIO:

Bass Music producer Gary J Robinson lays down an intense mix of Drum & Bass, Dubstep, Future Bass, House and Synthwave as he slips between his studios in the UK and Mexico. Best described as an unstable cocktail of dark cinematic grandeur and retro fuelled synth tones, The Death Beats music strikes a balance between ominous atmospherics, sweeping melodies and all out dance-floor chaos.

Emerging from the Drum & Bass scene of the late nineties, Gary started out by collaborating with a number of game changing producers including Drumsound & Simon Bassline Smith, Spirit and Total Science. His early releases went on to gain the support of heavy-weight DJs such as Fabio, Goldie and Grooverider.

The Death Beats sees Gary draw on inspiration from every corner of the Dance Music world in order to create his signature sound. Along the way he’s been lucky enough to collaborate with a host of legendary artists including Crystal Clear, Doctor P, Eric Martin, Yah Kid K and pioneering UK Folk duo Harbottle & Jonas.

Arizona based songwriter Alisse Garn, whose vocal talents under the guise of Little Panda have also played an important role in defining The Death Beats sound. ‘Streets of Rage’, their collaboration with Mexican Drum & Bass producer Isaac Maya was released on Jessica Audiffred’s A-Records label too much acclaim and is generally considered to be the first Synthwave Drum & Bass anthem.

In addition to rocking airwaves and dance floors Gary’s music is regularly featured in film and TV, with credits in movies such as Eliminators, How Bruce Lee Changed The World, Playmobil The Movie, Timefreak, Tracers and Venom – Let There Be Carnage, as well as TV shows including Beauty & The Beast, Chicago Fire, Madame Secretary, Shameless and The Magicians. His portfolio also includes a number of popular reality shows such as Keeping up with the Kardashians, Life of Kylie and Selling Sunset.

The Death Beats continue to lay down a dynamic selection of upfront electronic music in the style of artists including Dimension, Diskord, Nero, Sub Focus and The Prodigy.

[theythemhehim]

rememoryrecords

We're very excited to announce that tomorrow’s featured guest on REMEMORY RADIO is the sparkly, shimmery g?rlcomputer!!! 🌟👩🏽‍💻🎧 As a writer and DJ, Maybe’s layered and evocative approach to sound explores themes of movement, freedom, and introspection, blending the intensity of footwork with shimmering soundscapes. You can hear their mix  @anewyorkthing’s AUXCUTTER station and find our full interview on our blog tomorrow, Nov. 6th.

For a little preview, check out this mix g?rlcomputer released over the summer.

[kickmag]

Frankie Knuckles' Record Collection Has Been Digitized

House music pioneer Frankie Knuckles' collection of 5,000 vinyl albums has been digitized. The job was completed on the 10th anniversary of his passing by members of the Theaster Gates Rebuild Foundation. Knuckles made house music a cultural force as the DJ at Chicago's Warehouse Club and then the Power Plant during the '70s and '80s. He was also responsible for remixing songs under Def Mix Productions with David Morales including "Change" by Lisa Stansfield. In 1991, his first album, Beyond The Mix came out and contained his signature tune "The Whistle Song." He won the Grammy Award for Remixer of the Year Non-Classical in 1998 before the award was given for a specific work. Frederick Dunson, the founder, president, and executive director of the Frankie Knuckles Foundation said, “Frankie was not just a maestro on the dance floor; he was a guiding force, infusing his artistry with purpose and connection. Today, we honor his lasting influence and express our deepest respect for the unforgettable mark he left on Chicago and the world.”

Knuckles's record collection will be used to educate the public about house music and for the Sunday Service dance parties at the Stony Island Arts Bank which Gates' Rebuild Foundation restored. 

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[thisisprettybroken]

Odd Genre Time: Warehouse Music

Have some LGBTQ+ history I ran into on a wiki dive. Warehouse or "House" music was invented by a gay Chicago DJ. Frankie Knuckles' mixes of Salsoul and early Electronic music from Europe were the beat of Chicago in 1984. He played at "The Warehouse", a predominantly black, gay dance club. Look this man up because he's a founding father for what we know DJing to be today. By 1985 the "Hot Mix Five" had a hit radio show that highlighted this new sound. These were now 5 DJs that also began making long, continuous mixes that brought all parts of the world into their arrangements. With a popular radio show further standardizing this futuristic sound, more DJs joined in until it was foolish to spin anything else. In the United States, this is the nucleus of what we now recognize as Dance Music in a modern club setting. Bedroom producers who liked this sound hit their local pawn shops for cheap synthesizers.* Some people working in the area's record stores at the time recall a whole section set aside for "Tracks Heard at the Warehouse." It was tempting and profitable to make demo tapes in your bedroom because if you got played at the Warehouse you might get a record deal... So emerged this sound of Chicago gay culture. House music is gay and intersectional, spread the word. If my video above and the history behind it sound like your speed, check out: ---------------------------------------------- Larry Heard - Imagine a neon-lit gay club with this on the speakers. It's so 80's. Warehouse is often described as "textural" and this track absolutely nails it in that regard: https://www.youtube.com/watch?v=1N9Wnqz8Rh8 Frankie Knuckles - He was handed a drum machine by a friend who said people are making their own tracks now. Given the chance now to make his own Trax, he chose this. A tune that makes you say "This isn't house music, this is just gay sex." The song's lyrics seem to imply there's a religion-play thing going on, it's VERY gay... Let's just say don't blast this on the work speakers. https://www.youtube.com/watch?v=2EtEPT3DvdM PHUTURE - The story about "They didn't know how to use the TB-303s at all, and they still cranked out jams with it." is apparently true and it's about these guys. Self described "Outsiders" they wanted to try making some Warehouse music. A Dj finally gave them a spin at another huge club and found that it played better to crowds later in the night who are on more drugs or just plain drunker. The beginning of Acid House. https://www.youtube.com/watch?v=igNBeo3QSqc -- *None of the synthesizers they used are cheap anymore :(

[confield]

EVERY ALBUM I REMEMBER LISTENING TO FOR THE FIRST TIME IN JANUARY AND MY OPINIONS ON THEM IN 5 WORDS OR LESS

Celtic Frost - Danse Macabre (Thrash metal?): I LIKED IT!

Farben - Stuck (Microhouse): I LIKED IT!

Beherit - Drawing Down the Moon (Raw black metal?): I LIKED IT!

Lesser - Welcome to the American Experience (Sound collage/IDM?): IT WAS FUNNY! KINDA BAD!

Darkthrone - F.O.A.D.: (Crust punk?): IT WAS FUNNY!

Pan-Amerikan Native Front - Little Turtle's War (Indigenous American black metal?): I LIKED IT!

Morbid - Year of the Goat (Death metal demos): I LIKED IT!

Thorns - Grymyrk (Instrumental black metal demos): I LIKED IT!

Fatima Al Qadiri - Genre-Specific Xperience (Left-field club): I LIKED IT!

Frankie Knuckles - Beyond the Mix (Chicago House): I LIKED IT!

Hellhammer - Apocalyptic Raids (Lofi thrash metal?): I LIKED IT!

Yasunao Tone - ATAK016 MUSICA SIMULACRA (Glitch/Sound art): COOL AND FUNNY!

Silver Jews - The Natural Bridge (Singer/songwriter): I LIKED IT!

Zeni Geva - Desire for Agony (Noise rock): I LIKED IT!

Paysage D'Hiver - Winterkalte (Atmospheric black metal): I LIKED IT!

TODAY IS THE DAY - Sadness Will Prevail (Experimental metal wankery): I LIKED IT!

Darkthrone - Goatlord (Death metal instrumentals overdubbed a few years late with black metal vocals): I LIKED IT! IT'S FUNNY!

Darkthrone - Hate Them (Crust punk???): IT'S FUNNY!

Klein - Star in the Hood (Experimental): I LIKED IT!

Darkthrone - Sardonic Wrath (3-minute-long black metal): I LIKED IT! IT'S FUNNY!

Mika Vainio - Onko (Minimal electronic noise something something: I LIKED IT!

Isengard - Vinterskugge (Black/Folk metal): I LIKED IT! IT'S FUNNY!

Frank Bretschneider, Giorgio Li Calzi: Zero Mambo (Glitch/Clicks n cuts): I LIKED IT!

Blasphemy - Fallen Angel of Doom (Black metal): I LIKED IT!

Chino Amobi - PARADISO (Experimental/sound collage): I LIKED IT!

Darkthrone - The Cult is Alive (Darkthrone music): I LIKED IT!

Eyehategod - Take As Needed for Pain (Sludge metal): I LIKED IT!

Tim Hecker - Radio Amor (Ambient): I LIKED IT!

Sigh - Scorn Defeat (Baroque black metal): I LIKED IT!

Batushka - Litourgiya (Orthodox church music + black metal): I LIKED IT!

James Ferraro - Skid Row (Eclectic/experimental/sound collage): I LIKED IT! IT'S FUNNY!

Neurosis - Through Silver in Blood (Experimental metal): I LIKED IT!

Darkthrone - Arctic Thunder (Darkthrone music): IT'S FUNNY!

Gorgoroth - Ad Majorem Sathanas Gloriam (Black metal): I LIKED IT!

Luke Vibert - GRIT. (Acid something-or-other): IT'S FUNNY!

Drive Like Jehu - Self Titled (Post-hardcore): I LIKED IT!

Fudge Tunnel - Hate Songs in E Minor (Sludge metal): I LIKED IT!

The Jesus Lizard - Pure (Noise rock): I LIKED IT!

Magrudergrind - Self Titled (Grindcore): I LIKED IT!

Holly Herndon - PROTO (Experimental electronic): I LIKED IT!

Acid Bath - When the Kite String Pops (90s metal that the internet tells me to listen to): I LIKED IT!

Buzzoven - Sore (Sludge metal): I LIKED IT!

Patty Waters - Sings (Free/avant-garde jazz): I LIKED IT!!!!!!!

Ulver - Kveldssanger (Folk whatever): THIS SUCKED!!!!!

Ulver - Nattens Madrigal (Black metal): I LIKED IT!

Melvins - Gluey Porch Treatments (Sludge metal): I LIKED IT!

DJ Stingray 313 - Aqua Team (Detroit techno/electro): I LIKED IT!

James Ferraro - Far Side Virtual (FUCK YOU): THIS SUCKED BUT IT'S FUNNY!

Trelldom - Til Evighet... (GAAHL'S FIRST BAND): I LIKED IT!

Urban Tribe - The Collapse of Modern Civilization (Detroit techno/house/something): I LIKED IT!

Kekht Arakh - Pale Swordsman (BLACK METAL FOR GAY PEOPLE): I LIKED IT!

Minor Threat - Out of Step (DC Hardcore): I LIKED IT!

Discordance Axis - The Inalienable Dreamless (Grindcore About Neon Genesis Evangelion): I LIKED IT!

Kekht Arakh - Night & Love (STILL BLACK METAL FOR GAY PEOPLE): I LIKED IT!

Uboa - The Origin of My Depression (Power electronics/ambient): I LIKED IT!!!!!!!!!!

The Abyssinians - Arise (Roots reggae): I LIKED IT!

Chokebore - A Taste for Bitters (Post-hardcore): WEIRD VOX BUT I LIKE!

This Heat - Deceit (Experimental/post-punk): I LIKED IT!

Husker Du - Metal Circus (Technically an EP but whatever, post-hardcore): I LIKED IT!

The Jesus Lizard - Head (Noise rock): I LIKED IT!

Isaac Hayes - Hot Buttered Soul (Progressive 70s soul): I LIKED IT!!

Curtis Mayfield - Curtis (Progressive 70s soul): I LIKED IT!

Polvo - Cor-Crane Secret (Post-hardcore): I LIKED IT!

Otis Redding - The Dock of the Bay (60s soul/R&B): I LIKED IT!

The Impressions - Keep on Pushing (60s soul/R&B): I LIKED IT!

Guru - Jazzmatazz Volume One (Acid jazz/jazz hip hop): I LIKED IT!

Clikatat Ikatowi - Orchestrated and Conducted by (Post-hardcore): I LIKED IT!