#chicago house dj mix

[priokskfm]

#MixOfDay #Podcast #Radioshow #LiveDjset DJ Pete Williams (Natural Rhythm) - Exclusive mix for Manuscript records radioshow #485 Please donate to my family paypal in Ukraine promos.vincent.inc@gmail.com ♥♥♥♥ A special thanks to our patrons, without their financial support, this project wouldn't be possible ♥♥♥♥ https://ift.tt/Mw1hiEd https://ift.tt/yNtsc7Y https://ift.tt/v3poB2F https://ift.tt/tfl5hnm https://ift.tt/ylMTAHD oxia, mendo, other2sides, "jackin house dj mix", "chicago house dj mix", "house music dj mix", "deep house dj mix", "lil mark", "lil' mark", "jr from dallas", "sonz of the pitch", "mikey v", "max porcelli", "luke solomon", "dj sneak", "the outfit", "darko janevski", "miss mee", "kinky movement", "bas ibellini", "joss moog", "eric gadd", "Mood II swing", "demarkus lewis", "mass digital", "justin harris", "dirty sole", "dj heather", "my system echo" www.priokskfm.online https://ift.tt/WXfVvYD

[sticksoffire]

Ron Hardy at the Muzic Box, late 1980's

[jnkmamma]

(Dj Anto)

[lazorcrab]

HOUZE - Mix #3: Bungalow Mix

HOUZE is back with another journey through the finest ‘90s and early 2000s house beats, with an occasional modern release to keep you on your toes! Don’t forget to join the #FinallyFridayGang — like, subscribe, and hit that bell so you never miss a beat! Watch the visualizers for all my mixes on YouTube or listen on SoundCloud at www.soundcloud.com/DFONDZ.

Tracklist:

Kamasutra - Where Is The Love

Bob Sinclair vs. The Bucketheads - Got Myself A Tonic

Discoland - Do The Funk

Bob Sinclair - Gym Tonic

Paul Johnson - She Got Me On (Todd Edwards Unreleased Mix)

DJ Deeon & DJ Funk - Let It Be House

I:Cube - Disco Cubizm (Daft Punk Remix)

Da Mongoloids - Spark Da Meth

The Bucketheads - Got Myself Together (KenLou Mix)

DJ Sneak - You Can't Hide From Your Bud

Peggy Gou - It Goes Like (Nanana) (Sammy Virji Edit)

[camphorfreya]

Prelude to the Weekend warm up mix on Mixcloud

[theparanoid]

Soul Clap - Watergate 19

(2015, full live mix)

[Deep House, Chicago House, French House, Nu-Disco, Smooth Jazz]

[randomvarious]

1990s Deep House Playlist

OK, folks, so this 90s deep house playlist is making its grand return for the first time in a long time, but I'm sorry to say that, once again, Spotify has proven itself rather...spotty...with this stuff. I looked up a bunch of songs that I wanted to add this time around from a few dank releases and could only ultimately come up with one: "Besos de Los Angeles" by UK trio Fresh 'n' Low, which is a nice and smooth, slowly built, steady-Eddie groove with touches of dubbiness and hand-drumming to it, but it's definitely not the cream of the crop that I had in mind for this week...

Fresh 'n' Low - "Besos de Los Angeles" (12.2K+ plays)

What I really wanna tell you all about is this super underappreciated jam that I added to the YouTube version of this playlist by Lex Blackmore, the Scot who's better known as Blue Boy, who took the world by storm in '97 when he broke out onto the chillout scene with an instant classic trip hop bop called "Remember Me" (🎶I'm the oooooone who had your babies, I🎶). This joint made its debut on the first installment in Mark Farina's landmark Mushroom Jazz DJ mix series and ended up hitting the top ten in the UK and #2 on the US Dance chart, but then two years after all of that hoopla, Lex quietly returned with a deep house heater that far fewer people seemed to notice when it first appeared on the great DJ David Alvarado's Midnight Express mix for the Chicago-based Guidance Recordings called "Dub-a-Dutch." This was a tune that was once again channeling a similar type of blissed-out and sunny summertime vibe that "Remember Me" did, but it had a stoned Roy Ayers soulful-funky kinda feel to it too, with a rubber-bouncy bassline and sampled Ebonics lyrics from Frankie Smith's quirkily iconic early 80s classic, "Double Dutch Bus," which would later be immortalized for a new generation by Missy Elliott, Timbaland, and Ludacris too, when those same exact lyrics were sampled on "Gossip Folks."

In 2001, a full version of "Dub-A-Dutch" was finally released by Guidance on a split 12-inch, but it ended up being the final thing that Lex Blackmore would ever release as Blue Boy, and he wouldn't return to making a release of his own until 2014, under his own name, and he doesn't appear to have released anything else since. "Dub-A-Dutch" is currently nearing 46K plays on YouTube across a handful of uploads and is deserving of many, many more.

Also, never sleep on the vocal 11-and-a-half-minute tribal epic that is "Callin' U (Baghdad Café)" by Toronto's A:xus aka Abacus, featuring singer Naomi N' Sembi. This one's a bit of a deep house classic already, whose full extended version is currently sitting at over 130K YouTube plays, but for a song that is, like, the total apotheosis of late 90s vocal deep house chill, I think it should probably be a whole lot more known than it is right now. And it's the opener on that same David Alvarado mix that "Dub-A-Dutch" is on too, by the way.

Free Energy - "Happiness" Space Jam - "Stop" Dubtribe - "What You Feel in Your Heart" Space Jam - "The Jumbo Jet Jam" Mutabaruka - "Dis Poem (Reel Houze Mix)" GU - "Jaz Love #2" Carl Craig - "At Les (Russ Gabriel Rework)" A:xus - "Callin' U" Blue Boy - "Dub-a-Dutch" Sunday Brunch - "Honung" Forme - "Pulse"

And this playlist is also on YouTube Music.

So while this update here brings us up to only 31 songs that clock in at 245 minutes on Spotify, the one on YouTube is nearly thrice its size, now up to 87 songs that clock in at a ridiculous 652 minutes. So if you want a much more authentic and vast dive into all this 90s deep house glory, I implore you all to go check out the YouTube one instead.

And if it all sounds like way too much deep house for you to handle, I've got this thing segmented by some different years too...

1996 Deep House: YouTube / YouTube Music 1997 Deep House: YouTube / YouTube Music 1998 Deep House: YouTube / YouTube Music 1999 Deep House: YouTube / YouTube Music

Next week, a little 90s IDM update!

Enjoy!

More to come, eventually. Stay tuned!

Like what you hear? Follow me on Spotify and YouTube for more cool playlists and uploads!  

P.S.: Two songs I mentioned in this post—Blue Boy's "Remember Me" and Frankie Smith's "Double Dutch Bus"—are on other playlists of mine too. One is called "An Endless Capri Sun or Juicyfruit or Starburst Commercial From Like the Summer of 2002" and is chock-full of 90s and early 2000s summer jams, and the other is "1980s NYC Block Party" and is chock-full of 80s summer jams. Both only on Spotify.

[team-avia]

I'm intrigued to knowing what type of music genre they all listen to, but we all know alcina likes jazz. But other than jazz, does she likes something else? 👀

Also, what type of music does Miranda even listen to? OMMGGG???

Miranda has two things she listens to. Publicly she listens to classical and like world recognized musicians. In private she listens to 80s-90s pop and yes I'm sorry to tell you she listens to Taylor Swift

She actually really likes Linkin Park

Donna likes listening to Michael Buble and Christina Perri too, people with soft voices that can be calming and as previously mentioned Mitski and Alt Rock

Cinder

for bela, she likes classical because she uses it to help her study, but she likes to a lot of angrier classical music like Dance of the Knights by Prokofiev

cassandra listens to a lot of musicals (heathers candy store is her number one song….for reasons, but she also likes cell block tango from chicago)

daniela likes listening to indie rock, old school rock, lo-fi for calmer moments when she wants to relax, but mostly she'll listen to everything, even angie's awful dj mixes

angie likes music that gets her hyper- think edm, house, rave, techno, pop music or remixes of popular songs. she hates classical because she thinks it's boring, and she also hates slow songs

alcina is mainly jazz, but she does on the occasion indulge in some swing and is surprised to find she doesn't mind electro swing but would never admit this to anyone or be caught dead listening to it

Bee

[c-40]

A-T-5 063 Rap Rock Funk Metal

Funk rock had emerged in the late 1960s and flourished throughout the 1970s. It was played by musicians of every colour and provided hits for many acts including the Jimi Hendrix Experience, Sly & The Family Stone, Chicago Transit Authority, Average White Band, Wild Cherry, and of course Parliament-Funkadelic

Rock breaks had been part of the DJs arsenal since the early days of hip-hop. Babe Ruth's 'The Mexican', Edgar Winters' 'Frankenstein', Billy Squires' Big Beat, AC/DC's 'Back In Black', and Led Zeppelin's 'When the Levee Breaks'

Rock breaks were popular in the drum machine era, mostly because they were sparse and heavy. Sampling drum breaks hadn't arrived in hip-hop yet, Marley Marl claims that title. The Art Of Noise's 'Beat Box' - in all its versions - was a major influence on electrofunk and drum machine era hip-hop. As AON had a Fairlight 'Beat Box' was built around sampling a performance by Yes drummer Alan White for the album 90125, which the AON team produced

It's not controversial to say Rick Rubin had a vision for mixing hip-hop and rock. Rick Ruben's new business partner Russell Simmons saw dollar signs. Luckily for Simmons he managed his brothers group Run-DMC and they were the biggest rap act on the planet. Run-DMC's second studio album King Of Rock mixed rap with machine rock drums and guitar riffs. Darryl "DMC" McDaniels was a rock fan. The album's title track and lead single featured guest guitarist Eddie Martinez, and the track has more cowbell than BOC. The video for the single 'King Of Rock' is all about Run-DMC taking their place in the halls of rock history (which is made out to look, not unfairly, very white)

Run-DMC - Your Blind features guitars performed by Rick Rubin (formerly of the punk rock band HOSE), Jam Master Jay, and their producer Larry Smith. Smith's group Orange Kush are the backing band on Run-DMC's self-titled debut album and King Of Rock. They were Kurtis Blows live band, another act Russell Simmons handled, Joseph "Run" Simmons had been Blows' DJ

Run-DMC - Rock The House using an appropriation of the percussion from Bob James' 'Take Me To The Mardi Gras'. It's essentially a remix of 'King Of Rock' mixed by The Latin Rascals

Faith No More - We Care A Lot

At the same time on the other side of America the San Franciscan group Faith No More were coming to the same conclusion, mixing rap with rock, but they were punk metallers and they had a singer who could rap. Their style was also stripped back and funky, they would have been listening to AC/DC's 'Back In Black' and Billy Squire's "Big Beat.' In 1985 Faith No More release the album We Care A Lot. The album features the original recording of the title track and helped put 'alternative metal' on the map. In 1987 with the backing of major label Slash/Warner Bros. they rerecord 'We Care A Lot' and it was released to promote their second studio album Introduce Yourself

Also in California the Red Hot Chilli Peppers record their second studio album Freaky Styley under the influence of their hero George Clinton. The following year more funk metal bands release albums El Grupo Sexo, Beefeater, the year after that Royal Crescent Mob

Run-DMC have a huge hit with rock group Aerosmith in 1986. Later Public Enemy have a minor one with Anthrax. Rap and rock peaks with soundtrack made for the movie Judgment Night

After the demise of grunge Red Hot Chilli Peppers would become one of the biggest rock bands on the planet. At the turn of the millennium there was a new wave of funk metal with singer rappers. It's awful! despite these bands outselling most earlier efforts to combine rap and rock I can't name one of these stadium filling bands

Public Enemy are touring with G’n’R this summer

[priokskfm]

#MixOfDay #Podcast #Radioshow #LiveDjset The Cover Mix: Laseech 🔥 Sanctify vol 7 Laseech is a producer & DJ with a preternatural ear for the more adventurous and eclectic side of deep house, a sound never lacking in soul or vitality. After cuts on labels including BBE and Lumberjacks in Hell, the Croatian artist dropped "Hey Love" on vinyl featuring vocals by Desney Bailey and remixes by Dego and Patrice Scott this spring, which you can read about later in the latest issue of 5 Mag. This 5 Mag cover mix, released as the latest in our deep house mix series Sanctify, is "a warm up mix of songs I dig lately. A mix of everything, from deep disco Chicago inspired edits, to contemporary deep house and broken beat, it features three of my recent productions, two songs from the Hey Love EP and a song called 'Forbidden Estuary.' Really hope you like it." photo by Petra Tadic TRACKLIST: 1 — DJ Darryn Jones - Mouth Passion 2 — Soul of the Makossa Man - Simoncino Ritual Dub 3 — Patrice Scott - Moments & Concepts 4 — Laseech feat. Desney Bailey - You See 5 — Leron Carson - 88th & Luella (Original Mix) 6 — Color Code feat. Tanya Denise - We've Got All Nite (Club Mix) 7 — Darshan Jesrani - Gotta Do 8 — Laseech - Forbidden Estuary 9 — Kevin Yost - One Starry Night 10 — Ayzmuth - E Mulher (Ashley Beedle 'Afrikan On Marz' Remix) 11 — Laseech feat. Desney Bailey - Hey Love (Dego Remix) ✯ ✯ ✯ FOLLOW LASEECH ✯ ✯ ✯ https://ift.tt/ceSn9wf https://ift.tt/iB9qEdr https://ift.tt/FcHWGla https://ift.tt/ukygpSC ✯ ✯ ✯ FOLLOW 5 MAG ✯ ✯ ✯ Everything: https://5mag.net https://ift.tt/cmGLasu https://ift.tt/2iV1poZ https://ift.tt/aShJfRC https://ift.tt/4fcPFUy https://ift.tt/5ze0m6o croatia, dego, sanctify, 5mag, "Deep House", "house music", "chicago house", "patrice scott", "dj set", "dj mix" www.priokskfm.online https://ift.tt/wZ50qR2

[delightfulflowergalaxy]

Musica electrónica

La música electrónica es un género musical que se caracteriza por el uso de instrumentos electrónicos y tecnología para crear sonidos y ritmos. Abarca una amplia variedad de estilos y subgéneros, desde la música de baile hasta la música experimental y ambiental.

Algunos de los elementos que suelen estar presentes en la música electrónica incluyen:

1. Ritmos y patrones rítmicos creados mediante secuenciadores y máquinas de ritmos.

2. Sonidos sintetizados y generados mediante sintetizadores y otros instrumentos electrónicos.

3. Uso de efectos de audio y procesamiento de señal para crear texturas y ambientes sonoros.

4. Incorporación de elementos de la música popular, como la melodía y la armonía, aunque a menudo de manera experimental y innovadora.

Algunos de los subgéneros más populares de la música electrónica incluyen:

1La música electrónica es un género musical que se caracteriza por el uso de instrumentos electrónicos y tecnología para crear sonidos y ritmos. Abarca una amplia variedad de estilos y subgéneros, desde la música de baile hasta la música experimental y ambiental.

Algunos de los elementos que suelen estar presentes en la música electrónica incluyen:

1. Ritmos y patrones rítmicos creados mediante secuenciadores y máquinas de ritmos.

2. Sonidos sintetizados y generados mediante sintetizadores y otros instrumentos electrónicos.

3. Uso de efectos de audio y procesamiento de señal para crear texturas y ambientes sonoros.

4. Incorporación de elementos de la música popular, como la melodía y la armonía, aunque a menudo de manera experimental y innovadora.

Algunos de los subgéneros más populares de la música electrónica incluyen:

1. Techno: caracterizado por ritmos rápidos y minimalistas, y a menudo asociado con la escena de clubes de Detroit y Berlín.

2. Trance: conocido por sus melodías épicas y atmosféricas, y a menudo asociado con la escena de clubes de Ibiza y Goa.

3. House: caracterizado por ritmos suaves y melodías catchy, y a menudo asociado con la escena de clubes de Chicago y Nueva York.

4. Drum and Bass: conocido por sus ritmos rápidos y complejos, y a menudo asociado con la escena de clubes de Londres y Bristol.

5. Ambient: caracterizado por sonidos atmosféricos y minimalistas, y a menudo asociado con la escena de música experimental y avant-garde.

La música electrónica ha tenido un impacto significativo en la cultura popular y ha influido en una amplia variedad de géneros musicales, desde el pop hasta el rock y el hip-hop.

Esto si eran series de las del goodd

[vinnylignes]

The Chicago House Scene

How House Music was Born

I recently became a fan of house music and always wondered how it was created. After doing further research I stumbled upon a video called "How House Music Was Born" it was one of the most informational and interesting videos I have watched and talked about how the House music scene in Chicago started.

As disco started to lose its cultural hegemony in the late 1970s and early 1980s, house music's history began. This created a gap that Chicago DJs immediately filled by incorporating funk, soul, and the electronic sounds coming out of Europe. One DJ, Frankie Knuckles, who is frequently referred to as the "Godfather of House," began experimenting with synthesizers and drum machines in the Warehouse, a club located on the west side of the city. He created a new genre that quickly became known as "house" music thanks to his inventive mixing and catchy compositions, which also drew a devoted fan base. It originated as a new version of music for dancing and partying. It emerged during one of the darkest times in the US which was the great depression. The rise in house music was drastic and people would line up outside of clubs just to hear house music for the first time. No one has ever head of this type of music before. Frankie Knuckles a notorious DJ who performed at the warehouse was one of the most popular DJ's for house music at the time.

It was considered as the "coolest underground dance music." They also referred it to a "sound scape". Frankie Knuckles brought in a whole new style of music. Eventually people began to rebel against disco music because they said considered for "Blacks or Gays". On July 12, 1979 There was a night called Disco Demolition Night during an MLB game which resulted in a riot.

Disco sparked a major backlash among the Rock fans at the time. At the climax of the event disco records were being blown up and fans stormed the field in an effort to end disco music. Eventually there was a rise in popularity of house Dj's in Chicago and it all originated from Freddie knuckles. They started learning how to sample music and how to play a smooth DJ set as well as transitioning between songs. Without a question, Chicago has had a lasting impression on the world of music. The city has created an atmosphere that allows house music to flourish, change, and expand its audience, thanks to the contributions of musicians like Frankie Knuckles, Marshall Jefferson, and DJ Pierre as well as current DJs and producers. Chicago's status as the birthplace of house music is still honored and cherished in light of the genre's worldwide renaissance and the emergence of a new generation of house fans and musicians. This was the underground music before underground music was a thing. After doing all this research I think the history behind how House music was made and the House scene is so interesting because of how popular it is today, that it once used to be considered underground and frowned upon. House music provides a beat and soul unlike any other for anyone seeking to experience the real essence of house music. Every dance floor is a haven for those who share a passion for the groove, every beat tells a tale, and every track is a journey. House music is more than simply a genre in the city where it all started; it's a way of life. Here are some of my favorite house songs at this moment.

[lazorcrab]

HOUZE - Mix #1: Townhouse Mix

In my house, there is only house music! This is HOUZE — where the walls vibrate with the pulse of pure house music! Get ready for a journey through the heart of '90s and early 2000s beats, with surprise drops from modern cuts. This mix isn’t just about nostalgia—it’s about keeping the party alive, bringing those classic grooves back to the dancefloor, and spinning them into something new.

Tracklist:

Funkadelic - Ain't That Funkin' Kinda Hard on You? (feat. Kendrick Lamar) (Louie Vega Remix)

Daft Punk - Revolution 909 (Roger Sanchez & Junior Sanchez Remix)

Roy Davis Jr. & Peven Everett - Gabriel (Live Garage Version)

Missy Elliott - 4 My People (feat. Eve) (Basement Jaxx Vocal Mix)

Gusto - Disco's Revenge (Mole Hole Dirty Mix)

Paris Mitchell & Wax Master vs. Daft Punk - Ghetto Shout Out!! vs. Teachers (Dewmed Fubar Mashup)

Paul Johnson - Hear The Music

Armand Van Helden - The Funk Phenomena (Da Hool Remix)

Soul Avengerz - Enjoy Yourself (Mix 2)

Paul Johnson - Get Get Down

Wisdome - Off The Wall (Enjoy Yourself Mix)

Fantom - Faithfull

DJ Kom - And Da Beat Goes...

CZR - Chicago Southside

Mark Knight & Armand Van Helden - The Music Began To Play

[theythemhehim]

rememoryrecords

We're very excited to announce that tomorrow’s featured guest on REMEMORY RADIO is the sparkly, shimmery g?rlcomputer!!! 🌟👩🏽‍💻🎧 As a writer and DJ, Maybe’s layered and evocative approach to sound explores themes of movement, freedom, and introspection, blending the intensity of footwork with shimmering soundscapes. You can hear their mix  @anewyorkthing’s AUXCUTTER station and find our full interview on our blog tomorrow, Nov. 6th.

For a little preview, check out this mix g?rlcomputer released over the summer.

[moochilatv]

The Death Beats and Charley Young presents: Energy

Drumwave Mix

It's a original combination between 80's vibe mix with new electronic style.

The Death Beats join forces with acclaimed Synthwave artists Cassetter and Color Theory, alongside singer / songwriter Charley Young, to lay down a chaotic and dystopian fusion of Darksynth, Jungle, and Techno, set to a foundation of UK DnB.

Unearthly synth tones forge an immersive musical landscape, building towards a crescendo of driving rhythms, hefty bass lines, and rhythmic arpeggios as the track switches effortlessly between genres and styles.

Color Theory’s unsettling harmonies parallel a barrage of hostile vocal hooks from Charley Young, adding an antagonistic dimension as their performances cut through the powerful instrumentation, further fueling the chaos and disorder.

View this post on Instagram

A post shared by TheDeathBeats (@thedeathbeats)

BIO:

Bass Music producer Gary J Robinson lays down an intense mix of Drum & Bass, Dubstep, Future Bass, House and Synthwave as he slips between his studios in the UK and Mexico. Best described as an unstable cocktail of dark cinematic grandeur and retro fuelled synth tones, The Death Beats music strikes a balance between ominous atmospherics, sweeping melodies and all out dance-floor chaos.

Emerging from the Drum & Bass scene of the late nineties, Gary started out by collaborating with a number of game changing producers including Drumsound & Simon Bassline Smith, Spirit and Total Science. His early releases went on to gain the support of heavy-weight DJs such as Fabio, Goldie and Grooverider.

The Death Beats sees Gary draw on inspiration from every corner of the Dance Music world in order to create his signature sound. Along the way he’s been lucky enough to collaborate with a host of legendary artists including Crystal Clear, Doctor P, Eric Martin, Yah Kid K and pioneering UK Folk duo Harbottle & Jonas.

Arizona based songwriter Alisse Garn, whose vocal talents under the guise of Little Panda have also played an important role in defining The Death Beats sound. ‘Streets of Rage’, their collaboration with Mexican Drum & Bass producer Isaac Maya was released on Jessica Audiffred’s A-Records label too much acclaim and is generally considered to be the first Synthwave Drum & Bass anthem.

In addition to rocking airwaves and dance floors Gary’s music is regularly featured in film and TV, with credits in movies such as Eliminators, How Bruce Lee Changed The World, Playmobil The Movie, Timefreak, Tracers and Venom – Let There Be Carnage, as well as TV shows including Beauty & The Beast, Chicago Fire, Madame Secretary, Shameless and The Magicians. His portfolio also includes a number of popular reality shows such as Keeping up with the Kardashians, Life of Kylie and Selling Sunset.

The Death Beats continue to lay down a dynamic selection of upfront electronic music in the style of artists including Dimension, Diskord, Nero, Sub Focus and The Prodigy.