#charmed 3x01

[shannendoherty-fans]

Shannen's Native American Descent

We all know Shannen Doherty was of Irish descent through the paternal side of her family.

The Doherty / O’Doherty family is an Irish clan based in County Donegal. The O’Dohertys are named after Dochartach (c. 10th century), a member of the Cenél Conaill dynasty which in medieval Irish genealogy traced itself to Niall of the Nine Hostages. The O’Doherty clan and family name is one of the most ancient in Europe. The clan traces its pedigree through history, pre-history, and mythology to 2BC. (Source)

Shannen and her dad, John Thomas Doherty, in Ireland ca. 1996/97.

Shannen was also from English and Scottish descent through her mother Rosa Elizabeth née Wright. The red-haired Southern belle also has Native American ancestry, most concretley the Chumash people (Source), and thus has Shannen (Source).

Shannen and her mum spending time in nature, ca.2024.

Shannen explained that she wasn't able to be with her dad when he passed away on the 4th of November of 2010. Her best friend Chris Cortazzo told her to spend some quality time with her mother and him at his ranch in Tennesse, which is surrounded by Native American ground. When she was there suddenly the wind shaked the plants and trees and she felt her father’s arms go around her and say “It’s ok baby, I love you. I’m here" (Source) (Source).

Her mother Rosa said that one of her great-great-grandmothers (she doesn't know the grade) was forced to move in the called "Trail of Tears", the forced displacement of approximately 60,000 people of the "Five Civilized Tribes" [Cherokee, Chickasaw, Choctaw, Muscogee (Creek), and Seminoles] between 1830 and 1850, and the additional thousands of Native Americans within that were ethnically cleansed by the United States government (Wiki). Furthermore, she said her ancestor was from the Chumash people and was forced to move from Mississipi to Oklahoma (Source).

Rosa also said about Shannen's Native American's heritage:

"The whole Indian heritage to Shannen was very, very important ... Shannen swore when she bought this property [a ranch in Malibu to live with her mum, her friends, and to do a shelter for horses]… she says, I just feel it. She says, I know that this is where I'm supposed to be. And she just felt that whole Indian."

Also she was proud of having directed "Charmed"'s episode "The Good, The Bad and The Cursed" that features a storyline involving American's First Nations people's and Native actors Kimberly Guerrero (from Colville and Salish-Kootenai native peoples from Alaska) and Michael Greyeyes (Nêhiyaw (Plains Cree) from Muskeg Lake Cree Nation in Saskatchewan, Canada).

Shannen Doherty (R) with First Nations' actors Kimberley Guerrero and Michael Greyeyes.

The Chumash are a Native American people of the central and southern coastal regions of California (Wiki), in portions of what is now Kern, San Luis Obispo, Santa Barbara, Ventura and Los Angeles counties, extending from Morro Bay in the north to Malibu in the south to Mt Pinos in the east. Their territory includes three of the Channel Islands: Santa Cruz, Santa Rosa, and San Miguel; the smaller island of Anacapa was likely inhabited seasonally due to the lack of a consistent water source.

Modern place names with Chumash origins include Malibu, Nipomo, Lompoc, Ojai, Pismo Beach, Point Mugu, Port Hueneme, Piru, Lake Castaic, Saticoy, Simi Valley and Somis. Archaeological research demonstrates that the Chumash people have deep roots in the Santa Barbara Channel area and lived along the southern California coast for millennia.

The Chumash lived in over 150 independent villages, speaking variations of the same language. Much of their culture consisted of basketry, bead manufacturing and trading, cuisine of local abalone and clam, herbalism which consisted of using local herbs to produce teas and medical reliefs, rock art, and the scorpion tree. The scorpion tree was significant to the Chumash as shown in its arborglyph: a carving depicting a six-legged creature with a headdress including a crown and two spheres. The shamans participated in the carving which was used in observations of the stars and in part of the Chumash calendar. The Chumash resided between the Santa Ynez Mountains and the California coasts where a bounty of resources could be found. The tribe lived in an area of three environments: the interior, the coast, and the Northern Channel Islands. Some researchers believe that the Chumash may have been visited by Polynesians between AD 400 and 800, nearly 1,000 years before Christopher Columbus reached the Americas.

Chumash Family by American sculptor George S. Stuart

The maritime explorer Juan Cabrillo was the first European to make contact with the coastal Alta Californian tribes in the year 1542. Spain claimed what is now California from that time forward, but did not return to settle until 1769, when the first Spanish soldiers and missionaries arrived with the double purpose of Christianizing the Native Americans and facilitating Spanish colonization. The Chumash people moved from their villages to the Franciscan missions between 1772 and 1817.

Mexico seized control of the missions in 1834. Tribespeople either fled into the interior, attempted farming for themselves and were driven off the land, or were enslaved by the new administrators. After 1849 most Chumash land was lost due to theft by Americans and a declining population, due to the effects of violence and disease. The remaining Chumash began to lose their cohesive identity. In 1855, a small piece of land (120 acres) was set aside for just over 100 remaining Chumash Indians near Santa Ynez mission. This land ultimately became the only Chumash reservation, although Chumash individuals and families also continued to live throughout their former territory in southern California.

No native Chumash speak their own language since Mary Yee, the last Barbareño speaker, died in 1965. Today, the Chumash are estimated to have a population of 5,000 members.

Map of the Trail of Tears

Chumash worldview is centered on the belief "that considers all things to be, in varying measure, alive, intelligent, dangerous, and sacred." "They assume that the universe with its three, or in some versions five, layers has always been here."

Human beings occupy the Middle Region, which rests upon two giant snakes. Chronological time is unimportant, though the past is divided into two sections: the universal flood that caused the First People to become the natural world and, thereafter the creation of human beings, the arrival of the Europeans, and the devastating consequences that followed."

The middle region (sometimes referred to as 'antap), where humans and spirits of this world live and where shamans could travel in vision quests, is interconnected with the lower world (C'oyinahsup) through the springs and marsh areas and is connected to the upper world through the mountains. In the lower world live snakes, frogs, salamanders. The world trembles or has earthquakes when the snakes which support the world writhe.

Water creatures are also in contact with the powers of the lower world and "were often depicted in rock art perhaps to bring more water to the Chumash or to appease underworld spirits' at times of hunger or disease." Itiashap is the home of the First People. Alapay is the upper world in Chumash cosmology where the "sky people" lived, who play an important role in the health of the people. Principle figures of the sky world include the Sun, the Moon, Lizard, Sky Coyote, and Eagle. The Sun is the source of life and is also "a source of disease and death." The Sky Coyote, also known as the Great Coyote of the Sky or Shnilemun, is considered to be a protector and according to Inseño Chumash lore, “looks out for the welfare of all in the world below him”. During the creation of mankind, the Sky Coyote was present among the other important cosmological figures. The Eagle, also known as Slo’w, is the force that maintains momentum and order among the other stars so that they do not fall down on and destroy earth.

Chumash pictographs.

The Chumash cosmology is also centered around astronomy. Rock art and arborglyphs that have been found within Chumash sites are thought to have depicted Polaris (the North Star) and Ursa Major (the Big Dipper). These two astrological entities were paramount to the Chumash belief system as well as their perception of time. It is believed that the Chumash used these constellations to determine what time of the year it was depending on the position of Ursa Major around Polaris.

***

I love that Shannen showed her respect to her ancestry in some "Charmed" episodes, like in 2x10 "Heartbreak City" (click to see if bigger):

Charmed 3x01 "The Honeymoon is Over" (click to see bigger):

And the already mentioned 3x14 "The Good, The Bad and The Cursed" (click to see bigger). Her love for horses also comes from that connection:

[peeta-mellark]

CHARMED 3x01 "The Honeymoon's Over"

[mchristelle]

[phoebehalliwell]

rave!darryl in “the honeymoon’s over”

[only-one-brain-cell]

I want this I want Pen giving Colin the cold shoulder even when he realizes his feelings too fucking bad he better be on his knees begging for her.

[littletonpace]

Prue Halliwell in (almost) every scene in every episode ➣ Charmed 3x01 • Once Upon A Time

Taglist: @holyhalliwells, @phoebehalliwell, @dailycharmedgifs, @wearethecharmedones, @charmedxfanforum, @prudencemelinda, @raith-way, @pretty-pink-sunshine

[spaceorphan18]

Three Conversations :: Polin fic

A/N: The next entry of my canon compliant series. This one is set during 3x01, and takes place between the garden party where Colin talks to Penelope and Lady Danbury's ball.

Colin has three conversations -- one with his mother, one with Kate, and one with Francesca.

Available to read on Ao3 if you like.

****

Colin Bridgerton finds himself, as he often has over the past few days since he’s returned home, in front of the window of the drawing room that faces the main square.  It’s not as though he’s looking for anything in particular.  The residents of the ton scurry by, going about their day, without much thought from him.  Something else has drawn his attention.  The Featherington Estate.  

He hasn’t returned to the estate since the night of the Featherington Ball -- the night he called Jack Featherington out on his schemes.  The night he made good on his promise that he would take care of them. Or at least one of them.  The one who mattered to him the most.  The one whom, despite countless letters, despite constantly being on his mind, he has not heard from at all. 

He’s been debating on whether it would be appropriate or not to stop by, to check in, to make sure that they are alright.  He has heard little word of any of them.  He has learned that Jack Featherington is no longer a concern, having fled back to America and he’s heard news that Prudence had found herself a husband.  But no news of Penelope.  No news from Penelope.   It’s worrying.   

And so here he stands, waiting to maybe catch a glimpse of her.  Wanting desperately to know if she is alright.  Wanting to know if her silence has been forced or intentional; though neither option seems a good one.  

He replays that moment in the garden again. He had been so eager to see her again.  To speak with her.  She is the only one he wanted to share his travels with, the only one who would probably care.  He wanted to know of her, how she’s been without him, what she has been up to, what clever observations she has made in his absence.  And yet, she had been distant, uninterested, cutting their reunion short after a few mere minutes of conversation.  After all that silence he is still met with more silence.  It feels cold and confusing in a way he can’t quite articulate.  

What has changed?  

Has her broken friendship with Eloise affected things? Is her family finally forced her to shut the world out? Or, is it…him? 

“Colin? May I have a moment?” His mother’s voice jolts him from his thoughts.  

He spares one last look at the unmoving Featherington Estate door before giving her his attention.  “Yes, always.”  

Her brow is furrowed, her well-known look of mothering concern crossing her face.  “I can’t help but observe, since you’ve been home, that you’ve been a little more outward in your affections towards the young ladies of the ton.”  

Colin lets out a groan.  He knows where this is going and it’s not a conversation he really feels like having.  He turns back towards the window.  “I’m merely playing the part society asks of me.  That is all.”  

Violet purses her lips, digging in.  “That may be, but I can’t help but wonder… You have always been so charming with the young women, Colin, maybe not with the same frivolity you’ve shown as of late, but I feel as though there’s something more intentional going on as well.  Tell me, do you have any plans for this season?” 

“My only plans are the same as they’ve always been,” he replies, with some resignation.  “I intend to continue pursuing my life’s purpose.”  

“Which is what, exactly?” Her eyebrow is arched, skeptical, but still she retains a dash of hopefulness she reserves for all her children.  

He plasters on the grin he’s well known for.  “If what you’re really asking is if I plan on taking a wife this season, the answer remains no.  I’m sure Francesca will keep you busy.  And if that is not, you still have Eloise or…Benedict.” 

“Hmmm,” Violet watches out the window, too, deep in thought.  “While I understand that your brother and sister may seem more difficult in certain ways, neither of them have ever been coy about their pursuits.” 

“And you feel that I am?” 

“Yes, quite.” 

“I have no idea what you mean,” he says, shortly.  “But rest assured, I have no desire to find a wife this season.  I have no desire to find love again any time soon.  If that is plain enough speak for you.”  

A carriage pulls up in front of the Featherington Estate.  Colin watches as Penelope and her maid are helped out of the carriage.  Penelope has a handful of books, her nose squarely in one, as she pays no attention to Lady Featherington, coming out of the carriage next, berating the driver for some unknown issue.  He isn’t sure what it is, but there’s something different in the way Penelope is holding herself, something he hasn’t quite seen before.  She is lost in her own world, relaxed, wistful, amused.  He wants to know what has captured her attention so thoroughly.  

He contemplates leaving.  It would only take a moment to cross the square, ask her about her book, ask her about her thoughts… He does miss her thoughts.  He misses her voice.  He misses her.  

The thought makes him feel both heavier and lighter at the same time.  

“Colin,” Violet says his name slowly, delicately, as if debating on which words she’d like to use.  “You have traveled the world, and I have no doubt that what you have seen has, for better or worse, changed you.  But I do have a hard time believing that someone who has felt love once so deeply is now claiming so easily to forsake it.” 

He isn’t quite sure how to respond to that.  “I am not forsaking anything,” he assures her.  “I’ve just decided that of the many pursuits I would like to have, love is no longer one of them.” 

“Interesting,” Violet hums to herself.  

“What’s that?” 

“The last child of mine to say such things to me was Anthony.” 

****

He finds himself, again, at the window.  The whole Featherington family seems to be gathered around a couple of carriages now - headed out for some kind of outing.  The modiste perhaps? There’s a lot of commotion as they’re sorting out who is going where.  He observes Penelope, off to one side, arms crossed as she waits for her turn.  He notes that she doesn’t look happy or sad, only lost in her own thoughts.  Resigned if anything.  

He still hasn’t made it across the square.  Still hasn’t gone to check up on them.  Still hasn’t figured out how someone who used to be so verbose with every interaction is now suddenly such a mystery to him.  He wants to see her, talk to her, ask her how she has been.  It’s becoming more of a need than a want.  And still he refrains.  He will not impede in places he may not be welcome.

“Colin?” This time it’s Kate who approaches, with a broad grin.  “It is a pleasure to have you back.” 

He nods, with gratitude.  “I must say, it is a pleasure to have you join our household.  I’ve never seen Anthony so…tolerable.”  

She lets out an amused laugh.  “You are too kind.  And also too kind for such gifts.”  She holds up a pair of royal purple, leather riding gloves; a pair he knew she would adore the minute he saw them.  “They are similar to a design I am familiar with back home.  I cherish them.”  

He nods, warmly.  “It’s the least I could do for such an agreeable new sister.  And if I dare say it, you are possibly the most agreeable of the bunch.” 

She lets out another kind laugh.  “Mmm, you say that now, but I assure you if you spoke with Edwina, she would tell you that I would be just as troublesome as your own blood.”  

His attention is once again drawn to the window.  A horse is neighing, being restless.  Something has spooked it.  There is a commotion outside as the drivers are trying to calm it down.  He quickly scans for Penelope, but she has wandered a bit down the road, far from any harm’s way.  He is relieved to see it.  

“Since you are my sister now, perhaps you wouldn’t mind a query,” he asks of Kate, who is also watching the scene unfold across the square.  She nods, open to his question.  “You wouldn’t happen to know what has come between my sister, Eloise, and Penelope Featherington?” 

Her head snaps towards him, surprised.  “How unlike you, Colin, asking for gossip.”  She gives him a playful tap on the arm.  

He shrugs.  “It’s less about gossip and more about feeling as though the world has turned on its head and being unsure as to how it got there.” 

“Ah,” she replies, looking out the window.  She notices what he has, Penelope pacing in a square as she waits, head to the ground, avoiding the scene that is only being exacerbated as Portia yells at the driver about the horse.  “Well, unfortunately, I do not have an answer to such an inquiry.  Admittedly, Anthony and I have heard little of the outside world lately.”  

“And yet, you may have been the only ones, besides my mother, who’ve responded to my letters.” It shouldn’t have bothered him so much to hear back so little.  Yet, it feels as though the world has moved on without him and he’s having to scramble to catch up.  

“So, I am to take it that none of your sisters wrote to you?” 

He shakes his head. “None of them.  Not even Penelope.” 

Kate looks at him curiously.  “Penelope is not your sister.” 

“Yes, but she is my…” He cuts off, unsure as to the end of the sentence.  She is his what? It is true, she is not his sister.  A friend? A confident? The only person in the world he feels comfortable baring his soul to? The only person he truly longed for while he was away? What do you call such a person? 

Maybe, simply, she is just his Penelope.  

His whole body relaxes at the thought.  

“She is a good family friend,” he responds when he notices Kate’s eyes lingering on him.  

She arches an eyebrow, making a good imitation of his mother.  “If I may venture a guess, perhaps Penelope is someone who is more important to you than merely a good family friend?”  

“Perhaps,” He says.  It is uncomfortable how closely Kate is watching him.  “We have known each other since childhood.  And with the Featheringtons no longer having a direct male heir, they should be looked out for.  She should be looked out for.  Despite what you might hear, they are a fine family.”  He adds the last part quickly, as it is clear from the scene outside that Lady Featherington, on her best days, remains more difficult than ever.  

Kate tilts her head to consider.  “I am not sure what it is I might hear.  Do not forget that I, too, have come from a less than reputable family as well.” 

“That couldn’t be further from the truth,” Colin assures her.  

“You know that, and I know that, but others may not,” Kate points out.  “Hence, I will trust your judgment when it comes to the Featheringtons.”  

“Good.” 

“And?” What more she is waiting for, he is unsure.  

“And…?” 

She clicks her tongue.  “I suspect there is more that you do not wish to divulge at present.  I understand.”  

“I’m not sure I get what you mean?” 

Kate shakes her head at him.  “Never you mind.” 

The scene outside has reached a solution.  The horse is now calm, the driver annoyed yet settled, Lady Featherington has finally stopped her screaming and has entered the carriage.  Penelope finally makes her way back towards the carriage, joining her family.  Colin notices that none of them seem to pay her any attention.  She is just there, taking up space.  A terrible oversight if he has ever seen one.  

How does one not notice her?  She is the most radiant person in any room.  

“Oh, Colin…” Kate rubs his arm, affectionately. 

“What?” 

“Nothing.  It’s just that -- as unalike the two of you are, sometimes you remind me of your brother.”  She grins, giving him a wink as she starts to leave.  “Thank you again for the gloves.” 

****

It’s evening time.  Colin glances out the window to see if their carriage, the one taking them to Lady Danbury’s ball, has come around.  It hasn’t yet, but across the square, a carriage waits at the Featherington estate.  He pauses, watching, but all is still.  They have to be going.  Everyone is going.  Hopefully, then, he will see her there.  Maybe, then, they can steal a moment to talk.  

He is joined at the window by his sister, Francesca.  She is ready as he is for the ball, dressed in a lovely shade of pale blue.  She doesn’t say a word as she approaches, only stands by his side, idly, as they both wait.  He squirms a moment, fixing his jacket, adjusting his collar, dusting off a lapel.  Nothing moves outside.  He feels restless.  

“If you’re wanting to inquire about what is on my mind, there is no need, for it is nothing,” he says, after a moment.  

She gives him an odd look.  “I had not the intention to ask about anything.  Though it does not sound like nothing.” She clasps and unclasps her hands in front of her, fidgeting.  

“Are you nervous for your first ball?” he asks.  

“Maybe a little,” she admits.  Francesca has always been so calm, so serene.  It’s strange to see her in such an agitated state.  

He takes one of her hands and gives it a squeeze. “There is no need to be.  You look lovely, sister.  And rest assured, we will all be here for you.” 

She smiles, but it does not quite meet her eyes.  “I find comfort in that.”  

They continue to stare out the window, silently.  

Eventually, across the way, the door opens.  Lady Featherington leaves the house, followed only by Penelope.   She’s bundled tightly in a cloak but he notices her hair is styled differently, the red waves shining brilliantly in the orange glow of the lamplight as it cascades over her shoulder.  Colin’s breath hitches a little at the sight of her. 

“I do miss her,” Francesca says, solemnly.  

“Penelope?” 

“Yes,” a faint smile spreads on Francesca’s lips.  “She’s always been so lively and kind to me. Always complimenting how I play the pianoforte.  It seems as though something has been missing not having her around.”  

“Yes, Penelope is…” his words die as there isn’t an adequate way to complete the sentence.  He remains fixed on Penelope across the way.  He hadn’t been looking forward to the ball.  He isn’t often fond of any of them.  But he’ll be seeing her soon, and a sense of giddiness arises in him.  

“It’s a shame whatever argument that she and Eloise have had,” Francesca continues.  “We did not see her at all while in the country.” 

“And you do not know their argument?” 

Francesca shakes her head.  He supposes that’s one mystery that will have to remain for now.  

Across the way, Penelope moves towards the carriage.  For a moment, she turns to look behind her.  Her eyes flash up, and Colin thinks she sees him looking back.  A frown falls over her face, and she turns away again, entering the carriage.  Colin feels a heaviness in his heart.  

“I find myself…missing her as well,” he admits.  It feels good to say it out loud.  

“That does not surprise me,” Francesca says, unexpectedly.  

“It doesn’t?” 

“You are dear to her.”

“You mean, she is dear to me?” 

“Of course, she would be.”  Francesca gives him an incredulous look.  “I only meant that I’m sure her attention towards you had not gone unnoticed.  To not have it now must feel…strange.”  

“Eloise is dear to her,” he deflects.  “Any affection for me, as well as the rest of the family, is merely an extension of that.”  

A flicker of a grin twitches on Francesca’s lips.  “Yes, I’m sure she feels towards you the same as she does for Hyacinth.” 

“I’m sure she does.”  

“And yet, her eyes do not light up nearly as bright when any of the rest of us walk in a room.” 

“Do they?” 

“Surely, brother, you jest.  Have you truly never noticed how…”  Francesca is cut off by the rest of the family entering the room.  

The bustle to leave begins as they shuffle out of the house.  Francesca is scooped up by their mother, ushering them out first as she gives Francesca tips on how to act and whom to seek when they arrive at the ball.  Benedict and Eloise head out next, the two of them huddled together as they giggle and laugh and joke about the various ways they could make what should be a very dull evening more lively.  Anthony and Kate are next, arms linked together, as they look at each other, very deeply in love.  

Colin brings up the rear, feeling somewhat like an afterthought.  

“Why are you being melancholy?” Anthony throws him a look as they wait to enter the carriage.

“I am not melancholy,” Colin states.  “I’m just being… pensive.” 

“You’re being sour,” Anthony says.  “And you’re reminding me of me. I don’t like it.” 

Kate lets out a laugh, as she puts a hand on Anthony’s shoulder.  “Let your brother be.  I’m sure his mood will improve once we get to the ball.”  She gives Colin a wink as they enter the carriage.  

He isn’t sure why everyone has been insisting he’s acting like Anthony.  Anthony had been miserable last year.  And he doesn’t feel anything of the sort.  He’s fine.  Good, actually.  Never in his life better.  A far cry from the tortured soul his brother had been the previous year.  

He throws one last look over to the Featherington estate; Francesca’s words lingering on his mind.  Would Penelope’s eyes brighten when they meet tonight? The thought has him feeling hopeful for the evening.  

[the-other-art-blog]

How can anyone honestly believe Cressida changed???

Sorry, but I do not buy the whole "my dad is mean and my mom pressures me so much and society puts me against women. so that's why I have been the biggest bitch for the last three years."

And it's very telling how some people are ready to forgive her, but they treat Pen as if she murdered someone and is beyond redemption.

May I remind you that Cressida was one of the people who judged Eloise and called her a "radical ruffian" after LW published her column about her.

Are we to believe that weeks later, she had an epiphany and decided to be kind to Eloise? No! She noticed the rift between Pen and Eloise and decided to go after El. She gets a Bton connection and leaves Pen alone and defenseless. Cressida has a direct beef with Pen, like all bullies she has a fixation against one person.

What's interesting is that despite their supposed tight friendship, El hasn't invited Cressida to have tea with the family every Sunday. It's like El knows that this is not a real friendship and Cressida will never replace Pen or at least whatever they have is not even close to what she had with Pen (I realize that this sounds like I'm talking about a romantic relationship, but so what, they're the second love story of s3). Also, the fact that the rest of the family hates Cressida doesn't help this relationship.

In 3x01 she bullied Pen TWICE. If El hadn't distracted her, Cressida would have said something mean to Pen. In fact, that's why El called her because she knew she was going to bully Pen. Then, obviously, during the ball, even El apologized to her.

Even in this gif below, and any other time, El looks embarrassed and regretful to be with Cressida. She is miserable and deep down (or maybe not so deep), she knows what she is doing is wrong.

I'm convinced that the only reason why Cressida did not spread Pen and Colin's deal was because El had already called her out on her bullying in ep1. When El tells her that Pen may have a chance with Debling, she laughs! Why Cressida, why is it so far-fetched that Pen may attract the attention of a wealthy lord?

Oh, but my favorite is when Cressida said she tried to befriend El in s2. Like hell she did! First, she mocked her when it seemed El had screwed up her meeting with the Queen. But when El charmed the Queen (ten seconds later), suddenly she's offering her "a spot "an opening" in her circle, as if friendship with her was a selected club where only the worthy ones had access (Blair Waldorf who? And yes, it's an insult).

Cressida also complains about her lack of proposals as if she were a poor debutante who never got the chance to attract a suitor. The reality is that as the beautiful and popular single daughter of a lord, Cressida could have gotten married quickly. She didn't because even the horrible men of the ton could not stand her. Madame Delacroix said it in s1:

But to me, the biggest clue that she is still the ton's biggest bitch is her promo video. This last bit tells me that she's still the same.

Now, I'll be discussing spoilers for episodes 5 and 6 (because there's no way to avoid them unless you go offline). So, if you don't want to know, stop reading.

I will also be discussing potential spoilers that relate to s4.

You're reading this at your own risk!

So according to the ss that I've seen of ep 5 and 6 and the teaser, they are following the storyline from RMB where Cressida lies and tells everyone she is LW. In the book Lady D offers a reward, in the show, it will be the Queen. We know that Lord Cowper is practicing some economic violence by restricting Lady Cowper and Cressida's allowance until C marries someone wealthy. 5000 pounds is a huge amount of money in Regency England, so C will want it, plus all the attention from it. I don't know much else because I did not watch the recap videos. But this shows she's still an awful person.

Onto Benophie rumors.

Ready?

It is widely believed that the Cowpers are Sophie's family. Why? Because Lady Cowper's given name is Araminta. There were also mentions in s2 that Lady Cowper stole a servant from another house, something the Araminta of AOFAG did. That and a few comments on ig posts that mention Sophie were liked by the actresses. I'm very confident with this theory, especially with the amount of screen time the Cowpers have this season, including their domestic life. I'm sure Sophie is there working as a maid. I don't know if she is Lord Cowper's illegitimate daughter, but somehow she ended up there.

Behind the scenes, this is a recurring change adaptations use to economize in characters. The Cowpers and the Gunningworths can blend into one easily. Plus, imo, the Featheringtons already give the evil step-sisters vibe that would seem repetitive to people who haven't watched the show. They would seem to be mere replacements for the Featheringtons after they leave the show in s3.

If so, then Cressida fits the Rosamund character perfectly. Both are ultra-mean women, both spinsters, both capable of being cruel to someone like Sophie.

What about Posy? Here's where things get complicated, some believe that Cressida's redemption arc will make her a combination of Rosamund AND Posy. I think that is an absurd idea since as this post argues, there's no such redemption arc. Posy is a beautiful character who suffered domestic abuse from the very people who should have loved her. And I do not trust anyone who villanizes her for not speaking up earlier. She was the bravest person in the book for stepping up and defending Sophie, even at the risk of suffering Araminta's wrath. If Violet hadn't adopted her, who knows what would have happened to her.

I'm open to changing my mind after watching part 2, but right now, I would rather lose Posy completely in the show than give Cressida traits of her personality. Let her live in the books with her vicar! If Sophie has to lose her sole source of kindness in her house (aside from the servants), like Pen lost Felicity, then so be it.

ONE LAST THING: IF YOU HAVE MORE DETAILED SPOILERS, DO NOT SHARE THEM HERE, PLEASE!!!!! I DON'T WANT TO KNOW ANY MORE OF THE SEASON UNTIL I WATCHED IT ON JUNE 13TH. DON'T MESSAGE ME OR REPLY WITH SPOILERS.

WHOEVER SHARES MORE SPOILERS HERE WILL BE BLOCKED AND YOUR REPLY DELETED

[kmze]

Thoughts on 3x01-3x11, lol I WROTE SO MUCH but this season (especially this half) has so much happening it's kind of impossible to not have a lot of thoughts. This is also where the show starts to embrace being more comedic (like this show is really a dark comedy at it's heart) so that helps. More characters being involved in the supernatural business also helps and up-powering Tyler is great for the plot IMO. I don't think Klaus was as strong of a villian as Katherine was last season (he is so whiny in the first half) but he started to get a little more interesting after he came back, maybe he just needed his hybrid minions to become more interesting. More below, I even broke it up in episode order!

3x01

Isn’t Elena’s birthday in June? She said Ric spent half the summer on the couch but that would mean it’s gotta be late July early August, right? (don't know why I'm even trying to make sense of this show's timeline)

I forgot that A Drop in the Ocean was played during a montage and included Forwood sexy time! What a moment. When I first watched the show the Stefan and Elena scene at the end is when I actually started shipping Stelena, it was the first time I really felt like they truly loved each other (song helped too because WHAT A SONG I always sing-a-long). I didn't feel that same buzz this time though, but maybe too much time as passed (and that damn scene in 6x02 saying this was when Elena fell in love with Damon takes a lot away from my old feels). I'm getting such a buzz from Forwood though!

3x02

Elena’s getting on my damn nerves with this stupid rescue mission in the woods during a full moon… I don’t understand how Ric and Damon agreed. I fail to see any reason for this nonsense plan.

3x03

The moment in the 20s flashbacks when Stefan is looking at Rebekah while Klaus is talking to him and then he turns and looks at Klaus with the biggest heart eyes I have ever seen him use how am I supposed to not ship it? The way they keep using "brother" to hide the extremely heavy gay subtext too I S2G. If this show was made 10 years later on a better network with better writers that subtext would be straight-up text! Think Louis and Lestat on AMC's Interview with the Vampire. In that just world I would have gotten canon Klefaroline dammit!

3x04

Caroline is a much better person than I because she's protecting her Dad meanwhile I'm counting down the episodes until he drops dead.

Stefan is really off his game (happens when he's too emotional about something) I cannot believe he got out-manipulated by Rebekah one of the most easily manipulated characters on this show. Pathetic really.

As soon as Beremy started being cute the writers start fucking it up for Bonnie. Makes me madder watching it all over again and how much they never give Bonnie the devoted love interests like Caro and Elena. And I like Jeremy and Anna but I’m so annoyed at this whole storyline in how it’s treating Bonnie I can’t even enjoy it. GFY Julie.

3x05

Completely forgot Bill Forbes taught himself how to resist compulsion (IDK why too it's a big plot point oops) and I can't believe none of these idiots bothered to learn how. I like to believe Caroline did and there's a class at the Salvatore Boarding School that teaches it.

The gym buzzer countdown was a nice touch lol.

3x06

I like that Rebekah narrowed in on Caroline and was like “you, I want your life” because she sees the vision and the potential! In all seriousness though I wonder if Rebekah having an interest in Caroline is why the writers picked Caroline to be the love interest for Klaus (since it parallels with them and Stefan in the '20s). Things that make me go hmmm.

I'm with Ric and Caroline, every time I see or hear about Damon and Elena I was to scream "stop molesting her!" UGH! He is always invading her personal space and it annoys me! The part where Elena said Damon needed to use his charm to distract Rebekah and Ric said "better luck finding a dagger" and you see Caro in the background laughing was the best.

Kinda happy to get a break from Klaus for a few episodes, he's just so one-dimensional during this time period and frankly annoying.

3x06 made me laugh so much even though I'm not sure I was supposed to laugh as much as I did. I mean Ripper Stefan is never not funny (a jerk but a hilarious jerk) but the scene were Ripper Stefan and 1,000 year old Rebekah are sitting in Ric's HIGH SCHOOL HISTORY CLASS just kills me, like what even is this show. Also laughed at Tyler being a "d-bag" baby hybrid, and you knew he was sired as soon as he didn't want to help lock up Stefan. HA!

Um, how did Rebekah get into the Lockwood mansion?

3x07

How did Lexi make Stefan think he’d been bleeding out for years? Is that a vampire power they just never used again or is it a special ghost power? I don’t remember this ever happening again.

Caroline fighting the ghost-vamps in her ballet flats lol the cutest!

3x08

Elena dealt with Ripper Stefan for like an hour and was like "absolutely not, Damon you do it" LMFAO which reminded me of the gifset that made everyone mad.

The Defan convo in 3x08 about Stefan always saving Damon for the bajillionith time even without humanity reminds of the convo in Damon’s head in 8x10 a little. This is a good season for them if I remember correctly, obviously I always enjoy them more when their causes of contention aren’t solely about Elena.

Elena making the Beremy breakup about herself, she really does have a gift. Even Bonnie was like really?

Bonnie ignoring Jeremy and giving him a death glare 1000% BB you deserve better you brought his ass back to life and lost tons of witchy power doing so he deserves to feel like shit!

3x09

Oh this is the first time Tyler and Caroline get into it about not including each other in schemes. This is kind of always a cause of conflict in their relationship but it’s a good cause of conflict because it makes sense. Tyler has a pack mentality (werewolf/hybrid) whereas Caroline is more independently driven (vampire). Like Caro said so much supernatural boyfriend drama.

Elena stabbing Rebekah in the back with the dagger is one of her best moments (even if I RME at her “I care too much” moment after).

3x10

Elena giving Tyler shit for being sired to Klaus (something he has no control over) is pretty funny considering what happens to her next season... insert well-well-well-how-the-turntables.gif.

3x11

Stefan’s spin decapitation of one of Klaus’ hybrids in front of him is so extra, I love it.

The symbolism of Elena “crowning” Caroline is not lost on me. Neither is Klaus forcing his way into Caroline’s house through the doorway.

Yeah the Wickery bridge scene was rough, no one knows how to psychologically torture/traumatize people quite like Stefan does.

Lines that made me laugh:

Bonnie: You think you're bored? My dads family is like wet paint that never dries. (oh I’m saving that one!)

Stefan: You’re into Tyler now, huh? That’s kind of fickle. (He's the worst but the comedic timing is *chef's kiss*)

Stefan: We should all listen to Elena, right? I mean, her plans always work out so well, don't they? (I’m saying! Damon agreed too LMFAO)

[deceptivemorals]

META + Tristan (Because you subjected me to the arduous challenge of writing something concrete about these two with a meme first so now it is your turn to suffer. Best of fortunes!)

*         send   META   +   a   word   ,   a   name   ,   or   phrase   and   i   will   write   a   head  canon   based   off   of   this   !!!  || @lordofthestrix || accepting

first of all, i have to apologize because you already sent in a similar request in … may. i don’t always respond chronologically and i take forever but it's not forgotten. i also wanted to answer this properly and knowing that i tend to make things long, i needed the right time for it to be answered. and yes, after i finished this really long headcanon/meta post, i noticed that i rambled. i still hope this thing here makes sense and i hope you all enjoy reading it and discovering more concerning young!vampire!elijah.

tristan is a black spot in elijah's story. elijah avoids mentioning him or even worse, giving him recognition for anything that makes elijah elijah. however, tristan had an impact on what & who elijah is now.

to make this meta work, i have to go back a little further.

it is known that elijah is descended from a witch and a viking warrior. rich people (rebekah explains in tvd that they were rich landowners in europe), but simple people. i firmly believe that elijah has been trained to be an outstanding fighter (mikael says he is proud to call him his son which confirms this). even as a human, elijah was gifted in strategy, different fighting styles, the ability to hunt, etc.

elijah has always been naturally gifted at being charming and polite, but as already mentioned, he came from a simple family. he lacked what makes him today: the elitist behavior, the formal language, and the way of dressing.

but until he came to the court of the de martels, elijah had not considered that this attitude/lifestyle was a direction he could take that would complete him.

in the originals 3x01, klaus described the situation of the mikaelson siblings as the following:

"in the beginning, we were so naive. our mother had made us into beasts who fed on blood. but immortality was beyond our grasp, compulsion a trick we had yet to learn. all we knew was a fear of being hunted… that, and a terrible hunger."

but despite this, elijah is shown as the one who is capable of acting farsighted. he's the one who covers the tracks, who insists that they stick together, he's the one who made the rules (of not letting anyone live who saw what they are). i think it's fascinating to say that even finn turns to elijah to present his desire to split up. finn wasn't simply deciding that this would be the way it's done, he's asking elijah.

it should also be added that back then, the mikaelson siblings didn't see themself as vampire royalty, solely because a) they were still figuring vampirism out, b) they were the only one of their kind, c) because they were very much focused on being on the run.

nevertheless, even back then elijah appeared to be a natural leader although i think elijah also had an identity crisis during that time.

elijah was a man who had long had the age and the necessary maturity to lead his own life. he had concrete plans with tatia (i think they soon would have married and started their own family). his parents' decision to turn them into vampires deprived him of this life and stripped him of his wishes. he was no longer human, he was something he could not fully comprehend, something he considered a beast, tatia was dead (and as far as he knew it was her blood that he was forced to drink which made vampirism worse), they were fleeing from their own father, they were in an entirely unfamiliar environment, living in fear and suddenly it was he who was responsible for the welfare of the family, as even their eldest brother finn didn't seem to take responsibility and take leadership. suddenly he found himself being head of the family which wasn't an easy task, especially at this time of new beginnings. in addition, there were also feelings of guilt in connection to klaus which had been intensified by the whole vampirism.

he also had issues with being 'in control' / having the necessary (from him desired) self-control. i think that self-control was already important for elijah as a human being. a good fighter needs self-control, control over the situation and a clear head. i think it's something that was expected in his upbringing (mainly from mikael) and also some kind of protective instinct.

i think the desire for self-control has increased since he attacked tatia. he obviously does not remember, but the trauma of his loss of control remained subconscious. so yes, he strives for (self-)control and to be in control of the situation which gets harder as a vampire.

but how does that get us back to tristan?

funnily enough, elijah was the one who was totally averse to the idea of posing as nobles:

"masquerade as nobles from a land we do not know and whose customs we cannot begin to understand? ridiculous!" - the originals 3x01

his objections were overruled and they were on their way to a real castle, in an environment where they had to be careful not to attract attention and elijah was very aware that this was a dangerous decision ("we're placing our lives in the hands of a stranger." - the originals 3x01) while his siblings mainly saw the luxury of having a comfortable life.

when presented to the count, elijah was impressed by the building, the high ceilings, by everything. he could see the appeal of it, of being something more.

again, it was elijah who stepped forward to answer the counts' critical question of never having heard that his actual expected guest had children.

even later at the party, elijah is shown to converse with the count. on another day, elijah was the mikaelson-sibling in an axe-throwing contest with tristan. he seemed to integrate into this lifestyle with the right amount of confidence while it seems that the other siblings did not do so to that extent and rather focused on romance or feeding.

since the siblings had a very long stay at the court, elijah had a lot of time to watch and learn. he adapted to the 'correct' behavior and the proper way to speak. elijah is a quick learner. he is someone who does a lot automatically after having it picked up and considered it important, and he had copied most of it from tristan.

so why tristan of all people? why not the count? why not aurora?

i think he identified with tristan (a bit) over time.

they probably have roughly the same age and i think they did spend some time together. out of curiosity perhaps, out of sportsmanship (the competition of throwing axes, perhaps even swordfight etc.), out of recognizing that they are both brilliant minds.

although far from being as educated as elijah is now, he was even back then a smart mind with diverse interests, which have been increased during their stay at the court and the new possibilities that it brought (a library, for example). although i do wonder how they even communicated (how did the mikaelson siblings learn to speak french within a year after turning into vampires?).

tristan was an older brother who was always concerned about his younger sister’s well-being, even though elijah soon noticed that this concern was (almost) an obsession. nevertheless, this reflected what elijah felt for his siblings: concern for their welfare, and the need to protect them. they also shared their disdain for their respective fathers.

but above all, tristan radiated control. tristan always seemed (outwardly) self-controlled and he was in control of the situation. a (self-)control elijah was looking for and something he desired as being in control/self-control is up to this day an important matter to elijah.

tristan also radiated a matter of course to deal with power. it struck elijah how naturally tristan saw his position of power, how he rose above others, but mostly how he wasn't scared to use what was given to him. power wasn't a curse, it was a gift. of course, elijah’s power (even with his limited knowledge of vampirism at the time) differed from the power that tristan had, nonetheless, he learned how to handle/use power by watching tristan.

and even if elijah did not always approve of the treatment of tristan's (or the counts) subordinates, he also learned qualities of leadership from his time with tristan. something elijah had to deal with as his family relied on him (and not on the oldest brother finn). don't get me wrong, i think elijah was taught how to be a leader by mikael but that kind of (required) leadership was different.

elijah learned valuable things during his time in southern france and there are two quotes from 'game of thrones' that fit the situation:

"power is power" – people like the count martel & even his children radiated a different kind of energy when it came to leadership, power, and control. a unique power that elijah (and his siblings) now held as well. a power elijah learned to use and not be ashamed of doing so (the first time when he compelled aurora to despise klaus).

"power resides where men believe it resides. it's a trick. a shadow on the wall. and a very small man can cast a very large shadow." – this can’t be transferred one-to-one to the situation, but it’s also something elijah had learned. appearance is important, without the right clothes (and of course without the initial help from lucien), they would have been noticed immediately. the right clothes/appearance/demeanor immediately brought their family a different kind of power, and respect. through the right appearance, you can achieve a lot without having to play the real trump cards. in the originals season two, esther explains to elijah that he dresses the way he dresses because he subconsciously wants to be 'clean'. i don’t think that’s the only reason, he prefers his suits because they give him authority / strengthen the authority he has. because the right clothes are important to make an impression. his suits are like an armor.

of course, the second quote is no longer quite so relevant, because elijah is now a powerful man. appearances are no longer deceptive and he no longer has to hide behind a false facade to be considered powerful. nevertheless, it is still a valuable lesson when it comes to assessing others. opponents are sometimes just puffed-up pomp, to whom one attributed too much power.

what i find interesting, however, is that tristan (and i am referring to my interactions with @lordofthestrix) acknowledges elijah’s power/monstrosity, while he does not acknowledge klaus' position and considers him small (x) (x).

learning from tristan gave elijah direction and i think that also ended his identity crisis.

nonetheless, elijah was not blinded by the lifestyle. he knew the count was a cruel man (a warning lucien had issued). that not all gold is what shines and a beautiful appearance deceives, was also confirmed when elijah (and klaus) discovered how tristan tortured lucien. there was nothing noble in these noble people. elijah was admittedly appalled by that discovery because despite being a monster himself, elijah still did value humanity and decency.

elijah found the fact that a man was capable of such a terrible thing, although lucien, a loyal servant, had done nothing wrong, horrible and he was disgusted by it, especially because tristan felt entitled to give such a vicious punishment and didn't even question his position as 'judge'.

this behavior, this entitlement, and the lack of humility are also something that elijah still has in mind and that he condemns. my elijah had a magnificent exchange about this topic with @lordofthestrix here.

fun fact: this situation was also the moment when elijah should have intervened. not to stop klaus, but to finish off tristan as soon as he had made his threat to spread the news of their true nature. because even if this threat hadn't been a bluff, they would have had enough time to flee. it's something he regrets in retrospect.

i think it's interesting that elijah and tristan left together after the latter was done torturing lucien. i assume they made some kind of deal (which had nothing to do with turning tristan at a later point).

so what does it mean to say that tristan contributed to making elijah elijah? it was definitely not an active process in the sense that tristan had consciously taught elijah. elijah evolved through interaction and observation of the 'wordly power'.

and he embraced the qualities he had picked up in this place.

"we made each other" - the originals 3x04

without tristan, elijah would have taken a different path or would have taken much longer to become the elaborate, elitist man he is now.

he enjoys not only being 'vampire royalty', but also presenting himself as such: powerful, superior, unassailable. over time, the mikaelsons have repeatedly presented themselves as nobility, 1112 in italy and most prominently 1492 in england.

so yes, tristan did have a major influence over what elijah is now although elijah would detest having to give him credit.

[darkangel1791]

TV Fanatic

Shadowhunters: 31 of Our Favorite Malec Moments

Rachel Foertsch at July 23, 2018 3:37 pm.

The relationship between Magnus and Alec on Shadowhunters is one of the best 'ships currently on television.

Alec is a Shadowhunter and head of the New York Institute while Magnus is the High Warlock of Brooklyn. Seeing as they're both in charge of two groups who don't particularly get along, they have the odds stacked against them in almost every way.

Despite their struggles, Alec and Magnus never let their differences keep them apart. They have proved throughout the series that their love is strong enough to overcome anything life throws at them.

Not only are they great representation for the LGBTQ community, but they also have a pure and healthy relationship that everyone can look up to. They're one of the many reasons we're all fighting so hard to #SaveShadowhunters.

It's obviously impossible to name every amazing Malec scene, but we compiled a slideshow of 31 of our favorite Malec moments below!

And don't forget you can see these moments for yourself by watching Shadowhunters online right here on TV Fanatic! 

1. Their first time on 2x18 "Awake, Arise, or Be Forever Fallen"

There are so many amazing things that could be said about this scene as a whole. The music, the kissing, and Alec telling Magnus how beautiful he is officially ended us all.

2. Team work makes the dream work on 3x02 "The Powers That Be"

Anytime Malec teams up in the face of danger they always accomplish their goal. It's clear that being around each other makes them stronger.

3. Alec and Magnus' first kiss on 1x12 "Malec"

This was the iconic kiss that no one will ever forget. Alec literally walked back down the aisle of his own wedding to plant one on Magnus in front of everyone. And yes, Magnus and Alec are so epic that they actually had an episode named after them.

4. That time they turned Shadowhunters into a crime drama on 3x02 "The Powers That Be"

Somehow, Magnus and Alec are the best partners in crime and the worst. Being sneaky and subtle is not their strong suit, yet surprisingly they still managed to get the job done.

5. Malec gets domestic AF on 3x03 "What Lies Beneath"

Alec's cooking may not have been the best but thankfully Magnus was there to make some er...magical improvements. But you know what they say, a couple who cooks together stays together.

6. AU Alec pulls a Magnus on 1x10 "This World Inverted"

When Magnus and Alec first met Magnus inferred that Alec was playing hard to get. It's a good thing Magnus and otherworldly Alec both love a challenge.

7. Magnus and Alec kill us with cuteness on 3x01 "On Infernal Ground"

This scene was all kinds of adorable. Once Magnus is truthful with Alec and admits he doesn't want him to go to Idris, Alec tells him that his real dream was finding someone like Magnus. He assures Magnus that he's not going anywhere.

8. Cuddling ensues the morning after on 2x18 "Awake, Arise, or Be Forever Fallen"

Their first morning after was everything we hoped it would be and more. It's clear just how much these two love each other and what the night before meant to them.

9. Magnus being a worried boyfriend on 2x13 "Those of Demon Blood"

Seeing Magnus worry about Alec going out alone was absolutely precious. Honestly, these two couldn't act any more married if they tried.

10. Malec is here to stay on 2x08 "Love is a Devil"

We already knew that Malec was a permanent thing, but hearing Alec say the words out loud to Magnus was especially satisfying.

11. Gift giving on 2x07 "How Are Thou Fallen"

Like Magnus said, Alec is always surprising him. In just one of many examples of him being an adorable boyfriend, Alec gives Magnus an Omamori charm which is said to offer health and protection.

12. Magnus and Alec talk it out on 2x01 "This Guilty Blood"

It's impossible for couples to go through life without facing challenges. But Magnus lets Alec know that they need to work through problems together instead of getting nervous and pushing each other away.

13. Immortality angst on 3x05 "Stronger Than Heaven"

It's not that we love the angst but well...we love the angst. The fact that the basis of Magnus and Alec's fight was that they never wanted to be without each other was somehow both heartbreaking and heartwarming.

14. Alec comforts Magnus on 2x15 "A Problem of Memory"

Magnus finally opened up to Alec about what he was going through and Alec did the only thing he could. He was there for him completely.

15. True love's kiss on 2x03 "Parabatai Lost"

Things were not looking good for Alec this episode. His soul was lost alongside his parabatai's and getting Jace back was the only way to wake Alec up. Although it (sadly) didn't work, the fact that Magnus tried to kiss Alec back to life gave us all the feels.

16. Magnus and Alec's first date on 2x06 "Iron Sisters"

A first date was much needed between these two. They finally got to talk about the things that were important to each of them. Despite Alec not being at all experienced and Magnus being extremely experienced in the dating world, they showed how determined they are to make things work.

17. Malec teaches us about healthy relationships on 2x20 "Beside Still Water"

In the words of Magnus Bane quoting Alec Lightwood, relationships take effort. Magnus and Alec both understand that in order to have a healthy relationship they need to put in the work. And these two are willing to do whatever it takes.

18. Alec tells Magnus he loves him on 2x10 "By the Light of Dawn"

After Alec spent a few horrifying moments thinking that Magnus was dead, we got an epic declaration of love. Their first I love you is always going to be one of Shadowhunters' best scenes and it's impossible to watch it dry-eyed.

19. Love at first sight on 1x04 "Raising Hell"

From the moment Magnus and Alec met sparks were flying. You can tell from Alec's nervous smile and the way he can't keep his eyes off Magnus that he is crushing hard.

20. Magnus and Alec get back together on 2x20 "Beside Still Water"

When Magnus and Alec are together it almost feels like everything in the show is going to be okay. When they were apart the world was very literally falling apart around them. Alec tells Magnus that he can't live without him, and we connected with Alec on a spiritual level.

21. A magical dinner by the fire on 2x17 "A Dark Reflection"

When Alec misses their date, Magnus brings the date to him with a wave of his hand. Having a boyfriend with magic powers sure does come in handy.

22. Alec (literally) gives Magnus his strength on 1x06 "Of Men and Angels"

Even warlocks can run out of power and Magnus was fading fast. Thankfully, Alec was there to offer his own strength in whatever way he needed. Magnus was obviously surprised by Alec's inclination to help him and admitted that it's rare to find a Shadowhunter with such an open heart.

23. The aftermath of Valentine's destruction on 2x12 "You Are Not Your Own"

This entire episode was absolutely tragic. When Magnus is hurting so is Alec, and the devastation when he realized he couldn't take away Magnus' pain is agonizing. This moment may not be a happy one, but it definitely made us emotional.

24. Alec opens Magnus up to love for the first time in a century on 1x06 "Of Men and Angels"

Although Magnus had been in love with both men and women before, he closed himself off from feeling anything for anyone for almost a century. But from the moment he met Alec his heart immediately opened back up. If that's not true love than what is?

25. The heartbreaking goodbye on 3x10 "Erchomai"

This scene was a mess of emotions. Magnus couldn't stand by and do nothing while he watched someone so important to the man he loves fade away. Alec told Magnus that he needs to make it back and of course, Magnus' reply was perfect.

26. Unofficial first drinks on 1x06 "Of Men and Angels"

What Alec doesn't know in this scene is that he's sharing his first drink with the love of his life. Of course, with the way these two couldn't keep their eyes off of each other they must have had some idea.

27. Malec's photo booth pics on 2x19 "Hail and Farewell"

Magnus staring at a photo strip of him and Alec after their breakup was devasting. But we couldn't help but fawn over the fact that Magnus and Alec actually had the chance to go out and do cute couple things. Where's our flashback of the photo booth scene?

28. Magnus tries to convince Alec to call off his wedding on 1x12 "Malec"

We were right there with you Magnus. Even though Lydia was a great character, Alec was only marrying her out of duty and obligation. Magnus could see right through him and tried to get Alec to admit who he really had feelings for.

29. Hug and make up on 3x07 "Salt in the Wound"

These two still had some things to talk about, but in this moment the only thing that mattered was their love for each other. With other things taking precedence, they just had to take a moment to make sure the other knew they were sorry.

30. Handholding on 3x02 "The Powers That Be"

Alec was pretty nervous about being the only Shadowhunter in a party full of warlocks, but Magnus was quick to help calm his nerves.

31. Reconciliations on 2x13 "Those of Demon Blood"

After Alec realized he was in the wrong for asking Magnus for a piece of hair to verify his innocence, Alec assures him that he never has to prove himself. He trusts Magnus implicitly.

[purpleplaid17]

Jess Watches // Mon 7 Oct // Day 374 Synopses & Favourite Scenes & Poll

Midnight Family / Familia de Medianoche (with mum) 1x03 Earthquake

An earthquake takes out the medical clinics, putting Marcus and Marigaby's skills to the test; Julito, the youngest Tamayo, faces his fears.

This seemed like a documentary filmed in the aftermath of an actual earthquake. The danger felt very real.

Buffy the Vampire Slayer (rw) 4x10 Hush

When everyone in Sunnydale loses their voice, the Scooby Gang must silently solve the mystery of the monsters who stole their ability to speak.

I'm Amber Benson's mum, asking The Gentlemen to please keep away from my daughter. You can't sit with us.

I'm also Giles, in the middle of a crisis, taking the time to make an overly-elaborate-yet-somehow-still-shitty presentation, when it really could've just been an email.

Merlin 3x01 & 3x02 The Tears of Uther Pendragon

A year later, Morgana is found, disheveled and bruised in the forest and claiming abduction by bandits. Superficially contrite and charming, she remains in league with Morgause, who induces rival king Cenred to invade the weakened kingdom.

Uther: We must stand firm against the dark forces of magic and ensure that they never penetrate our walls again. Merlin, looking at Arthur, and Morgana: Oh, you mean in a fight.

Meanwhile:

[mchristelle]

[phoebehalliwell]

piper halliwell ❧ the honeymoon’s over

[ouatsnark]

oh my god i wanna rip out my eye sockets tying this, evil regals and swanqueens insist that hook was so easily accepted into the group of heroes during neverland and after regina getting tortured but that's literally not the CASE they only listen to him because he knows how to NAVIGATE the place HE spent decades in, the charmings (david more so) only praises him ONCE because killian saved his life and he didn't want credit, and emma kissed hook because SHE wanted to, regina tried to kill them-

Anonymous asked: cont from last ask regina tried to kill the charmings and destroy the town MULTIPLE TIMES and then is in the background bitching and moaning in neverland, and yet they give her so much grace when she has ruined and taken multiple lives including emma's and yet she's accepted on a crappy redemption arc and the fact that she's also henry's mother, and she said she never regretted it, but somehow it's always hook deserves to be treated less than or not accepted because he's a shitty person too?

I've said this a dozen times but I'll say it again: It's absurd since Killian should've been more easily accepted than Regina since Killian DID NOTHING TO THEM whereas Regina RUINED THEIR LIVES. All of Regina's crimes directly impacted Emma, Snow and David. Killian's crimes impacted none of them (David's father aside since we don't learn about that til s6 retcon). Yet it takes them all of 5 episodes and Regina confessing she has 0 regret for them to accept her after she just tries to kill them.

And if they think Regina and Killian weren't on equal footing with the heroes in 3x01 then they need to look again. Cause they were. Even though Regina's sorry butt should've been in a jail cell in Storybrooke since she abused Emma's son.

I swear Regina stans share one brain cell.

[littletonpace]

Prue Halliwell in every episode ➣ Charmed 3x01 • The Honeymoon's Over

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