#character reading lists

[seasicksilver]

reading the Iliad is an experience

[amarriageoftrueminds]

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Since it came up recently, link to that therapist on twitter 👆 who was discussing Bucky's terribile therapist in TFATWS and how they should’ve been. 

Transcript:

"As a therapist myself I've had a lot of feelings about Bucky's therapist on TFatWS, and have decided I need to rant a little to let it all out. I've worked w/active duty, trauma survivors, and court ordered clients, so here's some therapeutic conjecture on Bucky's therapy:

Aesthetically her office and presentation don't fit for someone who has been through the trauma that he’s been through. A client like this would need something non-threatening and safe- the whole vibe is overly formal and official in an office building, not at all therapeutic.

6 months working together she calls him Mr. Barnes and then James-he has identity issues and is struggling with who he is, so I think that one of the 1st things they would have done is figure out what he is comfortable being called, by whom and what that means for him.

He is still full out lying to her about pretty much everything including PTSD sx—I’m not saying clients never lie if they have good therapists, but if after 6 months he still doesn’t feel like he can be truthful at all then they haven’t built any trust/ solid therapeutic rapport

The pen and notebook thing-that’s clearly a trigger for him, there’s no reason to antagonize him and take notes in session like a punishment, it’s a power play on her part and it only emphasizes his lack of control in being forced into therapy (she should know his hx w/notebooks)

The whole little arm motion she made when she said “they need to make sure you don’t…” – that made so much light of what has happened to him, he probably feels like his arm is only good as a weapon and things like that will not help him accept it as part of his body

The rules, UGH the rules—from how they were talking about them clearly not something he actively created for himself, more like directives that he’s been ordered to adhere to—something fed to him and reinforced, feels like a way to sign off on liability only

THE AMENDS—this is probably my biggest issue. Amends are for people who need to take accountability for their actions and the repercussions of those choices. He had NO choice. He was a victim of horrific crimes against him, and framing it in a way that he needs to make up for

the crimes that others used him for is abhorrent. The lack of trauma informed care as astounding in the way it is being framed that he has to atone for sins that weren’t his. Its clearly reinforcing the idea in his head in ep 2 when he says “HYDRA were my people".

NO, HYDRA were your captors. They were not your people. That type of thinking needs to get deconstructed and challenged. He can dedicate himself to bringing good into the world and righting wrongs that happened WITHOUT taking on the responsibility of those actions.

Her whole attitude and demeanor were condescending and demeaning. I know some people have said “I love how she calls him out on his bullshit!” That’s not what I see happening. I call my clients out on their shit all the time—this was not that.

And I can only do that with clients ONCE we’ve built the type of relationship where it’s going to be therapeutic for them to hear it, and it’s done intentionally and with purpose. She just came off shaming and mean because they don’t seem to have any form of therapeutic rapport.

She said “you have no history, no family”- there is no therapeutic reason for that, and she’s wrong. He most likely has family alive (he used current tense when talking about his sister) and he was close to Shuri and TChalla, his history is vital to understanding him

When she said “Look, I know that you have been through a lot, but you’ve got your mind back. You are being pardoned. These are good things. You’re free.”—Yeah this feels really dismissive and like toxic positivity. “I know you’ve been through a lot BUT BE HAPPY!!??”

He certainly doesn’t seem to feel like he’s free (especially having therapy mandated), and you can’t just tell someone they’re free. I felt like she was pretty much just like, “shake it off, look to the future!” which feels really shitty when you’ve experienced excessive trauma.

HELLO breach of confidentiality, just introducing herself to Sam as his therapist and confirming it to Walker and the whole police station, it doesn’t matter if they know he’s in therapy you do not break someone’s privacy like that, he still deserves some control over his tx.

Ordering Sam into a session, NO, he’s not your client and you don’t know him well enough to know if that’s appropriate or if it would be harmful to either, and you haven’t asked your client for his consent to have another person in his session

Forcing a trauma victim who was stripped of his bodily autonomy for 70 years into a physically intimate exercise with a coworker that he’s barely interacted with in the last several months? NOPE, just reinforcing to Bucky she has control over him the way his handlers used to

To me, I think she is more focused on signing off on his psychological eval that he isn't a liability rather than any actual healing or attention to his trauma. This unfortunately isn’t unusual in the military where “mental health treatment” is focused on being mission ready.

They are making sure he’s ready to be an “asset” w/ mandated therapy, which he shouldn’t even be forced to do as part of his pardon because he shouldn’t have needed a pardon at all because he was a victim of horrific war crimes, brainwashing, and dehumanization for 70 years.

I’m just saying, if that was me he would be on my big squishy couch, bright open windows, bowl of Hershey kisses, random fidget toys, and two therapy dogs laying all over him while we work through that trauma and he builds back his identity and finds the calm he wants so badly.

And yes he would probably need someone who would see through his BS, call him out when he needs it, not be overly "touchy feely", but only if he feels safe and there is trust, where he gets to work on what HE wants, not what others think he needs.

Anyway thanks for coming to my TEDTalk, I❤️my work and I think being a therapist on retainer for the Avengers would've been a fucking trip, they all needed a team of mental health professionals at their disposal 24/7 and things would've been so much better🤣

ps. They can be a good therapist and just not be a fit for the client, that happens regularly. We know when to make it part of the conversation and when to refer out. Nothing good is going to come out of a contemptuous therapeutic relationship, mandated or not.

pps. That whole situation and the scene with Zemo was so rough. I can't imagine how much it brought back the violation, humiliation, anger, and helplessness of when he was the WS. I'm just imagining him having a therapist he trusts and being able to process that afterwards 😭😭😭"

[huginsmemory]

Ideology of Exceptionalism and Gravity Falls; meta and character analysis

I had a whole ago read a post by @icanlife that had a quote by Alex Hirsch on Ford's greatest flaw, and wanted to explore what the flaw is, which is the ideology of exceptionalism; in the exploration, I’ll touch on what it is and how it is used in abusive relationships and cults, as well as how it drives multiple Gravity Falls characters and consequently how it impacts relationships between these characters, and how the show ultimately refutes exceptionalism.

Quick note here; I am not in any way, shape or form a psychologist nor have any formal training in psychology; this is written from my own experiences with this ideology and my own forays into psychology and trauma-informed learning. It is also written with a loose understanding that is likely not broad enough to cover all references to cults, extremist groups and abusive relationships. 

The Ideology of Exceptionalism 

First of all, we have to get through a drier bit, which is… what is the ideology of exceptionalism and how does it arise? Might be fairly obvious, but it is the belief that you are, or belong to, a group of exceptional people, thus more important and worth more than anyone else; ie, those who don't qualify as 'exceptional'. It is often a subconsciously learned ideology. Now, what qualifies one as exceptional can be extremely varied; generally it revolves around something that provides some form of privilege. Thus, it might be, as the main exceptionalist idea in Gravity Falls, 'intelligence', or power, or it can be such things as attractiveness, quantity of money one has, species, nationality, or skin colour and ancestral heritage. The ideology of exceptionalism, being by nature hierarchical, devalues, and at its worst, openly and violently dehumanizes those who do not qualify as exceptional. 

For why exceptionalism occurs is an extremely broad topic, but I've personally found that, for exceptionalism revolving around intelligence, it's a result of a poor sense of self-worth, and having one's self-worth tied to what makes one exceptional. Poor self-worth itself (again, broadly) is a result of childhood trauma from a lack of positive affirmation and unfulfillment of the emotional needs of the child. Meanwhile, self-worth becoming tied to the quality of exceptionalism generally is a result of when positive affirmation was pretty much solely provided around their 'exceptionalism', especially when provided derogatory commentary, or a blatant example of how they would be treated if they aren't 'exceptional'. As a result of the general lack of affirmation, self-worth then becomes often solely reliant on the qualities of exceptionalism, as that is the only way for the child (and later, adult) to get affirmation of their worth, as well as out of fear of being ‘not worth anything’ like the examples of ‘non-exceptional’ people they have been given. 

This is especially likely to occur when the child is a social outcast; the adoption of the hierarchical ideology of exceptionalism, and the devaluation/dehumanization of others often occurs subconsciously as an avoidance/minimization tactic from pain. This is to say, the child, and later the adult (if healthy self-worth is not established) goes 'it doesn't matter what the non-exceptional people say or if they accept me since I matter more than them because of my exceptionality'. It can even be taken further, that being shunned is part of one's exceptionalism, and becomes part of the qualifier of being exceptional. For instance, 'they just can't understand because they aren't exceptional and that's just a part of being exceptional'. This idea also neatly tailors into the part of the concept of being better then others means you are separate from others; this can be taken that someone who is special, needs to be alone to be truly special.

Obviously, exceptionalism is not a healthy coping mechanism for poor self-worth, as often such people constantly feel the need to prove and show off their exceptionalism to gain that affirmation and avoid rejection, which is stressful. As well, it often negatively impacts their relationships with other people as a result of the arrogance of believing that they are better than most others, or even deliberate sabotage due to their arrogance. This occurs as they flatten the complexity of human experience to black-and-white hierarchical categories of exceptional/not-exceptional through constant judgement of those they meet, and often refuse to engage with people who don't belong to their 'exceptionality', or even people they simply don't like, even if they technically qualify. Generally, those that they do like or have close relationships with, often due to being similar, are automatically labelled as 'exceptional'. Those judged as ‘exceptional’ also become privy to the open judgements of ‘non-exceptional’ others, out of a subconscious belief by the exceptionalist that the other believes similarly; something that may strain their relationship if the other doesn’t ascribe to exceptionalism. This all culminates in the exceptionalist being blind or even adverse to the diversity of experiences, which makes it difficult to create relationships and community outside of echo chambers of their own beliefs (if they can even find this), and subsequently, these people are often isolated and have very few to no close relationships with people. 

However, all humans require connections with other people, relationships where one can rely on others emotionally and physically if needed and feel accepted; they also require to feel like they are worth something, that their life has meaning. Lacking meaningful connections and having a crippled sense of self-worth, a deep yearning hole is left in these people. Exceptionalism, especially as it is a narrative constantly pushed by Western society as it validates hierarchies, is then employed as a (often subconscious) trauma response to assuage this yearning hole, with arrogance and denial. And depending on the circumstances, it can be a very strong and definitive trauma response for people.

This isolation and lack of self-worth is catnip to abusive relationships, including cults and extremist groups. These types of relationships often heavily rely on isolating their victims or pulling them into echo chambers of solely the abuser’s rhetoric, to redefine what is healthy through gaslighting; as the exceptionalists are already isolated, this makes them extremely susceptible. They also often provide these people affirmation, and in these cases especially about their exceptionalism, thus confirming their self-worth, their 'specialness', while also providing them the connection they have been lacking, either through the cult community or through the abuser’s own presence. These emotional needs, which haven’t been met in a long time, if ever, begin to be fulfilled; something that abusive relationships and cults hinge on, rather than any form of logic.

Ideology of Exceptionalism and Gravity Falls

The main characters within Gravity Falls which are heavily ascribed to exceptionalism would be both Ford and Bill; this characterization deeply impacts the story and their relationships with others (technically the Northwest are another case regarding wealth, but less directly impact the storyline and thus tangential; Gideon also is an example, but as a mirror of Bill). With each of these characters I’ll go into detail within their sections on the way they began to ascribe to exceptionalism, and how it plays out later in their relationships; I will first begin with Ford, then move to Bill. Then, to cap it off, I’ll go into the characterization of Stan and the way Gravity Falls refutes exceptionalism. 

Ford and Exceptionalism

Firstly, the quote from Alex Hirsch that kicked this whole baby off, as mentioned previously; 

“Ford sees Dipper as someone who’s special like himself. That’s Ford’s great flaw, his arrogance is he believes that there’s special people, and everyone else. That human attachments are actually weaknesses. And the song and dance that he’s giving Dipper right now, is the song and dance that he gave McGucket, back when they were younger… ‘You and me are different, we’re better than everyone else. We have a path that no one else can understand, and only us can do this.’ It’s a very seductive idea for Dipper… Dipper is a smart kid, but Ford’s projecting. Ford loves Dipper because he sees someone who’ll tell him ‘yes’ to everything. Who’ll never challenge him, who’ll do a really insane dangerous mission.”

Very blatantly Alex Hirsch calls Ford out on his arrogance in the belief that he is special, in his belief in the 'lone hero' complex, in his belief in exceptionalism. And really, it should be no surprise that Ford does so, considering the way he's depicted as a social outcast as a child (other than Stan), and the way his parents have been clearly shown to be not particularly emotionally supportive (“I’m not impressed”); they don't provide positive affirmation except for his intelligence (mostly due to the possibility of money making through it…), while also actively comparing him to Stan who is derogatorily ‘not-exceptional’, and ‘worth less’. This all sets Ford’s self-worth up to be fragile, and other than Stan who wholeheartedly accepts him, he is isolated and invalidated; plus, the only other validation he receives is around his intelligence. All very classically fitting the profile for exceptionalism.

Image id: Stand and Ford when they were children, both clearly enjoying each other's company.

Ford’s belief in his exceptionalism catalyzes after the shattering of his and Stan’s relationship. Previously the twins are shown to do everything together, having a very close caring relationship; something unlikely if Ford thought he was better than Stan. Also, when Ford is talked to about his opportunities, Ford looks uncomfortable at the way they talk about Stan as inferior, compared to how he himself is being praised; but in the offer he’s simultaneously finally being validated, he’s being told he’s someone worth something, and he’s going to be someone worth something after this. And then the science fair incident occurs, and Ford loses that validation from his parents, from the judges and a future of more validation; after being promised validation and acceptance, it slips through his fingers. And in his anger of being denied that, it becomes easy to begin to slip subconsciously into the rhetoric the others have been feeding him; that he’s exceptional, that Stan isn’t, and he deserved to be recognized for his worth. So he breaks the relationship with the only person who accepted and validated him for who he is. With that loss of previous support, Ford becomes then deeply obsessed with proving his exceptionalism to the world to assuage that fragile self-worth, to become accepted, or even better, revered, confirming that he is someone of worth, someone special, like he was promised. 

Ford’s obsession also doubly functions as a way to alleviate his guilt over shattering their relationship; if he’s exceptional as he believes, then he’s within the right to respond the way he did, as he’s worth more than Stan, he's better off alone, and he has a right to be angry over being denied that validation. As well, in much the same way as it is used as a way to alleviate his guilt over the end of their relationship, it is also likely used in a way to minimize the pain of being ostracized (although not directly depicted); afterall, Ford’s keenly aware and insecure about his social ineptitude and his six fingers as things that make him different from other people, case in point with his experience visiting Lazy Susans Diner. Thus it wouldn’t be unsurprising if he uses the idea of being worth more than those who ostracize him to imply it ‘doesn’t matter’ what they think. His ostracization by nature keeps him from generally forming close relationships, with the exception of Fiddleford (who much like him, is socially outcast, and intelligent) during his university days. As a result, he's isolated and acutely lonely, having lost Stan.

Image id: One of the missing Journal 3 pages in TBOB, detailing Ford's botched social interaction in Lazy Susans Diner. In the background is the print of his six-fingered hand.

In his obsession over being acknowledged, Ford, like many others who believe in exceptionalism, identifies strongly with the causes of his ostracization (his intelligence, his six-fingeredness) as part of, or wholly, makes him exceptional. It is obvious through his choice of study; with the grant he has been gifted, he chooses to revolve his work around the weird, the outcast, something that you see Ford gravitate towards being an outcast and deemed 'weird' himself (which in Journal 3 he openly talks about). Something that can be, much like him, framed as 'exceptional'. His work is even recorded in a journal that Ford deliberately chooses to put his six-fingered hand on the cover of. Intertwined with the way it becomes adopted into the idea of exceptionalism, is the keen loneliness from his ostracization and a deep desire to be accepted and a wish to find a community of other weird people.

Image id: Two pages from journal 3, labelled 'Myself', in which Ford is open about being weird, and a social outcast, while also noting his ambitions and that 'Gravity Falls, [is] the place that I fit in.'

Ford and Bill

All of this culminates in Ford becoming an incredibly easy target to manipulate by Bill. He’s desperate to be acknowledged (and thus accepted) by an authority figure so that his belief in exceptionalism is justified and his self-worth confirmed. And he knows he’s intelligent, that he's exceptional because people have told him so, but he just needs to prove it with something that shakes the world. And the grant is finally his second chance after the fair, but he's stuck, and the research is going nowhere, and he's in a town where he doesn't really know anyone and he’s so terribly lonely. And sure, he clings to his exceptionalism but if he can't even prove it then is he really exceptional? Is he even worth anything like he thought he was? And what about what he's left behind, rejected, because of his exceptionalism?

And THEN he finds an incantation and he ignores the warnings because maybe, just maybe, this will be his break to get that acceptance/validation he has been chasing his whole life? 

And then it's better than that. 

A god, essentially, shows himself to him, an ultimate figure of authority. And he tells him that yes, he is special, he’s worth more than other people, and Bill’s only showing himself to Ford because he is so much more intelligent than anyone else. Ford is suddenly getting his exceptionalism confirmed by a god of ancient knowledge, an immensely intelligent interdimensional being, and he’s also showering him with affirmations, specifically affirmations around what Ford's fragile self-worth is based on. And even better, he's delighted by Ford's six-fingeredness; he's not put off at all, it even becomes his main nickname for Ford, just like it used to be for Stan all those years ago. On top of it all, Ford's own social ineptitude doesn't phase Bill, another thing Ford is self-conscious about; Bill's own social ineptitude as he's not human probably makes Ford feel comfortable, knowing that's not expected from him.

Through Bill, not only does Ford find someone who validates his self-worth through intelligence and even confirms to him that his weirdness is part and parcel of making him special, he also finds someone who he regularly (generally) is in contact with, who enjoys talking to him and even banters with him familiarly. Hell, Bill even deliberately goes out of his way (literally possessing a whole wack ton of rats, then dream karaoke) to celebrate his birthday with him; how long do you think Ford has simply skipped his birthday since he had no one to really celebrate it with? The loneliness, beneath his arrogance and belief in exceptionalism, is being fulfilled; for the first time since Ford was a teenager, he's fully accepted by someone, social awkwardness, six fingers, exceptionalism and all. 

Image id: One of the lost pages from Journal 3 in TBOB, the 'one thing led to another' page, with Bill and Ford singing karaoke and drinking together, both clearly enjoying themselves; Bill has an arm slung around Ford's shoulders.

So it's really no surprise at all that Ford fell for this, hook line and sinker. Hell, if I was in Ford's shoes I would fall for it just as hard. And I've seen a few posts floating around talking about how Bill is bad at manipulating, and no, he's not. He was able to pinpoint exactly what Ford wanted and needed, and provided that, was charismatic enough to provide that. Again, manipulation isn't about logic. It really isn't; it's about the emotional core in people, what people lack and what you can give them to slowly reel them in to sing your dance and song. And people will ignore vast swaths of red flags when you're finally being accepted, when you're finally getting your emotional needs met at least in some way or form. It's better than not having them met at all, such as previously. So Ford worshipping Bill is really not a surprise, especially as Bill deliberately stoked it.

All of this is part of why you see Alex Hirsch call Ford's belief in his exceptionalism his greatest flaw; because it allowed him to be very easily manipulated by Bill, and by its nature kept Ford isolated from others, evident by his arrogance in assuming he knows best and refusing to see other people who aren't as 'intelligent/weird' as him as worth getting to know, listen too and even reach out to ask help from, it's him believing he has to be the lone hero as someone whose 'special'. It's something that blinds him to the danger of his work around the weirdness of gravity falls because he’s desperate to seek a place where he and his weirdness belong, and it's something that plays out in each and every relationship he has because it's something he clings to so deeply. It's what cost him his relationship with Stan, who previously accepted him completely, and, as he's disinclined to form new relationships and as Bill actively strokes his paranoia (Trust No One…), ultimately further increases the hold Bill has over him. It's only Fiddleford’s presence as he works with Ford that allows him some form of outside reference and reprieve from solely Bill’s influence, something that Bill resents deeply and is clearly jealous and angry about, even if Fiddleford is helping create the portal. And it's ultimately Fiddleford, once he was aware enough of what was happening, calls Ford out on it, seriously jeopardizing Bill's influence over Ford; but Ford is too invested in the portal, in chasing his own ambition and caught up in Bill’s manipulation to take him seriously, until the incident with the trial, and Ford beginning to hear other voices then Bill.

Ford’s Exceptionalism and Wider Relationships

Now back to how it plays out in all Ford's relationships; we've already gone over it with Bill's influence, because it made him extremely easy to manipulate, and with his disregard of Stan in favor of validation of his exceptionalism. But Ford, as pointed out by Alex Hirsch, also exerts the ideology's seductive rhetoric to both Fiddleford and Dipper (who look up to Ford) in a similar way that Bill does with him (although there is a difference of it being used intentionally and maliciously, compared to subconsciously and earnestly, even if it is problematic). Ford, with his black-and-white view of exceptionalism, sees both Fiddleford and Dipper as people who are like him; 'exceptional', and so he treats them as such, and uses this rhetoric to coerce them into helping him.

For Fiddleford, the lure is how he can change the world, how he can be finally acknowledged if he helps Ford with the portal. And it works well; he willingly chooses to leave his own work and his wife and young son, to work with Ford. Much like Ford, Fiddleford himself is also a social outcast and regularly presumed less smart than he is, and he’s got a chip on his shoulder to prove himself, to gain acknowledgement and recognition from the world at large. Although Fiddleford has a family which presumes he’s not entirely lonely like Ford is, he also clearly has deep feelings for Ford, some which are hinted to be more than just ‘friendly’ feelings; it is likely the combination of the lure of validation and spending time with Ford, a kindred spirit that accepts him and an old friend/crush, that causes him to agree (afterall, it was Ford who made Fiddleford feel accepted and choose to stay at Backupsmore). And Fiddleford’s not even considered a partner, but rather an assistant to Ford due to Ford's arrogance, and he still drops everything to go! It’s more about their relationship and connection rather than validation, but that doesn’t stop Ford from espousing exceptionalism. And this is a distinguishing difference, because although Fiddleford would like recognition, he’s not there solely because of it; he’s not a believer in exceptionalism nor arrogant about his skills, and so, unlike Ford who is blinded by his obsession, he’s much more aware of the dangers of the weirdness of Gravity Falls. Thus, he's actively calculating the risks involved, and when he realizes there could be potentially devastating consequences of the portal, he attempts to talk Ford out of it; this fails due to Ford’s own denial and obsession over the portal. In the end, it all goes terribly sideways, and Fiddleford ends up losing everything he had; his wife, his son, his friend, his memories and himself to the trauma he had experienced at the invitation of his friend with the lure of validation and company, due to the memory gun he had created himself. 

As for Dipper, much like Ford, he also has issues with self-worth (many of the episodes deal with Dipper finding self-worth; ie, the manotaur episode), has a physical oddity (his birthmark) and by far the trait he relies on most for worth is his intelligence (for example, in one episode he rubs it into Mabel's face over and over again in beating her in games). He's also extremely desperate to be recognized by authority figures as someone intelligent, case in point when he summons the dead after being made fun of by the government agents to try and show them that the information he's gathered is important after Stan dismisses his knowledge. This desperation to be seen as someone of worth from Dipper, much like Ford, extends to the need to be a hero, something he even says at the end of the zombie episode; yet, due to Mabel, unlike Ford he's not a lone hero, and Mabel also half the time acts as the hero.

Image id: Zombies crawling out of a crack after Dipper summons them; Dipper and the two agents look on in horror.

It all culminates in Dipper hero-worshipping Ford when he returns; really, no different than Ford worshipping Bill. And Ford clearly finds it extremely flattering; Dipper's attention and amazement of him feeds his exceptionalism. Exactly how Ford responded to Bill, Dipper is willing to do anything for Ford, excited too, in an attempt to impress Ford and be validated and accepted. And for Ford, that's an extremely heady feeling, especially as someone who has been constantly alone the last 30 years, especially when he had one previously confirm his exceptionalism all those years ago and stopped, and now someone is once again affirming that idea. And Ford doesn't have to be alone again, because he's found a kindred spirit in Dipper as his assistant, someone ‘just’ like him, someone who is exceptional. Because he sees himself in Dipper, he begins to espouse exceptionalism unconsciously, by praising Dipper's own intellect and adventurous spirit, assuaging his feeling of self-worth, while also telling him he's more important or better than others because of it. 

And it's seductive to Dipper, because he wants to hear those affirmations of his self-worth, especially as he hero-worships him, but Dipper isn't sold on it, because it means leaving Mabel behind, it means believing that he's worth more than Mabel (and also, Stan, and all his friends he’s made in Gravity Falls). It's ultimately because of his relationship with Mabel that he rejects the ideology; he's not isolated the way Ford was with Bill, and he's not willing to break that relationship for that acknowledgement, because his relationships matter more to him.

Bill and Exceptionalism

Now of course, that's only on the Pines; what about Bill? 

While it's obvious that Bill uses exceptionalism as a main manipulative tactic, it's not just an ideology he sprouts emptily; it's also an ideology he believes in, just like Ford, although it's less based on intellectual exceptionalism, and more on power and 'weirdness'. 

This most distinctly can be seen in Bill's denial about what happened to his home dimension; Bill's belief in his exceptionalism occurs as a pain avoidance tactic from killing his whole dimension. Bill was clearly a social outcast within his dimension due to being able to see 3d; he's not accepted, and not trusted, to the point that there is medical intervention to make him blind. That's a deeply traumatic experience that completely erases one sense of self-worth, where one’s sanity is called into question by your parents on something that is not harmful, that's beautiful and you just want to share with them. It's a deep and clear rejection of who Bill is, and his ability. As a result, out of a desperate bid to be understood and accepted, he ends up trying to show them the stars. And it ends up killing everyone. 

Image id: Page of TBOB, on 'The Early Years' which notes that Bill was an oddity for seeing 3d, something that was illegal to speak about. Bill frames it as something that made him 'special' and better than all the others.

Traumatized, and originally rejected by the dimension, he instead weaves an excuse of exceptionalism; that it doesn't matter what he did to them because he's exceptional and he's worth more than all of them because he can see 3d, because he's powerful, so he shouldn't/'doesn't' feel any remorse about it. With such a traumatic result of trying to be accepted by people, he rejects the idea of trying to be accepted for who he really is; instead adopting a facade of a monster that he believes he is (and eventually, becomes).

Even if he clings to the delusion of exceptionalism, and shuns attempts to find true acceptance, he still wants it; and that's where his henchmaniacs fit in, as they're all, as Bill's noted when trying desperately to get Ford to join him, weird; each has something 'wrong' with them, which is why Bill accepted them as his lackeys (although it's not like we know the context around these). It's a surface-level acceptance however, one more predicated on fear than emotional acceptance. He's taken his 'weirdness', much like many do who believe in exceptionalism,as ‘part of what makes him exceptional'.

In the same way that Ford wants to show the world that he's smart and intelligent by building the portal, Bill does so by wreaking havoc and taking over existences as a way to show the world that he's powerful, that he's someone to be reckoned with, that he's not someone to be ignored because he's someone who's worth more than others. If you can't be loved and accepted, then being hated and feared is better than being ignored; acknowledgement at least approaches acceptance, it's validation of some sort of worth. It also functions as deliberate self-sabotage of his morals, by proving that he is the monster that killed his entire dimension; if that's what he is, then that's who he's going to be, because if he wasn’t, then he has to come face to face with his remorse over what he did to his dimension and his whole house of cards around his exceptionalism and not caring collapses. So instead he keeps feeding the delusions the denial, and lies and lies and lies and keeps lying to ignore all of it, to wrap himself in this shroud of exceptionalism and brutality as a way to function. And it somewhat works, because he's mostly deluded himself about it all, even if subconsciously he knows. 

And of course, this display of Bill's exceptionalism is what brings Bill to earth, to Gravity Falls, and to manipulating humans. In meddling with earth and humanity, beyond Bill's goal of taking over earth and fleeing his own unravelling dimension, he also enjoys reaping the benefits of being worshiped by humans, who find him awe-inspiring. Their amazement of who he is, and Bill's own posturing and manipulation of people leads to Bill literally forming cults (ie ciphertology) or having apprentices that worship/find him (to varying degree) inspiring; all reinforcing his feelings of exceptionalism. 

Of course, Ford numbers among these people; he praises Bill and worships him, as he's played like a fiddle by Bill, because his self-worth and belief in exceptionalism is fucked up in a way that perfectly resonates with Bill’s. Because it's the exact same types of issues around self-worth, around being an outcast, being weird and wrong physically, and yet at the same time gifted. And Ford clearly is incredibly lonely and yearning for acceptance, but so is Bill; since the beginning he's been trying to find someone who would accept him, even if he's given up on it. And for his song and dance to entice Ford in, he pretends he's not crushed dimensions for fun, that he's not a 'monster'; a version of him he buried after he had tried to show his parents the stars, one that he occasionally resurrects and puppets around for manipulation (all lies are better when they have a grain of truth). And this version of him is worshipped, but above all is accepted, is loved by Ford. The softer parts of Bill, even if they are still weird as fuck, the parts that were never far beneath the surface for all his deluding, become loved by Ford. Much as Ford becomes hooked on Bill’s praise, Bill also becomes hooked on Ford's genuine love and care. It becomes personal, unlike any previous ‘inspirations’ and Bill over time gets to the point that he feels accepted, safe enough with Ford to share about his dimension much more close to the truth then he did with any of his henchmaniacs. He becomes vulnerable with Ford, in response to Ford’s own vulnerability with him. He’s finding acceptance for the first time in his life around the softer parts of himself, not just the feared acknowledgement that comes from his dimensions conquering; much like Ford is finally finding companionship and acceptance with Bill, not just only intellectual validation. Bill's also for once, not just self-serving; he cares, and goes out of his way to take time with Ford, even celebrating Ford's birthday (in the unique way he does things), both with the rats and the karaoke.

Image id: One of the lost Journal 3 pages in TBOB. Ford recounts Bill talking about the destruction of his dimension, and calls himself by implication a monster.

They're both fulfilling each other's emotional needs, needs which both of them have struggled with most, if not all of their lives (although their relationship is certainly not healthy, considering it's codependent as fuck, riddled with exceptionalism and oodles of power imbalance issues). And suddenly, against Bill's plans, Ford's no longer just a disposable pawn, but someone Bill wants as part of his team, someone by his side, closer than his henchmaniacs are. He's unwittingly fallen for Ford, and so when everything goes sideways in his plan, and Ford swears it off, suddenly cutting off their relationship and that acceptance Bill had finally felt, he spirals into grief and anger from the rejection. As a result, he becomes extremely abusive to Ford in desperate attempts to continue their relationship, and ultimately he becomes obsessive over Ford joining him again as Ford continues to refuse, as evidenced by both Weirdmageddon and the Book of Bill.

Stanley Pines, and the Refuting of Exceptionalism 

Exceptionalism, being a negative driving factor behind many core character dynamics, is ultimately refuted by the show. This occurs multiple times over the show, such as with Mabel in the Pioneer Day episode, especially compared to Pacifica, but mostly through Stan's characterization. Stan is someone who has been since the beginning characterized (if lovingly so) as someone who is a failure by societal standards; he’s an older man running a run-down tacky tourist shop to swindle gullible tourists out of their money, has multiple divorces, has an ongoing feud with a literal 12 year old, clearly has had multiple mishaps with the law (some ongoing), is generally pretty self-serving and is extremely lonely and really had no close relationships until Mabel and Dipper showed up. He's not exceptional; he's not even what we would consider 'decent' enough to have a 'typical, hard working job’. In short, he’s a failure, a stark difference to the idea of 'exceptionalism' that characterizes Ford. If he's gifted in any area, it would be charisma (debatedly), not anything else.

But it's still Stan who rebuilds the portal from literally only one journal (not all three!) and gets it to work. It even seems like he only needs some codes from the other two journals when he does get them, suggesting that he was able to extrapolate from what was left and the first journal’s blueprints to fix it entirely, something that is extremely difficult and technically complicated (Ford, Bill and Fiddleford all worked on it together!). Stan's able to do it, even if it's been shown he's not 'naturally' gifted in that area. And it's something he does as a result of his deep care for Ford; because even after their fights, he cares about Ford and wants to right his wrongs, believes he should, because of his whole life of being defined as a failure and even worse than that, screwing up his ‘exceptional’ brother’s life. And he’ll do it even if that means learning how to build an interdimensional portal, even if it takes up thirty years of his life doing so, and he doesn't waver. Much of this is connected to his own complexes around being deemed a failure compared to Ford, having failed to succeed in his life, and how he feels that he needs to atone for screwing up Ford’s life, now for the second time; but beneath it all, he also cares. Much like Ford, he's extremely lonely, but he's not blinded by Ford's arrogance, and as a result he wants to make sure Ford's safe, because that's what he used to do, they’re twins, they grew up together, they once they had fully accepted and cared for each other, and dammit that still means something, and Stan hasn't found that depth of emotional connection since. So if possible, he wants to rekindle that closeness they had, but first, he needs to bring Ford back. 

And in the end, it's not Ford's own special gun he built using his intelligence that 'kills' Bill. It's Stan, someone who Ford had long ago broke it off with in search of validation of his exceptionalism, someone who both Ford and Bill labelled as 'not-exceptional', who defeats Bill. It's exceptionalism's devaluation of people who are 'not-exceptional' that causes Bill to underestimate the Pines beyond Ford, and it's only when Ford put aside his exceptionalism and his refusal to accept and trust 'non-exceptional' people, that is, trust Stan once more, that causes Bill to end up defeated by Stan.

In the end, it's not about who's 'smarter'; it's a reminder that everyone has different skills and are better at different things, but that doesn't diminish one's worth or value, and that just because someone isn't naturally 'gifted' in an area doesn't mean they can't learn or use different ways to get around obstacles. Ultimately, it comes down to that no one is worth more or less than other people; exceptionalism is a lie. It’s a lie and an excuse, and it's certainly not a healthy way to assuage one's poor self-worth. What does matter is creating positive healthy connections with other people, and caring about them. This creates a community where you can be yourself and be emotionally fulfilled through these connections; and when opposition does arise, you become able to fight it together, and fight so much stronger than if you are alone.

And by the end of the show, you see that. Ford begins to let go of the ideal of exceptionalism and its black-and-white categorization; finally recognizes his own faults around prioritizing validation of his intelligence and exceptionalism over his relationships, and finally, after all the years, chooses to create and rekindle positive relationships with people, trust people, and make amends. And in the end, he goes sailing with Stan, prioritizing their relationship, finally fulfilling their childhood promise.

Image id: One of the pages written by Ford into TBOB. Ford refutes Bill's idea of happiness, and says he has finally found his own happiness, and it looks like the photo taped in, of Stan, Ford, Dipper, Mabel, Soos and Wendy, all smiling together.

TLDR: Exceptionalism, an ideology of categorizing people into being special and worth more vs plebian and worth less, is a trauma response and subconscious ideology that characterizes Ford and Bill’s lives, deeply impacting all their relationships as it is used to coerce people into doing what they want, makes Ford easily manipulated, and breaks relationships through their arrogance. It is ultimately denounced through the way Dipper chooses to reject Ford’s offer and his rhetoric of being exceptional, and through the way it's not Ford’s intelligence, but rather Stan, who has been labeled as 'not-exceptional' and a failure at life, that defeats Bill through trickery. It's a reminder that everyone has worth, and no one is worth more than other people, even if one may be gifted in certain areas; the ideology of exceptionalism is fragile and a lie. In the end, creating a caring, loving community around oneself is where strength truly lies, as is seen with the deep care and love the characters have for each other, and the repairing of Ford and Stans relationship.

Thanks to the lovely @eshtaresht who deigned to beta read this monster of a post for me

If you enjoyed this meta, (first of all if you read all this you're a champ!) I've also done another gf meta post! (It's shorter I swear)

[randomness-is-my-order]

i also really like the fact that wei wuxian is both book-smart and street smart because usually authors tend to show one trait heavier than the other (which is fair) but i like how mxtx never shied away from showing how intelligent, ingenious and and aware a person wei wuxian is. like he canonically wrote a dissertation (which we can reliably believe to not be his only one) but he’s also extremely good at navigating investigations, knowing the climate of a locality based on the people, knowing how to be smart with words to get what he wants. and this kind of thing can get annoying sometimes if the writing doesn’t handle it well but it never feels forced with wei wuxian because his in-universe charisma is transcendental, jumping right off the page and making you believe that yeah, of course this guy is just that smart!

[urfriendlywriter]

25 small but comforting gestures for your otp:

( feel free to use <3 )

squeezing their hand reassuringly

hugs from behind :(

taking a photo of your lover when they're beaming ♡

forehead kisses while hugging !!

rubbing their thumb over your knuckle

exchanging smiles from across the room

"my love" <33333 AHHHHH

them peppering kisses all over your face.

winking at them, or sending them flying kisses and seeing them fluster :))

sending them memes throughout the day-"this reminded me of you"

pulling their legs onto theirs whenever you sit close to them > <

draping a blanket over ur sleepy lover :(

"come here, and give me a kiss" :)

"i think i might be in love with you."

smiling into kisses ( or booping noses after a kiss )

sinking into your arms whenever they gad a long day

kissing your shoulder while they spoon you in cuddles <3

when they laugh at your messy hair in the morning >>

when they leave notes for you around the house

painting their nails while they fake-protest

tugging a flower onto the side of their head and oh god, are they pretty

complimenting the features they love the most about you :/

watching rain together while cuddling!

roasting each other for their embarrassing moments late at night!!

when your loves likes to drape their arms around yours while walking together :]

[nedlittle]

apropos of nothing, here are some gay historical fiction novels that engage with historical queerness in thoughtful, complex, and interesting ways (organized chronologically)

hild by nicola griffith ↪ early 7th century england

a tip for the hangman by alison epstein ↪ 1585-1593 england

confessions of the fox by jordy rosenberg ↪ 1702-1724* england

the confessions of frannie langton by sara collins ↪ 1812-1826 jamaica to england

patience and sarah by isabel miller ↪ 1816 america

devotion by hannah kent ↪ 1830s prussia to australia

the sweetness of water by nathan harris ↪ 1865 america

whiskey when we're dry by john larison ↪ 1885 america

the city of palaces by michael nava ↪ 1897-1913 mexico

tipping the velvet by sarah waters ↪ 1890s england

at swim, two boys by jamie o'neill ↪ 1915-1916 ireland

the gods of tango by caro de robertis ↪ 1913-1920s argentina

uncommon charm by emily bergslien and kat weaver ↪ 1920s america

the book of salt by monique truong ↪ 1930s vietnam to paris

the amazing adventures of kavalier and clay by michael chabon ↪ 1939-1954 america and beyond

the flight portfolio by julie orringer ↪ 1940 france

the savage kind by john copenhaver ↪ 1940s america

a thin bright line by lucy jane bledsoe ↪ 1950s america

*this one has a framing device and footnotes from the present day but the bulk of the story is set in the early 1700s

[soupinaboot]

Being in multiple fandoms is weird cause I can be 5 paragraphs deep into a post about Jason Todd, then only find out it's Jason Grace after I read the tags. Are we talking about Percy Jackson or Percy Weasley? Robin Buckley or Robin DC? Bruce Wayne or Bruce Banner? What fandom am I in right now, I have no idea.

[16woodsequ]

100 Asexual Books Rec List

For this list the goal is fiction books with a main character or significant secondary character that is on the Asexual spectrum, or non-fiction books about being Aspec.

Junior Novels

1. Rick by Alex Gino An eleven year old boy starting middle school begins discovering his asexuality admist the school's rainbow spectrum club. Also features transgender and crossdressing side characters, as well as a LGBTQIAP+ supporting cast.

2. Sal & Gabi Break the Universe by Carlos Alberto Pablo Hernandez In order to heal after his mother's death, Sal learned how to meditate. But no one expected him to be able to take it further and 'relax' things into existence. Turns out he can reach into time and space to retrieve things from other universes. Asexual Sal.

3. Hazel's Theory of Evolution by Lisa Jenn Bigelow Hazel knows a lot about the world. But even Hazel doesn't have answers for the questions awaiting her as she enters eighth grade. What if no one at her new school gets her, and she doesn't make any friends? What's going to happen to one of her moms, who's pregnant again after having two miscarriages? Why does everything have to change when life was already perfectly fine? Hazel (main character) is asexual and aromantic (it isn't said in the book, but it is specified in the author's note at the back of the book).

4. The Trouble with Robots by Michelle Mohrweis Evelyn strives for excellence. Allie couldn't care less. Together, these polar opposites must work together if they have any hope of saving their school's robotics program. Allie is asexual and/or aromantic. Junior graphic novel.

5. This is Our Rainbow by Editors Katherine Locke and Nicole Melleby Featuring contributions from Eric Bell, Katherine Locke and A.J. Sass, this first LGBTQA+ anthology for middle-grade readers presents stories of queer fantasy, historical and contemporary stories for every letter of the acronym.

6. Every Bird a Prince by Jenn Reese After she saves the life of a bird prince and becomes their champion, seventh grader Eren Evers must defend a forest kingdom, save her mom, and keep the friendships she holds dear--if she is brave enough to embrace her inner truths. Eren is aromantic (and I'm guessing asexual, though that isn't discussed).

YA Fiction

7. When Villains Rise by Rebecca Schaeffer With her best friend, Kovit's, life in danger, Nita is determined to take down the black market once and for all. Latina asexual and aromantic main character (Nita).

8. The Gentleman's Guide to Vice and Virtue by Mackenzi Lee Henry "Monty" Montague was bred to be a gentleman. His passions for gambling halls, late nights spent with a bottle of spirits, or waking up in the arms of women or men, have earned the disapproval of his father. His quest for pleasures and vices have led to one last hedonistic hurrah as Monty, his best friend and crush Percy, and Monty's sister Felicity begin a Grand Tour of Europe. When a reckless decision turns their trip abroad into a harrowing manhunt, it calls into question everything Monty knows, including his relationship with the boy he adores. Aro/ace secondary character (prequel to a Lady's Guide to Petticoats and Piracy).

9. The Lady's Guide to Petticoats and Piracy by Mackenzi Lee A year after an accidentally whirlwind grand tour with her brother Monty, Felicity Montague has returned to England with two goals in mind—avoid the marriage proposal of a lovestruck suitor from Edinburgh and enroll in medical school. A highly loved book in regards to asexual portrayal, Felicity’s journey does a fantastic job of exploring the struggle of navigating a world where marriage is expected of women in order to function in society. Even more refreshing is Felicity isn’t just avoiding getting married out of a sole rebellion against the patriarchy (though those themes are also present), but simply because she doesn’t have an interest in sexual or romantic relationships at all.

10. Silver in the Mist by Emily Victoria Asexual Devlin has grown up in the shadow of her mother’s impressive spy network—and the shadow of the kingdom, too. A magical mist is eating away at their borders, weakening their magic and making them vulnerable to attacks. Devlin is tasked with infiltrating the royal court of the wealthier neighboring kingdom, but when she befriends their most powerful magic wielder, she discovers an ancient mystery that may hold the key to defeating the mists for good. Victoria prioritizes strong friendships between queer characters and an examination of wealth disparity in this fantasy full of twists and turns.

11. Not Good for Maidens by Tori Bovalino Beneath the streets of York, the goblin market calls to the Wickett women-the family of witches that tends to its victims. For generations, they have defended the old cobblestone streets with their magic. Knowing the dangers, they never entered the market-until May Wickett fell for a goblin girl, accepted her invitation, and became inextricably tied to the world her family tried to protect her from. Told through dual narratives in different timelines, the book essentially has two protagonists: Lou and May. Between these two characters, we have some great queer representation for both asexuality and bisexuality.

12. A Snake Falls to Earth by Darcie Little Badger Themes of magic, family, asexuality, and traditional storytelling dominate in Lipan Apache author Darcie Little Badger's delightful and uplifting second YA novel. A Lipan girl named Nina collides with Oli who is from the land of spirits and monsters. But some people will do anything to keep them apart. This is a wholesome, elegantly written read guaranteed to warm your heart! 

13. Arden Grey by Ray Stoeve Arden Grey is a novel about different kinds of abusive relationships, as well as the strength of family and friendships. Following her parents' separation, Arden is depressed and coming to accept herself as being on the asexual spectrum.

14. It Sounds Like This by Anna Meriano Yasm Trevi didn't have much of a freshman year thanks to Hurricane Humphrey, but she's ready to take sophomore year by storm. That means mastering the marching side of marching band--fast!--so she can outshine her BFF Sofia as top of the flute section, earn first chair, and impress both her future college admission boards and her comfortably unattainable drum major crush Gilberto Reyes. But Yasm steps off on the wrong foot when she reports an anonymous gossip Instagram account harassing new band members and accidentally gets the entire low brass section suspended from extracurriculars. Rep: Biracial Latina fat asexual-questioning cis female MC, Jewish gray-aromantic gray-asexual male side character with ADHD and APD.

15. One for All by Lillie Lainoff In 1655 sixteen-year-old Tania is the daughter of a retired musketeer, but she is afflicted with extreme vertigo and subject to frequent falls; when her father is murdered she finds that he has arranged for her to attend Madame de Treville's newly formed Acadaemie des Mariées in Paris, which, it turns out, is less a school for would-be wives, than a fencing academy for girls--and so Tania begins her training to be a new kind of musketeer, and to get revenge for her father. Rep: disability, asexuality, sapphic side characters, POTS and PTSD.

16. The State of Us by Shaun David Hutchinson When Dean Arnault’s mother decided to run for president, it wasn’t a surprise to anyone, least of all her son. But still that doesn’t mean Dean wants to be part of the public spectacle that is the race for the White House—at least not until he meets Dre. The only problem is that Dre Rosario’s on the opposition; he’s the son of the Democratic nominee. In a moment of solidarity and high emotions, Dean tells Dre that he has been questioning his sexual orientation. He isn’t sure if he’s asexual or demisexual. Dre puts a messaging app on Dean’s phone so they can stay in touch.

17. Scavenge the Stars by Tara Sim When Amaya rescues a mysterious stranger from drowning, she fears her rash actions have earned her a longer sentence on the debtor ship where she’s been held captive for years. Instead, the man she saved offers her unimaginable riches and a new identity, setting Amaya on a perilous course through the coastal city-state of Moray, where old-world opulence and desperate gamblers collide. Amaya wants one thing: revenge against the man who ruined her family and stole the life she once had. Desi, demisexual female protagonist. 

18. Camp by Lev AC Rosen It’s Randy’s fifth year at Camp Outland, a camp where queer teens get a chance to be themselves. Hoping to win over Hudson’s heart—who’s masc and straight passing and only seems to date other guys like himself—Randy has spent the past year reinventing himself: workout regimen, new haircut, new carefully curated wardrobe. His friends and camp counsellor all think it’s a terrible idea, but what can they do but support him anyways?

19. Little Thieves by Margaret Owen Once upon a time, the daughter of death and fortune was a teenage girl and she was the worst. Little Thieves is, as the dedication says, for the gremlin girls, never has there been a more gremlin girl than Vanja Schmidt. A brilliant and brazen swindler, Vanja could give Kaz Brekker a run for his money. But Vanja has bigger fish to fry. As her body rapidly turns into the gemstones she craves, Vanja must put things right and face her greed head on all while juggling her engagement to a terrible margrave, an investigator with his own magic, and the princess whose face she stole. Vanja’s relationship with junior prefect Emeric could not be more demisexual if it tried, with both sides of the romance experiencing asexual spectrum existence in different and complimentary ways. One part Germanic fairytale, one part ensemble heist, Little Thieves is an unhinged romp of a book.

20. Everyone Hates Kelsie Miller by Meredith Ireland Rom-coms and the asexuality spectrum...two great things that go great together. Kelsie and Eric have been competing against each other their whole lives. But desperation forces them to work together. Kelsie’s best friend stopped talking to her and Eric wants to rekindle his relationship with his ex-girlfriend, and since both will be at UPenn at the same time, Eric and Kelsie decide to go on a road trip together. Sparks fly.

21. You Don't Have a Shot by Racquel Marie Valentina "Vale" Castillo-Green's life revolves around soccer. Her friends, her future, and her father's intense expectations are all wrapped up in the beautiful game. But after she incites a fight during playoffs with her long-time rival, Leticia Ortiz, everything she's been working toward seems to disappear. Queer asexual biracial (Colombian, Irish) protagonist.

22. Foul Lady Fortune by Chloe Gong In 1931 Shanghai, two Nationalist spies pose as a married couple to investigate a series of brutal murders causing unrest in the city. Rep: demisexual Chinese protagonist, bisexual Chinese protagonist, bisexual Chinese main character, Chinese trans woman main character, aromantic asexual side character; (Chinese-Kiwi author).

23. The Spy with the Red Ballon by Katherine Locke Siblings Ilse and Wolf hide a deep secret in their blood: with it, they can work magic. And the government just found out. Blackmailed into service during World War II, Ilse lends her magic to America’s newest weapon, the atom bomb, while Wolf goes behind enemy lines to sabotage Germany’s nuclear program. It’s a dangerous mission, but if Hitler were to create the bomb first, the results would be catastrophic. Gay demisexual Jewish protagonist.

24. Beneath the Citadel by Destiny Soria Cassa, the orphaned daughter of rebels, and friends Alys, Evander, and Newt, fight back against the high council of Eldra, which has ruled for centuries based solely on ancient prophesies. Alys, an apothecary-in-training and the level-headed one of the crew. She identifies as asexual.

25. Eliza and Her Monsters by Francesca Zappia Eighteen-year-old Eliza Mirk is the anonymous creator of the wildly popular webcomic Monstrous Sea, but when a new boy at school tempts her to live a life offline, everything she's worked for begins to crumble. Asexual main character, not explicitly stated in the book.

26. Technically, You Started It by Lana Wood Johnson When a guy named Martin Nathaniel Munroe II texts you, it should be obvious who you're talking to. Except there's two of them (it's a long story), and Haley thinks she's talking to the one she doesn't hate. Demisexual main character.

27. Now Entering Addamsville by Francesca Zappia Zora Novak is framed for a crime she didn't commit--in a town obsessed with ghosts, will she be able to find the culprit and clear her name before it's too late? It's a brief mention, but Zora is ace.

28. Fully Disclosure by Camryn Garrett In a community that isn’t always understanding, an HIV-positive teen must navigate fear, disclosure, and radical self-acceptance when she falls in love–and lust–for the first time. One of Simone’s best friends in the book, Claudia, is an asexual lesbian. The unwavering support she gives to Simone is heartwarming, and she is also openly sex-positive—which flips the script on its head regarding what most people would assume of asexual people.

30. The Art of Saving the World by Corinne Duyvis When Hazel Stanczak was born, an interdimensional rift tore open near her family’s home, which prompted immediate government attention. They soon learned that if Hazel strayed too far, the rift would become volatile and fling things from other dimensions onto their front lawn—or it could swallow up their whole town. Hazel Stanczak identifies as asexual, though she spends time in the book questioning it. The book presents a unique way to show that there is not one single way to be asexual—that it exists on a spectrum and can look different for each person.

31. Let's Talk About Love by Claire Kann Alice had her whole summer planned. Non-stop all-you-can-eat buffets while marathoning her favorite TV shows (best friends totally included) with the smallest dash of adulting–working at the library to pay her share of the rent. The only thing missing from her perfect plan? Her girlfriend (who ended things when Alice confessed she’s asexual). Alice is done with dating–no thank you, do not pass go, stick a fork in her, done. Alice is a biromantic and asexual black woman who starts off very confident in her identity as asexual, yet has experiences that have her questioning her orientation and how to talk about it.

32. In the Ravenous Dark by AdriAnne Strickland A pansexual blood mage reluctantly teams up with an undead spirit to start a rebellion among the living and the dead. This book features Japha, an asexual nonbinary character who serves as the best friend to the MC.

33. Seven Ways We Lie by Riley Redgate Life at Paloma High School is much like any other high school, with petty drama, judgmental assholes, and mind-numbing schoolwork. Until it isn’t. A scandal emerges: a student and teacher had an illicit affair. At the center of the scandal are seven teenagers, each with their own secrets, whose lives are transformed as a result of this scandal. One of the characters can be read as asexual (and possibly neurodiverse). He never explicitly labels himself as such, but the way he describes his experiences of [non-]attraction strongly point to him being on the ace spectrum.

34. Quicksilver by R. J. Anderson Tori thought she had left her past behind when she and her family started a new life in a new city. But then Sebastian Faraday reappears in her life to tell her that she’s not quite as safe as she thinks: the relay is still operating and a genetics lab is trying to track her down to figure out the secret behind her unusual biology. Tori is going to have to use all of her considerable technical expertise to escape her past and live the normal human life she’s always wanted to have. Asexual main character.

35. Hullmetal Girls by Emily Skrutskie Aisha Un-Haad, seventeen, and Key Tanaka, eighteen, have risked everything for new lives as mechanically enhanced soldiers, and when an insurrection forces dark secrets to surface, the fate of humanity is in their hands. In Hullmetal Girls, Aisha is not only ace/aro but she is also happy with her identity. Crucially, so is everyone else.

36. Not Even Bones by Rebecca Schaeffer Nita's mother hunts monsters and, after Nita dissects and packages them, sells them online, but when Nita follows her conscience to help a live monster escape, she is sold on the black market in his place. Aro/Ace main character

37. Before I Let Go by Marieke Nijkamp When Corey moves away from Lost Creek, Alaska, she makes her friend Kyra promise to stay strong during the long, dark winter, and wait for her return. Just days before Corey is to return home to visit, Kyra dies. The entire Lost community speaks in hushed tones, saying her death was meant to be. And they push Corey away like she's a stranger. With every hour, Corey's suspicion grows. Lost is keeping secrets-- but piecing together the truth about what happened to her best friend may prove as difficult as lighting the sky in an Alaskan winter. Aro/Ace main character.

38. If It Makes You Happy by Claire Kann Winnie is living her best fat girl life and is on her way to the best place on earth. No, not Disneyland–her Granny’s diner, Goldeen’s, in the small town of Misty Haven. While there, she works in her fabulous 50’s inspired uniform, twirling around the diner floor and earning an obscene amount of tips. With her family and ungirlfriend at her side, she has everything she needs for one last perfect summer before starting college in the fall. …until she becomes Misty Haven’s Summer Queen in a highly anticipated matchmaking tradition that she wants absolutely nothing to do with. Aro/ace secondary character.

39. Dread Nation by Justina Ireland An alternate history where the Civil War was put on hold when zombies started to rise. Almost finished with her education at Miss Preston's School of Combat in Baltimore, Jane is set on returning to her Kentucky home and doesn't pay much mind to the politics of the eastern cities, with their talk of returning America to the glory of its days before the dead rose.But when families around Baltimore County begin to go missing, Jane is caught in the middle of a conspiracy, one that finds her in a desperate fight for her life against some powerful enemies. And the restless dead, it would seem, are the least of her problems. The word asexual is not used, but that fits with the setting, and the explanation goes into a fair amount of detail, also ruling out that she likes women instead.

40. Vespertine by Margaret Rogerson When her convent is attacked by possessed soldiers, Artemisia defends the Gray Sisters by awakening the revenant bound to a saint's relic, even though she runs the risk of being possessed permanently by the powerful ancient spirit. Non-explicit romantic asexual main character. Fantasy.

41. Archivist Wasp by Nicole Kornher-Stace A postapocalyptic ghosthunter escapes her dire fate by joining the ghost of a supersoldier on his quest to the underworld Aromantic asexual main character. Dark fantasy/dystopian.

42. Summer of Salt by Katrina Leno While anyone would love to have a bit of magic, what happens when magic turns dark? Georgina Fernweh will come into her magic someday soon. Before she does, Georgina faces a tragedy that tests the islanders' trust. In this book, Georgina’s best friend Vira is aroace, and it’s addressed somewhat in the story at different points. There is a sweet strength between Georgina and Vira, full of loyalty and support that is lovely to see.

43. The Summer of Bitter and Sweet by Jen Ferguson In this moving and complex narrative, Lou learns to draw boundaries, stand up for herself, all while coming to terms with her demisexuality.

44. The Sound of Stars by Alechia Dow One-third of the human population has died and now the world is about to end. Ellie, a fat, Black, disabled, demisexual girl with access to an illegal library teams up with a music-loving alien to risk their lives to save the world.

45. The Grimrose Girls by Laura Pohl Pohl serves up a veritable smorgasbord of queer fairytale goodies in Grimrose Girls. This tale as old as time follows four students at the prestigious boarding school Grimrose Academy—Ella, Yuki, Rory, and newcomer Nani. When the former three’s best friend dies, all four girls are swept up in a dark and twisted mystery full of old fairytale magic. They must work together to unravel the secrets between them and break an ancient curse that dooms them to a fairytale ending (and not the fun kind). Yuki’s aromantic asexual identity is explored in her relationship to expectations, beauty, and friendship throughout the novel.

46. Radio Silence by Alice Oseman Frances has been a study machine with one goal. Nothing will stand in her way; not friends, not a guilty secret – not even the person she is on the inside. Then Frances meets Aled, and for the first time, she’s unafraid to be herself. So when the fragile trust between them is broken, Frances is caught between who she was and who she longs to be. In this book, Aled identifies as demisexual while Frances identifies as bisexual. The story really pays homage to the importance of friendship, and romantic storylines move to the background in a way we don’t often get in YA literature.

47. This Golden Flame by Emily Victoria Forced to serve her country’s ruling group, Karis wants nothing more than to find her brother. But family bonds don’t matter to the sole focus of unlocking the magic of an ancient automaton army. Karis is ace and other LGBTQ+ characters are introduced throughout.

48. Sawkill Girls by Claire Legrand A horror novel centered around three girls facing off against an unseen monster that preys upon the young women of the island of Sawkill Rock. Features a black asexual girl fresh out of a romantic relationship, as well as a f/f relationship.

49. Love Letters for Joy by Melissa See Less than a year away from graduation, seventeen-year-old Joy is too busy overachieving to be worried about relationships. She’s determined to be Caldwell Prep’s first disabled valedictorian. And she only has one person to beat, her academic rival Nathaniel. But it’s senior year and everyone seems to be obsessed with pairing up. One of her best friends may be developing feelings for her and the other uses Caldwell’s anonymous love-letter writer to snag the girl of her dreams. Joy starts to wonder if she has missed out on a quintessential high school experience. She is asexual, but that’s no reason she can’t experience first love, right?

50. Not Your Backup by C. B. Lee Part 3 in the Sidekick Squad series by C.B. Lee. Follows a questioning aromantic asexual latinx superhero sidekick fighting to prove her worth on the team despite her lack of superpowers, all admist the team's battle against the corrupt League of Heroes.

51. Belle Révolte by Linsey Miller Noble-born Emilie des Marais, 16, wants to become a physician, a role usually forbidden women of her class because of the corruptive toll the magical "noonday arts" exact. Common-born Annette Boucher wants to escape her domineering parents and master the less physically costly "midnight arts" of illusions, divination, and scrying, normally reserved for those who can afford the expensive education. At Emilie's urging, each girl takes the other's place. Miller (Ruin of Stars) writes in lush, dense prose that can require a careful read, but her protagonists' awareness of privilege and desire to challenge the status quo shines through. LGBTQ representation--including gay, trans, and nonbinary characters (Annette identifies as asexual biromantic)--further widens this tale's appeal.

52. Tarnished Are the Stars by Rosiee Thor A secret beats inside Anna Thatcher's chest: an illegal clockwork heart. Anna works cog by cog -- donning the moniker Technician -- to supply black market medical technology to the sick and injured, against the Commissioner's tyrannical laws. Determined to earn his father's respect, Nathaniel sets out to capture the Technician. But the more he learns about the outlaw, the more he questions whether his father's elusive affection is worth chasing at all. This YA novel features an aroace character gradually coming to accept his orientation in the midst of everything else that is happening in his life. Perfect for older teens who also enjoy WLW representation and dark themes.

53. Aces Wild: A Heist by Amanda DeWitt An all-asexual online friend group attempts to break into a high-stakes gambling club and commit a heist together. Includes a male asexual character navigating what love looks like for him, an aromantic asexual Latinx gender-nonconforming boy, a Vietnamese American and German asexual nonbinary teen, and a black asexual girl.

54. Planning Perfect by Haley Neil Summer vacation quickly becomes complicated for Felicity Becker as she tries to plan a perfect wedding for her mom, figure out her feelings for her friend Nancy, and wonder what dating will look like for her as an asexual person.

55. Ace of Hearts by Myriad Augustine Everyone around Alvin seems to be obsessed with one thing-- sex. Alvin finds it uncomfortable to think and talk about it and he knows he isn't ready and may never be. His friends, however, think that all Alvin needs is to hook up with the right guy. But the closer Alvin gets to being physical with someone, the more he's uncertain that this is for him and he begins to wonder if he's asexual. Can Alvin find the love that's right for him?

56. Beyond the Black Door by AdriAnne Strickland Everyone has a soul. Some are beautiful gardens, others are frightening dungeons. Kamia comes to know more about her identity as she decides to battle the forces of evil, no matter the cost... Asexual and demi-romantic main characters. Dark fantasy. Kamai is asexual, but isn’t aromantic—she has an interest in relationships that isn’t always depicted for those who are ace.

57. Loveless by Alice Oseman A queer coming of age story featuring a romance obsessed aromantic asexual main character discovering her sexuality and coming to terms with what that means, and a variety of other queer characters that support her on her journey.

58. Summer Bird Blue by Akemi Dawn Bowman Rumi Seto spends a lot of time worrying she doesn’t have the answers to everything. What to eat, where to go, whom to love. But there is one thing she is absolutely sure of—she wants to spend the rest of her life writing music with her younger sister, Lea. Then Lea dies in a car accident, and her mother sends her away to live with her aunt in Hawaii while she deals with her own grief. While not the main focal point of the book, Rumi does grapple throughout the story about where exactly she lands on the ace and aro spectrum—and whether she has to label herself at all.

59. Meet Cute Diary by Emery Lee In this queer rom-com, a transgender teen must decide if he's dedicated to romantic formulas or open to unpredictable love after an internet troll attack on his blog compels him and a fan to start fake-dating. Through an unlikely friendship with sweet, grounded Devin, who is Cuban American, asexual, and experimenting with pronouns, Noah--initially self-centered and standoffish--learns to value communication and empathy.

60. The Reckless Kind by Carly Heath In 1904 Norway, Asta runs away from her horrible fiancé to live with her two best friends. The three misfits set out to win the annual Christmas sleigh race to prove that they belong together. Queer asexual hard of hearing protagonist with heterochromia of Norwegian descent.

61. Forward March by Skye Quinlan How can band geek Harper have the chance of becoming the First Daughter with a fake dating profile? However, Harper does know that the drumline leader swiped right. Come along with Harper as she explores her truth during her last year of high school. Asexual-questioning cis female MC with anxiety and asthma.

62. Elatsoe by Darcie Little Badger What if America had monsters, magic, and interdimensional beings? For Elatsoe, this is real, and she has to uncover her cousin's murder! She can do this with the help of her ghost dog, Kirby, but has to remember not to wake human ghosts. Aromantic ace main character. Paranormal mystery. Casual representation which extends to Ellie’s identity as Lipan Apache. This identity is asserted more often and firmly than her asexuality, and Little Badger drops in nuggets of education for us settlers about what Indigenous people, and the Lipan Apache in particular, suffered at the hands of settlers.

63. All Out: The No-Longer-Secret Stories of Queer Teens Throughout the Ages by Editor Robin Talley A collection of short fantasy stories, featuring a variety of queer characters across multiple sexualities and genders. Features an asexual roller-skating girl from the 70s struggling to explain her identity to her crush.

64. Black Wings Beating by Alex London Twins Brysen and Kylee live in a world that revers the power of the falconers, but in a world where war approaches, they aren’t safe. Hunted for their power, they work together to trap the Ghost Eagle. Kylee is an ace character, focused on protecting her brother.

Graphic Novels

65. A-okay by Jarad Greene Eight grade can be tough, especially if you have acne and bullies, and lose friends. But our relatable asexual and aromantic protagonist, Jay, pulls through. This is a relatable memoir with colorful artwork.

66. How to Be Ace: A Memoir of Growing up Asexual by Rebecca Burgess A comic memoir detailing the author Rebecca Burgess's experience with growing up asexual in a world obsessed with sex. Also talks about her experiences with her own mental health and OCD.

67. Jughead, Volume 1 by Chip Zdarsky A comic book reboot of the Archie comics centered around Jughead Jones. Follows an aromantic asexual main character in typical Archie-style shenanigans. Part 1 of a 3 part series.

68. A Quick & Easy Guide to Asexuality by Molly Muldoon A charming introduction to asexuality, created to shed light on the misconceptions surrounding sex and being asexual. Told by writer Molly Muldoon and cartoonist Will Hernandez, both on the asexual spectrum.

69. Is Love the Answer? by Isaki Uta A poignant coming-of-age story about a young woman coming into her own as she discovers her identity as aromantic asexual. A complete story in a single volume, from the creator of "Mine-kun is Asexual."

Domestic Fiction

70. Have You Seen Luis Velez by Catherine Ryan Hyde Raymond Jaffe feels like he doesn't belong. Not with his mother's new family. Not as a weekend guest with his father and his father's wife. Not at school, where he's an outcast. After his best friend moves away, Raymond has only two real connections: to the feral cat he's tamed and to a blind ninety-two-year-old woman in his building who's introduced herself with a curious question: Have you seen Luis Velez? Mildred Gutermann, a German Jew who narrowly escaped the Holocaust, has been alone since her caretaker disappeared. She turns to Raymond for help, and as he tries to track Luis down, a deep and unexpected friendship blossoms between the two. Raymond is asexual (to be precise, he is aroace) And he is depicted as kind, loving, sensitive and realistic.

Fantasy

71. In the Lives of the Puppets by TJ Klune In a strange little home built into the branches of a grove of trees, live three robots--fatherly inventor android Giovanni Lawson, a pleasantly sadistic nurse machine, and a small vacuum desperate for love and attention. Victor Lawson, a human, lives there too. They're a family, hidden and safe. Protagonist: Vic, A curious, loving, & asexual human.

72. The Bone Season by Samantha Shannon In the mid-21st century major world cities are controlled by a formidable security force and clairvoyant underworld cell member Paige commits acts of psychic treason before being captured by an otherworldly race that would make her a part of their supernatural army. Demisexual main character.

73. The Perfect Assassin by K.A. Doore Divine justice is written in blood. Or so Amastan has been taught. As a new assassin in the Basbowen family, he's already having second thoughts about taking a life. A scarcity of contracts ends up being just what he needs. Until, unexpectedly, Amastan finds the body of a very important drum chief. Until, inevitably, Amastan is ordered to solve these murders, before the family gets blamed. Amastan is asexual and, as it turns out, homoromantic.

74. The Bruising of Quilwa by Naseem Jamnia Firuz-e Jafari was able to escape the slaughter of traditional blood magic practitioners by immigrating to the city-state of Qilwa. But now a terrible disease is spreading through the city, and Firuz believes it comes from ineptly performed blood magic. Now they must find a way to break a cycle of prejudice in order to survive. From the author: it's about an aroace nonbinary refugee healer who is trying to cure a magical plague in their new home while hiding their blood magic.

75. The Midnight Bargain by C. L. Polk The Midnight Bargain is a story "set in a world reminiscent of Regency England, where women's magic is taken from them when they marry. A sorceress must balance her desire to become the first great female magician against her duty to her family. Ysbeta has a clear goal for her life: to discover and share magic. Besides loving learning for its own sake, Ysbeta is asexual, and wealthy in her own right, so the bargaining season offers her literally nothing.

76. Every Heart A Doorway by Seanan McGuire Set in a world where a group of children have the ability to find and enter doorways into magical worlds, and now must find who's targetting them for this ability. Lead by an female asexual main character, with a trans love interest. First book in a series of novellas.

Science Fiction

77. The First Sister by Linden A. Lewis She's a priestess of the Sisterhood, traveling the stars alongside the soldiers of Earth who own the rights to her body and soul. When her former captain abandons her, First Sister's hopes for freedom are dashed and she is forced to stay on her ship with no friends, no status, and a new captain she knows nothing about. When the Mother, leader of her order, asks her to spy on Captain Saito Ren, First Sister discovers that sacrificing for the war effort is so much harder to do when your loyalties are split. He climbed his way out of the slums to become an elite soldier of Venus, but now he's haunted by his failures and the loss of his partner Hiro. But when Lito learns that Hiro is alive, but a traitor, and he's assigned to hunt Hiro down, and kill them, Lito must decide what he is actually fighting for - the society that raised him, or himself. As the battle to control Ceres reaches a head, Lito and First Sister must decide what - and whom - they are willing to sacrifice in the name of duty, or for love. Hispanic panromantic asexual protagonist (Lito).

78. Firebreak by Nicole Kornher-Stace Mal is one of many war survivors in the old town working multiple jobs to scrimp by, one of which is her team's streaming video game play. The team lives with several other roommates in a converted hotel room run by Stellaxis, the company that owns half of town, and is the only legal provider of drinkable water. When Mal catches sight of an elusive SecOps character, special non-player characters (NPCs) modeled after Stellaxis' twelve bioengineered operatives, the team pursues her inside the game to catch her on video for two seconds before their power curfew kicks in. By the time Mal heads down for her daily ration of water, they've secured a lucrative contract, involving an in-person meeting and a conspiracy theory, paying them to capture images of the three living SecOps characters. When Mal returns to find out why the next payment failed, she becomes involved in a fracas that will endanger everyone she knows. Aroace main character.

79. To be Taught, If Fortunate by Becky Chambers Four astronauts set out to explore the galaxy. This journey spans centuries and many worlds. A thought provoking read that explores the themes of loneliness and sense of purpose. Excellent cast of diverse characters and vivid world building. Chikondi is asexual and the text is careful to note that his relationship to the protagonist is no less emotional or vital than those she shares with people she is sexually involved with.

80. The Circus Infinite by Khan Wong What better person to take down a crime boss than a mixed-species fugitive! Join Jes on this exciting tale of espionage, torture, demolition. Sex-averse panromantic asexual lead character

Historical Fiction

81. Kaikeyi by Vasihnavi Patel The only daughter of the kingdom of Kekaya, she is raised on grand stories about the might and benevolence of the gods. Yet she watches as her father unceremoniously banishes her mother, her own worth measured by how great a marriage alliance she can secure. And when she calls upon the gods for help, they never seem to hear. Desperate for some measure of independence, she turns to the ancient texts she once read with her mother and discovers a magic that is hers alone. Kaikeyi is asexual and aromantic. Although the words "asexual" and "aromantic" aren't used in the book.

Western

82. The Complete Lady Ruth Constance Chapelstone Chronicles by L. C. Mawson If you’re looking for steampunk magic, the Lady Ruth Constance Chapelstone novellas are the place for you. Read them individually or all together in this compendium. Chapelstone is interested in her inventions, not love and romance.

Paranormal

83. The Faceless Old Woman Who Secretly Lives in Your Homes by Joseph Fink Told in a series of eerie flashbacks, the story of The Faceless Old Woman goes back centuries to reveal an initially blissful and then tragic childhood on a Mediterranean Estate in the early nineteenth century, her rise in the criminal underworld of Europe, a nautical adventure with a mysterious organization of smugglers, her plot for revenge on the ones who betrayed her, and ultimately her death and its aftermath, as her spirit travels the world for decades until settling in modern-day Night Vale. Asexual secondary character.

Romance  

84. All the Wrong Places by Ann Gallagher After his three ex-girlfriends in a row leave Brennan because he's not fulfilling their sexual needs, he seeks out advice from Zafir, the owner of a sex shop. Zafir introduces Brennan to the concept of asexuality and slowly something more blossoms between them.

85. That Kind of Guy by Talia Hibbert Rae needs a fake date to take to her ex's wedding and convinces Zach, a close friend who has recently discovered that he is demisexual, to play along.

86. The Love Hypothesis by Ali Hazelwood In an attempt to convince her best friend that she really is over her ex-boyfriend, grad-student Olive panic kisses stern associate professor Adam in the hallway. (Olive is coded as demisexual/graysexual, but that label is never used in the book).

87. Far From Home by Lorelie Brown The oddest of odd couples finds unexpected joy in Brown’s warm, sweet contemporary romance. American citizen Rachel, a not-quite-asexual assistant film producer struggling to make a living in L.A., is drowning in student debt; Indian immigrant Pari Sadashiv, a lesbian logistics manager, needs a U.S. green card to advance her career. When Rachel offers to marry Pari in exchange for funds, it’s just party banter at first—but what’s to stop them from crafting a friendship with legal and financial benefits? Their platonic plans quickly go awry as Pari’s mother moves in to help plan the wedding, forcing them to live their lie. As Rachel feels herself awakening to an attraction she didn’t even know was possible, Pari has to decide whether she can live with the possible fallout of Rachel’s tentative first foray into same-sex love.

88. Kiss Her Once for Me by Alison Cochrun Last Christmas, Ellie met Jack in Powell’s when they both went for a copy of Alison Bechdel’s Fun Home, and over a cute argument over “shared custody”, and Jack poking gentle fun at Ellie (who had been crying alone and talking to a footstool as if it were her friend) they start to bond. Jack asks Ellie for coffee, and then they end up spending the whole day together. This is a big deal for Ellie, who is demisexual, and rarely develops attractions to anyone. And then Jack breaks her heart. Fast-forward to this Christmas when Andrew, the landlord who owns the building she works in, asks her to fake-marry him so he can access his inheritance, and shenanigans lead to her agreeing to this and to going home with him for Christmas, and surprise! Jack is Andrew’s sister.

89. The Charm Offensive by Alison Cochrun Tech wunderkind Charlie has never really been interested in dating, but agrees to join the cast of reality show 'Ever After.' While there he finds himself charmed by his producer, Dev, and questioning his sexuality. The Charm Offensive includes a conversation discussing asexuality and its spectrum.

90. Never Been Kissed by Timothy Janovsky Wren Roland has never been kissed, but he wants that movie-perfect ending more than anything. Thanks to Mateo’s boyfriend, he learns about demisexuality and realizes that when he came out as gay, he had not finished realizing truths about himself and intimate relationships.

91. How to be a Normal Person by TJ Klune Before The House on the Cerulean Sea blew up, Klune wrote this quirky and delightful story of two asexual people finding each other and their happily ever after.

92. Soft on Soft by Mina Waheed This super sweet, low-angst romance centers on two fat, queer women of colour (one Black and one Persian-Arab) who fall in love and find their happy ending with hardly any drama. There’s also anxiety representation. It’s just pure fluffy romance goodness. Demisexual protagonist.

Non-Fiction

93. Ace and Aro Journeys: A Guide to Embracing your Asexual or Aromantic Identity by The Ace and Aro Advocacy Project What does it mean to be ace or aro? How should I approach the challenges that come with being ace or aro? How can I best support the ace and aro people in my life? Join the The Ace and Aro Advocacy Project (TAAAP) for a deep dive into the process of discovering and embracing your ace and aro identities. Empower yourself to explore the nuances of your identity, find and develop support networks, explore different kinds of partnership, come out to your communities and find real joy within. Combining a rigorous exploration of identity and sexuality models with hundreds of candid and poignant testimonials -- this companion vouches for your personal truth, wherever you lie on the aspec spectrum. You are not invisible! You are among friends.

94. Being Ace: An Anthology of Queer, Trans, Femme, and Disabled Stories of Asexual Love and Connection by Editor Madeline Dyer Discover the infinite realms of asexual love across sci-fi, fantasy, and contemporary stories From a wheelchair user racing to save her kidnapped girlfriend and a little mermaid who loves her sisters more than suitors, to a slayer whose virgin blood keeps attracting monsters, the stories of this anthology are anything but conventional. Whether adventuring through space, outsmarting a vengeful water spirit, or surviving haunted cemeteries, no two aces are the same in these 14 unique works that highlight asexual romance, aromantic love, and identities across the asexual spectrum

95. Ace: What Asexuality Reveals About Desire, Society, and the Meaning of Sex by Angela Chen A non-fiction research book about the asexual perspective on society's facinations with love and sex, and the misconceptions about what being asexual really is and what it means to a person.

96. The Invisible Orientation: an Introduction to Asexuality by Julia Sondra Decker An introduction to what asexuality is, both for people who don't know what that means and for people that may be questioning their own sexuality. It aims to puts asexual people's experiences in context, as they move through a very sexualized world.

97. Gender Queer: A Memoir by Maia Kobabe A graphic memoir about author Kobabe's growing from adolescence to adulthood, as e explores eir gender identity and sexuality. Features a gender queer and asexual main character that uses e/eir pronouns.

98. Ace Voices What it Means to Be Asexual, Aromantic, Demi or Grey-Ace by Eris Young This is the ace community in their own words. Drawing upon interviews with a wide range of people across the asexual spectrum, Eris Young is here to take you on an empowering, enriching journey through the rich multitudes of asexual life.

99. I Am Ace: Adice on Living Your Best Asexual Life by Cody Daigle-Orians Tackling everything from what asexuality is, the asexual spectrum and tips on coming out, to intimacy, relationships, acephobia and finding joy, this guide will help you better understand your asexual identity alongside deeply relatable anecdotes drawn from Cody's personal experience.

100. Sounds Fake But Okay: An Asexual and Aromantic Perspective on Love, Relationships, Sex, and Pretty Much Anything Else by Sarah Costello and Kayla Kaszyca Drawing on their personal stories, and those of aspec friends all over the world, prepare to explore your microlabels, investigate different models of partnership, delve into the intersection of gender norms and compulsory sexuality and reconsider the meaning of sex - when allosexual attraction is out of the equation.

I haven't read all of these books, so I can't guarantee all of them. But I did my best researching all of them. I was making this list on my own and I was amazed that I could find over 100 books with asexual characters and I wanted to share it!

The Aromantic Book List is now out!

Tagging some people who were excited about this list: @sweetspiderstew @majorgenerally @shayberri789 @53rdcenturyhero @knightoflodis @neonghost39 @rosaazulina

[fraternum-momentum]

mfs when they see dead dove content in the game that the creator specifically warned them about

[katabay]

THE JETSET LIFE IS GONNA KILL YOU, ERIC CARTER!

my laptop charger uhhhhhh. met its end in a very permanent, very fire hazardy kind of way last week. while waiting for a replacement I decided to try and get some work done at the library and was asking around for some urban fantasy (extra points for a mystery plot of some kind) recommendations to check out while I was there

the eric carter series was mentioned a couple of times, AND had the added bonus of having a necromancer for a main character. I love necromancers. someday I'm gonna play one in a game instead of immediately defaulting to vampires.

Fire Season, Stephen Blackmoore

[casscainmainly]

POC Batfam Members Reading Guides + Starter Comics

The Batfamily has a lot of excellent POC characters, but I know comics can be hard to navigate. This list compiles the main POC Batfam members, their reading guides, and recommended runs to start out with. Not including Dick, but if you want a reading guide for him check out this one from @fantastic-nonsense (it actually covers all the Batfam members, it's a great one-stop resource!). This is not an exhaustive list by any means, so feel free to comment/add on with any additions!

Damian Wayne / Robin

The biological son of Bruce Wayne and Talia Al Ghul, Damian Wayne's character growth, complex relationships with his family, and general adorableness has endeared him to the hearts of many.

Reading list from @dailydamianwayne

Recommended starter run: Batman and Robin (2009)

Cassandra Cain / Batgirl

Raised to be an assassin, chose to become a hero. Cassandra Cain's unique abilities, stubborn personality, and amazing character journey make her one of the Batfam's most lovable characters.

Reading list from @dailycass-cain Recommended starter run: Batgirl (2000)

Duke Thomas / Signal

After his parents succumb to Joker gas and disappear, Duke Thomas throws himself into the world of vigilantism. He is beloved for his dedication to his family, unique connection to Gotham, and headstrong personality.

Reading list from @duketectivecomics

Recommended starter run: We Are Robin

Helena Bertinelli / Huntress

A child of Gotham's most powerful mafia family, Helena Bertinelli seeks vengeance after an assassin murders them. Her passion for the people she cares about, her Catholic background, and her sometimes volatile personality make her an interesting and unique beloved character.

Note: Helena was originally portrayed as White, but was retconned in Tim Seeley and Tom King's N52 Grayson run to be mixed race and/or Black. She also has an extremely messy publication history, and it's debatable whether N52/Rebirth is even the same character. She is not to be confused with Helena Wayne.

Reading list from @purpleladyofthenight

Recommended starter run: not a comic, but Justice League Unlimited's episodes "Double Date," "Grudge Match," and "Question Authority" are a great introduction. Then Huntress (1989).

Luke Fox / Batwing

The son of Wayne Enterprises CEO Lucius Fox, Luke Fox inherits the mantle of Batwing from David Zavimbe. Inducted into the Batfam during Rebirth, Luke is known and loved for his genius-level intellect, his complicated relationship with his father, and his unwavering dedication to the cause.

Reading list from @lornahs (includes David Zavimbe)

Recommended starter run: Batwing (Luke shows up in #19 onwards, but the rest is worth it too!)

Maps Mizoguchi / Robin

A student at Gotham Academy, Mia "Maps" Mizoguchi is the newest Robin on the scene! Energetic, ever-curious, and a huge Batman and Robin fan, she's a fan-favourite for a very good reason.

Reading list from @emilyarmadillo

Recommended starter run: Gotham Academy

Other characters who are Batfam adjacent include Talia Al Ghul, who I would recommend using fantastic-nonsense's reading list again, and Jace Fox, for whom you should read The Next Batman: Second Son.

POC characters are still few and far between in comics, and it's important to support the characters we already have to show DC that there is a demand for diversity. All of these characters have truly interesting stories, personalities, and character arcs, and deserve our love and support!

[lizzybeeee]

DATV Spoilers - The Handling of Previous Story/Lore In DATV

Quick PSA: If you’ve read my post on the lore/story threads dropped – it’s not a list of what I expected or even wanted to see addressed/answered in DATV.

It’s pretty much a given that Kieran and the Architect were never going to come back in any meaningful way, I understand that. Questions about what happened to Anora, Anders, Cullen’s clinic etc...never expected to get an answer about them – at all. The line of succession in Ferelden and Orlais? I expected that sometime down the line it would have to be streamlined into one option for both nations, not a problem – there’s so many choices it’s impossible to account for, and I understand that.

This is just a list of plot threads left unanswered that will, most likely, remain unanswered.

There’s no DLC planned – the team is working on Mass Effect 5 now. There’s no conclusion to the fate of the south of Thedas outside of some codex entries and some dialogue. They can patch the Executors cutscene out, maybe - perhaps they could even do the same to anything relating to the south of Thedas. Yes, these areas were not completely destroyed by the Blight – they can rebuild – but it comes across as being so meaningless that I ever cared for these places in the first place. To learn that after ten years of waiting all we cared for get devastated and left in limbo...it’s hard to put into words the bitterness I felt at that realization, and seeing that final cut-scene drove the nail into the coffin of how foolish I felt for even caring in the first place.

A codex entry or letter would have been nice – but my expectations for DATV was solely for a good story that added to the lore and world of Thedas. Instead, it felt entirely reductive – glaringly so when you account for the ‘Executives’ twist.

The world of Thedas has been watered down and its worldbuilding/lore diminished - slavery in Tevinter is non-existent, the Crows being an organization that indoctrinated children is never touched upon, any mystery of ancient Tevinter and the elves is answered (badly!), the Dalish have effectively disappeared and become the Veil Jumpers...it all feels so hollow, so shallow, that I ever cared about these things in the first place.

The issue is that the dev’s gave us only three choices, told us that as the story was contained to the north of Thedas – that our other choices weren’t relevant to the rest of the game with their intent being to not effect anyone's head-canons...before doing so with ‘the blight has devastated most of everywhere you went previously’.

These were story/plot threads that were woven throughout the narrative of the first three games – the things that made me care and become invested in the world of Thedas to begin with. In a game that was set-up to be a direct sequel to Inquisition and Trespasser I hoped that, at least, what was brought up in Inquisition would be mentioned.

Perhaps my list is a little too detailed with plot threads and issues – if anything that can be attributed to the incredible world-building done in the first three games! I love those games, I love the world of Thedas...which is why this game utterly baffles me with its choices.

Dragon Age: The Veilguard is a good game but not a good Dragon Age game.

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Edit: DATV absolutely has a lot of problems outside of its handling of the lore and story of the previous games. I would not say its a good rpg in any sense, but as a weird 'action-adventure rpg lite' game I did have some fun moments and enjoy myself. Would I recommend it to anyone? Absolutely not.

I heard someone describe it as a 'junk food' game and I very much agree with that statement. I found enjoyment in it, but to do so I usually had to turn off my brain, which is not a compliment towards DATV.

The game released very well optimized (especially considering how most companies are content to release half-baked games and patch them later) and did create some really interesting visual set-pieces like the Battle of Weisshaupt. But those moments I enjoyed were few and far between, and far overwhelmed by the negatives of the game - such as story, lack of conversation/conflict/role-play options, bad character writing etc...

Calling the game 'good' is, perhaps, a stretch, and I totally get that. Calling it 'mediocre with some good parts' may be more accurate.

[syrelivesforptj]

"That isn't enemy's to lovers, that's just Bully x victim!" Okay. Maybe that's what I'm aiming for. Maybe that was my goal. What if I like Bully x victim? Hm? What if I like the trope where someone torments the other because they have the hots for them? HM?

[kindest-little-fella-in-town]

HEY STARDEW PEOPLE!!!!

do you like analysing the effects of evil corporations upon human beings a normal amount? do you want to save caroline from her dumb husband? do you just need to find a physical method by which to watch evil old men melt on a fire?

if the answer to any of those questions is “yes,” you should check out my new sdv shopkeeper keyrings!!!!

the keyrings are one-sided + 3 inches tall, and they all come with a silver flower clasp and a protective film on the front of the acrylic to prevent shipping damage. each order also includes a free sticker of whichever design you chose!

they’re £7 each, + £5 international shipping (or £2 if you’re in the UK!). there are 8 of each character in stock as of right now, but i’ll try to update this periodically to keep track of numbers! 😁

big ol’ hyperlink that takes you to the etsy listing :^]

[feelingemotjons]

STOP DEPICTING FAT PEOPLE AS RICH ASSHOLES

STOP DEPICTING FAT PEOPLE AS LOUD AND "ANNOYING"

STOP DEPICTING FAT PEOPLE AS GROOMERS/PEDOPHILES

STOP DEPICTING FAT PEOPLE AS STALKERS/CREEPS

STOP DEPICTING FAT PEOPLE AS "DISGUSTING" AND "UNLOVEABLE"

STOP DEPICTING FAT PEOPLE AS "ANNOYING" THIRDWHEELS

STOP DEPICTING FAT PEOPLE AS BIGOTS

STOP DEPICTING FAT PEOPLE AS SELFISH AND RUDE

STOP DEPICTING CONFIDENT FAT PEOPLE AS "PICK MES" OR "WEIRDOS"

AND FOR THE LOVE OF GOD STOP MAKING YOUR FAT CHARACTERS LOSE WEIGHT FOR THEM TO HAVE A "HAPPY ENDING"

[ash-and-starlight]

Every Day i think about the official radiant emperor Fuck Tier List