#character list is great to get a basic idea of the characters (especially when they aren't the ones the fans don't think the most)

[goldammerchen]

putting this here and leaving for the time being again fr

mid show but with potential = passionate fandom (or shows with too many characters so nobody is explored super in deep)

The Draw of the Hetalia Fandom (and Why You Can Never Leave)

From the perspective of a fan of (technically) twelve years or so.

Something occurred to me a while back, and I wanted to share it to get other people's thoughts. I'll try to add funny pictures and gifs to break up the wall of text so it won't be as exhausting to read.

I made a post the other day about how the Hetalia fandom always draws you back in. This was, of course, based on the joke about how you can never really leave the Hetalia fandom. A joke you can find virtually everywhere you look in fan spaces online.

But this begs the question. Why? Why can't you ever truly leave the Hetalia fandom? What is it about this fandom that consistently draws you back in?

And note that people don't talk about Hetalia itself, but rather its fandom. You could stop watching the show or reading the comics for years, but the fandom is what won't fully leave you be.

(The Hetalia fandom every time you check to see if it's dead yet).

One answer I've heard has to do with the phenomenon known as Associative Memory, where you can learn and remember the relationship between unrelated items.

For example, you watch Hetalia, a series about the countries of the world personified as anime characters. These characters have their own personalities, traits, quirks, etc. And the more you watch the show and get into the fandom, the more you start to associate these things with one another.

For instance, someone can say the word Italy, and I'll start thinking about Feliciano Vargas. Or someone could say the name Matthew Williams, and I automatically associate that with Canada. Or I could see bushy eyebrows and immediately start thinking of APH England. Heck, someone starts talking about Vikings and my thoughts almost always go to the Viking Trio of Denmark, Norway, and Sweden. I could go on, but you get the idea.

And there's also the fact that we live in a world full of the countries that the show has personified characters of, which would in turn likely remind you of Hetalia.

But there's something more here going on. I've thought about it for a long while, and I think I've realized one of the biggest reasons why you can't fully leave the fandom.

It's because of how versatile the characters of the series can be in fan content. Allow me to explain.

(Me preparing to explain to everyone the epiphany that came to me one dark, stormy night).

Hetalia is a series with literally no plot. Like, zero. Some episodes may impact each other, but the overall series is episodic in nature. The only episodes you'd have to watch in order would be the ones going over the miniature love story between Chibitalia and HRE. And then there's the sequence of episodes going over the Industrial Revolution in season seven, and then the sequence of episodes explaining the relationship between Czechia and Slovakia. But that's it. And the Industrial Revolution and Czechia and Slovakia episodes aired in the latter seasons, long after the fandom was already very big and well established.

The episodes are largely adaptations from the original webcomic and thus are all a bunch of skits haphazardly thrown together. So I'll reiterate what I said earlier; there is no real, canonical plot to Hetalia. There are canon events and facts about canon characters, but seeing as the show is largely skits, they aren't tied down to any real narrative.

(The Hetalia fandom whenever they're given a piece of canon they don't like).

This leaves a lot of room for headcanons. Which leads to fans sharing their headcanons online. And when headcanons get super popular, they become fanon. And when a piece of fanon gets super popular, where it finds itself getting mingled with fanart, fanfiction, and even fan theories, you'll have people who start to confuse it with actual canon. There's really a lot to be said for the wild fanon of Hetalia, but I'll get to that another day. I need to turn the focus back onto the characters themselves.

I'm just gonna put it out there. The Hetalia characters are largely one-note. This isn't to say there isn't some depth to a few of the characters, but these characters are largely the epitome of "what you see is what you get." Especially in the early days of the series. The characters all have a set of straightforward, basic character traits, with their interpersonal relationships often being displayed in a very simplistic manner.

For example, Italy is a pasta-loving coward who's a massive flirt. Germany is strict and authoritative with a no-nonsense attitude. Japan is quiet and soft-spoken, only speaking up when he feels the need. America is a bombastic dork with a hero complex. England is an arrogant stick in the mud. France is a hopeless romantic who flirts with anything that has a pulse.

(Me taking a moment to pause and push away the cringy middle school memories of me shamelessly fangirling in class).

And as I said, their relationships are typically portrayed as simplistic as well. Italy annoys Germany, but Germany doesn't want to get rid of him because he's one of his only friends. England and France hate each other. America is that hyper-extroverted friend trying to get his introverted friend, Japan, out of his shell. Switzerland and Lichtenstein have a sweet sibling dynamic. And Prussia and Austria are portrayed as old friends who like to antagonize one another.

Because of the way the characters and their interpersonal relationships are written, this also lends them open to a lot of headcanons and eventual fanon. Not to mention that most of the characters have canon, human names. So if you want to use these characters in a fanfiction, particularly one where you don't want to depict them as countries (which is most fanfics), you have names at the ready that you can use.

And because of the simple way the characters are written, you can potentially write or portray these characters however you want in fanwork without too many people complaining that someone "isn't in character." There is so much room for your own interpretations of the characters. As long as you keep some of their basic personality traits from the series intact, you can portray the characters however you want. Especially because there's no real canonical storyline to drag them down. Because of the lack of canon storyline, you don't have to worry about fanworks being canon-compliant, canon-divergent, or canon-adjacent.

(Fanfic writers when they realize canon cannot stop them from creating whatever they want).

Do you want to portray Romano as the notorious mafia boss, Lovino Vargas, in the 1930s? Go ahead. As long as you can keep some of his cowardly and stubborn nature intact, you can do what you want with little trouble.

Do you want to portray England as the infamous pirate, Arthur Kirkland, in the 17th century? As long as you maintain his disdain for France, have at it!

Do you want to write a college AU with all of the characters present? As long as you keep in mind their personalities and have a basic understanding of their interpersonal relationships, have fun!

Now you're probably sitting there thinking, "Big deal, people can create all kinds of fanwork, regardless of what its content is, or what property it's for. What makes the Hetalia fandom so special?"

It's special because, since Hetalia is a series with almost zero canonical storylines, and the characters are portrayed in such a simplistic way, both of which lend their way to boatloads of headcanons and fanon, as well as small scraps of canon information that we can choose to either ignore or elaborate like crazy on...

Hetalia is a freaking goldmine for creating all kinds of fan content.

(Hetalians when creating the 2p! variations of the characters, probably).

So much fan content is out there. From creepypastas, to Hetaoni, Dreamtalia, the 2p! characters, historically accurate AU's, school AU's, and so, so much more. All because the canon is just loose enough to allow all kinds of fan content to be created and not seem too far off from the series or characters.

And that fan content ends up being way, way more fun than the actual series itself! Don't get me wrong, I still love the show, but I'd be lying if I said I didn't (or currently don't) have a freaking blast every time I engage with fan content. The creativity is insane, and the fanon is even more fun and entertaining.

The reason you cannot fully leave the Hetalia fandom isn't just because of Associative Memory, but because of the immense amount of fan content and fanon where, because of the nature of the series, you can do, write, draw, and create whatever you want. You can project onto these characters and their stories and interpret them to your own personal tastes. And you know what? That's a heck of a lot of fun.

And there you go, that's my two cents.

[haikyu-mp4]

hi omg i love your works sm !! each one is so cute and i love your dialogue for the characters 🫶 i've read most of them but i'll be going back to reread and reblog them bcos u deserve the love 🤍

i wanted 2 ask if ur requests were open ? it's okay if they aren't ofc !! but i had this idea earlier about dentist / orthodontist iwaizumi or oikawa ! and i've been looking thru the hq writers that i've reblogged from n u came up ! the idea is pretty broad but i was thinking more of a build up from patient-dentist (?) to lovers, smth like that ! idk if ure up for it then do ur magic but otherwise i hope u have a great day and i'm looking forward to reading more from u 💞💞💞

Unusual affection

thank you so much for your love!! I never wrote much AU before so this was such a fun idea and I hope I did it justice<3

word count; 1353 – gn!reader, dentist Oikawa AU, patient-dentist to lovers, suggestive

You're not so fond of going to the dentist. Luckily, your teeth didn’t give you many problems growing up, but your parents were urging you to get a check-up appointment after you moved away to a new city. Better to establish a dentist before the issues come up, they would say.

So you did, you made an appointment with dentist Oikawa Tooru and made your way to his office a few weeks later. His waiting list wasn’t exactly short. Not that you had to wonder why for long because…

that is one gorgeous man!

“You need to floss more regularly,” he added as if it just came naturally for him, which it probably did. You lay on the seat as he looked over all the basic stuff, rinsing and picking at your teeth. Unfortunately, you couldn’t see yourself attracting him very much with your mouth wide open and lips scrubbed dry already, so you just accepted your fate.

“I’m not really a dancer but I’ll try,” Oikawa stopped what he was doing and the swivel chair he sat on slowly turned towards you. That’s like something Makki would say, he thought. And that’s not a compliment.

“How old are you, 10?” he asked but quickly cleared his throat when the secretary seemed to eye him from her desk. She always said he shouldn’t have an attitude with customers.

“Some would say I’m a 10 out of 10!” you responded, joyfully watching as his patience wore thin. Oh, how fun to find cracks in that perfect exterior.

He sighed, shook his head, and turned back to the monitor. You started looking at the ceiling, counting the dots and lines in the ugly pattern until you lost count and started over. Is that a headache creeping up on you?

Finally, Oikawa rolled back over. You blinked a couple of times to shake off the view of the ceiling and actually focus on him. “Open.” Wouldn’t mind hearing him command you like that in another setting, you thought, suddenly avoiding eye contact again but still doing as he said. Dentists are not supposed to be this attractive. “Your wisdom teeth on this side, do they hurt?” he asked, pointing to the cheek he was referring to.

You thought about it, humming in thought. “Yes, especially after eating. Lots of food gets stuck in there too.”

“We can set up another appointment to get them removed,” he informed you. “It should be mostly covered by insurance if I say it’s necessary.”

You nodded, licking your lips as they felt so dry from his gloved hands running over them. “Will…” he was about to stand up but stopped for a moment to listen to you. “…you be doing that?”

A small humorous sound left his lips, and it sounded so melodic you were in a trance. “That could be arranged.”

Two weeks later, you’re back at the reception of your dentist's office, asking for Oikawa. You agreed to do the procedure with a local sedative, as you didn’t have that many close friends in this city yet that could pick you up, so two assistants were currently making sure you wouldn’t feel anything around your mouth for the next hours. Unfortunately, this called for you to stay quiet, and you were honestly just excited to see Dr. Hottie again.

Your prayers were answered, and after they left you to soak in the numb feeling in your mouth for about ten minutes, Oikawa walked through the door. “Hey there, little dancer.” he greeted you.

“Hi!” you cooed, but it sounded odd when you couldn’t feel your lips. You frowned, trying to look down at your lips for a moment before giving up. Oikawa clicked his tongue from where he watched you, shaking his head before putting gloves on. Everything he did seemed so elegant, but you had a sense there was a dorky side to him.

“It might hurt a bit, but just tap me if you need me to adjust, okay?” he informed you, looking into your eyes for an answer.

You nodded, sucking in a quick breath. His eyes were pretty. Swirly, like chocolate ice cream. “Yes, I got it.” You bit your top lip, sheepishly continuing. “My safeword is toothbrush.”

Oikawa seemed to chuckle under his breath, he hesitated to humour you but still gave in. “Good to know. I was half expecting a stupid joke about tap dancing.” he hummed before picking up the first tool he needed and swiftly getting to it. It wasn’t very fortunate, to have him stare at your face as your cheeks flushed red, but it was worth witnessing the self-satisfied smirk on his face.

The procedure didn’t take too long. He struggled with the lower tooth, so an assistant came in to help him and the two conversed like you weren’t even there. When it was finally done, Oikawa pressed a button so you were adjusted into a seated position. You let your lips run frantically over your chapped lips, reaching for the small cup of water he provided you. And had you not been busy with the aftermath of the procedure, you would have noticed the way he watched you for a moment too long before getting up and throwing away his gloves.

Oikawa knew it was inappropriate. His breath shouldn’t have stuttered when he saw you in the waiting room for the check-up, he shouldn’t have sent you a small wave before calling your name to let you know he was ready for you, and he shouldn’t have put his hand on your back while leading you to his station. He just found you entertaining, that’s what he told himself, but he definitely looked off his game when you finally sat down for him to check the stitches from the procedure.

“Everything alright there, doc?” you asked, eyebrows furrowed. Oikawa waved his hand as if it was nothing, laughing under his breath.

“No worries, I was just-” he pursed his lips before pointing at you with the little tool in his hand. “Do you like pasta?”

Your jaw loosened in disbelief. “Pasta? I guess I do, is that bad for my teeth or something?” you asked a bit awkwardly.

“There’s this new Italian restaurant down the street. You should go there,” he said. “With me, I mean.”

Oikawa’s penthouse apartment was pretty nice, so you two basically spent most of your time there after a couple of dates led to stumbling through your front door with your lips locked together. He had complained about the small bed and creaking floor of your apartment, which led him to take you home to his place the morning after.

Now you were sitting on the marble countertop in the bathroom with Oikawa standing between your legs, and it was similar to something you had dreamed up before when imagining life with a boyfriend. The difference was, you weren’t kissing or anything like that. No, your mouth was wide open as your handsome boyfriend checked your teeth before bed after you brushed them. “This is a bit unusual, don’t you think?” you managed to say, making him pout as you accidentally left a small bite on his pointer finger.

“You’re a bit unusual, but here we are,” he mumbled, but still hummed in appreciation at what he observed. “I knew the electric toothbrush would help.”

Finally, he leaned an arm on each side of you on the counter so you could have a kiss, which you’d say was a much better reward for being good at the dentist than the ones you would get when you were younger. “You truly are a genius, Tooru.” you cooed sarcastically. He kissed you again and hummed, savouring the aftertaste of your toothpaste. The expensive kind.

“Maybe I’m such a good dentist that my kisses clean your teeth,” he said, and it shouldn’t work. It shouldn’t be charming. It was cheesy, made no sense and created some disturbing mental images. But you savoured it nonetheless, accepting every kiss he gave you and returning it with the same sweetness.

Luckily, this dental nerd is all yours.

masterlist

[nanowrimo]

4 Ways To Cure Writer’s Block

Every year, we’re lucky to have great sponsors for our nonprofit events. NovelPad, a 2023 NaNoWriMo sponsor, is a novel drafting software designed to make it easy for writers to write. Today, they're sharing a few tips to help you beat writer's block:

NovelPad loves NaNoWriMo because we have the same goal: Helping authors get the thing done!

Starting a book is usually fun and easy—your fingers dance across the keyboard as you explore an exciting world, meet your characters, and stir up intrigue for the coming plot. But once you get into the weeds of how that all works, and how you and your characters get from Point A to Point B, you might find yourself losing momentum. You might find yourself so encumbered with obstacles that you might get a case of the dreaded writer’s block.

The very good news is that writer’s block isn’t terminal, and I certainly don’t think writer’s block is as enigmatic as some people seem to think. I believe it’s actually quite a simple problem, and usually due to one of a few common factors. Let’s look at four ways you can push yourself through your case of ye olde block.

1. Check in with yourself.

Step one is always to check in with yourself. 

Start by reviewing your basic self-care needs:

Are you staying hydrated?

Do you feel hungry?

Would a shower or a nap be beneficial?

Is it time for a walk or some stretching exercises?

Consider your environment as well. Maybe you need:

Noise-canceling headphones

A change of scenery

A babysitter or someone to help around the house

To open or close some windows

Next, evaluate your level of focus. Is your mind wandering elsewhere? It can be useful to create a "dump list" to jot down anything that's causing you stress, such as work-related issues, pending tasks, or upcoming events. Setting that list aside can give you the tangible feeling of pushing those things off your desk to worry about later.

Once your body, mind, and environment are sorted out, you'll likely discover that writing becomes a bit easier!

2. Look back at where you’ve been.

Even if the first tip did or did not do the trick, let’s take a look at the project itself.

Sometimes writer’s block is a blessing in disguise! Your creative gut might be telling you that something went awry. Try reading your project back and pinpointing where it became difficult to keep going. Consider alternate plots or paths to get your writing flowing again.

If you're managing multiple plots and subplots, identifying the moment you deviated from the main path can be quite challenging. To pinpoint which plot line is causing issues, you can take advantage of NovelPad's handy feature: Plot tracking.

On the Plot Board, you can review every scene of a particular plot in order, making spotting those errors in your plotlines much easier.

3. Rewrite a problem scene.

Once you've identified the scene causing issues, it's time to make improvements! This can be challenging because there are countless ways to approach a scene.

However, don't hesitate to embrace revisions. Often, a scene benefits from a thorough rewrite. With NovelPad Revisions, you can save limitless scene revisions, compare them side by side, and effortlessly switch to the one they want in the live manuscript. This keeps your different versions safe, well-organized, and readily accessible.

4. Freewrite to free yourself.

Freewriting is a great way to get your creativity flowing again. Write some poetry, compose a letter to a friend, or simply let your thoughts flow without judgment. Freewriting without judgment can help turn on your writer mode and even help you solve some problems! It's especially beneficial when you're stuck on something specific, because we often find brilliant solutions when we stop being so critical of our ideas.

Kick writer’s block off your desk with NovelPad! It's free to use throughout NaNoWriMo, and we offer discounts to participants and winners afterward. If you find that NovelPad isn't your cup of tea by the end of November, don't worry—you can still access and download your project at any time. Just write!

Our team at NovelPad believes in making it easy for writers to complete their books. That’s why we built an uncomplicated, intuitive system that stays out of the way until you need it! We want writers like you to #JustWrite without burdening you with excessive features. Speaking of features, software updates at NovelPad are based entirely on user feedback from authors to keep our features sharp, relevant, and minimalist.

All NaNoWriMo participants have access to a 15% discount on NovelPad with code WRIMO2023 — use the code during checkout to redeem your discount. Offer expires April 1, 2024.

Top photo by Richard Dykes on Unsplash.

[tyrantisterror]

A Dozen Or So Great Vampire Ladies

Ok, so, on a mostly unrelated post the topic of good vampire ladies came up, and @bisexualdaikaiju suggested/challenged me to do a top 10 vampire women list. As a self-professed lover of vampire women, it felt like a challenge I couldn't back down from. But it is kind of challenging, for two kind of contradictory reasons.

First, while there are MANY female vampires in fiction, most of them feel like afterthoughts, getting far less characterization than their male counterparts, who more often than not are the star villains of the show. When these supporting lady vampires do get something to do, it's generally the same role: make their human lovers sad when they rise from the dead as a monster that has to be killed, an emotional beat that is often undercut by a lot of these vampire women not getting much characterization to endear them to us before they died. Everyone wants to have the Lucy Westerna plot beat from Dracula but they don't want to do the work that Bram did to make Lucy lovable. The lady vamps who get to step out of Lucy's shadow are rare - but that just makes them all the more wonderful.

The second problem is that, since this is an obsession of mine that few seem to share (there are lots of vampire fans, but man do the boy vamps get to hog the spotlight among them), I've done a lot of scattered thinking about it and I just know I'm bound to forget at least one excellent lady vampire character that should be here. And whittling it down to ten, and trying to rank them? That's too hard! My thoughts are too mercurial to do that reliably in a way I don't forget!

So instead here's a list of, like, a dozen or so lady vampires that I think are just fucking stellar, many of which I think break the mold of what pop culture makes us expect lady vampires to be. It is not ranked - I love all these characters more or less equally, and think it's a lot more interesting to see how they take their archetype in different directions than to figure out which one is "best" of the lot.

Carmilla Karnstein

I'm going to start with the most famous literary female vampire, Mircalla Karnstein from Carmilla. I think she might be the first vampire to have an unhealthy obsession with using anagrams of her real name as aliases, though I'm sure now that I've typed that someone will find an earlier example to school me. She's also the one who popularized the idea of lady vampires being extremely sapphic, with an arguably genuine romantic affection for her female victims. She's got well-deserved clout, basically, and like Dracula has been adapted countless times and reinterpreted in some excellent ways. My favorite screen Carmilla is Ingrid Pitt's take, which captures her fierceness, passion, and tragic nature so well.

2. Amy from Fright Night

Ok, we're having one Lucy Westerna knockoff on this list, but as Lucy knockoffs go, Amy is one of the best. It actually helps that she spends 90% of her movie as a human, because we get to know and love her so much before she turns monstrous. And once she does...

It is pants-shittingly terrifying. I will never stop raving about the vampire designs in this movie - they made their "game faces" so fucking monstrous and I feel like in a better world this would be the standard ever since, especially since they still gave the vampires pathos while making them so ghastly when they've got their feeding faces on.

3. Drusilla

Buffy the Vampire Slayer had a bunch of vampire characters, and to its credit they did a decent job of making the ladies just as distinct as the gents. Harmony and Darla could both have made this list, but my favorite was always Drusilla, who was so traumatized before she became a vampire that it kind of overwhelms the demon spirit inside her. Like, bare minimum thing to make a lady vampire more interesting than 90% of other female vampires in fiction: give her at least one personality trait, preferably an interesting one, outside of being a vampire. Drusilla's fun, and she survives the entire series after dumping her boyfriend to be a single female vampire. Good for her.

4. Ruby from Scary Godmother

Ok look I am a fake Scary Godmother fan but kudos to the artist of the books for making a lady vampire who's very clearly of the nosferatu mold and is also explicitly benign and sweet. A+ vampire lady character design. I hope it doesn't awaken anything in me.

5. Nadja

What We Do in the Shadows is excellent at finding new takes on vampires in general - it even made me actually like Psychic Vampires as a concept, a feat I thought was impossible - but goddamn do I love Nadja specifically. She's got a distinct personality as vampire ladies go, being very confident and self-assured while also being a complete fucking goober (it is a comedy, after all). She's perfectly capable of being terrifying AND hilarious, often at the same time. A vampire girl failure, in the parlance of our site. I love her.

6. Lady Dimitrescu

I know that she's apparently only in a fourth of the game, but it's still pretty great that Resident Evil 8 decided its mascot villain - its equivalent of the Tyrant, G, Nemesis, etc. - would be the hottest woman I've ever seen a milf an 8 foot tall lady vampire. She's not dainty and willowy like most lady vamps in fiction - not an ambush hunter - but rather HUGE and capable of tossing a human around like a rag doll. She's a physical powerhouse and she looks fine feminine while doing it. Despite being an unabashed blood-sucking monster, she still has enough depth and complexity to have important relationships (like a genuine love for her "giant mass of hive mind flies" daughters), and also she gets to have an awesome transformation into a fungal vampire dragon, which is rad as hell. Also goddamn, her fashion sense is immaculate.

7. Hecate from Hellboy

"Hey, she's not a vampire! She's a goddess! That doesn't count!" Fuck you, my list, my rules. Hecate posits herself as the progenitor and mother of vampires, she drinks blood, and her main form in the comic is as a sicknasty lamia version of the iron maiden used by Elizabeth fucking Bathory, if she doesn't count as a vampire, nothing should. She is the concept of a vampire amped up to maximum capacity, a major mythological figure and an awesome villain.

...also I lowkey shipped her and Hellboy when I was a teenager. They could have made it work!

8 - 12. Carmilla and her girl squad from Castlevania

I suppose I could have counted Castlevania's Carmilla as an adaptation of Miss Karnstein - they're both basted out of Styria, both sapphic, and it's clear she's meant to be an adaptation of the former, just as the Dracula of this show is meant to be a take on Bram's famous vampire. But ultimately they're VERY different characters in the grand scheme of things - Castlevania's Carmilla has none of the tenderness and vulnerability of her literary counterpart, instead being full of barely restrained fury. She is an excellent villain, complex enough to be interesting but thoroughly despicable enough to make it VERY satisfying when she bites it.

I also love her girl posse... in concept, at least. They've all got great designs and the groundwork of interesting characters, but of the the three, only Lenore, the waifish redhead, gets to do much of note. The two on the edges kind of just show up for a few scenes and then bail before the plot catches up to them, doing very little of note - though at least the big hunky one gets one of the coolest fight scenes in the whole show.

Back to Lenore though - she gets a really nice character arc, and manages to become one of the few sympathetic vampires in the series (while still doing a lot of monstrous shit - she is not a defanged vampire by any stretch). I think her death scene is one of the most moving moments in the series finale.

13. Seras Victoria

A good female vampire has at least one non-vampire part of her personality, right? Ok, so, Seras is:

the muscle in almost every scene she is, which is to say, the one absolutely beating the shit out of people while her allies run for cover

the perky henchman/morality pet of one of history's greatest monsters

the sole ray of sunshine in cast of edgy, cigar-chomping grizzled mercnaries and antiheroes she's been pressganged into fighting alongside

the victim of some HIDEOUS trauma even before her vampirization

the protege of a wise master who gets a full hero's journey arc, taking up his mantle at the end of the series

Like, I love her. She's the secret protagonist of Hellsing. She's got layers like an onion. The scene where she killed Zora Blitz reminded me why I love anime.

(yeah it's the TFS version fuck you)

14. Youko Shiragami

My Monster Secret is not a horror manga. It is a romantic comedy about a bunch of idiots trying to keep painfully obvious secrets hidden and succeeding only because almost everyone around them is as dumb as they are, just in very different ways. It is a manga where an entire chapter can be summarized as "all the characters race to get the last McRib, using their various supernatural abilities to try and cheat their way to the front of the pack." It is one of the funniest and most heart-warming stories I have ever read, one of my favorite romances of all time, and an excellent piece of long form story-telling.

One of the two main characters is Youko Shiragami, a vampire girl who can't let anyone know she's a vampire or else her dad will pull her out of school. She desperately wants to have a normal life with friends and, like, school shenanigans, but her fear of people uncovering her secret and hating her is so immense that she's been isolating herself from everyone, accidentally torturing herself by being close to what she wants but unable to actually have it.

At least, until Kuromine, the other main character of the story, discovers her secret while trying to ask her out on a date. He ends up promising to keep her secret, and the two of them form a real friendship that blossoms into a very sweet romance, where Youko gets to display all her incongruous personality traits that go against what you'd expect of vampires - namely, that she's kind of a ditz, with an unrefined style of speech and a complete inability to be suave and seductive. She's a sweet, flaky goofball with a big heart, who just happens to drink blood and tan really quickly in the sunlight. There is no other vampire like her, and the world is richer for her being in it.

15. Marceline, the Vampire Queen

This list isn't ranked, but if it was, I'd put Marceline at the top. I think she is not only the most unique and deeply characterized lady vampire in fiction, but ranks right up there with Dracula in how she redefines the idea of what a vampire can be. Like, look at the forms she takes!

There are DOZENS of different monstrous shapes Marceline takes during Adventure Time's 9+ seasons of television, and any one of them would be a superb and memorable vampire on its own. And she's ALL of them. Just on a design standpoint, she is a standout. I think only Dracula himself could compete.

But she also explores what the concept of what a vampire is in ways no other vampire in fiction can, in part because of the unique nature of Adventure Time's setting. In a world where humans are an extreme minority and most people are weird monsters, a vampire isn't that odd, so we get to explore what being a vampire means divorced from the comparison to "normal" human beings. There's the expected tragedy to Marceline, of course - she's a 16 year old who has been stuck in that adolescent state for hundreds of years, and much of her character arc over the show (including the magnificent vampire-centric storyline, "Stakes") focuses on the horror of being stuck in that transitional state, not quite a child but not quite an adult. Marceline struggles to mature, to understand herself and others, and her vampirism both keeps her distant from reaching those goals but also gives her a lot of time to figure out how to approach them when the opportunity arirves. Marceline goes from one of the most immature and selfish characters in the show to perhaps the most emotionally intelligent, blossoming into a sensitive and thoughtful person she could never have been without first becoming a creature that seems so inherently opposed to ever having those traits.

And she did it all in a children's show where she was rarely if ever allowed to actually drink blood - a problem the writers got around by having her suck the red color out of things, which is right up there with the Joker Venom from BTAS in terms of genius ideas spawned by children's show censorship.

Marceline is the GOAT.

[becauseimanicequeen]

Timelines and the Color Red in 4 Minutes

(I've already published this in a reblog of my timelines post. However, since I know not everyone has the energy to read through all that (since it's basically three long-ass posts so far), I've decided to add this in a separate post as well.)

First, let me summarize my thoughts on the timelines so far so that you have an idea of what I've been thinking these past 4-5 episodes. (Also, I've highlighted my theories in purple so that you can choose to ignore them if they want, lol.)

I still believe there have been at least 3 timelines present so far:

The present timeline.

The 4-minute timeline (which is Great's do-over timeline).

The real past/Tonkla's timeline.

I also still believe that both Great and Tyme are having OOBEs (and a possible third character), and that we will now get to see Tyme's perspective on what's happened. In other words, I will most likely add another timeline to my list at the end of this post.

How I've been able to see/notice the different timelines so far, has been primarily through:

The clocks/watches and the times they display.

The difference between Great's environment before vs after his 4-minute phenomenons (4MPs).

Details that change throughout the scenes (like items and their positions, lamp colors, etc.).

I won't go into detail about these two aspects in this particular post because I want to focus on something else this time. However, we did get to see the clock move to 11:03, first on Great's wall:

And then on the news:

There was also the way Great's mom talked to him before vs after he had his vision of her getting shot. Before he was sent back, she was almost pleading for him to apologize to his dad, while after he was sent back, she was more commanding. Also, as he came back, the gunman was ready to shoot before Great even had a chance to leave his mom and drive off, the way he did before his visions.

(This moment of precognition was very different to his previous ones, btw. This time, he only saw the things happening rather than "living" them.)

There also continue to be the smaller details that tell me there are different timelines/realities at play. Like the things on Chanin's desk in the scene where Samarn went behind Korn's back vs in the scene when Korn is scolded by both his dad and Great's mom:

The lion figurine is facing the wall behind the desk in the first scene while it's facing the room in the second, and the framed family portrait is on Chanin's right-hand side in the first scene and on his left-hand side in the second. (Those two items in the second scene are placed in the same positions as they were in the 1st episode when Korn walked into his dad's office to talk about his new position at the company, btw.)

In other words, this episode was also consistent with the time, the differences in the before vs after Great's precognitions (even though this one was different than the 4MPs), and the other details to show us that different timelines/realities are at play.

With that out of the way, though, I want to focus on something entirely different in this post. It's still related to the timelines, obviously.

I want to see if a theory I have about a specific color is true or not, and if that specific color can help us figure out the backbone of the story (about the core events of the story). In other words, I have a theory that may (or may not) tell us which of the events we've seen in Great's 4-minute timeline so far also happened in the real past.

So, in this post, I'm going to go back for a moment before I make some predictions of where we might be heading in the next episode and onwards.

But, first, I need to emphasize Den's research, and especially what he reiterated in the 5th episode: What people go through during their cardiac arrests varies because of their experiences.

In other words, if what we've seen so far has been Great's OOBE (which I believe), then it means that (most of) what we've seen so far was his interpretation of what really happened (as well as filler content of stuff he might've wished had happened, but I won't focus on that here). And now that we're going to get Tyme's perspective (at least I believe we will, in one way or another), that will be colored by his experiences and be his side of the story (and possible filler content from him as well).

We've all heard the saying that "there are two sides to the story", which is true. But that doesn't mean either side is completely forthcoming about what really happened because the truth is usually somewhere between those two (or more) sides. But that doesn't mean there isn't at least some truth in the two (or more) sides of the story.

I want to focus on that middle ground in this post. Specifically, if the color red tells us which scenes are the backbone of the story. So, let's get into it.

Does the Red Reveal What Happened in the Real Past?

I think we all know that the color red is often used to indicate the red thread of fate (mostly in Asian media). Where I'm from (northern Europe) we also have a red thread saying, but it's used more as a synonym for theme. For example, an essay can have a good red thread if the theme throughout the essay is clear and concise.

Red is also a great color to use to capture attention (which mine was as soon as I saw the trailer). So, I've been tracking the red (and other colors) throughout the show so far to figure out if it had a specific meaning. (I even made posts for the red in episode 1 and in episode 2.)

It might.

And, it might not.

But, let's go with Great's idea and start connecting the dots with the red...

My theory as I go into this is that the red shows us the things in that middle ground I wrote about above. Those scenes/events might be the backbone of the timelines that are at play. Let's see if that's a hit or miss (or somewhere in between).

I will only focus on a few major scenes from the currently released episodes and mostly focus on Great and Tyme's part of the story (because I only have 30 images to play with, which is giving me a headache, btw). So, let's start from the beginning and go through it in chronological order of the episodes.

When Tyme is shot in the first episode, there's a red light behind the shooter:

And when the patient is flatlining in the same episode (whom I believe is Great), red lights are blinking:

Whether everything we've seen so far was triggered by these events or if these events were triggered by something else, Tyme being shot and that patient flatlining is at the core of the story.

Then we see Great and Korn's dad wearing red when he gives Korn the responsibility of managing the illegal gambling sites:

That surely happened in the real past as well, right?

Chanin also wears that same outfit during the family dinner later on in the episode. And while I don't believe Manee survived in the real past, I do believe the dinner happened, it's just that the conversation would've been different.

Then we have Great, who hit Manee with his car, where the seats have red lines on them:

So far so good, right?

Then there are red roses when Tyme gets home and jokes about Coachella:

He and his grandmother also eat from porcelain plates with red flowers on them when we find out Tyme's motivation for becoming a surgeon (to make a better life for his grandmother and himself), which I'm sure was part of the real past. (Unless Great, in his OOBE state, made up the story about Tyme's parents being murdered by his dad...)

Then we have Lukwa, who carries something red the first time she enters Den's office to talk about her own cardiac arrest experience.

She clearly has an important role in the story since she's the woman in that gallery with the red lights where Great saw her. (Perhaps it's the red from that gallery that spills into the story to show us what the key events are?)

I will forego the legendary Tonkla by the lighthouse opening of the 2nd episode where he has blood splattered across his face because I feel like that's the future from our current vantage point, and right now I'm more focused on looking at the things that could've happened in the real past.

Dome clearly saw what happened between Title and View in front of that red trashcan (with a 4 on it, btw):

Which led into this scene where we have the red lights from the car plus the red blood when Title kills Dome:

Considering I think that most of Tonkla's timeline (at least in the beginning) is the real past, Dome was definitely killed.

There are also red folders on the desk Win is leaning against when Tonkla comes in to identify his brother's body:

Which is probably how they met in the real past as well.

And then we have the red Aston Martin Great parks as Title barges in and accuses Great of betraying him:

Now, what's interesting about this scene is that it only seems like Great is in the timeline where he saved Dome while Title isn't. First of all, Title already had that bruise on his face when Great got into his car that night he killed Dome:

The other side of his face doesn't even display any evidence that Great clobbered him with the rock. That's why (apart from the red) I believe this scene happened in the real past as well. It's just that, in the real past, Title was pissed at Great for betraying him about something else rather than saving Dome.

Then we have the hacker attack, which turned their screens into a multitude of reds:

Then we have the shareholder with the red umbrella who was, more than likely, shot in the real past as well. What impact he may or may not have on the story remains to be seen. But I still wanted to mention him here (even though I'm saving on the image limit with this one, lol).

Then there's the red tea Tyme gave to Great:

Which he might've given Great in the real past to get closer to him (due to his family) rather than telling him to check his wound at the hospital (which might not even exist in the real past). Great might've taken that as a sweet gesture, which might've been why this scene popped up in his timeline.

After that, we have Great in the red gallery with a mystery woman (which we know is Lukwa):

This is where things might get a little wonky. But, I think this is meant to highlight a connection between Great and Lukwa that happened in the real past, which is why they are both in that (subconscious?) gallery together. That's why I've included it here. (Also, like I mentioned before, what if it's the red from that gallery that spills into the story to show us what the key events are?)

Then we have Great driving Tyme home after their claw machine date in his red car:

I don't necessarily believe they had a claw machine date at the mall in the real past, but I do believe Great drove Tyme home after a possible date at some point.

Then there's the red light as Tyme walks out of the operating room:

That leads into the scene outside where Tyme tells Great to get out of his sight (before the 4MP changes things). The way Tyme acted in that scene (before the 4MP) was a lot more like the Tyme we saw in the 1st episode than Great's rizzless version of Tyme. So, that might've been the real past Tyme bleeding through in that particular scene.

Then we also have Tonkla's red cat collar, which goes even further back in time as he buried his cat while at Uni, but also now that he's thinking back to that time when he and Korn started their relationship/situationship:

Both those scenes (burying the cat, which leads to his thing with Korn, and looking at that collar after having a fight with Korn and fucking Win) could've happened in the real past.

Why do I think this matters to the story, though? And why do I believe it's part of the backbone of the story? Well, I'm basing this off my theory that Title is Fasai's brother. If that's true, there's a chance that Title knew about Dome's brother (Tonkla) being Korn's "toy" (as Fasai put it). That could very well be the reason Title clearly hates Dome as much as he does. And it all started with Tonkla burying that cat at Uni.

Then there's the blood around Nan as she's held captive and is beaten (and later shot):

Which, in the real past, might've led to Great and Korn fleeing town in Great's red car:

And considering we still haven't seen the scene from the trailer where they're lying in a boat out on the water (which I think is at the same glamping site as at the beginning of the 5th episode), they're probably going back there again in Tyme's timeline. And if they're going back there, there's a big chance it happened in the real past as well (since both characters are imagining it).

The same goes for when they returned to the city in Great's red car. They likely returned to different circumstances in the real past, but they must've returned either way.

Then there are the red features on the news as they report about the accusations against Great's dad and his company (which can be seen in an image above).

I'm sure the evidence Tyme had gotten on the illegal gambling sites leaked somehow in the real past as well (it might've been Tyme who did it, which might've led to Great and his mom being shot).

Then we have the sign on Tyme's place saying "House for rent" in red letters:

Whether he (in the real past) left because Chanin bribed him or because he just wanted to take his grandmother somewhere safer is up for debate.

But at least I'm pretty sure Great was shot (and, most likely, his mom too):

Just look at that red splatter.

This is as far as we've come in the show right now.

So, does it make sense that the red tells us what happened in the real past and/or which events are the backbone of the story? Yes.

Do I think I cracked a code or something? Not really.

But it does make me eager to keep tracking the red in the remaining episodes to see if it will keep being the red thread of the real past/the backbone of the story or if any pitfalls will come up.

Now, let's move on to my predictions of what might come in the coming episodes.

Jewelry, Clothes, and Bruises

At first, I was going to write about the jewelry after the 5th episode because I've been tracking them (besides clocks/time, numbers, and color, to name a few things) since the start, and I think it will play a role now that the show is moving toward Tyme's perspective instead. But, @yakdee wrote amazingly about the jewelry in this post, which means I don't have to. I recommend you read that post first.

To that post, I want to add that the 5th episode ended with Tyme wearing the clothes he was wearing when he was shot in the 1st episode (he also doesn't wear any jewelry in the scene when he's shot):

Is he still in Great's timeline here, running towards his own death so he can have his own OOBE, or is he in the real past?

Or, a third option, perhaps he's in both at the same time, which could be indicated by the bruise on Tyme's nose that he had in the 1st episode when he was shot (image above), which also showed up every other time the lights flickered in the last scene in the 5th episode:

Perhaps the spinning of the camera in that last scene was to show these two versions merging together. Perhaps it showed one Tyme ending while the other Tyme beginning. Or, perhaps it just showed that everything is upside down.

Now, whichever version of Tyme it is that gets shot, I believe that will be the trigger that moves the show into Tyme's perspective of whatever happened in the past. Because I do believe we will be sent back into the past again (somehow) since there are scenes from the trailer that haven't yet shown up and yet would've chronologically happened in the past from our current vantage point (I'll get back to these in a bit).

(I would personally argue that the Tyme with the bruise is the Tyme from the real past. I also believe it's that version of him we'll see get shot in the next episode like we did in the 1st episode, and that will be the trigger that sends us into his OOBE timeline.)

In other words, this is where I believe we're headed.

Tyme's Timeline

I've had the theory for a while that Tyme is having an OOBE as well because there are times when the thunder has broken through into the events we've seen, which I think is his real present reality bleeding through (the thunderstorm at the abandoned place where he was shot in the 1st episode).

So, what can we expect from Tyme's timeline? Or, what will I keep my eyes open for when (if?) we get Tyme's timeline?

Again, considering the things Den commented about in his research, it's obvious that the person from which perspective we're seeing is coloring the narrative.

We might be getting a completely different vibe going forward when seeing things from Tyme's perspective. And just like @yakdee wrote in that post, there's still the scene at the bar from the trailer as well as the sex scenes Great had visions of. The vibe in those scenes is very different (in my opinion) from what we've seen so far from Great's perspective.

There's also this scene of them lying in that boat out on the water:

Which I believe is at the same countryside/glamping site they were at in Great's timeline.

We know that these scenes will show up at some point and we'll likely get to see them from Tyme's perspective, which will be an interesting contrast to Great's.

Also, from a color perspective, Great's OOBE timeline had him in white and Tyme in black for the most part (that might not change very much in Tyme's OOBE timeline, but it's definitely something I'll keep my eyes on). Just look at that image of them in the boat, though. Great is wearing primarily dark clothes with a white jacket while Tyme (who has basically only worn black clothes excluding his doctor's robe, his gray clothes when visiting Great's Uni, and the clothes he wore when he was shot) is wearing a black shirt and white pants... (Also, look at the yin and yang they're creating lying there in that boat. It's just so visually stunning.) That's super interesting to me.

I will keep tracking clocks/time, the color red (and other colors), numbers, more tilting camera shots (which also appeared in this episode, but I don't have the brainpower, or the images left, to write about that right now), and more as the show continues.

So, if I'm to summarize the major timelines right now, they would be:

The present timeline (where Great and Tyme are dying).

The 4-minute timeline (which is Great's do-over timeline).

The real past/Tonkla's timeline (which may be the same timeline or have diverged into separate ones as the show has progressed).

And the addition I think we'll get in the next episode: Tyme's timeline (which may get another name if he also develops a supernatural ability).

I can't wait to watch the next episode and see how wrong I am.

Is it Friday, yet?

[elwenyere]

Crafting Comments on Fics

So with Comment Fest approaching - and with the possibility of bot-generated comments undermining the value of reader-writer engagement - I thought it might be helpful to provide a short explanation of some different approaches I use in crafting comments, in order to identify a few places to get started for anyone who has wanted to leave more (or more detailed) comments but who feels unsure how to get going. 

This is far from an exhaustive list, and the categories are designed to allow for a mix-and-match construction with varying levels of development (from basic to more elaborate). At the heart of it, I think of commenting as a practice of paying attention to what I notice in a story and then crafting language to share those observations with the writer. So each of these categories starts from something we might notice when we read.

1. Affect: how the fic affected you/made you feel

This is a great place to start if commenting feels intimidating, because you’re drawing from your own emotional responses. A basic template might be something like “_____ made me ________.” You can pick a particular moment (the scene with the tooka infestation, the kiss in the Denny’s parking lot, the moment we realize character x was dead the whole time, etc.) or focus on the fic as a whole; and you can describe the effect in simple terms (made me cry, smile, laugh, feel soft, etc.) or extravagant ones (made me want to roll myself into the sea, made me feel like I had ascended to a new astral plane, shook me so deeply it registered a 10.3 on the Richter scale). The idea is to take one or more responses you had to the fic and let the writer know what they were/what about the story produced them. 

2. Memory: what from the fic has stuck with you

If a story has an especially strong effect on you, you might also let the author know what particular moments, lines, or images are going to linger in your mind after you finish reading. After identifying the detail(s) you want to flag (if you were going to bookmark this fic with a note to remind Future You which one it is, what image or scene or plot premise or line of dialogue would go in the “the one with the ___________” slot?), you can describe the way it’s sticking with you in general terms (I’m still thinking about it, chewing on it, rotating it like a Hot Pocket in a microwave), or you can point to some of the reasons why it’s sticking with you (it captures character x’s whole deal so well, it reminds me of y moment in the film/tv show/comic, it crystallizes a larger theme in the story so effectively). 

3. Appreciation: what in the fic seems beautiful, artful, striking

In this approach you’re giving a writer a sense of what stood out to you aesthetically about the story: the moments that made you feel like “put a frame around that fucker because I want to keep staring at it.” This category can feel tricky because there might be terminology specific to the form that we’re not familiar with, so it can feel hard to describe what exactly makes a moment strike us as well-crafted. But we might think about the appreciation approach as having a basic template: “_____ is so ________.” The first slot can be either general (the whole story, a larger scene, the way the author writes dialogue or description or a major character) or very specific (copying and pasting a particular line or passage, identifying a pattern of imagery, pointing out the way the author narrates a specific kind of experience). And the second slot can be just one adjective (beautiful, visceral, unsettling, powerful, stunning, lyrical) or a more elaborate evaluation (so effective at conveying emotions, so hard-hitting after the slow build-up, so vivid I feel like I’m actually there). 

4. Discovery: what the fic showed you/made you think about

Sometimes you read a fic that makes you think about the media/the ship/the characters in a new way, and that’s a really powerful thing to share with the writer. As with the other approaches, you can frame this in terms of the fic as a whole or pull out particular lines or plot points, and you can either describe the effect on your thinking in general terms (this changed my brain chemistry, this blew my mind, this is canon for me now) or in specific ones (I’d never thought about x moment in the film that way before, but now I’m going to think about it that way every time; the line where character x says y was like a lightbulb moment for me - it clarified so much about x’s motivations; I would never have thought about this show as being about z theme, but after reading this fic, I’m seeing z everywhere). 

------

So there you have it: a non-exhaustive list of things we notice about stories and some ways to talk about that. I hope it’s helpful. And of course, when in doubt or when pressed for energy, a string of emojis, a keyboard smash, or an all-caps “I LOVED THIS!!!” are also wonderful ways to share a little love with fic writers.

[lost-secret-santa]

Lost Secret Santa 2024 Sign-Ups

Hi! Since people seemed to really enjoy the Secret Santa exchange last year and I had a good time running it, I'm bringing it back this year! Here's the information on what the exchange will entail as well as the link to the form to sign up!

This will be a pretty basic fandom Secret Santa gift exchange. You will be assigned a giftee that you can anonymously get to know through asks and make them a gift to be echanged around Christmastime.

Gifts can be really any kind of fandom content you like to make. Some ideas of what that could be include (but are not limited to): fanfic, fanart, edits/gifsets, fan video, a playlist, meta/analysis of a certain character/ship/episode/scene etc., poetry, icons/profile pics/banners, or themes!

So basically the plan for Lost Secret Santa is you have until November 18th to sign up, and I will be anonymously assigning you a giftee on the weekend of November 23rd.

When you sign up there are spaces for you to list what characters or ships you want to receive a gift for, and what characters or ships you are okay making something for, as well as what kind of fandom content

You can list specific ships/characters or general things for either (for example: Kate Austen, Jack x Kate; or any m/m ship, any female character, any canon ship, any platonic relationship, etc.) please be specific and list any character or ship you really don't want to make something for so that I don't assign you a giftee that you won't enjoy making a gift for, however, try to give more than one answer, especially if it's a less major character or rarepair ship with a smaller fanbase.

I will share your preference for characters/ships and type of content you want to receive with only your gifter, and will not share which characters you will/won't create for with anyone.

Once you have been assigned your giftee you will have a month to send them messages on anon so that you can get to know them better and make a gift that they will like!

Gifts will ideally be posted on December 24th, 25th, or 26th, but can be posted any time up until December 31st.

Tag your gifts with #lostsecretsanta2024 so that I can reblog them

If you sign up but have to drop out at any time, I totally understand but please let me know as early as possible so that I can figure out something for your giftee so that everyone gets something.

Here's the link to the form you can use to sign up

Send me an ask if you have any questions at all about how it will work

(please boost this if you plan on participating or have a lost-centric blog so that more people can see it)

tagging everyone who expressed interest or participated last year (as always absolutely no pressure to take part again)

@obsessivedaydreamer

@eponine119

@rurza-burza

@kociepierogi

@draven-the-great-is-not-okay

@kateclaire

@johnmurphysgirl

@zeldazee

@loser-xx

@octolingo-writes

@ceridvven

@ivebeendressingforrevenge

@livinginsunnyhell

@echo-the-ghost

@myhillsdonthaveeyesbbg

@nowhereindiana

@lordhamstercheek

@dharmastation

@lockesmissingkidney

[brucewaynehater101]

You ever think about what would happen if Bruce had to kill in self defence?

Like literally no other choice, just attacked without holding back because he knows he’s about to die, and he puts a bit more force behind it than he expects and suddenly they’re not moving why aren’t they moving what has he done—

I haven’t put a lot of thought into it, and it depends entirely on how you write his character, but I think he’d either A. spiral before eventually coming to terms with the fact that there really was no other option at the time, B. panic and hide all evidence and pretending nothing happened while slowly spiralling into a pit of self loathing, OR if you want to go the really angsty route, maybe he hides all evidence and after some spiralling convince himself that it’s fine he’s Batman he needs to stay Batman so he’ll just put this behind himself and pretend it never happened, it was just one time it’s fine, but then one of his kids unearths some piece of footage or something and demands why the rules don’t apply to him, why he can keep on working and isn’t a threat despite being a killer yet Jason always gets shit for even knocking someone out. And mayybe one of the other batkids recently killed in self defence too, and Batman was lecturing them because ‘there’s always another option’ and how they shouldn’t be out in the field if they put civilians at risk, when Jason or Babs or someone calls him a hypocrite and it spirals from there…

Ooh ~ I like how you added the element that Bruce didn't mean to kill them. He never actually made that choice.

Despite Bruce's steadfast rules against killing, the man has killed before. Imma link an article here so y'all can look into it. Basically, pre-Robin Batman (or his beginning years as the caped crusader) used to have no issue with killing. This storyline was changed so that he had never killed at all, but it is interesting to ponder. He has made kills since his character insisted he has and never will kill, though. Some of the ones listed are alternative universes or times he was sure his enemy would survive despite their situation seeming to depict otherwise.

Therefore, it's not a stretch to say he would or has killed. There's some fics that examine the hc that Bruce DID kill someone (or multiple people) in that pre-Tim era and repressed/denied the hell out of that notion. Extending that out to other circumstances would cool af.

Anyways, let's look at this AU specifically!

The three reactions Bruce can have about this are:

The mentally healthy one of coming to terms and accepting this kill

Hide all of the evidence, spiral, and try to justify it to himself while remaining a hypocrite

Repress the fuck out of his memories (including killing, hiding the evidence, and anything else surrounding it) to deny it happened

The first one has opportunities for good dad Bruce where he communicates with actual words to his kids that he'd rather they come home alive. Great hurt/comfort for that route.

The second one is full throttle fuck Bruce. He's a hypocrite who berates the others for their choices in the field, reacts explosively to them even hinting at murder, and overall no one (including Bruce) is having a good time.

The third one has four options:

Bruce is obv not mentally well. He can receive help, come to terms, and eventually end up as good dad

He keeps denying despite how much evidence is proven otherwise, causing him to spiral and jeopardize his relationships.

He eventually accepts what happens but is steadfast that HIM doing so is fine. He won't excuse that behavior for anyone else regardless of the circumstances

After acknowledging the kill, he creates a self-fulfilling prophecy with his belief that even one death will cause him to spiral into madness and mass murder. There would be many clues that he could stop from becoming a monster, but he simply doesn't due to his ideas that one death is too far

The last one could bring lots of angst, especially for the person that forced Bruce to acknowledge the evidence and his kill :)

Maybe the fic can even force Alfred to be the one to put Bruce down for good :)

There are also fics that consider what Bruce's reactions and what the rest of the batfam would do if someone who's sworn off killing ends up killing someone (particularly on accident or in self-defense). There's either good dad Bruce who apologizes for ever giving the impression that killing in self-defense is wrong (when there's no other choice) or bad dad Bruce who goes nuclear.

This has absolutely nothing to do with Bruce killing someone, but this is a rant about Bruce's moral code:

For once, I'd kill for an ACAB Batman because cops kill, and that goes against his moral code. A simple math of murder = wrong, so therefore cops (who don't swear off ever killing again) are an entire group he's against the same as he's against gangs.

He's criticized the batfam, some JL members, anti-heroes, villains, etc. for their choices regarding murdering for justice. Are there any fics or instances in canon where he basically says "fuck the police" because they do kill? Not him stating that GCPD is corrupt, but him fully disparaging the entire profession/institution due to the allowance it gives in murdering. He could go on one of his rants about judge, jury, and executioner. He could chat about power dynamics, morals, police training, checks and balances, insufficient evidence gathering before execution, innocents killed, etc.

Where the fuck is ACAB Bruce? Give me reluctantly working with Jim despite his hatred of cops. Give me him stating he likes Jim as a person and his notion of changing shit from the inside, but Bruce (as someone who is legit working outside the law and policies in place) doesn't think it's possible to change enough. Give me Bruce debating whether his role of working with the legal system is doing harm.

If Bruce has black and white perspectives on murder, let him have it about everything.

[youwillfindilluminating]

Roy x Jamie x Keeley and Roy x Jamie Fic Recs

On one of my Jamie meta posts, @mangoofthesea asked me to drop some recs. You don’t have to ask me twice - I love making fic rec posts!

So here we have a list of all my favorite Ted Lasso fics, as of 4/21/2023. There are many more great fics out there, but these are the ones I loved enough to download the PDFs (always a good practice!).

~*~

Roy x Jamie x Keeley:

The Care and Keeping of Jamie Tartt: http://archiveofourown.org/works/33828712  An OT3 get-together, of sorts. Roy and Keeley take Jamie back to their place after the Man City episode in season 2. Lots of h/c.

honey, I’m honed: http://archiveofourown.org/works/39291306  OT3 getting together and figuring things out. Includes insecure Jamie and emotional h/c. There’s a part 2 to this wherein Jamie has really bad hayfever and it’s 100% h/c and oooo boy, that’s so up my alley you have no idea.

feel your heart taking root in your body: http://archiveofourown.org/works/36861922  Established OT3. Jamie’s dad has surgery and Jamie has to go help him for a couple days before the at-home nurses get arranged. There’s no way in hell Roy is letting him go by himself. So much protective!Roy and emotional h/c it’ll blow your mind. And even more h/c when they get back home and Keeley can join in.

 ~*~

Roy x Jamie:

and you know you don’t have to go:  http://archiveofourown.org/works/35473468  Roy takes Jamie home post Man City (season 2). This is just a great Man City episode fic that hits all the beats it’s supposed to hit. It remains in-character and realistic while still letting these boys be soft.

Flinch: http://archiveofourown.org/works/46399873  God, I fucking love this one. It’s like the author says: an attempt to compress a Jamie Tartt manifesto down to 10k.  Set during season 3. Includes several mentions of Jamie’s father’s abuse. Definitely deals with issues of Jamie attaching all of his value to his body’s ability to perform (in football, etc.).

Blowing in the Wind: http://archiveofourown.org/works/46631650 Set during 3x06. Windmill sex! That night, they stumble upon an Airbnb inside a windmill, and stay the night. Discussions of intimacy ensue. This is really, really sweet. It’s tough to get these boys to talk about their feelings (especially Roy) and still have them stay in character, and jedusaur does it beautifully.

say something true: http://archiveofourown.org/works/46540315  Jamie has a praise kink. Set during season 3. HOT.

A More Judicious Prick: http://archiveofourown.org/works/46241506 Set during season 3. Some D/s elements. "Roy, everything that kid has ever done was to get your attention." I really love this one. Jedusaur hits the nail on the head every fucking time.

Kind But Extremely Firm: http://archiveofourown.org/works/46230289 Another Jamie-has-a-praise-kink fic. It’s Roy x Jamie, but definitely has elements of Roy x Jamie x Keeley.

He tries to joke. “Do you need me to tell you that you’re a good boy?” The problem is, Roy’s tone and general demeanor don’t lend themselves well to joking.

“That’d be nice, coach,” Jamie says. He sounds breathless.

if you want something: http://archiveofourown.org/works/38995776  A spanking fic that hits just right (pun intended). Do you know how hard it is to find an amazing spanking fic? DO YOU??

"It helped. When you said all that stuff about how I fucked up but I had to let it go, it fucking... worked, all right? I was stuck on it and you got me unstuck, and now I'm stuck again, and I just. Wanted you to do it again."

just do it: http://archiveofourown.org/works/40282233  Consensual Non-Consent, Kink Negotiation, Safewords. Mind the tags!  This is just uhhhh very much my thing, so I had to include it. Some silliness with the safeword selection at the very end.

Player On Loan: http://archiveofourown.org/works/40139490  This one is very much What It Says On The Tin. Objectification, Sharing, Safeword Use. Basically, Keeley and Jamie are dating, but Jamie likes to be “loaned out” to Roy as a sex object. There is negotiation beforehand, and everything is consensual! This one might not be everyone’s thing, but it’s handled so well, and it hasn’t left my brain for weeks. It was written well before season 3, but it definitely deals with themes of Jamie seeing his body as social currency/used to please others, etc.

-

Part 2 of the rec list is here

Part 3 is here

[nerdy-the-artist]

Nerdy the Artist’s Metroid fanfic Spotlight!

I have read a fair few excellently written Metroid fanfics in my short time in this fandom, a lot of which gave me many ideas, as well as possible biases, that I have taken into my own fanfic. Still, with the obscene amount of nsfw fics related to Samus (no shame), finding those engrossing stories with plenty of character development, intrigue, and action is a bit of an annoying task. People have different standards of tagging things, and less tags does not necessarily mean less quality. Use to this, for your convenience, I’m going to be sharing a list of some of my favorite Metroid fanfiction stories, in no particular order.

1. Whispers from Beyond the Veil

Link: https://archiveofourown.org/works/56266696/chapters/142947040

Whispers from Beyond the Veil, by AlexRussoStuff, is still in its early stages, and brand new at the time of writing it. Currently, there’s only 1 chapter, but it’s a really promising one. If this fic maintains the tone and quality in this chapter, I’m all for it. It is mainly a retelling of Metroid Prime, interspersed with flashbacks from Samus’s childhood. The tone is far more brutal and gruesome than the original game, with more in the way of gore as Samus steps over the ripped apart remains of Space Pirates aboard the Orpheon. I am excited to watch this fic develop.

2. The Downfall of Ashkar Behek

Link: https://archiveofourown.org/works/42231552/chapters/106034202

I was pointed in the direction of this fic by @molagboop due to some amazing artwork by the Chozo specialist himself. The Downfall of Ashkar Behek, by Acayl, is quite long, following much of the past of Raven Beak, known in Chozo as the titular Ashkar Behek. The story is long, detailing his past as a soldier of the Mawkin, including his maiming by Ridley, known to the Chozo as Balan dosh Nabular, translated to English: Bring to Dread. The story covers many bases in the tragedy of his downfall, and you never feel he is truly evil until he is utterly consumed by madness, and his belief in the innate responsibility of the Chozo to shepard the Galaxy. He goes from a relatively basic villain in Dread to a well fleshed out antagonist whose world view we can understand, and perhaps sympathize with. While it is very lengthy, it is a wonderful read if you have the time and patience for it.

3. Metroid S

Link: https://archiveofourown.org/works/4156530/chapters/9378699

This fic is also incomplete (Metroid works slow, I guess), but the story is oozing with mystery and intrigue. Metroid S, written by Suribot, sees Samus Aran arrive on an icy world following a contract for a scientist’s rescue, and a separate, cryptic message telling of a Metroid’s presence in the derelict laboratories within. The plot is hard to sus out, and the mysteries hiding within are captivating. There is also a fair bit of monologues from Samus Aran about her past (did I mention this is in first person?) where we get to here about many past exploits and relationships. I still am itching to get questions answered with the next chapter. I think you’ll find yourself in the same boat.

4. Inheritance

Link: https://archiveofourown.org/works/11560101/chapters/25965126

Remember when I said less tags doesn’t mean less quality? This is what I mean. Inheritance, by Cuofeng, was written before Dread came out, but there are many coincidental story elements that are interesting to compare and contrast between the two. The story itself is absolutely amazing, especially in the first act, but does have some problems in the third. The sense of mistrust and paranoia that the first act gives off is unrivaled, even by S. The story follows a mission set after Fusion where Samus is tasked with helping in the fight against a reinvigorated Space Pirate faction, with eyes on some advanced Chozo technology. This might be my favorite Metroid story, due to its amazing atmosphere, great personality, and shear rule of cool excellence.

I do have one major issue though: Where Morph Ball?

5. This Time

Link: https://archiveofourown.org/works/34383862/chapters/85563343

For those of you looking for something more lowkey and feels-y, This Time, by CuratorOfFluff, is a wonderful short fic centered around Samus’s relationship with Old Bird, who is now living on Earth by himself with Samus’s pet rabbit-squirrel, Pyonchi. The care the two have for each other is just adorable, and you can tell the author had a lot of fun with this little slice of life.

6: A Swift and Howling Darkness

Link: https://archiveofourown.org/works/42723552

A Swift and Howling Darkness, by Noxshade, is a very different kind of story to most, feeling right at home with Metroid Prime’s method of storytelling. This fic is in an epistolary format, meaning it is told by logs and reports, rather than outright narration. The story centers around Samus Aran, fresh off of her horrifying adventure aboard BSL, encountering a distress beacon sent from deep into the undocumented regions of space, codified as being pre-Federation in make. Driven by her innate curiosity. She decides to investigate this unusual call for help into the dark, unknown regions of the galaxy.

7: We Will Evolve

Link: https://archiveofourown.org/works/54081529/chapters/136920130

We Will Evolve, by Thundamoo, comes hot off the heaps of Metroid Dread, using the loose plot thread of the missing Chozo ships during the escape sequence to tell a story of the X outbreak spreading beyond ZDR’s untamed wilds, and into sentient space. The horrifying idea is compounded on by the realization that what we saw of Samus’s Metroid mutations in Dread were the tip of the iceberg. Furthermore, we get to witness the arrival and spread of the X, known by the Chozo and itself as Eres, from the perspective of a civilian, caught up in the galaxy’s nightmares. The secondary protagonist is a joy to follow along, and Samus’s rage is palpable. Once again, this fic is not yet complete, but it is well worth a read thus far.

Honorable Mention: Confronting Adam (animatic)

Link: https://youtu.be/_hrU1tPZ7R8?si=bkvehOrjTVJsfOfr

This is a wonderful project by a YouTuber known as Galactic Gaming, making an animatic out of the fateful interaction between Samus and Adam where Samus brings out the goodness within the AI recreation of her former CO. The voice acting here is great, and the artwork is nice.

Well, these are some of my favs. I might make a new post with some other good ones, but I think these should be at the top of your reading list. If you have any suggestions for me, let me know in reposts or in the comments. Happy reading!

[ragingadhd]

I was going to put this in the corps therapy blog, but yk what I think it deserves a whole post.

It kind of bugs me when people feminize Will. He's definitely a more feminine guy, don't get me wrong, but l'm so tired of people seeing a guy who isn't 100% masculine and immediately taking that as an in to feminize/infantilize him.

I love his feminine side. I love how he's so caring and loving, how he pays attention to details and is a great listener. I love that he loves music and animals and cooking and having fresh flowers in his cabin. I love his loyalty to his friends. I love how smart, quick witted and clever he is.

But I also love his masculine side. I love how willing and capable he is to fight, especially for those he loves. I love how much thought and care he puts in to keeping his body fit and muscular. I love how intimidating he can get if he chooses to, and how he allows himself to get angry from time to time.

That’s part of why I love TRR as much as I do, especially when it comes to Will’s character. I read that series and I see a man who is more comfortable and balanced in his masculinity than ever before.

Of course, that’s all in the view of a fairly traditional idea of femininity and masculinity. Really, those are made-up labels for very abstract ideas. I firmly believe all of the “feminine” traits I listed are very masculine in their own right, and vice versa, but I digress.

I’m certainly not going to be over here trying to police how people enjoy the series, nor am I trying to say it’s wrong to view Will in a feminine way. If you enjoy the series that way, who am I stop you. My point in making this post is simply to vent a bit and maybe start a discussion. In my personal life, I am so tired of people dismissing or even denying my masculinity because I am a more feminine man, so I’m a little more inclined to be upset about my favorite character receiving a similar treatment.

I don’t see much of this issue regarding Will in the main series. I’ll see someone basically “uwu soft boi” him on rare occasion, but that’s the extent of it. I mostly see this happening with his character in The Royal Ranger. So many people hate who he’s become or even refuse to acknowledge the series. Again, I’m not trying to police how anyone enjoys the whole RA franchise. It’s a fictional book series at the end of the day, not that big of a deal. And of course there are a million different reasons why someone might not like TRR, and I’m not going to be over here accusing everyone for not liking it because Will is more (in my opinion) masculine.

Anyway I’m gonna close my ramble off now. Don’t take any of it too seriously, it’s just been floating around my head for a minute.

[tiffany-loves-broadway]

Someone on Reddit asked me what my major problems with Ward were. I figured I might as well port the comment over here; it's been a while since I've written a substantial Ward Bad post. Recommendation: don't read Ward.

---

It would probably be quicker to list things I didn't have problems with. I spent most of the story giving it the benefit of the doubt because I liked Worm enough that I assumed it was leading up to something good that would justify the buildup. As the story continued that became less and less likely, and as it wound down to a close I realized after nearly two million words that it wasn't going to happen. I would probably have wound up sour about it even if the final arc had been individually decent instead of the worst thing I've ever read from Wildbow.

The characters are good. Not better than Worm's like many say, but good. Wildbow's still pretty good at creating character backstories, whether they're major or minor.

The plot is bad. This includes the character arcs, which are bad. I think about this when people say that it's a better character piece than Worm.

The setting is bad. Worm's world feels like a living place; Wildbow spent many years conceiving of it. Ward's world feels improvised by someone who really doesn't want to be doing a Worm sequel.

The themes are bad. Worm handles its themes with great artistry and nuance; Ward handles them dumbly with a sledgehammer. Its message is bad; Worm had an unreliable narrator who was frequently corrupt and made dubious ethical decisions, while Ward has a hyperreliable narrator who Wildbow is terrified to allow to be wrong, which is especially a problem because she is often meaningfully in the wrong.

The callbacks to Worm are bad. Unfortunately, one of them is the protagonist (bad). The return of the Undersiders to central character status is particularly terrible. It's commonly said that Ward isn't a sequel to Worm, because it's a new story with new characters. In that sense, I didn't want a sequel to Worm, I wanted exactly the thing people say Ward is, a new story with new characters. I just wish that the ties it did have to Worm felt less like contrived trade-ins on fan nostalgia. I really could have done with less of them period.

The writing process was bad, and Wildbow has acknowledged this. The story constantly insecurely shifted to the whims of the crowd, contorting itself in a clumsy attempt to respond to misguided feedback or settle dumb fandom arguments. If you could go back in time and convince Wildbow to sever contact with his entire fandom while writing Ward, it would almost certainly have turned out better one way or another.

The individual plot arcs' endings were bad. Wildbow basically never really knew how to transition from one arc to the next; he frequently cut an arc short because the loudest fans were getting bored of it, and it fucking showed.

The final arc of the story was terrible. Artistically terrible and even ethically terrible. A culmination of every single other problem listed here. It is hard to convey how terrible it is without spoiling it. It felt like something you'd see in a documentary about a Heaven's Gate style cult as one of their pieces of rambling religious material distributed to members. And Wildbow apparently had no fucking idea what he was doing; asleep at the wheel on the freeway, suddenly swerving at the last moment away from death and into standard Ward-style triteness. It isn't surprising that he considers the end of Ward the low point of his career, or that it made him consider quitting writing. It showed.

All around, it was bad.

[clydesavage-thefox147]

So, I feel the need to say something here.

So, I watched a recent video Thomas has been in with Smosh Pit. It was overall a sweet and funny video. But that's not what this is about. It's about the ending. When Thomas was asked the quintessential question of "where can they find you?" He goes like "Oh I do shorts, long form and short form" and "keeping up Vine". I was like yeah makes sense to bring that up, that's fine. But then he brought up Roleslaying with Roman. He was very happy to bring it up. However, no mention of Sanders Sides at all. I get it, Sides could be chalked up the being long form Vine things seeing as the characters are from Vine but...feels off. I remember times Thomas did advertise Sides on collabs and stuff. But other times he wouldn't really advertise anything specifically and just say the socials' names and just say basic shit like "fun videos with nice messages" etc.

But, I've also taken note that Thomas has been REEEEEEALLY pushing Roleslaying, a series that a lot of us weren't really expecting to be the way it turned out to be. We were just told "Roman series" for like a couple years before it was officially revealed. We all expected Sides Roman and we all felt kinda ripped off. Don't get me wrong, the series is nice and all, has a decent story, and it can be engaging to a degree, but it does have it pit falls. But, he's been really adamant on getting the series popular. Constantly promoting it, making a podcast for it(which to me seems unnecessary) and what seems like begging(to me) for 5 star reviews so that Roman of Reston can read them. Now it's like number 25 on Leisure on Spotify because of it. That is great and all but again, Thomas seems like he's forgetting where this series even originated from...Sanders Sides. His bread and butter. The series that garnered a majority of fans he has. A series we're all waiting for proper episodes for with the same spark and energy that it had originally. It seems Thomas has just lost interest in Sides but knows it's what got him popular on the YouTube space so he keeps it up for the money and relevance(for example Patreon branding). He says he still loves the series and enjoys working on it but the longer it takes to produce, the more it seems like it's taken a back seat in priority. I really hope this season finale is really worth the hype he's been pushing for it. But, the way he's been pushing Roleslaying makes it seem like he's saying "Like this! Please Like this! I wanna do this more!" Thomas, buddy, you need to realize that Roleslaying wouldn't exist without the popularity of Sanders Sides. Hell, Sanders Sides wouldn't exist without the Vine characters.

Now look, I get that Thomas shouldn't be tied down to just doing Sides content. But, using it now as a kind of cash grap and attention grabber like dangling keys in front of child feels sad to me. Feels like lately he's been using it as a buzz word or just for products...which is ironic because all sides merch has been wiped off the merch store. Sure, it could be making way for new ideas but they've made several over the years under the same manufacturer and didn't do this before. So, it feels off. If it was because they were out of stock, they could just list it as "Sold Out", not wipe it entirely. And Now he's released Roleslaying merch and new Could be Gayer merch. Which that's fine, just feels weird that that is all that is available right now. Especially because I remember Thomas talking about hoodies for each side back in December of 2021 but a manufacturing issue came up. He said that it was due to the company not being able to do "custom orders" like that detailed. Which, I understood. But then like a week or so later, the Bucket Hats were released which just didn't really help the previous statement. So this whole thing feels off. I'm just hoping it's just a wait of restock or new design releases in the future.

I know this year has been hard on Thomas to do what he wanted in terms of the season finale. I hope that now that things are seemingly getting better, he'll continue the promise he made this year into next year of getting at least Part 1 of it out, maybe two if lucky. I just feel like Sides has plummeted from grace. What it once had is now a slowly crumbling ancient temple, that the more you try to patch it and keep it up..it doesn't last long. If there isn't a significant restoration done soon, it'll all fall apart. I pray that once the Season finale is released, the fandom will have a resurgence. Old fanders come back, animatics are everywhere, art is flying out like hot cakes, forums are booming, it's trending everywhere, and the fandom is reborn...and hope it stays that way into the third and final season. Hell, I hope Joan does come back to a degree and revive the husk the series has become. But, it's up to them to decide that. Now, seems like Quil is the only one left of the old writers of the series. And if she leaves, season 3 is going to be wild and may not even feel canon but again we have yet to see that.

I just want what drew me to this series back again. Is that too much to ask genuinely?

[h-c-u]

No longer a secret pt 3

Summary: The one where InternetTM has ideas and the relationship officially goes public.

Pairing: Toto Wolff x fem!reader

W/C: 4k

Rating: PG, age gap

TWs: none

A/N: I didn't expect the characters to grow this much, but I guess we're in it, guys, gals and pals. Also, below you can find a link to a playlist I listen to while writing all of this softness. The songs on it don't apply to either of the characters, just put me in a good mood for fluff. Also-Also - I don't have a clear plan for a part 4, so it might be few days before I'll write it.

Taglist: @crimeshowjunkie, @omgsuperstarg

Series Masterlist | Masterlist | List of tags | Playlist for the series

You hated waking up early, especially alone in bed, but there had to be some cons of being with a man like Toto. Although it was more of a personal preference, than a true inconvenience. And during most mornings out of season, you had him all to yourself...

But today he was most likely either in some early meeting, or still in the gym, and you had your own meeting in about 30 minutes, so it was time to get up and get ready. 

You've just finished making a quick breakfast and a second coffee for your guest when there was a knock at the door. 

Mr. Zane, or Mark - as he insisted you should call him - was definitely worth whatever Toto was paying him because he was able to find a discrepancy in your contract that not only could void it after 30 days of you not being assigned a "full-length uninterrupted interview", based solely on the word uninterrupted, you could also sue the network based on precedence you wouldn't be able to repeat under any threats.

He already drafted a proper resignation letter mentioning all the legal things, and next to that, there was a letter from his firm stating that a failure to comply would result in legal action. You only wanted to add one condition to the things he prepared - you wanted to be the one to announce your departure from the network first; on your personal social media and without naming specific reasons.

He quickly edited the file to include that condition, and passed the tablet to you to sign, and just like that - everything was taken care of. And as a bonus, he checked a statement you quickly prepared, just to make sure the wording was ok, and after a few tweaks, you had it ready to post as soon as you got a reply from the HR department. And Mark assured you that they should confirm everything when the message will be marked as read since everything was effective immediately. 

A twenty-minute meeting saved you a full month of additional work, and with that, you were officially free. And unemployed. You would just have to return all the network-issued gear and vacate the room they paid for as soon as possible, which shouldn't be an issue, since the majority of your things were already here. You also no longer could use your press pass and network ID, but that wasn't going to be a problem, since you had no desire to do so. Sure, it was a dick move to leave your colleagues in the middle of the season, especially when there was supposed to be coverage tomorrow on track. But your resignation was a great opportunity for someone to put to good use. 

To your surprise, you got the notification that your Network acknowledges your resignation and accept the terms before Mark left the suite, and you had to make sure three times that it was indeed real because it still felt like a dream. After he finished the coffee, he congratulated you on your freedom, and just like that - he was gone, leaving you alone with your thoughts, and you immediately went into damage control mode, making call after call to your friends in the network, letting them know that you're no longer with the company; you didn’t want them to find out from a company-wide email, or worse - your social media. To those you couldn't reach, you wrote a message, and since all of you were basically in the same camp, there was no one who was bitter or angry; your friends fully supported your decision. Sure, there were a few less-than-appropriate comments, but all were in good faith.

Toto came back from the gym while you were still on the phone, and gave you a quick kiss on the top of your head in passing, because he didn't want to hug you when he was still sweaty, and before he disappeared in the bathroom, you mouthed "It's done, thank you...", and you could almost feel the pride radiating off of him, even though you basically didn't do anything. A question on the other side of the line made you turn around and focus on the reply.

When he came out of the shower with only a towel wrapped around his hips you couldn't help but stare a bit, and Toto just smiled when he caught you, came closer, and wrapped his arms around you, while you put your right hand on his shoulder blade, pulling him closer, so you could rest your cheek on his chest. His skin was so warm after the shower, that you could just melt into it, but you knew you couldn't stay like that long, because he had to get ready, and you had to continue the call session. Well, you technically didn't have to, but you wanted to explain whatever you could in person. 

You eventually let go of him, still deep in a conversation with your friend from the weather department, who just asked about your plans for t   future. You started telling her a rough idea of the project, and while Toto was getting dressed, you went to the kitchen to make him a coffee and take the breakfast out of the fridge, so he wouldn't miss it. You knew you didn't have to do that, but you enjoyed doing small things like that for him, and he did the same for you.

It looked like he would have a virtual meeting first because he took out his laptop, so you left him at the kitchen island and quietly closed the door to the bedroom, from where you continued your calls. You honestly thought that it would take less time, and after the sixth call, everything became so repetitive, that you honestly started to regret that you didn't make a group chat and let them know by a meme that you quit. 

But you eventually finished, and it was almost 11. It's not like you had something else to do today since you were officially free, but that feeling of guilt for not doing anything specific was present in the back of your brain, so you sighed and came into the other room, trying to figure out if Toto was still in the meeting, and when you heard your own voice coming from his laptop, you realized that he definitely wasn't. 

You lowered the barstool he was sitting on so you could take a look over his shoulder to see what he was watching, and the sudden movement down made him laugh. You hugged him from behind and rested your chin on his shoulder, because for once you could do that without abysmally tall high heels. He was watching your interview with Lewis from yesterday, and you came just in time to see him walking into a frame and putting his jacket over your shoulders. 

- My hero... - you laughed, and you pressed a tender kiss to his cheek. You stayed like that until the video ended, and after it did, you reached under his arm and scrolled down to see the comments, and you immediately started shaking, trying to contain laughter.

- "Y/N is so strong because I simply would have fainted if he did that to me..." - you read out loud the latest one, and he took over scrolling, so you wouldn't have to strain your wrist. - Oh, Mr. Wolff, please catch me in your strong arms if I faint...? - you couldn't help yourself and he shook his head with disbelief.

- It will be hard for me to catch you if you're behind me... - he laughed, and pulled you in front of him, basically switching your positions, so you leaned on him and intertwined your fingers with his on your stomach. 

- This one is funny... "Y/N is definitely in a secret relationship with Lewis Hamilton. In this essay I will...". - he read out loud, and you couldn't help but laugh. A quick look in the top right corner told you that you were still logged into your account on his computer, so you hit reply and commented "Where is the essay, OP...?", and he laughed even harder. 

- I like this one "A single mom who works two jobs, and one o  the jobs is definitely making sure his favorite son won't get sick", it's a reference to a song... - you added and you could feel him smiling, while you typed, but you hesitated before you hit send. - Are we ok with that...? - you made sure, even though it wasn't anything specific, just a slight suggestion. "Ok, but like are we sure-sure he's single?" 

- Are you ok with that...? - he flipped the question, and instead of replying you just sent the comment, and you could feel him pulling you closer, so you basically sat on his lap now. - Do I want to know what that means? - he pointed at one of the comments that read "Where is that fan cam of Toto to "big boy" because I suddenly need it to survive.", and you laughed again.

- I don't think I've ever seen this specific one, but people take clips of other people, in this case, you, and put them together to different songs. I suspect in this case they refer to you looking very hot, Neshama Sheli. - he couldn't help but laugh. 

- I don't think I'd like to see that... I would be much more interested in seeing fan cams of you, Schatzi. - you shook your head and wrinkled your nose, when he pressed a quick kiss to your temple, while you continued scrolling, and while there were a lot of comments about pet race, Toto's gesture was the second thing people talked about the most, and you both laughed from one more "I volunteer as a headset!", referring to the fact that there were times when he didn't treat his headsets the best. 

Only after you saw a comment where someone said that they can't wait for your next interview with Lewis, you realized something. 

- Shit, I forgot to post the official information about my resignation. - you immediately grabbed your phone and posted the prepared statement across all your social media. 

- By the way, I requested a Mercedes pass for you till the end of the season, so you could still come and go to the tracks as you want. - he said when you finally closed his laptop and turned around so you were facing each other. 

- Thank you. - this time you had to lean a bit to kiss him, and you would have lied if you said that you didn't enjoy it. 

- Is there anything else I can do for you, love? - he asked, pressing his forehead to yours. 

- Actually... - you took a deep breath - I want to get in front of the possible rumors, and I want to announce, well... us. - a giant smile bloomed on his face while he pulled you for another kiss. 

- No more hiding...? - he asked more as a formality, but he also wanted to make sure that you were 100% ok with sharing that part of your life.

- No more hiding. - you confirmed, your voice surprisingly confident.

- Then what are you waiting for? - you couldn't help but laugh. 

- It's a whole process... You know business and management, I know journalism, but more important - I know social media, and I know exactly how quickly the information and wild theories will spread in this community. – this whole endeavor would require some finesse, and you honestly debated if you shouldn’t leak your relationship to a few drama channels yourself to avoid ripping the Band-Aid yourself, but it would be much messier that way.

- I understand. What do you need me to do...? - he asked and leaned back on the stool a bit, so he could look at you better. 

- Take a selfie with me... I was thinking about posting it with information that I will go live and answer questions for about 30 minutes to dispel any craziness that will definitely come up sooner or later. - you explained your plan. All of it still seemed so surreal...

- Sounds good. Is that all you need? - he asked again, closing his knees a bit, and squeezing you between them.

- I mean, I still need to get the rest of my stuff from the other hotel, but I'll do that later today. - you sighed. You had more things to do, but this one had a deadline 

- I'll drive you. - he said as if it was the most obvious thing, and it wasn't even a question.

- Toto, you have a race to think of... And I am perfectly capable of doing that myself. - you tried to steer his mind away from taking care of you, but he didn't budge.

- I know... But consider this - I want to. - well, how could you argue with such sound logic? - Do you have any ideas for the photo?

- Not really, but I don't want it super staged, so I guess... just smile...? - he placed a quick kiss on the tip of your nose, and you turned around, sat on his lap, and turned the camera on the two of you, while he leaned a bit forward and rested his chin on your shoulder. You quickly took a few pictures in a row, while he placed another kiss on your cheek and you couldn't help but smile. And when you started lowering your phone, you felt the vibrations in his pocket, but it was to be expected. He chose to ignore them in favor of another few seconds this close to you. - Answer your phone, Meu Tudão... - and with a heavy sigh he did, while you stood up from his lap and started to choose the best of the photos. And the one when he kissed your cheek and you smiled was just perfect. 

You quickly cropped it so the proportions would fit the layout of the website, and made the picture a bit brighter, but that was it. The description only read "30 min live AMA at noon, get ready". You turned the screen in Toto's direction, so he could take a look, and he gave you thumbs up and a huge smile, and that was enough for you to post it. 

Not even a minute passed and the notifications started blowing up your phone to the point that you had to turn them off for this specific app in fear of it crashing every few seconds. 

You still had at least 10 minutes till the live, so you got something to drink from the fridge, because you suspected that 30 minutes of talking might make you a bit parched. You also carefully chose the place you wanted to stream from. Definitely not in front of the window because of the light, and you didn't want to share the view, so you opted for a couch set on the wall perpendicularly to the floor-length windows. You also made sure that there weren't any personal items in the frame, just in case. 

Toto was still on the phone, but as soon as you started your live, he moved to the bedroom, because the things he was talking about weren't exactly public. 

- Hi everyone... Oh, wow... There are a lot of people here... Jeez... - you looked at a quickly growing count indicating how many people were currently watching you, and the number was significant; you knew that neither of you was exactly anonymous, but it still exceeded expectations. - Ok, I'm gonna give everyone one more minute to join in and then I'll start answering questions... - you explained and leaned back a bit, but still made sure that the angle was good. You slowed down the chat, just so you'd be able to read anything. - How am I...? I'm great! Nervous as hell, but I'm actually great. - you didn't want to be quiet for that minute, so you decided to answer a few general questions. - Where am I...? I'm currently at the Ritz-Carlton... - You saw that the number of viewers started to stabilize, so you knew it was time.

- Ok, time for some serious questions and serious answers. As usual, I won't engage with anything vulgar or inappropriate, so make sure to keep your questions clean. But first some general info, so we're on the same page... - you took a deep breath because it would be the first time you shared that information out of your own free will. - Yes, me and Toto Wolff are together. We've been together for just over a year now... - you couldn't help but smile when you saw the flood of reactions in the chat, and you tried to catch as many questions as you could. - Did anyone know? No, not until yesterday. We decided to keep it private because of my career. Is someone blackmailing me to share that information...? - you couldn't help but laugh. - No, no... I'm doing it out of my own free will, no blackmail involved. - you took a moment to get to another question. - Did my departure from the network was because of our relationship? No, it's not. I keep my work life separated from my private life and there was no influence either way. - another quick break to catch up and read the question. - Why did I quit my job? I didn't quit my job. It was a mutual departure because our priorities no longer lined up and continuing that partnership wouldn't be good for either me or them. - you stuck to the things Mark approved earlier today. - Why am I sharing this now? Since I no longer will be working around the track, there was no reason to keep it secret. - you noticed that Toto left the bedroom, the phone still in his hand, but he was no longer on a call. You didn't ask him to join you, and you were prepared to do the AMA alone, but he sat next to you and wrapped his arm around you, and the chat exploded again. - Say hi to everyone... There are over 20k people watching us now... - you almost instinctively leaned into him. 

- Hello everyone! And wow! 20k just for us? That's impressive! - he leaned forward a bit, so the angle would be better. 

- Do you want to answer a few questions, Ya Amar? - he smiled, and you could see on the screen that he wasn't looking at the camera, only at you, and that warmed your heart. 

- Sure, why not... - he chuckled quietly. 

- So how did we meet? - you relayed one of the questions that popped up in the chat with a smile because the mere memory of that afternoon was more than enough to put you in good mood. 

- Well, believe it or not, it was nowhere near the track. She actually yelled at me, because I accidentally destroyed the flowerbed in front of a small B&B she was staying at, and that was enough for me to know then and there... - he smiled when you looked at him, and you couldn't help but blush a bit. 

- And I did that fully knowing who he was because the older couple put so much work into maintaining that flowerbed and he just... run over it! - you built on top of his story. 

- In my defense, I did that to avoid hitting a squirrel! - now both of you were laughing, and it took you a second to remember that you should be answering more questions. 

- Where was our first date? - you read the question out loud, and you were preparing to answer it when Toto cut you off.

- Oh, that's easy... Deutsches Technikmuseum in Berlin, and it lasted what... 10, 11 hours? - he replied and pulled you closer.

- Yup, it's a very big museum, and we were there since it opened till it closed, and we still didn't see everything. And after that, we went to a park and just sat on the grass and talked. It was perfect. - you added. You didn't want to share more details like - a much too expensive, very poor-quality dinner you sneaked onto the roof of the brewery on the museum grounds... Or the cheap strawberry champagne with glitter, which you chose only because you thought he would never buy or drink it, and which later exploded in his hands before he even managed to open it, soaking both of you in a pink, sugary, sticky residue; fortunately, neither of you got hurt then.

- Indeed... It was perfect because it was with you... - he leaned a bit and pressed his forehead to your temple, and you looked at the chat again in search of another question.

- Do we live together? Come on guys, that's too personal. What did we do for our first anniversary...? We spent a whole week on a cabin cruiser in Greece, just the two of us... - you could feel his hand gently stroking your back. - Ok, we're over the 30min mark here, so one last question and we're done. Make it a good one, guys... Ok, ok... - you took a moment to actually choose the question. - What are our favorite things about each other...? For me, it's your smile. - you replied, more to him, than to the chat. - I know it's cheesy, but it represents so many things... It makes me feel safe and cared for, it tells me that there is nothing to worry about, and no matter what - everything will be all right. And even when I'm having the worst day of my life, when I see you smile, it all disappears, because you give me the strength to get through everything. - you said and he pulled you in for a quick kiss. 

- For me, it's also easy... You make me want to be a better person in every area of my life. You push me to do things I wouldn't even consider before I met you by forcing me to look at things from different perspectives. You have this way of listening to my problems, that makes me realize exactly how to deal with them, doesn't matter if it's about work or about something private... And you make me want to be a better man for you, a partner you could be proud of. - this time you were the one who pulled him into a kiss, not caring how many people were watching you, although currently, they were watching more of the ceiling than the two of you. 

- Ok guys... Thank you so much for watching, that's going to be it for today... - you centered the camera on you and Toto again. - Take care, everyone! - and with that, you ended the live. 

- That went well. - he said, pulling you closer, and you leaned into his body. 

- Actually, better than I expected. But I guess we'll see what the articles will say in a few hours. 

- Do you think there will be articles...? 

- Oh, there definitely will be articles... And I can guarantee that at least one of them will be titled something like "Austrian billionaire and his latest, much younger fling" or "A principal and his student". People on my side of the media are vultures... - you couldn't stop the sigh that came out of your chest, but even though you knew that people would take the one thing about your relationship and run with it till the end of Earth, you honestly didn't care. Not when Toto's arms were tightly wrapped around you. - Oh, and an honest heads up - you and your team will definitely be asked about me during media hour... - you closed your eyes, letting yourself relax a little. 

- Do you care about how we will be perceived? - he asked with that pure childish honesty in his voice. 

- 6 months ago, I honestly wouldn't be able to sleep because of it... But now...? - you smiled and looked up just so you could see his face. - Now I truly don't give a fuck. - he couldn't stop the light chuckle that made his chest vibrate under you. - And I pity people whose lives are so boring that the only entertainment they can come up with is making up lies about two people who clearly love each other... - you leaned back again, savoring this moment, because you could just feel that it will and soon. After all - it was still racing season, and even though positions for tomorrow were already assigned, Toto still had a lot to do before the race. 

Part 4

A/N 2: Please don’t feel obligated/pressured to reblog, because I write mostly for myself. A comment would be appreciated though :) Love, G.

[bloodywonder1846]

Sweeney Todd headcanons

• Sweeney is the type to accidentally stare at people when he zones out.

• Mrs. Lovett’s favorite poem is Annabel Lee by Edgar Allan Poe. (I mean, it’s about a girl who lives by the sea with her goth boyfriend.)

• Sweeney’s favorite Edgar Allan Poe story is The Cask of Amontillado. He just loves a good revenge story.

• If these characters knew about horror movies, Toby would be the type to swear he’s brave enough to watch one, but would end up being very scared by it.

• Anthony goes to Sweeney for relationship advice regarding Johanna.

• Prior to being sent away, Benjamin Barker was a major soft boy, and actually quite similar to Anthony.

• Johanna likes to paint and write poetry & short stories in her spare time.

• Mrs. Lovett stress bakes. A lot.

• Sweeney struggles with showing people that he cares, but he tries his best to find little ways of showing it.

• Due to the years she spent unable to afford basic necessities for survival, Mrs. Lovett’s health has been not-so great. She has been recovering, but every now and then, she still feels weak, and she sometimes gets body aches. She also tends to get sick easily. Whenever that happens, Sweeney and Toby both help take care of her.

• Johanna, Anthony, and Toby would all be really good friends.

• Also, they would try to play matchmaker with Sweeney and Mrs. Lovett. (Especially Anthony.)

• Anthony has a list of places for he and Johanna to visit. Johanna also has her own list of places she wants to go to once she finally escapes from Turpin.

• Sweeney and Mrs. Lovett always hang out after work. Usually they either talk, read together, dance, or he’ll listen to her play the piano.

• Literally everyone in Fleet Street thinks Sweeney and Mrs. Lovett are a couple. He swears he has no idea where people could’ve possibly gotten that idea from.

(“And they were roommates.” “Oh my god, they were roommates!”)

[pancake404]

Speed/Lazuli/Silvia: a Romantic Relationship that's not great...(1)

Alright, I said I might do this so here we go.

Speed the Jolteon and Lazuli the Glaceon, as probably everyone who has read the comic would know, are the main romantic pairing in Eeeveelution Squad. It’s a pretty big part of the reason why Eeveelution Squad got popular; due to this, people began wanting the relationship to happen eventually, and then came the shipping wars and all that with people arguing on who Speed in particular should be with as well as other characters but the focus is particularly on him. Then came Silvia which made things worse.

I’m not going to fully explain who these characters are because most likely, if you’re reading this then that means you're probably already aware of the characters so let’s just continue to this romantic relationship which I tend to describe as, “way too liked to the point it’s kind of concerning" as well as, "Speed's Bad Ending"

Now as the...two people who saw my drawings and opinions of the characters of Eeveelution Squad might guess, I’m not exactly in favor of Lazuli and Speed's relationship happening at all or the fact that it did happen in its weird way. To be blunt, I don’t like it whatsoever and I have several reasons why and a decent ton of examples proving them(this not only goes for Lazuli and Speed but also Silvia and Speed at the same time but the ladder might come a little later).

So before anyone that does ship these two or three assassinates me for whatever reason you feel like taking it this far because I say your ship is not good, do me at least the small favor and read through this before the assassination attempt…or just, scroll past this.

Also, I'm not holding it against EV for the writing and having to be forced to set them up together but I don't think enough people realize just how bad the relationship is written to be which I'll be showing a lot of examples for this.

This is will be the first post/part of my rant and it'll mainly focus on Lazuli's treatment of Speed from the start and onward. There are more I want to get to which I can't in this post because there are a few limitations like the amount of images but I'll get to them later.

Now, without further to do, let’s begin.

Starting with Speed/Lazuli:

Let’s start with the basic reason why I don’t like it which is shown in the comics pretty frequently and it’s the constant physical violence that Lazuli commits against Speed. For me, it’s problematic when the first thing that pops up in my mind when thinking about this relationship is just Lazuli hitting Speed and beating him up throughout the whole comic. I understand she has this tsundere trope but here’s the issue, or rather the issue I have with it, it doesn’t make sense nor do I support hurting others, especially those that you supposedly love which is where the trope is often found. But it goes a little further for Lazuli’s case where it’s confirmed that for the first few months(or at least a decently long time), Lazuli did hate Speed which also means that those punches were genuine either from embarrassment, pettiness, or just an argument that Lazuli 99% of the time turns physical.

Speaking of examples, here's a list of them:

I'm willing to give her an "out" for this one as it could be chalked up as accidental as Lazuli quickly apologizes for running over Speed, thinking he's just some random Pokémon in the way.

Lazuli insults him the first time they truly meet, keep this in mind.

Personally, Speed is in the right here, given what we see, Lazuli bumps into Speed, quickly says "sorry" and runs off. Then once Speed comments on it being "a bit late" and that he almost fainted, Lazuli insults him by calling him weak(she has no idea how wrong she is).

Afterward, her way of an apology to this new individual(Speed) is just demanding forgiveness and when Speed shoots back, Lazuli escalates it to a punch already starting their streak of Speed beatdowns which is going to be consistently happening throughout the comic to some degree.

Previous to this exact moment(Chapter 1), Speed calls her nasty but this time is more of muttering to himself as he doesn't yell it out, Leaf doesn't notice this leading me to assume that Speed didn't intend for it to be heard. Again, Lazuli escalated this to physical violence.

Despite it, this is the moment where the ship began in most heads I believe. However, if you look at it from the context and see what's being displayed here, Lazuli is embarrassed and Speed looks disgusted, and even if you count Lazuli's blush as flustered or a hint that she may have liked it, Speed's reaction does not at all show that at all.

Speaking of that moment previously, we see the aftermath and there are bandages wrapped around his ears, head, and sides of his head, and on other panels, we see his chest and possibly stomach. Keep these moments in mind.

Surprisingly, Lazuli makes an effort to apologize but then she demands an apology from Speed which he rightfully questions as it isn't his fault for anything that happened and he was also the one getting beaten up for it. Then Lazuli straight up threatens to take that apology back which hints that she might not be truly sorry or she's pretty good at giving a reason for Speed to not like her.

Not only that, a small thing to notice is that in the previous page, Lazuli gets up and close to Speed, Speed is on the ground and the ball hits Lazuli on the back of the head causing the damage Speed took. Although I would agree it's accidental, Lazuli is more or less the one that set them up like that.

Now imagine yourself in his position, someone that had beaten the crap out of you for them getting knocked into you, which led to you both kissing on accident(somehow), finally apologizing later that night. But then imagine they demand an apology from you even if you did nothing wrong and if you refuse, they raise an arm to beat you up again. Sounds like they're not truly sorry and just want forgiveness because, in reality, they don't truly care as much. Of course, some may make the argument that they don't know each other but that's the issue, this is how they started off and it'll continue on for longer which makes the ship problematic but let's continue.

I'll be also doing these examples to try to put it in the perspective of Speed because this is what he would be thinking and experiencing if this was real life.

Special Chapter 8, before Lazuli had any feelings(doesn't change much regardless).

Kris straight up jumps on Speed to wake him up, however, the difference between instances with Lazuli and instances with Kris is that while Lazuli gives Speed injuries bad enough to give limbs wrapped with bandages, Kris at her worst seems to just give Speed a mean awakening but otherwise, he's completely fine.

Meanwhile Lazuli:

Another punch to the face hard enough to give Speed a nosebleed, all in front of Sunshine by the way.

She also quickly assumed that Speed was being a creep even though all he did(and he explained) was he was just waking her up. Also, Lazuli clearly did not notice Sunshine standing there as it would quickly disprove the likelihood of Speed planning something since his adopted daughter is standing right there.

That would be correct.

Alright then, some may argue that Lazuli didn't have a crush on Speed back then and that's why she was most aggressive with him/those moments don't count. Now, it's established she does now like him romantically or at least interested. You would think she would begin to change her ways as so far, she's been doing nothing but hurting him physically, right?

Let's see how she's doing after this reveal:

You are right about that alright.

If you look closely, Speed is tearing up, that is how hard he got hit in the head for just simply forgetting that he promised Lazuli to take her to the bookstore (which he does later that day with Silvia).

Because Speed is not aware that Lazuli has a crush on him(which is fair, why would he assume that when so far she continued to hurt him), in his perspective, Lazuli is going from hurting him throughout the months to now attacking others. This is also one of the only times Lazuli aims at someone else besides Speed...which I'll get to later.

Speed then apologizes for rightfully snapping at her and Lazuli turns down the flowers, which in his perspective, is just a decline of a apology gift which is way more effort than Lazuli had ever shown so far.

With more Speed abuse, he is getting cornered and integrated by Lazuli who is assuming too quickly, Silvia is messing with Speed with the "big brother thing", and now others are judging him for it because of these two.

Speed truly is just getting screwed over half the time and a lot of the times is from Lazuli or others which eventually lead to another beatdown.

Flashback to their earlier times, keep in mind, this is what Speed sees and remembers. One of them is a reference to chapter one and it's just showing Lazuli beating the crap out of him by...banging his head or more punches, either way, it's something that Speed will certainly remember.

Lazuli...complains that Speed didn't take the punch.

Also, it has apparently become so common for Speed to get hurt by Lazuli that everyone else including Speed's siblings is not even slightly bothered by it.

Besides one time with Silvia, so far in the comic, Lazuli had not attacked anyone else besides Speed. She feels bad because everyone else is being nice to her which could mean that nobody(but Leaf sort of) has directly called her out on it in these past months which also means Speed had been getting punched, beamed, etc. without anyone stepping in truly besides a few rare times.

Anyway, this is another thing that happened in Special Chapter 8, this is how they started off and continued to be after the first day. Also, once again, Lazuli escalates an argument to physical violence.

This is so far one of the more truly friendly interactions between the two and this is also around the moment where Lazuli develops feelings for him. A bit too bad that she didn't change her treatment afterward as much.

But I will give this moment some props as it shows that they don't have to be hate each other and that they can in fact get along if both sides want to. This also shows Speed's character as being this older brother/parent figure to most which I'll get to later.

One last punch...should've been done a while ago.

Now of course, others could argue that all of these times where Speed gets hit is because it's just a "funny gag", or since Speed is level 98, he'll be fine so it doesn't matter, or the fact that's it's not just straight up physical abuse(which it is).

But I disagree on all three of these reasonings, this "funny gag" that is presented happens so often where it doesn't become funny if it ever was and it just becomes uncomfortable to watch or read. Also, the fact that Lazuli later in the comic feels guilt and Speed in this exact panel yells about the abuse seems to already show that all of those punches were not forgotten about and it shouldn't be forgotten about. Not only that, for other shows or pieces of fiction that presents abusing the main character or...any character, a decent ton of them doesn't include injuries bad enough where bandages are needed and don't happen as often as it does in Eeveelution Squad. Seriously, until like the last four chapters, the only chapter that Lazuli does not hurt Speed in was like Chapter 3(Speed did expect a punch to come showing how that's his first response).

Secondly, the fact that he's level 98 or "should be fine" doesn't excuse on what Lazuli did throughout the whole comic. She still clearly was hurting him and he reacted to all of it negatively.

Even EV themself agreed and talked about how this sort of relationship would not ever work in real life and should not have worked even in the comic, that the only reason why Lazuli got her wish come true is that because the fans wanted it so badly.

Speaking about the fans, all I hope is that throughout the years that Eeveelution Squad was cut short and cancelled the reboot, there was time to think and mature(or maybe you just don't care anymore which is fair). Even if you support it the relationship or not, all I hope is that this gave you some other perspective to consider.

Although I have more to say like Speed's feelings later on, I'll say it in a different post but I will end this portion off like this(I still have Silvia and other examples in Eeveelution Squad to cook up as well as other thoughts), in the comic from Speed's perspective. They first meet on a bad start and they quickly despise each other, throughout the months in Speed's perspective, Lazuli mainly targets and physically hurts him for a variety of small reasons and assumptions. Nearly every interaction involves a punch to the face. This goes on for months straight and Speed of course would not think that Lazuli might have romantic feelings for him later on, because why would he? If she did, why does she keep trying to hurt him? If this was real life, if someone keeps hitting you for small reasons, the last thing you would think is that they have a crush on you.

I think it's fair to say that we should start normalizing being respectful and caring to those we might have romantic feelings for instead of being rude or be physically violent with and that is something EV had expressed when they discussed the issues with Lazuli and Speed.

All of this is not really about hating the writing and wished a different ending and all of that as I'm sure others already expressed that well enough but rather, I think not enough people understand and I also felt like expressing my opinions.

It could have worked sort of if Lazuli was aggressive toward everyone instead of primarily Speed in the comic and she began developing feelings for Speed as she realizes that despite all of her treatment toward him, he still tried to be respectful and caring because that's who he is unlike others who still don't like her. But also in the same time, her treatment of others and especially of Speed shows a lot more in the consequences. Like Speed might be able to forgive Lazuli but decides to not share her feelings because her actions still happened and he isn't going to forget months of that treatment quickly.

If I had to give a quick writing suggestion for anyone(and also myself), try to treat characters like humans, it's okay for it to be fictional but have some relatable real-life aspects that makes the audience be able to understand how or why a character is struggling or what challenges they face. It's okay to mess up in your first attempt in a story, or your second or third, as long as you use what you learned from the last one to improve the current one, then write till your content.

Now anyway, back to working on Silvia later as I said, there is a LOT more I can talk about.