#chapter 1060

[brave-symphonia]

Oh, I guess it's time for Bonnie's arc.

About time, We've been dealing with plenty of other Supernovas, about time we've moved onto some of the less looked at ones.

[fallensnowfan]

Was sorting through some events to narrow down when the Elders made the decision we learn more about in 1078 was made.

The events happening on the island were set in motion three months ago, when the Elders learned that Vegapunk was researching the Void Century.

And the conversation/deployment mentioned after the Cipher Pol agents went missing again and again, seemingly happens during the days the Straw Hats are sailing to Egghead, since the Straw hats get there before Kizaru and Saturn. Which has me curious if the resolution will somehow tie back to either of those calls.

We see Stussy, Kaku, and Lucci on a ship near Wano in 1028, which is about 10-15 days ago from now, so I imagine they hadn't yet gotten the order to assassinate Vegapunk.

Kizaru is at Marineford in 1054, something that takes place about 7 days ago now. Meaning that Elders likely hadn't yet gotten the call from York that lead them to decide to invade Egghead with Kizaru & CP0.

And Saturn is still at Mariejois in 1060, before a few days pass. Meaning he deploys for Egghead after Lulucia is destroyed. And that York's more recent call potentially happens after its destruction as well.

[algumaideia]

What the government did??? What weapon was that??

SABOOOOOOO

Robin likes Chopper so much it is cute

A child?

[bobauthorman]

Straw Hats Bullying Zoro

[giuliettagaltieri]

Breath of Spring

Pairing: Young!Gojō x Young!Reader

Chapter Synopsis: Emotional constipation was Gojō Satoru's congenital defect.

Warning: angst, unrequited love, suggested misogyny, arranged marriage, age gap

Word Count: 1060

1 of 9

Gojō Satoru has known you even before you knew how to walk.  He attended your naming day, he was already five years old then.  The memory is vague and blurred but he was certain of the strong feeling of dislike he had for you.  How is it that everybody was congratulating him, telling him that he is so lucky to be betrothed to you.  The well anticipated daughter of your family, one long awaited after having birthed with boys alone for nearly a decade.  But that does not have anything to do with him.  All you did was drool and suckle on your tiny fingers.

There was nothing particularly special about you, he comes to realize after you attended his 12th birthday.  It was a day he received many gifts, the wrapped packages piled so neatly in the corner by the handmaidens of the estate house.  He is not to touch any of them, lest some were sent by malevolent individuals who seek to bring harm to him and his family.  Not that he can’t see cursed material from a mile away but the elders of his house insisted.  He cannot complain either, it saved him from wearing fake smiles and throwing away forced gratitude.

It was why he was upset that his annual hunt had to come to a pause just so you could hand him your gift.  He eyed you with his much aggravation.  You are never without your nannies and personal guards, being sheltered from the world like a fragile little flower.  You were nearly half his age but you already act like an adult.  Like you were better than him.  It was as if your back had a rod with how straight it always appears to be, your chin always tilted upwards, and eyeing everyone as beneath you, how haughty.  It brought him great satisfaction to see you shy away from him though, your eyes always finding your dainty shoes whenever he is nearby.

Your handmaiden had to usher you forward so you would have the courage to hand him your gift.  The elders looked at his actions carefully, almost awaiting him to make a mistake just to have something to criticize him over.  He mutters a small “thanks”. And you nod at him and retreat back to the arms of your mother who was watching you with much fondness.

As he previously thought, you’re nothing different.  Just another puppet.

Gojō wasn’t in the mood for hunting afterwards.  Simply kicking rocks by the pond as his servitor accompanied him, standing a few meters behind him, still like a statue.

“The young master appears to be upset.”  The servitor says calmly, his voice even and unprovocative.  But young Gojō Satoru whips at him with so much fervor that the servitor nearly breaks into a smile.

“Upset?  For what reason?”  He scowls as he steps closer to the tall man.  He looks about ready to fight anything that moves, his face contorted to a wild scowl.  “Because of her?  That spoiled shrimp?  You think that pipsqueak is relevant enough to upset me?”

The servitor clears his throat to hide the smile as he closes his eyes.  “Perhaps the young master should be kinder to the young lady.” 

Gojō scoffs and looks at the tiny gift that he had in his clutches, never letting go of it ever since you handed it to him.  “Kinder?  She has done nothing but be a nuisance!”  In a fit of anger, he throws the carefully wrapped item to the ground.  A loud shatter of ceramics startles him, and the servitor flinches upon hearing the sound.  They both stare at the still wrapped gift, its shape no longer preserved and it looks nothing more than a heap of oddly shaped objects covered with the intricate fabric.

“Oh my.”  His servitor sighs, disappointed.  “What a shame, the lady was very excited to know how you liked her gift.”

Upon hearing this, Gojō raises his defenses, his teeth gritting as his cheeks flushed.  “You don’t have to do her biddings!”  Yet despite the outburst, the little boy’s eyes cannot leave the heap of your broken gift on the ground.  They have many talented craftsmen in the estate, it can be fixed, he is certain of it.  But then again, why does he need it fixed?  You’re insignificant, your gift is no different.

Or so he tries to convince himself.

His mood has not been better for the next few days.  He was cranky, snapping at anyone who looked his way for too long.  His father, ever so perceptive, asked young Satoru’s servitor about his dramatic, or at least worse than usual, turn of emotions. 

A day later, Satoru finds another wrapped gift atop his nightstand the moment he opens his eyes.  It was familiar, the shape of it.  When he reached for it, the weight of it was something his hand had known.  A small tag was attached and he read it, his still pouting lips moving as he read the words one by one.

To Gojō-sama.  Wishing you a fine day.

He knew the curve of your handwriting too well.  The frown in his brows deepened and deepened as he pulled the ribbon.  And the wrapping came undone and the ceramics figure of him and you, hands intertwined, stared back at him.

It was beautiful, smooth, and greatly detailed.  Even the clothes were made of the finest material.

But it was useless.  It was good to look at but there was no purpose to it. 

A knock in the door startles him, and he nearly drops the figure but he manages to grab hold of your foot, well the sculpture, he did not expect the dress to flip, showing him your bloomers.

Gojō twists the doll right-side up and pulls your dress down until it covers your ankles.  His face is bright red and warm.  It was simply too much for young Satoru.

“Young master, is everything alright?”  The door slid open a fraction but Gojō yelled for them to close it at once!

“Yes!  Everything is alright.”  His face was still aflamed as he clutched the dress tightly around your tiny body.

By the next day, you receive a bouquet of blue roses littered with baby’s breath accompanied by a poorly scribbled note of ‘Thanks’ from the young master of the Gojō estate.

Where the Blue Roses Grow

[onepiececoloredits]

Chapter 1060 Color Spread

[brookstolemybrand]

btw I know I'm kind of unnecessarily obsessed with Oda's word choices, especially when it comes to Luffy and the concept of freedom and power.... but I was randomly checking chapter 1060 in Japanese for some reason that I already forgot and noticed this:

The phrase he uses for "home that controlled him" is 窮屈な家 (more or less translates as "strict home") <- note the adjective 窮屈な (kyuukutsu na) specifically

And I suddenly remembered this, from chapter 800 when the Dressrosa colosseum gang offered to become Luffy's subordinates:

It's the same word! Kyuukutsu! (just in the noun form without the "na")

窮屈 • (kyūkutsu): tightness, rigidity, uncomfortableness, narrowness, illiberality, oppressiveness (from Wiktionary)

(EDICT2 also gives the definitions of "formal; stiff; strict; ceremonious")

Why I love this is because it has a thematic connection! Sabo's biological parents wanted him to become the King of Goa (a goal that Stelly ended up achieving instead) and the Dressrosa colosseum gang wanted Luffy to be their Fleet Commander. In both cases it's about rejecting a position of authority

I think it says something about how Luffy views authority, even from the perspective of wielding authority

[diorgirl444]

to all the greasers i’ve loved before - chapter 1.

warnings: bad writing (my first time writing a multiple part fic ), don’t let the picture of dallas fool you he barely features in this chapter i’m afraid, fem! curtis reader though it is never specified whether the reader is a bio daughter or adopted and so can be read as either, doesn’t follow book canon, 1060 words <3

you had always loved love. your parents were more than happy to recount stories of how you would wander around the house dressed in your nightdress with the lace curtain over your hair clutching onto a small posy of daisies and dandelions. you had called it playing weddings and it was your all-time favourite game.

this obsession with love trickled into other things with most of the cookies you baked being heart-shaped or being the only person to still give everyone, even the weird kids handmade valentines after it was deemed uncool at about thirteen. yes, you loved love but there was an important differentiation, you loved the idea of it. so you supposed it was natural that you began to write love letters the way some people wrote diary entries.

you kept them in a teal silk hatbox of your mothers which had long since lacked the hat intended to be in it. there was one letter for every boy you had liked at one time - five in total. Bryon from volunteering at the hospital, Johnny from freshman homecoming, Dallas from two summers ago, Randy from Model Un and Keith since forever. you supposed your letters were less i love you love letters and more goodbye love letters. they were a way of accepting the crush whilst also allowing yourself to let go and move on. that you could sing to the Ronettes and not be singing about him, that you could buy milkshakes at the diner and not wonder which flavour he’d choose. the letters set you free - at least they were supposed to…

Keith Jacobs was a friend of your brothers but you’d always been a bit in love with him. his mother moved to Tulsa all alone with one son and a baby girl just across the street from you and so your parents, lovely people that they were invited the Jacobs round for a fried chicken dinner. you made a peach cobbler for dessert and when Keith asked for seconds - you glowed with pride. by the time he’d finished his third helping you’d already decided what shade of white your wedding dress would be and from that day he was practically always at your house. there was time when it was the four of you, Daryl, Soda, Pony and Keith but then your parents died and it all changed.

Daryl had to grow up and then the other three all started hanging out later and getting into fights which was fine because you had Angela and Sylvia. well, you had Sylvia till the summer before high school. then suddenly over that summer, she started smoking cheap cigarettes and wearing tight jeans where you were still happy to read a silly romance novel and bake cookies. angie was more like Sylvia really but she was like a street dog who you’d given a treat to - loyal to a fault and kept coming back.

which leads you to where you are now, the last day before junior year and the house is packed. you and Daryl were determined to keep up the tradition of home-cooked meals, mainly for Ponyboy but if you were honest with yourself sometimes as you mashed the potatoes with the radio turned up you would close your eyes and pretend your parents were slow dancing behind you. it turned out that most of your brother's friends didn’t normally eat well so they would often come round too. privately you wish they wouldn’t, they were too loud to you with no manners and they didn’t wash their hands before they ate. but for Ponyboy, the baby of the family you put up with it. You break out of these thoughts when Two-bit speaks, because as you hate to remember he’s Two-bit now not Keith anymore.

“guess who scored themselves a girlfriend”

You choke on your broccoli as all the boys cheer and clap him on the back. your ears ring and you feel like you’re gonna be sick. quietly you whisper to Daryl.

“I don’t feel very well. I think it’s my monthlies - I’m gonna go to bed”

he nods ruffling your hair affectionately as if you're still five and not almost seventeen. you don’t mind - that’s Darry’s way - playing dad to you and your brothers.

“g’night kid I’ll bring you some hot cocoa up and one of those hot water bottles wrapped in a towel.”

as you retreat to your bedroom with tears stinging you hear a chorus of “goodnights” and “feel better soon” from all apart from Dallas. despite your pain you still have the energy to roll your eyes, god forbid Winston cares about someone other than himself for once.

once you clasp your box and retreat under the floral quilts that your mom made you finally allow the tears to fall as you reread the letters. you decide tomorrow you’ll draft a new letter for two-bit, an official goodbye to the foolish hope you’ve clung to for so long. You hear the click of the look, and hastily you shove the letters back into the hatbox and wipe any resounding tears. Pony perches on the edge of your bed holding out the hot cocoa and water bottle that Darry had promised you.

“sissy, you okay?”

you bite back a laugh when he calls you that, a name that he called you as a baby that just stuck. then you watch his eyes catch the hatbox with curiosity.

“what’s that?”

clutching the box to your chest you speak.

“nothing just an old hatbox of mom’s that I keep recipes in. I’ve been working on a new strawberry shortcake one.”

you lie easily knowing that since that’s Pony’s favourite dessert it’ll distract him. he grins widely at you and you are reminded how young he is like a stab in the gut.

“promise?”

he says holding his pinky finger out.

“promise baby, I’ll see you in the morning okay?”

standing up you say to him as you press a kiss to his forehead and place the box away in the top shelve of your wardrobe. he’s still at an age where he pretends that stuff grosses him out so he scowls childishly as he leaves the room. you slip into your white cotton nightgown and finally let sleep overtake you. you’ll deal with it all in the morning and yet in that weird stage between sleeping and awake, you swear you hear the door open once more…

hope you like it! xoxo, flo <3

@socgf @heart-shqped-box @jujuheartz13 @r0seb100d @cranberrv @anifever @notagreasernotasoc @honeysmoonn for now i’m just tagging all the people who expressed an interest but if you don’t wanna be tagged or wanna be added let me know <3

[melonteee]

I've seen many people complain that Oda in Post Time skip One Piece spends a lot of time worldbuilding and making up side characters on every island that distract from the main ones and the plot. While I can see where some people are coming from, as someone who reads comics from Marvel, I WISH the wordbuilding and side characters were that developed because most of the time, unless it's about space or magic or directly related to the plot, the world feels genuinely dead. Even the main setting of a story sometimes feels so dead, like for comparison

Around 2 years ago, they had an event where, at some point, an inhabited island got pretty much nuked. We spent 3 real life years on that island and the writers really couldn't make any readers care less about all the civilians (men, women, children and babies) dying as they wrote them as a single minded entity who didn't mind that fate if their government told them to do it so they used two of the "main characters" (the most selfish pricks imaginable who never even cared about the island and the people there as they are long-established villains + due to plot, were made part of the people who rule over the place and get the most privilege and best life there compared to everyone else), to pull the heartstrings of fans on how terrible it is for them to die this way and how tragic that these two had to die in this event... All because the plot hyperfocused on the island's government (not even interesting to read and full of what felt like highschool drama) instead of the people the government looks after and who would be the greatest casualty here. All of this didn't matter either because everyone on that island was brought back to life (that plot device was present even before the event so caring about anything was going to be hard from the get go) including the "main characters" that died.. Guess who got to come back to life first while many others were on a waiting list years down the line still ?

Now compare this to Oda and what he did with Lulusia. All things related to this island were mostly cover stories, many cuts back and forth in a "meanwhile in...", ... But once Chapter 1060 hits, we feel the tragedy and horror, we are at awe at how much destruction was unleashed on these people. That scene was made even more horrifying and sad when it was animated in Episode 1089...and then we learn the reason the island was obliterated had nothing to do with Sabo being there. Any island we knew who partook in a revolution could have been a target. We find out that even that was an excuse because the main goal was to test a weapon and nothing more. Oda is using a tool here called "less is more" for this island and it was sincerely enough for me to care A WHOLE LOT about Lulusia even if the main characters never set a single foot there and it wasn't part of the main plot. There wasn't even a main character who "died" there either to pull on our heart strings. We just saw these people triumphantly come out of a political crisis and enjoy their first hours of freedom after lord knows how long and then

They were all gone. Erased. And even if they didn't all see what was about to happen to them, they felt it. They died in fear

Oda is very very good at his world building, because he makes sure these islands are LIVED in, not just that they EXIST. It's all well and good to wipe out an island to show the political and immoral powers that be, but we don't feel the impact unless we SEE the people and culture existing on the island.

It's why now, with Vegapunk explaining the state of the world, we are getting reactions from EVERY corner of the globe. We are being reminded how big this world is, how lived in this world is, and how many people are suffering under the world gov. We CARE about this world, we care about the PEOPLE in this world, and Oda's spent years building his world up for THIS moment. It's really spectacular.

[hel-the-growl]

Cultural Annotations on New Gods: Yang Jian -Part 1-

This is the companion piece to my long-ass thread about the same topic on twitter.

Light Chaser really outdid themselves with the visuals and research this time, and with Yang Jian out in NA theaters, it's totally worth seeing on the big screen.

There were so many historical references packed into this movie, I thought I'd do a deep dive into the characters, motifs and lore associated with Investiture of the Gods scene by scene.

Background

Yang Jian is the second instalment of the New Gods series of animated films (after Nezha Reborn), that are loosely based on the 16th-century Chinese novel Investiture of the Gods (IOTG). IOTG shares some canon with other Chinese classics like Journey to the West, Classic of Mountains and Seas, Lotus Lantern etc. so there may be crossovers.

The character Yang Jian, better known as the god Erlang, is a figure widely regarded as heaven's greatest warrior deity. He is recognized for having a third truth-seeing eye, and in IOTG, helped bring about the fall of the Shang Dynasty in 1046 BC.

The movie however, takes place during the Wei, Jin and Northern and Southern dynasties circa 5th century AD, some 1500 years after events of IOTG. We first meet Yang Jian as a rather lethargic but free-spirited individual, 12 years after losing his powers during a great disaster involving the three realms, scraping by as a bounty hunter.

A rough timeline

c. 1075-1066 BC: Yang Jian is born

c. 1060-1050 BC: Yang Jian cleaves Peach Mountain

1046 BC: Battle of Muye (Conclusion of Investiture of the Gods)

c. 9 BC-23 AD: Erlang defeats Sun Wukong (Journey to the West, Chapter 7 - Havoc in Heaven)

c. 405 AD: Disaster of the Three Realms; Yang Chan is trapped under Mount Hua

c. 417 AD: New Gods: Yang Jian

c. 1920s - c. 1930s: Nezha Reborn

Breakdown

Yang Jian’s crew all have backstories. In Journey to the West, Kang Anyu (康安裕) and Yao Gonglin (姚公麟) are two of Erlang’s six brothers of Plum Mountain, both supreme government officials in charge of military affairs. Maybe we’ll get to find out about the other four’s whereabouts in later instalments?

Xiaotian is Erlang’s dog sidekick who helps him subdue evil spirits and never leaves his side. The movie’s version of Xiaotian seems to be inspired by ancient paintings depicting her as a white hound.

The wanted bulletin printer seems to be inspired by a Hu Shi Ren You (虎噬人卣), a tiger-shaped Ancient Chinese wine vessel.

In Chinese mythology, Penglai is a legendary island for immortals. It has been reimagined to be the equivalent of the CBD of the divine realm.

The dice used in the casino are 18-sided Xing Jiu Ling (行酒令) from the Han Dynasty. It has the numbers 1 to 16, along with the characters for "wine" and "arrogance" engraved in gold and silver. The rat is the first animal of the Chinese Zodiac.

Shunfeng’er (顺风耳), who now goes by Old Gao and works at the casino, was usually accompanied by Qianliyan (千里眼). They are two temple guards whose names translate to “all-hearing” and “all-seeing” that could hear and see things from thousands of miles away.

Light Chaser is serious about its monkey business. The way casino monkey grabbed Yang Jian’s tally with his foot, the big ape miming and even in Nezha Reborn where the little monkey imitated Yunxiang.

Fun fact: The monkey is voiced by Yang Tianxiang, the same actor who voiced Li Yunxiang (Nezha) in Nezha Reborn.

Refresher - Primordial Spirit, known in Chinese as yuanshen (元神), is is a concept in Daoism defined to be a level of existence surpassing that of physical existence. In the New Gods universe, they manifest as giant glowing avatars.

New Gods also has a recurring theme of lost Astras - In Nezha Reborn, Wukong’s staff is nowhere to be found and Yunxiang has only recovered Nezha’s Sky Ribbon so far. Among Erlang’s many Astras, three are mentioned in the movie.

Yang Jian’s headdress is designed to resemble his signature trident, the "three-pointed, double-edged lance". Hence when casino monkey asked him where his weapon was, he clinked the headdress.

This weapon was later shown in a flashback:

Another one of his Astras is a golden bow with silver bullets. According to the director, it was melted into his harmonica (although this was probably retconned as in the teaser for the sequel, it was his mother who gave it to him as a child). The harmonica not only has the powers of his bow, but is also the ignition key for his ship.

The third weapon featured is his mountain-cleaving axe (开山斧). It is the axe he used to split Peach Mountain in half to save Yaoji. He is shown wielding the same axe in the opening montage 1500 years earlier and it is currently wedged inside the Lotus Peak of Mount Hua from the events of 12 years ago. Needless to say it is a powerful Astra with earth-shattering capabilities.

The Four Diablo Brothers - Mo Lihong, Mo Liqing, Mo Lihai, and Mo Lishou - were initially antagonists in IOTG, having launched an attack on the Western Foothills. This led to the introduction of Yang Jian, who helped defeat the brothers.

By the conclusion of the novel, they were enshrined as the Four Heavenly Kings - Vaiśravaṇa, king of yakṣas (多闻天王; Duowen Tianwang), Virūḍhaka, king of kumbhāṇḍas (增长天王; Zengzhang Tianwang), Dhṛtarāṣṭra, king of gandharvas (持国天王; Chiguo Tianwang) and Virūpākṣa, king of nāgas (广目天王; Guangmu Tianwang). In the movie, only Mo Liqing was addressed by his title when Shen Gongbao met him inside the lighthouse.

There's a PSA on the noticeboard with a picture of Nezha pissing. It reads "no urinating or defecating here." This might be a piss (pun intended) at the 2019 animation Ne Zha from a rival studio, and its hilarious promo. The shade 💀

Further supporting my theory that White Snake and New Gods are from the same universe, Precious Jade from White Snake is recruiting!!! And medicine boy plugging his illegal business lol.

Jinxia Cave (金霞洞), lit. Gold Sunset Cave is Yuding’s HQ. It is located on Jade Spring Mountain in the Divine realm.

The little disciple playing the flute is a tribute to the 1963 ink animation “The Bamboo Flute” (牧笛) produced by Shanghai Animation Film Studio.

Yuding is one of the many disciples of Yuanshi Tianzun, one of the highest deities of Daoism known as the Primeval Lord of Heaven. Yuding is ranked 10th among the “12 golden disciples”, and among his peers are Jiang Ziya (the main character of IOTG who led the battle against Shang), Taiyi Zhenren (Nezha’s master) and Shen Gongbao etc. They are all practitioners of Chan Daoism, also known as Kunlun Sect, founded by Laozi and Yuanshi Tianzun.

In the tale of the Magic Lotus Lantern, Chenxiang was the son of Yang Chan AKA Goddess San Shengmu AKA the holy mother of Mount Hua AKA Erlang’s sister, and a mortal scholar named Liu Yanchang. This parallels the Yang siblings’ own origin story as the children of a goddess and a mortal.

Chenxiang literally means Agarwood. It is a revered wood valued for its use in incense and traditionally burned during meditation.

The place on Jade Spring Mountain where Yuding sealed the sect brother’s Dharmakaya (the embodiment of the truth itself, a transcendence of the physical and spiritual bodies) is based on the travertine pools in and around Jiuzhaigou, Sichuan. Notably, a scene from Journey to the West, a story associated with Erlang, was once filmed at one of the waterfalls here. I’ve been here and yes, it looks exactly like this irl.

Part 2｜Part 3｜Part 4

[brave-symphonia]

Sabo? Can you please avoid making us think you're dead or in trouble for ten minutes?

That aside, this is a bit terrifying.

[iukasylvie]

It's bone-chilling how Imu calmly said a single word (chikai, meaning "close" and one of the most common words in Japanese) as an explanation for why they chose Lulusia as a testing ground for the Mother Flame. What a short but powerful display of Imu's cold cruelty.

Even the Five Elders were unnerved at Imu's decision to test a weapon of mass destruction on an entire island full of people.

The scene contained a panel showing the moment the Mother Flame destroys Lulusia from back in Chapter 1060 as Imu said "it's close". Does this mean Imu foresaw the effects of the Mother Flame using Observation Haki? That would make Imu even more cruel.

So we got the Seraphim of all the Seven Warlords of the Sea. I agree with fans Crocodile's Seraphim has stunning looks but I wonder why he looks depressed when Doflamingo and Moria's Seraphim are grinning.

The narration states Crocodile had appeared where the three Seraphim had been sent. Is he going to fight his own clone?

[panda-puma]

Luffy's "I know exactly who I am"

Warning: Don't read unless you are up to date with the Manga Chapter 1070 and OPLA! (or don't care about spoilers!)

(still not available in the Anime)

(One Piece Live Action, Episode 2)

Very long post ahead:

(First of all, appreciation for Iñaki's awesome acting, knowing exactly how to look intense, eerie and God-like through the whole Live Action. And look how the hat makes a perfect Halo or Sun around his head...)

This will probably be a little over the place, but bare with my silly brain.

At first this scene can just look like he reinforcing his own dream and regaining confidence after all the doubt Buggy has tried to inflict on him, and it probably also is that! But with the intense expression, the music and the wording... I think it's also a message to readers that are up to date.

Nowadays we know that the Gum-Gum is just a name used to hide the real name of Luffy's fruit: the Mythical Zoan Human-Human Model: Nika (Sun God)

(Chapter 1044, Wano Country Arc)

The World Government has since its origins (after the Void Century, 800 years ago) tried to control this Fruit, and Vegapunk states that there's no mention to this "Gum-Gum" Fruit anywhere previous to that, so this new name is just a way of the Government to hide the importance of the Fruit and make it as unappealing as possible.

(Chapter 1069, Egghead Arc)

Who would want to be rubber, anyway? Anyone who hears about it thinks it's a silly power and wouldn't want to eat it.

(Chapter 585, Post-War Arc)

But here's the thing: it doesn't matter that the new Devil Fruit Guides or Encyclopedias have no information about a Fruit.

If we go way back to Enies Lobby, we get to see this explanation by Lucci (another Zoan fruit user): you learn the name of the Fruit when you gain its power.

(Chapter 385, Enies Lobby Arc)

Lucci specifically states that the Fruit itself will reveal its powers and name to you once you've eaten it and gained its power. Luffy gained his power long time ago, when he was a child, and his goal started changing as soon as manifested his powers.

He went from: "Take me with you on your next Voyage!!"

(Chapter 1, Romance Dawn Arc) To: "I've decided to become a Pirate on my own!" after eating the Fruit.

(Chapter 1, Romance Dawn Arc)

At first he was just content with being a Pirate in a crew, but suddenly he has a definitive goal: being the King of the Pirates (to achieve something else).

(Chapter 1, Romance Dawn Arc)

(Chapter 585, Post-War Arc)

(Chapter 1060, Egghead Arc)

In the first chapter it is also shown how his personality changes:

Luffy was a very sad and angry 7 year old, who wanted to desperately escape from his horrible life (loneliness and abusive Grandpa). He only smiled when people were nice to him, or when he was listening to pirate stories.

It is not until after he eats the Devil Fruit that he starts to smile and laugh on his own, looking at the bright side of things even if he gets teased.

(Chapter 1, Romance Dawn Arc)

It seems clear that the fruit changed something in him that was way more than just his body, but in the manga one doesn't think much of it until you read the Five Elder's description of his fruit (ch 1044) and remember Lucci's explanation (ch 385).

If the Fruit communicated its real name and abilities to him, he should know exactly who and what he is.

One could argue that he specifically states he is not a Zoan in Punk Hazard while talking to Momo:

(Chapter 685, Punk Hazard Arc)

But maybe he doesn't consider his fruit as a Zoan, as he doesn't really turn into an animal. (Zoan comes from the Ancient Greek and means "animal" or "beast"). Luffy's Fruit enters the same category as Sengoku's: a Human-Human Fruit.

(Chapter 585 SBS, Post-War Arc)

(Chapter 1044, Wano Country Arc)

Gear 5 is Luffy's awakened form, one that he couldn't use before because his body and mind were not ready to catch up to his powers. But that doesn't mean he didn't know about it's existence.

In this form, Luffy manipulates his surroundings giving everything he touches the properties of rubber, just like the awakening of Don Flamingo. But is it just that?

(Chapter 1070, Egghead Arc)

I believe we have been seeing him manipulate reality since the very beginning of the series, inadvertently thinking it was just typical main character things. Yes, everything usually goes how he says in the end, just typical in a MC... But is it? Or is it an intelligent way of covering his real powers behind the typical shonen clichés?

There's so many instances where Luffy and his powers feed directly from people's hopes and prayers (just to name a few: Skypea, Enies Lobby, Thriller Bark, FishMan Island, Dressrosa, Wano...), and all he asks is for people to have faith in him.

When people have faith in him, reality changes in his favour.

(Even with Ace's Execution, the one instance where Luffy failed... he actually achieved what he said he would: to free Ace from the Marines. Ace was killed not because Luffy couldn't save him, but because he stopped running away.)

Going back to OPLA: this is Oda's opportunity to explain things in a different way and medium, to hint to things that are very far away (like how they showed that Garp is Luffy's grandpa so soon in the series, because it made it more interesting sooner).

Then we have the scene were Luffy wishes for Zoro to be by his side, and to wake up.

I can't stop thinking about how... intense this scene is. How they wrap it with eerie music, so you know something special is happening.

We are in front of a Miracle.

(One Piece Live Action, Episode 6: The Chef and the Chore boy)

Luffy closes his eyes, concentrates and makes a wish. Or not even a wish, he just states that he needs Zoro (to fulfill his dreams).

Luffy manipulates reality a bit, even in this early stage of his power (Gear 1) and, seeing how he phrases everything he wants, he seems to know it. (for example, the way he always says "I will" instead of "I want to")

In OPLA it seems clear that Zoro was not going to wake up from Mihawk's attack, no matter how strong and resistant he is. Even if Mihawk said it wasn't his time to die... He would probably not make it without external help.

Luffy doesn't really know what to say, for a while. He is shocked and shaken in his beliefs, as he thought believing in Zoro would already make him the greatest... but instead his friend got badly hurt. With that and everything that's been said around him, he is losing faith in himself.

But eventually he understands that he needs to express how much he needs Zoro out loud. Why would that be, if he wasn't conscious that his needs and desires get usually fulfilled, even more if they serve his goal?

He concentrates and says "I need you, Zoro", and nothing changes. Why? Well, Zoro is there. His body is there and he is alive, even if just barely. It's not like he has really gone anywhere. Then Luffy, seeing that it didn't work, reformulates his way of saying what he needs: "I need you to wake up".

And then the Miracle happens: Zoro starts really recovering and immediately wakes up. He then makes the vow of never leaving Luffy's side until they reach his objective, fulfilling his needs.

This is not Zoro being awake and just teasing him, or him just waking up to the voice of his Captain. No.

This is a Miracle. This is Luffy consciously using his God-like powers and his destiny to get Zoro back from the dead.

And that's why Zoro can never die. Even in Wano we get a look at that:

(Chapter 1038, Wano Arc)

He was supposed to die, but Death couldn't finish the job. Something is protecting Zoro from Death, and it's probably how Luffy has tied Zoro to his own destiny.

And I am going to finish this post here, because I need way more space for my theories of Luffy, the others and One Piece in general xD

Thank you for reading this huge and all over the place post ^^

[tashigys]

ONE PIECE 1084

THERE IS A NEW COLOR COVER OF THE BEAUTIFUL WOMEN OF ONE PIECE….

MY beautiful Four Eyes always taking care of others.

If there is Tashigi, there is confirmation of DATO ZOTASH.

It's no mystery to anyone that for a long time theories have been held that Zoro is an Oni (although it's still not confirmed).

And, Oda decides to curiously write the word "ONI" on Tashigi's shirt.

It also refers to Zoro's surprising attack called: Oni-Giri.

But, as I said, it has not been confirmed that Zoro is an "Oni", but there are many theories about this that have come out, since, in Volume 2 of Zoro's introduction to the work, he is named twice as "Demon" and this in Japan is equal to "Oni".

Then in chapter 1060, Toei reflects Zoro with horns.

And if that wasn't enough, Zoro himself proclaims himself as the King of Hell, he proclaims himself as one of the greatest demons.

Well, Tashigi may know how to control her "Oni" instincts.

I love these similarities.

[sporesgalaxy]

THEY WEREN'T KIDDING ABOUT THE WAR CRIMES HUH. < just read chapter 1060 of op

AH YES. YOU JUST UNLOCKED THE NEWEST WAR CRIME. IM STILL DEEPLY CONCERNED ABOUT THAT IF IM BEING HONEST

[saotome-michi]

Something that people who read/watch One Piece in english might've not realized:

(Spoilers for One Piece Manga ch 574 and ch 1060)

In ch 1060 we see Luffy talk about "the end of his dream"

The way that this is phrased in Japanese is "夢の果て" with quotation marks

We've actually seen this phrase used before, by Ace as he's dying in Luffy's arms in ch 574

But the significance of this doesn't come across in most translations (not blaming the translators, obviously when this chapter came out they didn't have the context)

Top: Fan Translation

Bottom: Official Translation

Personally I'd translate it as "I have just... one regret... that I won't be able to see... the end of your dream..."