#cg!james t kirk

[pawtrolling]

wahh okay so a few people did ask so here are some cg!kirk headcanons!! keep in mind that i'm super new to the show and these might seem ooc for seasoned fans? feel free to add your own ♡

cg!Captain Kirk Headcanons

💫 .. would let you sit on his lap in the captain's chair. he'd let you nap or explain everything he's doing to you in child-friendly terms

💫 .. would hold your hand walking around the ship

💫 .. wouldn't take you on missions when regressed because he wants to protect you, but gives you a detailed mission report - full of playful exaggerations and silly voices to make you laugh and gasp

💫 .. plays tag with you around the ship

💫 .. tries to teach you Tri-D chess and has SO MUCH patience (might even let you win, but it's more likely he'll use it to teach you a lesson in graceful losing)

💫 .. huge on petnames like kiddo, buddy, chum and darling

💫 .. comforts you after nightmares with cuddles and softly caressing your face until you fall asleep again

💫 .. would cut your food into fun shapes, mostly stars, hearts and little smiley faces

dividers ♡ cg!Kirk moodboard (by me hihi)

[kingkirkwall]

they really said lord i've seen what you've done retroactively in canon for others (destiel) and i want you to do that for me for real this time

article under the cut

Watch: William Shatner’s Captain Kirk Returns In “Unification” Short Film From Roddenberry Archive

November 18, 2024 | By: Anthony Pascale

Today is the 30th anniversary of the film Star Trek Generations, which marked the final film appearance of William Shatner as James T. Kirk, who sacrificed his life to save the day on Veridian III. Now you can see Kirk return in a short film in honor of the Generations anniversary.

Kirk returns

The film released today by the Roddenberry Archive and their technology partner OTOY (in cooperation with Paramount) is titled Unification. It launched on The Archive web portal (at roddenberry.x.io) and via the Apple Vision Pro app. This is the fourth from the Archive’s “765874” series of films tied into Star Trek using a combination of live-action footage and computer generated imagery. William Shatner and other Star Trek vets were involved in the making of this new film. Check out what they describe as a “mind-bending Star Trek experience celebrating the 30th anniversary of Star Trek Generations.”

Behind the scenes

The characters from Star Trek history were brought to life through live-action performances, including Sam Witwer as young James T. Kirk and Lawrence Selleck as Spock. According to OTOY, they were filmed in costume, performing as Kirk and Spock on set, aided by “both physical and digital prosthetics resulting in period-accurate portrayals matching the appearance of the characters as they originally appeared in TV and film at the time.” William Shatner and Susan Bay Nimoy, widow of the late Leonard Nimoy, served as executive producers on the production.

The 8-minute video connects multiple decades of Star Trek lore, with nods to Robin Curtis’ portrayal of Saavik (1984’s Star Trek III: The Search for Spock), J.M. Colt (1964’s “The Cage”) played by actress Mahé Thaissa and Gary Mitchell, Kirk’s friend from the second Star Trek pilot episode, “Where No Man Has Gone Before” performed by original actor Gary Lockwood. The short also incorporates the character Yor (Gordon Tarpley) from Star Trek: Discovery who crossed from the Kelvin Universe to the Prime Universe.

According to OTOY, Shatner worked with them to “fine-tune the technical and creative direction required to bring his interpretation of Kirk back to live action.” This included “the addition of his voice to narrate a key moment in the experience.” The film was previewed on Sunday with Shatner at the Star Trek Tour in Ticonderoga, New York. Describing the film, Shatner said it “takes years off of your face, so that in a film you can look 10, 20, 30, 50 years younger than you are.”

765874: Unification was directed by Award Winning Spanish filmmaker Carlos Baena, from a story by Jules Urbach and features original music by Academy award-winning Star Trek composer Michael Giacchino. Production design was provided by Star Trek: Picard production designer David Blass.

Emmy award-winning visual effects supervisor Mark Spatny led OTOY’s team of artists and animators, who combined digital and physical prosthetics with live-action location photography, virtual production, and CG set extensions. According to OTOY, each major scene in “Unification” was filmed twice, “ensuring coverage to create video and spatial content mastered for Apple Vision Pro.” These locations were scanned in and merged with CG set extensions to become part of The Archive’s growing library of 3D worlds and locations. The visual effects in Unification were created using OTOY’s “Octane” rendering software and the “Render Network” decentralized GPU rendering platform. Characters and props were digitized using OTOY’s Academy-Award winning “LightStage” scanning system.

765874: Unification is accompanied by new interactive sets, props, and worlds from Star Trek Generations on The Roddenberry Archive. The full experience with all related extra content is available in its entirety in Digital Cinema 4k HDR and spatial video, “exclusively mastered at peak fidelity” for viewing on Apple Vision Pro.

hey so what the actual fuck

[aion-rsa]

Best Movies Coming to Netflix in July 2021

https://ift.tt/2UQ1B1r

Movies are back. It at least feels that way when you see the numbers that films like F9 and A Quiet Place Part II are earning. But more than just the thrill of going back to theaters, July signals what is typically considered to be the height of the summer movie season. On a hot evening, there are few things better than some cold air conditioning and a colder drink of your choice while escapism plays across a screen.

That can prove just as true at home as in theaters. And as luck would have it, Netflix is pretty stuffed with new streaming content this month. Below there are space adventures, comedies, dramas, and more than a few epics worth your attention, either as a revisit or new discovery. And we’ve rounded them up for your scrolling pleasure.

Austin Powers: International Man of Mystery (1997)

July 1

When the first Austin Powers opened in 1997, it was intended to be as much a crude love letter to the popular cinema of the 1960s as a modern day raunchy laugh-fest. Now with the benefit of another 20 years’ worth of hindsight, Mike Myers and Jay Roach’s spoof of Bondmania is itself an amusing time capsule of 1990s comedy tropes. There’s Myers’ cartoonishly larger-than-life characters—beginning with Powers but most dementedly perfected with Dr. Evil, the comedian’s riff on Ernst Stavro Blofeld—as well as the pair’s embrace of what they considered to be the defining trappings of the late ‘90s.

The film’s nostalgia for the ‘60s and its value as a piece of kitsch ‘90s nostalgia makes this Austin Powers (and to a lesser extent the second movie, The Spy Who Shagged Me) a fascinating relic, as well as a genuinely funny lowbrow symphony of sex gags, bathroom humor, and multiple digs at British stereotypes, including bad teeth. In other words, it’s a good time if you don’t take it too seriously. Just avoid the third one, which is also coming to Netflix.

The Karate Kid (1984)

July 1

1984’s The Karate Kid is the cultural apex of Reagan America’s obsession with martial arts movies and Rocky-style underdog stories. It offered ’80s kids the ultimate fantasy of learning martial arts to defeat local bullies and finding time to squeeze in a love subplot along the way. Granted, the Cobra Kai series has thrown a wrench into this film’s seemingly simple morality tale, but just try not to root for Daniel by the time you reach arguably the greatest montage in movie history.

There’s also something eternally comforting about watching Pat Morita beat-up ’80s thugs while validating parents everywhere by suggesting that you to can one day grow up to be a great warrior if you just sweep the floor, wax the car, and paint the fence.

Love Actually

July 1

Christmas in July? Sure, why not. This Yuletide classic likely needs no introduction. Writer-director Richard Curtis’ Love Actually is the ultimate romantic comedy, stuffing every cliché and setup from a holiday bag of tricks into one beautifully wrapped package. Perhaps its greatest strength though is it mixes in a touch of the bitter with its sweet, and doesn’t hide the thorns in its bouquet of roses. Plus, its use of “All I Want for Christmas” is still a banger nearly 20 years on.

Admittedly, we aren’t particularly inclined to watch this in July ourselves, but if you don’t mind the Christmas of it all, there are few better rom-coms in your queue at the moment.

Memoirs of a Geisha (2005)

July 1

This adaptation of the Arthur Golden novel of the same name was one of the highest profile literary adaptations of the early 2000s. It’s the story of a young girl sold to a geisha house in the legendary Gion district of Kyoto who then grows up to be the most famous geisha of 1930s imperial Japan… right before the war. The film (like its source material) had controversy in its day due to having a somewhat exoticized view of Japanese customs, as well as for the casting of Chinese actresses Michelle Yeoh and Zhang Ziyi in the roles of icons of Japanese culture, with Zhang playing central geisha Sayuri.

Read more

Movies

Black Widow Review: Marvel’s Most Feminine Film is a Brutal Action Movie

By Rosie Fletcher

Movies

How Underworld Mixed Werewolves, Vampires, and Shakespeare

By David Crow

But whatever its shortcomings, Memoirs of a Geisha is still an exquisitely crafted melodrama that provides an often delicate window into one of he most graceful and misunderstood arts. The film won Oscars for its costumes, art direction, and cinematography for a reason. Plus whenever Zhang and the actually Japanese Ken Watanabe share the screen, unrequited sizzle is hot to the touch.

Mortal Kombat (1995)

July 1

Look, 1995’s Mortal Kombat isn’t a great movie in the classic sense of the word. Those looking for notable ’90s schlock might even have a better time with 1994’s Street Fighter and Raul Julia’s scene-stealing performance as General M. Bison.

Yet at a time when video game movies still struggle to capture the magic of the games themselves, Mortal Kombat stands tall as one of the few adaptations that feel like an essential companion piece. It might lack the blood and gore that helped make 1992’s Mortal Kombat arcade game a cultural touchstone, but it perfectly captures the campy, shameless joy that has defined this franchise for nearly 30 years.

Star Trek (2009)

July 1

The idea of a Star Trek movie reboot wasn’t greeted with universal enthusiasm when it was first announced but then J.J. Abrams delighted many fans by creating a Trek origin story that was both familiar and new. Chris Pine shone as the cocky Kirk, bickering with Zachary Quinto’s Vulcan Spock while trying to save the universe from a pesky Romulan (Eric Bana). This was a standalone that could be enjoyed by audiences completely ignorant of the Star Trek legacy which also achieved the feat of not annoying many long-term followers of the multiple series. It was a combination of humor, heart, action and a zingy cast that won the day – it’s still the best of the three Star Trek reboot movies to date.

Talladega Nights: The Ballad of Ricky Bobby (2005)

July 1

Alongside Step Brothers, Tallageda Nights remains a a biting snapshot of the 2000s zeitgeist from writer-director Adam McKay. Eventually he would drop (most of) the crude smirks in favor of dramedies about the excesses of the Bush years via The Big Short (2013) and Dick Cheney biopic Vice (2018), however Talladega Nights remains a well-aged and damning satire of that brief time when “NASCAR Dads” were a thing, which is all the more impressive since it was filmed in the midst of such jingoistic fervor.

So enters Will Ferrell in one of his signature roles as a NASCAR driver and the quintessential ugly American who’s boastful of his ignorance and proud that his two sons are named “Walker” and “Texas Ranger.” He’d be almost irredeemable if the movie wasn’t so quotable and endearing with its sketch comedy absurdities. There’s a reason Ferrell and co-star John C. Reilly became a recurring thing after this lunacy. Plus, that ending where adherents of the homophobic humor of the mid-2000s found out the joke was on them? Still pretty satisfying.

Terminator 2: Judgment Day (1991)

July 1

This is the movie that changed everything. Filmmakers had been experimenting with computer-generated visual effects for years, including director James Cameron with 1989’s The Abyss. But Cameron, as usual, upped his game with this 1991 action/sci-fi epic in which the main character — the villain — was a hybrid of live-action actor and CG visuals.

Those of us who saw T2 in the theater when it first came out can remember hearing the audience (and probably ourselves) audibly gasp as the T-1000 (an underrated and chilling Robert Patrick) slithered into his liquid metal form, creating a surreal and genuinely eerie moving target that not even Arnold Schwarzenegger’s brute strength could easily defeat. There were moments in this movie that remained seared into our brains for years as high points of what could be accomplished with CG.

Read more

Movies

Terminator 2 at 30: How Guns N’ Roses Created the Perfect Hype

By Joseph Baxter

Movies

Aliens and Terminator 2: How James Cameron Crafts Perfect Sequels

By Ryan Lambie

This writer prefers T2 to the original Terminator. It’s fashionable to go the other way, but the first movie, while excellent, is essentially a low-budget horror film, Schwarzenegger’s T-800 a somewhat more formidable stand-in for the usual unstoppable slasher. The characters in T2 are far more fleshed out, the action bigger and more spectacular, the stakes more grave and palpable. It was the first movie to cost more than $100 million but it felt like every penny was right there on the screen. And Cameron tied up his story ingeniously, making all the sequels and prequels, and sidequels since irrelevant and incoherent. We don’t need them; we have Terminator 2: Judgment Day.

Underworld (2003)

July 1

Is Underworld a good movie? No, not really. Is it a scary movie, what with the vampires and werewolves? Not at all. Well, is it at least entertaining?! Absolutely. Never before has a B-studio actioner been so deliciously pretentious and delightful in its pomposity.

Every bit the product of early 2000s action movie clichés, right down to Kate Beckinsale’s oh-so tight leather number,  Underworld excels in part because of the casting of talent like Beckinsale. A former Oxford student and star of the West End stage, she got her start in cinema by appearing in a Kenneth Branagh Shakespeare adaptation, and she brings a wholly unneeded (but welcome) conviction to this tale of vampire versus werewolves in a centuries-long feud. Shamelessly riffing on Romeo and Juliet, the film ups the British thespian pedigree with movie-stealing performances by Bill Nighy as a vampire patriarch and Michael Sheen (Beckinsale’s then-husband who she met in a production of The Seagull) as an angsty, tragic werewolf. It’s bizarre, overdone, and highly entertaining in addition to all the fang on fur action.

Snowpiercer (2013)

July 2

Before there was Parasite, there was Snowpiercer, the action-driven class parable brought to horrific and mesmerizing life by Oscar-winning Korean director Bong Joon-ho in 2013. The film is set in a future ice age in which the last of humanity survives on a train that circumnavigates a post-climate change Earth. The story follows Chris Evans‘ Curtis as he leads a revolt from the working class caboose to the upper class engine at the front of the train.

Loosely based on a French graphic novel, filmed in the Czech Republic as a Korean-Czech co-production, and featuring some of Hollywood’s biggest stars, with dialogue in both English and Korean, Snowpiercer is not only a truly international production that will keep Western audiences guessing, but it packs an ever effective social critique as we head further into an age of climate change and wealth inequality. Also, there is a scene in which Chris Evans slips on a fish.

The Beguiled (2017)

July 16

Sofia Coppola’s remake of the 1971 film of the same name (both are based on a Thomas Cullinan novel) is a somewhat slight yet undeniably intriguing addition to the filmmaker’s catalog. It’s the story of a wounded Union soldier being taken in by a Southern school for girls–stranded in the middle of the American Civil War–with salvation turning into damnation as the power dynamics between the sexes are tested. It is also an evocative piece of Southern Gothic with an ending that will stick with you. Top notch work from a cast that also includes Nicole Kidman, Kirsten Dunst, Elle Fanning, and Colin Farrell makes this a bit of an underrated gem.

The Twilight Saga

July 16

In July, not one, not two, not three, not even four, but all five of the movies adapted from Stephenie Meyer’s young adult phenomenon book series will be accessible on Netflix. Indulge in the nostalgia of Catherine Hardwicke’s faithful and comparatively intimate Twilight. Travel to Italy with a depressing Edward and Bella in New Moon. Lean into the horror absurdity of The Twilight Saga: Breaking Dawn: Part 2. Or marathon all five for maximal escapism into a world where vegetarian vampires are the boyfriend ideal, the sun is always clouded, and the truly iconic emo-pop tunes never stop. 

Django Unchained (2012)

July 24

The second film Quentin Tarantino won an Oscar for, Django Unchained remains a highly potent revenge fantasy where a Black former slave (Jamie Foxx) seeks to free his wife from Mississippian bondage and ends up wiping out the entire infrastructure of a plantation in the process. Brutal, dazzlingly verbose in dialogue, and highly triggering in every meaning of the word—including quickdraw shootouts—this is a Southern-fried Spaghetti Western at its finest.

Read more

Movies

Quentin Tarantino Still Wants to Retire Since Most Directors’ Last Films Are ‘Lousy’

By David Crow

Culture

Once Upon a Time in Hollywood Easter Eggs and Reference Guide

By David Crow

Perhaps its other great asset is a terrific cast of richly drawn characters, including Foxx as Django (the “D” is silent), Christoph Waltz as German dentist-turned-bounty hunter Dr. King Shultz, Leonardo DiCaprio as sadistic slaveowner Calvin Candie, and Samuel L. Jackson as Stephen. While Waltz won a deserved Oscar for the film (his second from a Tarantino joint), it is Jackson’s turn as a house slave who becomes by far the most dangerous and cruel of Django’s adversaries who lingers in the memory years later… 

cnx.cmd.push(function() { cnx({ playerId: "106e33c0-3911-473c-b599-b1426db57530", }).render("0270c398a82f44f49c23c16122516796"); });

The post Best Movies Coming to Netflix in July 2021 appeared first on Den of Geek.

from Den of Geek https://ift.tt/3A8JEeG

[mredwinsmith]

Eaglemoss Hero Collector Set For 2018 Star Trek Las Vegas Convention

Returning to The Entertainment Capital of the World for one of the biggest annual events in the Star Trek universe, Eaglemoss Hero Collector, designers, manufacturers and publishers of high-quality collectibles from across the many worlds of pop culture, is all set to take the 2018 Star Trek Las Vegas Convention by storm.

Fans in attendance will be able to start or add to their collections at special prices – as well as purchase truly out-of-this-world gifts – beginning Preview Night, Tuesday, July 31st, through Sunday, August 5th, at the Rio Suites Hotel. They’ll also be among the first to get a look at some of Eaglemoss’ most exciting new releases.

Celebrating the tremendous success of Season 1 of Star Trek: Discovery and gearing up for the launch of Season 2, Eaglemoss will unveil and offer for sale for the first time anywhere the limited edition U.S.S. Glenn NCC-1030 variant from the Star Trek: Discovery Official Starships Collection. The sister ship to the Crossfield-class U.S.S. Discovery NCC-1031, the Glenn was destroyed by Captain Lorca early in the series after a disastrous test of the experimental spore drive.

Like all ships in the collection, this larger scale model is made of die-cast metal and ABS materials, then hand painted with reference to the actual CG models used in production. Strictly limited to only 500 ships worldwide, each comes with a collector’s magazine, display stand and numbered certificate of authenticity.

Two additional and soon-to-be released ships from the collection will also be on display – the U.S.S. Europa NCC-1648 and one of the few Vulcan designs seen in the series so far, the Vulcan Cruiser.

Eaglemoss’ popular line of Star Trek Starships XL Editions continues to grow and fans at the event will be among the first to get their hands on the U.S.S. Enterprise NCC-1701-A and the U.S.S. Defiant NX-74205, Starfleet’s first true warship. On display, but not yet available for purchase, will be the next pair of XL Editions due to be released in Q4 of 2018 – the U.S.S. Enterprise NCC-1701-B, as seen in Star Trek: Generations, and the Miranda-class U.S.S. Reliant.

Visitors will also get a first look at two new Bonus ships from the original Star Trek: The Official Starships Collection – Rick Sternbach’s U.S.S. Voyager Concept (the original, but unused design of the ship) and the Klingon Bird-of-Prey (Landing Position).

Rounding out Eaglemoss’ Star Trek presence in Las Vegas will be the all-new line of Official Star Trek Collector’s Busts. This eagerly anticipated collection features the iconic captains of Starfleet and other memorable characters from over 50 years of Star Trek TV and movie history, capturing them in impressive detail with highly accurate likenesses, uniforms and props. These hand-painted polyresin busts are 4.5 to 6” tall, come complete with a fact-filled magazine, and form an essential addition to any Star Trek collection. On display in Las Vegas will be four fan favorites – Captain James T. Kirk, Science Officer Spock, Lt. Commander Worf and Lt. Commander Data.

If you’re a serious collector, Eaglemoss is offering extra incentive to sign up for one or more of their popular Star Trek subscription programs, regardless of whether or not you’re at the show. Fans who subscribe online to the Star Trek: Discovery Official Starships Collection during the convention will receive their first ship, the U.S.S. Shenzhou, plus a commemorative lapel pin for only $9.95 with free shipping. If you sign up for the original Star Trek Official Starships Collection, you’ll receive three fan favorite starships, including the beloved U.S.S. Enterprise NCC-1701-D, for $9.95 with free shipping.

Throughout the convention, any fan who stops by the Eaglemoss booth can also instantly enter to win one of 500 incredible prizes in the annual “Summer of Trek” Sweepstakes – including the Grand Prize of an ultimate voyage for two aboard Star Trek: The Cruise III.

Eaglemoss will be at Booth #TK in the Rio Suites Hotel July 31-August 4, 2018.

from AwesomeToyBlog https://ift.tt/2Owy0Cw

[actionfigureinsider]

Latest from All the Collections including Star Trek Starships, Discovery Starships, XL Editions and the U.S.S. Glenn Variant

(July 25, 2018 – New York, NY) – Returning to The Entertainment Capital of the World™ for one of the biggest annual events in the Star Trek universe, Eaglemoss Hero Collector, designers, manufacturers and publishers of high-quality collectibles from across the many worlds of pop culture, is all set to take the 2018 Star Trek Las Vegas Convention by storm.

Fans in attendance will be able to start or add to their collections at special prices – as well as purchase truly out-of-this-world gifts – beginning Preview Night, Tuesday, July 31st, through Sunday, August 5th, at the Rio Suites Hotel. They’ll also be among the first to get a look at some of Eaglemoss’ most exciting new releases.

Celebrating the tremendous success of Season 1 of Star Trek: Discovery and gearing up for the launch of Season 2, Eaglemoss will unveil and offer for sale for the first time anywhere the limited edition U.S.S. Glenn NCC-1030 variant from the Star Trek: Discovery Official Starships Collection. The sister ship to the Crossfield-class U.S.S. Discovery NCC-1031, the Glenn was destroyed by Captain Lorca early in the series after a disastrous test of the experimental spore drive.

Like all ships in the collection, this larger scale model is made of die-cast metal and ABS materials, then hand painted with reference to the actual CG models used in production. Strictly limited to only 500 ships worldwide, each comes with a collector’s magazine, display stand and numbered certificate of authenticity.

Two additional and soon-to-be released ships from the collection will also be on display – the U.S.S. Europa NCC-1648 and one of the few Vulcan designs seen in the series so far, the Vulcan Cruiser.

Eaglemoss’ popular line of Star Trek Starships XL Editions continues to grow and fans at the event will be among the first to get their hands on the U.S.S. Enterprise NCC-1701-A and the U.S.S. Defiant NX- 74205, Starfleet’s first true warship. On display, but not yet available for purchase, will be the next pair of XL Editions due to be released in Q4 of 2018 – the U.S.S. Enterprise NCC-1701-B, as seen in Star Trek: Generations, and the Miranda-class U.S.S. Reliant.

Visitors will also get a first look at two new Bonus ships from the original Star Trek: The Official Starships Collection – Rick Sternbach’s U.S.S. Voyager Concept (the original, but unused design of the ship) and the Klingon Bird-of-Prey (Landing Position).

Rounding out Eaglemoss’ Star Trek presence in Las Vegas will be the all-new line of Official Star Trek Collector’s Busts. This eagerly anticipated collection features the iconic captains of Starfleet and other memorable characters from over 50 years of Star Trek TV and movie history, capturing them in impressive detail with highly accurate likenesses, uniforms and props. These hand-painted polyresin busts are 4.5 to 6” tall, come complete with a fact-filled magazine, and form an essential addition to any Star Trek collection. On display in Las Vegas will be four fan favorites – Captain James T. Kirk, Science Officer Spock, Lt. Commander Worf and Lt. Commander Data.

If you’re a serious collector, Eaglemoss is offering extra incentive to sign up for one or more of their popular Star Trek subscription programs, regardless of whether or not you’re at the show. Fans who subscribe online to the Star Trek: Discovery Official Starships Collection during the convention will receive their first ship, the U.S.S. Shenzhou, plus a commemorative lapel pin for only $9.95 with free shipping. If you sign up for the original Star Trek Official Starships Collection, you’ll receive three fan favorite starships, including the beloved U.S.S. Enterprise NCC-1701-D, for $9.95 with free shipping. Throughout the convention, any fan who stops by the Eaglemoss booth can also instantly enter to win one of 500 incredible prizes in the annual “Summer of Trek” Sweepstakes – including the Grand Prize of an ultimate voyage for two aboard Star Trek: The Cruise III.

Eaglemoss will be at Booth #TK in the Rio Suites Hotel July 31-August 4, 2018.

EAGLEMOSS BEAMS INTO STAR TREK LAS VEGAS WITH NEW SHIPS, NEW BUSTS AND A LIMITED EDITION DEBUT! Latest from All the Collections including Star Trek Starships, Discovery Starships, XL Editions and the U.S.S. Glenn Variant…

[vampireadamooc]

Shout out to the 3D and CGI Effects Crew on ALVH

All 722 of you....

This is part 1

Visual Effects by Shaun Friedberg 'Pyrokinesis'...animation technical director: Weta Digital

Seb Abante...reference photographer: Weta Digital

Michael Aerni...senior animator

Hunny Agarwal...stereo roto artist

Ivy Agregan...visual effects consultant

James Albiez...visual effects artist

Anjel Alcaraz...depth artist: Stereo D

Steve Alegria...digital compositor / stereoscopic rotoscope artist

Tim Alexander...asset supervisor

Neishaw Ali...visual effects executive producer

Lee Allan...digital compositor

Mark Edward Allen...model groomer: Weta Digital

Stephen Allison...wrangler: Weta Digital

Yoav Allon...roto artist

Patrick L. Almanza...stereoscopic painter

Schuyler Anderson...stereoscopic depth artist

Fatima Anes...stereo compositor: Stereo D

Jonathan Angelo...pipeline developer: Stereo D

Chris Ankli...tracking / layout artist

George Antonopoulos...digital compositor / paint and rotoscope artist: Atomic Arts

Erick Aragon...rotoscope artist: StereoD/Deluxe 3D

Ryan Arcus...layout technical director: Weta Digital

Yalda Armian...models production manager: Weta Digital

Taylor Armstrong...stereo paint artist: Stereo D

Creighton Ashton...stereoscopic compositor: Stereo D

Simon Assekritov...visual effects editor

Andrew Atkinson...visual effects systems tools manager

Derrick Auyoung...animation technical director: Weta Digital

Dan Ayling...camera td

Paul A. Baccam...stereoscopic artist

Simon Baker...effects technical director: WETA Digital

Maggie Balaco...roto artist: stereoscopic conversion

Jarret Ballard...stereoscopic depth artist

K.C. Barnes...stereoscopic lead: Stereo D

Shawn Barnett...visual effects

Mark Battle...compositor: Stereo D

Daniel Bayona...matte painter: Weta Digital

Brittany Bell...visual effects

John Bellas...title sequence designer/animator

Jeannie Ben-Hain...stereoscopic compositor

Brian N. Bentley...stereo compositor / stereo paint artist

Maxime Besner...stereoscopic artist

Aaron D. Beyer...visual effects

Sourajit Bhattacharya...stereo compositor

Zena Bielewicz...compositor

Edward Blackford...stereoscopic artist

Alex Blatt...visual effects editor

David Blemur...stereo compositor

Jonathan Block...title sequence design/animation

Mike Bodkin...stereo executive producer: Stereo D

Jeremy Boissinot...matte painter technical director: Rodeo FX

Jason Bomstein...stereoscopic artist

Marc Bonneviot...roto artist: Method Vancouver

Egor Borisko...digital effects artist

James Robert Bosley...stereoscopic artist

Jonathan Bot...digital compositor: Weta Digital

Marie-Pierre Boucher...visual effects production assistant: Rodeo FX

Patrick Boucher...programmer: Rodeo FX

Shane Bouthillier...stereoscopic artist

Jason Bowers...stereoscopic compositor

Peter Bowmar...head of 3d and technology: CIS Vancouver

Christopher Bozzetto...visual effects artist

Adam Bradley...senior digital paint artist

Derek Bradley...creature effects

Michael Brako...stereoscopic artist

Milady Bridges...visual effects artist

Kirk Brillon...digital compositor: Spin VFX

Ryan Brooks...rotoscope artist

Kyle Patrick Brown...lead compositor (stereoscopic conversion)

Rochelle Brown...stereoscopic compositor

Edward Brugge...roto lead: The Base Studio

Shauna Bryan...visual effects executive producer

Julian Bryant...digital compositor

Jared Buford...stereoscopic artist: Stereo D

Andy Burmeister...camera technical director: Weta Digital

Julian R. Butler...lead character setup

Ria-Bella Buys...rotoscope artist: Weta Digital (as Ria-Bella Chua)

Sam Buys...digital asset manager: Weta Digital

Regina Cachuela...animation technical director

John Cairns...digital compositor: Method Studios Vancouver

Andrew Calder...senior animator

Caitlin Campbell...stereoscopic compositor

Jeff Campbell...visual effects supervisor: Spin VFX

Marco Cantaluppi...digital compositor

Robin Stuart Cape...rotoscope artist: Weta Digital

Curtis Carlson...stereo compositor: Stereo D

Tasha Carlson...stereo depth artist

Brian Carney...stereoscopic compositor

Taylor Carrasco...animation technical director

Jeremy P. Carroll...lead stereoscopic compositor: StereoD

Merlin Carroll...roto artist

Monica L. Castro...stereoscopic compositor (as Monica Castro)

Norman Cates...lead compositor

Luis Alberto Cayo...visual effects artist

Gabriel D. Cervantes...stereoscopic artist: Stereo D (as Gabe Cervantes)

Min Hyun Cha...digital compositor

Snata Chakraborty...stereo roto artist

Arthur Chan...rotoscope artist: Weta Digital

Nardeep Chander...effects technical director: Method Studios Vancouver

Chun-Ping Chao...digital compositor

Hunter Chase...compositor

Peter Chen...animator

Nick Cherry...compositor

Sujesh V. Chitty...matte painter: Soho VFX

Jong Jin Choi...visual effects artist

Bradley Chowning...stereoscopic depth artist

James Chretien...lighter

Eric D. Christensen...visual effects supervisor: Factory VFX

Kristy Chrobak...stereo production coordinator

Jasper Chung...rotoscope artist: Weta Digital

Julia Jooyeon Chung...previs artist

Adriano Cirulli...compositor: Atomic Arts

Graham D. Clark...stereographer

Jimi Clark...stereoscopic lead artist

Joseph Clark...fur groomer

Craig D. Clarke...layout technical director: Weta Digital

Ryan Cleveland...stereoscopic compositor

Francis Clément...rotoscopy artist: Rodeo FX

Johann Francois Coetzee...creature technical director

Michael Colburn...stereoscopic compositor

David Cole...supervising digital colourist

Jeff Cole...visual effects artist

Chad E. Collier...data technician: Method Studios

Mary-Margaret Conley...data i/o administrator

Natalie Conliffe...visual effects artist

Elliot Contreras...stereo compositor

Matt Conway...matte painter

Gemma Cooper...digital compositor: Weta Digital

Shane Cooper...senior software developer

Robert Coquia Jr....data management

Michael Corcoran...lead creature technical director

Matt Cordero...stereoscopic compositor

Justin Cornish...visual effects supervisor: Atomic Arts

Michelle Cornwall...data I/O render wrangler

Joshua Coté...stereoscopic depth artist

Andrei Coval...facial modeler: weta digital

Eric Covello...digital compositor

Maurice Cox...stereoscopic compositor

William J. Cox...stereo depth artist: Stereo D

Karl Coyner...pipeline technical director: CIS, Vancouver

Neil Craig...compositor: Scoundrel VFX

Robert Cristino...stereoscopic compositor

Thomas Crow...depth artist

Barney Curnow...compositing supervisor: Atomic Arts / visual effects supervisor: Atomic Arts

Glenn Curry...layout td: Weta Digital

Jason Cutler...digital compositor

Mikaël Damant-Sirois...CG supervisor: Rodeo FX

Thomas Oliver Daniel...production coordinator

Rhea Darch...match move artist

Brad Darrow...stereoscopic depth artist

Colin Davies...visual effects supervisor: SPIN VFX

James Davis Jr....depth artist

Brandon Davis...effects technical director

Jayson Davis...stereo compositor: Stereo D

Mark A. Davis...depth artist / stereoscopic compositor

Alan De Castro...stereoscopic compositor: Stereo D

Kristin Dearholt...visual effects: digital colorist

Josh Deason...stereoscopic compositor: stereoscopic conversion

Rachel Decker...data administrator

Val Dela Rosa...senior systems administrator: stereoscopic conversion

Kevin Delee...digital artist: The Base Studio

Levon Shant Demirjian...visual effects

Andrew Dennis...senior pipeline developer: Deluxe

Julien Depredurand...effects technical director: Method Studios Vancouver

Tamir Sammy Diab...lighting technical director (as Tamir Diab) / visual effects artist (as Tamir Diab)

Gareth Dinneen...compositor: Weta Digital

Gus Djuro...senior stereoscopic artist

Jennifer Docherty...production coordinator: weta digital

Anita Dogra...quality assurance coordinator

Eric Doiron...compositing supervisor: Spin VFX

Jennifer Dolan...stereoscopic conversion

Rene Dominguez...stereoscopic paint artist

Corey Drake...r&d programmer: Stereo D

Georg Duemlein...effects technical director

Aubrey Dukes...stereoscopic lead: Stereo D

Georgia Dumergue...rotoscope artist

Shawn Dunn...head of layout/animation technologies: Weta Digital

Mrinal Dutta...digital compositor

Christopher Egden...visual effects coordinator

Greg Emerson...visual effects

Jeffrey Engel...animator

Nathan Englbrecht...lighting technical director

John Erik Englund...software engineer: Stereo D

Francisco Estrada...stereo artist

Bryan T. Evans...matchmove artist

Eyetronics...3D Scanning

Gianpietro Fabre...previs artist: Weta Digital

Brian Fanska...stereoscopic compositor

Luca Fascione...rendering research lead

Robin Pierce Ferber...stereoscopic conversion artist

Via Fernandez...digital artist: The Base Studio

Adrian Ferrari...stereoscopic compositor

Judith Ferrer...stereoscopic depth artist

Jerod Finn...stereoscopic artist

Johnny Fisk...producer: StereoD

Jason Fleming...lighting technical director: Weta Digital

Megan Flood...visual effects artist

Les Foor...lead stereoscopic artist

Andy Foot...compositor: Atomic Arts

Ashley Forbito...stereoscopic compositor / stereoscopic painter

Peter Forslund...visual effects editor

Ludovic Fouche...Senior Camera TD

Guillaume Fradin...lead fx artist: Weta Digital

Emily Francione...stereoscopic roto lead

Sebastien Francoeur...CG artist: Rodeo FX

Guillaume François...shader writer

Jordan Freda...visual effects producer: The Base Studio

Travis Fruci...stereo artist: Stereo D

Garrett Fry...digital matte painter

Napoleon Fulinara Jr....visual effects artist

Jean-Francois Gagne...digital compositor: Rodeo FX

Jason Galeon...lighting technical director: Weta Digital

Juan Edgardo Garcia...stereoscopic compositor: Stereo D

Adam Garnier...stereoscopic compositor

Edgar Garrido...roto artist

Bryan Gauna...head of technology

Joan Gauna...pipeline developer

Paul Geffre...stereoscopic producer

Geoff Geis...depth artist

Nader Gholipour...visual effects artist

Ahmad Ghourab...effects technical director: Method Studios

Jackson Gichuki...stereoscopic rotoscope artist

Matthew E. Gill...stereoscopic rotoscope artist: Stereo D

Jen Gillespie...technology coordinator: Weta Digital

Kenneth Gimpelson...visual effects artist

Melissa Goddard...senior paint artist: Weta Digital

Annie Godin...visual effects producer: Rodeo FX

Clarke Godwin...stereoscopic lead

Guenever Goik...compositor

Derik Gokstorp...technical director

Philip Gordon...stereoscopic artist: Stereo D

Josh Gotto...compositor: Atomic Arts

Randy Goux...visual effects supervisor

Cody Graham...stereoscopic artist

Jason Gray...visual effects systems administrator

Tom Greene...production manager: Weta Digital

Neil Grey...effects technical director

Sergei Gritsenko...visual effects producer: Bazelevs

Martin Groezinger...senior technical director: Weta Digital

David E. Groom...chief operating officer: stereoscopic conversion

Signy Bjorg Gudlaugsdottir...visual effects artist

Ricardo Guevara...stereo artist: Stereo D

Mike Gunter...stereo executive producer

Kamilla Gutorova...visual effects production manager

Joe Hagg...3D executive: Twentieth Century Fox

Nick Haines...visual effects artist

Katie Hamberger...visual effects artist

William F. Hamilton...systems administrator

Josh Handley...stereoscopic compositor

Greg Hansen...fx technical director

Matt Hansen...visual effects artist

Derek Hanson...stereo compositor: Stereo D

Reginald Harber Jr....lead stereoscopic compositor: Stereo D

Aisling Harbert...lead stereo artist

Michael S. Harbour...compositing supervisor

Kyle Hardin...stereoscopic depth artist

Yoshihiro Harimoto...creature technical director: Weta Digital

Nina Harlan...compositor (as Nina Yoon)

Monica Harrion...rotoscope artist

Peter Hart...lead matchmove artist

Emile Harvey...visual effects production assistant: Rodeo FX

Serena Hastie...rotoscope artist: Weta Digital

Jessica Hee...matchmover: Method Studios Vancouver

Alex Heffner...lead stereoscopic artist

Quentin Hema...digital paint supervisor: weta digital

Rachel Herbert...layout technical director: Weta Digital

Veronica Hernandez...rotoscope artist

Jordan Heskett...visual effects

Afif Heukeshoven...camera technical director

Nick Hiatt...matte painter: Rodeo FX

Bryan M. Higgins...roto supervisor

Erin Hill...animation coordinator

Martin Hill...visual effects supervisor: Weta Digital

Peter Hillman...senior software developer: Weta Digital

Ryan Hirsh...stereoscopic depth artist

Adam Hlavac...visual effects

Irit Hod...senior technical director: lighting

Timothy Hoffman...senior lighting technical director

Joshua D. Holden...stereoscopic depth artist

Robin Hollander...digital compositor

Neha Hooda...visual effects producer

Todd Hoppmeyer...visual effects assistant

Sandy Houston...roto supervisor: Weta Digital

Bryan Howard...rigger: Soho VFX

Jason Lei Howden...rotoscope and digital paint artist (as Jason Howden)

Colin Hui...visual effects artist

Lucas Hull...digital compositor: Stereo D

Stu Hunter...roto artist

Katherine Hupp...stereoscopic roto artist

Luan Huynh...systems administrator

Damian Isherwood...digital artist

Jason A. Jenkins...stereoscopic roto artist

Marek Jezo...digital artist: The Base Studio

Zahid Jiwa...lead rotoscope artist: Method Studios

JoAnna Johnson...stereo compositor: StereoD

Tim Johnson...visual effects coordinator

Jeremy Jones...stereoscopic artist

Henrik Jonsson...digital effects artist: Atomic Arts

Corey Just...stereoscopic depth artist

Miguel Kabantsov...CG lead

Vijay Kadapatti...stereo production coordinator

Joshua Kamau...rotoscope artist

Stephen Karl...camera technical director

Prateek Kaushal...stereoscopic lead: Stereo D

Ryan Keely...digital compositor

Ian Kelly...stereoscopic roto artist

Kolby Kember...depth artist

Simon D. Kern...stereoscopic lead: Stereo D

Christian Kesler...matte painter: Weta Digital

Nadav Kessous...digital compositor

Ara Khanikian...compositing supervisor: Rodeo FX

Filip Kicev...lighter

Ben Kilgore...creature technical director

Yoonkwan Kim...pipeline developer

Oliver Kirchhoff...camera technical director: Weta Digital

Kelly Knauff...visual effects coordinator

Mike Knox...data administrator

Prasanna Kodapadi...finaling artist

Gerry Kodo...stereo compositor: Stereo D

Alex Kramer...senior camera technical director: Weta Digital

Lars Kramer...camera td

Dmitri Krasnokoutski...shader writer: Weta Digital

Martin Kulig...camera technical director: Weta Digital

Sergei V. Kuzmin...pre-vis production manager: Bazelevs

SangHun Kwon...lighting artist

Jasmine Labelle...visual effects accountant: Rodeo FX

Jonathan Laborde...CG artist: Rodeo FX

Keith Lackey...senior animation technical director: WETA Digital

Ken Lam...compositor

Nancy Lamontagne...visual effects coordinator: Rodeo FX

Alberto Landeros...digital compositor: method studios

Xavier Lapointe...programmer: Rodeo FX

Warren Larkam...visual effects production assistant

Timothy Jay Latham...stereoscopic artist: Stereo D (as Tim Latham)

Niña Laureles...effects technical director: Method Studios (as Nina Laureles)

Gary Laurie...matchmove technical director: Ivo Horvat VFX

Grant Lee...second stereo paint lead: Stereo D

Jongju Lee...animator: SPIN VFX

Paul Lemeshko...visual effects artist

Sylvia T. Leung...stereoscopic depth artist: StereoD

Mari Levitan...stereo production coordinator

Dean Lewandowski...layout technical director: Weta Digital

Sean Lewkiw...digital effects supervisor

Michael Ligammare...stereoscopic artist: Stereo D

Mingzhi Lin...senior lighting technical director

Lisardo Liriano...stereoscopic compositor

Shelly Lloyd-James...visual effects coordinator (as Shelly Lloyd-Samson)

Jason Locke...camera td

Shawn Lopez...stereoscopic depth artist

Jade Lorier...visual effects artist

Daniel Lu...lead modeller/rigger: Soho VFX

Son Lu...stereoscopic lead

Steven Luc...stereoscopic depth artist

Craig Lyn...visual effects supervisor

Brooke Lyndon-Stanford...visual effects supervisor: Atomic Arts

Clayton Lyons...visual effects coordinator

Kodie Mackenzie...compositor

George Macri...visual effects producer

Francois Madere...visual effects artist

Arman Mafi...stereoscopic depth artist

Allan Magled...visual effects producer: Soho VFX

Oleg Magrisso...creature technical director: weta digital

Gokul Mahajan...paint artist

Carson Majors...stereoscopic compositor / stereoscopic painter

Yael Majors...stereoscopic compositor / stereoscopic painter

Daisuke Maki...lighting technical director: Weta Digital

David Maldonado...senior depth artist: Stereo D

Sebastian Maldonado...stereoscopic roto artist

Brian Malmstrom...rotoscope artist: Stereo D

Gabriel Mandala...compositor

Roy Vincent Mann...lead stereoscopic compositor

Jade Mansueto...shader writer: Weta Digital

Pavan Maradia...pipeline Technical assistant: Stereo D

Mike Marbery...stereoscopic compositor

Jose L. Marin...compositor: Stereo D (as Jose Marin)

Jason Marlow...camera td

Andrew Marquez...stereoscopic artist

John Martin...visual effects artist: weta digital

Tony Martin...stereoscopic depth artist

Raymond Martinez III...rotoscope artist

Damon Martinez...stereo compositor

Dena Massenburg...rotoscope artist

Kindra McCall...roto artist: stereoscopic conversion / stereoscopic depth artist

Brandon Jay McCartney...stereoscopic artist

Megan McCollum...stereo compositor: Stereo D

David McCormick...creature pipeline technical director

Russell McCoy...digital paint supervisor

Damian McDonnell...additional digital intermediate colorist

Riley McDougall...visual effects coordinator: method studios

Jonathan Mcfall...digital compositor

Bradley McFlinn...rotoscope artist

Doran McGee...stereoscopic depth artist

Steve McGillen...senior compositor

Jeremy McKenzie...layout technical director: Weta Digital (as Jeremy Ball)

Krista McLean...matte painter

Steve McLeod...visual effects editor: method studios

David McMahon...stereo compositor: Stereo D

Donal McMullan...production engineer

Renton McNeill...production engineer: Weta Digital

Louise McNicholl...layout department manager: Weta Digital

Shantel Medina...stereo conversion artist

Darshan Mehta...lighting/shot td

Gagan Mehta...lighting technical director: Weta Digital

James Meikle...visual effects editor

Juan Melgoza...digital effects supervisor

Kevin Melia...stereoscopic depth artist

Doug Melville...visual effects production manager

Douglas Melville...visual effects production manager: SPIN VFX

Mark Menaker...desktop administrator

Carlos Mendoza Jr....senior stereoscopic compositor: StereoD

Anand Ramachandran Menon...stereoscopic conversion (as Anand Ramachandran)

Abel Milanes...compositing supervisor: Method Studios

David Miles...digital production manager: Factory VFX (as David Miles Wolkind)

Luke Millar...cg supervisor

David Miller III...stereoscopic artist

Lizz Miller...depth artist

Harsh Mistry...layout technical director

Scott Mitchell...Lead compositor

Albert Mizuno...tracking

Farhad Mohasseb...lead compositor

Erick Montano...stereoscopic artist

Alberto Montañés...digital compositor: Weta Digital

Chris Montesano...visual effects artist

Andy Moorer...stereo fx supervisor

Declan Moran...stereo compositor: StereoD

Sébastien Moreau...visual effects supervisor: Rodeo FX

Sergio Morillo...compositor: Atomic Arts

Jean-Francois Morissette...lead matchmover: Rodeo FX

Simon Dean Morley...production engineer

Immanuel Morris...stereoscopic artist

William Morrison...visual effects artist: Stereo D

Matt Mueller...senior reference photographer

Mike Mulock...animator

Arwen Munro...vfx production manager: Weta Digital

Sergey Muravev...artist: CGF (as Sergey Muraviev)

Carson Murdy...stereoscopic artist: StereoD

Michael Murphy...lead stereoscopic artist: Stereo D

Travis Murray...stereo compositor: Stereo D

Scott Musselman...stereoscopic depth artist

Christopher Myerchin...stereoscopic compositer

Vanessa Mylchreest...visual effects artist

Emmi Nakagawa...stereoscopic artist

Farzad 'Fuzz' Namdjoo...stereoscopic lead

Mohan Narayanaswamy...quality manager

Gerardo Navarro...stereoscopic artist

Hector Navarro...depth artist

Tony Neal...digital effects artist: Atomic Arts

Pete C. Newbauer...digital matte artist

Luke Ng...stereo compositor

Wolfgang Niedermeier...camera lead: Weta Digital

Jordan Nieuwland...matte painter: Spin VFX

Rajesh Nimje...stereoscopic lead:

Reika Nishio...senior matchmove artist

Tony Noel...Stereoscopic Artist

Ronnie Noisuwan...stereoscopic artist

Lisa Nolan...visual effects artist

John Norris...visual effects producer: The Aaron Sims Company

Chris O'Connell...stereoscopic depth artist

Patrick O'Riley...visual effects

Daniel O'Shaughnessy...visual effects artist

James Ogle...lead digital modeler

Grant Okita...digital artist

Dave Olivares...visual effects technical director

Nicholas Onstad...digital compositor

Raphael Oseguera...rotoscope artist

David A. Ostler...lighting technical director: Weta Digital

Jared Otake...digital compositor

Richard Owen...tracking / layout artist

Michael Owens...visual effects supervisor

Michael Paget...layout technical director

Jinnie Pak...visual effects producer

Earl Paraszczynec...cg lead

Aaron Parry...visual effects

Ritchie Pasiliao...rotoscope artist

Anthony Passaniti...depth artist/camera tracker: Stereo D Deluxe LLC

Yogesh Pathak...senior stereo roto annotation artist

Demetrios Patsiaris...stereoscopic roto artist

Helen Paul...digital compositor / lighting technical director

Javier Paz...stereo production coordinator

Benoit Pelchat...visual effects art director: Rodeo FX

Lyndsey Pendley...stereoscopic compositor / stereoscopic paint artist

Pavel Perepyolkin...previs supervisor

Daniel Perez...stereoscopic depth artist

Eddie Perez...stereo compositor

Binoy Peters...senior production coordinator

Josh Peterson...stereoscopic roto artist

Patrick Peterson...layout technical director

Christine Petrov...head of 2d: Method Vancouver

Chi Pham...visual effects systems administrator

David Jeffrey Phillips...stereo supervisor

Phets Phonasa...depth artist

Jeremy Pickett...cg supervisor

Ezra Pike...stereo roto

Erik Ploneda...stereoscopic depth artist: Stereo D

Vincent Poitras...digital compositor: RodeoFX

Pete Polyakov...visual effects artist

James Porter...camera td

Etienne Poulin St-Laurent...matchmover: Rodeo FX

Malachi Pound...production supervisor

[pawtrolling]

💫 captain kirk -> now with headcanons

[alittleplaytime]

you've done it buddy. you've convinced me to watch star trek.

wahh okay so a few people did ask so here are some cg!kirk headcanons!! keep in mind that i'm super new to the show and these might seem ooc for seasoned fans? feel free to add your own ♡

cg!Captain Kirk Headcanons

💫 .. would let you sit on his lap in the captain's chair. he'd let you nap or explain everything he's doing to you in child-friendly terms

💫 .. would hold your hand walking around the ship

💫 .. wouldn't take you on missions when regressed become he wants to protect you, but gives you a detailed mission report - full of playful exaggerations and silly voices to make you laugh and gasp

💫 .. plays tag with you around the ship

💫 .. tries to teach you Tri-D chess and has SO MUCH patience (might even let you win, but it's more likely he'll use it to teach you a lesson in graceful losing)

💫 .. huge on petnames like kiddo, buddy, chum and darling

💫 .. comforts you after nightmares with cuddles and softly caressing your face until you fall asleep again

💫 .. would cut your food into fun shapes, mostly stars, hearts and little smiley faces

dividers ♡ cg!Kirk moodboard (by me hihi)