#cfyow scans

[hey-cringelord]

cfyow sketches i scanned

please note not all of them are here, these are just my faves

starting with mother aura michibane. she grew on me in volume three when she turned against tokinada and realised she’s technically hikone’s mother, even if it’s by abnormal means. a very fun and very gorgeous character.

shameless hisagi collection!! i loved his bankai, and how it was also a reflection of his soul in the take-and-give sense. the design and function of it is a good reflection of his character as well. he’s so cute without the gray stripe over his nose but he also looks very strange without it!! tosen was on the other side of the page with a matching sketch, but i don’t remember their conversation. then there’s a happy hisagi, which i believe was at the very end of volume three. scanned cus he’s very adorable and smiling for once.

my grimmkitty and kenpachi! seeing grimm so early in the series was nice, i wasn’t expecting it. kenny’s such a badass captain, i’d be interested to see how his fight with hikone might’ve ended if hisagi didn’t step in.

lastly, hikone headpats! they’re such an amazing character. unlike aura michibane, i never held a sort of grudge towards them. from the beginning i felt tokinada was confining them to a very closed off world, so i was glad to see hisagi was able to help them escape from that.

[thepersonperson]

Gege is doing to his characters what they did to jfk there's so much character assassination happening djsjdsnsdjn

This ask was sent to me shortly after I complained about JJK 269 leaks. (Aka before JJK 270's release so be nice to them.) And while I still agree that chapter contained character assassinations, JJK 270 has given me a good reason for them. 

Since my other post related to this topic was trimmed down by Tumblr’s 30 image limit, I’m going to use this ask as an excuse to this burning question...

Why does everyone feel so out of character in JJK 268–270?

Notes before we start.

1) Read the light novels. They are the equivalent of Bleach's CFYOW for JJK. There is a fan translation (Book 1 & Book 2), but I will be citing the official translation from my own copies.

2) I will be mainly using the TCB scans for the manga because of their accessibility. 

4) Written as of JJK 270.

5) Read the light novels.

(Another extremely 'hear me out' discussion under the cut. Click pictures for captions/citations.)

Preface

This post is banking on the framework I set up in the previous related post so please read/skim over it. (If you don't? Just hear me out!)

Short Summary of the Previous Related Post:

Yuji is projecting a massive delusion onto Megumi that gives him a happy ending. JJK 268–270 is a mesh of Yuji and Megumi’s memories and dreams that serve to rationalize all that’s happened to them in a way that allows them to forgive themselves. Sukuna’s vessel memories are probably mixed in too.

Because of this I’m assuming the following:

>The battle recollection in JJK 269 is Yuji constructing explanations from his, Megumi, and Sukuna’s memories during their battle. Neither of these 3 ever knew the plan in full. This can explain why so much of the battle recollection is wrong.

>The characters we see outside of Yuji and Megumi are constructs based on their memories of these people. They’re more like representations than the actual characters.

I don’t know if it means they’re dead or not, but that doesn’t matter. I want to explore the way the characters feel off can be explained by them being memory constructs.

In the previous post, I used "Without love it cannot be seen." from Umineko to give my best faith reading of these past 3 chapters I've hated so much. This time the tool I'll be using is:

"Flipping over the chessboard."

This refers to how one should try to see things from a different perspective.

Memory in JJK

A neat touch that has always been around in JJK is characters remembering others as they last saw them. When Gojo recalls his best students, Hakari has a very different hair style from when we meet him. His recollection of Yuta's is accurate though. When Panda recalls Yuta, the hairstyle differs from what Gojo recalls. And when he recalls Kiara, he mistakenly refers to her as a guy.

This all can be explained by considering when Gojo and Panda last saw these characters. Gojo last saw Yuta in Kenya with Miguel where he changed his hairstyle. Panda hasn't seen Yuta since he's left the country. Neither Gojo or Panda have seen Hakari and Kiara for a very long time.

Their memories reflect how they last knew them. Kiara is a whole girl now and Hakari is blond. But if Panda and Gojo never saw them again? Those memories would be true to them, even if it’s no longer accurate.

And sometimes the memories aren’t accurate. See this side by side recollection of Gojo meeting Megumi from both of their perspectives.

I believe Gojo’s memory of this event is the accurate one because he’s 19 when it happens, not under distress when he recalls it, and has the Six Eyes which act like a supercomputer. Megumi’s memory is iffy because he’s 6 when it happens, has a head injury that knocks him out when he recalls this, and doesn’t have perception enhancing abilities. And though Megumi can’t recall the memory in its truest form, what he does remember still tells us a lot about his feelings towards the event and his relationship with Gojo.

The emotions child Megumi felt at the time distort what Gojo was actually like back then. Instead of a benefactor, he’s a suspicious weirdo with a funny face. The heart behind Gojo crouching down to his level, being way too honest with him, trying to give him options, patting him on the head—it’s all missing.

With all this in mind, I don’t think it’s unreasonable to assume Megumi and Yuji’s impressions of other characters via memory would influence how they appear in these delusions too. Yuji’s impressions probably take the most precedence since I think his will is shaping the delusions the most.

Recalling Incomplete Information 

Yuji is very good at understanding people. He can intuit their feelings and sync up with them easily. (I go over this in greater detail in this post.) But that doesn’t mean he fully understands their hearts. He gets close enough to their core to bond with them, but the little details aren’t quite right. 

If all the characters (save Megumi) we’ve been seeing in JJK 268–270 are constructs based on Yuji’s perception of them, I think this can explain everything off about them.

What made me consider this possibility was JJK 270. There’s this pattern I keep seeing... Characters’ motivations being misunderstood and being resolved by scenarios that aren’t quite right. Every time I try to explain what exactly is wrong with them, assuming their inconsistencies align with Yuji’s perception of them solves the problem.

Amai Rin

Rin is introduced as a coward. He’s unable to fight and goes along with the whims of those stronger than him to avoid getting hurt. This is why he keeps his head low as his friend is being harassed by bullies during his Jr. High days. Still, he tries to help. Just not at a risk to himself.

When Yuji saves his friend and beats all the bullies up, he turns to Rin and assumes he was part of the bully group. This simply isn’t true. He was a bystander. That’s why it’s weird for him to apologize like he was the one who beat the guy up.

Yuji’s false impression of Rin, one where he’s a bully that feels guilt over his actions, explains this. Rin’s actual guilt comes from him being a bystander—someone who doesn’t take action for others when something is wrong. He dealt with that in the Culling Games by helping Yuji and risking his life to save Angel. And he really stepped out of his comfort zone to join the medical team for the Sukuna battle. He might be the reason Yuta survived. (Yuji doesn’t know about that though.)

And what’s this? Here Yuji outright admits he doesn’t fully understand what kind of person Rin is. All he knows is that he did some good things and is trying to become a better person. So now we’ve got this other Rin that’s apologizing for something he didn’t do for the redemption he’s already earned.

(And that’s the pattern! Rin’s motivation is misunderstood by Yuji so he’s doing something that seems out of character to us readers, but is perfectly in character for Yuji’s perception of him. When I apply it to everyone else. Everything makes sense.)

Takaba Fumihiko

What Yuji knows about Takaba is pre-Kenjaku development. Yuji knows the Takaba that speaks over others, rejects their criticisms, and insists he’s funny. That’s kind of what he’s doing to Totally Not Kenjaku. In reality, Kenjaku caused Takaba to reflect on his approach to comedy and they are nearly in perfect sync by the end of it. Kenjaku satisfied Takaba.

Yuji didn’t see that battle and he hasn’t spoken to Takaba since. So he’s constructed a happy ending where Takaba has found his partner and is working towards the show of his dreams that already happened.

I also want to note that Takaba is 100% ok with sex jokes. Kenjaku makes one and he doesn’t object to it. This is just another little detail that makes everything so slightly off.

Higuruma Hiromi

Yuji knows that Higurama wants to go back to his roots. He knows that he feels guilt over killing people.

What he doesn’t know is that Higurama’s roots are him being a defense lawyer that cherishes the flaws of humanity. He doesn't want to ever look away from the impurities that even Yuji has. That’s why I think Yuji resolves his problems with him becoming a sorcerer who saves lives.

Yuji seems to think that Higuruma is like him. He’ll make up for the lives he’s taken via sorcery by saving more. That’s something he could assume from their convo, but that’s not actually what Higuruma wants. He wants to fundamentally change Japan’s legal system for the better in his own way.

Kurusu Hana

She’s the most in character of the bunch. In fact, there’s nothing out of character about her interaction with Megumi. What she represents is Yuji misunderstanding Megumi’s desires.

Yuji understands that Megumi’s type is someone with an unwavering humanity (literally the definition of Yuji’s name) via access to his memories. But for some reason (he’s kind of dumb academically), he thinks this means Hana is perfect for him. 

I think this is because Hana meets Yuji’s definition of a good person. She’s just like Megumi. She saves others for a selfish purpose. And that means…Hana does not meet Megumi’s definition of a good person. Not once has he considered her saving others as selfless. (...But Yuji has.)

And that’s just facts. Hana is kind of unhinged. She’s extremely possessive of Megumi and saves others solely to win him over. Yuji saves others because it’s the right thing to do.

Megumi’s preferences are Yuji, not Hana. Which has led to the most awkward confession and rejection scene. That might have clued Yuji in to construct an alternative. In the memory Yuji is probably recalling, Todo does clock Megumi as someone into dudes.  …The very next scene is Yuji hitting on a dude in front of his gf in a way that causes him to blush. (Yuji has not once complimented someone’s body up to this point if I recall correctly. And he’s been around some beefy dudes.)

(Yeah Nobara me too. Second most leftfield possible bisexual confirmation I’ve read in a manga. The first will always be from Baki the Grappler.)

Is this Yuji letting Megumi know it’s ok to come onto him? Is he not initiating because Hana’s forwardness freaked Megumi out? It’s possible. 

What this suggests is that Yuji is kind of fine tuning this whole delusion to make Megumi as content as possible. It’s telling that the moment Megumi starts getting super uncomfortable the scene jumps to something else.

It happens at the beginning of the chapter too. Gojo is mentioned by Shoko in a way that causes Megumi to pause. And Bam! Change scene.

Anyways, I hope this demonstrates that Yuji working with the limited information from memories is most likely the reason for everything being so funky. It’s character assassination by accident.

Why make these happy endings when this is all for Megumi?

Two reasons as to why I think Yuji is trying to give everyone a plausible happy ending.

1) He genuinely wants them to live good lives.

2) It has to be believable for Megumi to accept them as real and forgive himself.

This line may have been about Yuji, but Megumi’s not any different. He blames himself in the exact same way Yuji blames himself.

I also think there's something to be said about Yuji crafting a dream that resembles the perfect cookie cutter Shonen ending. The guy gets with girl he has no chemistry with. All these complicated plot lines are wrapped up with a neat little bow. Everyone lives and goes on like nothing traumatic happened.

Yuji is a big fan of Shonen. Straight up his final move against Sukuna is a Hunter X Hunter reference. That's not just Gege doing a reference as a fan, Yuji himself is a fan of that manga.

I think Yuji is trying to make this fiction a reality because it's the only way he knows how to cope with his trauma.

JJK 269’s Character “Assassinations”

I promise I still hate this chapter. But I won’t deny how fun it is to pretend these are all delusions Yuji created for Megumi’s sake. I went over Kusakabe to cut him some slack in the previous post, so let’s do everyone else.

(The chapter’s formatting as one long unending nightmare makes it hard to separate this stuff out by the character. I’m just going to do groups this time.)

The 2nd Years

The most common complaint from readers outside of Kusakabe telling Yuji he should’ve died is Maki being really fudging mean to Yuta. Maki is mean, but she’s not that mean. You could assume this is her showing Yuta she cares and that her anger scales with worry but… Here’s a side by side comparison of her getting angry over Yuta risking his life in Vol 0 vs JJK 269.

Pretty big difference I think. Here is a Maki with a Yuta she thinks is about to die vs a Maki with a Yuta who is 100% ok. And the only reason she even gets mad in Vol 0 is because she had no idea Yuta did something that risky. Maki already knew Yuta was going to body hop if all else failed, so her reaction here is disproportionate, especially since he survived.

Speaking of survival, the first thing Maki, Panda, and Inumaki do when Yuta survives in Vol 0 is ask if he’s ok and thank him for saving them. This doesn’t happen in JJK 269. They're all very protective of Yuta after the events of Vol 0. We see them defend him from Gojo for being a little mean about his training. They’re all against the plan because of how much they value him. The 3 of them not checking in on Yuta immediately after the fact is wildly OOC.

The explanation I have? This version of Maki is based on Yuji and Megumi’s memories of her. (And let’s remember that Megumi claims he can’t openly respect her and the other 2nd years outside of Yuta.) When Megumi and Nobara mourn Yuji’s “death”, Maki does this to them.

Maki also intimidated Yuji pretty bad when they first met. Her, Panda, and Inumaki went along with bullying Yuji after he came back to life. It makes sense that Yuji would up Maki’s meanness. He’s not been around her long enough to know she’s not like this when it comes to people she cares about. 

I do think it is weird Maki is pre-awakening levels of mean. This could also be Yuji trying to return to the time before everything went to absolute hell. Or...because she’s Yuji’s construct, this could be him expressing his anger at Yuta for defiling Gojo’s body in a very roundabout way. From both Yuji and Megumi’s perspective, Yuta didn’t discuss this beforehand and used it as a last second plan. And that’s kind of how the conversation goes. Everyone talks about Yuta’s Yujo plan like he didn’t clear it with them first.

It’s also telling that they harp on Yuta over Miguel and Larue. Miguel said no help unless Sukuna’s domain was down. Everyone except Yuji knew that. There was never a scenario where they’d help from the start. But to Yuji who only heard they might show up? It’s a missed opportunity.

Say if you were, trying to find a reason for such a horrific defiling of a loved one’s body. Wouldn’t you try to reconstruct the crime by considering the motives and methods? That would help give you some closure, right?

I think that’s what Yuji is doing for himself and Megumi. Yuji is trying to figure out why things went the way they did through a blend of what Sukuna intuited and what makes the most sense to someone who never had full knowledge of the plan. 

And if you think about it, this is still a happy ending for them. They’re all absolved of their guilt surrounding the outcome of the battle. Even if they screwed up, they’re all still alive and able to move forward in a better world. They did the best they could, so it’s time to move on from what happened to Gojo. Thinking about that too much would break someone.

Mei Mei and Ui Ui

Mei Mei is out of character in a way that’s unique compared to everyone else. She’s still herself, but with less…yikes. It’s odd since Yuji has seen how awful Mei Mei can be and is deeply uncomfortable with how she treats Ui Ui. He’s not missing information about her motives so why have we gone from this to this?

I propose this is an extension of Yuji’s denialism. (We’ve seen how avoidant he is with Gojo’s death.) Mei Mei is grooming Ui Ui and has made it clear this is all for money. Ui Ui is being abused, but he’s so attached to his abuser that separation would break him. How do you make a happy ending out of that?

Well, you can soften those edges. Spin a tale where Mei Mei is an over-doting sister who would kill for her cute little brother. She doesn’t touch him inappropriately, she just plays with him. She loves money as much as him! No abuse here! She’s not someone who would kill a child for cash.

And in a weird way this whole Simple Domain debacle mirrors Gojo killing the higher ups. If Maki is Yuji's rage towards the Yujo plan, then this could be him trying to process his mentor slaughtering a bunch of old people in mass for his sake.

It probably helps that Yuji wasn’t there to see Mei Mei tell Ui Ui to die for her. There’s no way he knows she was paid to help kill him either.

Mei Mei doesn’t care about the well-being of other people. She’s just a hardcore capitalist who loves money and will do anything for it. But this version of her can be less terrible to Ui Ui while still getting her cash and that’s sort of ok I guess? Yuji has moved on from this and so will I.

The Megumi & Nobara Problem

The 1st years going on like nothing happened after Sukuna has made readers feel betrayed. It flies in the face of everything that’s been established for them when it comes to mourning.

As stated in CFYOW, JJK Thorny Road at Dawn, Chapter 5: At the End of a Sidewalk, this is how the trio deals with grief.

Despite knowing Yuji for only 2 weeks his death screws with Megumi and Nobara pretty badly. In the manga, it looks like Nobara is more upset because she’s visibly in pain, but I think the light novels show they’re equally shaken. 

This is why the non-reaction to Gojo’s death makes no sense. Megumi has known Gojo for a decade. He’s 6 when he first meets him and 16 when he dies because Sukuna used his Cursed Technique (CT). Nobara knew Yuji for 2 weeks, and didn’t see him for another 3 months. In all that time, Gojo was her teacher. She knew him longer than Yuji. When she “dies” Gojo is on the same tier as Yuji and Megumi to her.

So why is it that in JJK 268, Nobara thinks of Gojo as a creep? Why did she toss his letter despite him being one of the people she thought of in death? 

Well… When Yuji came back from the dead via Gojo’s prank he heard Nobara say this.

Nobara is prone to saying out of pocket nonsense to people. If she thinks it, she says it. Yuji also doesn’t understand Nobara’s thought processes (Just like Amai Rin he admits it too!). Nobara tries to hide her feelings to appear tougher than she is sometimes. So I think Yuji has done to Nobara what he has done to Maki—upped the meanness and neglected the heart.

And though Nobara being a construct can explain her behavior, this still leaves us with Megumi who is definitely not one. Why is he acting like Gojo meant nothing to him?

Megumi in particular is super fragile when it comes to his feelings. This is how stressed he gets when he learns exactly why Tsumiki is in a coma.

She’s not even dead and he’s halfway to a mental breakdown. The idea that he can just look at her grave once after having a hand in her murder and move on this quickly makes no sense. Inadvertently killing his defacto guardian he’s been raised by for 10 years should be upsetting him to a similar degree. (Maki said Gojo treated him like a precious treasure!)

When Megumi is on the verge of death he thinks of Tsumiki, Yuji, and or Gojo. It’s always at least 1 of those 3. There’s no way Gojo dying and having his corpse reanimated for reasons Megumi might feel responsible for isn’t screwing him up.

Unless…Yuji is suppressing his memory on purpose. He can’t even cope with what happened to Gojo, how is Megumi supposed to? How can either of them forgive themselves for that if they acknowledge it in full?

When Sukuna tries to tell Megumi to give up, he looks miserable. Every time Sukuna has verbally kicked Yuji while he’s down, he’s done it with a big old smile and laugh. He doesn’t hold back and goes for the throat.

Sukuna is being very nice to Megumi here when he doesn’t mention Gojo at all. The only death he blames on Megumi is Tsumiki. Everyone else? Nothing. That’s weird given that Sukuna will pass the blame of his kills onto Yuji to torment him.

Is this Sukuna a construct or is he playing nice because he respects Megumi? Who knows. Whatever happened here seems to point to Gojo’s memory being suppressed for Megumi’s sake. 

And why might Megumi accept this suppression? Why does he seem to be going along with Yuji’s delusions? The Unlimited Void brain fog. Megumi brings attention to it after he wakes up. 

If Sukuna can’t think straight after Gojo brain damage, neither is Megumi. Still Yuji has to be careful. If Megumi thinks too much, the illusion will be broken. 

What does this mean for them?

Well, the character assassination isn’t real (probably) which is a good thing! Other than that? Not a clue. We’ve got a real catbox situation here. I can’t tell who is dead anymore.

Sukuna projects delusions when someone he’s connected with is dying. Yuji projects delusions someone connects with him while he’s severely injured/concussed. Both of them are kind towards the people they’re interacting with in this space between dreams and reality. They try to give people endings that leave them satisfied.

JJK 270 ends with the hunt for a curse user who can distort perceptions of reality. This curse user is initially mistaken as a cursed spirit. That sounds like Sukuna I think.

I’m pretty confident this happy ending illusion will be shattered, that's for sure.

My Final Answer

I'm betting it all on this being a delusion. This is a kind of prediction that will either age well, very badly, or interestingly. I don't know what's in store for the final chapter...but I do have some ideas I'd like to speculate with.

"Without love it cannot be seen."

This time I'm going to use this phrase very literally. I'm going to make one final gamble on the assumption that love is the answer. So let's go back to Love itself—one of those reoccurring themes in JJK.

Love is a curse in JJK. It has the power to distort reality and transform loved ones horribly. Desperation to save a loved one from death over and over has resulted in extremely traumatic things. Yuta turned his childhood crush into monster that caused havoc for years. You can blame everything that has happened in JJK on Gojo being unable to get over the loss of his loved one, Geto.

Hana could've vanquished Sukuna on the spot, but she didn't because she loves Megumi. It's something a lot of people blame her for. If she had just killed him there, the Sukuna battle wouldn't have happened. But that's not really the truth. The only reason Sukuna even got his powerful is because Megumi refused to let Yuji die.

Megumi and Yuji going back and forth trying to save each other have been acts of love driving the plot of JJK since the beginning of this manga. If Megumi actually died on Yuji? Who knows what would happen.

...

A lot of readers have been on a very funny copium because of these last 3 chapters. Some of them joke that they are just one massive Takaba-induced hallucination. This theory has some merit to it! After all, his CT does two things:

1) It distorts reality.

2) By sheer force of will it bends people's souls to his whims.

One of the biggest complaints about the past 3 chapters has been the Merger plot ending abruptly. As of JJK 270 Tengen and Sukuna's remains have been mixed into the barrier around Japan and everything is just fine according to Gakuganji.

People wanted to see what the Merger would do, just like Kenjaku. In universe, Tengen made a prediction. They guessed that the impurity from humans would dominate and consume everything. The impurity that Higuruma wants to protect. The impurity that Higuruma sees in Yuji.

Would Sukuna activate the merger and kill Megumi to spite Yuji? Absolutely.

Would Yuji do or become anything to save Megumi's life? Absolutely.

Do whatever you want with this information.

[my-my-my]

[blue-dream-rhapsody]

Can’t wait for the TYBW anime!! You guys better watch out when I finally get to see Kugo’s three lines animated, I’m gonna go feral bc THATS MY MAN 😍

[agallimaufryofoddments]

Update on Narita’s Health

I’m still not going to be able to do much tumblr related + fic related over the next several days but after the tweet I just saw from Narita I remembered I never posted an update here about his November 25 PSA tweet about his health. And...I thought I should at least take seven minutes right now to hurriedly update you guys on the status of his health, and then I’ll share the tweet I saw just minutes ago today:

November 25 Tweet

So, from what I understand (thanks to @toushindai for double-checking the tweet), the PET scan Narita got a while back revealed lymph nodes for which he needed surgery, and for a while he was seriously worried about lymphoma. I’m pleased to report that not only was the surgery successful, it confirmed that the tumor(s) were benign, and not malignant.

After explaining all that, Narita apologized because the recovery will slow down his writing process for the next few months.

Today’s Tweet (December 01, 2017)

Remember how Baccano! wasn’t the only Narita novel postponed? His anticipated Bleach novel was also delayed due to the health problems at the time... In the tweet linked above, Narita seems to be announcing that Volume II of his Bleach series “Can’t Fear Your Own World” is now releasing digitally as of Dec 1, followed by what I think is another explanation-apology about how the serious writing delay was the result of the poor health + hospital + surgery. 

(I’m very tentative about this next bit, but I...think he is also “very sorry” for the word count at present being less than the previous [novel]?)

The tweet is a follow-up of a retweet of the publisher’s promotional tweet for CFYOW II finally starting up again. I looked the publisher’s page and I think the novel will be released in installments bi-weekly on Fridays. 

So what does that mean for Baccano!’s 1935-E? I wonder. I guess it depends on how much work Narita will have to do re: CFYOW II as it releases. I’m not actually sure if this means he a) finished it in advance, b) written enough of a stockpile that he’ll have a buffer for the next few chapter releases, or c) he’ll be writing each new installment as he goes along. If I actually knew Japanese, I might have been able to pick up on more clues... 

(The reason I wonder if he’s writing it as it goes along is because he says 今の所 of the word count, and yomichan tells me this can mean something like “at the present time/currently/so far/for now/for the time being”). To me, that might imply that the “current installments” released so far aren’t as long as their Vol I counterparts...buuutt he hasn’t written all of it and the word count ‘could’ end up being longer.  

Since I, again, don’t actually know Japanese, someone else who does should/will need to get back to me on that. I’m probably not getting any of the nuance. 

Still, the fact that his new Bleach novel is finally publishing must mean that we’re inching closer to 1935-E...yeah? CFYOW II and Baccano! Vol 23 were basically his two really big on-the-horizon publications that were postponed. Fingers crossed he’ll tweet about Baccano! in the near future with info.

[missstormcaller]

Asks Answered under cut

1) I can't say I agree anon, the situation with Giselle and Bambietta is a lot more complex than you may think. There's a number of elements at play here, from Giselle's distorted view of how love works to apparent cognitive dissonance. It's not uncommon to see relationships similar to this in varying genres of manga, I don't think this is some attempt at hentai.

2) The actual chapter itself has been out since late July on the app but I'll have some time to post a translation of it today.

3) Yup, I plan to purchase the second volume too. I know DSTS has been translated already, I'm not sure if it's still available online somewhere though. In any case, I'm afraid It's been quite difficult to find time for writing up CFYOW translations recently, so I don't think I can keep on top of another novel too.

4) Yes that's right, volume 2 is set to be released in winter this year. The "hiatus" was referring to the gap between the last chapter released on the Bleach/Jump + app and the next installment from volume 2 which is scheduled to make an appearance in fall. Volume 2 will probably be more than double the size of volume 1.

5) I got mine from an Animate store for around 700 yen or so, if you're overseas and interested to buy, try Amazon.jp or CDJapan whichever one has cheaper shipping for you.

6) Because… The heart?

7) Thanks so much for your kind message, I'm glad your enjoying it :)

8) Thanks anon! Initially I tried to do it sometime within a few days after a chapter is released on Bleach/Jump+ app but work and other things has to come first so I often have to leave it for quite some time, at the moment I don't really have a timeframe to give you for future Translations.

9) You're welcome and I don't mind at all. To answer your question, nope I actually studied the language before going to my work placement in Japan, I then continued my studies with a language mentor here, and there's still many things I'm in the process of learning mostly through immersion. I'd say about 2 or 3 years with consistent study before you can get comfortable enough with SJ LNs. Even so you may come across unfamiliar kanji, dialects and idioms here and there, but you can always look them up or sometimes decipher the meaning from context.

10) The sketches? I've seen people sharing them online when the novel was out, so someone must have already scanned all of them (I'm 99% sure you would have already seen the sketches by now since I'm answering these asks pretty late)

[thepersonperson]

Gojo kind of sucks at being Megumi's dad but he’s definitely his dad. (An analysis of Gojo and Megumi's messy relationship.)

Notes before we start.

1) Read the light novels. They are the equivalent of Bleach's CFYOW for JJK. There is a fan translation (Book 1 & Book 2), but I will be citing the official translation from my own copies.

2) I will be mainly using the TCB scans for the manga because of their accessibility. 

3) Raws are from Mangareader(.)to.

4) Written as of JJK 263.

5) Read the light novels.

(Click pictures for captions/citations.)

Preface

This was written with the assumption you've also read these other analyses:

The Tragedy of Gojo Satoru (aka how to read Gojo)

Gojo's Relationship to Toji

Please give them a quick glance at least.

And Remember Umineko: Without love it cannot be seen.

Gojo Satoru—World’s Most Okayish Dad

There's heavy debate on whether Gojo is a good dad or a bad dad or even if he is a dad at all to Megumi. I will argue the case for Gojo being an ok dad. Not great or terrible. Just ok.

The best way to do this I think is to start off with Megumi's biological father, Fushiguro Toji.

Gojo and Toji Parallels

Toji is objectively the worse father, but Gojo and him have a lot in common when it comes to handling emotions after your wife dies. Gege draws attention to the fact that Gojo is essentially Toji. Both in looks and function.

What fascinates me about this comparison is not only does it visually scream at you “HEY GOJO IS MEGUMI’S SEMI-DEADBEAT DAD”, it also solidifies that Gojo has never gotten over Toji. And perhaps even idolizes him to an unhealthy degree. He’s dressed up as the Ultimate Killing Thing. Toji can kill the unkillable—The Strongest. If he’s more like Toji, he can kill Sukuna.

In addition to foreshadowing the outcome of the Gojo vs Sukuna fight, this also drew attention to the fact these two had been completely dehumanized by Jujutsu Society, albeit in polar opposite directions. Both of them suffered extreme objectification by their clans and the people around them, leading to a general disconnect from others. Their strength is worshiped, feared, and used until it kills them. The difference between them is that Gojo was deified while Toji was demonized. 

Since these comparisons appear to be deliberate, I want to examine what makes their relationship when it comes to Megumi and coping with Jujutsu Society.

Breaking the Cycle

When it comes to generational abuse, trauma, and toxic beliefs, a single generation is typically not enough to break the cycle. Often victims can recognize what went wrong but fail to address the crux of the problem and carry a softened version of that toxicity onto the next generation. I think the differences between the Zenin Clan, Toji, Gojo, and Megumi when it comes to misogyny demonstrate this idea very well. 

The Zenin Clan operates on misogyny. Women are treated as servants and breeding stock by the men who enforce this hierarchy for their benefit. (Naoya is the youngest of many older siblings because Naobito didn’t stop making his wife have children until his Cursed Technique (CT) was inherited.) Violence towards women is acceptable and encouraged. When Toji broke free of his clan, he also left behind this violence towards women. As a victim of their cruelty, he recognized that inflicting it was wrong.

That being said, I truly believe the main reason Toji didn’t massacre the Zenins was him benefiting from their misogyny as a man. Even if just a little. Naobito offered him an indirect place in the clan through selling Megumi and Naoya respected his strength. As a girl, Maki was not afforded anything and therefore had nothing to lose. The only way forward for her was to burn everything to the ground.

And despite seeing first hand how poorly the Zenins treated women, the idea that they exist to serve men is a mentality Toji still held onto. He bummed money and childcare off women and was content to laze around while Tsumiki most likely handled housework at a young age. 

Toji was canonically a decent husband to his wife. He also canonically fell back to his unstable behavior and abandoned his children to gamble after she died. And though I acknowledge this as a tragedy, this too is another instance of misogyny. His wife was his sole source of his emotional wellbeing, a common burden thrust onto women in relationships with men. They’re expected to not only do physical labor in the relationship, but the emotional labor too, essentially becoming a personal maid and therapist. I’m not surprised he wound up this way, he wasn’t really taught how to care for himself.

Compare this to Gojo who is even less of a misogynist than Toji. He doesn’t expect women to do anything for him. His recruiting is equal opportunity when it comes to strength and he has not once disparaged his female students on the basis of their gender. He can even recognize that the Zenin Clan is a bad place for women. His issues are far more subtle—Gojo seems to deprioritize the women in his life, even if unconsciously. Gege has stated that Gojo can never fully be honest with a woman which would explain why he emotionally shut out Shoko after Geto left. It’s not like Gojo is open with men either, but when it comes to admiration, he always thinks of male characters first and foremost.

(It's also kind of telling that his other female student, Kiara isn't anywhere here either. Maki's face being blocked out is probably a coincidence, but it sure visually says something.)

I don’t consider Gojo’s failure to be a good teacher to Maki a part of this. He just sucks as a teacher for everyone. So much so that Gojo had to beg Nanami to mentor Yuji and bullied Miguel into training Yuta. Someone who can’t even use Cursed Energy (CE) is far beyond his capabilities. (Note how Nanami thought Gojo was coming to him for Megumi. This guy can’t even teach his alleged successor properly.)

The main problem is how he treats Utahime. Gojo just straight up makes sexist comments towards her when he bullies her. He doesn’t do this to any other female character so I assume this is done to get under her skin instead of a deeply held belief. Since Gojo is otherwise not sexist, I think this may be a case of not being told this is outright discriminatory. For example, when Gojo is racist towards Miguel, he gets called out, immediately apologizes, and stops talking. Utahime doesn’t do that. She just tells him to respect her on the grounds she’s his elder—the very thing that Gojo is rebelling against.

Still there’s no excuse for this. Unmarried women over 25 in Japan face a lot of stigma as it is, Gojo antagonizing her over that is a terrible thing to do. (Unless this is a case of T4T banter where Gojo’s sexist comments are Trans Inclusive Radical Misogyny.)

I’m not sure where this puts Tsumiki in Gojo’s life. Gege has admitted to fumbling her character in the story. One of the biggest complaints of fans is that it doesn’t feel like Megumi cared that intensely for her because their relationship was hardly shown, so I’m inclined to give some leeway to Gojo here.

Gojo does care about non-sorcerer lives and will go out of his way to ensure their well-being despite otherwise treating them indifferently. When it came to Geto’s family he also took care of the ones that defected because they were important to someone he loves. I have no doubt he made sure Tsumiki’s basic needs were met. There could be a whole unique dynamic he has with Tsumiki that may or may not be expanded upon in the anime or light novels. 

But as it stands, he most certainly deprioritized her in his life. To what extent? And was it for being a girl or being weak? Who knows. She’s not in the afterlife airport scene and Gojo doesn’t think about her in death. This could be for a number of reasons. 1) He has no idea she’s dead. 2) He really did just limit things to his high school years. 3) He didn’t care about her at all. My point is I don’t know and he definitely screwed up here.

In all these cases, it seems that Gojo’s problem lies less with misogyny and more with his relationship to strength. Gojo has correctly identified that strict hierarchies are a problem. As an adult he does not tell others to put up with him because of his seniority, strength, or gender. People are free to insult him, smack him, and order him around without fear of consequence. But just like how Toji still sees women as a means to serve him without being violent, Gojo sees his strength as something that separates him from other people without abusing it.

On a fundamental level Gojo stopped seeing himself as a human because of the objectification he experienced as a living weapon. Other people to him are both precious and unreachable. His internal beliefs have him convinced this immense difference in strength means no one weaker than him can ever fully understand him. And once again, just like Toji, this is all related to unprocessed trauma.

When Geto abandoned Gojo, one of his reasons was their difference in strength. Geto straight up tells Gojo this to his face. They no longer can be friends because he’s The Strongest. Geto no longer understands him because he’s The Strongest. Gojo took that to heart it seems. If his best friend won’t be with him because he’s too strong, no one can truly be with him unless they’re as strong as him. 

I want to be clear. What broke their relationship wasn’t their difference in strength—it was exploitation at the hands of the higher ups. They kept those two separate and overworked until one of them snapped. Both of them failed to identify their work culture as the crux of their problems. Geto blamed non-sorcerers while Gojo blamed himself and only Jujutsu Society. And in the same way Toji tried to rely on women to fix his problems, Gojo went all in on strength. This is how Gojo can be correct in seeing the higher ups and tradition as a massive problem, while still overworking himself and putting his students in dangerous situations.

But despite all these flaws, Gojo did right by Megumi when raising him. Megumi is a Zenin by blood—misogyny should be present in every single drop, and yet it is not. Megumi is so divorced from sex-based hierarchies that he barely sees gender. When Todo asks a rather sleazy question about what women he likes, his answer is gender neutral and on the basis of them being a good person. He prioritizes the women in his life, respecting Maki as a role model and taking action in service to his sister’s wellbeing. His protectiveness of Tsumiki isn’t chivalrous either, Megumi extends the same prioritization to Yuji since they both meet his definition of a good person.

Megumi has internalized Gojo’s disinterest in hierarchy so much that he has no interest in power either. When he’s made the head of the Zenin Clan, he immediately wants to give the title to Maki. A girl being more competent than Megumi is not something that bothers him in the slightest. Naoya could never. All that money and influence mean nothing to him. People and animals are all that matter to him. This violent cycle of misogyny ends with him.

Gojo also did good by ensuring both Megumi and Maki were never exposed to the feud between the Zenin and Gojo Clans. Megumi is only made aware of it in passing as encouragement for his growth. Since Maki massacred the rest of the Zenins, that generational beef is officially over too. Two violent cycles ended in part because Gojo rejected the strict hierarchies perpetuating the problem.

The only cycle Gojo didn’t break was the over reliance on strength and child labor. He did lay the groundwork to escape it I think. None of his students believe strength means they need to be isolated. They cooperate in combat and appear to be close friends that enjoy themselves when they can. Since the higher ups are all dead and Japan is in disarray, there’s a good chance they can do something truly revolutionary with this if they survive Sukuna.

Gojo sucks at parenting, but it is still parenting.

Demonstrating how Gojo has benefited Megumi doesn’t make him a father. After all, neither Megumi or Tsumiki take his last name and Megumi refers to him as Sensei. There’s also the underlying coercion in their arrangement, Gojo’s aid came at the cost of Megumi becoming a sorcerer.

I put the memories of their meeting side by side for comparison. Gojo's is probably more accurate since it's presented with more details and clarity. But little Megumi seeing Gojo as a strange and annoying aberration says a lot about their relationship.

So, I turn to the undisputed Mother of the Year, Geto, for comparison.

Gege has stated that Geto was a father to Mimiko and Nanako. He outwardly shows affection towards them as family and spends much more time with them However, Geto runs a cult whose aim is genocide and everyone in his cult is a family member. Geto’s daughters do not take his last name and call him Master. They participate in cult activities and murder operations as they were raised to be prejudiced. There’s also the underlying manipulation in how he recruited them at their most vulnerable. If Geto can be called dad despite all this, then Gojo should be too.

Geto is the better parent by far, I won’t dispute that. He pursued motherhood as a means to cope with his mental illness immediately at age 17. As a cult leader he had plenty of time to be a father since he didn’t have a real job. He set his own hours while being financed by donors, allowing him to be more active in his children’s life. Gojo was not nearly as proactive, he picked up Megumi after he started the first grade.

In Japan, children may enter the first grade in April after turning 6, therefore it can be assumed that Megumi is 6 here and the year is 2009 in April or later. Megumi is in short sleeves and the weather looks warm, so the furthest out the date could be is early September. Gojo was born on December 22, 1989 while Megumi was born on December 7, 2002, giving them a 13 year age gap that puts Gojo at age 19. Since Toji was killed in August of 2007 this means there were 1.75–2 years between his final request and Gojo acting on it. It is unknown how long Tsumiki’s mother was absent.

I do not fault Gojo for this since he could’ve never predicted their mother abandoning them. After Geto died and Nanami was in mourning, the higher ups pushed all that extra work onto him. It’s likely that Gojo had no time to pursue this until he forced the issue near the sale date. These work obligations no doubt strained his relationship with Megumi and Tsumiki as their caretaker.

Some think that this absence is proof Gojo is not a father. I think this absence is proof that he is.

An emotionally distant father who works all day, barely has time for you, and is a pain to deal with. Yes he may pay all the bills and give you a place to live, but you still kind of hate him for being an ass. Sound familiar? You probably know someone with this exact dad if he’s not yours. He even has a clear bias for the son he wants to grow up to be just like him! (I'm so sorry Tsumiki.) 

But that’s not what truly makes him a dad. Gojo couples his affection with cruelty. The way in which Gojo torments Megumi specifically is unique to him and no other student. With all his other students he is consistently, overly friendly. With Megumi? He bullies him in the way only a parent can.

If you aren’t a parent to a child, perhaps you own a pet that you consider your child. I have yet to meet a pet owner that doesn’t mess with their baby to get a reaction out of them.

And since Gege storyboarded Jujutsu Strolls, this video clip is in a state of probably canon.

I can’t think of anything more dad than deliberately embarrassing your child to mess with their love life.

Fathers like these tend to have children that want to destroy them in some capacity. It can serve as a strong motivation for their growth. Protag with crappy dad they might hate while also seeking validation from them? What popular Shounen doesn’t have this? We’ve got Baki the Grappler, Full Metal Alchemist, Bleach, Hunter x Hunter, etc. (Hey look 2 of those are works Gege is heavily inspired by.)

As stated in CFYOW, JJK Thorny Road at Dawn, Chapter 5: At the End of a Sidewalk, Megumi is motivated the most when he imagines destroying Gojo.

In summary, Gojo fits the typical emotionally distant dad bill. A little bit misogynistic, a little bit racist, and trying to live out his failed dreams through his child who he bullies due to unprocessed trauma. (And holy fudge the amount of anime dads that have a kid specifically to surpass them.)

Megumi considers Gojo family even if he won’t outright state it.

Given how Megumi treats Gojo, it may be difficult to believe that he sees his sensei as anything other than a nuisance. But that's kind of how Megumi treats everyone, including his sister. How Megumi is with Tsumiki specifically can give us insight into his behaviors when he's around family vs non-family. Using her as a reference, it can be inferred how he categorizes Gojo.

Tsumiki (and Yuji) vs Gojo

We know that Megumi values his sister greatly because he prioritizes her well-being above most other people. But this motivation is never directly spoken to another character. Megumi keeps his feelings on the matter so close to his chest that Nobara and Yuji are shocked to learn he even has a sister. I don’t think seeing them together would indicate their closeness either. Outwardly Megumi often treats Tsumiki coldly, refusing her affection and even picking fights with her.

And despite his internal dialogue being less harsh towards her, it can still be quite biting. While he recalls her on the verge of passing out, Megumi refers to Tsumiki as his バカ姉貴 (Baka Aneki) or Stupid Sister. Believe it or not, this is actually affection. Sukuna uses similar phrasing for his mother and this Twitter user explains why that's actually a kindness.

Thankfully, Tsumiki and Yuji can see through Megumi’s stand-offishness for what it is. They’re good people who are willing to look past his flaws so Megumi treats them the same way. In this regard, these two act as a blueprint for reading Megumi. For the people he values most he’ll treat them harshly and barely mention them. His expression of love is unspoken devotion and downplayed admiration.

But without that context, Megumi constantly smacking Yuji and the following passages from CFYOW, JJK Summer of Ashes, Autumn of Dust, Chapter 1: Kyujitsu Kaisen would make you think that he hated him.

All of this is why I believe Megumi's taciturn behavior towards Gojo is his strange way of showing he cares and perhaps as family.

I want to draw attention to the extras where Megumi responds to the question: What is Gojo Satoru to you?

The VIZ translation has Megumi answer: "Well, I guess I owe him my life. I guess…”

The original Japanese is: "一応恩人です......一応"

This is an extremely inaccurate translation as this Tumblr user will explain:

一応 (ichiou) is “for the time being”. 恩人 (onjin) is “benefactor” or “patron”, generally someone that care for his well-being or who he’s indebted to. So it’s “for the time being, he’s my benefactor”.

If we translate back the VIZ version to Japanese, it will be 命の恩人 (inochi no onjin) meaning someone who has saved your life, which is usually used in the context of a literal life-and-death situation. For example when Gojo saved Yuuji from his execution.

Megumi calling Gojo his benefactor greatly downplays all that has been done for him. And his expression is very similar to when he speaks of or around Tsumiki. I think it’s safe to assume Gojo means more to Megumi than he's letting on.

Though Megumi claims he's protecting Tsumiki because she's a good person, I believe there's an additional reason. He owes her a great debt. When their parents abandoned them, she was the one who looked after him first. When Gojo wasn't around to directly care for them, Tsumiki took charge. Megumi's devotion to her is an expression of gratitude for all her efforts.

When Megumi says Gojo is his "benefactor for now", it sounds rather callous. I believe this can be interpreted as something much more benign. In the same way Megumi is returning the favor to Tsumiki, this could be him hinting he plans to one day repay Gojo for his aid.

Gojo is the first person Megumi goes to for help.

Megumi prioritizes Tsumiki and Yuji in part because they need protecting. He sees himself as their guardian and expends a lot of effort ensuring their safety. No such thing occurs for Gojo because he’s The Strongest and the caretaking adult in their relationship. Megumi prioritizes Gojo in a completely different way—he’s the first person he goes to for help with difficult things.

I think this is significant because Megumi otherwise does not seek direct help from others. Sure he'll train with and borrow things from people, but there's a distinct lack of vulnerability he's willing to show.

When Megumi is near death, Gojo’s memory and lessons are his crutch. He does this in his rematch with the Finger Bearer, its aftermath, and before he summons Mahoraga against Haruta. The only other people who have consistently been on Megumi’s mind near death are Tsumiki and Yuji.

And who else grew on the brink of death? Gojo. These two even make the same kind of faces as they flip out during brutal fights. Megumi rarely smiles and its a bit concerning he seems at his happiest when he's in the throes of battle like his sensei.

This could just be a Zenin thing since Maki, Mai, Noabita, Naoya, and Toji will broadly smile when they are obliterating the enemy. But I find it fascinating that Yuji and Yuta did not develop this habit at all despite being personally trained by Gojo. It's possible that Gojo's influence made this aspect of Megumi worse.

What I like the most about Megumi seeking Gojo's aid is how eager his benefactor is to give him whatever he wants when he asks. Gojo is not stingy with his money at all. Megumi’s physical needs are so fully met that he inadvertently shows how spoiled he is when interacting with Yuji and Nobara.

Not only does Megumi recognize higher end fashion, he has strong opinions on it. He also sees Yuji and Nobara react poorly to the price point so he offers to pay a little more. But as you can see, he is so disconnected from average people's money situations that he thinks ~$800 to be put towards a ~$2,500 shirt isn't a big deal.

This indicates that Gojo dotes on Megumi more than other students. Megumi seems to be in such a special category that other characters pick up on it. In other words, Gojo really is acting more like a parent spoiling his favorite child than a teacher here.

Sukuna recognizes how much Megumi values Gojo.

Megumi resisted Sukuna as a vessel by lowering his CE output before the bath. If this affected Sukuna’s ability to obtain his true form post-bath, I do not know. Kenjaku and Yorozu make the claim he could change it, but Sukuna acknowledges full control over Megumi’s body requires Tsumiki being killed first. Sukuna also says that Megumi’s face is better for fighting other sorcerers. He reverts to his true form in his fight with Kashimo, conducting only 2 battles with Megumi’s face on purpose. …If Sukuna is to be taken at his word. 

If Megumi’s resistance prevented the change, that means his soul wasn’t completely broken until Gojo was dead. If Sukuna intentionally manifested his true form after Gojo’s death, that means the two were close enough to be used as a strategy in the same vein as Yorozu/Tsumiki. Either reading suggests a close bond on par with his sister.

Why this dynamic sucks for them both.

The tragedy here is that Gojo and Megumi likely never communicated these feelings to each other. If Megumi can’t even tell his sister he cares directly, there’s no way it’s happening for Gojo. And given how Gojo keeps everyone at arms length because of his own personal hang ups, I doubt he’d ever express it either.

Gojo can’t call Megumi his son, that would be a weakness. Megumi won’t call Gojo his father, he learned how to keep his distance from the best.

Gojo’s avoidant attachment style seems to have reinforced it in Megumi. He was already pretty distant with Tsumiki as a young child, but it appears to have worsened with age. He regrets it himself in basically the same way Gojo regrets failing Geto after he’s gone. Megumi learned from the best you know. Her revival after a coma lasting 1 year and 7 months isn’t enough for him to stop doing this either—he continues to play it cool, just like Gojo.

Gojo on some level is aware he has screwed up royally with Megumi. There’s good reason Nanami thought Gojo was coming to him for help with Megumi first. He does try to make up for this in his own little Gojo way. He gets him friends his age, he tries to have him do normal kid activities, he gives him attention when asked.

But Gojo will never be open about why because he clearly doesn’t know how to address his own hang ups or grief in a healthy manner. And unfortunately Megumi has inherited his bad habits like sons tend to do. He internalizes his trauma, seeks no emotional support, and shows no signs of distress until it breaks him.

As an aside, Gojo is posturing here when he pretends nothing is wrong with Sukuna. …But like I’ve said, he’s not the best dad in the world, so him getting lost in the fight and forgetting about Megumi isn’t out of character. It’s just another trait of his that makes him even more like Toji.

(And since Megumi's name means Blessing, this also doubles as them forgetting about their blessing.)

Gojo didn't want any of this baggage for Megumi. He didn't just want Megumi to be strong—he wanted Megumi to be better than himself. During that training session after the baseball game, Gojo tells Megumi not to sacrifice himself so that others may succeed since sorcerers die alone. He recalls this conversation when he dies, making Megumi the first person he thinks about in death.

As shown by JJK 261, Gojo could not follow his own advice when it came to self-sacrificing. He sacrificed his life and body so that his students could survive. This is a part of that cycle Gojo couldn't break himself, but trusts the future generation to do so. He laid the groundwork for it knowing he'd likely never live to see it fulfilled.

And still, Megumi is even more traumatized than Geto. His only saving grace is Yuji’s refusal to give up on him. Gojo tried to be a dad to him and he failed. Megumi is paying the price for that dearly. Their relationship had problems that were never going to be addressed until the very nature of Jujutsu Sorcerer work changed. Gojo didn’t have the time to process his own grief let alone raise 2 children properly because of overwork. Their messy father-son dynamic isn’t uncommon or unexpected. Like I said, you probably know someone with this type of dad if he isn’t yours.

In Conclusion...

Gojo is an ok dad and Megumi is definitely his son. Whether or not they use those labels for each other is ultimately irrelevant. Geto's words to Kuroi Misato, the maid who looked after Riko when no one else would, put it succinctly:

[thepersonperson]

Thoughts on the tragedy of Gojo Satoru and narrative cruelty towards him as of JJK 261.

Some notes before we start.

1) This originally was going to be an analysis about how Gojo is Megumi's dad. Then JJK 261 came out and shattered my heart into millions of pieces.

2) This analysis will briefly deal with suicide.

3) The light novels are canon and provide critical insight to characters and their motivations. I would go as far to say they're the equivalent of Bleach's CFYOW for JJK. I will be citing the official translation from my own copies. There is a fan translation (Book 1 & Book 2), but the syntax is a bit clunky to read. Either version is fine, I just highly encourage reading them.

4) I will be mainly using the TCB scans for the manga because of their accessibility. 

5) Read the light novels.

(Click pictures for captions/citations.)

Preface

Umineko no Naku Koro ni (When the Seagulls Cry) is a visual novel about a person who is fundamentally misunderstood by those around them. They desperately want to be loved without being perceived, believing themself to be unworthy due to trauma and immutable characteristics given to them at birth. Instead of telling anyone these feelings directly, they play games akin to torture. They torment the ones they love over and over in hopes they'll see through their actions and understand them.

"Without love it cannot be seen."

If you've ever heard of Umineko, you've probably seen this quote. It's the lens in which you are supposed to view the contents of the novel in order to understand the heart behind the actions.

Keep this all in mind as I attempt to answer the following question:

What's wrong with Gojo Satoru?

Short Answer: Being the Strongest. He never got over the trauma inflicted by Toji that was worsened by Geto. And because he's the Strongest, he never sought help for these problems. I’m not going to explain why this is the case here—we’re just accepting this as canon for this analysis. How this trauma manifests and affects his interpersonal relationships is the focus here.

Regardless of trauma, Gojo Satoru is a fascinating character in that he is simultaneously a egotistical arrogant dickhead and a deeply caring individual. He's not one or the other, he is both at the same time at all times. Allow me to explain how he pulls this off.

2 Birds 1 Stone

Gojo Satoru is a 2 birds and 1 stone kind of guy. What I mean by this is that Gojo will do 1 thing and have 2 reasons behind it. The reasons often seem contradictory which leads fans and characters to have a polarized view of Gojo based on how they feel about him. If you hate Gojo, you will only see the bad/selfish reason. If you adore Gojo uncritically, you will only see the good/selfless reason.

This is why without love, it (Gojo's heart) cannot be seen.

I will now provide examples of this 2 birds 1 stone action.

Ijichi Kiyotaka

Ijichi and Gojo’s relationship is the best to start with because it teaches you how to read Gojo’s words vs his actions/results. We all know Gojo is very blunt in an rude way. This is at its extreme when he’s with Ijichi as seen in the following panels.

Gojo straight up tells Ijichi he’s useless as a sorcerer in a way that makes him cry. It’s definitely bullying, but it’s not to torment Ijichi even though it seems that way. Ijichi comes to understand Gojo was just trying to make sure he wouldn’t die. This particular scene took place right after Haibara died, Nanami quit, and Geto defected. The harshness is how Gojo is choosing to say “Hey I care about your life, but don’t get too close to me, I can’t handle that.”

Gojo was even kind enough to offer a productive alternative that let him participate in Jujutsu society without risking his life—driving a car and putting up veils.

Still, Gojo’s bullying of him is a lot. It makes Ijichi doubt that Gojo even likes him. Gojo has to spell it out that he trusts Ijichi the most. Ijichi being weak means he cannot betray Gojo like Geto did, therefore Gojo can fully trust him. Still, Gojo is aware his weakness is other people, so as The Strongest, he can’t let him in all the way. This leads to him showing affection/care in the most insane ways possible. (It’s not really a surprise people don’t understand him when he uses this plausible deniability model.)

ENTER: JJK Thorny Road at Dawn, Chapter 3 Asakusabashi Elegy

As stated in CFYOW, Gojo is aware of Ijichi’s stress and went out of his way to help him deal with it.

Not only does he recognize the stress and notice he hasn't taken time off for it, but he also pinpoints the reason so well that it moves Ijichi to tears. (Summary of Pages 75-77: He feels guilty for failing Yuji twice. Gojo assures him it’s not his fault and flicks him on the forehead.)

But! Gojo can’t be too affectionate. The very next day he piles a good deal of work on Ijichi’s desk he is aware will be stressing him the fudge out. (See Pages 78-79 for full context.)

It should go without saying that treating Ijichi like this is not ok. My point here is to demonstrate that despite being a massive asshole, Gojo does care.

So what did we learn here?

1) Gojo is aware of people’s emotional problems to some extent.

(IDing Ijichi’s stress source accurately.)

2) Gojo is aware he is unable to deal with emotional problems on his own so he enlists outside help.

(Having Shoko and alcohol help cheer Ijichi up while he talks to him.)

3) Gojo’s bluntness and flippant behavior is both rude and serves a purpose for the recipient.

(Gojo bullying Ijichi to keep him out of harm’s way.)

4) Gojo packages his affections with cruelty to keep people at a distance.

(Gojo flicking Ijichi on the head while telling him to take it easy. Taking Ijichi for a night out and then burdening him with extra work the next day.)

5) Other people do not understand Gojo and misread his intent all the time.

(It took Ijichi about 10 years to realize Gojo cares deeply about him.)

Nanami Kento

ENTER: JJK Summer of Ashes, Autumn of Dust, Chapter 2: Resurrection Doll

This chapter is so good at fully fleshing out the Gojo Nanami dynamic that I will not be using manga citations for most of this part. Please read it. Or listen to the official audio drama which has been fan translated.

Gojo spends the first half of this chapter messing with Nanami, forcing him to try unique foods and drinks and generally enjoy himself. You know the typical purposeful Gojo bullying. (See Pages 33-38)

Then it gets rather serious when they arrive at their mission’s destination. They have to deal with a grieving mother. Gojo is blunt. Nanami is comforting. (See Pages 47-50)

What’s interesting about this interaction is how Gojo reflects on it. He acknowledges how bad he is at dealing with attachment issues that come from grief.

Gojo and Nanami find the culprit and the both of them are quite pissed at how he’s exploiting grief to make a profit. They kind of let him be tortured by the curses that eat his body for a bit before killing him. Gojo makes Nanami do it because he can make him die a human death. (See Pages 50-57)

Even after he has expressed hatred of his man for preying on grieving parents, Gojo still ultimately wants this person to have a proper death. This captures the duality of his inhumanity (torture) and humanity (merciful death) quite well.

The following bar scene ties this all together nicely. (See Pages 58-60 for full context.)

I want to note that it is constantly drawing attention to the sentimentality the both of them feel as they converse about how this particular mission messed with them.

As stated in CFYOW, Gojo believes adults treat their stress with alcohol and conversation. And yet, he denies himself the alcohol.

Gojo denying himself this stress relief seems to be a combination of him being too wary to let down Limitless and not believing he needs it. He's the Strongest and he has to be the Strongest at all times, otherwise someone like Toji will get him.

As stated in CFYOW, Gojo recognizes his students will face trauma similar to himself and Nanami and that as adults they must look out for them.

What's so heartbreaking about this interaction is how Nanami is painfully aware Gojo isn't following his own advice of stress relief and says nothing. In a way it almost reads like Gojo, who knows people see him as a giant child, is asking Nanami to help him too in the most roundabout way possible.

As stated in CFYOW, Gojo deliberately paired Yuji with Nanami because he recognizes he is unfit to keep him emotionally stable. (Also note he refuses to have Yuji’s humanity denied as Sukuna’s Vessel. His concerns are explicitly about Yuji as a kid and nothing else.)

Not only is this for Yuji’s benefit, but for Nanami’s as well.

As we know, Nanami and Gojo have one thing common: they lost their best friends because they couldn’t be there for them. This guilt motivates both their actions as adults. Using that connection through shared grief, Gojo is trying to help Nanami heal from that wound with Yuji.

Why Yuji? Nanami’s best friend, Haibara, was a cheerful, friendly boy with a big heart—just like Yuji. He may not be able to replace Haibara, but that familiarity helps Nanami move on. We know this worked because Nanami dies without regrets thanks to Yuji. (All while seeing Haibara too.)

This is called the Nanago Bible for good reason. We have Gojo being an absolute annoying dick to him and then doting on him so targetedly it kind of makes your head spin. Just like Ijichi, Gojo cares but he’s got to bully you first before he shows it. (Totally sane and healthy behavior. /s)

That's why this hurts so much.

This is so cruel. Gojo does all this for Nanami only to be misunderstood by him in the end, and learn that everyone else is the same way.

However, Nanami still cares for him. Like Gojo, Nanami doesn't show affection unless he's being kind of mean. The best example of this is Yuji calling him Nanamin. And to be honest, his whole stern father dynamic with Yuji.

Nanami puts on a show here. He pretends this is pissing him off but he ultimately accepts it.

We've already established that Gojo is unable to fully understand other people. Nanami calling him a pervert/weirdo/self-satisfier was affection and Gojo too misunderstands him. So we're left with that panel of Gojo looking very hurt.

Iori Utahime

Similar to Ijichi, Gojo trusts Utahime because she is weak. And just like Ijichi, Gojo doesn’t say “I trust you won’t betray me like Geto”, he says this:

Not ignoring the misogynistic stint to his bullying of Utahime, Gojo has been doing this for so long that Utahime flat out hates him. It’s in her official character description. And Gojo is unaware of this because he can't read people well. But you want to know what else is? Her love of sports. (Baseball is one she's really into.)

After the disaster that was the first half of the Goodwill Event, Gojo makes the second half enjoyable for the students and Utahime specifically. 2 birds and 1 stone. Baseball means kids get to enjoy their youth and Utahime gets to have fun with something she genuinely enjoys. And Gojo gets to piss off Principal Yaga and Gakuganji as a treat.

Hopefully you can see the pattern now. Gojo cares for people while also being an absolute menace to keep them at a distance for what he believes to be their own good. And still he craves a direct connection with them. All of it is him failing to cope with Toji and Geto in a healthy way and being The Strongest.

Gojo's Heart

Now that we've established how to read Gojo's actions and words, let's take a look at his heart. What kind of person is Gojo Satoru really under all the posturing?

Other People

Though Gojo likes to act like he's above it all, other people are his weakness. This is not limited to other sorcerers, but the non-sorcerers as well. His attachment to people is so strong that it has been used by each major villain as an exploit. Toji used Gojo's fondness towards Riko to catch him by surprise, both Geto and Kenjaku used his sense of duty towards complete strangers to trap him, and Sukuna used Megumi to throw him off guard.

The Hidden Inventory and Shibuya Incident arcs in particular echo each other in set up and outcome—Kenjaku's plan being a finessed version of Toji's. Gojo panics over Riko and strangers potentially dying with the same expression as his weakness is exploited until he comes up with a solution on the spot. And these solutions ultimately fail to stop the villain from obtaining their goals. The difference between them is how Gojo follows up on the collateral damage. Post-Geto fallout, he starts more directly checking in on the people he potentially hurt.

The follow-up with Ijichi about Shibuya is illuminating. It reiterates that unconsciously Gojo created a domain on the fly that wouldn't be lethal to strangers, and it reveals that his cursed energy itself is hellbent on protecting others. What this indicates is that Gojo's soul is devoted to others. If he didn't care, none of this would be possible.

That being said, Nanami also isn't wrong to call Gojo a Jujutsu Pervert. Gojo does very much get off on fighting to the point where he starts disconnecting from other emotions. Just as the Hidden Inventory and Shibuya Incident showcased how much Gojo cares for other people, the same arcs showcased how unhinged Gojo is when left to his own devices.

He's both caring and a freak at the same time. Polarizing behavior included.

Gojo’s Students

Gojo cares a lot about his students, their enjoyment of life, and their futures. He also wants to change Jujutsu society without senseless bloodshed so he goes out of his way to recruit strong children with potential as his allies (Megumi, Yuta, Yuji, Hikari). Some may think he’s only using the youth for his own purposes. Others may think he just wants to help troubled youths. But it’s both. Gojo is doing both of these things. And boy does he feel immense guilt over it when it goes poorly. See how he handles Yuji "dying".

It should be noted that he still tries to maintain his jokey persona with Shoko and Ijichi while he genuinely gets upset. And he does this by bullying the tar out of Ijichi. (It's really no wonder the poor thing thought Gojo hated him.)

As stated in CFYOW, JJK Summer of Ashes, Autumn of Dust, Chapter 4: Ijichi at Work, Gojo’s style of care is one that is focused on helping the children handle the emotions he couldn’t at their age. (See Pages 116-118 for full context.)

Gojo basically finds children who are like himself and tries to make sure they don’t wind up like him. This is how he has chosen to cope with his trauma.

You could read this as manipulative and selfish if you find Gojo unbearable. It did turn out poorly in the end. But remember how he forced Nanami to speak of Yuji as a person and not a vessel. And how Gojo discusses with him the fragile hearts of youth and how he wants to prepare them for grief. Gojo is anticipating Jujutsu society ruining their lives and acting preemptively.

Gojo also postures in front of the students. As their pillar of stability, he pretends everything is ok because he's the adult in charge. Look at how quickly he buries his grief when they notice something is up.

And each time he does this, it works. He definitely believes what he says and that does make him annoying. However, the students feel secure because he's promising to take responsibility. When he fails them, he blames himself and no one else. That's the attitude of someone that cares despite most of his students not seeing through his arrogance.

Geto Suguru

It's not up for debate that Gojo was in love with Geto. Gojo 100% was gay for Geto. What is up for debate is whether or not the two of them ever acted on it when they had the chance. I lean towards the interpretation that this love was never realized in life. (Gege is a huge fan of yaoi that ends in tragedy.)

I want to make it very clear, after reading the contents of JJK 261, I believe Geto is the one who failed Gojo the most. He had a fundamental misunderstanding of his best friend so bad that he abandoned him and was shocked that Gojo still loved him in the end. It took him until the afterlife to see that all Gojo wanted was him.

Gojo checking in on him wasn't enough, Gojo not killing him for 10 years even though he could've wasn't enough, Gojo saying something that caused Geto to blush before he killed him wasn't enough, Gojo dying and immediately greeting him first wasn't enough. This is when he finally understands.

Before not denying the fact Geto saw Gojo as a self-satisfying Jujutsu pervert who cared about no one else.

Geto was too consumed by his own trauma and hang-ups to see Gojo with love. He wound up doing the exact same thing he killed non-sorcerers for; putting all the burden of their relationship on the strongest and expecting him to do all the work.

And yet somehow Geto was able to find the love Gojo also deserved. He made a family and was surrounded by people who openly loved him and even understood him. It makes me a little bitter.

At one point Geto did understand Gojo a lot. Enough to be his moral center and sense his suffering. He even accepted Gojo's awful personality when everyone else wouldn't. Since their breakup, Gojo has been mourning him. Every little thing Geto told him to do while they were together is something Gojo incorporated into his life.

Using the personal pronouns "Boku" and "Watashi" over "Ore" to be more polite? Done. Not killing ordinary people, even if they suck, because that would be pointless? Done. Even to the point where he spares most curse users or rehabilitates them. He takes care of Geto's family even after he's dead. Looking after the weak because he's strong? Done until it kills him.

Gojo is chasing after a Geto that no longer exists. These little rituals keep that ghost alive. And they turn out to be super beneficial to other people so let's make it another 2 birds and 1 stone that hides the fact he's grieving.

Gojo's Guts

In summary, Gojo does care about other people despite treating them in bizarre and unpleasant ways that aren’t ok. He may be using them as a way to work through his own trauma, but he is also determined to see that they live better lives than himself. 2 birds, 1 stone.

His status as The Strongest isolated him so severely that he was doomed to being misunderstood by everyone he loved. Both because of how Gojo treats them and how they treat his power. (Limitless being the metaphorical and literal barrier between himself and others.)

Gojo wants to give love and be loved but is denied it at every turn. His heart is that of a pathetic sopping-wet cat that pretends it's completely dry.

Narrative Cruelty

The narrative ire for Gojo Satoru cannot be overstated. This person sums it up the best.

After JJK 261, it has become abundantly clear to me that Gojo was intending to die the moment he made the date December 24th (the most romantic day in Japan and the death date of Geto Suguru). He has all this grief and guilt and truly believes that no one living will ever understand or care about him in the way he wants. The only one Gojo believes will understand him is Geto and he wants to be with him. (And that didn't pan out well either.)

Gojo is also refusing to burden the students with being a monster even though they're offering. As an adult he is in the right to do his damndest to make sure the minors in his care don't become as broken as him. He knows being a monster sucks and his whole goal is to put an end to that.

Plus, he blames himself entirely for this situation in the first place. He's taking responsibility by killing the elders to ensure that when he dies, his students don't pay for it. In a way he's correct, failing to kill Geto properly because he loved him is why they're here now. Kenjaku exploited that love to seal him and Gojo knows it.

The Gojo vs Sukuna fight was Gojo effectively committing suicide to be with his one and only love who fundamentally misunderstood him in life and barely understands him even in death. And ironically, the one who kills him is the first and only person relate directly to his suffering and acknowledge him as himself. Sukuna frees Gojo from the title of Strongest and leaves him as Gojo Satoru, appreciating him as the one who cleared his skies.

This is so unbearably cruel it makes my stomach twist just thinking about it.

It's why I want Gojo so desperately to come back to life. I want him to experience love and know that he is loved. I want him to come to terms with his grief and work through it. But we don't get that. He dies and is surrounded by people that barely understand him while claiming to have no regrets.

What's the point of this narrative ire?

Japanese society is largely Buddhist. Detachment, a kind of Stoicism, is a tenant of Buddhism. Emotions are to be let go of. Ideally when they arise, you don’t cling to or bury them. A version of this idea from Zen Buddhism manifests in Japanese culture as a mantra known as Suffering in Silence or Gaman. In summary, if you're hurting, you hide it. That's the proper thing to do. It leans much more towards repression of emotions instead of their release/detachment.

JJK deliberately draws inspiration from Buddhist teachings and imagery so I'm assuming Gojo Satoru being the poster child for Suffering in Silence is intentional. Taking everyone's burdens and pretending it's all ok because he's the strongest and that's what you're supposed to do.

He took on most of the burden for protecting Amanai Riko and they both died for it.

He took on the burden of being stronger, going on missions for both Nanami and Geto while they grieved until they both left him.

He took on the burden of raising Megumi and Tsumiki and look at what happened to both of them.

He took on the burden of every student no questions asked, money food, dealing with higher ups, etc and all but 2 of them treat him kindly.

He took on the burden of killing Geto, which Principal Yaga forced onto him when he was 17 and it came back to bite him 11 years later in Shibuya where he took on the burden of dealing with that veil.

This is a cautionary tale demonstrating just how much this kind of mindset can ruin your life. JJK has always been a massive critique of Japanese societal standards. And despite Gojo rebelling against it, the toxic ideas a part of his upbringing are ones he can't let go of for himself. He believes he can't be fixed, so he paves the way for the future generation with all his body and soul.

That's why this is so cruel.

In life Gojo was treated like an object by everyone around him. His clan saw him as a tool for their glory and pushed everything onto him. The higher ups, Yaga, Nanami wanted to push everything onto him and they did when they could. You can say whatever mean thing you want to him because he can clearly handle it. You can assign whatever mission or task because he's reliable as the strongest but not as a person. He gave his life for others and even his body, only to be scorned by those very ones he's helping. (Think back to how he forced Nanami to speak of Yuji as a person and not a vessel. He doesn't want any of his students to be dehumanized like himself.)

Yuta is only person who stopped to ask if Gojo was ok. He's the only one that noticed his status as a monster was eating him alive. He's the only one who had a problem with everyone talking about Gojo's body like a tool. And to help him be less lonely he asked for explicit permission to be the one to desecrate it.

Gojo doesn't want his students to give up their humanity and be lonely or give their lives to win. He's ok with them taking risks if it means they survive (see Megumi). And from what it looks like, Yuta will be the only one to fully understand him (obtaining his memories and all) and then die as the result of it.

So in a cruel twist of irony, Gojo will have one person know him fully as a monster and they will likely die as the result of it, further justifying his self-isolation in the first place. It's a game he always loses no matter how he plays.

Sukuna wasn't really wrong when he called Kashimo greedy for wanting Love and Strength. With how their society is structured, they really can't have both.

Note: I'm leaving Yuji out of this because he had no idea this was the plan and always saw Gojo as his teacher first, aka a person. This is also his general reaction to Gojo going things alone.

There's still more...

I also want to note Shoko's reaction here is another instance of Gojo not understanding those around him. From her first official character profile it's noted that Shoko has finally quit smoking for 5 years because Utahime asked her to.

Now what is Shoko doing in that panel and during the entire fight? Smoking. She's just mirroring Gojo's own behavior towards her. Pretending everything is ok and saying nothing of her true feelings. After getting blown off emotionally by both Geto and Gojo as a teenager, Shoko gave up on reaching them.

Gojo did this to her for over a decade and she's doing it back to him. Not because they want to me mean to each other, they just don't know how else to deal with their own trauma. To an extent the other students are doing the same. They're just being like their Sensei.

Gojo went out on a suicide mission believing only Yuta and Yuji cared about him in life as a person. (Megumi's getting his own post and believe me it's not fun.) The 2 most empathetic characters were able to let him know they saw his heart. With love it was seen. Other people cared and didn't show it or they flat out treated him like an object. Gojo is both at fault and not at fault for this.

It hurts me a lot and it's very cruel, but I think this has severed its purpose. If you don't tell people how you feel, they'll never know. Emotions will eat you from the inside out and no one will notice because on the surface you look ok. There aren't a lot of people like Yuta who will take the time to look for your heart, so it's better to outright show it. Don't put off grief, it will consume you.

Gege Akutami...when I get you...

Another prominent theme of Umineko is how poorly readers treat the creators of the story they are experiencing. Often times fans will say and wish horrible things on the author when the story they like doesn't go the way they want it to. You're free to feel upset by how this story's direction and critique it to your hearts content, but please remember Gege is a person too. Don't do to Gege what everyone else has done to Gojo.

Remember: "Without love, it cannot be seen."

However JJK ultimately concludes, I make you this promise.

"This game story will not have a happy ending."

[thepersonperson]

The Reproductive Horror of JJK Part 2 (Dealing with Trauma)

Part 1

Notes before we start.

1) This analysis deals heavily with topics of nonconsent, grooming, abuse, and reproductive manipulation. Please proceed with caution.

2) This post was inspired by @hermitw and @tangsakura

3) Read the light novels. They are the equivalent of Bleach's CFYOW for JJK. There is a fan translation (Book 1 & Book 2), but I will be citing the official translations from my own copies.

4) I will be mainly using the TCB scans for the manga because of their accessibility. 

5) Written as of JJK 265.

(Click images for captions/citations.)

Preface 

This was written with the assumption you've also read these other analyses:

Thoughts on Sukuna and Kenjaku’s relationship as of JJK 258.

Gojo's You Pronouns (Gojo's Relationship with Toji and Geto)

Please give them a quick glance at least.

...

Some of you may have found it odd that a discussion about bodies being irreversibly changed and used left out Mahito whose ability quite literally irreversibly changes bodies for them to use. That was deliberate. Blame Tumblr’s 30 photo limit.

The previous post was actually about Mahito. 

Mahito

For series that has a power system based on strong negative emotions, it is a bit odd that curses surrounding sexual trauma aren’t ever directly mentioned in this work. You could chalk it up to the series being Shounen and not Seinen. But that is precisely why I think JJK delves into the topic using abstract representations. It allows the topic to be explored in a way that connects well with those who’ve experienced it without being too graphic for the younger audience.

Though Kenjaku is a literal rapist, I argued the methodology and effects behind vessel creation resemble rape. Someone's body belonging to another through force, permanent changes brought about after experiencing immense trauma, being groomed into tolerating it as a natural part of this world…  When I think of a curse equivalent to this, there is no one other than Mahito that fits.

The transfigured humans Mahito creates are through nonconsentual touch that strips them not only of their autonomy, but their clothing as well. These people are in immense pain from the distortion of their bodies and can never be returned to their original state. In this way, transfigured humans can be read as a stand in for victims of sexual assault.

I didn’t propose this idea first. The Tumblr user that inspired this entire analysis, hermitw, did so in this post (please read it, it's very good). This person’s ideas will be reiterated in this discussion and I will expand upon them starting with how poorly other characters react to their Cursed Technique (CT).

Breaking Composure

Mahito sets themself apart from other curses by how they’re able to get under the skin of the most seasoned sorcerers. It’s not because of their words but the transfigured humans.

Nanami is heralded as the no-nonsense man. Nothing gets to him. He is always calm and professional no matter the circumstances. Mahito's first interaction with him immediately throws him off kilter.

We saw how much fun Gojo was having beating Hanami to death and tearing Jogo apart. That stops entirely when the transfigured humans show up. Yuji can see it coming too. This is the first time during the fight that Gojo’s composure visibly breaks. His reaction to Mahito isn’t any better. There are no smiles and he looks to be in shock.

Gojo’s Six Eyes allow him to see Cursed Energy (CE) to the point where he can infer someone’s CT at a glance. When he sees those transfigured humans, he’s probably seeing the extent of their pain in how the CE controls their souls.

I also want to point out that sexual harassment on trains is such a massive problem in Japan that they have special cars for women. There’s something to be said here about a train full of people that can represent victims of sexual assault.

This visceral disgust when it comes to Mahito isn’t limited to the protagonists either—the main antagonist, Sukuna, finds them to be repulsive after a few interactions. In this instance, Mahito's touching of Sukuna's soul is straight up compared to a patron harassing a hostess.

Just like Gojo, Sukuna goes from having fun to having a really bad time in an instant.

I bring their reactions to Mahito up because there is something off about it. These are all characters that hardly balk at the gore and death brought about by curses. It’s as if Mahito’s brand of violence needs to be categorized as something else.

If Mahito is seen as the embodiment of sexual assault, this is in line with how sexual violence is separated into its own category for treatment and study. When compared to non-sexual violence, the lasting effects are so severe it's not helpful to treat it the same way.

And that’s just what Mahito is. An exceptionally dangerous curse that Jujutsu Society deems needs to be exorcized before it destroys everything because barely anyone can deal with its effects. Likening that damage to something on par with natural disasters is significant.

Mahito as a Natural Disaster

Mahito is the leader of the natural disaster curses despite being born of humans. Hanami, Jogo, and Dagon are forms of wrath spawned from environmental damage brought about by humans. When nature, the ocean, or volcanoes cause mass death, people accept it as a part of living in this world. Sometimes they’ll go as far as to blame others for causing their own demise by living so close to it. 

Mahito doesn’t seem to fit into this category unless you consider how widespread sexual assault is. In the US alone 81% of women and 43% of men reported experiencing some form of sexual harassment and/or assault in their lifetime. These numbers are likely higher due to the underreporting of this crime in general.

In 2021 it was estimated that 101.8 million people were affected by natural disasters or about 1% of the current 7.9 billion population. By 2050 some estimate that 1.2 billion people will be displaced by climate change related natural disasters. That’s about 15% of the current population.

Compared to natural disasters, sexual assault certainly rivals their numbers. But when compared to reporting? It’s under discussed. People chase storms. Natural disasters are tracked extensively by the damage and cost. Nations build infrastructure and plan around them. They’re acknowledged as a problem that is to be dealt with. The victims of sexual assault get no such attention. Warnings against perpetrators are often ignored and the victims are something people would rather keep invisible.

Mahito is a lot like that. Able to go about unnoticed as they stockpile thousands of humans whose bodies disturb those around them. The transfigured humans are targeted first by sorcerers both because it’s easier and because the one creating them seems untouchable.

Mahito’s effectiveness as a curse is their ability to force people to reckon with the worst humanity has to offer. They mirror every little sin and exploitation committed by others, putting it on full display with their manipulation of Junpei.

Just like Mei Mei grooming Ui Ui with inappropriate but gentle touches and praise…

Just like Kenjaku manipulating the vulnerable to gain access to and use their bodies, only to betray them in the end… 

You might call Mahito Kenjaku’s protégé. Really taking after all the worst aspects of that bastard. However, I have read CFYOW. Mahito’s true source of inspiration comes from someone unexpected. 

Allegory in Darkness (JJK Summer of Ashes, Autumn of Dust, Chapter 3)

Before Mahito met Junpei, they met a blind homeless man living under a bridge. Their interactions with this man fundamentally change their view on humans and their approach to breaking them. This short story is one of the most harrowing things I’ve ever read. The quiet horror of JJK is on full display here. I’m not going to summarize all of what happens. Just read this.

This old man is so detached from himself and the world around him that he has essentially become nothing. He exists as a thing. This fascinates Mahito and they decide to observe them, forming a weird sort of companionship with him. Eventually, Mahito learns why the old man is this way.

Immense trauma. Abused and disfigured, the old man gives up on everything and in turn is freed from his suffering. Mahito likens his state to enlightenment Buddhist monks may achieve. 

They’re not wrong about this. Buddhism is centered around the escape from suffering via detachment. But there’s something greatly unsettling about this situation. Unfortunately that never gets addressed, the old man dies and Mahito oversees it.

And what’s this? Right at the end. The old man appreciates Mahito for being there for him. His “enlightened” state is revealed for the facade that it is, causing his soul to waver. He appreciates that his suffering has been acknowledged by another and dies satisfied, leaving Mahito both in a state of mourning and with the perfect way to manipulate someone before they pass.

What a human is to Mahito.

There’s a lot I left out in my summarization of Allegory of Darkness. Mainly the little discussions they had to build a relationship. They’re centered around movies and books because Mahito uses those to understand the humans around them. 

From their studies, they conclude the following. 

Humans are creatures that eat, sleep, and rape while curses are creatures that deceive, cheat, and kill. But I’d like to break down the kanji Mahito uses for their description of humans.

食 (ku) is usually read as "ta" which is in line with regular eating. The "ku" reading is more like devouring and it can be a sexual innuendo.

寝 (ne) means to sleep. And just like in English it can mean to have sex with someone.

犯す (okasu) is the tricky one. It can mean to commit a crime, to break, to violate, to contravene, to deflower, to rape.

Translating this as rape isn’t wrong, but it can overemphasize the sexual connotation. Okasu is more about the nonconsent. Doing something against another’s will. 

However in Mahito’s case, they’re most definitely drawing attention to that. The eat uses the ku reading and is next to sleep with heavy innuendo. Okasu implies an assault on a body that does not belong to them. With this in mind, I think eat would be best localized as consume to get across the greedy inconsideration.

This isn’t coming from nowhere. They watched such a thing occur first hand. That old man I mentioned? He’s killed by two random men on a dare because they see him as something for their consumption. His body doesn’t belong to him. It’s a thing for them to play with.

Kenjaku, a human, reinforces this behavior by having Mahito participate in death womb painting incarnations and other manipulative schemes. And in the end, Kenjaku causes Mahito to fall to the same victimization they learned from humans.

Mahito sees humans, not curses, as creatures that take without consideration. They’re beings that have made the violation of boundaries so commonplace it can be seen as natural. And he’s not really wrong about that in the context of this story. All the stuff I mentioned in the previous post—it’s both right there in your face and nearly invisible. 

The acts themselves are never depicted but always implied. It’s an insidious thing that goes ignored or is outright denied by fans. Anyone who has experienced these things, recognizes it, and points it out will be chastised for reading too much into it.

But can you blame them? The perpetrators are named. They’re goofy and strong and interesting. Their victims are footnotes with little presence and are sometimes outright denied names. And yet they’re always there, just out of sight, suffering in the background.

How horrific that this mirrors a victim’s experience almost identically.

Mahito vs Yuji

The first time Yuji kills a human, it’s as a mercy. At the request of the transfigured human, Yuji puts them out of their misery.

It’s a sin Nanami has been trying to protect Yuji from as a child and Mahito forces it on him with a cruel choice between leaving them to suffer or ending it for them. Yuji chooses to liberate them from suffering.

I think Yuji is able to see the outline of Mahito’s soul, not because of Sukuna, but because he is willing to see Mahito for what they are and face them head on. He doesn’t hide how the transfigured humans or deaths affect him. He cries over them and carries on with that hurt. 

And it’s painful. Yuji vomits and wails on the floor. But he deals with it. Unlike his mentors who bury their emotions and pretend everything is ok.

This is what makes Yuji fundamentally incompatible with Mahito. He is the exception that won’t allow Mahito to go unnoticed and slip away. He does it for their victims and himself. And still Mahito taints him. Yuji starts to see himself as a cog no different than Mahito.

He carries that mentality until he finally confronts Sukuna in JJK 265. Acknowledging why he started thinking that way in the first place, moving past it and onto something better. 

That’s what I love about Yuji the most. To him, anyone’s trauma will never be invisible.

And the horror persists…

Even though Yuji is this tiny beacon of hope in this rather depressing narrative, there’s still so much he can do as a 15 year old boy. The trauma he takes on and deals with is only for those he was witnessed or has been told of. This means a lot of the characters don’t have their grievances addressed in a way that gives me comfort.  

The old man under the bridge may have died satisfied, but I can’t stop thinking about him. His suffering and isolation masked by numbness went on for decades. The happiness he experienced at the end was for seconds. And the worst of the worst, Mahito, was the one to comfort him…

I can't stop thinking about the old man under the bridge.

There’s a lot I left out in my summarization of Allegory in Darkness. I really wanted to include more, but I found it to not fit into the rest of this discussion. Strange little bits of dialogue like these.

When I read these passages, a single question lingers in my mind.  

Why does this man resemble Sukuna? 

I lied. This post is actually about Sukuna.

Let’s go back to that homeless old man under the bridge. Mahito admires him as enlightened, but anyone can his state is mortifying. He has coped with the abuse, disfigurement, and suffering by becoming nothing. No different than a rock. He has no name. He’s not a person. He feels nothing. And the worst thing about it is how that’s technically better than being tormented by those memories.

JJK asks how does one cope with trauma? And repeatedly this question is answered by most characters in one of two ways:

1) You let it consume all that you are.

2) You become nothing as you detach yourself from it entirely.

The old man under the bridge is what Gojo tried to and failed to become. As much as he pretended otherwise, his attachment to grief and love controlled him. Sukuna mocks him for this. Calling him painfully ordinary in the English localization isn't incorrect, but it strips away that religious context. In Japanese this kanji 凡夫 (bonpu) can be read as Unenlightened.

The old man reached enlightenment while coping with his trauma. It worked for so long. But right at the end, when Mahito shows some semblance of care for him, those feelings he thought were shaved off cause him to waver. 

A new question plagues my mind.

What the hell happened to Sukuna? 

It’s presented as a humorous thing. Framing Mahito’s nonconsensual touching of Sukuna’s soul as a handsy patron ignoring the boundaries of a hostess.

Gege sometimes introduces character quirks as something funny before they’re revealed to be induced by trauma. Gojo Satoru is the biggest culprit of this with his sweet tooth and manner of speech and childish behavior that desperately tries to claw back the youth that was stolen from him.

Sukuna has such an averse reaction to having his soul touched by Mahito. He’s wearing women’s clothes when it happens. He’s likened to a hostess for it.

When we consider this and the quiet way misogyny and sexual assault is woven into this story… And how Gojo, the Strongest, was preyed on by older women. And how Yuki escaped having her body being used by someone much older than her by becoming strong. And how Rika, the Queen of Curses, is likely a victim of CSA by someone who was supposed to take care of her. And how Mai, a twin and a victim of CSA, creates a stronger twin by dying when she can no longer cope with her trauma.

I don’t like what this suggests for Sukuna at all.

Sukuna is willing to bond with all the other natural disaster cursed spirits, except Mahito. He himself became something akin to a natural disaster so it makes sense he liked the company of those like them. It’s him rejecting the strongest of the bunch because of how their CT violates others’ bodies is something I cannot overlook.

Jogo’s fire is so kind in comparison. The bodies he burns and the corpses he leaves cannot be defiled by anyone. It’s what would’ve prevented Geto’s body from being stolen. And hey! Sukuna returns the favor, burning Jogo in a way that prevents Kenjaku from absorbing him.

The easiest way for Sukuna to permanently scar and  traumatize Yuji is to inflict sexual violence on him or his loved ones. JJK does not shy away from having rapists like Noaya and Kenjaku do just that. A common complaint from fans is Sukuna not trying to manipulate Yuji into working with him. JJK does not shy away from having groomers like Kenjaku, Mahito, and Mei Mei (and to an extent Tengen) do just that.

Sukuna is strong and clever enough to do these things, but he doesn’t. I think there’s more to this than a disinterest in sex.

Choso’s mother faced ostracization for her unique body that allowed her to give birth to hybrid children. With nowhere left to go she wound up at a temple for sorcerers.  Kenjaku took advantage of her situation and body, partaking in her rape to satiate intellectual curiosity.

Sukuna faced ostracization as a child for his unique body that made him a great sorcerer. Just about everyone who knows him has tried to exploit his abilities for their benefit.

There’s a massive blank in this parallel. What happened to Sukuna growing up to make him this way? Every time I try to fill in that blank with the information we have now, I’m left with something deeply unpleasant. 

When Sukuna has flashbacks, it only ever goes as far back to his time as Yujikuna. He verbally recounts his time in the womb and there’s nothing else. The first time we see Heian Era Sukuna in full, it’s from Yorozu’s memory. And if you recall…this introduction is him being sexually assaulted. 

Sukuna’s fingers are scattered everywhere, fragments of himself are throughout the world and in a little bit of everyone. A curse that cannot be destroyed that only gets stronger with time. He’s something that was repressed despite everyone knowing he exists—a victim of sexual abuse.

Sukuna’s Backstory—Revised

Back when I theorized that Sukuna is an ex-slave, I deliberately withheld references to sexual abuse slaves are often subjected to because I felt it was too heavy for the post.

But seeing others theorize something that severe happened in part because of his CT’s name and spiritual pederasty practices at the time, makes me regret not including it. Please read the post by Tumblr user tangsakura that brought this to my attention.

Pederasty, if you do not know, refers to a boy having a sexual “relationship” with an older man sometimes as a form of “guidance”. The most known form of this originates from ancient Rome and Greece. I put “relationship” and “guidance” in quotations because children cannot consent to or grow from this kind of abuse. 

Such a thing was common, sometimes socially accepted, systemic abuse in the ancient world. (Though a form of it exists to this day.) Japan partook in pederasty, even in certain types of Buddhist temples, prior to the Meiji Restoration in 1868. (Here’s a video source on it. Be warned it's pretty upsetting.)

And in most of these societies that accepted pederasty, a relationship between two men of equal standing was frowned upon or not tolerated at all. The imbalance of power and exploitation of children was the socially acceptable thing. Despite, you know, the resulting trauma and suicides of the victims.

As discussed in the linked video, the children at these temples were seen as pure and therefore closer to Buddha. Since celibacy between human monks was expected, fetishizing these children as gods allowed for the mental gymnastics to justify molesting them. 

That’s not too surprising. Organized religion with massive followings all have it in common—the sexual abuse of minors and tolerating it or covering it up. What’s striking about this abuse is that it was considered important to or even necessary for enlightenment by some sects. Their suffering brought about enlightenment. 

Mini crash course for those not familiar with Buddhism. There are 4 Noble Truths that are foundational to this religion. (Copy and pasted from Wikipedia.)

1) Dukkha: Suffering exists: Life is suffering. Suffering is real and almost universal. Suffering has many causes: loss, sickness, pain, failure, and the impermanence of pleasure.'Dukkha: Suffering exists: Life is suffering. Suffering is real and almost universal. Suffering has many causes: loss, sickness, pain, failure, and the impermanence of pleasure.

2) Samudaya: There is a cause of suffering. Suffering is due to attachment. It is the desire to have and control things. It can take many forms: craving of sensual pleasures; the desire for fame; the desire to avoid unpleasant sensations, like fear, anger or jealousy.

3) Nirodha: There is an end to suffering. Attachment can be overcome. Suffering ceases with the final liberation of Nirvana. The mind experiences complete freedom, liberation and non-attachment. It lets go of any desire or craving.

4) Magga: In order to end suffering, follow the Eightfold Path.

Per the 3rd Noble Truth, enlightenment comes from the end of suffering, not its continuation. The idea that suffering is needed for enlightenment contradicts this Truth. But that’s not surprising either. I was raised Protestant and I’ve got a whole laundry list of how that branch of Christianity seems to have ignored the basic fundamentals of Biblical text. 

What I want to get into is the specific branch of Buddhism Sukuna appears to have been abused under—Tachikawa-ryū. Just as a heads up, information on this sect is limited as this person explains:

“Tachikawa practice became forbidden and the school’s ritual texts were destroyed. As a result, only a few original scriptures and rituals survived the persecution, which makes it very difficult nowadays to fully understand the teachings of the Tachikawa-ryū.”

(The wikipedia page is straight up missing citations so feel free to correct me if I get some stuff wrong.)

The destruction of records sounds exactly like what happened with Kenjaku and the Meiji girl. But the similarities don’t start or end there. This sect is accused of using human and animal skulls for rituals. And if you recall, Sukuna sits on a throne of oxen skulls. Other heretical acts included the consumption of meat, which at the time was forbidden. Another thing Sukuna loves to do. 

But what this sect is most known for are the bizarre sex rituals needed for enlightenment. You know the thing Sukuna explicitly has no interest in. More excerpts about that from the non-wiki source:

“Since the idea of a world, created by the union of male (yang) and female (yin) elements, is the essence of cosmology in Tantrism, sexual union serves as the “real life” version of this dualism. In other words, sex is an effective way to achieve buddhahood in a relatively short amount of time (best case scenario: this life, “becoming a buddha in this very body (即身成仏 sokushin jōbutsu)”). Furthermore, much ink has flown on the description and discussion of a human skull ritual that involved sexual intercourse and the use of seminal and vaginal fluids to create an object of worship.”

This melding of male and female elements is everywhere in JJK. It’s a massive component of the reproductive horror too. Everything with Kenjaku is self explanatory. But Sukuna, who wears women’s clothes, is currently pregnant with the Merger, and has a gender ambiguous servant… He’s a part of this too.

It should also be noted  that Tachikawa-ryū is actually a sub-sect of a sect. It originates from Shingon Buddhism. …Which was first introduced in the Heian Era.

Here are some quotes from the wiki article:

“The essence of Shingon practice is to experience the Dharmakaya, the ultimate reality, by emulating the inner realization of the Dharmakaya through the synchronized meditative ritual use of mantras, mudras (hand gestures) and visualization of mandalas.”

Oh hey that sounds like what Jujutsu Sorcerers do.

“The goma (護摩) fire ritual is an important and recognizable ritual in Shingon. The meaning of goma is to burn the firewood of delusion with the wisdom flame, consuming it completely.”

Oh hey that sounds like Sukuna’s fire CT.

“The most important Shingon mandalas are known as the Mandala of the Two Realms which are: The Womb Realm (Sanskrit: Garbhadhātu; Japanese: 胎蔵界曼荼羅, romanized: Taizōkai) mandala based on the Mahavairocana Sutra and the Diamond Realm (Sanskrit: Vajradhātu; Japanese: 金剛界曼荼羅, romanized: Kongōkai) mandala based on the Vajrasekhara Sutra.”

Oh hey that’s Kenjaku’s Domain.

I wasn’t raised any kind of Buddhist, so there’s probably a lot here I’m missing. My point here is that the symbolism and historical context are in line with Sukuna enduring some pretty horrific abuse as a child. It’s very likely that the way he behaves and thinks is one massive cope to rationalize what happened to him. 

Identity and Trauma

Sukuna is a difficult character to grasp because he’s so unforthcoming in personal information. He’s not once introduced himself by name and reveals fragments about himself in very cryptic ways. Most of what we know about him is from other characters. (Much like how the original writings of Tachikawa-ryū are lost and the remaining info is sourced from outsiders.)

To better understand him, I’ve been working under the assumption that other characters reflect fragments of Sukuna that will eventually fall into place.

Sukuna is like Maki. Consuming his twin to survive and becoming stronger for it.

Sukuna is like Toji. Discriminated against for the way he was born, he becomes strong enough to separate himself from Jujutsu Society only to be dragged back in.

Sukuna is like Geto. Falling from grace and procuring a cult-like following. 

Sukuna is like Todo. He’s completely self-centered and hates taking orders from those weaker than him.

Sukuna is like Mechamaru. Disfigured by birth, longing to connect with others, he finds himself at the end of a manipulative deal that promised him a second life.

Sukuna is like Kenjaku. He sees himself as above others and only wants equals for companionship. Other people are playthings for him to consume to stave off boredom. 

Sukuna is like Mahito. Endlessly curious about the humans he was born of, he consumes their art and lives in an attempt to understand them.

Sukuna is like Yorozu. Obsessively pursuing a single person, trying to teach them love through violence.

Sukuna is like Yuji. Adapting to any situation with battle intuition like no other by understanding his opponent.

Sukuna is Gojo. I call them twin flames since they have the most in common. If you noticed, that homeless old man from Allegory in Darkness resembles Gojo a lot too. For this reason I often use Gojo as a reference to infer how Sukuna is as a character.

Gojo’s trauma that helped him reach his self-proclaimed enlightenment was Toji. And that was just normal assault. But let’s reframe that battle as something a little more abstract…

As a teenager Gojo has his Infinity, a barrier that kept him safe, forcibly penetrated by a much older man. This both kills him and awakens him to immense power that irreversibly changes him. His loved ones can no longer recognize him and his relationships are destroyed by this. His ability to feel pleasure and his sexuality are contorted in ways that others find deeply perverse.

This is the plot of Baby Reindeer—an extremely upsetting semi-autobiographical recounting of how the creator’s sexual trauma ruined his life.

But that’s not how everything is framed at first. The main character, Donny is introduced as a man trying to report his stalker, Martha, to the police. 

Martha recognizes that Donny has been abused. Maybe not in the same way as her, but similar enough to the point where they become toxicly attached to each other. She stalks him and assaults him in what she believes to be acts of love. You both pity her for her circumstances and hate her for the destruction she causes. 

That sounds like Sukuna doesn’t it?

Sukuna saw something in Gojo he can’t recognize in anyone else. And I think it’s much more than the loneliness that comes with being strong—It’s having your body violated and no one recognizing or taking your trauma seriously because you’re supposed to be strong. 

Toji’s failed assassination attempt on Gojo resembles sexual assault in how Gojo reacts to the whole ordeal. He wants some kind of support but pushes everyone away. He craves touch but has a barrier to prevent it running 24/7. He both pities Toji and admires him, fears him and kills anything like him. His sexuality cannot be divorced from this incident, needing a good deal of violence to get off. It’s too similar to how Donny engages his own sexuality after his assault. 

But to my knowledge, Gojo hasn’t been raped. He went through something that resembled it and Sukuna picked up on that. During their fight, Sukuna essentially dealt with that trauma. He became a sort of Toji that satisfied Gojo’s perverse needs while tearing through the very thing that had him targeted in the first place—Infinity.

This is the source suffering Sukuna seemingly liberates Gojo from with extreme violence like some kind of heretical Bodhisattva. There’s also something to be said about him using Mahoraga to do this.The Eight-Handled in its title is a reference to the Eightfold Path that’s to be followed in order to obtain enlightenment.

And they both have this trait in common—using violence to guide others towards enlightenment, a perversion of the 3rd Noble Truth. Gojo just calls it tough love.

(And notice how Megumi recalls both Sukuna and Gojo's words as he grows from a difficult fight.)

I know that Gojo does this because of his trauma with Toji and his own “growth” coming from it. It’s one of Gojo’s many destructive coping mechanisms. He’s stuck in the past trying to relive what was stolen from him. Like I mentioned before, Sukuna calls Gojo unenlightened for this. And if they’re twin flames, I have reason to believe Sukuna is the exact same way.

Sukuna finds Maki to be the most compelling of Gojo’s students. And I think there’s more to this than seeing a  fellow monster in her. She’s what he wants to be.

Not only is Maki free of the sorcery that ruined their lives, she has confronted and dealt with her trauma. She killed the source of her suffering, the Zenins, and has accepted the death of her twin she was so dearly attached to. And unlike her mentors, Maki appears to be emotionally stable because she did this in spite of her trauma, not through it. The sumo guy's compassion is what guides her. In other words, she’s obtained enlightenment outside of violence.

Maki also succeeds where Toji failed. There isn’t anything left that would cause her to waver. She stays true to herself and remains enlightened.

That seems to be a recurring thing—characters deviating from their “enlightened” state through human connections that rouse their unresolved emotional issues and then dying. Toji’s projection of his trauma from Jujutsu Society onto Gojo gets him killed. Kenjaku’s desperation for companionship has Takaba create the perfect opening for Todo and Yuta’s ambush.

Sukuna has started to deviate from himself because of Yuji. And it’s probably because he’s projecting his trauma onto him. If that’s the reason both Toji and Kenjaku were felled, it’ll be the reason for Sukuna’s downfall too. Just like that old man under the bridge.

Sukuna and Yuji

Umineko no Naku Koro ni (When the Seagulls Cry) is a visual novel about a person who is fundamentally misunderstood by those around them. They desperately want to be loved without being perceived, believing themself to be unworthy due to trauma and immutable characteristics given to them at birth. Instead of telling anyone these feelings directly, they play games akin to torture. They torment the ones they love over and over in hopes they'll see through their actions and understand them.

I’ve always compared Sukuna to this character, but for this analysis I’ll be comparing him to another from Umineko—Rosa Ushiromiya.

The youngest of 4 from a rich conservative household, Rosa was subjected to physical and verbal abuse by her father and older siblings. As an adult around them she cowers. She shows her abusers respect they don’t deserve because of her social standing within the family and tolerates their jeering.

But with her little 9 year old daughter who can’t fight back? She beats her the moment she makes any mistake. As she beats this child she screams about how everything is her fault. Rosa projects her financial woes, her childhood abuse, and systemic misogyny all onto this child that never asked to be born. She blames this child for her own shortcomings that keep her tethered to her abusers year after year.

The sad thing is that Rosa doesn’t realize why she’s doing this. She is unable to come to terms with her own trauma and remains stuck in the cycle of abuse as both a victim and a perpetrator, unable to spare her daughter from it. 

Knowing that Sukuna and Yuji are blood uncle and nephew. And knowing that by technicalities, Yuji would be genetically recognized as Sukuna’s son…I see that kind of hurt in their relationship.

Sukuna is a very good liar. Most take him at his word. He says that he hates Yuji for his ideals—how he puts his life on the line in service to others. The things Megumi, Higuruma, and Gojo do as well. And yet Sukuna admires them. Todo sacrifices himself to prop up Yuji and save Hana. Sukuna calls him a true sorcerer for this. It’s not unreasonable to conclude that Sukuna isn’t being honest about why he hates Yuji. 

I think it’s because Yuji is somehow linked to Sukuna’s trauma through no fault of his own. And because Yuji is easier to target, Sukuna uses him as an outlet.

We’ve seen this scenario play out before in JJK. Mai lashes out at Maki instead of Naoya or all the other men like Naobito who enabled or partook in her abuse because it’s the safer thing to do. She doesn’t actually hate Maki. She hates what she has to endure at the Zenin Clan and sees it as inevitable. Fighting back is scary and she really hates doing that. If the manga didn’t make that clear, the CFYOW: Thorny Road at Dawn, Chapter 4: Advancing in the Face of Fear sure does.

Yuji isn’t a cage to Sukuna because he chose to be this way. Kenjaku made him for it and even manipulated him into ingesting the fingers. But you know, Yuji is someone Sukuna can attack without consequence. 

I do not know if Kenjaku is the person who abused Sukuna or if Kenjaku merely resembles the person who abused Sukuna. Kenjaku is older than Sukuna, has a fascination with him, and has manipulated him. There are plenty of other characters that have been traumatized by Kenjaku.

Whatever the true nature of their relationship is, Sukuna is choosing to attack a symptom of his restriction instead of its source. He’s behaving no different than Mai or Rosa which leads me to believe there’s something deeper to his hatred of Yuji.

Yuji’s Role

I think that Yuji is aware something terrible happened to Sukuna. He’s not really sure what. The type of abuse Sukuna likely went through is not common historical knowledge even in Japan.

For the longest time, Yuji regarded Sukuna as a curse and denied him his humanity. But as of JJK 265, Yuji treats Sukuna like a human. He takes him through his memories and plays little games with him. He rejects the cog mentality Mahito groomed him into and says this:

“I could very well be doing the wrong thing here. So I thought I should at least let you see the humanity of someone other than yourself.”

Yuji is admits that his approach to Sukuna may be flawed.

And flawed it is. This entire chapter and offer Yuji makes to Sukuna might be one of the cruelest things he has done so far and he isn’t even aware of it. Yuji is recounting a pleasant childhood full of love and quiet moments. That’s something Sukuna didn’t have because it was taken away for reasons beyond his control.

This accidental cruelty isn’t anything new. It happens right before Junpei dies to an ability that resembles sexual assault. Yuji reaches out to him and asks what’s wrong. He notices something is off and tries to console Junpei through it.

And here he apologizes for saying something so insensitive. He didn’t know, but he had to ask. Sukuna was there to see that.

I think that's what Sukuna wants from him. He wants Yuji to acknowledge he was hurt. To recognize that something happened to him and offer something like he did with Junpei. It’s a bit odd that he humors Yuji’s kindness towards him instead of immediately opening his domain as a counter. This could be an explanation for that.

Yuji hasn’t given Sukuna the same treatment yet. In fact he’s done the exact opposite thing he does with other people. Yuji usually lets his opponent yap at him and meets them as they are. This time, Yuji is the one who does the bulk of the talking and he doesn’t give Sukuna a chance to open up about himself.

That’s not his fault at all. He’s 15 and it’s not his job. The reason he thought Sukuna was a curse for so long is because everyone else told him he wasn’t human and Sukuna never denied it. But just like with Junpei, Yuji did something really insensitive.

Yuji showed Sukuna pity then told him to die or go back into his cage.

People picked up on Yuji being posed like the Fallen Lucifer painting. I think it’s deliberate this offer is being framed as villainous. If Sukuna is outright revealed to be a former slave or a victim of CSA, on reread this would come across as wicked.

It wouldn’t be the first time a scene goes from hype to depressing on reread. I loved watching Yuji and Nobara grow as they killed Eso and Kezichu. After Choso? That fight breaks my heart. Yuji has been manipulated into killing his own brothers and he didn’t even know it.

Yuji’s status as a cage is likely reminiscent of whatever bound Sukuna to the abuse in the first place. And that’s what he’s offering. Death or existing in that state you could argue is much worse than death—a state where his body does not belong to him. Where he is forced to watch a normalish life he can’t have play out for the one tormenting him.

The anger Sukuna displays at Yuji for this is something we’ve only seen him lob towards Mahito. Hell, it’s the same kind of face Yuji makes at Mahito.

I think it’s also telling that Sukuna couldn’t feel anything towards the small things in life. That’s common for anyone who has undergone immense trauma. He was rather cordial about trying this stuff out until Yuji gave his ultimatum.

I’m sure Yuji would give Sukuna more grace if he’d just be honest with his feelings. But this guy is no different than Gojo. He bottles everything up and gets mad at others for not intuiting he’s about to explode.

Strength and Masculinity

Baki the Grappler. This is a manga where men destroy each other’s bodies as a test of strength. It’s poorly written but the art is terrifying and I love it so dearly. Between fights of extreme violence and body horror the characters eat. And that’s it. That’s the manga.

I’ve brought this series up before when discussing how fights can be used as a dialogue between characters. In Baki, many of those combat convos ask the following:

What is strength? What does it mean to be strong? 

What is a man? What does it mean to be a man?

Various characters will answer in their own ways. But I want to focus on the man who seeks to challenge death.

This is a man, who after being raped feels like he’s less of a man. And he thinks that others will see him as less of a man if he ever admits to it. (This happens in Baby Reindeer too.)

In a misogynistic society, women are expected to tolerate sexual assault. Their identity is often linked to experiencing it. Men are expected to be perpetrators of it, not victims. This is why this character calls his rape being shown “the woman within him”.

Echoing this sentiment, Sukuna, in women’s clothing, is quite literally referred to as a girl when Mahito touches him without permission. It’s also treated as a joke. The Baki character doesn’t fare any better in fanspaces. If you mention his name, someone will eventually reply “Yujiro Rapes Mid Diff”. It’s got an abbreviation too: “YRMD”. A little in-joke since the fandom at large refuses to take his assault seriously. 

This is probably why Sukuna refuses to even hint at his abuse. It fundamentally conflicts with his identity. He’s the strongest sorcerer in all of history who would be mocked for being a victim. After all, he did just that to Junpei and torments Yuji over his helplessness. He perpetuates the cycle of shame to protect himself even though he’d benefit more from dismantling it.

And there’s another reason Sukuna wouldn’t be forthcoming with his trauma—predators will take advantage of this vulnerability and revictimize people. It’s often why those who escape abusive relationships find themselves in another. Straight up, that’s why it’s considered safer to not list out your traumas and mental illnesses on dating apps. It’s safer not to trust.

But still, this is something you eventually have to disclose with anyone you’re trying to connect with. Otherwise they won’t understand you or why certain things send you into a panic. And that’s the problem. When is it safe to do that? When can you tell someone of this thing that makes you so vulnerable? It’s not like you can show up to a first date and go, “Hi, I was abused as a child. I need to make sure you’re not going to hurt me. If your voice rises above a certain pitch I’m going to cry on the spot.” If that somehow doesn’t sour the mood, they now have the exact tools to hurt you with. That’s scary as hell.

Sukuna has been destroying absolutely anyone that can have power over him, despite him craving companionship from those of equal strength. Gojo did this same song and dance with anything that resembled Toji until it killed him. It’s a consequence of a coping mechanism this toxic. As long as they are strong, they can’t be hurt like that again. And because they are strong they must endure solitude. The loneliness is worth being safe.

Yuji’s approach to trauma is the polar opposite. He faces it and deals with it. In the same way Mahito forces sorcerers to see the worst of humanity they’ve been overlooking, Yuji is forcing Sukuna to reckon with something he’s been repressing for centuries. This is why Yuji can strike at his soul.

Outliers

This section is for characters I don’t know how to fit into the rest of this analysis and should be considered because of their direct relationships to Sukuna.

Megumi

Sukuna is rather merciful with his kills compared to other characters like Kenjaku. When he’s done playing with someone, they die. He’ll even be respectful about it in his strange little way. Megumi is the sole exception to this, putting him in a very weird spot with the rest of this analysis.

Sukuna forced himself into Megumi’s body through incarnation and has subjugated his soul. And though this has been better for combat as he wanted, Sukuna is noticeably more miserable. Yujikuna before the Culling Games is still the happiest we’ve seen Sukuna. Whether this is from Megumi’s gloominess influencing him or Sukuna no longer having a goal to work towards or Sukuna incidentally retraumatizing himself by repeating the cycle remains to be seen. Maybe it’s all of this at once.

This is probably one of those things that will make more sense to me with more information. For now, I’ll focus on how Megumi’s name means blessing. Sukuna stole Gojo’s Blessing and destroyed it. And if Sukuna is Gojo, he has also destroyed his Blessing.

That kind of makes sense. Mahoraga, a representation of the path to enlightenment, has been destroyed by Sukuna’s actions as Megkuna. Adaptation is something that could’ve kept Sukuna entertained for a very long time since it would evolve with him. It could’ve also killed him and set him free. But he squandered that blessing when used it to satisfy Gojo instead.

Uraume

Uraume is also in a weird spot. They can gauge Sukuna’s mood by his CE and anticipate his needs in an instant. And yet Sukuna doesn’t feel fully understood by them. 

That’s mostly Sukuna’s fault. He didn’t disclose he was a twin to them for over 1,000 years, so it’s unlikely they know the extent of his trauma. However, Uraume dresses like a monk and has the androgynous features considered desirable in the child acolytes that were abused in historical Japan. This could mean they went through something similar to Sukuna and share that connection. It would explain why Sukuna is so gentle towards them compared to other characters. 

In other words, Sukuna should be able to trust them of all people with his trauma. They’re loyal and have always been there for him. So why won’t he do that? 

Looking at Gojo's relationships for an explanation, this kind of reminds me of how Gojo blew off Shoko’s friendship after Geto left. If someone that close to Gojo could betray him, why would Shoko be any different? Plus he’s stronger the more alone he is. And strong people don’t need help with their emotions. (Cue increasingly contradictory and destructive behavior stemming from a combination of trauma and toxic masculinity fuelled by questionable practices based in religion.) 

Yuji differs from Uraume in how he has directly shown Sukuna time and time again that he is a person who can be trusted. Everyone who has admitted their trauma to him has been taken seriously. Sukuna sat there and watched Yuji’s soul never once stray from compassion. He may hate this about him, but Sukuna seems to know he is the safest person to be open with. I think this is why Yuji is being framed as the one to guide Sukuna towards true enlightenment. (Aka addressing your trauma instead of burying it until you no longer understand how it is influencing your actions.)

In conclusion…

I want to emphasize that I am trying to explain why Sukuna is the way he is. To do so I’ve been rather assertive about his trauma despite it remaining unrevealed.

I’m certain something really awful happened to Sukuna. Exactly what I don’t know, but it’s likely something worse than what all the other named characters have experienced. I can say this with relative confidence because of this:

Sukuna himself suggests he has suffered more than Yuji.

Gege has been very careful not to show extreme instances of child abuse outright. If any of this gets confirmed, it’ll likely be vague.

But as it currently stands, I think you can read Sukuna as a victim of CSA. This sort of thing has always been in the manga, it’s just hard to see it.

[thepersonperson]

Autism in JJK Part 1 (Isolation and Movies)

Notes before we start.

1) Read the light novels. They are the equivalent of Bleach's CFYOW for JJK. There is a fan translation (Book 1 & Book 2), but I will be citing the official translation from my own copies.

2) I will be mainly using the TCB scans for the manga because of their accessibility. 

3) Read the light novels.

(Click images for captions/citations.)

Preface

Dungeon Meshi is heralded as The ultimate story of incompatible autisms. Everyone recognizes Laois and most of his party as autistic. Each of these characters are able to use their specific types of autism to solve problems throughout the series.

Laois’s autistic traits in particular have drawbacks when it comes to others’ perception of him. To directly quote one of the best Dungeon Meshi text posts on this site:

“Dungeon Meshi is about a quirked up white boy on a quest to save his sister and perhaps indulge his special interest along the way. He's a man of pure heart who has done nothing but help anyone he's met. Then part way through the story you start seeing other pov characters and it turns out every single person who has met him outside his party has read his awkward social skills and love for grilling as a sign of something deeply evil and has vowed to kill him on sight.”

Using Laois as a reference, I want to argue that Jujutsu Kaisen is the penultimate story of incompatible autisms.

Addendum/Disclaimer

I’m heavily drawing from experiences with my particular brand of autism for this analysis, so I’m bound to not properly consider everything. My words should not be taken as gospel since autism is a wide spectrum that manifests differently for each individual. Certain autistic traits will show up for one person and be completely absent in another. (And I personally think JJK does a great job of showcasing this variation.)

There is also significant overlap between Autism and ADHD which I’m not qualified to make connections with. (Basically if you have ADHD feel free to explain how you see yourself in these characters too.) There’s probably other readings that have flown over my head, but please understand I’m not trying to be malicious.

The main traits I’ll be referencing are:

Social Unawareness

Bluntness (and it being perceived as rudeness)

Taking Things Literally

Double Empathy Problem (the non-autistic and the autistic have a hard time understanding each other’s way of thinking and therefore struggle to communicate with each other)

Emotional Blindness/Alexithymia (difficulties with understanding and articulating one's emotions)

Hyperfixations

Special Interests

(Stimming is left out because of Tumblr's 30 image limit. Someone else can make that post for me.)

Mahito’s Autism

Strange title section right? Allow me to defend it. Mahtio’s Domain Expansion (DE) Self-Embodiment of Perfection is localized from 自閉円頓裹 (Jihei Endonka). The first two kanji 自閉 (Jihei) create the Japanese word for Autistic. Where 自 (Ji) is self and 閉 (Hei) is close/shut. The Japanese word for Autism is 自閉症 (Jiheisho) where 症 (sho) means disease. A very literal translation of Jiheisho is “self-shut disease”.

Equating autism to an illness that causes one to shut themselves inwards is flawed in its framework, but not wrong in describing the unique isolation autistic people face. If the kanji used didn’t clue you in, Japanese society is much more hostile to the autistic than English speaking countries. This is in part due to many autistic traits being seen as socially unacceptable for deviating too much from the norm.

There’s been a whole study on this if you want to know more. (This study allowed for self-diagnosed people to participate and included non-binary gender options, so I’m comfortable using it.) Quoted directly from the source: 

“Many autistic individuals engage in social camouflage and attempt to use social interaction to obtain job opportunities and other benefits. The aforementioned ‘need’ of autistic individuals to engage in social camouflage forces them to continuously pretend that they are non-autistic. This is associated with significant manifestations of mental health deterioration, such as depression, generalised anxiety, social anxiety, suicide attempts, and burnout because of exhaustion and fatigue.”

“Markus and Kitayama refer to Japanese and other East Asian cultures as ‘cultures of interdependence’. In these cultures, the primary challenge faced by individuals is to conform without standing out and pay more attention to others than oneself. Thus, the ‘uniqueness’ of autistic people can be perceived negatively, and it can threaten relationships and interpersonal harmony within the community.”

Now what does discrimination against autistic people have to do with Mahito? Well, everything. Mahito manifested as the hatred between humans, making them unique within the Natural Disaster Curses group. This causes friction in their relationships with the other curses, mainly Jogo.

When Dagon dies, Jogo mourns. When Hanami dies, Jogo and Dagon mourn. When Mahito learns about this? They react like this.

Totally not appropriate for the situation. You could chalk it up to them being a curse, but the other curses have already shown they’re capable of caring deeply for each other. 

This isn’t the only instance of it either. In the light novels, Mahito really gets into movies to better understand humans which results in this.

Jogo simply does not know what to do with Mahito becoming a filmbro. 

Jokes aside, Mahito is using movies and other forms of media to better understand people not like themself. And despite their efforts to better grasp emotions, this causes Mahito to become even more alienated from his peers. He’s in his own little bubble and his way of thinking is boon when fighting but a bane for his relationships. There’s something very autistic about that. 

Shared Special Interests

On the flipside, Mahito’s movie and book fascination causes them to create a bond with a blind homeless old man that lives under a bridge. But it’s only because the two of them have this interest in common.

As stated in CFYOW, JJK Summer of Ashes, Autumn of Dust Chapter 3: Allegory in Darkness, Mahito has canonically read Kafka. 

And that line at the end. “It makes talking to you easy.” This is the same phrase Mahito uses when grooming Junpei. Though Mahito’s relationship with Junpei is one of manipulation, it started as something rather innocent—they both went to the theater, saw the same movie, and were annoyed by the people disrupting their viewing experience.

That small connection, their shared interest in movies caused them to bond quickly and Mahito used it for manipulation. (This is not unlike how minors in fandom spaces can be groomed by the adults around them.)

Mahito learned how to be this way in part by studying media and applying it to their actions. They can’t interact with most humans 1-on-1, so their main source of understanding them is media, which gives them this warped sense of reality. Think Plato’s Allegory of the Cave. Mahito doesn’t know better because this is all they know.

It’s no wonder they conclude that humans at the core are creatures that eat, sleep, and rape (Ch 49 Pg 18 Sorry I ran out of image space). Think of how many “the joke is sexual assault” type characters there are in Japanese media alone. (Let’s not ignore how bad it gets in American 80s comedies too.)

Mahito is essentially a blank slate with no frame of reference for morals, critical analysis, or media literacy in general. It’s not very surprising they take everything at face value and then use it for evil.

And that’s why I wanted to discuss them first. Mahito is a reflection of humans and their reaction to media has echoes in how other characters, who are probably autistic, navigate their relationships with themselves and other humans. 

Itadori Yuji’s Autism

When I say Yuji is pure and the goodest boy in the world, I’m referring to the unbridled autistic joy in which he interacts with the world. He’s not much different than Laois from Dungeon Meshi. The way Yuji introduces himself to others is unhinged. He frequently does and says things that are not socially appropriate in the slightest. Whatever comes to mind first he acts on, no filter.

But being unhinged isn’t necessarily autistic. What gives this the ‘tism is the socially inept internal logic that goes into Yuji’s decision making. Dudebros may refer to it as locking in, but it is better known as hyperfocusing. You give Yuji a task and he Will complete it, anything in his way be damned.

Ijichi gave Yuji a task. Figure out if this person is an enemy and make sure nobody gets hurt. Interrupting a convo and pantsing a guy to complete this task is Yuji autistically logicing his way around setbacks. What’s a non-violent way to get someone to leave? Stealing their pants, probably. Things like social rules don’t matter if lives are at risk. 

Don’t believe that’s socially-blind autistic logic? Let me give you this guy from 4Chan and myself as an example. As a child I was told I should never lie no matter what. At 8 years old, I did something that upset my teacher. I didn’t know I had upset my teacher until I was asked to write an apology letter by my parents. So in my little pea brain, I had no reason to apologize because that would be lying. I then wrote something along the lines of, “I’m only writing this apology because my parents are making me.” (I got yelled at for this which confused me even more. What do you mean you want me to lie, mother???)

You can see this kind of logic with the finger eating especially. Yuji took Megumi’s words very literally and ate a mummified human finger because that’s what was needed to save lives. This isn’t a one off thing either, it keeps happening over and over—Yuji taking the most literal interpretation of the words spoken to him and acting on them in the most autistic way possible.

I love the Nanamin alert especially because only Idatori Yuji would think to do that. It also a neat showcase of the double-edged sword that can come from autism. Yes, Yuji effectively and quickly relays important information to his allies, but to their enemies as well. He also does it in a way that gets him bopped on the head by Megumi. Kind of like how going along with Gojo’s plans has him bullied by his classmates.

This happens a lot too—Yuji doing what others tell him to do, filling in the blanks when they fail to elaborate on the how to, and it backfiring.

There is nothing more autistic than doing exactly as you are told and getting punished for it. 

Nanami tells Yuji not to call him Nanami-sensei. But he doesn’t tell Yuji what exactly to call him instead, so he guesses. And since Yuji is socially unaware to a degree, he comes up with Nanamin instead of the Nanami-san that would’ve been more polite.

Megumi and Panda tell Yuji to lie. But lying isn’t in his nature so he really sucks at it. Pretending he doesn’t know who Gojo is because 1) he was told to lie and 2) Gojo is a part of the group Yuji is was explicitly told not show any familiarity with, is peak autism logic.

It’s all a part of Yuji’s charm though. Despite his autistic traits getting him into plenty of trouble, they also are a big reason as to why everyone loves him. 

Yuji’s Autistic Rizz

Yuji seems to mirror other people both to better understand them and because he’s relying on them to show him how he’s supposed to act. (More on that here.) Most of the time this is played for comedic effect, but sometimes it results in instant pair-bonding. I think that’s the autism-to-autism connection being made. (It’s also known as the morphogenetic field if you’ve played 999.)

Just like how Mahito used movies to bond with Junpei, Yuji does it too. But he uses this shared interest for good and provides a counter to Mahito’s grooming.

And lookie here, he can even utilize his love of movies to bond with people who aren’t into them at all. Junpei’s mom may not get it, but she’s endeared by it. This unparalleled autistic rizz is fundamental to Yuji’s character. And in my opinion, his relationship with Todo Aoi best showcases this.

Everyone knows that Todo and Yuji’s shared love of tall women with big butts is what brought them together. But what’s most overlooked is the specific tall woman with a big butt that made this possible in the first place. Before Todo even asks Yuji for his type, Yuji makes it known he is aware of who Takada is. (He happened to see her on TV as stated in CFYOW, JJK Summer of Ashes, Autumn of Dust Ch 4 Pgs 89–90. Ijichi is the secret Takada fan.)

Takada is who prompts Todo into asking. She is also the one who appears in Todo’s delusions, guiding him to victory and driving most of the reasons behind his actions. With great confidence I can say Todo’s special interest is Takada. (And most of the fanbase assumes he’s autistic, so I don’t feel the need to explain that more.)

And what’s crazy about his special interest of his is that it fudging works. Takada and his love for manga help Todo create successful strategies. I include his love of manga because his fakeout with Mahito is a Hunter x Hunter reference.

It’s a bit spoilers to discuss how exactly this is genius, but you’ll have to trust me when I say it’s very clever. Rather than simply nodding to the source material, Todo is using the twist reveal from that scene and subverting it to help Yuji win.

This is nearly identical to Laois utilizing his special interest monster knowledge to create victories out of what would be defeats for other characters. Todo weaponizes his autism in a way that works perfect for sorcery.

But when it comes to interpersonal relationships? It destroys them. Everyone who isn’t Yuji hates Todo. 

Todo Aoi is second to Gojo Satoru when it comes to characters considering him the greatest source of stress. (Momo, Mai, and Kamo with Kokichi dedicating pages 43–46 of CFYOW JJK Thorny Road at Dawn, Chapter 2 to how much Todo stresses him out.)

They’re most annoyed with him when he talks about his special interest—Takada. She is a huge reason as to why Todo is such a good sorcerer, you could even call her The Reason he’s so good. People rely on him quite literally weaponizing his autism. But when he starts being autistic outside of sorcery? They don’t tolerate it. 

This is a recurring problem for autistic sorcerers. The very people that depend on their weaponized autism will scorn it the moment it no longer serves them directly. It’s a very Not In My Backyard (NIMBY) mentality. Sure they want all the benefits but keep the drawbacks out of their sight.

Yuji’s Loneliness

Just like Todo, Yuji suffers from social disconnect due to his autism. He feels like he struggles to understand and connect with others on a deeper level. His own feelings and other people’s feelings are sometimes a mystery to him.

On a surface level Yuji seems to be on the same wavelength as Junpei through their shared love of movies. That is until they fight each other. Yuji doesn’t understand that Junpei is acting out of grief at the start of their fight. He says something insensitive at first, but he eventually asks Junpei to spell things out so he can understand what’s going on.

It takes until the end of the Sukuna fight for Yuji to truly connect with someone—Megumi. But it’s only because they both make their feelings known directly to each other. Before that though? As discussed earlier, the autistic traits that make him good at sorcery are often off-putting to others.

I mentioned how Yuji mirrors others in what seems to be an attempt to understand others in that post I linked. In the same one I also discuss how Yuji is able to decenter himself and sync up with just about anyone. With respect to his autism, this really reads like masking to me. 

When Yuji lets that mask slip and indulges his personal hobbies, it’s a toss up on whether or not he’ll be accepted or rejected. The movies that allowed him to pairbond with Junpei don’t work for everyone. Just like Mahito with Jogo…being a filmbro causes friction with Megumi and Nobara. 

Though Yuji otherwise gets along very well with Megumi and Nobara, there is something so very relatable and sad about seeing this particular hobby of his being trashed. What’s worse is that the 2 people who would’ve matched his freak in this regard are both dead: Junpei and the one who intensified this interest of his in the first place—Gojo Satoru.

Gojo Satoru’s Autism

I must confess, this entire post got written because of this anonymous ask I was sent a while ago. I was surprised to get it since I assumed everyone understood Gojo to be autistic by default like Laois Dungeon Meshi. So I’m going to copy and paste this anon’s words because all their observations are correct.

"As someone with Autisim, I heavily identify with how he was raised (the gifted child who is too observant vs the prophesied child who was raised to be a weapon first) and the way other react around him (treating everything he says and does with disdain)

I find the way he clings so strongly to the idea of strong and weak even after Geto and Toji yet still having a sense of justice/ noticing the unfairness of it all, his sensitivity issues, his ability to notice emotional cues yet not having the means to respond in an allistic way, his tendency to take his jokes and teasing too far/ act too close to people, and the general othering of him just screams autism to me. Like can see a lot of those traits which is usually tamped down by society being exasperated because, what are you going to do, he is the strongest, you can't just tell him off in a serious way, not when, in your society, the strong rule.

I see it especially with his students, where he's taken in all the misfits and is so casual with them in day to day life. Even him throwing them in the proverbial deepend with missions is probably how he was taught by his clan before entering jujitsu tech."

And directly from Gege via the special Gojo Booklet. 

"Q25: born and raised as a high-born, he is regaled by both himself and others are the strongest, and he seems to have want of very little, but what would you consider Gojo's weakness?

A25: His personality.

Q26: what would you consider Gojo Satoru's most intrinsic strength, when you put aside his innate abilities, influence, and physical prowess? 

A26: His personality."

Thank you Gege for stating it so bluntly. The part of Gojo’s personality that is both strength and weakness. Something that makes him a great sorcerer and socially isolated. That’s the autism.

Now that we (that anon) has established that Gojo Satoru is definitely autistic, let’s go over how this has affected his interpersonal relationships.

Improper Socialization

The Gojo Booklet has forever ruined me. Deep in my heart, I knew this was going on, but to have everything confirmed so bluntly is something else. To summarize:

Gojo was born and raised in Kyoto by an extremely closed-off traditionalist family. His Clan treated him as an investment rather than a person, focusing on his education as a sorcerer and neglecting him emotionally to create the perfect living weapon. It’s implied he was educated privately and did not attend a school with other people until high school. It’s also implied that the Clan kept Gojo under strict watch while his powers developed because of the assassination attempts. Regardless, the isolation, training, and exploitation he endured was severe enough for him to break out and run away multiple times. His attendance at Jujustu Tech in Tokyo was his first time being allowed to interact with others on his own terms rather than his Clan’s.

This means that until Gojo was 15, he likely never had friends. His interactions with other humans amounted to deification, a type of objectification where he was expected to be a tool to further other people’s comfort. Essentially, up until he met Geto, he only knew how to exist as a living weapon. 

I don’t think I need to explain why this would negatively impact socialization. Anyone raised by extremely strict/abusive parents or a cult will tell you how difficult it is to try and interact with normal society after having social skills deliberately stunted for most of your life. This lack of socialization is only compounded by autism. Not only is a sheltered autistic person inclined to be socially unaware, they have no frame of reference to what is socially acceptable.

I’ll use myself as an example. The only reason I’m not completely unpalatable in conversation is because public school allowed me to observe what normal human interactions and mannerisms look like. Otherwise, I’d be like Mahito—learning about the world through the limited media I was allowed to consume. (And even then I still took it at face-value for a pretty long time.)

Gojo is sort of in the same situation as Mahito. His Clan reportedly spoiled him rotten, so he was probably allowed to have all the toys, TV, movies, books, and games he wanted between obligations. This means that it is very likely his ideas of the world at large come from media. And boy does it seem to have affected the way he is.

Trying to Connect with Others

Nanami directly compares Gojo to Mahito. Megumi straight up thinks Gojo and Yuji are the same kind of person as stated in CFYOW, JJK Summer of Ashes, Autumn of Dust Chapter 1: Kiyujitsu Kaisen.

So like Yuji and Mahito, Gojo will use media he’s familiar with to make sense of the world around him and hold conversations with others. (In the anime they have Gojo do the tornado kick which straight up appears to be him doing an in-verse reference to Code Geass's Suzaku Spin Kick aka the Spinzaku Kick. Please do not ask me how I recognized this.)

And would you look at that. Most people do Not know how to handle this. Not even Geto who is more visibly confused by his Digimon metaphor in the anime.

I can’t really blame them for their reactions either. Gojo is such a special combination of unfortunate circumstances and experiences that you might as well be listening to someone speak an unknown language. 

This goes both ways too. Gojo himself has a very hard time understanding others and tends to take the words of others Very Literally. (Just like Yuji!) This leads to him experiencing the Double Empathy Gap the most when compared to other autistic characters.

The Geto stuff is the most tragic to me. Gojo checked in on him and Geto lied about his feelings. To Gojo, Geto is his best friend. Why would he lie to him? Geto says he’s ok so Gojo thinks he’s ok. (That’s not even getting into the higher ups overworking them both and keeping them separate on purpose.) His upbringing and his autism made it impossible for him to read between the lines, so Geto's betrayal very much comes out of nowhere for him. 

The same happens with Shoko okaying the desecration of his corpse, Nanami calling him a pervert and everyone agreeing. Gojo truly believes that the people close to him see him in a very one-dimensional way and there’s nothing he can do about it. After all, he was raised to be a weapon and nothing more.

Funnily enough, Gojo’s Alexithymia is so bad that parts of the fandom have seemingly done the double empathy gap thing to him with respect to his flower metaphor.

“There was always a gulf between me and other people, even if they adored me. You can admire a flower and help it bloom…but you can’t ask it to understand you.”

To me, all Gojo is doing here is explaining his feelings as best he can. Floral language is a big thing in Buddhism which is probably why he makes the comparison. However…I’ve seen interpretations of this that conclude Gojo believes himself so far above others that they might as well be non-sentient plants. To them, this metaphor speaks to his arrogance rather than a clumsy/poetic attempt to communicate his feelings.

I’ll use myself as an example to explain why I think it’s just the autism in action. I often like animals way more than I do other people. Snakes, birds, lizards, spiders, and scorpions are amongst my favorites. Sometimes I compare people to these animals.

What I mean: I think highly of you! You share traits with my favorite animals and that makes me happy.

What others can hear: I think you’re stupid (lizard/bird brained), untrustworthy (a snake), and lesser than me (a bug/arachnid).

Now I could be projecting because I see my autistic traits in Gojo, but I do find it fascinating that how you view Gojo’s flower metaphor is highly dependent on how you feel about him.

Regardless, it does a great job at illustrating how isolated Gojo feels from others. Sometimes my autism makes me feel like I’m a completely different species because I can’t interact with people normally. And in Gojo's case, he can't even refer to himself as a human. The disconnect from others and his dehumanization is so strong he feels he can no longer identify as human.

No one’s autism is exactly the same, so this rift can even exist between autistic people. This is how you can get Yuji and Gojo bonding over their shared autistic traits but not fully understanding each other and feeling isolated for it.

But it’s still really sweet that they connect with movies so well that Gojo’s filmbroness rubs off on Yuji.

It’s also a little concerning that Gojo refers to these movies like a catalog for emotions. Like the proper way to experience emotions is through media and not in person.

The training Gojo subjects Yuji to with movies is likely how he was trained as a child. This suggests that for the first 15 years of his life, movies and other media might have been his only frame of reference for everything not Jujutsu Sorcery. And I mean Everything.

Combine this with The ‘Tism and this could possibly explain exactly what is wrong with Gojo Satoru. (You already know where I’m going with this.)

Gojo’s Racism

Here’s a list of movies for sure Gojo has watched. And for no reason in particular I’m going to include if they have a black person (like myself) in them.

Sourced from a Gege Interview.

Léon: The Professional (1994): Yes

The Descent (2005): No

The Host (2013): No

The Emperor's Naked Army Marches On (1987): No

Deep Blue Sea (1999): Yes

Extra movies from the anime. (Aka probably canon.)

Juggernaut (1974): No

Lord of the Rings: The Fellowship of the Ring (2001): No

That's only 2 movies with black people in them. I went ahead and watched them to confirm my suspicions...

Léon: The Professional (1994)

Not much to say about the black characters here. From what I saw and the IMDb list, they're all men and they're all background characters. Also I couldn’t finish the film because of how creepy it is towards the 11 year old actress. (It's really bad. Like really, really bad. Traumatized the actress, Natalie Portman, kind of bad. Wish I had a content warning!)

Deep Blue Sea (1999)

Gojo wasn't lying, the heroine died spectacularly. However in terms of spoilers, he glossed over the actual twist death. There's also someone who dies by being bit in half by a shark. And the way those legs looked like Gojo's...

There are 2 black characters in this movie. One is a jovial goofball chef who somehow survives to the end. (Miguel calls this trope out specifically in JJK 255.) There are so many points in this movie where he should've died. His name is Preacher and he has a parrot that is a Red-Crowned Amazon by the way. The other is a rich investor played by Samuel L Jackson who does Not fall into the Scary Black Man trope for once. Preacher doesn't either, he's more of a Gentle Giant.

Both of them function in the film as a subversion of the Magical Negro trope. And after watching this movie, I think Gege was inspired to make Miguel Odol fill this role too.

Anyways, the takeaways from this are 1) Black people are underrepresented in media. 2) What is representing black people in popular media isn't all that varied.

This means if media is your only exposure to black people, those representations will be internalized if you're uncritical about it. (You're reading this on Tumblr I assume you believe racism is real.) It's unconscious most of the time. People usually don't actively go, "Wow black people are all like this!" What happens is they run into a black person irl, are reminded of their impressions via visual similarity, and then say or do some out of pocket nonsense. (I have personally experienced this at the hands of Japanese tourists.)

And what does Mr. Gojo Satoru say to Miguel first? He says Miguel looks like he’ll be trouble. Later he says Miguel's strength and build are because of his race and what makes him dangerous even though Gojo knows several Japanese men with similar physiques. 

If he's never met a black man irl before...he must have gotten that idea from somewhere else. He does mention knowing the MMA star turned comedian Bobby Ologun (a big strong and goofy guy) when comparing him to Miguel.

Bobby Ologun is Nigerian. Miguel is Kenyan. Do you know how pissed East Africans get when lumped into the same category as West Africans and vice versa? (For the less informed please see Western Europe’s hatred of Slavs and other Eastern Europeans.)

But as far as Gojo knows from his media, black men are big, strong, and funny. The media he consumes also doesn’t bother to distinguish the different cultures of Africans. Dark Skin=Black and that’s it. And his dismissal of Miguel's distress over the loss of his rope only highlights that apathy towards individual cultures.

All this has terrible consequences for Miguel in the form of Benevolent Racism. This is where a prejudice that can be perceived as positive has negative outcomes for the target. Aka Gojo commits a racially motivated beatdown because of his ignorance that was fueled by the media he consumed growing up. (Miguel's Cursed Technique reminding Gojo of Toji not withstanding.)

Now I’m not saying autism makes you racist. It’s that Gojo’s isolation from the outside world, being raised by emotionally distant conservatives, and consuming media uncritically with his unique brand of autism creates the disaster that are the words coming out of his mouth.

Gojo being this kind of racist. Where he idolizes a type of strength in black people he learned from stereotypes in his movies, is great actually. I really like that Miguel calls it out and is sick of it. He even sarcastically tries to throw back the stereotypes about Japanese people to make his point too.

And guess who else only knows of black people through movies? Sukuna. He’s an art freak, there’s no way he didn’t watch some of those films Yuji was watching. And Miguel can smell it a mile away. Sukuna gives him that look and Miguel is already done with it. Honestly the way Miguel enforces his boundaries is great. He knows his limits both with risking his life and tolerating racism.

Anyways, Gojo Satoru has been running on 3 hours of sleep, sugar, and Reverse Cursed Energy like a madman for years. I don’t think he’s ever sat down and gone, “Huh? Why do I think the way I do? Why do I believe this?” Miguel is probably the first person to ever tell him, that’s racist my dude. (This is an explanation not an excuse btw.)

And that’s kind of the problem. Gojo is willing to learn and do better, but he hasn’t had the time do it on his own. Some outside force has to tell him bluntly, “Yo this isn’t socially acceptable.” (Think of how Geto influenced his morals and manners by telling Gojo exactly what he should do.)

This leads me to believe his mind is a hodgepodge of things he’s uncritically absorbed as a child and that has influenced his questionable beliefs/actions as an adult in ways he’s unable to recognize.

Gojo’s Other Problems

Outside of racism, Gojo’s most unpleasant traits include mild sexism and child endangerment. The sexism comes from how he speaks to Utahime and how treats Shoko compared to Geto. Though he otherwise does not outwardly discriminate against them, it is sus that he sees Rika, a girl transformed into a cursed spirit, and goes "Dang, women are scary." (The child endangerment is self-evident.)

For some reason, Gojo truly believes for some reason that the woman (Shoko) in his life isn’t emotionally capable of being on the same level with him as a man (Geto). This could just be a strength-based thing since Geto told him that’s why they can’t be together anymore. It’s really hard to tell. But if it really is a sexism thing, media in general being misogynistic could explain it. (On top of being raised by a traditionalist family in a society that is very sexist.)

Well-rounded female characters whose complex emotions and inner lives are explored in depth can be very hard to come by, especially in popular media. (If you want media that primarily focuses on female characters GO READ UMINEKO NOW.) A lot of the movies and manga Gojo consumes treat women as love interests first and people second. And since you’re reading this on Tumblr, you’ve probably seen posts that complain about this and how this feeds into irl interactions.

This idea comes into play with Utahime in a different way. Gojo doesn’t understand that Utahime actually hates him. This is a bit odd given that he usually takes people’s hostility towards him to heart. But a place where he could get the idea that her anger is secretly affection is…the tsundere archetype in the mangas he’s so fond of. (Gojo reads a lot of Shonen Jump, it’s no wonder he has negative rizz with women after they get past his good looks.)

Yuji does it, Todo does it, Mahito does it—they use the media they’ve consumed as a baseline for sorcery. They’re the best at what they do for it. There’s no way Gojo isn’t doing the exact same thing, especially when he’s teaching his students. He tries to fit the quirky mentor archetype who uses tough love to guide his students. (His blindfold might be an actual in-verse Kakashi Naruto reference.) And he falls into faulty logic where everything will work out if he leaves it all to his students which fulfills most Shonen story beats.

The stunt with Megumi that kickstarted this series is a 2-for-1 special. Gojo eating sweets is needed to maintain his technique. Him eating them is acting as a responsible adult. However, getting them several hundred kilometers away from his student who is in a dangerous situation is irresponsible. It may speak to how much he trusts Megumi to handle things on his own, but as an adult in charge of a child? This is very poor judgement on Gojo's end.

I also understand that Gojo's upbringing and Japan's culture (aka it's generally safe for a child to be outside alone) is probably why he's so comfortable leaving a roughed up looking child by herself. But like...he should've called someone for Hana. Maybe he did later? (Another case of is this Gege underdeveloping Hana/Tsumiki or is Gojo truly that careless towards little girls...)

Shonen is pretty notorious for uncritically putting children in situations. It probably doesn’t help that Gojo’s own family was violating multiple Japanese labor laws when putting him to work as a kid. I’m not joking about that either.

Per The Constitution of Japan (May 3, 1947) Chapter III Article 27 Paragraph 3: 

“Children shall not be exploited.”

What constitutes child labor exploitation are outlined in Japan’s Labor Standards Act (LSA) or Act No. 49 of April 7, 1947.

Per LSA Chapter IV Article 56 Paragraph 2:

“…an employer may employ a child of at least 13 years of age in an occupation…which involves light labor that is not injurious to the child's health and welfare…”

Additional protections for workers are outlined in Japan’s equivalent of OSHA, aka the Industrial Safety and Health Act (ISHA) or Act No. 57 of June 8, 1972. 

Per ISHA Chapter VII-2 Article 71-2:

“An employer must endeavor to create a comfortable work environment in order to improve the level of safety and health in the workplace by continuously and systematically taking measures as follows:

measures to manage the maintenance of a comfortable work environment;

measures to improve work methods for work in which workers engage;

providing and streamlining facilities and equipment for workers to recover from fatigue suffered in the course of their work;

the necessary measures to create a comfortable work environment, beyond as set forth in the preceding three items.”

I think it’s safe to say that Gojo not including any of his Clan members in his afterlife scene and being so overworked that he doesn't have hobbies or think much outside of sorcery is proof of this exploitation. Gojo’s self-reported best years of his life were high school and those were still exploitative as hell. The man is a walking and talking human rights violation.

The only time we see child Gojo is from the perspective of assassins staking him out. Gojo himself never willingly recalls his childhood, only his teenage years. He looks so serious and miserable compared to his older self too. (It kind of reminds me of how I was a very quiet, obedient child that blossomed into the yappy evil creature I am now thanks to obtaining legal rights and freedom as an adult.)

This exploitation of children at the hands of adults in Jujutsu Society is normalized in and outside of fiction in their universe. Gojo can tell something is wrong with how he was treated and doesn’t want his students to hurt for it. But he can’t recognize that child labor in or itself is bad, so his solution is to make them strong enough to stand up for themselves. (Aka trying to make a labor union without knowing what a union is. Still breaking child labor laws though.)

Might makes right is a Shonen staple (please see Dragon Ball Z or Baki the Grappler). And though taking that idea to heart seems to be the most of Gojo’s problems as a teacher, there’s an additional issue this genre has—neglecting emotional development and care for the most part.

Characters in Shonen or action movies will go through extremely traumatic events and have little to no reaction to them. (PTSD who? Unless you're goated like Steven Universe Future or Vinland Saga.) It can give people a false sense of invincibility. They also rarely ever discuss the steps that can be taken to handle these emotions. You’ll see characters have panic attacks but rarely how to coax someone out of it. Heartbreak is rampant, but the solutions are to never let go and let it consume you, never how to move on or mourn. (If outright ignoring it like nothing happened isn’t what occurs.)

You can see these kinds of ideas with Geto. A second love is not possible for Gojo. He was his one and only and will always be his one and only. That’s the type of romanticism that has always been in his media.

If Gojo has relied on media to teach him how to feel out his emotions, effectively and healthily coping with grief and breakups is pretty hard to find. Most of the time when media handles those topics directly, it does so in a way that promotes reflecting on your own experiences instead of instructing you how to deal with it. Something Gojo didn’t really have time for. 

In the light novels Gojo greatly laments his own inability to deal with grief. He wants his students to learn how to do that effectively and even employs outside help with this.

The result of all this is a really overworked weird guy that feels like there’s no way to process his emotions. He puts on a mask when he talks to others and still winds up alienating himself. He’s tolerated for his labor and dehumanized for what makes him good at it. This is all extremely autistic. 

Exploiting Autistic Labor

I want to emphasize again, not all autistic people have these traits. The best sorcerers just happen to all have these traits in common.

Hyperfixating on the task at hand without rest.

Not having a typical reaction to dangerous situations.

Taking words at face-value.

Disconnect from emotions and other people.

Unique perspective for problem solving. 

These are all things that make for the ideal worker. Autistic people are often compared to machines for their behaviors and what is better for the capitalist than a person that behaves like a machine? 

But autistic people are not machines. They’re humans with flaws subject to burnout, emotional dysregulation, meltdowns, off-putting behavior, and isolation.

Jujutsu Society has no incentive to help with these things, especially the emotional dysregulation or isolation. In fact, it encourages this outcome because isolated people are easier to manipulate and exploit. But this also results in the friction these characters have in their relationships.

It’s a situation where they try to have their cake and eat it too. Everyone loves when Gojo is a Jujutsu Pervert in battle. They make him do everything for it. But the second he starts being weird outside of work, they want nothing to do with him. Or they’ll even insult him for the very traits they’re more than happy to use him for. (It’s exactly like Todo. Everyone depends on his battle intuition and reliability. And that all stems directly from his special interest Takada that no one wants to hear about.)

This creates a very uncomfortable dynamic where Gojo is seemingly bears the burden for everyone and everything while the people he’s servicing refuse to acknowledge it. He’s like some kind of public emotional punching bag or hatesink for other characters because they think he can take it as The Strongest. I don’t know if this is because of the autism, but it is scarily similar to how myself and my other autistic friends get treated by others irl. I think this is why I had such a visceral reaction to JJK 269. I too have experienced allistic people exploiting my labor and then acting like I’ve never done anything for them.

And speaking of JJK 269…Kusakabe has always been that kind of dickhole. He’s been in favor of Yuji’s execution since the start. But that’s not what makes him so aggravating. It’s that he’s too cowardly to do it himself. He once again, pushes the burden onto Gojo. He’s not going to be the child killer even though he wants this child dead, that’s Gojo’s job. Gojo is the tool he and everyone else uses to do the things they don’t like. 

This includes the teaching Kusakabe thinks Gojo is bad at. Per that one flashback, Gojo had to instruct Yuta more because Kusakabe didn't do an adequate job. Gojo had to send Yuta to Kenya to be trained by Miguel because neither of them were doing enough for Yuta. Gojo recognized his own limits and enlisted help. Kusakabe projected his own shortcomings onto Gojo and waited for everyone else to find a solution for him.

I also want to remind everyone that Kusakabe is wrong about Yuji needing to be executed. Yuji and Sukuna were Kenjaku’s backup plan. Kenjaku would’ve sealed Gojo and started the Merger anyways. In fact, Gojo, Yuji, and Sukuna are the only reason Kenjaku didn’t win. Plus the remaining Sukuna fingers were getting stronger All By Themselves. This means that Kusakabe would just be kicking the can down the road and making it a problem for the younger generation. Gojo was the only adult with enough foresight to do something that would solve the problem.

We’ve also got Ui Ui calling himself the MVP of the Sukuna fight while failing to acknowledge the only reason he could warp in and out without dying was Gojo exhausting Sukuna in the first place. Gojo’s contributions seemingly don’t count because he’s not a person. He’s a tool they used. So all his labor counts as theirs instead.

And because he’s dead, Yuta really is the new Gojo. Please see how Yuta was treated before and after Gojo’s death side by side. 

(I can’t tell if this is character assassination or the point. But the only person here allowed to criticize Yuta is Todo as far as I’m concerned.) 

Yuta is their new Strongest hatesink who happens to be autistic as hell. And yes, Yuta’s autism is second to Gojo Satoru’s. 

(Yuta's leans much more into socially unaware straightforwardness and taking things literally. He doesn't have a special interest or infodumps at people and I think that's neat.)

Everyone grills into Yuta so hard over his plans for the Sukuna battle that he experiences the quintessential autistic experience as described by Twitter User PenGwenWithLC:

"The autistic trait that bites me in the ass most frequently is my impenetrable belief that if I show people the truth they will believe me."

Mind you, Yuta is the main reason they won after Gojo died. This boy had Back Up Plans A through Z and they worked. The only person who had valid input on his planning was…Gojo (and possibly Todo). The finger resonance with Nobara was Gojo’s idea (JJK 267 Pgs 4-5...Also let's talk about how if Gojo wasn't a hopeless romantic and scheduled this fight a day or even an hour later, he might have lived based on Nobara's wake up time.). Once again, these are all autistic characters using their unique ways of thinking to solve problems others are too cowardly to address.

And then these same people turn around and disparage them without acknowledging their efforts or emotions. Sure you can call it lashing out because they secretly care about them. (Aka tsundere behavior.) But both Yuta and Gojo take other people’s words at face value. They don’t understand that this is a very fudged up display of affection and internalize it. Gojo died convinced everyone except maybe 3 people hated him and even in death he couldn’t escape it. 

This is also why Gojo leaving Yuta in Miguel’s care was a good thing. Miguel seems to be the sole person in this series who knows how to avoid labor exploitation. Nanami may see work as nonsense and have an overtime mechanic, but Miguel simply does not work overtime. He sets his boundaries and sticks to them.

It’s very ironic that Yuta took flack for respecting the boundaries of a black man that refused to be exploited by the very people that would treat him poorly.

How to Not Exploit Autistic Labor

CW: Discussion of Suicide

The last time I examined the tragedy of Gojo Satoru I wanted him to live and be loved. But I’m not sure if I want that now. It doesn’t really seem like the systemic issues that caused his exploitation have been addressed, and the people he’s helped refuse to acknowledge they are standing on the shoulders of giants. Him becoming suicidal over this exploitation and choosing death because he saw no end to this is a particularly harsh reflection of what happens in reality.

Yuji notices that Gojo is acting out of character during his final talk with him. The arrogant, self-aggrandizing chipper he's used to has been replaced with this timid optimism. Gojo tells Yuji and everyone else to forget about him because he's confident they'll be living longer than him. Before this, previous chapters have shown that Gojo went around apologizing to others and preparing letters in the advent of his death. These are all warning signs associated with an imminent suicide attempt.

When Gojo tells Yuji this is confidence he's never had before, it seems like he means both his plans to go through with dying and that everyone really will be fine and better off without him.

Gojo also makes sure Yuji doesn't catch on to this. (Probably why he didn't do the soul swap too.) Even with his suicide, he's doing his best to make sure it doesn't negatively impact anyone. His final letters to Megumi and Nobara being so unserious is another attempt to make sure their hearts don't break. ...And nobody he devoted himself to in life or death noticed.

This rather bleak ending for Gojo does have a purpose I think. It’s an example of how hypercapitalist work culture doesn’t value your life. You can bend over backwards and put your all into work, but in the end, you’re just another cog to be used. Gojo’s dehumanization was inevitable under this system. This man was born to be used as a tool and discarded once he served his purpose. And because he’s not a person, people get really mad when he does anything outside of what benefits them directly. Since to them, it’s like a machine malfunctioning.

It’s unlikely these people will ever mourn him properly, let alone even acknowledge his efforts (outside of Yuji and Yuta that is). His closest “friends” in death thought of him as a self-serving pervert you know. (Once again, not sure if that’s character assassination or showcasing what Jujutsu Society does to people, but wow does it suck to see.)

But you know who did acknowledge Gojo as a human who did his damned best and is worth remembering? Sukuna.

Sukuna stopped the whole battle to lavish praise on Gojo and mourn him. He’s done that for everyone who has put up a decent fight against him. The other sorcerers? They do no such thing, even after the battle.

And you know who takes the time to cherish and mourn his comrades no matter what? Jogo.

I excluded Mahito from the autistic labor exploitation discussion for good reason. The natural disaster curses treat Mahito better than most humans have ever treated Gojo. Jogo doesn’t exploit Mahito’s autism, he embraces it. And despite their weird behaviors and beliefs stressing him out most of the time, Jogo does nothing to stop Mahito from being themself. He expresses his distaste, sure, but Jojo otherwise acknowledges those traits are what makes Mahito good for their cause. Mahito is his equal, not a tool.

Jogo doesn’t tell Mahito what to do or feel. He rolls with their shenanigans while wearing his heart on his sleeve. He takes time to mourn his comrades no matter how dire the situation. He acts with their interests in mind at all times—even in death his first concerns are his comrades. 

Even though Mahito is alive, Jogo worries for them while still having faith in their abilities. He looks forward to seeing Mahito again via reincarnation. I cannot say the same of Gojo’s allies. 

I’m not really sure how to end this discussion since I’m continuing it in another part. But if there’s anything you take away form this incomplete analysis, please let it be this one thing:

Jogo is best girl.

[missstormcaller]

Asks answered under cut

1) You're welcome, there's no other novelisations that were announced aside from WDkALY and CFYOW I/(II).

2) I believe there are translations available already.

3) I don't know about any scans, I just read the text directly from the Bleach or Jump app on my phone. You'll have to download either one of these apps to see the raw text or once the novel is released people may share scans from the book.

4) Yup, the official jump app is Japanese only.

5) Ah I'll have to disappoint you anon, I'm only doing Bleach on this blog. I don't think I'd be able to find time for it either, sorry!

6) Thanks for sending me this message anon ;)