#cecilia han

[chenlijuns]

[boomgers]

Nunca se está preparado para un desastre de este tamaño… “Sismo Magnitud 9.5”

Un repentino terremoto sacudió todo el parque químico en el condado de Gucheng, con fugas en las tuberías que provocaron constantes explosiones, el desastre se intensifica rápidamente y si se permite que se propague, toda la ciudad pronto será arrasada.

Con la tarea de apagar el incendio, un grupo de hombres conducen desde la estación de bomberos hasta el lugar y así comienza una carrera contra el tiempo para proteger y salvar vidas.

Estreno: 30 de mayo de 2024 en Cines.

La película está dirigida por Oxide Chun Pang, escrita por Ran Wang, Daiyuan Yang y Hongtao Zhang, y protagonizada por Jiang Du, Qianyuan Wang, Liya Tong, Cecilia Han, Haoming Yu y Dongjun Han.

[otakunoculture]

Donnie Yen's Polar Rescue Shows We're Not Finished With Winter Just Yet

@WellGOUSA has #polarrescue out today, and it's a film worth checking out to see how Donnie Yen fares in a emotional drama! #moviereview of the #homevideo release at:

Available to order on Amazon USA Well GO USA Now Available on VOD and Blu-ray Throughout the years, Donnie Yen has played a variety of characters who faced a myriad of challenges and in Polar Rescue, the greatest one is when a loved one disappears. The physical and emotional response is tough, and he definitely goes through the motions and that alone makes watching this movie worth the look. In…

[taekwondolifemagazine]

Donnie Yen's Polar Rescue Delivers an Avalanche of Emotions

Donnie Yen's Polar Rescue Delivers an Avalanche of Emotions #PolarRescue @WellGoUSA

March 4, 2024 (NYC)– Donnie Yen’s Polar Rescue Delivers an Avalanche of Emotions.  Polar Rescue (2024), is the latest action film from international powerhouse, Donnie Yen.  This action packed drama is available on Digital and Blu-ray on March 26, 2024. Here is a synopsis and review of this Well Go USA Entertainment release. SYNOPSIS: After a young boy gets lost during a bitter snowstorm, his…

[its-to-the-death]

Battle of the Gingers Wave 1 Preliminary Round #36

Whoever gets the most votes moves onto the next round

[tonreihe]

“Christ’s full divinity is expressed in his full humanity. This thesis means that his divinity is paradoxically revealed in the very fact that Jesus suffered, died, and descended into hell as (and probably, more than) a finite human being. In Balthasar’s own words, ‘The paradox must be allowed to stand: in the undiminished humanity of Jesus, the whole power and glory of God are made present to us’.”

—Riyako Cecilia Hikota, And Still We Wait: Hans Urs von Balthasar’s Theology of Holy Saturday and Christian Discipleship

[supernova-rsrcs]

Nadie me puede negar que este es Dario acosando gente en su adolescencia filosófica y hoy en día sólo ha dejado de hacerlo porque #adult life happens pero also no ha perdido la costumbre del todo

saw someone misspell "stochastic terror" as "socratic terror" so I'd like to clarify that stochastic terror is the public demonization of a person or group resulting in the incitement of a violent act that seems random but is not, while "socratic terror" is what every athenian felt when they went down to the agora in the 5th century and saw an old man with a beard approaching them

[zerounotvadri]

Ciudad de México, noviembre de 2023

RITMO PELIGROSO PRESENTARÁ SU NUEVO DISCO EN EL TEATRO DE LA CIUDAD ESPERANZA IRIS

Pachanga peligrosa es el título del nuevo material de la agrupación y con el que celebran su 45 aniversario de trayectoria

Única función: miércoles 15 de noviembre a las 20:30 horas

Se contará con la participación especial de músicos como Cecilia Toussaint, Dr. Shenka, Rubén Albarrán, Armando Palomas, Sabo Romo y Sergio Arau, quienes darán un toque especial a la sesión

La banda de rock mexicana Ritmo Peligroso ofrecerá un único y especial concierto para presentar su nuevo disco titulado Pachanga peligrosa y celebrar al mismo tiempo sus 45 años de intensa actividad, que la ha colocado como una de las agrupaciones más emblemáticas del rock en español.

El concierto se llevará a cabo el próximo miércoles 15 de noviembre a las 20:30 horas en el Teatro de la Ciudad Esperanza Iris, con el apoyo de la Dirección del Sistema de Teatros de la Secretaría de Cultura de la Ciudad de México.

En Pachanga peligrosa, la banda mexicana explora “otros horizontes musicales, sin perder su esencia, con un sonido actual y maduro”. El disco comenzó a tomar forma en la pandemia durante un streaming de la banda, cuando Piro y Mosy se reunieron en el estudio para empezar con el proceso creativo del acetato, el cual, finalmente, se grabó en los estudios de Discos Ciudad y en Dilo con Música, de Mosy, lo que significó su regreso a los estudios después de casi 20 años para una nueva y completa producción discográfica.

El concierto de aniversario será el marco ideal para hacer un repaso por los éxitos de la agrupación, desde los ochenteros Estás perdida y Marielito, hasta los himnos Déjala tranquila y Contaminado, los cuales marcaron el rumbo en la nueva etapa de la agrupación en los años noventa.

De Pachanga peligrosa se escucharán Dejen a los niños en paz, La tribu pachanga, Un minuto de silencio, Tiempo de locura, Algo va a suceder, Pistolero y Agradecido, temas que llevarán al público a vivir las diferentes etapas musicales de la banda.

Cabe destacar que, en el concierto especial, Ritmo Peligroso contará con la participación de algunos de los artistas que  han colaboraron en todos estos años con la banda como Cecilia Toussaint, Dr. Shenka, Rubén Albarrán, Armando Palomas, Sabo Romo y Sergio Arau, quienes darán un toque especial a la sesión.

En la Pachanga peligrosa, Piro, Mosy, Avi, Gato, Manny y Pinaca se entregarán al público de una manera muy especial, “porque no solamente presentarán un nuevo disco, sino que también estarán celebrando 45 años de carrera”, dicen los integrantes de la banda, quienes aseguran que “será una noche de baile, canto, ritmo y festejo… una experiencia inolvidable…”.

Pachanga peligrosa. Presentación del nuevo disco de Ritmo Peligroso se llevará a cabo el miércoles 15 de noviembre a las 20:30 horas en el Teatro de la Ciudad Esperanza Iris (Donceles 36, Centro Histórico, Metro Allende).

Admisión: Luneta, $450; Primer Piso Central, $400; Primer Piso Lateral, $350; Anfiteatro, $300, y Galería, $150. Los boletos se pueden adquirir en la taquilla del teatro y en las plataformas digitales de Ticketmaster.

Para conocer la programación de la Dirección del Sistema de Teatros de la Ciudad de México visite las redes sociales: Facebook @TeatrosCdMexico, Twitter @TeatrosCdMexico e Instagram @teatroscdmexico.

[chenlijuns]

[the-star-rigel]

You’ll never recover from that kind of devotion.

Jason Grace: on family and the lack thereof, wolves that really are dogs, remembering and healing and the sudden inevitability of being remembered.

I Bet on Losing Dogs, Mitski / War of the Foxes, Richard Siken / You’re on Your Own, Kid, Taylor Swift / Trees II, McCafferty / Mowgli Taken in by the Wolves, 1937 / Space Dog, Alan Shapiro / Moon Song, Phoebe Bridgers / A Hymn to Childhood, Li-Young Lee / Susan Smith, wych elm / The Blood of Olympus, Rick Riordan / Saint Bernard, Lincoln / Lupa Capitolina in Ludus, Romania / The Odyssey, Homer (trans. by Emily Wilson) / quadruple dog art by @mxmorggo on Instagram / Norwegian Wood, Haruki Murakami / The Lost Hero, Rick Riordan / House of Leaves, Mark Z. Danielewski / Vulnerability, @/kazerad / Euripides, Elektra / Jason seizing the Golden Fleece, Charles Natoire / Thalia (Grace) / I can’t find the source… / My Sister’s Keeper, Jodi Picoult / Seam, Tarfia Faizullah / In the Blood, John Mayer / The Vintage Book of African American Poetry, Michael S. Harper, Anthony Walton / Memento Mori, Crywank / And My Father’s Love Was Nothing Next To God’s Will, Amatullah Bourdon / Family Line, Conan Gray / Franz Kafka’s letters to his father / Kronos/Saturn, Peter Paul Rubens / Wolf and pup / American Teenager, Ethel Cain / LET YOUR FATHER DIE ENERGY DRINK, Daniel Lavery and Cecilia Corrigan / Scott Street, Phoebe Bridgers / Tumblr, @/inanotherunivrse / Tomatoes, Shane Koyczan / Pinterest / Tumblr, @/heavensghost / Tumblr, @/tagdevilish / through sickness and in health… by Angelina Hajducky on Instagram / Jason (given name), Wikipedia / Human Acts, Han Kang / The gas pillar in the Carina Nebula, NASA / Tumblr, @/roach-works / Not Strong Enough, boygenius / Grit, silas denver melvin / Herakles, Euripides (trans. by Anne Carson) / Pelias sending forth Jason, 1880 / The Audre Lorde Questionnaire to Oneself, Brianna Albers / The Mark of Athena, Rick Riordan / Wolf in White Van, John Darnielle / The Oresteia, Aeschylus / Tumblr, @/orpheuslament / Anecdote of the Pig, Tory Adkisson / The Burning Maze, Rick Riordan / I Bet on Losing Dogs, Mitski / Icarus, The Crane Wives / The Three Graces, Edouard Bisson / For Your Own Good, Leah Horlick

[heylelumus]

PERO QUÉ CULPA TIENE AHORA EIDER DE QUE LOS BIANCHIS ESTÉN MALITOS DE LA CABEZA Y A CECILIA SE LE ESTÉ CONTAGIANDO

¿Cómo se supone que pueda volver a rolear a Cecilia si he logrado decepcionar a Dario? Es que no puedo. No se puede. No hay manera.

Todos: No hagas esta cena, Cecilia, va a salir mal

Cecilia cuando la cena sale mal:

Si lo piensan bien, todo es culpa de Lorenzo. O sea, si, Cecilia fue la que lo invitó, pero igual si él se hubiera apegado al libreto nadie nunca hubiera sospechado de ella, ¿Verdad? ¿Verdad?

[intrikatie]

✩˚‧₊ · ✶ ･ﾟ: · .𖥔 ˖.Navigation .˖𖥔 . · : ﾟ･✶·₊‧˚ ✩

About Me ✶ STAYBLR ✶ Stayblr Discord Server ✶ member of the Supernova Network

✶ ･ﾟ: · .My Artwork ﾟ･✶·₊‧˚ ✩

Stray Kids: OT8 | Chris | Lee Know | Changbin | Hyunjin | Han | Felix | Seungmin | I.N. | 3RACHA

✶ ･ﾟ: · .SKZ GIFS✶ ･ﾟ*･✶SKZ VIDS✶ ･ﾟ*･✶NOTICED･ﾟ*･✶CURIOUS

Other artworks: Heartstopper | Good Omens | Sandman | animations

✶ ･ﾟ: · .My Writing ﾟ･✶·₊‧˚ ✩

🔞Minors DNI

Master List: Chris | Lee Know | Changbin | Hyunjin | Han | Felix | Seungmin | I.N

[originally located located on my sideblog @somethingkindazainy]

✶ ･ﾟ: · .Reblogs ﾟ･✶·₊‧˚ ✩

Because that's the whole point of Tumblr!

✶ ･ﾟ: · .Writings

Stray Kids Fics by super talented folks!

Master Lists from some of my fav writers:

✶ Valkyrie ✶ Ash ✶ Cecilia ✶ ✶ Bel ✶ Lev (ao3) ✶ Stardust ✶ ✶ Darling ✶Jae ✶

✶ ･ﾟ: · .General things that made me smile so I had to share

Stray Kids specific: OT8 | Chris | Lee Know | Changbin | Hyunjin | Han | Felix | Seungmin | I.N. | my boys 3RACHA

✶ ･ﾟ: · .My awesome moots below the cut:

✶ @kirbyscreeper ✶ @part-time-potato ✶ @neverendingstay ✶ @kisskissbanggang ✶ @palindrome969 ✶ @valkyriexo ✶ @mmoonriseflowerr ✶ @skzdreamer13 ✶ @skzdust ✶ @jerirose ✶ @jourquet ✶ @calypsohan ✶ @yourpsychosomatic ✶@seungminindabuilding ✶ @nocturnalfei ✶ @supernovanetwork-main ✶ @kirbyscreeper ✶ @cutieleeknow

Don't want to be here? That's okay, let me know! Think we're moots & want to be added? Let me know!!!

dividers by the talented @firefly-graphics

updated: 7th December

[tonreihe]

“The paradoxical truth about God is already revealed here, as God’s omnipotent power is shown in his very act of giving it up.” Hans Urs von Balthasar on the kenotic love at the heart of the Trinity. (Riyako Cecilia Hikota, And Still We Wait: Hans Urs von Balthasar’s Theology of Holy Saturday and Christian Discipleship)

[princesssarisa]

Where do you watch operas?

There are plenty of complete filmed opera performances available on YouTube, which you can watch for free. Unfortunately, not all of them have English subtitles, but if necessary, you can always find a translation of the libretto online to follow along with.

In fact, just for fun, as an example, I'll provide some links to complete filmed performances of the world's top 10 most popular operas, with English subtitles.

Die Zauberflöte (The Magic Flute)

Studio film, 1971 (Nicolai Gedda, Edith Mathis, William Workman, Christina Deutekom, Hans Sotin; directed by Sir Peter Ustinov; conducted by Horst Stein)

La Traviata

Studio film, 1968 (Anna Moffo, Franco Bonisolli, Gino Bechi; directed by Mario Lanfranchi; conducted by Giuseppe Patané)

Carmen

Royal Opera House, Covent Garden, 2006 (Anna Caterina Antonacci, Jonas Kaufmann, Ildebrando d'Arcangelo, Norah Ansellem; staged by Francesca Zambello; conducted by Antonio Pappano)

La Bohéme

Studio film, 1965 (Mirella Freni, Gianni Raimondi, Rolando Panerai, Adriana Martino; directed by Franco Zeffirelli; conducted by Herbert von Karajan)

Le Nozze di Figaro (The Marriage of Figaro)

Teatro alla Scala, 2006 (Ildebrando d'Arcangelo, Diana Damrau, Marcella Orsatti Talamanca, Pietro Spagnoli, Monica Bacelli; staged by Giorgio Strehler; conducted by Gérard Korsten)

Tosca

Teatro Real de Madrid, 2004 (Daniela Dessí, Fabio Armiliato, Ruggero Raimondi; staged by Nuria Espert; conducted by Maurizio Benini)

Madama Butterfly

Theatrical film, 1995 (Ying Huang, Richard Troxell, Ning Liang, Richard Cowan; directed by Frédéric Mitterand; conducted by James Conlon)

Don Giovanni

Zurich Opera, 2001 (Rodney Gilfry, László Polgár, Isabel Rey, Cecilia Bartoli, Liliana Nikiteanu, Roberto Saccá, Oliver Wimer, Matti Salminen; staged by Jürgen Flimm; conducted by Nikolaus Harnoncourt)

Il Barbiere di Siviglia (The Barber of Seville)

Metropolitan Opera, 2007 (Peter Mattei, Juan Diego Florez, Joyce diDonato, John Del Carlo, John Relyea; staged by Bartlett Sher; conducted by Maurizio Benini)

Act I, Act II

Rigoletto

Studio film, 1982 (Ingvar Wixell, Luciano Pavarotti, Edita Gruberova; directed by Jean-Pierre Ponnelle; conducted by Riccardo Chailly)

[saulcastillo]

EXTRA! es una sección mensual que recopila los mejores diseños en las páginas de la prensa nacional e internacional, con publicaciones que no han aparecido con anterioridad en el blog.

En la recopilación de octubre destacamos (de arriba a abajo y de izquierda a derecha):

[1] Cómo genera su electricidad cada estado en EE.UU., una gráfica y energética doble página de Nadja Popovich en el The New York Times del 23 de octubre.

[2] Aprendiendo a catar vino en tres pasos como un profesional: alcohólica doble de Izania Ollo en El Diario Vasco del 5 de octubre.

[3] Cómo consiguen las aves diferenciarse con esos vibrantes colores y qué usos les dan: una propuesta de Karina Zaiets, Cecilia Garzella y Veronica Bravo en el USA Today del día 11.

[4] Siguiendo el rastro de destrucción del huracán Helene, un mapa a toda página de Bora Erden, Lalena Fischer, June Kim, Elena Shao y Jeremy White en el New York Times del día 2.

[5] El espectáculo casteller más grande del mundo, una preciosa doble de Raúl Camañas, Alan Jürgens y Clara Penín en La Vanguardia del 5 de octubre.

[6] El South China Morning Post se propone seleccionar a los 200 genios del milenio: una cronología de cerebritos diseñada por Katie Yue y Marcelo Duhalde en el diario del día 11.

[7] El Washington Post nos cuenta con ilustraciones cómo Estados Unidos incautó un megayate ruso de 90 millones de dólares. Es un trabajo de Jeff Stein y Stephanie Hays publicado el 25 de octubre.

[8] Cerramos con el campo de concentración de Miranda de Ebro, el centro de prisioneros más longevo de España activo entre 1937 y 1947. Nos cuenta su historia Josemi Benítez en El Correo del 12 de octubre.

… EXTRA! anteriores: 2024: enero · febrero · marzo · abril · mayo · junio · julio · agosto · septiembre Años anteriores: 2023 · 2022 ·  2021 ·  2020 ·  2019 ·  2018 ·  2017 ·  2016 ·  2015

[galleryofart]

Death of Chopin

Date: Félix-Joseph Barrias (French, 1822–1907)

Date: 1885

Medium: Oil on canvas

Collection: The National Museum in Krakow, Poland

Description

The French artist Felix-Joseph Barrias, since he painted this work 46 years after the composer's death, may have used an account of Chopin's dying moments that was conveyed to posterity by Solange, George Sand's daughter and the sculptor Clésinger's wife: "One October afternoon in 1849, on the 16th, around twenty people were apprehensively waiting in the drawing room […]. Chopin wanted to know whether Countess Potocka was also in the drawing room and if she would like to sing closer, the door was wide open, and the beautiful countess started to sing. She was singing with her heart broken, with a voice full of tears! The people in the room dropped to their knees, choking back their sobs.”

The refined lady in white, standing by the piano, is probably Countess Delfina Potocka, who, according to tradition, sang the song "Pieta Signore" (Have Mercy Upon Me), which at the time was attributed to Alessandro Stradelli and is now attributed to the 19th-century composer Niedermayer. At one side of the bed, on the left next to a nun, Solange herself is kneeling; at the other side of the bed, Chopin's sister Ludwika is holding the dying composer's hand; in the foreground to the right, Marcelina Czartoryska, Chopin's pupil, and further at the window, Father Aleksander Jełowiecki, the painter Teofil Kwiatkowski (he left a series of beautiful pencil and watercolor sketches representing Chopin both at the piano and on his death bed) and Wojciech Grzymała.

Two Swedish researchers, Cecilia and Jens Jorgensen, argue that Barrias created the painting in collaboration with his pupil, Countess Winnaretta de Polignac (1865–1943), Edmond de Polignac's widow and a philanthropist and patron of artists and scientists. She was the daughter of Isaac Singer, the inventor of the sewing machine. Reportedly, he wanted to name the first model of the sewing machine he constructed after Jenny Lind (1820–1887), an eminent Swedish soprano singer and, since Hans Christian Andersen dedicated one of his fairy-tales to her, also known as the Swedish nightingale. She met Chopin in 1848 in London during one of his last tours in the city and was intending to marry the composer.

Two weeks after the artist's death, she arranged and paid for an extremely ceremonious funeral, which started with a mass held at l'Église Sainte-Marie-Madeleine, during which she sang arias from Bellini's opera. In 1851, she met Countess Winnaretta de Polignac, and it is possible that they made a decision together to commission a painting that represents Chopin in his dying moments. We know a little about how the work was created, but we know that it was the property of Countess Winnaretta, and later Count Campofelice. According to the Jorgensens, the woman that the painting represents in white while standing at the piano is not Delfina Potocka, but Jenny Lind.