#carry grief

[petrichara]

And no I don’t think love ever leaves because it’s been eight years since my dad died and he is in every thought and hope and dream. and when I think I can’t fix the computer he is here. and when I eat chocolate cake he is here. and when the sun glows at 3pm he is here. and he will always be here because his life made mine, and my life will be his epilogue

[sems-diarie]

death is insane. wdym i’ll never see my grandmother again

[unabashedlyfuriousenthusiast]

Consequences of ❤️ Love

Photo by Susan Wilkinson on Unsplash Another one of the things that my mentor, Kelly, whom I wrote about two weeks ago in a blog post, taught me is that tragedy transforms people into one of two personality types: 1.) Bitter and resentful. These are the people who have a need to be right and view the world as a place of injustice, where they are unfairly treated. OR, 2.) Faithful and…

[ffcrazy15]

There's this way of doing female-ness in Christianity that I call "pastel flower journal Christianity." I've got nothing against pastel flower journals per se, but for some reason people believe it's the end all and be all of female spirituality, and I think it's a real disservice towards young Christian women.

One of these days I'd like to start a prayer-and-reading group or something for young women, but there would be no floral themes or over-focus on how "God thinks you're beautiful even if the world doesn't" (a true statement, but it's wayyyyy too often the focus in women's spiritual reading). Instead we would be reading:

Seneca's Letters from a Stoic

Frankl's Man's Search for Meaning

Sheed's A Map of Life

Portions of Pieper's book on leisure

Kreeft's Three Philosophies of Life

Guardini's The Lord (or something similar)

Therese's Story of a Soul

and some select portions of the Nicomachean Ethics.

(Also they're all getting the porn talk. I don't know why we give the porn talk to young men but not young women. There's this idea that women don't use porn and they only need the talk about "guarding their heart." Bullshit. There's porn on the YA shelves of Barnes and Nobles and before that there were bodice rippers. Young women need the porn talk too.)

Every young woman needs to be getting a basic grounding in virtue ethics, logic, natural law, scholastic philosophy and Biblical hermeneutics if they're going to get by in today's spiritual landscape. Enough faffery and emotionalism in young women's spiritual education! Give them real food to chew on, not pasty sentimentalism!

[poorly-drawn-mdzs]

I want it back / I drag its dead weight forward.

[starry-bi-sky]

Out of Context Stuff for a Danyal Al Ghul au i haven't posted - Pit Beast Danyal

Damian, 13: Look, Danyal, -- I am so sorry for everything that happened between us in the League, I hope you can forgive me.

Danny, 10 (allegedly): (has been secretly plotting to murder Damian this whole time, is still gonna do it obvs, but is going to make it significantly less painful now)

Danny: I-- of course, older brother. :]

--------

Bruce: what do you have there, Damian?

Damian:

Danny: (a hulking 10ft pit beast standing beside him, growling idly with ram horns gouging out his eyes and a second set of horns jutting into the air, spines down his back, and a long, spiked tail with an animalistic, skull-like face)

Damian, who smuggled him in (they've made amends): a smoothie, father

----------

Damian: this is my little brother Danyal, i murdered him when he was five. He festered in rage for the last half-a decade, took over a League mountain base in Switzerland, murdered everyone inside and then tried to murder me when I went to investigate with Drake.

Danny: hello!

Damian: we're cool now

----------

Damian: thoughts on resurrection

Danny, (a full ghost): i will succeed in murdering you if you try it

Damian: we'll put a pin in it then

----------

Danny (still instilled with League values): why don't we just murder him??

Damian, on patrol (Danny followed him): we don't murder people, Danyal

Danyal:,,,,are you sick, Dami?? Have you been possessed? Why not!?

(There is raucous laughing through the comms)

----------

Danny, five, pre-death: Dami! :D

Danny, dead, vengeful: Older brother (:

Danny, post-forgiveness: Dami! :]

-------

For some actual context: Danny is fully dead in this au, its a result of the classic DPxDC Demon Twins "death duel" trope but instead of Danny getting revived, he stays fully dead. Danny was five, Damian was seven. His ghost lingered though, and due to the proximity of the pits his ghost steadily absorbed the ambient energy it was letting off. The pits are not corrupted ectoplasm in this au, it's just liquid ecto.

Which means Danny's corruption from an angry and hurt little ghost boy to an unrecognizable monster is from his own doing. It's a result of him stewing in his hurt and anger for years, it physically warped him. He's very powerful. Danny can travel between League Bases but chose a small, out-of-the-way base in the Swiss mountains to fester in and then just. Never Left.

His influence steeped into the very foundations of the building, allowing him to transform and warp the rooms and hallways for his own bidding, Meaning he could turn it into a seemingly unending labyrinth if he so wished to, and block the entrance.

Eventually, blinded (both metaphorically and physically) by his own rage, Danny grew powerful enough to appear physically in the living realm and attacked everyone in the base, slaughtering them all and leaving the base abandoned. He attacks anyone who dares enter -- whether that be other league members, or the unfortunate hiker who stumbled across the base. His conscious is steeped into every nook and cranny of the building, there is nowhere you can hide where he can't find. Nobody leaves without his explicit say so. Nobody ever does.

Him appearing as ten years old before Damian in the skits above is his own physical doing. First it was to prevent Damian from being suspicious of him. Damian initially thought Danny was revived with the pits, he was too busy with his own training afterwards to notice that Danny never showed up again, and when he did notice, he assumed it was because Danny was too ashamed of his loss to face him. He'd always forget to ask about him.

Then it becomes a personal choice to appear as ten. It's how old he would've been had he been alive.

danny forgiving Damian is kinda for an offshoot branch of the main au. Whereas the main au takes the form of a ps4 first person horror game where Damian and Tim are investigating the Base for Plot Reasons. There's no sign of the rumored "monster" living inside until the end, where Danny, who was found inside the Base and has been happily "helping" them look around, manages to persuade Damian into splitting off from Tim in order to "show him something."

This something turns out to be Danny revealing that he never really forgave Damian for that fight, and he reveals through a horrifying transformation, that he was the monster the whole time. Which the game subtly hints at throughout as Danny's strange behavior becomes harder to ignore.

First from his insistence to only refer to Damian as "older brother" (when before the duel he always called him Damian or Dami), to him right off the bat denying the existence of a monster when questioned. ("There's no monster here, older brother. It's just me.") To other various things, like his knowledge of the outside world not matching up to modern times or things going on with the league outside of the base, or what happened to the other league members.

This whole idea was inspired by the song "Scylla" from Epic the Musical, with Danyal being the voice of Scylla as well as Odysseus, while Damian stands as Eurylochus. The instrumentals after Scylla says "hello" is him turning into the pit beast, and Scylla's "drown in your sorrow and fears" part is danny, as the pit beast, snarling at Damian while he attacks him.

There's a Good Ending, a Bad Ending, and a True Ending. The Bad Ending results in Damian being killed by Danny, it happens when Damian decides not to question or suspect Danny and treats him kindly. The Bad Ending is a cutscene, where Danny kills Damian quick and painlessly.

Meanwhile the Good Ending is Damian killing Danny. This is a boss fight, and it happens when Damian treats Danny coldly and suspiciously the whole time. Danny as a result, decides to make Damian's death painful as he had planned to, which is why it's a boss fight because it only causes him to double down on his anger.

The True Ending is Damian escapes with Tim. It happens when you treat Danny warmly up until the last minute, where when Danny proposes to Damian that he wants to show him something, Damian goes to talk to Tim and finally, reluctantly agrees that something is off with Danny, and that he'll be careful going in. It starts off with the boss fight until a third through, where it then changes to a cutscene where Tim manages to get the door open and Damian escapes out. It's then a chase scene down a never-ending hallway as the building actively works to keep you trapped inside. But you eventually make it to the exit so long as you avoid all the projectiles and doors.

Remember when I mentioned that Danny only lets people leave when he wants them to? That's where the treating Danny kindly throughout the game comes into play. It causes him to second guess himself and, eventually, reawaken and strengthen the love and admiration he had for Damian prior to his murder. It's why in the Bad Ending he kills Damian quickly -- because by then, he loves him enough that he doesn't want him to suffer, but is still so consumed by his rage and need for vengeance that he kills him anyways. That quiet part is what allows Damian (and Tim) to find the exit, because some part of Danny still loves Damian enough that he wants him to live.

The True Ending ends with a cutscene of Damian and Tim tumbling out into the snow/grass outside of the base. Damian looks up back to the entrance to see Danny standing there. But rather than a ten year old boy, there's a little five year old Danyal Al Ghul instead. He stares at Damian emotionlessly, blood seeping from his chest, staining his clothes, and little, bloody sword in his hands and tearstains on his cheeks, before he turns away and disappears back into the building.

[petorahs]

Orpheus' strings / music club

[meteortrails]

obsessed with the contrast between how openly and blatantly law carries the impact corazon had on him vs how reserved and secretive he is about his family and flevance. like he tattoos his whole body and designs his Jolly Roger and names his crew in honor of corazon, but the only marks of his home he carries with him are his skill as a surgeon and the hat he’s had since he was a kid. he even keeps two of his names a secret!! idk there’s just something about this sort of external focus law puts on the grief that he can actually act on and assign specific blame to, vs. the much more internal nature of the grief that he can do nothing but carry with him alone. but then again, by a certain measure the mere fact of his continued existence is one of the most obvious declarations of his grief over his family and his country that he could possibly make, so who knows!

[dangoulains-devotion]

you mustn't blame yourself

[brighteuphony]

Thank you again for all the interest and asks! <3

Sakura was listed dead after her caravan got attacked on the way to the Land of Tea, so the reunions are both painful and tear-jerking.

Sakura actually ends up escorting Kakashi back to Konoha, after a mission in the Land of Tea leaves him unable to use chakra till he heals properly. It's a long walk back to Konoha, so some laundry gets aired out. It's a strange tentative relationship they've got afterward, where Kakashi grapples with many very strange and upsetting emotions. After all, he's used to losing people...but he's never gotten them back before. He doesn't know what to do with that- and he doesn't know what to do with the strange, powerful woman who's taken the place of his once-scared student.

As for Naruto, she's forgiven him and wants his forgiveness in return. They've both done a lot of reflecting- as Naruto realized he'd been living life without realizing how his ideals/nindo could hurt people while Sakura, though her anger was justified, had been cruel and thrown some really low blows. Their relationship won't ever be the same, but that's a good thing. There's a lot of crying.

As for Sasuke...she wants justice. Barring that? Revenge.

[llovelymoonn]

on grief

okechukwu nzelu here again now \\ ada limón the carrying: "after the fire" \\ alice hoffman practical magic

[unabashedlyfuriousenthusiast]

Life's❤️ Sweet Recipe

I was in the middle of writing the final paragraph of this week’s blog and then realized it was Valentine’s Day TODAY! Although the last string of my blogs have centered around love themes — figures that the blog I initially worked on for today pertained to a woman who was removed from love. I had to quickly change my plans and attempted to “force fit” a Valentine’s spin on the blog post, but…

[bookishable]

it's always better to have loved.

philip pullman, the amber spyglass / guillermo del toro's pinocchio (2022) / fleabag (2016-2019) / andrew garfield / art by @catadromously / anne carson, euripides / markus zusak, the book thief / shannon barry / little women (2019) / the good place (2016-2020) / fyodor dostoevsky, crime and punishment / his dark materials (2019-2022) / @starpeace

[poorly-drawn-mdzs]

Hi! I hope this is okay but I would love to hear more of ur thoughts about the Yunmeng siblings because they are important to me and your tummy hurt comic hasn't left my brain as just,,, such good immediate characterization! ^^ Thanks!

I have too many thoughts on the Yunmeng siblings to fit into a succinct post, but I can offer you a Jiang Yanli addendum to the tummy hurt alignment.

[iheartbookbran]

There’s something about Rhaenyra’s epithet being the Black Queen and how the color black is often associated with mourning and grief. Because Rhaenyra’s story really starts with the death of her mother, and that’s a grief that she carries onto her adulthood. But it goes deeper than that, we’re told how many children Aemma lost during her marriage to Viserys, and Rhaenyra, though just a child herself at the time, had to experience the loss of her siblings alongside her mother, never being enough for her father because she wasn’t a son. Then she finally becomes the heir, but not in time to save her mother, and the grief never really leaves her. She loses Harwin (and at least in the book, Laena). She learns about the usurpation of her throne at the same time that she learns about the death of her father. She loses her only daughter.

She watches her sons leave her one by one until only one is left.

How could she ever be anything other than the Black Queen?

[squigglyshroom]

finished drawing for the radioapple week day 4