#carrier bag fiction
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I made a graphic because I have the urge to say this a lot:
Kill the Arrow, Fill the Bag!
There are very few instances in which fiction needs to go from point A to point B as efficiently as possible. Most people who advise you to write this way are cribbing from advice for stage, screen and a specific type of short story (the kind you shop around to a print publication that enforces a word count), or from the goddamn Hero's Journey (which has done so much damage to storytelling in the modern era). All these limits are artificial.
If we go back to the dawn of storytelling, which involved sitting around a warm fire in the dark, the story pauses when everyone is tired enough to go to bed, and then we pick it up again, and again, until we're bored of it. Then, when we're not bored of it anymore, we can come back and pick it up again - maybe with a new storyteller and new takes on old characters and situations. Stories were alive and evolving, not printed on dead trees and copyrighted out the wazoo so there's only one version ever and you have to pay to read it or tell it.
The real rule, from the time before profit, is "Don't be boring." Sometimes you get trapped in a headspace where is seems like something has to happen, and you don't realize it's no fun to write or read - and these days you don't get instant feedback from your listeners around the fire - so you do need to keep making that assessment and murder some of your darlings. But it's like those poor cold bees you're storing in your mouth - if you're having fun, they're (probably) having fun.
A human life isn't fired like an arrow at a target, nor should it be. You gather resources and experiences, and use them as you wander the landscape, in search of truth, and fun. There is an inherent freedom in not having your purpose assigned from birth, and incredible potential in deciding just what the hell you are doing here. Why would you cut that out of your stories like a spare kidney, if someone didn't force you?
Thank god for fan authors who are able to fill in the gaps with slice-of-life and relatable mundanity, alongside new adventures. If all you had to eat was a bunch of arrows and prey animals, you'd die of malnutrition!
for the love of god, write all the self-indulgent scenes you want. be utterly shameless about including every last fantasy. i know everyone likes to share quotes and quips about how miserably hard writing is, but please please try thinking of it as a joyful act where you get to be a messy human who makes art rather than some pain filled quest for icy perfection.
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times, places, and practices that I want to learn from to imagine a hopeful future for humanity 🍃
the three sisters (squash, beans, maize) stock photo - alamy // anecdote by Ira Byock about Margaret Mead // art by Amanda Key // always coming home by Ursula K. Le Guin // Yup'ik basket weaver Lucille Westlock photographed by John Rowley // the left hand of darkness by Ursula K. Le Guin // photo by Jacob Klassen // the carrier bag theory of fiction by Ursula K. Le Guin // article in national geographic // the dawn of everything by David Graeber and David Wengrow // braiding sweetgrass by Robin Wall Kimmerer // the birchbark house by Louise Erdrich // photo by John Noltner
I'm looking for more content and book recs in this vein, so please send them my way!
#solarpunk#hopepunk#braiding sweetgrass#just a collection of books and pictures that make me hopeful for the future#margaret mead#robin wall kimmerer#nature#ursula k le guin#ursula k. le guin#the left hand of darkness#the carrier bag theory of fiction#the dawn of everything#anthropology#future#hopecore#native plants#biodiversity#sustainability#eco#eco friendly#louise erdrich#civilization
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they would be best friends
#I’m certain of this#and you know what#these are the kind of stories Ursula K Le Guin was talking about#the carrier bag stories#the carrier bag theory of fiction#these are important#both really good films#anyway#fox post#amelie#amelie poulain#perfect days#wim wenders#perfect days wim wenders#le fabuleux destin d'amélie poulain#carrier bag theory#stories & writing#films & shows
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"So long as culture was explained as originating from and elaborating upon the use of long, hard objects for sticking, basing, and killing, I never thought that I had, or wanted, any particular share in it. ("What Freud mistook for her lack of civilization is woman's lack of loyalty to civilization," Lillian Smith observed.) The society, the civilization they were talking about, these theoreticians, was evidently theirs; they owned it, they liked it; they were human, fully human, bashing, sticking, thrusting, killing. Wanting to be human too, I sought evidence that I was; but if that's what it took, to make a weapon and kill with it, then evidently I was either extremely defective as a human being, or not human at all."
— Le Guin, U.K. (1989). The Carrier Bag Theory of Fiction. In Dancing at the Edge of the World (pp. 165-170). Grove Press.
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saw this cool article but it was in the rbs of a post about a terf so here it is as its own post
#crying and pointing gun image where i’m aiming at the gendered assumptions in The Carrier Bag Theory Of Fiction#articles
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3.1: 50 Shades of Solarpunk: A Conversation with Ariel & Christina
Ariel and Christina open Season 3 with a chat about what #solarpunk, or, at least this solarpunk #podcast, is setting out to achieve… according to how Ariel sees it. #aesthetic #postmodernism #Anthropocene #ideology #language #punk #CapitalistRealism
Ariel and Christina open Season 3 with a chat about what solarpunk, or, at least this solarpunk podcast, is setting out to achieve… according to how Ariel sees it. With her occasionally curmudgeonly devil’s advocacy, Christina provides the nuance we need as we push through topics, including the definition of solarpunk in a time of slippery postmodern language (that, in true solarpunk fashion,…
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#aesthetic#Anthropocene#Carrier Bag Theory of Fiction#climate activism#conversation#Cruising Utopia#environmentalism#posthuman feminism#postmodern language#solarpunk#solarpunk presents podcast#sustainability#Ursula K LeGuin
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stop my favorite part of tlt was gideon wanting to be a hero but having no idea wtf was going on w harrow and that’s this but like times ten million
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Read The Word for World is Forest by Ursula K. Le Guin today.
Don't really have the energy to say more but I do really want to read more of her works.
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Hmm.
#something about the carrier bag theory of fiction the misunderstanding motif of mark and fortean intermediatism#i can kind of see them weaving together in my head#the small foolishness of heroism in a world not of things but of relations and what might be an alternative to that hero
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"A gourd, a shell, a net, a bag, a sling, a sack... a holder, a recipient... this belly of the universe, this womb of things to be a tomb of things that were, this unending story."
Ursula K. Le. Guin in 'The Carrier Bag Theory of Fiction'
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Solarpunk: A Container for More Fertile Futures
Originally published in the inaugural issue of Solarpunk Magazine in January/February 2022. This essay reflects on the creative movement now over a decade old. What began as a whisper has blossomed into a verdant canopy of imagination and action. I write about my own involvement in solarpunk, spanning over 10 years, including (at the time) 8 years as an admin on @solarpunks and the…
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#adam flynn#andrew dana hudson#Arundhati Roy#capitalist realism#Carrier Bag Theory of Fiction#cultural fracking#cyberpunk#essay#jay springett#JG Ballard#JG Ballard and Fredric Jameson#kickstarter#le guin#mark fisher#memetic engine#neal stephenson#punk#rhys williams#Saidiya Hartman#sci-fi#solarpunk#solar punk
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Rest of my life
One shot: bf drew x gf yn
Summary: babysitting drew’s niece leads to the realization that you’re the one for him.
Genre: established relationship, fluff
Warnings: so sweet u get cavities
⋆.˚ please dont copy my work, if inspired please tag me
⋆.˚ this is entirely fictional, if uncomfortable then don't read
─── ⋆⋅☆⋅⋆ ──
“Which girl did you knock up?”
Is the first thing you say upon entering Drew’s apartment, your eyes landing on Drew, who has a baby securely strapped against his stomach in a white carrier, the baby looking over at you with doe eyes.
Drew freezes for a second, then shakes his head, a smirk tugging at the corner of his lips as he sets a large bag down on the kitchen table. "Oh, y’know, some girl I met on set."
There’s a reason why you and Drew are perfect for each other; the playful banter comes so naturally between you two that it feels like breathing, like there’s no awkwardness in this situation; finding Drew with a baby you’ve never seen before.
Although, this baby looks oddly familiar.
“Remember Lils?” Drew asks, as you walk over to him, setting your own bag on the table as well.
Your eyes light up at the name, recalling the times Drew would show you pictures of his niece. “Oh hi,” you immediately pitch your voice higher, making it soft and playful. The baby, with her big, curious eyes, reaches out her tiny hand, and before you even know it, she’s grabbing onto your finger.
Her little grip is surprisingly strong, and you can’t help but smile at how adorable she is. “She grew so big,” you comment, looking up at Drew.
He’s got a soft smile on his lips. “I’know, and I got her for the whole day.”
Your raise an eyebrow playfully at him, “I thought we’re going to the beach today.”
“Yeah, we are,” he emphasizes on that word, his eyes bouncing back between him and Lil.
Lil lets go of your hand, so you cross your arms at Drew. You roll your eyes, yet the grin on your face gives away your amusement. “Fine. I won’t rob you of your uncle-niece time.”
A chuckle escapes Drew’s lips, and he brings you closer to him by wrapping an arm around your waist. “Lil says it’s okay for you to be there,” his voice, low and playful, as he plants a kiss on your jaw. “Third wheel, you okay with that?”
“Delightful,” you try to sound annoyed at that idea, but really, you looked forward to it.
Originally, it was a beach date with Drew, but his sister must’ve had some emergency, leading to the sudden babysit. You had no idea that it was going to turn out like this, but you don’t mind.
Besides, it gives you a chance to see what uncle Drew is like.
“Aww, don’t be jealous,” he teases, rubbing your elbow, a habit he’s grown into since knowing you.
“I could never compete with this girl,” you smile down at Lil, whose lips slowly forms an O. You coo at her, playing with her little adorable fingers.
Drew glances down at his watch, snapping you out of the little world you’ve absorbed yourself with Lil in only a few seconds. “Hotdog stand might close. Let’s go.”
“I’m trying the taco one!” You happily chirp, remembering how the last time you went there, a long argument between the two of you resulted in you getting the pizza flavored hot dog.
“Alright, alright,” Drew assures, taking both of the bags off the table.
You make an attempt to grab at least one bag from him, but he declines, carrying it all the way to the car himself.
——
Unknowingly, the whole day at the beach has passed.
Drew had been so focused on spending time with his niece, he didn’t even notice the way the sky changed. One moment, they were splashing in the shallow waves, building sandcastles, the next, the sun was dipping low.
He walks back to the beach with hotdogs in his hands; buying the snacks now since the crowd has disappeared.
He replays scenes of today in his mind, thinking about how easy it’s been today. How effortless it felt, spending time with you and Lil. He’d watched you interact with his niece all afternoon—how you encouraged her to explore the sand, showing her the little crabs skittering along the shoreline etc.
And now, as he makes his way back, he can’t shake the image of you laughing with Lil, your face lighting up when the baby made a funny sound or reached out for you.
He reaches the blanket that the two of you had spread out earlier on the sand, and he glances over your shoulder, expecting to see you playing with Lil.
Instead, he freezes.
There you are, holding his niece in your arms. Lil’s fast asleep, her little body relaxed against your chest.
Drew’s first thought is how cute his niece is.
His eyes then drift over to you; And that’s when it hits him.
The realization of this moment, the quiet way you’re holding his baby niece, strikes him. His heart skips a beat as he watches you, a quiet warmth flooding his chest.
The sight of you with her, so natural, so right, feels more profound than anything he expected.
What is this feeling? He thinks.
He tries to shake it off. It’s not just about Lil. It’s about you, the way you make everything feel so simple, so easy. He never expected to see you like this, to see you so gentle, so present.
Is this what love feels like? He doesn’t know. But in that moment, staring at the two of you, something in him clicks. He doesn’t have a name for it yet, but it’s there—this pull, this feeling that maybe, just maybe, everything he thought he wanted was right here in front of him.
“Drew?”
Your voice is gentle and soft as you call out for him, afraid to wake the baby up.
Your gaze meets his, and for a second, the world feels smaller. His heart skips again, mind racing around as he scrambles for words in his mind.
“Hey,” he manages to breathe out, sitting down beside you. He’s careful with his movements, even when handing you your hotdog to your free hand. His lips curl into a soft smile, almost shy, “she’s out cold, huh?”
He watches as you completely ignore his words, biting down on the hotdog you’ve been waiting for for the whole day. His smile grows; his mind reminded of how easy it is to be around you. It’s not that you’ve said much or done anything extraordinary—just the way you seem to savor the simple things, like food, time spent together—it draws him in every time.
“Good?” Drew asks, teasing hinted in his voice, yet his eyes soften as he waits for your answer.
“Strange. The pizza flavor’s better,” you comment through chews.
Laughter erupts in his chest, making you look confusingly at him. You swallow, looking at him with doe eyes. “Let me take her,” he says, his hands reaching for his niece.
You let him, mainly because of how hungry you are. The exchange is smooth; he now holds Lil in his arms, and you hold onto the two hotdogs, eating away one of them.
“Y/n?”
You quickly finish the bite, humming at Drew continue talking. He’s looking at you with a soft gaze, almost smitten. He calls for your name, but doesn’t say anything.
“You want a bite?” You ask, filling in the silence.
Drew chuckles, and with his free hand, he pulls you by the back of your neck closer to him. He kisses you, slow and soft. You relax under his touch, letting the warm and bubbly feeling flow through you.
You eventually pull away, needing to catch your breath. Drew’s lips are apart as he stares at you; the look in his eyes making it hard to steady your heartbeat.
For seconds that felt like minutes, silence lingers between you two, eyes locked into each others’ as if any move, would disturb the calmness of this moment.
Well, the moment is disturbed, because the smell of poop enters the air, as well as the sound of crying.
Lil's awake, and in a stinky emergency.
You’re the first to pull away, chuckling as you glance down at Lil. “Shit.”
“Yup,” he purses his lips. You get ready to put the hotdogs down, wanting to help change her diapers, when Drew stops you. “I’ll do it.”
“Do I even have the appetite anymore?” You joke, the smile reappearing on Drew’s lips after hearing that.
“When do you not?” He comments, setting Lil down and reaching for the diaper bag.
You hit his arm playfully again, laughter coming out of you. You turn and look out onto the ocean waves, putting the hotdogs down to the side.
This moment right here? You want to remember it always. Remember this beach, this adorable little baby, this hotdog (just important as everything else), and this man, that you’ve found yourself to rely on more than you should.
You hope Drew feels the same way too; that this moment right now, will forever be engraved in your heart.
Little did you know; it's already engraved in his, as the moment he fell in love with you.
The moment he realized, that you’re who he wants for the rest of his life.
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word count: 1.5k
ִ ࣪𖤐 a/n: my first time writing something of pure fluff...hope you enjoyed reading! i was in the mode for something sweet, craving a bf real bad T_T
and yes, im a creep that stalked his sister's ig to find the name of his niece. im sorry im sorry im sorry
#drew starkey#drew starkey imagine#drew starkey x reader#drew starkey x you#fiction#fluff#one shot#oneshot#relationship#love
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If it is a human thing to do to put something you want, because it's useful, edible, or beautiful, into a bag, or a basket, or a bit of rolled bark or leaf, or a net woven of your own hair, or what have you, and then take it home with you, home being another, larger kind of pouch or bag, a container for people, and then later on you take it out and eat it or share it or store it up for winter in a solider container or put it in the medicine bundle or the shrine or the museum, the holy place, the area that contains what is sacred, and then next day you probably do much the same again--if to do that is human, if that's what it takes, then I am a human being after all. Fully, freely, gladly, for the first time.
Ursula K. Le Guin, The Carrier Bag Theory of Fiction
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“Before—once you think about it, surely long before—the weapon, a late, luxurious, superfluous tool; long before the useful knife and ax; right along with the indispensable whacker, grinder, and digger—for what's the use of digging up a lot of potatoes if you have nothing to lug ones you can't eat home in—with or before the tool that forces energy outward, we made the tool that brings energy home. It makes sense to me. I am an adherent of what Fisher calls the Carrier Bag Theory of human evolution. [...] If it is a human thing to do to put something you want, because it's useful, edible, or beautiful, into a bag, or a basket, or a bit of rolled bark or leaf, or a net woven of your own hair, or what have you, and then take it home with you, home being another, larger kind of pouch or bag, a container for people, and then later on you take it out and eat it or share it or store it up for winter in a solider container or put it in the medicine bundle or the shrine or the museum, the holy place, the area that contains what is sacred, and then next day you probably do much the same again—if to do that is human, if that's what it takes, then I am a human being after all. Fully, freely, gladly, for the first time.”
—Ursula K. Le Guin, The Carrier Bag Theory of Fiction, 1986 [pdf link]
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