#carnivalesque
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ARE YOU HUNGRY?
A story about those who revel in the grotesque- about the inherent contradictory nature of dogma- about the red string of fate being pulled so tightly that it strangles. Nothing but meat and candy.
My debut novel- AVAILABLE NOW
#juniper novel#americana#love as consumption#meat theory#meat and candy#grotesque body#author#writer#queer horror#gothic americana#colorado horror#carnivalesque#bahktin's grotesque#horror author#70s horror
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Bold and beautiful Carnivalesque @ Maison Margiela Spring Summer 2024
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[WIP, OC] Mangiafuoco, Infernal Puppeteer (original design by Tanleek767 on TH)
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the carnivalesque and Ghost pt 1 of ???
"[The gaping mouth] is, of course, related to the lower stratum; it is the open gate leading downward into the bodily underworld. The gaping mouth is related to the image of swallowing, this most ancient symbol of death and destruction."' (p. 325)
"The medieval public centered its curiosity on [the gaping jaws], expecting the most amusing and comic protagonists to emerge from them." (p. 348)
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...Do you think that Mikhail Bakhtin would have Thoughts about the "furry transformation apocalypse" subgenre of fetish fiction as a manifestation of the Carnivalesque?
#extremely nitche posts#Mikhail Bakhtin#carnivalesque#furry#transformation#DARE YOU ENTER MY MAGICAL REALM?!
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the carnivalesque and Ghost part 2 of ????
🤡🤡🤡
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What was your favorite read of January?
I read 5 books in the month of January. Two review books, one reread, a manga, and a semi-new release. I'm quite proud of my start for the year.
I'd recommend all of these books, but The Whispering Dark was my absolute favorite read this month. So many of my favorite things in one book and Colton Price is my favorite!
Books include: • Wotakoi vol 2 by Fujita • A Marvellous Light by Freya Marske (reread) • Above the Fold by Tamara Girardi (eARC) • The Whispering Dark by Kelly Andrew (favorite!) • Midnight Duet by Jen Comfort (eARC)
#wotakoi#wotakoi love is hard for otaku#fujita#a marvellous light#freya marske#above the fold#carnivalesque#tamara girardi#the whispering dark#kelly andrew#dark academia#monster boys#midnight duet#jen comfort#indie publishing#reading wrap up#monthly reads#stardustandrockets#backlog from january#february 3
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gotta say, 'poetry recitation as pain management' is not one i was expecting on my just-like-me-fr crawford of lymond bingo card and yet here we are
#it's not even so much the specificity of it that reduced me to awkard helpless laughter (though that is part of it)#because I imagine this is not that uncommon a thing to do#but the way it was DESCRIBED; the MELODRAMA of it all!!#like yes objectively I see what you're going for! but also it feels so hilariously at odds with how this feels in practice#and that contrast is deeply funny to me in an almost carnivalesque sort of way#which is not the effect this scene was aiming for but it sure is the one it achieved#neuxue reads lymond
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you can tell i'm too deep into shakespeare studies because i've started developing a mental list of plays that are not good, not bad, but interestingly bad maybe on purpose in a way that makes them somehow loop back around to being good
#the two main ones at the moment being#all's well that ends well#and henry iv part 2#listen all's well is bad at being a satisfying comedy but it's bad at that on PURPOSE. to me <3#it's a comedy directed by female desire rather than male desire and helen is fighting tooth and nail not to let the genre break#despite doing things in a very unorthodox way#and bertram is trying soooooo hard to escape the ending but he cannot <3#but does that make the ending happy? shakespeare voice idk man you decide#and 2h4 (to me) is like. here's how hollow the world is after hotspur died and took chivalry and honour with him#it's all just hollow carnivalesque parodies where there used to be heart#and in both of these cases i think that's really INTERESTING. even if the play isn't necessarily. good.#but i may just be too far into shakespeare loving territory where i'm like 'even the plays that are bad are good actually'#mine
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historical, theoretical, contemporary context
for. over a year now. I have been working on this document my uni calls a "confirmation of route" which is sort of like a contextual review or a lit review and also a crystallization of my project.
so I have 10k words to talk about my methodology, the structure of my proposed thesis document, as well as the historical, theoretical, and contemporary contexts my thesis will build on and sit within.
and it has been. so fucking excruciating. trying to parse that out?
I know I'm looking at identity, freedom of expression, and some element of spirituality/spiritual freedom. I know I'm building on Black feminist ideas of identity and politics without biology. I know I'm looking at Gothic fashion and self-expression, as well as self-expression and community in punk. I know I'm looking at queerness and anonymity, or more like pseudo-anonymity... ghesties are playing at being ghouls bc to be ghouls is to literally wear a mask, to have a persona, right?
I think, at this point, three years in, if I had to explain my thesis to you in one sentence, it would be
Ghost is the carnivalesque space where gender and sexual euphoria can manifest.
we use words like "rabbit hole" to describe how we came into the fandom, because (whether we recognize the linguistic tie or not) we fell like Alice into a topsy-turvy world where Satan is good and everything we thought we knew (about what a band that looks like Ghost could sound like, about what we thought we'd like, about who we were) turns out to be incorrect or warped slightly. this is ghnosis - reflecting on the truths about ourselves as Papa or the Ghouls show them to us.
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why do so many tiktok dancers try to keep a comically straight face when dancing like do you know how strange this is. no yeah don’t let me know you experience joy as a human being or anything. what
#is this a critique on capitalism or do u just think it looks cooler not to smile#it’s like uncanny valley almost. but damn why should i demand such a big expressive performance from u i guess#abby talks#i think i need to see more weirdo freaks who are into theatrics and the carnivalesque lolol and shit
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oh YES
#what i'm listening to#the kinks#i love when a song has a bit of a carnivalesque thing going on ...#ray davies your sweet lilting voice has enchanted me#Spotify
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yes
next question
do the papas count as drag personas?
#blah blah carnivalesque#blah blah queer horror#blah blah queer gothic#however sincerely this is the type of drag Jack Halberstam talks about#with boy bands too#it's a female masculinity is what it is
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i could write more about it but the reason ppl like rachel dolezal and oli london, bhad bhabie, that tiktok fake hippie chick with the hair mats ETC. get popular enough to have this big platforms is because white ppl view racism as a taboo and thus when they see someone make racism a personality they wanna stare at that person like a car crash.
of course the only socially acceptable way to obsess over caricature-level racists is by harping on about how strange or problematic they are— so u might find a white creator make ten tiktoks about one racist as though it’s anything but content production at that point….and you’ll notice that by that point in time the creators of color will have moved on, because racism is not carnivalesque to us but in fact quite quotidian. it’s annoying and revealing to me that if a racist is absurd and quirky enough their racism will GROW their platform as people flock to hate-watch their interviews and stoke their engagement via epic clapback comments
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