#carnival costumes

[mote-historie]

Alberto Fabio (Fabius) Lorenzi, Cover Le Sourire, Mi Careme, Carnival Pierrot Costume, Disguise Chorus Girl, March 1926.

[reno-matagot]

[blamseastore]

All Files combined

Download all items as one package file

OR

Download folder containing all files

[alwaysalwaysalwaysthesea]

Carnival costume design by Maria Likarz-Strauss for the Wiener Werkstätte, 1926.

(source: MAK)

[devincollinsofficial]

Check Out My Newest Stilt Costume!!! Call Me The Soca King!!!

[theseimmortalcoils]

A sumptuous, intricate costume and mask for the Venice Carnival by @leslegendesdazcor

I wish I could wear something like this and go to the carnival. Or just simply wear it.

❤️💜😍

[inspiredwriter]

GIRL IN RED

Well... Halloween is long over, but I still decided to draw Candy in a hot carnival costume❤🔥(Raph seems to be very pleased😏💘)

(Mikey and Anastasia are taken from my Halloween art, if you don't remember about it👉https://at.tumblr.com/inspiredwriter/699647274750476288/osm2063wbyqj)

@kawaiibunga @sivy-chan-blog @hedgehog-dreamer @swagtreecrown @narwals14 @raisin-shell @angelcatlowyn @pheradream15 @dai-su-kiss @cattonmilap @janet-the-dark-queen @turtle-babe83 @queendice98 @just-straight-up-chaos @foxflamewarrior @naya-queenzie @turtlesmakemehappy @zowise2912

[addictedbespoken]

Men Red Velvet 3Pc Fersen Court Suit Period Clothing Floral Embroidered Metallic Detailings French Nobleman Costume Free Lace Jabots & Cuffs

This 18th Century vintage costume for men is inspired from the magical Venical Carnival & Late Baroque fashion. The costume can become the zest of any carnival or themed festival and can also be a perfect costume for wedding groom.

This 3Pc court suit include: •Red velvet justaucorps embellished with Victorian floral embroidery & metal button detailing •Off white paisley print vest embellished with Victorian floral embroidery & have metal buttons closure •Red velvet Breeches with floral embroidery on bottom & metal button detailings & closure •Laced jabots & cuffs

Features: •Intricate embroidered •Lightweight •Soft & Breathable •Comfortable wearing in all seasons

Material & Caring: •Premium Velvet & Eco friendly material •Dry Clean •Dry on low heat or hang to dry for best result

[iloveethnicities]

Afro-Bahamian folk costumes are a vibrant symbol of the Bahamas' African heritage and cultural history. These costumes are deeply rooted in the West African influences brought to the islands during the transatlantic slave trade and have evolved over centuries to reflect the Bahamian people’s unique cultural synthesis. Today, they are worn primarily during celebrations like Junkanoo, an annual festival and cultural event that showcases Bahamian music, dance, and art. These costumes are rich in symbolism, design, and color, serving as both a celebration of the Afro-Bahamian identity and a testament to resilience, creativity, and cultural pride.

The history of Afro-Bahamian folk costume traces back to the days of slavery when enslaved Africans brought their vibrant cultural traditions to the islands. These traditions included distinct ways of dressing, colorful adornments, and festive rituals. Over time, these influences merged with aspects of European colonial culture and the unique environment of the Bahamas, creating a new hybrid tradition. Junkanoo, in particular, is thought to have roots in West African masquerade customs, specifically those of the Yoruba and Igbo peoples, which were adapted and evolved into a distinctly Bahamian practice.

In the early days of Bahamian society, Afro-Bahamian costumes were modest and made with readily available materials, as enslaved individuals did not have access to luxurious fabrics or embellishments. They often utilized natural materials, such as straw, shells, feathers, and wood, which were locally available and abundant. These costumes were designed with ingenuity, creatively using whatever resources were on hand to form elaborate and expressive garments. This tradition of innovation remains a hallmark of Afro-Bahamian folk costume design today.

Afro-Bahamian folk costumes are typically vibrant, elaborate, and made from a combination of materials, textures, and colors. Some of the key elements of these costumes include:

— Design and Shape: Headdresses are an essential feature of Afro-Bahamian costumes, especially those worn during Junkanoo. They are often large and ornate, crafted to represent animals, spirits, or even abstract patterns. These headdresses echo African spiritual traditions, where headwear often symbolizes wisdom, power, or a connection to the divine.

— Materials: Traditionally, headdresses were made from straw, palm fronds, and shells, but today they include materials like cardboard, paper, and feathers, which allow for greater size, vibrancy, and durability. The feathers and fronds used add an element of movement, giving the costumes life as they sway and flutter with each dancer’s movements.

— Symbolism: The symbolism of headdresses varies, with some representing the ancestral spirit, protection, or community unity. In Afro-Bahamian culture, the head is often seen as a sacred part of the body, and adorning it can be a form of honoring one's heritage.

— Use and Purpose: Masks are a key component of Afro-Bahamian folk costumes, and their use is inspired by African masquerade traditions. They are worn to embody ancestral spirits or characters and often include exaggerated facial features to enhance expressiveness.

— Construction: Afro-Bahamian masks are generally handcrafted and may be painted with vibrant colors or adorned with shells and feathers. These masks can be intimidating, joyful, or even whimsical, depending on the character or spirit they represent.

— Styles: Afro-Bahamian bodices and tunics are typically loose-fitting, brightly colored garments adorned with patterns and designs that reference traditional African textiles. In the past, these garments were more simplistic due to the scarcity of materials, but modern costumes are often richly decorated.

— Patterns and Symbols: These garments often feature repetitive patterns like zigzags, spirals, or other geometric designs. Some designs also include images from the natural world, like fish, birds, and sunbursts, reflecting the connection to the Bahamian environment.

— Layering: Costumes frequently feature layers of fabric or tassels, creating a three-dimensional effect. This layering not only adds to the visual impact but also enhances the movement of the costume when worn during dances.

— Design and Length: While some costumes feature long, flowing skirts, others include trousers with attached embellishments. Skirts are often fringed or decorated with tassels and shells to produce rhythmic sounds that match the beat of the drums.

— Symbolic Embellishments: Many skirts and trousers are adorned with cowrie shells, beads, and other small objects, each chosen for its symbolic significance. In African cultures, cowrie shells are a symbol of prosperity and spirituality, and they hold similar significance in the Afro-Bahamian costume tradition.

— Rattles and Drums: Afro-Bahamian costumes often incorporate handheld rattles, drums, and other percussive instruments, which are used by dancers to create additional sound and rhythm during performances. These instruments are typically decorated to match the costume.

— Fans and Banners: Fans and small banners are sometimes carried as a way to add flair to the dance. Fans in particular are a significant part of Afro-Bahamian costuming, as they are used in African dance to honor ancestors and bless the audience.

The color choices in Afro-Bahamian folk costumes are intentional and steeped in symbolism. The colors often mirror those found in African cultures, each hue carrying a specific meaning. For example:

— Red symbolizes strength and vitality, often used to represent the ancestors.

— Blue symbolizes peace and spirituality, representing the ocean, which is a vital element of Bahamian life.

— Green represents growth and fertility, a nod to the island’s natural resources.

— Yellow and Gold symbolize prosperity and joy, reflecting the Bahamian people's optimism and pride.

These colors are combined in intricate designs, enhancing the visual impact of each costume and conveying a vibrant sense of identity and cultural memory.

The Junkanoo festival, celebrated on Boxing Day (December 26) and New Year’s Day (January 1), is the main event where Afro-Bahamian folk costumes are showcased. Junkanoo began as a Christmas-time celebration for enslaved Africans, who were allowed time off during the holiday to celebrate in their own style. These festivities would often involve loud music, dance, and elaborate costumes that were influenced by African traditions.

Today, Junkanoo is a spectacular display of Bahamian culture, featuring parades, competitions, and performances. Costumes for Junkanoo are meticulously crafted and often take months to design and build. Each group participating in Junkanoo will design costumes around a specific theme, which could be historical, spiritual, or even political in nature. This thematic approach allows for a rich diversity of costume designs, showcasing both the artistic skill and cultural pride of the participants.

In Junkanoo costumes, traditional elements blend with modern innovations, such as the use of crepe paper, sequins, and even LED lights. While these additions bring a contemporary twist, the essence of Afro-Bahamian culture remains at the heart of the costumes, reflecting both a respect for heritage and an embrace of change.

Afro-Bahamian folk costumes are more than festive attire; they serve as a vehicle for cultural storytelling and a means of preserving Bahamian history. Each costume, whether worn for Junkanoo or other cultural events, is a tribute to the resilience and creativity of the Afro-Bahamian people. Through these costumes, Bahamians honor their African heritage, celebrate their freedom, and express a unique national identity.

The artistry involved in creating these costumes—handcrafting, painting, and embellishing—requires skill, dedication, and a deep understanding of cultural symbolism. For many Bahamians, participating in the creation or wearing of these costumes is a source of pride and connection to their community.

In modern times, there has been an increasing effort to preserve and promote Afro-Bahamian folk costume-making as an art form, with workshops, cultural programs, and school curriculums aiming to pass down these traditions to future generations.

[aplausosvestuario]

Welcome to the dazzling world of Carnival costume design, where every detail counts and creativity is the rule! In the glow of the stage lights, the costumes become a vibrant canvas that tells the story of celebration and overflowing joy.

¡Bienvenidos al deslumbrante mundo del diseño de vestuario para Carnaval, donde cada detalle cuenta y la creatividades la regla! En el resplandor de las luces del escenario, el vestuario se convierte en un lienzo vibrante que cuenta la historia de la celebración y la alegría desbordante.

​#confecciondevestuario,#diseñodevestuario,#ModaCarnavalera,

[pillarboxstudio]

[fisheito]

He's a magician

[alfheimr]

return of oc "marmalade" who prior to running away to the circus was a tailor who simply hated making clothes for other people. they just want to make fun fits for themself...... perhaps an exception can be made for the captain...........

[nu-kuya]

justice for edmond where the hell is he

[viric-dreams]

And this is what happens when you tell a theatre kid he can do whatever he wants on a dress up holiday.

Linework details below the cut because things got very intense: