#cardinal fuzz records

[bandcampsnoop]

1/17/24.

Volksempfänger are Ajay Saggar (Bhajan Bhoy) and Holly Habstritt. They are based in North Holland, Netherlands (I think). Ajay Saggar apparently had an active 2023 with three different releases.

"Attack of Sound" is the last of those releases. This LP truly lives up to its name. Other posts have mentioned Phil Spector, Detroit, MC5, and My Bloody Valentine. Agreed - but Holly Habstritt's vocals give this a distinct pop feel too. I can't help but think of Grass Widow and Shadow Show when I listen to this.

This is a co-release between Cardinal Fuzz (UK) and Feeding Tube Records (Massachusetts).

[sandpebblesband]

A kinetic trip through Sand Pebbles album art extravaganza!

#3: Ghost Transmissions, originally released on Raoul Records (2004) and re-released by Kasumuen/Cardinal Fuzz (2019)

The cover of Ghost Transmissions is a photo taken by Scottish via Austin, Texas photographer/BMX rider/artist Sandy Carson. Amazing colour. Where was it taken? Who’s the person on the phone? Definitely should ask Sandy. To us, it had a sense of mystery and intrigue. Simultaneously very real and unreal.

The original CD package is full of Sandy’s photos. The stone beach pic with the red wash that was used as the back cover for the vinyl looked, to us, like a Belle & Sebastian single cover.

Check out Sandy Carson’s art here: https://www.facebook.com/sandycarsonphotography/

[dustedmagazine]

The Royal Family — S/T (Cardinal Fuzz / Echodelick / We, Here & Now)

Photo by Elijah Shark

Don’t confuse The Royal Family with the garage pop band that gigged around Edmonton in the 1960s. This regal troupe lives in the now. They’re a Toronto-based psychedelic supergroup comprising personnel from various outfits, such as ROY, Possum, Wine Lips and The John Denver Airport Conspiracy. Such a multifarious origin means that their influences also arise from multiple sources. Raga, drone, kosmische, chanson and baroque elements all wind their way into the band’s sound. The Royal Family’s technicolor tapestry spreads across multiple branches of a vast psychedelic family tree, the luminescent roots of which originate from various points around the globe. They fuse all these influences together with their own whimsical notions, brewing a heady concoction perfect for mind expansion.

The Royal Family’s chameleonic approach to psychedelia reveals itself immediately. They kick off their debut album in a raga mood with “Morning Song,” a swirling whirlpool of chiming acoustic guitar, a meditative drone and a sitar melody courtesy of Jordan Sosensky. The Indian-tinged harmonies circle gently like slow motion turbulence that peppers an otherwise sonorous river. The languidly moving eddy currents mirror the refrain “take your time, it’s all you have.” That phrase is the perfect summation of the spirit of the album, which unfolds with an unhurried grace. As the track climaxes, various percussion implements enter at all angles evoking the ecstatic revelry of Amon Düül’s most delirious emanations.

With a tongue-in-cheek wit, The Royal Family satirizes Canada’s symbolic subservience to the monarchy with its name, while simultaneously embracing the country’s anglophone and francophone roots with its lyrics. “Le Ciel Bleu” and “Chocolat” showcase chanteuse Astrid VanRuymbeke’s delightful French singing voice. These two tracks, along with “La Maison Du Bonheur” emphasize the band’s baroque leanings, employing flute, melodeon, xylophone, chimes and other unconventional instruments. The Royal City really lean into their baroque side on “For the Birds,” which contains vocal harmonies eerily reminiscent of The Left Banke’s “There’s Gonna Be a Storm.” It’s the gentlest track that the band offers and includes contributions from Toronto folk mainstay Hieronymus Harry.

The back half of the record is a song cycle that narrates the stages of a caterpillar’s metamorphosis into a butterfly. It flows with a lysergic stream of consciousness logic and incorporates multiple genres within its kaleidoscopic corpus. The propulsive “Chrysalis” gives a nod and a wink to Kraftwerk and Neu! while “Metamorphosis” and “I’m the Wind” tug at threads previously loosened by Olivia Tremor Control. It’s the two-part “When I Was a Butterfly” suite where The Royal Family lets its freaky wings unfurl. The song is a culmination of all that came before, the perfect denouement to this cosmic opera. 

Bryon Hayes

[shelteredlifepr]

Stockholm-based Psych Rockers KUNGENS MAN Make Music for Contemporary Animals

Following releases on Riot Season, Cardinal Fuzz and Adansonia Records, Sweden’s much-loved progressive sons find their spiritual home…For those in the know, Kungens Män are everything you could want from a band and so much more. Having spent a decade in constant motion; pushing the envelope, creating music, and coaxing genres into doing their conceptual bidding, next month the Stockholm sextet…

[daggerzine]

The Sunshine Convention- S/T (Cardinal Telephone)

The tip on this new record came from my pal Rich who thought I’d like it and he was right.  I think it’s basically the work of one guy from Brooklyn (“written, performed and mixed by J. Whitener”), but apparently, he/they have a show coming up so there’s a live version of the band as well (and I see a band pic down below).

The first thing I noticed while listening was echoes of GBV (think Bee Thousand or Alien Lanes…..and hey, I hear the new brand new GBV album is very good…got to check out it out) as well as some Cotton Mather and even some early Superchunk.

Anyway, the songs are definitely there. …The first 3 or 4 definitely add large chunks of fuzz and distortion to the proceedings (especially the great “Pilot," I love the hook in that song)  while he gets a bit sentimental on the, dare I say, almost tender “A Soft Bullet In” (see what he did there?). Later on “Sister Judy” twists and turns in the fast lane and “101” is a nice little bolt of fresh lightning.

Only a few songs on here lost my interest, but most of this S/T effort are worth your time and money. So give Mr. Whitener some of your dough, he’ll appreciate it and so will you. Plus we’d all like to hear more.

www.thesunshineconvention.bandcamp.com

[twinkandwink]

Minami Deutsch -The Lanes, Bristol 12th August 2019

[tripruc]

TRIP # 184 - Domboshawa, The Sound Of Confession: Dial Up Song To A Black Heart Robotron Dancer In Galaxy Tempest || 26.01.2020 || Podcast! || Sonya SP

(2019) Ride - Dial Up   (2012) The Black Angels - Entrance Song (2020) Las Cobras - Ida (2020) Helicon - Sound Of Confession (2019) The Black Heart Death Cult - Sonic Dhoom (radio edit) (2017) The Sufis - Wallflower (2019) Domboshawa - Chibuku (2019) Wasted Cathedral - 4 AM Dancer (2019) Kombynat Robotron - Judin (2019) Black Tempest - A Galaxy Of Diamonds In Her Eyes

[still-single]

Still Single / Heathen Disco 2020 End of Year Recap

I guess I’m back! I started gingerly dipping back over into Tumblr to publish some reviews as a means of cutting through all the bondage photos and anime screencaps and people still living on Tumblrs (shout out to anyone still Tumblin', it's alright). I also redoubled my efforts to do great radio shows, and that seems to bother some of you enough to unsubscribe, but I'm feeling great about all that. If you wanna hear those shows, you can go to Mixcloud and listen to your hearts' content. Those 5-6 reviews on here actually turned up worthwhile music in my PO box, so thanks to those who submitted.

This was gonna be the year I reintroduced myself to the world. Don't make plans like that. Things are a lot better now than I thought they'd be, and the time I burnt up on movies and self-reflection this year was probably more needed than another DJ gig or whatever. Radio sustained me, I will freely admit, and finding records out in the wild once shops reopened was really killer too.

Anyway, time for a year-end recap, right?

Top 10 albums, historical (alphabetical): Adulkt Life – Book of Curses (What’s Your Rupture?) Bailterspace – Concret (self-released) The Cowboy – Wi-Fi on the Prairie (Feel It) Angel Bat Dawid and Tha Brotherhood – Live (International Anthem) Home Blitz – All Through the Year EP (Sophomore Lounge) MJ Guider – Sour Cherry Bell (Kranky) David Nance – Staunch Honey (Trouble in Mind) Theo Parrish – Wuddaji (Sound Signature) Schisms – Speech Copy Rap Master (Fort Evil Fruit) Sweeping Promises – Hunger for a Way Out (Feel It)

25 more, just because, also alphabetical: Ana Roxanne – Because of a Flower (Kranky) Clemency – References EP and remixes (2 B REAL) Tara Clerkin Trio – self-titled (Laura Lies In) Dezron Douglas & Brandee Younger – Force Majeure (International Anthem) DJ Python – Mas Amable (Incienso) FACS – Void Moments (Trouble in Mind) Green/Blue – self-titled (Slovenly) Gun Outfit – Clean Runs the Thread (Joyful Noise) Janedriver – You Know It’s True EP (self-released) Junk Drawer – Ready for the House (Art for Blind) Lavender Flu – Barbarian Dust (In the Red) / Tomorrow Cleaners (MEDS) … technically two releases, but really just chapters in the same book Lewsberg – In This House (12XU) Melenas – Dias Raros (Trouble in Mind) The Midnight Steppers – Isolation Drives (Radical Documents) Oily Boys – Cro Memory Grin (Cool Death) Optic Sink – self-titled (Goner) Permission – Organised People Suffer (La Vida Es Un Mus) Pool Holograph – Love Touched Time … and Time Began to Sweat (Sunroof) Riki – self-titled (Dais) Sacred Product – Same Old Gag (Eternal Souncheck) The Soft Pink Truth – Shall We Go on Sinning So That Grace May Increase? (Thrill Jockey) Special Interest – The Passion Of (Night School/Thrilling Living) Luke Stewart – Luke Stewart Exposure Quintet (Astral Spirits) Vanessa Worm – VANESSA 77 (Optimo Musik) Jim White & Marisa Anderson – The Quickening (Thrill Jockey)

15 reissues/archival, alphabetical yet again: Dadamah – This Is Not a Dream (Grapefruit) East Village – Hotrod Hotel (Slumberland) The Eighteenth Day of May – self-titled (Cardinal Fuzz/Feeding Tube) Endless Boogie – The Gathered and Scattered (No Quarter) Flaming Tunes – self-titled (Superior Viaduct) Anthony Moore – OUT (Drag City) Musica Transonic – self-titled (Black Editions) Naujawanan Baidar – self-titled (Cardinal Fuzz/Feeding Tube) No Trend – Too Many Humans/Teen Love box set (Drag City) The Only Ones – Live in Chicago 1979 (Alona’s Dream) Rema-Rema – Wheel in Small Doses Extended Version (Le Coq Musique) Vertical Slit – Live at Browns (Siltbreeze) Vivienne Styg – Rose of Texas (Tall Texan) The Whip – self-titled (Wantage USA) Various Artists – Strum & Thrum: The American Jangle Underground (Captured Tracks)

Top 10 Record Scores this year, A to zed: The Church – Sing-Songs 12” EP (Parlophone) The Equals – Equals Party live promo 12” (Phonogram) HNO3 – Doughnut Dollies 12” (R & S) Annea Lockwood – Glass World of Anna Lockwood LP (Tangent) Optik/Equal Phaze – split one-sided 12” test press (no label) Six Finger Satellite – Severe Exposure LP/12” (Sub Pop) Sweet Breeze – Across the Desert LP (Feathers) Tappi Tíkarrass – Miranda LP (Gramm) Various Artists – Best of the Beat Greatest Hits LP, purple sleeve (Espera) Various Artists – Le Mysterieux 12” EP (Musique Pour La Danse)

Favorite movies discovered in 2020:

“Animals” | 2019, d. Sophie Hyde “Band of the Hand” | 1986, d. Paul Michael Glaser “Bell, Book & Candle” | 1958, d. Richard Quine “Breaking In” | 1989, d. Bill Forsyth “Le Choc du Futur” | 2019, d. Marc Collin

“The City Girl” | 1984, d. Martha Coolidge “Conquest” | 1983, d. Lucio Fulci “Everybody in the Place: An Incomplete History of Britain 1984-1992” | 2018, d. Jeremy Deller “G.B.H” | 1982, d. David Kent-Watson “Luz” | 2018, d. Tilman Singer

“The Pyx” | 1973, d. Harvey Hart “Ring of Darkness” | 1979, d. Pier Carpi “Rivals” | 1972, d. Krishna Shah (and RIP to Mike “McBeardo” McPadden, who made me aware of it, as he made many people aware of the insane secret histories of genre cinema) “Satisfaction” | 1988, d. Joan Freeman “Savage Three” | 1975, d. Vittorio Salerno

“Simon, King of the Witches” | 1971, d. Bruce Kessler “Swallow” | 2019, d. Carlo Mirabella-Davis “Thief” | 1981, d. Michael Mann “Two Gentlemen Sharing” | 1969, d. Ted Kotcheff “X, Y & Zee” | 1972, d. Brian G. Hutton

Resolutions for 2021: Open things up, share more, care more.

_______ New Year, Doug Mosurock

[dustedmagazine]

Listed: Jeffrey Alexander

Jeffrey Alexander is a fixture in a free-wheeling, Grateful Dead-loving, guitar jam underground, a founder of the Iditarod and Black Forest/Black Sea and a sometime member of Jackie O Motherfucker. His Direwolves splice acid folk with a buzzing, humming motoric-ness that edges near Stereolab, but his latest band, the Heavy Lidders, is pure transcendental pleasure. In her review, Jennifer Kelly noted that, “These songs take their time to loosen and relax, pursuing repetitive vamps until the edges melt away and the hard colors swirl into pastels.” Alexander is also a DJ and here he lists some of the music he spins for listeners.

For this Listed, I decided to run down some of the bootlegs and quirky things that I often play on my radio show — hope you dig it. I started doing radio back in college in the 1980s, where I was also the record librarian. The archives at the station opened me up to a myriad of sounds and new zones. Radio for me is like a new mixtape — not knowing what is going to come next… or waiting for the next mic break to try and find out the name of that killer song they played 15 minutes ago. The mystery of it all is still exciting, like remnants of pre-internet music fandom when we searched through record stores, made lists from music magazines and traded tapes. I had a spell as a commercial FM DJ on WRNR in Maryland in the 1990s, but it wasn’t until moving to San Francisco that I started my own program called Pome Pome Tones. PPT currently broadcasts Wednesdays 7-9pm Central fortnightly on www.dunebuggyradio.com. Podcasts are up at www.mixcloud.com/dwlvs.

Fairport Convention — Reno Nevada — April 27, 1968

Recorded live on the French TV program Bouton Rouge. Brooke Sietinsons of The Espers turned me on this this when we were VHS tape trading in 2000 and I’ve been retreating to it every so often for 20 years. This is Fairport at their most delightfully blinding San Francisco ballroom jamming free flight. It’s just so fucking good. I love the crisp dual vocals of Judy Dyble and Ian Matthews, I especially love that they both sit down and look so bored during the guitar jam out. Especially Judy, just like a Donna Jean icy stare. But the jam out is super nice too — modal jazzy freak-outs, some of Richard Thompson’s best ever captured on video. This takes the most boring song from my favorite Richard and Mimi Farina album to incredible new zones. I also tend to play a lot of Ian Matthews’ early 1970s records on my radio show, as well. Such a pure voice and perfect ringwear rock vibes.

The Smiths — How Soon Is Now? (Chopped + Screwed)

The chopped + screwed style coming out of Houston, TX in the late 1990s/early 2000s is so fascinating. Full-on Robitussin-fueled shamanism, it’s like the modern-day version of dub. There are so many examples of this across the spectrum, but this 10-minute chopped version of The Smiths takes the cake — probably because 16-year-old me in 1984 sat on the floor listening to the original version of this over and over again, studying the gatefold. But this version is so much better. Thank you Scobed + Robed.

I’m Still In Love With You (Alton Ellis, Sean Paul)

Althea + Donna’s Uptown Top Ranking is one of my all-time favorite songs, and one of John Peel’s as well. A well-worn Jamaican riddim starting with Alton Ellis in 1967 and made famous again by Marcia Aitken in 1977. DJ Algoriddim has expertly mixed together a boat load of these variations here and it’s a killer 30-minute jam.

Jon Rose – Paganini’s Last Testimony

When things get autumnal each year, I gear up for a spooky edition of my radio show. One of my favorites featured this Jon Rose piece which he originally broadcast on ABC, Australia in 1988. It’s an amazing sinister collage of bible-belt radio bits, demonic violin, and Rose reciting devilish text from Paganini’s own letters. The CD is long out of print but you can hear the entire 57 minutes of this glorious creation on an old episode of Pome Pome Tones here.

10cc — I’m Not In Love 1975 Disco Purrfection Version

12-minute remix version of a favorite song from my early childhood — unbelievably smooth mix by DJ Disco Cat. Read the comments on the YouTube post for the full mix backstory. Purrfect.

Sun Ra Arkestra — at Victoria Theater, San Francisco California — Aug 3, 2013

I’ve been super fortunate to experience the live Arkestra a handful of times, and this set from 2013 simply floored me. They completely consumed that old ratty theater space with their magical floating power.

Dire Wolves — at Festival of Endless Gratitude, Copenhagen Denmark — Sep 13, 2019

Live DWLVS ! Yeah, I play my own music on my radio show all the time, somebody has to. This is a short rough audience clip — the proper audio of the whole set was released on LP by Feeding Tube / Cardinal Fuzz with a fabulous poster.

Flow & Heady by Dire Wolves Just Exactly Perfect Sisters Band

Copenhagen 2019 was the last time I saw these DWLVS bandmates in person, but we have plans to meet up again at the Milwaukee Psych Fest November 19-20, 2021, unless ya all spreadnecks shut it down.

Chuck Brown and The Junkyard Band — at Wilmer’s Park, Brandywine Maryland — Sep 19, 1989

I grew up in Baltimore and spent a lot of time going to punk and hippie shows in DC (old 9:30, DC space) in the 1980s, but Wilmer’s Park in southern MD was totally the place. All-day and night go-go shows, mini festivals with overnight camping, shows from Hot Tuna, Zero, Allmans, Root Boy Slim (!!!) and some of the best BBQ I’ve eaten, oh man. There was a lot of crossover of punk/funk/crunchy scenes back then, I loved it all. I went to a lot of Trouble Funk gigs, but this was the only time I witnessed the legendary Chuck Brown.

Alice Coltrane — at Palace of Culture, Warsaw Poland — Oct 23, 1987

Harp solo during her appearance at the Jazz Jamboree festival in 1987. Perfect, transportive.

Bardo Pond — What Are Their Names?

Probably the greatest band of the last 30 years covering one of my absolute favorite David Crosby songs, what could be better? I curated this Terrastock festival in Providence RI in 2006 and assembled a CD compilation of some of the performers for a micro release on the label I used operate called Secret Eye. The original features Jerry Garcia, Neil Young, Phil Lesh (what an amazing LP!) and this Bardo version somehow channels that essence in a slow fried perfect hash jar tempo.

[demivampirew]

I’ve been quite obsessed with the war of the roses and the Tudor dynasty and also with the show (The Tudors). I’ve watched many documentaries and historians talk about that period of English history and I wanted to share my opinions on what are, in my opinion, the biggest mistakes the show made (changes that they made compared to history) and also explaining why I do understand why they probably made those choices.

Let’s start in this post with the number one mistake the series made:

 merging both Henry’s sisters into one. 

Henry had two sisters: Margaret and Mary. Margaret married King James IV of Scotland when she was 14 years old (he was sixteen years older than her). She became Queen consort of Scotland and later after his husband death’s fighting the English, she became Queen Regent for two years in name of her 17 months old son, James V (her constant shifting of alliances between the French supporters and the English supporters of the country made her lose power and the custody of her son). Her marriage to James IV was key in history for their son James V was the father of Mary Stuart, known as Mary, Queen of Scots and the mother of James VI, the successor of Queen Elizabeth I and first monarch to rule both England and Scotland at the same time.

Mary, on the other hand, married King Louis VII of France when she was 18 - she is the youngest of the Tudor siblings; and said king was 52 years old. Contrary to the show’s plot, Mary was keen on the idea of becoming Queen of France - actually, even if her time as Queen consort was short, she made everyone call her Queen of France for the rest of her days, instead of Dutchess of Suffolk. With that being said, she knew that the king would die eventually -he had gout and was ill, so she agreed to marry him as her brother desired without making a fuzz but made him promise that after that she’d able to marry whom she chose or she would become a nun - Henry agreed to that, on one hand, probably because of her good disposal to follow his desires without defying him - he was quite a monster to the people who dare to defy him (Catherine, his daughter Mary being huge examples), but he rewarded the people who followed his commands without complaining. On the other hand, even if offering her as a wife would have been beneficial for him, he couldn’t risk losing her Queen dowager’s money, thing that he’d do if she became a nun. Shortly after her marriage and a month after her coronation, King Louis XII died and Francis I became the new King of France - he was the late King’s son in law, who married said King’s daughter on his command so Francis could rule -because he only had a living daughter, Claude, and by the laws of the time, women could not rule France. - Fun fact: during Mary’s coronation, Francis was the one holding her crown during the entire ceremony for it was too heavy for her.

Charles Brandon was sent by King Henry VIII to France to return her sister home. This is an important thing to keep in mind. It was said that many people at court knew about the love Charles and Mary had about each other, including Henry himself. So, this would mean that he didn’t oppose their marriage as it’s believed and the series show. Yet, that didn’t mean that this marriage wasn’t a dangerous one, for many people important at court did not like Charles - the Duke of Norfolk being one of those, and they had money and big armies and could confront him if they wanted to for marrying the princess when he was made a Duke and no being born with noble blood - there are no records as far I as know from my research on what moment Charles was named Duke of Suffolk, so my guess is that it could have happened shortly after his father’s death - he was in charge of taking care of the King Henry VII’s horses and since he was a horse-man, the king became close friends to him and then he died defending his king and friend in battle. For this reason, the King raised Charles alongside his son and made him receive an excellent education. The young boy probably received the title of Duke as a reward for his father’s sacrifice.

Going back to the marriage deal, it was dangerous for Charles, but he married her anyway - he even lied to King Francis I when he confronted him to know if he was there to marry his mother-in-law, Mary and he denied it even though Mary had already confessed him the truth and angered said King by marrying without his consent when he promised that if they waited he would intervene to help them. Charles would later write a letter to Cardinal Wolsey to plead for his help to allow them to have a court wedding as well because they believed Mary was pregnant and they didn’t want anyone to question the child’s legitimacy.

Why this marriage was a big deal? Well, on one hand, it shows that it wasn’t an impulsive decision like in the show, but they had feelings for each other for a long time and that he really loved her if he was willing to risk his head to marry her. Also, Charles having many mistresses was a show plot, because it is said that they have a happy marriage until her death 13 years later. On the other hand, the importance of their marriage is on one of their daughters, Frances, because she was the mother of Lady Jane Grey, who would become Queen of England after the death of King Edward VI (King Henry VIII’s son with Jane Seymour) -for this name his cousin Jane the legitimate heir to the throne when he learned that he was dying of his illness and as a strong protestant, he wanted to avoid his sister Mary becoming Queen and making England being under the Pope’s authority once more and since he knew that Elizabeth wouldn’t agree to skip Mary of the succession, he felt that he had no other choice than to skip both of his sisters and name his protestant cousin and her heirs the next rulers of the country. Unfortunately, this Queen would have an extremely short reign, for after not even two weeks on the throne, she was executed so Mary could become Queen. - so yeah, Charles Brandon and Mary Tudor, Queen of France were the grandparents of a future Queen of the English throne, even if it was for a short period of time.

Now, let’s get to the part of why I understand these changes - even if I think they were a huge mistake.

Mainly, I think those changes were made due to budget and looking forward to the series to being picked up.

Usually series would film a pilot and those pilots would have screen tests and if they are successful, they got to film complete seasons. I think they thought that the competition between two young Kings was an exciting plot for the series so they started the show with that. The problem with that is that they left out the Mary marriage to King Louis XII aside because it could have made the plot complicated. Also, I think that would have to include the explanation of was Francis ended up on the throne and it’s a complicated one and it would have taken the show more screen time.

As for the Margaret marriage to King James IV was taken away from the series because of the same reasons, it’d have taken much screen time to explain the whole thing. So merging the two sisters into one could be a wiser decision as far as budget and screen time and also make the plot less complicated. Also, the plot was centre mostly on Henry VIII’s marriages and religious battles rather than the political wars.

Probably, to avoid any confusion, I’d had been easier to avoid adding any sister into the show - which was probably the original idea, since it was said the Charles on the show was going to be a small character, but then they probably realised that Charles was an important person in Henry VIII’s story because he was his most loyal friend to the very end and his relationship with his friend’s sister was quite important for his storyline.

I understand as well why the change of the king she was supposed to marry - first, King Louis XVII was already dead, since Francis was on the throne. Secondly, since they chose Margaret instead of Mary to be the one to appear on the show - probably because she was the eldest one of the two sisters and the age gap wasn’t so big (Mary was 18 and Charles was 31 (ish) when they married. They clearly needed a much older king to make it more dramatic. since if they made it 50 and she around 25, it wouldn’t have had the same impact - another important fact: that king is fictional. Manuel I was the King of Portugal at that time, he was around 50 and he was married to one of the daughters of the Holy Roman Emperor Charles V.

Well, I hope you enjoyed my Ted Talk (?) and soon I’ll do another post about other big mistakes that the show made. I don’t post it here because this is already a long-ass post 😂

[boaws]

Fat Tracks for Fulci - Show 195

Fat Tracks for Fulci - Show 195

The Body - The City is Shelled - I've Seen All I Need to See - 2021 (Thrill Jockey) White Suns - Dawn Raid - The Lower Way - 2021 (Dechoherence) Milford Graves - Nothing 19 - Percussion Ensemble - 1965 (ESP Disk) Liquid Liquid - Lock Groove (excerpt) - Successive Reflexes - 1981 (99 Records) Jan Hammer - Darkeness / Earth in Search of a Sun - The First Seven Days - 1975 (Nemperor) CV Vision - Banana King - Tropical - 2021 (South of North) Lily the Fields - Sky-Blue Dreams - Illuminations - 2021 (Chicago Research) Silicone Prairie - Lay in the Flowers - My Life on the Silicone Prairie - 2021 (Feel It) Preening - Twinning - Dragged Through the Garden - 2021 (Ever/Never) Yung - Unresolver - Ongoing Dispute - 2021 (PNKSLM) Sun Ra and his Arkestra - Seductive Fantasy (excerpt) - On Jupitor - 1979/2021 (Enterplanetary Koncepts) Patti Smith - Free Money - Horses - 1975 (Arista) Bob Brown - Monday Virus - The Wall I Built Myself - 1970 (Stormy Forest) Grant Green - Cantaloupe Woman - Visions - 1971 (Blue Note) The Band Whose Name is a Symbol - Le Dilemme De Fermier - Berserkir Vol. 1 - 2020 (Cardinal Fuzz) Bobby Would - Applause - World Wide World - 2021 (Low Company) Brainbeau - Live at the Pink Houdini - Infinite Ways - 2020 (Good Samaritron) Hey Colossus - Medal - Dances/Curses - 2020 (Wrong Speed) Nopes - Drink the Cat - Djork - 2021 (Magnetic Eye) Shifting - Big Ed - It Was Good - 2020 (Permafrost & Whosbrain) Season to Risk - Over Then Out - Men are Monkeys, Robots Win - 1998/2020 (Thick / Self-Released) Earthball - 7. Open Eyelids - Fruiting Bodies - 2021 (Misophonia) Hot Chocolate - Every 1's a Winner - Every 1's a Winner - 1978 (Infinity)

[twinkandwink]

Minami Deutsch - The Lanes, Bristol 12th April 2018

[tengger]

TENGGER - “SEGYE” VINYL 02.22 ON SALE

NOW on pre-order! TENGGER - SEGYE (2019 CFSOB004) Limited Edition Red 🔴 Vinyl 300copies cover art by 백재중 Feb 22 will be Released by Cardinal Fuzz & Sunrise Ocean Bender Originally Released on cassette by Guruguru Brain 

for EUROPE : Cardinal Fuzz, link below. https://cardinalfuzz.bigcartel.com/…/tengger-segye-cardinal…

for USA : Sunrise Ocean Bender, link below. https://is.gd/VjJ309

only for Korea link : https://goo.gl/forms/tSrznkAJmohB5xVV2

[thejoyofviolentmovement]

Live Concert Photography: Kikagaku Moyo with Minami Deutsch at Warsaw 11/15/19

Live Concert Photography: Kikagaku Moyo with Minami Deutsch at Warsaw 11/15/19 @kikagaku_moyo @minamideutsch @WarsawConcerts @riotactmedia @alyssadehayes

Live Concert Photography: Kikagaku Moyo with Minami Deutsch at Warsaw 11/15/19

Kikagaku Moyo which translates into English as “geometric patterns” is a Tokyo, Japan-based psych rock band formed by Go Kurosawa (drums, vocals) and Tomo Katsurada formed the band in 2012 as a free music collective that busked around their hometown. Daoud (guitar) joined the band. Shortly after he joined, the band met…

[theunderperformicist]

Procession (Untitled) / SOB 12.30.21

Meinakunaru / Invisible Hammerblow / Blood Sun / 2021 / Cardinal Fuzz / Feeding Tube

Dark Sea Dream / Behind the Eyes / Dark Sea Dream / 2010 / Prophase Music

The Band Whose Name Is A Symbol / Ensemble Part 1 / Ensemble 2016 / 2021 / Cardinal Fuzz / Feeding Tube

Flying Sutra / Procession / Glowering and Glowing Red / 2009 / Deep Water Acres

Rambutan / System 7 (Peter Prescott • Andreas Brandal • Derek Rogers • Graham Hardiman • Eric Hardiman) / Parallel Systems / 2021 / Tape Drift / Sedimental

Spiral Wave Nomads / Radiant Drifter / First Encounters / 2021 / Twin Lakes Records / Feeding Tube Records

Burnt Hills / Untitled / Slips Through Time / 2014 / Tape Drift Records

Field Lines Cartographer / Gas Clouds Form / Superclusters / 2021 / Woodford-Halse

Black Tempest / Liberation Space Dub / Psyborg / 2021 / Weird Beard

Nova Express / Fredhäll / Twenty One / 2021 / Rocket Recordings

Trummor & Orgel / Arcadian Flowers / Reflections from a Watery World / 2007 / Cosmos Records

Bo Hansson / The Sun (Parallell or 90 degrees) / Magicians Hat / 1972 / Silence Records

Karl Hector & The Malcouns / Mother Seletta / Non Ex Orbis / 2019 / Now-Again Records