#cardinal fuzz

[dustedmagazine]

The Royal Family — S/T (Cardinal Fuzz / Echodelick / We, Here & Now)

Photo by Elijah Shark

Don’t confuse The Royal Family with the garage pop band that gigged around Edmonton in the 1960s. This regal troupe lives in the now. They’re a Toronto-based psychedelic supergroup comprising personnel from various outfits, such as ROY, Possum, Wine Lips and The John Denver Airport Conspiracy. Such a multifarious origin means that their influences also arise from multiple sources. Raga, drone, kosmische, chanson and baroque elements all wind their way into the band’s sound. The Royal Family’s technicolor tapestry spreads across multiple branches of a vast psychedelic family tree, the luminescent roots of which originate from various points around the globe. They fuse all these influences together with their own whimsical notions, brewing a heady concoction perfect for mind expansion.

The Royal Family’s chameleonic approach to psychedelia reveals itself immediately. They kick off their debut album in a raga mood with “Morning Song,” a swirling whirlpool of chiming acoustic guitar, a meditative drone and a sitar melody courtesy of Jordan Sosensky. The Indian-tinged harmonies circle gently like slow motion turbulence that peppers an otherwise sonorous river. The languidly moving eddy currents mirror the refrain “take your time, it’s all you have.” That phrase is the perfect summation of the spirit of the album, which unfolds with an unhurried grace. As the track climaxes, various percussion implements enter at all angles evoking the ecstatic revelry of Amon Düül’s most delirious emanations.

With a tongue-in-cheek wit, The Royal Family satirizes Canada’s symbolic subservience to the monarchy with its name, while simultaneously embracing the country’s anglophone and francophone roots with its lyrics. “Le Ciel Bleu” and “Chocolat” showcase chanteuse Astrid VanRuymbeke’s delightful French singing voice. These two tracks, along with “La Maison Du Bonheur” emphasize the band’s baroque leanings, employing flute, melodeon, xylophone, chimes and other unconventional instruments. The Royal City really lean into their baroque side on “For the Birds,” which contains vocal harmonies eerily reminiscent of The Left Banke’s “There’s Gonna Be a Storm.” It’s the gentlest track that the band offers and includes contributions from Toronto folk mainstay Hieronymus Harry.

The back half of the record is a song cycle that narrates the stages of a caterpillar’s metamorphosis into a butterfly. It flows with a lysergic stream of consciousness logic and incorporates multiple genres within its kaleidoscopic corpus. The propulsive “Chrysalis” gives a nod and a wink to Kraftwerk and Neu! while “Metamorphosis” and “I’m the Wind” tug at threads previously loosened by Olivia Tremor Control. It’s the two-part “When I Was a Butterfly” suite where The Royal Family lets its freaky wings unfurl. The song is a culmination of all that came before, the perfect denouement to this cosmic opera. 

Bryon Hayes

[bandcampsnoop]

1/17/24.

Volksempfänger are Ajay Saggar (Bhajan Bhoy) and Holly Habstritt. They are based in North Holland, Netherlands (I think). Ajay Saggar apparently had an active 2023 with three different releases.

"Attack of Sound" is the last of those releases. This LP truly lives up to its name. Other posts have mentioned Phil Spector, Detroit, MC5, and My Bloody Valentine. Agreed - but Holly Habstritt's vocals give this a distinct pop feel too. I can't help but think of Grass Widow and Shadow Show when I listen to this.

This is a co-release between Cardinal Fuzz (UK) and Feeding Tube Records (Massachusetts).

[sandpebblesband]

A kinetic trip through Sand Pebbles album art extravaganza!

#3: Ghost Transmissions, originally released on Raoul Records (2004) and re-released by Kasumuen/Cardinal Fuzz (2019)

The cover of Ghost Transmissions is a photo taken by Scottish via Austin, Texas photographer/BMX rider/artist Sandy Carson. Amazing colour. Where was it taken? Who’s the person on the phone? Definitely should ask Sandy. To us, it had a sense of mystery and intrigue. Simultaneously very real and unreal.

The original CD package is full of Sandy’s photos. The stone beach pic with the red wash that was used as the back cover for the vinyl looked, to us, like a Belle & Sebastian single cover.

Check out Sandy Carson’s art here: https://www.facebook.com/sandycarsonphotography/

[cupid-ghoul]

aether: the pack and ministry responsibilities are stressing me out so much that I'm getting gray hairs ...

rain, after a few minutes of silent staring: ........ aether .... we ARE gray ........

[docgold13]

On the Scale of 1 to a Villain's Circus themed torture chamber, the amount of unnecessary, painful and contradictory loops taken by the retcon for Nightcrawler's origins goes beyond that limit. Because Azazel cannot do a single takeover without Nightcrawler existing as both his biological child and a mutant with his exact teleportation abilities. You remove any of those things and Azazel's plans can't come to fruition whatsoever (he really needed him for both a possible one on earth and the one in Heaven). So literally making sure Nightcrawler or someone like him doesn't exist would have made none of Azazel's takeovers happen (which is easy because none of Azazel's other bio kids have his powers or even look that much like him and Kurt was literally the only one that did)... It also doesn't help that every time Nightcrawler did stop Azazel, he needed his blood ties to him to pull it off (no really, every magic seal required his blood to work). To even be part of the first takeover and "stop it", Nightcrawler had to be related to Azazel too because Azazel had to bring all of his children in one place which was easy because he has mindcontrol powers that only work on them. To pull the Heaven one, Azazel used Nightcrawler's soul (which he is tied to as his father) to pull himself up there and he found him right away because he has a passive ability that helps him know where his children are (and who is his bio child too, it keeps him from accidentally thinking someone is his child when they're not and has always worked). The icing on the stupid cake is, Azazel is just a mutant, who was even on Krakoa since before the laws were made there and they only allowed mutants back then. The last time Nightcrawler stoped him, he put a power nullifier on him... And it was all over. He would have went to Rikers island and be sentenced if he didn't break out of his transport vehicle and Mystique didn't give him a job

And then you have Mystique and Destiny's first canon X-Men story which is Days of Future Past where, after they assassinated Senator Kelly, they created a dystopian future for mutants that has them near extinct... And Nightcrawler is one of the first to die in it, right after Kelly's assassination actually. He also already died in 616 protecting Hope Summers and stayed as such for years while they were ready to sacrifice baby Hope to save Rogue right after M-Day, which would have doomed Mutants. Then you have Age of Apocalypse where Mystique raised Nightcrawler since birth and did it all as a single mom after picking his father for his fuzz, where he never met Destiny until he was in his 30s and where Azazel never did a single takeover because a lot of other components were missing to pull it off (and you know, APOCALYPSE took over and killed almost everyone). Then you have Cardinal, a Chimera made from Nightcrawler's DNA (+ three other mutants) which makes Kurt Wagner his bio grandfather, who just looks like Azazel with red hair and red eyes so all of Azazel's traits were passed down in Kurt's family line. Then you have the fact any of Azazel's takeovers happen years after Destiny dies in 616 (they would have taken much longer if Nightcrawler didn't exist, if not never happened at all) yet she appears in the vision of his takeover. Then you have characters like Doctor Doom, Jean Grey and the Scarlet Witch as part of the people Azazel managed to defeat (Scarlet Witch depowered 99% of mutants with a few words and can scramble powers on a whim in an average day, enough said). Then you have the fact the only reason Azazel is even on Earth is thanks to Margali Szardos getting him there so literally convincing her not to do that would have meant Azazel would not be at the point he was in 616 (the retcon has it that Destiny made a deal with Margali to KIDNAP Nightcrawler from the spot Mystique left him at under a tree in a SNOWY forest, since she never threw him to his death to save her own skin in this take even tho Azazel remember that happening), ...

Unnecessary loopholes doesn't cover it : We're on an essay's length in tomfoolery

TL;DR - The X-Men's Nightcrawler has a very complicated backstory. Efforts to retcon and streamline his origins have been clumsy.

No offense to readers out there who are fans of Azazel, but the best option moving forward might be for the X-men comics to never mention him again and just move forward.

[burlveneer-music]

Yaryu - For Damage

Yaryu is a Japanese musical collective known for their ability to seamlessly blend diverse genres and create music that resonates on an emotional and spiritual level. Formed in 2022, Yaryu is led by Hyozo, keyboardist for the now defunct De Lorians (Beyond Beyond is Beyond Records) and includes contributions from Dhidalah, Acid Mothers Temple, and Sundays & Cybele. And much like their psychedelic forebearers of the early 1970s, Yaryu shifts the musical focus from a rock based approach to a sound rooted in improvisational jazz, New Age, and traditional Japanese folk. If you're familiar with Japanese psych and prog, it's a similar musical path that Osamu Kitajima and Fumio Miyashita (Far Out, Far East Family Band) travelled in the 1970s. Bought to you by Centripetal Force (North America), Cardinal Fuzz (UK), and Ramble Records (AUS).

[spongebobafettywap]

Cardinal is a character created during Krakoa : He is one of Mister Sinister's experiments with DNA splicing in the distant future. He is a Chimera made from Nightcrawler, Rachel Summers and Ajax. If we have to simplify things, Cardinal would be Nightcrawler's biological grandson.

There are two ways you can describe Cardinal physically :

- Nightcrawler if he had red fuzz, red skin, red hair and red eyes.

- Azazel if he had ectrodactyly, red hair and red eyes.

In other words, Nightcrawler if he was ugly and disgusting instead of perfect following Mystique's weird logic in the retcon (I've been bothered by this since reading it... Am I the only one here who feels like that ?).

Yeah I thought so.

Yup I mean Mystique making remarks like that about Red skin and the narrative doesn't call her out on that? I thought X-Men was supposed to be about how it doesn't matter what skin colour you are.

[doomandgloomfromthetomb]

Yaryu / 野流 - For Damage

With its swirling spiritual jazz textures, playful instrumentation and child-like vocals, Yaryu's For Damage comes across kind of like an Elephant 6 Collective band attempting to beam themselves into Pharoah Sanders' Karma. And it works! The LP, a co-release by Ramble Records, Cardinal Fuzz and Centripetal Force, is a spellbinder from start to finish, culminating in a sidelong, almost 20-minute epic that mixes autoharp, field recordings, flute, synth and more into a transcendental brew.

[scarlet-rat]

sweetly untouched

corruption kink be hard. abuse of power and pet names as well as a very intricate sense of purity being used. this is 18+ and a part 1 of 2. if you guys like it enough i might post the second part hehe

copia x fem reader

Summer in the ministry was always exciting. Not only because time could be spent a the gardens and outside in the squares and forests alongside the possessions in the south of Italy, but also because it meant new siblings would join.

The new faces were charming, that feeling of something new, blooming, and reenergized, like the flowers in the gardens spread along the fortress that was a home for many souls who worshiped the Drak Lord.

Copia wasn't so fond of the fuzz of the new faces, mainly because it meant he had to talk to more people in the halls - giving directions and instructing new sheep inside the towering stone walls he called home for so long.

He would hide away in corners, avoiding visual contact at any cost with anyone besides the siblings of sin he already knew from past summers.

As the summer pushed to its final weeks, he had done an incredible job of avoiding the white-clothed siblings, the pure souls he so hard tried to stay away from - for his and their own good. 

But counting victory before time was one of his most significant flaws that could get the cardinal in trouble.

As he was walking down the hall, he bumped into someone on his way to dark mass. Hefty, shiny eyes looked up at him in a short instant. The hands were at her heart and the face pure. The hair was perfectly tucked inside the habit and her cheeks flustered while looking up at the older man in front of her. Her lips were the ideal shade of pink, the one he would love to run his fingers through and feel how soft they were before leaning for a kiss.

He looks down frowning, and she ran away with a muffled "sorry" scaping her perfect lips, while the cardinal stared as the novice walked down the hall in the opposite direction. He felt something inside of him.

He quite forgot about the girl he accidentally ran into a few days ago, until before the mass he finally saw her again.

With a gentle smile, sweet pinky cheeks, and delicate hands, the novice was helping a sister of sin arrange a few flowers for the black mass upon them later that night.

She kept her eyes low while Copia talked with the sister of sin who was flirting with the older man. In any other circumstance, he would've engaged and probably taken a few minutes before his sermon to have a private conversation with her.

But his eyes were locked on the innocent figure by her side, her hands anxiously shuffling and playing with her white dress. Which perfectly translated to the cardinal about her current oath status: pure and untouched. So ready to be ruined by the hands of a man that could only bring her so much pleasure she might never be able to leave his side again. Begging for more, as well as for him to give her a break. He wouldn't, he would be too desperate to run his hands through the smoothness of her skin. Her hair... He would give anything to know how her hair smelled like, how her hands would fit his - to see how they would fit around his cock.

His body started to tremble.

He didn't listen to a single word the sister of sin said, only occasionally nodding and when she mentioned excusing herself because she still needs to finish arranging the flowers, the novice smiled at him shyly and he felt the urge to simply grab her by the wrists and pin her against the closest wall. 

He brushed those thoughts away, as she noticed he was staring and blushed, turning away and walking by the sister's side.

During the mass, he made sure to change his entire sermon. He was going to talk about freedom, but Copia decided it was best to test the waters.

While noticing the novice sitting by the celibate siblings, he felt his body get hot, it was hard to breathe.

"We should devote our lascivious hunger to our Lord, and never resist the urgency of our body wishes," he spoke sweetly, his voice smooth like velvet, as well as his moves as he walks around the altar. The moon was shining through the windows, and his white eye was equally radiating such glimmer that could light up the entire chapel if the candles were to be blown by the warm breeze of midnight.

"Think of your body as a temple, as a place you perform your prayer to Satan, and, oh, he wants you to gladden yourself in the jars of honey that only carnal pleasure could furnish. To touch the untouched skin, to send the shivers his infernal breath would travel down your spine - the lips that burn like his fire on the surface of a cotton skin. Silky, sensitive, delicate, and pristine. To dedicate your sounds and never feel shame by the body our Lord so benevolently gave you the sovereignty to discover. Unravel the splendors of your pleasure, and make sure to touch your equals with such passion that could only be felt by the touch of our Infernal Savior. Nibble and consume the precious feast of flesh he gave you, savor the salt and sweetness of the skin that hides the biggest part of you: your soul that cries for pleasure and to be touched with the fire of a love that could only be taught by the one that treasured so much, and believed love had no shape. We are all flesh and blood, begging for the touch of a sacrilegious hand to break our innocence each time we let ourselves be free from the judgment that we should not give in. Give in the touch, the pleasure, the bliss. Let yourself be touched and think, trust, and obey. Listen and agree that both or more parts want the same thing. It's all about the small extent we have before we join our lord in the infernal and forever burning of the world to live in pure elation. Let yourself be unrestricted, and delight will fill you inside like the water you wish for your thirst."

During the entire sermon, he kept looking at her, at the way her hands were clasping her dress, or how pink her cheeks were when he measured her. He wanted to make her the most profane of the bodies to walk inside those walls. 

Once the mass was over, his sermon had an effect on his soul, and the cardinal didn't even leave the chapel after everyone was out before running to the small dark room he prepares himself to give in to his desires. 

Copia unbuckled his dark leather belt and unzipped his pants enough to pull out his hard and throbbing cock, already leaking with pre cum. 

He sat in the wooden chair and slowly ran his fingers through his hard length. He was so hard, it was hurting and just the ghost of his touch was already edging him before he pushed a finger along the tip of his cock, letting out a grunt. 

"Fuck," he whispered, closing his eyes. 

He slowly started to run his hand along his cock, spreading his leaking cum along it, making it sloppy as he pushed two fingers inside his mouth, sucking hard on the leather gloves he so carefully covers his hands. 

What was slow, started to build up fast, and he started to moan, echoing throughout the chapel as he left the small room's door open. He rocked his hips up, moaning loudly as he jerked himself off so fast, the leather was burning his skin. 

He made sure to clench his fists tight around his cock, thinking of how tight her pussy must be around him. How he would stretch her with his cock while mercilessly fucking her against the altar, how he would cum deep in her and make her take every inch of his cock inside her still untouched cunt. 

The fingers inside his hand was pretending to be her skin, his breasts and nipples and how he would suck on them.

As he came with a loud cry out, his body burning as his face was red and a few drops of sweat running from his scalp to his face, he opened his eyes to a white-clothed figure standing by the door. 

As his vision focused, he recognized the novice standing like a statue by the door. Her face was red as she was playing with her habit. 

Copia smiled to himself as he knew she couldn't see much but she heard all of his pleasure time. The pleasure time he had thinking about her. The Cardinal sat up and quickened to pull his pants back up. He invited her in with a velvet tone. 

She walked in slowly, her legs not moving much. 

"Tell me, sorella, what bring you here after mass and so late at night?" he asks as she approaches him. He taps the table in front of him for her to sit, and as she does, he can swear he smells under her dress, and it drives him wild. 

"I was thinking about your sermon, Cardinal," this is the first time he hears her voice and he feels like he needs to make her scream until she can't talk anymore. He nods as if to let her know she can keep talking. "And I want to give in my desires."

"That's great, my dear. And how do you wish to do that?"

"I want you to teach me... How to do it," she says it almost like a whisper, a small tone of begging that makes his cock hard again within seconds. “How to… How to give in my body for the Lord.”

Without many further rounds, the Cradinal stands up and places himself in front of her. "Spread your legs for your Cradinal, sweetie," he softly demands, his gloved hand on her thigh, and he feels her shiver. "Shh, don't you worry. What do you want me to teach you?" He asks, pressing himself between her legs. 

"How to feel pleasure, to be touched and to touch," she almost quotes his sermon word for word. 

The Cardinal nods. "I see... Then we have a lot of learning ahead of us."

[dustedmagazine]

Sky Furrows — Reflect and Oppose (Cardinal Fuzz/Feeding Tube)

Poetry and rock music don’t always mix very well, but Albany’s Sky Furrows have found a fertile ground between battering post-punk groove and knotty lyric.

It helps that the poetry is above average. Karen Schoemer has made her mark on the page as well as behind the microphone, contributing verse to journals Hobo Camp Review, La Presa and Up the River and decanting it live in front of Sky Furrows and Jaded Azurites, a duo with Mike Watt. She’s also been a music journalist with bylines in the New York Times and Newsweek.

Here, her lyrics have a rough cut conversational quality, the words themselves well-worn with use (no thesaurus required) but arranged in startling, vivid images. The opening track “Shopping Bags” considers happiness from all angles. It opens with a couple posing for wedding pictures, not on the day they’re married but earlier, commemorating a happy event that hasn’t happened yet. The narrator passes by accidentally, detouring to avoid the photo bomb, sardonic and removed. She herself has just had the consumer’s pleasure of finding decent stuff in the free box, classic paperbacks, a bike helmet, teacups.

“I was excited to have all this stuff until a minute ago. Until a minute ago, I felt like I’d really scored,” she observes, casually nailing the transience of shopper’s high. Other images flash by, moms smoking pot on a stroller outing, women in hijabs conversing, the ordinary stuff of human connection. The narrator gauges her difficult relationship with these scenes in a verse that goes “Happy people are intrusive, parents, families, any person who has another/I hate them all, yet I feel dependent on them as if any chance I have for happiness rides upon their backs.” It moves quick, this verse. It takes on no unnecessary weight or sentiment. And yet it gets at something deep and resonant about modern disconnection.

The words take up the foreground, but they wouldn’t stick as well without the music, which is spare and mobile and full of sharp edges. The band shares members with psychedelic Burnt Hills—Eric Hardiman, Mike Griffin and Phil Donnelly—but their work here is tight and rhythmically disciplined. It twitches and shudders under the verses, shadowy and ominous. The sound of it reminds me most of the no wave sounds: Thalia Zedek’s band E, The Contortions, Lydia Lunch and Retrovirus. 

It comes together best in the blistering “Koba Grozny,” with its lurching guitar riff, its punched out, periodically explosive drumming, its torrid blare of feedback. The music is always on the verge of busting out—you can feel the threat and release of it building—but it remains in check. The lyrics are similarly violent, recounting waves and waves of purges following the battle of Grozny, with the refrain “Death solves all problems. No man, no problem.” It’s a bracing piece of work, dry eyed and realistic, but also psychedelically vivid, and it hits hard right now with war dragging on in Ukraine and flaring hot in Gaza and threatening to break out in all manner of places.

Reflect and Oppose isn’t an easy album, but you won’t forget it soon.

Jennifer Kelly

[alcnfr]

A small study in Northern Cardinal fledglings, this flush is still pretty loaded with nestling fuzz. The last couple of months there seems to be a connsat stream of new clutches...

[defrag-mx]

Música: Revisada • Kacey Musgraves, Young Lean & Bladee, Meatbodies, FLOYA y más.

Nuevo episodio ha sido publicado en https://defrag.mx/musica-revisada-kacey-musgraves-young-lean-bladee-meatbodies-floya

Música: Revisada • Kacey Musgraves, Young Lean & Bladee, Meatbodies, FLOYA y más.

Defrag.mx Podcast Música Revisada ・Kacey Musgraves ・ Maggie Lindemann ・ WENDY ・ FLOYA

Música: Revisada – S01E06: Explorando los Sonidos del Momento

¡Hola Defraggers! Bienvenidos una vez más a “Música: Revisada”, con su anfitrión, el xGeek. Prepárense para sumergirse en un mundo de sonidos frescos y emocionantes mientras exploramos los lanzamientos más recientes en el mundo de la música. Desde el folk psicodélico hasta el house italiano, tenemos un viaje musical emocionante preparado para ustedes en este episodio.

1. Deeper Well – Kacey Musgraves: Un Viaje por los Paisajes del Folk Moderno

El nuevo álbum de Kacey Musgraves, “Deeper Well”, nos lleva en un viaje fascinante a través de la mente y el corazón de la artista. Desde la vibra folk-rock de “Cardinal” hasta la belleza folk-psicodélica de “Deeper Well”, Musgraves nos invita a reflexionar sobre el amor, la vida y la búsqueda de la felicidad. Acompáñanos mientras exploramos este fascinante álbum y descubrimos nuevos sonidos y emociones en cada canción.

2. Psykos – Young Lean & Bladee: Sumérgete en la Estética Enigmática del Rap Sueco

Los enigmáticos héroes del culto cuasi rapero sueco, Young Lean y Bladee, nos sorprenden con su nuevo LP colaborativo “Psykos”. Desde sus suaves incantaciones autotuneadas hasta sus líneas de bajo que evocan a los primeros New Order, “Psykos” es un viaje musical que te transportará a otra dimensión. Únete a nosotros mientras exploramos este intrigante álbum y descubrimos su impacto en la escena musical actual.

3. HEADSPLIT – Maggie Lindemann: Una Mirada Profunda al Mundo Interior de la Artista

Maggie Lindemann nos invita a un viaje fascinante a través de las profundidades de su ser con su más reciente EP, “HEADSPLIT”. Desde la vulnerabilidad de “rip my heart out” hasta la energía palpable de “taking me over”, Lindemann nos muestra una versatilidad impresionante y un talento emocionante. Únete a nosotros mientras exploramos este cautivador EP y descubrimos las emociones crudas que capturan la esencia misma de la artista.

4. Flora Ocean Tiger Bloom – Meatbodies: Un Tapiz Sonoro de Rock Psicodélico

Chad Ubovich, el cerebro detrás de la banda Meatbodies, nos sorprende con su nuevo álbum de rock psicodélico, “Flora Ocean Tiger Bloom”. Desde los riffs enredados de fuzz hasta los momentos de pura euforia, este álbum te llevará en un viaje musical que no olvidarás. Únete a nosotros mientras exploramos este fascinante álbum y descubrimos la profundidad de la psicodelia en cada nota.

5. Wish You Hell – WENDY: Una Exploración de la Transformación Personal a Través del Pop Brillante

WENDY nos ofrece una experiencia pop fresca y brillante con su segundo mini-álbum, “Wish You Hell”. Desde la energía enérgica de la canción principal hasta la narrativa visual intrigante en el video musical, WENDY nos lleva en un viaje emocionante de amor y pérdida. Únete a nosotros mientras exploramos este cautivador álbum y descubrimos la versatilidad y el talento vocal de la artista.

6. Club Moss – Varios (Starburst – Maya Q): Una Representación Vibrante de la Evolución Musical

El álbum “Club Moss” es una representación brillante y vibrante de la evolución del sello Wisdom Teeth a lo largo de una década de exploración musical. Desde los pasos suaves y delicados de ‘Loon E’ hasta el clímax auditivo de ‘Starburst’, este álbum te llevará en un viaje musical que no olvidarás. Únete a nosotros mientras exploramos este fascinante álbum y descubrimos los movimientos del bassbin del Reino Unido.

7. Soulfuric Trax – Mickey More & Andy Tee: Un Viaje al Corazón del House Italiano

Mickey More & Andy Tee nos presentan una pieza fresca y original en Soulfuric Trax. Con la participación vocal de Kathy Brown, esta producción nos ofrece una experiencia cautivadora que irradiará calidez y energía en cada nota. Únete a nosotros mientras exploramos este emocionante lanzamiento y descubrimos la magia del house italiano.

8. eternal sunshine – Ariana Grande: Un Diario Musical de Amor y Esperanza

Ariana Grande regresa con un álbum que te llevará en un viaje emocional intenso. Desde el R&B suave y melódico hasta toques de sintetizadores y cuerdas, “eternal sunshine” te sumergirá en un mar de emociones. Únete a nosotros mientras exploramos este cautivador álbum y descubrimos la sinceridad cruda de Ariana en cada nota.

9. Yume – FLOYA: Una Fusión de Sonidos Dance y Rock

El álbum “Yume” de FLOYA nos ofrece una experiencia divertida y bien construida. Desde la instrumentación sutil hasta los ganchos irresistibles, este álbum te llevará en un viaje musical que no olvidarás. Únete a nosotros mientras exploramos este emocionante álbum y descubrimos la amplitud vocal y el talento de la banda.

Gracias por acompañarnos en esta sesión musical de “Música: Revisada” en Defrag.mx. La música es como una conversación, y nos encanta charlar con todos ustedes a través de estos sonidos. ¡Hasta la próxima semana!

Te recomendamos escuchar los siguientes podcasts del equipo Defrag.mx:

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ByteTrax 240224 – Walmart • Tinder • Nvidia

[shelteredlifepr]

Stockholm-based Psych Rockers KUNGENS MAN Make Music for Contemporary Animals

Following releases on Riot Season, Cardinal Fuzz and Adansonia Records, Sweden’s much-loved progressive sons find their spiritual home…For those in the know, Kungens Män are everything you could want from a band and so much more. Having spent a decade in constant motion; pushing the envelope, creating music, and coaxing genres into doing their conceptual bidding, next month the Stockholm sextet…

[daggerzine]

The Sunshine Convention- S/T (Cardinal Telephone)

The tip on this new record came from my pal Rich who thought I’d like it and he was right.  I think it’s basically the work of one guy from Brooklyn (“written, performed and mixed by J. Whitener”), but apparently, he/they have a show coming up so there’s a live version of the band as well (and I see a band pic down below).

The first thing I noticed while listening was echoes of GBV (think Bee Thousand or Alien Lanes…..and hey, I hear the new brand new GBV album is very good…got to check out it out) as well as some Cotton Mather and even some early Superchunk.

Anyway, the songs are definitely there. …The first 3 or 4 definitely add large chunks of fuzz and distortion to the proceedings (especially the great “Pilot," I love the hook in that song)  while he gets a bit sentimental on the, dare I say, almost tender “A Soft Bullet In” (see what he did there?). Later on “Sister Judy” twists and turns in the fast lane and “101” is a nice little bolt of fresh lightning.

Only a few songs on here lost my interest, but most of this S/T effort are worth your time and money. So give Mr. Whitener some of your dough, he’ll appreciate it and so will you. Plus we’d all like to hear more.

www.thesunshineconvention.bandcamp.com

[effectsdatabase]

Last week's top 20 videos (2023, week 09)

Top 20 videos last week (February 26 - March 4)

2015 Dazatronyx Optical Tremolo. Seriously hand made. (by Dazatronyx)

New JHS Legends of Fuzz! The Plugin, Berkeley, and Mary-K + the Volture! (by JHS Pedals)

Chris Buck of Cardinal Black plays the Vintage Reissue Pedals | Marshall (by Marshall)

Catalinbread Echorec Multi-Head Delay (by Catalinbread)

Cómo restablecer los sonidos del PIXEL 3 a las formas de onda básicas #shorts Dedalo Fx (by Dedalo FX)

I used a drained battery simulator on my harp (by Emily Hopkins)

Lost Demo - Crowther Audio Hot Cake 2008 (by AndyDemos)

I made my own BOSS CE-1 (by JFX Pedals)

The new Marshall reissue pedals got me all excited. Full vid on the channel ? #guitar #guitarist (by Sasha Ivantic)

How To SAFELY Share Power To Multiple Pedals (by Vertex)

Three New Fuzz Legends! - JHS Legends of Fuzz (by AndertonsMusic)

Pharaoh Variants (by Black Arts Toneworks)

memory loss - seppuku fx (by Rhys I)

Nothing Special: Utility Line (by Old Blood Noise Endeavors)

SNEAKING Into Marshall Amplification & THIS HAPPENED!! (by Pedal Pawn)

Zendrive Repai... err, Rebuild. // Gray Bench Electronics (by Gray Bench Electronics)

Have you ever set your tremolo to sound like reverse guitar? I have // #guitarpedals #chasebliss (by Edge Of Breakup)

new boss SD1 chainsaw module. (by Arts In Bloodshed Custom Effects)

JHS Legends of Fuzz: Mary-K, Berkeley & Plugin Fuzzes | Tone Report Guitar Effects Pedal Demo (by reverbmarket)

Earthquaker Devices Acapulco Gold V2 - Pedal Empire (by Pedal Empire)

Overviews of the previous weeks: https://www.effectsdatabase.com/video/weekly

from Effects Database https://bit.ly/3ZBhyFu

[thegoodlife-7]

Check out this listing I just added to my Poshmark closet: Croft & Barrow Sz S Womens Silk Wool Angora Cardigan Sweater Red Bird Cardinal.