#car detailing los angeles
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cleanimage1011 · 1 month ago
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Car detailing Los Angeles
Transform your vehicle with our expert car detailing services in Los Angeles. We provide comprehensive, high-quality detailing to make your car look brand new. Trust our professional team for exceptional care and attention to detail.
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wrapstars · 10 months ago
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Wrapstars
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Website: https://www.wrapstarsoc.com
Address: 17050 Countrypark Lane, Hacienda Heights, California, United States 
Wrapstars specializes in high-quality vehicle enhancement services in Hacienda Heights, CA. Our expert team offers Paint Protection Film, Vinyl Wrap, Window Tint, Ceramic Coating, and Detailing services. We are certified installers of leading brands like STEK, Flexishield, Llumar, Ultrafit, Artdeshine, Inozetek, Avery, and 3M Films and Coatings. Committed to excellence, we focus on one vehicle at a time, ensuring personalized attention and superior quality. Trust us for protecting and customizing your exotic cars, supercars, hypercars, EVs, SUVs, show cars, race cars, motorcycles, vans, RVs, boats, and more.
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belleshaw · 2 years ago
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hwbcarwash · 7 days ago
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Burbank’s Premier Hand Car Wash – Shine Beyond Compare!
At Burbank’s Premier Hand Car Wash, we’re committed to delivering more than just a clean car – we provide an experience that leaves your vehicle sparkling like new! Our expert team uses only top-quality, eco-friendly products and meticulous techniques to ensure every inch of your car receives the care it deserves.
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cleanimage103 · 5 months ago
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Revitalize Your Ride: The Ultimate Guide to Car Detailing in Los Angeles
Are you a proud vehicle owner who lives in the thriving capital city of Los Angeles, seeking to provide your vehicle with the proper treatment that it merits? Do not look further! In the busy streets of LA, where appearance is paramount, maintaining your car clean and in top condition isn't simply a matter of luxury; it's an essential requirement. If you're driving down Sunset Boulevard or navigating the highways of Los Angeles, also known as the City of Angels, presenting clean, well-maintained vehicles makes a bold statement. There's no better method to do that than with expert car detailing services for Los Angeles.
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jetsetwash0 · 2 years ago
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Significant benefits of car detailing service 
You drive for a considerable length of time. It only makes sense that you maintain and clean your car regularly. While performing maintenance, the surfaces within your vehicle may need to be noticed. Driving won't be as enjoyable if this is the case as if you took interior care seriously you will have a happy journey. You can be highly benefitted from Car Detailing Services in Los Angeles. Below mentioned are the benefits of car detailing service:
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Paint correction and preservation:
Your car's paint may become dull and develop swirls due to various circumstances. Professional-grade wax is another tool detailers use to repair paint and add another layer of defense against nicks, scratches, and excessive usage and abuse.
Eliminated odor:
To eliminate smells, interior detailing removes dirt and grime and treats offensive odors with an odor eliminator. You can make use of Mobile Car Steam Cleaning near Me at an affordable price. In contrast to an odor remover, an air freshener masks disagreeable odors momentarily.
Increased car performance:
All machines, including automobiles, operate better when they receive proper maintenance. The engine can also be cleaned and dusted off, the ride can be made more comfortable, and the temperature can be lowered as part of car detailing services. 
Stain removal:
A competent auto detailing worker looks at the automobile's paint job and makes corrections where the car has scratches or is dull and faded. A Car Interior Detailing in LA offers a variety of services.It cleans the paint using a professional-grade wax and applies it to make the color come to a good glow.
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You should plan frequent detailing sessions for your vehicle for various reasons. Maintaining your car's inside and exterior in the best shape ensures your ride's nuance. Auto detailing eliminates visible and invisible markings and dirt to restore the vehicle's original appearance.
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fluentmoviequoter · 7 days ago
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Words to Die By
The Rookie x Criminal Minds Crossover
Pairing: Tim Bradford x fem!BAU!reader
Summary: Seven years after failing to become an LAPD officer, you return to Los Angeles as a literary analyst with the FBI's behavioral analysis unit to catch a serial killer.
Warnings: angst, violence, discussions of autopsies and forensic science, literary references, fluff and banter, improper use of a meat locker
Word Count: 13k+ words
Masterlist Directory | Tim Bradford Masterlist | Request Info/Rules
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As the slick black SUV with US government plates parks outside the LAPD Mid-Wilshire station, you try not to reminisce. It would be too easy to remember how excited you were to walk in on your first day after the police academy, too easy to remember the devastation and heartbreak you felt walking through the same doors after surrendering your badge. You open the car door and focus on the current job, keeping your head down as you follow your team into the station that once felt like home. After finding an empty space out of the officers’ way to wait while your boss speaks to the watch commander and captain, you unlock your phone and scroll through the case details you reviewed on the flight, looking for anything you might have missed.
“Can I help you?”
You look up from your phone, the case detail email disappearing as you press the power button and smile at the LAPD officer standing before you.
“Sorry, I’m waiting for the rest of my team,” you explain before brandishing your badge.
“Oh, no worries. This is my first time working in a task force,” she replies. “It’s exciting.”
You nod and subconsciously tug on your sleeves. Officer Chen is obviously a rookie, and her enthusiasm is refreshing.
“Is this your first time in LA?” she asks.
“No, it isn’t.”
“Chen, Bradford wants to see you before roll call,” another officer calls.
“Is Bradford your training officer?” you ask.
“He is. Do you know him?”
You look around, then say, “Tim is on, what? His tenth plain clothes day washout?”
“Eleventh,” she answers, surprised.
“Nice to meet you, Officer Chen.” You offer your hand and say, “I’m number five.”
Chen’s jaw drops before she asks, “And now you’re FBI? How did that happen?”
“Long story… But I’m a literary analyst for the behavioral analysis unit, not exactly a field agent.”
A passing officer stops, then steps backward to look at you. “Are you on Hotchner’s team?”
“I am. I assume you remember him?”
“You know an FBI agent, Officer Lopez?” Chen asks.
“He was responsible for over 100 convictions of corrupt cops six or seven years ago. Five of them were LAPD, and one was our watch commander,” Lopez explains. “Chen, we need to get to roll call.”
You nod to Lucy, then return your attention to an email from Penelope.
“Your phone should be at least twelve inches from your face to limit blue light exposure,” Spencer says as he enters the station. “Sixteen to eighteen inches is preferable.”
“Spencer,” you reply, smiling as you turn toward him. “Penelope used what appears to be 6-point font and then zoomed out. I appreciate the concern for my eye health but take it up with her.”
Spencer frowns and murmurs, “Sounds like a job for Morgan.”
“What’s that, pretty boy?” Derek inquires as if he was summoned by the utterance of his name. “Gettin’ girlie here a date?”
“In Los Angeles?” you ask incredulously. “Hard pass.”
“Right, because the location is the issue with the plan. Not the fact that we’re working a case, and new evidence was discovered this morning,” Hotch deadpans from your side.
“I can multitask, boss man,” Derek defends, tossing his arm over your shoulders.
“Psychologists have determined the human brain isn’t designed for successful multitasking,” Reid begins. “It can cause switch cost, which results when attention and information retainment are suddenly redirected from one task to another, and cognitive efficiency and performance diminish-“
“Says the walking brain with at least fourteen tabs open,” Derek jokes.
“They’re waiting for us,” Hotch reminds. “I mean, only if you’re ready.”
“Your station,” Derek tells you, shaking your shoulders gently as he follows you toward the roll call room.
“… and there is no excuse for failure to communicate,” Sergeant Wade Grey continues as you follow Hotch into the roll call room.
You stand between Hotch and Derek as he speaks and look around the room. Fourteen officers are seated at the tables, listening intently even as their eyes stray to the case board. JJ joins you a moment later, mouthing an apology to Hotch before passing him a folder.
“More evidence?” you whisper.
She nods, then whispers something to Spencer, who furrows his brows and squints at the case board. You know the look, and it increases your concern about the case. Though there have been two notes and a book tied to the previous crime scenes, you’re unsure why  Hotch decided you needed to join them in LA. You could have stayed in Virginia with Penelope, you think, but you trust him and the rest of your team. Turning away from JJ, you fight the urge to peek into Hotch’s open folder as you run your eyes up and down the rows of officers. You recognize Chen and Lopez from this morning, but stop when you see Tim Bradford.
Hotch notices your shoulders stiffen in the split second before you relax, and he taps his elbow against you. You look up at him, and he nods once to reassure you. You’re not alone, and unlike the last time you were in this station, someone else knows the truth of what happened.
“Any questions about the case?” Grey asks. He sighs when someone raises their hand and says, “Yes, Nolan?”
Nolan doesn’t seem concerned with Grey’s lethargy. “What’s the connection between the zoo and the first victim?”
Spencer shifts beside you, and Derek shakes his head in amusement. You can imagine the rambling fighting to get out of Reid, and you smile at Derek rather than laugh.
“I should’ve been clearer. Any questions about our side of the investigation?” Grey amends, and this time the officers stay quiet. “In that case, I’d like to introduce Supervisory Special Agent Hotchner of the FBI, the BAU unit chief, who has brought his team across the country to assist in this case.”
Hotch walks to the front of the room and sets his files on the podium. He fixes an evaluating glare on the officers before him, then nods.
JJ leans toward you and asks, “Remember how intimidating that look used to be?”
“Still makes me stand up a little straighter,” you admit.
“We’re here to help,” Hotch begins. “But that means that we need you to be as committed to solving this case as we are. If you’re not ready for that, you’re free to go.” No one moves, so Hotch says, “Good. Sergeant Grey has briefed me on each of you. You’re good officers, but street smarts and police procedure won’t get this monster off the street.”
“But talking about the suspect’s feelings will?” one of the officers jokes.
Hotch’s eyebrows raise, and his serious look fades into a knowing glare. “You must be Bradford.”
JJ takes your hand, and Derek exhales. They know more about your history in LA than the people in LA do, and you appreciate their friendship and presence.
“Sorry, sir,” Tim replies. “I only meant that there is tangible evidence at these scenes, and it seems to me that concrete proof will help us find this guy faster than dissecting his mind through his habits and words.”
Hotch returns behind the podium and admits, “I understand how our process could seem like a waste of time, and criminal profiling is not an exact science, we’re wrong sometimes, but you know as well as I do that there’s no one right way to solve a crime. The important thing in this situation is to get a killer off the streets before he claims more lives. If our behavioral analysis can assist in that, we’d appreciate your cooperation.”
“I can assure you that you have the LAPD’s complete cooperation,” Sergeant Grey interjects, looking pointedly at Tim. “And anyone unwilling to do so will be removed from this task force.”
Tim crosses his arms across his chest and nods, a position you remember well from your limited days as a rookie. You expected this type of attitude from him and possibly more cops. You truly believe that the BAU can offer insights Tim can’t glean from analyzing a crime scene or going through the processed evidence.
“Do any of you have questions for me or my communications liaison?” Hotch asks.
Several officers ask questions about task force protocol, what your team does, and other run-of-the-mill inquiries about the federal agency and its duties.
“I believe it is time for introductions?” Hotch says, stepping to the side as he welcomes Sergeant Grey back to the front of the room.
“The LAPD has selected fourteen of its best officers-“ He turns away from the room and lowers his voice to tell Hotch, “If you’re against rookies on the team, I’ve got some other officers on standby.”
“If you trust them, they’re welcome to stay.”
Grey nods and turns, then continues, “Officer Lopez, Officer Bishop and her rookie, John Nolan, Officer Janssen…”
You tune out most of the officers’ names, trusting Spencer to fill in any blanks for you, until you hear, “Officer Bradford and his rookie, Lucy Chen.”
You were in Lucy’s position just over seven years ago, and now you’re looking in from the outside. You love your job and appreciate the FBI and the BAU for giving you a home and a rewarding career. Yet, sometimes you’re still plagued by the inevitable wondering, what if?
“Pleasure to meet you all,” Hotch responds. “I’m SSA Aaron Hotchner, behind you is my team: Special Agents Reid, Morgan, Jareau…” Hotch meets your eyes before introducing you, and you watch him rather than Tim, who turns quickly in his chair and stares wide-eyed at you before controlling his expression and returning to his usual composed demeanor.
“How is a literary analyst helpful?” someone questions softly.
“This unit has taken down more serial criminals than you can name,” Wade snaps. “Show a little respect.”
“We’d like to brief you before the media,” Hotch explains. “If it’s possible to reconvene before tomorrow’s patrol begins, of course.”
“Not a problem. I want all of you back in here fifteen minutes before beginning of shift tomorrow,” Wade tells his officers. “Keep the conversation in this room, understood?”
“Yes, sir,” the officers respond as they stand and file out of the door, some whispering together, others leaving quietly and alone.
“I think that went well,” Derek says as Hotch gathers his things.
“Socially speaking, there was a divide and a complete lack of faith in us,” Spencer argues. “Though there is the question of authority and a misunderstanding regarding our purpose and purview.”
“Pretty boy and I are going to go find some coffee.”
As Derek and Spencer leave, and JJ excuses herself to answer a phone call, you’re left alone with your current supervisor and former watch commander.
“It’s good to see you,” Wade says, smiling as he pulls you into a hug.
“You, too,” you respond. “Sorry I haven’t been back as much as I’d like.”
“I understand,” Wade assures. “And it seems that you’ve found your perfect place in the BAU.”
“We like to think so,” Hotch agrees. “Although…”
“Bradford won’t be a problem,” you interrupt.
Hotch tilts his head questioningly, and you add, “He fights back on new things, but he’s a good cop, so he’ll do what’s right in the end.”
Hotch hesitates, then asks, “Do you trust him?”
“With my life.”
“He’s the best I’ve got,” Wade comments. “But if there’s a question about him…”
“He’s Morgan, but more serious,” you tell Hotch. He doesn’t change his stare, so you sigh and promise, “I want him here. There’s no bad blood between us and he’s going to be invaluable in this.”
Hotch nods and looks away from you finally and begins asking Wade about one of the files turned in the night before, which you understand as your cue to leave. After you step out into the bullpen, Derek returns to your side.
“Where’s Spencer?” you ask, looking over his shoulder.
“Telling Officer Chen about the health benefits of doing something boring. How are you?”
“I’m okay. Hotch doesn’t seem to think so.”
Derek gasps and holds your shoulder to exclaim, “You have two overprotective father figures to work for now!”
You consider arguing for less than a second before you realize he’s right. Wade stayed in touch after you left LA. Hotch has never left room for you to wonder how he sees you and his need to protect you. So, you’re working on a case that feels like two different versions of your personality, and parts of your life have combined into one perfect yet terrifying case. And you haven’t even talked to Tim yet.
“I hope our hotel has a hot tub,” you lament.
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“Plain clothes day washout number five, huh?” Lucy asks Tim as they patrol Los Angeles.
Tim shakes his head and doesn’t answer. He’s gone seven years without talking about you, only having to relive the heartbreak on your face and the disappointment he felt during his loneliest nights. Tim saw great potential in you, considered you more than a rookie, and taking your badge had affected him in a way he never expected. Now, you’re in the FBI, which is news to him, and you’re working on a case that he hasn’t been able to solve even with ten crime scenes to work with.
“What happened?” Lucy tries.
“None of your business, Chen,” he snaps. “That case, Hotchner’s team, all of it stays in the roll call room for now. Understood?”
“Yes, sir.”
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A bell chimes above your head as you enter your favorite Los Angeles diner. It’s your first night in the city, and since you don’t know how long you’ll be here, you wanted to revisit it while you had a chance. When you mentioned the diner, your team gave you their orders to bring to the hotel, where they’re currently reviewing the autopsy reports. It feels wrong to leave them, but you sigh in the comfort of a place that once provided you a refuge after long days.
“Old habits?” you ask as you approach the counter.
Tim looks up from the laminate and watches you. You don’t meet his gaze but look at the menu while you wait for the waitress to return. This was your favorite diner when you started at the LAPD, and Tim has never given himself time to wonder why he kept coming back even after you left.
“Something like that,” he says. “So, uh, the FBI. That’s incredible.”
You shrug. “Not what I wanted, but I love it.”
Tim nods, unsure what else to say. You’re not the girl you were on day one in the academy, not even the girl who left the station in tears after washing out. Tim still sees you, the woman who fought for what was right never gave up, and was smarter than she ever realized. That’s not the person he saw your last week on patrol, but he knew you were still in there somewhere.
“How long have you been with the BAU?” he inquires.
The waitress returns, and you take the excuse to not answer Tim. You retrieve your phone from your pocket and read a large order from the screen, then pass a shiny, FBI-issued credit card over the counter.
“It’ll be a few minutes, hun,” the waitress informs as she returns the card. “Feel free to have a seat.”
You thank her and slide onto a stool, ensuring you leave an empty seat between you and Tim.
“Failing to become a police officer was one of the hardest things I’ve ever experienced,” you confess. “A few months later, Aaron Hotchner knocked on my door. There was a case nearby, a serial rapist who was leaving personalized love letters with every single victim. He found my résumé on a local job board and came to ask for help because of my background. The rest just fell into place, I guess.”
“You get to carry,” Tim points out, gesturing toward the holster on your hip, concealed from everyone else by your shirt. “They don’t let people who just ‘fall into place’ do that.”
“I did everything by the book, if that’s what you’re asking.”
“I’m wondering what changed on plain clothes day,” he responds. “You were on track to be an amazing officer, and then that last week, you just… something changed.”
“I did.”
“There’s more to it.”
“There’s really not,” you insist. “If you don’t want to be on this task force-“
“I do. I wish you could see that you have the potential to lead it.”
“Hotch saved my life. I trust him.” Tim understands the part you don’t say: that you trust him more than yourself.
The waitress returns with two full bags, and you stand as you take them from the counter.
“Goodnight, Tim. I’ll see you at the station tomorrow.”
As you leave, the bell chimes over the door again, and Tim hears your voice in his head, the promise of another chance, but he doesn't miss the fact that you leave every time you see each other.
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“What if - and hear me out on this - you just told him the truth,” Derek suggests.
You take a drink from a cheap Styrofoam cup and nod. “You’re right, Derek, why didn’t I think of that?”
“You know, most hotel chains serving breakfast fail to maintain proper culinary heat-“
Hotch raises one finger before Spencer can ruin breakfast for everyone. “Don’t.”
“I agree with Morgan,” JJ says. “There’s clearly questions there, and if you explain what happened, he’ll trust you more.”
“And he can deal with some of the guilt,” Hotch grumbles.
“What guilt?” you inquire, pausing with a cheap metal fork in your hand.
“He clearly blames himself for letting you lose your position,” Hotch explains.
“He knows how good you are, so that final week probably doesn’t make any sense to him,” Derek adds.
“He doesn’t,” you mutter. “He told me last night-“
“You saw him last night?” JJ exclaims.
“I ran into him at the diner.”
“He still goes to your diner?” Derek questions.
“It’s just a diner! But I saw him there and he insisted that there was more to what happened than me changing.”
“And you lied to him?” Hotch responds. “It’s over, you can tell him, you can shout it from the top of the Chinese theater.”
“That would be illegal,” Spencer mumbles.
“And wouldn’t change anything,” you add. “We’re here to work a case, not mend a bridge that has been-“ you scramble for the right word before finishing, “disintegrating for nearly a decade.”
Derek groans as he leans back in his seat, and Hotch finally looks up to say, “If this gets in the way of the case, I’ll have Garcia email him everything he needs to know.”
“I’m cutting holes in all of your quarter-zips tonight,” you threaten in return.
Hotch frowns and mouths, You’ll never find them all.
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“Good morning,” Sergeant Grey calls as the door closes behind the twentieth and final member of the task force. “SSA Hotchner is going to fill you all in.”
“Thanks for coming in early,” Hotch begins. “There have been no new developments in the case since yesterday, but my team has created a preliminary profile based on the preexisting evidence and details from the first ten victims.”
Your phone buzzes with an incoming call from Garcia, and you exit the room to answer. “Whatcha got for us, gorgeous?”
“Ooh, does Derek know you’re talking to me like this?” she replies, her keyboard clicking in the background.
“Not like he’s competition,” you say with a playful scoff. “Find anything on the deep dive?”
“Nothing inherently helpful. The prelim suspects are all pretty similar, though one of them did alibi out. Carson Gillery was working remotely from Chicago during the second and third murders. Hotel and airline checks corroborate that.”
“I’ll tell Hotch. Anything else?”
“Are you okay?” she asks.
“Fine. Why?”
She stops typing suddenly and then inhales sharply.
“Garcia?” You ask.
The line beeps as she disconnects, and a phone on the desk closest to you begins ringing. A Virginia area code appears on the caller ID, and you stretch across the desk to pick up the receiver.
“Penelope?” you ask hurriedly.
“He’s in the data!” she explains, typing again. “He’s not doing much, but someone is overriding minor coding and there was another line tied into our call. I could hear him breathing; thought you were crying at first, but now I’m running a backward search to find this psycho.”
“None of the prelim suspects would know how to do that,” you point out.
“Uh oh,” Penelope breathes. “I think…  I think he left you a message.”
“What is it?”
“It’s in the seventh victim’s ME report, overwriting the details of the posthumous wounding to the back. It says 2/18/17… It matters not how strait the gate, How charged with punishments the scroll, I am the master of my fate; I am the captain of my soul.”
“Henley,” you murmur, trying to connect the dots as you forget the first half of the message.
“There’s more,” Penelope says. “A copy of your one-way ticket to Virginia with an alternate ID that says, ‘thanks for the perfect opening night.’”
“It’s about me?” you whisper.
“I’m going to trace these messages,” Penelope declares. “You tell Hotch about this, and please, please do not try to investigate this on your own.”
“You got it. But can you send me a scan of page 39, no- 38, from the William Ernest Henley book in my office? I need the annotated copy of Invictus.”
“You got it. Tell Morgan and I said hi and I’m wearing-“
You hang up and take a deep breath as you return the receiver to the cradle.
“Agent Hotchner,” you call as you return. “I need a word.”
“Let me finish-“
“There’s been a development,” you interrupt. “An urgent one.”
Hotch sees the look in your eyes and calls Spencer to the front of the room to continue reviewing the patterns in the killings and to discuss the psychological traits and drivers they suspect the killer will have. Derek watches as Hotch and Grey follow you out of the roll call room. Meanwhile, JJ watches Officer Tim Bradford as he manages to conceal his concern but not his interest as he watches you through the glass walls.
“Garcia called with information on the prelim suspects,” you explain. “Someone tapped into the call, and then�� whoever it was started manipulating her date on the FBI server. She did say that Carson Gillery alibied out, he was out of state for several of the murders, but whoever this guy is, he is incredibly close to this case.”
“Manipulated the data how?” Hotch asks.
You wring your fingers together as you answer, “He left a message. Garcia thinks it was for me.”
“Left it where?” Grey inquires.
“The seventh victim Mel Houghton’s autopsy report. It was a date and a line from a William Ernest Henley poem.”
“The date?” Hotch presses.
You inhale deeply before saying, “February 18, 2017.”
“The day you lost your position in the LAPD,” Grey remembers. “What does it mean?”
You look toward Hotch, and he shakes his head twice. There isn’t an obvious answer to Grey’s question, but the implication that this case has something to do with you isn’t good.
“He… he also had a picture of my plane ticket to Virginia and added a note, something about ‘thanks for the opening night,’” you add. “Hotch, if you have to take me off this case-“
“We need you,” he interjects. “The literary aspect of this case is progressing.”
“Does that mean we could limit our suspect search?” Wade asks, looking between you and Hotch.
“Not likely,” you reply with a sigh. “Plenty of literature enjoyers can’t be located purely based on that. There’s no evidence he’s educated or active in book clubs, debates, anything.”
“Garcia’s tracing the data changes?” Hotch assumes.
“Yes, sir.”
“Then we work what we can until she gets back to us.”
“I need to see the novellas left with the victims,” you request. Hotch begins to speak, and you add, “Not the scans, the actual, physical stories left with their bodies.”
“I’ll get someone to go through the evidence with you,” Wade assures. “Any preference?”
You look into the roll call room through the glass sheeting, your eyes drifting past Tim as you decide, “Officer Chen, please.”
Wade nods once, then returns to the podium inside as Spencer concludes his comments on the psychology of the killer’s modus operandi.
“What are you expecting to find?” Hotch asks you.
“I really wish I knew,” you answer softly. “Hotch, what if this is all my fault?”
“The delusions of a killer have nothing to do with you. If something you did as an officer triggered him to start, there is no reason to assume he wouldn’t have started later. He’s clearly reality-challenged, living in a space between this world and the events of his imagination, and that is not on you.”
You nod, rubbing your forehead as you think. “Literature is clearly important to him. If it comes to it, will you let me go with JJ to a press conference?”
Hotch hesitates, and you know he doesn’t like the idea of putting his team in public view, unless absolutely necessary, but he says, “Fine. Only if it gets that far.”
“Hotch? February 2017 had massive storms. Urban flooding, mudslides, wind, snowfall, there was mayhem that week. I mean, a police chase with a DUI driver, a car fell into a sinkhole. I used some of those cases to…” You trail off, remembering all of the things you did wrong.
“Talk to me,” Hotch encourages.
“Any one of the people who had contact with the LAPD that weekend could have been pushed over the edge. He could have been killing for seven years, since whatever happened, but just got bold and brazen enough to make it public.”
Hotch leaves your side for a moment to wave Spencer out. When he joins you and Hotch in the bullpen, Hotch gestures for you to explain your theory.
“I suppose,” Spencer muses. “The killings have progressed minimally since the first victim three months ago. It does point toward a more practiced unsub, someone who has, in their mind, perfected their method. Yes, it’s completely possible.”
“The books,” Hotch points out. “Those are new. Unsolved cases with novellas or poems shoved down victims’ throats would have caught someone’s attention by now.”
“Serial killers gain experience with each new offense,” Spencer explains. “The learning curve is steep because of the logistics it takes to commit a murder. If he’s been killing without being caught, the thrill of killing would empower him to take more chances. In this case, the trophy aspect of his MO could easily have changed, but his idiosyncratic psychological needs remain the same.”
“We don’t have enough people to comb through seven years of cold cases to find similar killings,” you lament.
“We do have the media,” JJ interjects, sliding her phone into her pocket as she approaches. “It’s a long shot, but if we could find one or two, would it be enough to complete a profile?”
“An estimate of how long he’s been at this, with Garcia’s trace and the analysis of the literature at the scene… Yes, we could establish a firm MO and improve the unsub’s psychological profile.”
“Hold on,” Derek urges into his phone as he joins the rest of your team. He looks at you and says, “Give me your phone.”
You pass it to him, and he flips it in his free hand as he listens. He gives you an apologetic look and then drops it.
“Morgan!” Hotch exclaims as Derek brings the heel of his boot down on your phone screen.
“Unless Penelope told you to do that, I’m going to be very mad,” you say.
“Alright, baby girl, tell us all,” Derek requests as he puts his phone on speaker.
“I found our guy, or his IP address at least,” Penelope says.
“And?” Hotch asks. “Where is he?”
“That’s the thing. He’s in an apartment a few miles from the station.”
You recite your previous address and Penelope murmurs, “That’s the one.”
Penelope explains how she traced his data trail before you interrupt to ask, “Is there anything about another cop in it?”
“Uh, there were some numbers,” she answers.
“34381?” you guess. “And 6147?”
“Amongst others, yeah. Do they mean something to you?”
“One is Officer Bradford’s badge number. The other is Sergeant Kenneth Adamson.”
“I’ll run the rest of the numbers against the LAPD database and get back to you.”
“Are all of our phones in need of stomping?” Spencer asks before Penelope hangs up.
“Not yet,” she replies, and then the line clicks.
“Running everything is going to take too long,” you complain. “He’s probably already targeted his next victim. He could be writing the novella for all we know!”
“His system is organized,” Spencer explains. “We can use that. The past victims have been a week or more apart. Even if he does change his timeline because we’re here, he needs time to plan, write, correct?”
“Yes,” you answer. “He could do it overnight if the circumstances called for it.”
“Assuming he’ll take a break between kills, however…”
“We have two days,” Derek concludes. “Let’s hope he’s not too organized, doc.”
“He’s a criminal,” JJ says. “They all get stupid and forgetful.”
“We don’t change anything. He’s changing the rules, pushing himself, but we’re not playing his game,” Hotch says. “And, for the moment, we keep the LAPD connection to ourselves.”
“What if they could help?” JJ argues.
“No.”
“Act like we have a week, and he won’t expect us to be ready to go,” you say. “In that case, I’ll start analyzing the literature.”
“Speaking of which.” JJ pulls a paper from her bag and says, “The homicide detective said CSI found this on a secondary scene analysis.”
You read the scan of the evidence, and your eyes widen as you look up at Derek. “Good thing you came with. He’s building a bomb.”
“Whoa,” Derek says with little intonation in his voice, but his hands raise as he moves his head in surprise. “Explain the progression from writing stories to bombs.”
“Postmodern literature is the most recent literary movement that contains vulgarity in diction and violence. It’s often used as an authentic portrayal of humanity, depicting violence against gender, race, and the human body,” Spencer answers. “Epic poetry was one of the first storytelling forms to depict interpersonal violence.”
Derek rolls his eyes at Spencer’s reply to the rhetorical question, and you add, “The Victorian literary period was marked by violence through the use of suffering and physical dangers as literary themes. The gothic genre aestheticized the darker elements of human life, explored sexual violence, dramatic monologues, and realistic violence like robbery, beheadings, even serial murders.”
“Which affects us how?” Hotch inquires.
“William Ernest Henley was a prominent figure in the later years of the Victorian movement. He sent lines from Invictus to Garcia, and that piece has been the poem of choice for extremists and terrorists to justify their violence in the last few years. There is some hardship beyond our killer’s control, and this is how he’s dealing with it.”
“Still doubting your hypothesis?” Hotch deadpans.
“Wouldn’t he have to stop all of the suffering somehow?” JJ asks.
“Yes. But he hasn’t decided on an endgame yet, we’ll see the signs of that when it comes. The beginning of a plan for a bomb isn’t concerning yet. For now, we continue as planned, but he will likely strike again in 24 to 48 hours.”
“They’re getting concerned,” Derek whispers, waving toward the roll call room.
“I’ll handle them. You have your assignments,” Hotch states. “We reconvene tonight after end of shift.”
“Yes, sir,” you agree with the rest of your team.
As you return to the roll call room between JJ and Derek, you keep your eyes on the front of the room, ignoring how Tim turns to look at you. Hotch gives an acceptable excuse for your team’s private meeting and then provides tasks with Sergeant Wade.
“What about me?” Lucy asks as the other officers exit into the bullpen.
“You’re with me,” you reply, stepping toward her as you smile. “If that’s okay.”
“Yes!” Lucy cheers. She clears her throat and amends, “Yes, of course, I’d love to help.”
“Keep me updated,” Hotch tells you.
“Yes, sir. Oh, and…” You move your fingers in a scissor motion to remind him of your previous threat before concluding, “Spencer has the information you asked for.”
Hotch nods once, and Wade smiles. Suddenly, you’re hit with the feeling of being torn apart, stuck between the life you wanted and the one you have. When the case is solved, the killer is behind bars, and you’ll have to leave these people again. At least you’ve finally remembered that planes travel both ways.
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“Ten victims,” you say as you pin the last picture to the bulletin board in the office you and Lucy have set up. “Six novellas, a book, two pamphlets, and a bloody poem.”
Lucy’s eyes follow the red thread connecting the victims to their evidence and the order of the killings as you stare at the T.S. Eliot poem from the fifth scene with your hands on your hips.
Plus, a William Ernest Henley poem meant to bring me into the killer’s world, you think.
“Ready?” you ask Lucy.
“Yes, ma’am.”
You laugh and invite her to use your first name, then spread the evidence pictures from the first murder on the metal desk. It isn’t the same as reviewing the physical books and poems, the thick paper holding the twisted ideas of a serial killer left warm from the printer beside the lives he claimed for the sake of his own story. It’s the best you can do for now.
“Janice Davis, our first victim. The killer stapled a San Diego Zoo pamphlet to her chest.” You flip through the case file and add, “Antemortem. Ouch.”
“That looks like a building staple,” Lucy muses, leaning over the picture.
“It is. Your forensics lab determined it’s a Powernail galvanized seven-eighths inch crown staple. Intended purpose is woodworking and flooring, and one side of the staple extends out at an angle, so even if she was conscious long enough to try removing it… well, it would’ve hurt more to take it out.”
“What was the cause of death?”
“Unknown,” you read, furrowing your brows. “Manner of death: homicide. But it looks like they couldn’t determine the cause. Any chance ME Daniella Smith is still around?”
“I don’t know,” Lucy confesses. “Sorry.”
“Don’t worry about it. Sorry, you’re good at this, I keep forgetting you’re a rookie.”
“That’s the nicest thing anyone has ever told me.”
You smile, then return to the evidence before you. “The next victim, Gregory Hunter, was found with a copy of Orwell’s Animal Farm open beneath his head. The page, as far as I can tell, is irrelevant.”
“Then what’s the point of leaving it there?”
“Hunter was Davis’s boss, and apparently they had been involved a few years prior to working together. Animal Farm presents Orwell’s ideas on power, equality, socialism and corruption.”
“All things the San Diego Zoo has been accused of abusing throughout history,” Lucy adds. “Along with the animals.”
“Precisely. Then it wouldn’t be a stretch to assume that our killer was wronged by a failing class structure, abuse of power and control, inequality, or socialism.”
“That’s a lot of options.”
“Which is why we keep looking. Victim number three had a personalized novella…”
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“The method of killing has been consistent with every victim. They’re injured, kept alive for three to twelve hours, and then killed. Janice Davis, victim one, was ruled as undetermined cause of death, but there was no evidence of blunt force trauma, gunshot wounds or poisoning, which we’d expect based on the sudden killings of the others,” Spencer explains.
“You can tune him out,” Derek whispers. “When his voice drops an octave, he’s about to ask a question.”
Tim nods, but he wasn’t listening to begin with. His mind keeps drifting to thoughts of you. He watched you talk to your team, has worked with you, and knows the depth of your talent and potential. Yet he continues to wonder how you truly came to work at such an elite division in the FBI and what you’re hiding.
“Do any of you have experience with crime scene investigation?” Spencer asks.
Several officers raise their hands, including Angela. Tim has guarded scenes and looked around on his own time, but he isn’t sure when his unique skills will be required for this case.
“Morgan,” Hotch calls from the doorway. “Take an officer to gather the literary evidence. Someone with a station ID has to sign it out for us.” He looks towards the front of the room and sighs. “And tell Spencer to wrap it up.”
“Doctor Morgan,” Derek calls as he stands. “Perhaps we should move on to the evidence snapshots and physical profile?”
Spencer nods and shifts his attention to the tools and proposed appearance of the killer.
“I’ve got a station ID,” Tim tells Derek. “If you need that evidence now.”
Derek sighs but waves for Tim to join him. He remains quiet while they walk to the evidence lockers, largely because he’s evaluating Tim. Derek knows about your time in Los Angeles, and even if he did encourage you to talk to Tim, he isn’t sure if Tim deserves your time.
“You were military?” Derek asks as they wait for the evidence to be thoroughly signed out and accounted for.
“Army,” Tim responds. “FBI always the goal for you?”
“Oh, nah, I started as a cop up in Chicago. Things just happened.”
“Seems to be a lot of that,” Tim murmurs, remembering your ‘fell into place’ excuse.
“Why be a TO?”
Tim shrugs. He’s never had a good answer for that question, and if he starts thinking, he might get caught up on his fifth washout.
“Special Agent Morgan,” the evidence officer says as he places a large box on the ledge. “Your supervisor has to sign this form upon evidence return.”
“Got it. Thank you.”
Derek picks up the box and steps back, but the officer places another box behind it. Tim takes it without a word and follows Derek to an office with a closed door.
He taps his foot against the door and calls, “Open up, pretty girl, these muscles are just for show!”
You smile as you open the door, and Tim clenches his jaw at the realization that Derek Morgan just called you ‘pretty girl.’
“I fear you’ve mistaken me for Penelope,” you tell him as you hold the door. “Thank you so much.”
Tim nods as he places the box down, and then looks at the case board.
“Oh, Tim,” Lucy says. “Do you know if ME Daniella Smith is still working?”
“She retired,” Tim replies.
You drop your shoulders and nod. “Thanks.”
“I can get her address and phone number, though,” he offers, partially to help and partially because he hates how disappointed you look.
“That would be amazing!” you reply happily. “Lucy, feel free to go with him, move around for a few minutes.”
Lucy follows Tim, and you close the door to talk to Derek. You explain that the literature points toward class structure, abuse of power, or socialism.
“Maybe he should move to Canada instead of killing then,” Derek muses. “Have you told Hotch?”
“Not yet. There’s also the string of violence in the literature. At first, it was metaphorical violence, a symbolic representation of the dangers of power in society, but it’s gotten more blatant, more Victorian in its realism.”
“The novellas?” he guesses.
“I haven’t gotten to read them in their entirety yet, I’ll start that now, but I’d guess he’s outlining his preferred method of violence as well as the reason.”
“Think it will shed some light on the explosives schematics? Which, by the way, are pretty weak. A bomb like that would be hard pressed to flip a Prius, it wouldn’t do major damage unless it was an incredibly confined space.”
“Ask Spencer what he thinks about the space,” you suggest. “The killings have been in relatively open spaces, but he’d know better than me if it means anything.”
“I’ll run it by him if I can get a word in.”
You laugh at Derek’s joke, but he turns serious again to ask, “Are you okay? I know this can’t be easy for you, working a case here after seven years.”
“I’m okay,” you promise. “I’ll let you know if that changes and I need a Morgan hug.”
Derek smiles as he opens the door, and Tim and Lucy return soon after.
“She lives three miles from here and said she’d talk to you,” Lucy relays.
“Let me tell my team.”
Tim raises a hand to stop you as you gather your things and repeats, “She said she’d talk to you. She recognized your name.”
“Oh.” Hotch walks by the door, and you step out quickly to explain, “I found the ME who couldn’t determine Janice Davis’s cause of death. She’s retired, but lives nearby and agreed to talk to me, but only me.”
Hotch weighs his options, but when he sees Tim behind you, he suggests, “Then you should probably take your TO.”
Your eyes widen in shock, but you trust Hotch, so you nod and step back into the office.
“You don’t have to,” you begin as Tim asks, “Ready?”
You fail to find the right words for several moments, then say, “Lucy, do you want to help Derek Morgan review crime scenes for construction and security?”
“Sure! Let me know if you need more help with this stuff when you get back,” she responds. “Good luck!”
“Thanks,” you say, though you think I’ll need it.
“Do you want to drive or should I?” Tim asks once you’re alone.
You lift keys from your pocket and say, “I will. Do you think Smith will be any help?”
“We can hope.”
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“Can I address the elephant in the room?” Sergeant Grey asks.
“Be my guest,” Hotch answers, not looking up from his improved profile.
“Bradford isn’t operating at his usual level.”
“She is.”
“Which is why I think there may be more to his side of the story.”
Hotch looks up to propose, “You think he had something to do with Adamson’s misconduct?”
“No,” Wade assures, “nothing like that. But two days of fire-able offenses and not a single correction from her TO? Bradford either didn’t care that she gave up or, for some reason, he wasn’t in a position to.”
“The corruption we found ran deep. There’s a chance he was hoping to get a piece of the takeaway… or he was in a similar position to her.” Hotch reaches for his phone quickly after he speaks and raises it to his ear. “Garcia, I need you to run the badge numbers again. Tell me how many of them had a direct connection to Keith Adamson.”
“One second,” Penelope requests. “Software’s running it now. Oh, the medical examiner, Smith, she resigned less than an hour after the charges against Adamson came in. Thought that was interesting.”
“That’s one connection.”
“Okay, yep, all ten of the badge numbers embedded in the coding have connections to Adamson. Seven subordinates, his captain, and two IA investigators.”
“Thanks, Garcia.” Hotch ends the call and tells Wade, “Whatever Adamson did, it wasn’t just skimming the evidence pile, it pushed our killer over the edge.”
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“I remember Janice Davis,” Daniella Smith says as she passes you a mug of hot tea. “She was young, twenty-six, I believe, and had a construction staple in her sternum.”
“Your official report listed the cause of death as indiscernible,” you reply, wrapping your hands around the mug as your thigh presses against Tim’s on the small settee. “Do you remember if you may have had any hypotheses?”
Daniella sighs as she lowers into a chair across from you. “It was asphyxiation. Her mouth was sealed with superglue, and she couldn't get enough air after a few hours of lying horizontally.”
Tim looks at you before demanding, “Why didn’t you put that in the report?”
“I was scared.”
“And you think the people living here weren’t?”
“Tim,” you whisper harshly. You shake your head as Daniella shrinks in her seat. “Why were you scared, Ms. Harris?” She shakes slightly, and you give her a moment to breathe before you ask, “Did someone at the police station ask you to lie?”
She laughs once, a sad sound before she wipes her nose and corrects, “He threatened me if I didn’t.”
“Who?” Tim asks.
“Sergeant Keith Adamson. He was the watch commander at the time. My career, my life, my marriage, he threatened to ruin it all if I didn’t cover up how she was killed.”
“Was there residue?” you inquire. “From the superglue?”
“There were trace amounts, and the lab was able to identify it easily.”
“It was the only death to be covered up, why do you think that is?”
Daniella looks up quickly, her eyes wide as she states, “Because it was an experiment. The others were killed more conventional, faster: a slit throat, hammer to the temple. Her death would have taken time.”
“Was the time of death in your report accurate?” you ask. “Because it was around the same time as the others even with the changed MO.”
“It was,” she explains, “he must have taken her earlier to get a head start.”
“You said it was an experiment,” Tim repeats. “She was victim number one. If it didn’t go well, wouldn’t the others have just been an improved, or changed, MO?”
Daniella frowns, and you lean forward to ask, “How many more were there?”
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Tim slams the passenger door as you return to the car. Daniella disappears from the front window, crying as you start the engine.
“The FBI will charge me if this car gets damaged,” you mumble as you shift into reverse.
“Thirty deaths that she knows of!” Tim exclaims. “How could she cover all of those up?”
“Pretty easily. Self-preservation is a powerful motivator.”
“This monster has been at it for years. You were probably on the job for some of his murders, how can you say that?”
“It’s not my place to judge everyone involved in this case, Tim. Not yours either.”
Tim scoffs, but he’s interrupted by your phone ringing. You answer by saying your last name and Hotch’s voice fills the car as he speaks.
“There’s been another murder,” he says. You slap the steering wheel before he continues, “A double murder. I’m sending you the address. Drop Bradford at the station and meet us there.”
“Yes, sir.”
After the call ends, you grit your teeth to keep yourself from yelling. You spent too much time with the retired ME, and two more people are dead now.
“I’m going with you,” Tim states.
“No, you’re not. You heard him, you’re going back to the station.”
“You need me-“
“Actually, we don’t. We have jurisdiction now, Tim,” you snap.
“Do they know about everything you did your last week on the job?” Tim challenges. “How you ignored calls, put yourself, and me, in danger just to let the clearly guilty criminals go? I mean, you let a guy get away with assault and your handcuffs!”
You don’t reply because your mind begins racing. You had forgotten about that specific incident. Your last two days on the job were a blur, just forty-eight hours you have done everything you could to forget.
“Alexander Riley,” you murmur.
“What?” Tim snaps.
“Nothing, Tim. I’m sorry you’re not happy, but you don’t have authorization to join me, and I’m done breaking the rules.”
“Convenient.”
You hit the brakes too hard as you stop outside the back entrance of the station. Tim slams the door again before he walks inside, and you shift into park to call Derek.
“Are you still at the station?” you ask when he answers.
“We’re about to leave,” he replies. “Did you beat us to the scene? You know speed limits still apply to federal agents, right?”
“No, I’m at the station too. I need you to - without raising suspicion - get Hotch and Sergeant Grey out here.”
“Okay,” he agrees slowly. “Why?”
“Because I think I know who the killer is. Bring the novella from the ninth scene, it’s Heralded Angels.”
“You got it.”
You can hear the strain in Derek’s voice, but there’s too much on your mind to dwell on his reaction right now. After Hotch, JJ, Derek, and Spencer join you in the FBI-issued SUV, you follow Sergeant Grey, driving an unmarked car, to the double murder scene.
“You had something for me?” Grey asks as you approach the townhouse.
“I do. Trust me for a few more minutes and I’ll tell you everything?”
Wade nods, and you enter the bloody living room with your team. JJ waits outside, and as you squat beside a bookcase covered in blood splatter, you know you’re right.
“Alexander Riley,” you announce, pushing against your knees to stand. “I think he’s our killer.”
“Why?” Spencer asks. “Wait, who?”
“Alexander Riley is one of the men I should have arrested my last week as a rookie.” You look toward Wade as you continue, “He assaulted a store owner while looting during a flood, and I let him get away. He ran away with my handcuffs, but I didn’t try to stop him because I was sure Sergeant Adamson would have used it against me.”
“Abuse of power,” Hotch deduces.
“Right, and class system. You know, cop doesn’t do what cop is supposed to do. So, he may have taken his escape as a sign that something needed to change.”
“Based on his killings, I’d agree that he saw a wrong that needed to be fixed, but why murder?” Wade asks. “How does that fit his idea of making things right, evening everything?”
“He chose victims he viewed as outliers,” Spencer explains. “The first two victims were romantically involved, and then she got a job in his company.”
“The fifth victim was a single man with adopted children, and he left a copy of T.S. Eliot’s ‘The Hollow Men,’” you add. “He went after people who didn’t fit into our traditional class system or who benefitted from misused power. And, if that isn’t enough… there’s an extra novella in here.”
“What?” Hotch and Wade say, stepping toward you simultaneously.
“It’s a little bloody, but the words cop, dirty, and corrected system are showing up pretty well. My name’s on the first page, and I’d guess it’s on the last, too.”
“He’s going to target you?” Derek translates. “That’s not okay.”
“We need to find him first,” you reply. “He’s not going to press pause until he can get to me, he thinks he has to fix the entire world.”
“I’ll get a BOLO out,” Wade offers.
“Wait, Sergeant Grey,” Hotch calls. “I think this should come from us.” He turns toward you and adds, “It would mean more from you.”
“I’ll do it. Although, some of those cops aren’t going to like hearing that I had something to do with it.”
“Just send ‘em my way,” Derek jokes.
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“Our profile is complete,” you begin, looking at the entire task force. “And we’ve used that profile, along with scene evidence, literary analysis, and previous arrest records to identify Alexander Riley as our killer. Sergeant Grey has posted a BOLO, and we’d like to send you out in patrol teams to assist in the search for Riley.”
Tim has his folder open, and you’re sure he’s reading the incident report filed after you let Riley get away.
“Maybe you should get out there and find him instead of sitting in our station and reading,” he snarks, closing his folder.
“Bradford,” Wade begins.
“No, it’s okay,” you assure. “I will be assisting in the search, and I will admit that my incompetence likely played a role in Mr. Riley’s progression from petty thief to serial killer. However, we have reason to believe he was killing in private long before he felt the need to leave his victims in plain view for Los Angeles and all of America to see.”
“Officer Bradford, he listed you by name in the novella left at Liza Renner’s murder,” Hotch interjects. “Do you know why he may have done that?”
“No idea. Sir.”
“I’d appreciate if you would stay and help review the story to find an idea, then.”
You look between Hotch and Tim quickly, but their icy stares make you look away before you continue explaining what the manhunt entails and how the FBI will assist.
“Be safe out there,” you conclude.
As officers stand and leave, Hotch and Wade walk to Tim’s side, and then all three of them exit through a different exit.
“That was fun,” you mumble to Derek.
“On the bright side, no one has been publicly executed in the US since 1936, so it’s unlikely you’ll be burned at the stake,” Spencer says.
“That is bright,” you respond. “Thanks, Reid.”
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An officer asks for your assistance and leads you to an observation room. Your eyes widen when you realize Tim and Hotch are on the other side of the glass in an interview room. Rushing into the room, you’re surprised when Hotch invites you to take a seat. As the door closes, Tim clenches his fists and begins to stand.
“Sit down,” Hotch demands, unmoving as Tim rises from his chair. Tim turns, face-to-face with Hotch. “Sit down,” Hotch repeats, quieter yet firmer.
Tim falls back into his seat and crosses his arms to stare at you.
“You can blame me if you want,” you offer. “But it won’t change anything. Twelve people are dead because of me.”
“Then why is my rookie still patrolling the streets of LA looking for the man your team decided did this? Hotch here covering for you again?” Tim challenges.
“Shut up,” Hotch says as he sits beside you, across the Table from Tim.
“Kenneth Adamson,” you say. “Do you have any idea of what he did?”
“Fired you for taking the easy way out when you decided you didn’t want to be a cop anymore?”
“Intimidated me,” you reply. “Got indicted for it, but it was never made public knowledge because ‘he was facing enough personal and professional issues for the widespread results of his corruption.’ Good excuse, right? Tim, I happened to be the person who put cuffs on Alexander Riley and allowed his delusion to take over. I didn’t mean to turn him into a serial killer, but I still feel like I have blood on my hands.”
“Wait,” Tim requests, raising his hand. “Adamson intimidated you?”
“Yes.”
“You could have told me.”
You scoff, and Hotch raises his brows. “Like you would have believed me,” you reply.
Tim leans across the table, ignoring how Hotch moves closer to you, protective and ready to finish this case.
“He intimidated me too,” Tim confesses. “We should have told each other, but we messed up, and I’m sorry for that. Adamson was going to tell IA about something I did in the Army and twist it to get me fired if I didn’t find a way to get you off the force. Then you suddenly stopped trying and I thought… I guess I didn’t think about it, or I would’ve seen it.”
You look at Hotch, who shrugs. There likely isn’t proof that Adamson did to Tim what he did to you, but you have to make a choice. You can believe Tim Bradford or walk away.
“I caught him stealing evidence,” you say. “Skimming money from scenes before CSI got there, pulling jewelry from robbed houses, little things he didn’t think anyone would miss. When I saw him outright lie to a victim who only wanted her late mother’s locket back, I said something. And he was going to make my life a waking hell for it. So, I did what he asked and threw away my career.”
“I’m sorry.”
“I don’t want your apologies, Tim. I want you to help me find Alexander Riley and put cuffs on him before he goes after another innocent person, because there is nothing to stop him from progressing to killing cops he sees as corrupt. We kept it from the other officers because of that, so please don’t make me regret trusting you.”
Tim nods and murmurs another apology. You read his lips as he says it, and when Hotch stands, you’re prepared to accept it.
“One more out of line comment and you’re off this task force, Officer Bradford,” Hotch says as he buttons his blazer.
“Yes, sir. I’ll do everything I can to assist you.”
“Do you know why Riley would have used your name as a cursed wanderer in Liza Renner’s novella?” you ask, standing beside Hotch.
“Cursed wanderer?” Tim repeats.
“Remorseful, unabsolved character tormented by their fate and their actions.”
“He must not remember you well,” Hotch tells Tim.
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“He’s not a very good writer,” Spencer mutters as he flips the page of one of Alexander Riley’s novellas.
“Maybe we should find a way to charge him for that too,” Derek grumbles. “I mean, ‘Tim Bradford carried the weight of his sins, heavier than the Kevlar on his chest. Each day he was forced to face the memories of how he’d failed his partner, the only woman he may ever love, but would never deserve.’ That’s awful.”
You and Tim turn to face each other quickly, each wondering if you heard what Derek read correctly.
“Derek, does that- when you read it, does it seem like he’s saying his partner is the only woman he’d ever love? Same person?” you ask.
“Yeah. You.”
“That’s what I got too,” JJ agrees. “There’s characters in the third novella that look exactly like the two of you, but they’re married. Doomed by the narrative to watch each other die, but…”
“Are there characters like that in all of them?” Hotch asks.
The sound of papers flipping precedes several firm answers of “Yes.”
“They always die?” you add. “But he doesn’t know. He sees a relationship that isn’t there.”
Tim doesn’t say anything, but you ignore him as you ask JJ to use her laptop. After signing in to your email, you pull up the scans Penelope sent you from the books in your office.
“In the clutch of circumstance I have not winced nor cried aloud. Under the bludgeoning of chance my head is bloody, but unbowed,” you read. “Black as the pit from pole to pole.”
“Are you gonna explain it or is this like Jeopardy?” Derek questions.
“He doesn’t portray our characters as corrupt,” you cheer. “We’re unfortunate, ‘doomed by the narrative’ players in a bigger game. I need the newest novella, the extra one from the double homicide scene.”
Wade knocks on the open door as you look through the evidence boxes on the table. He glances between you and Bradford before he asks, “Have any of you heard from Lopez and West?”
“They’re revisiting the last scene,” Hotch says. “They haven’t checked in?”
“Not recently.”
Tim looks at you, and when you meet his eyes, he offers, “We’ll find them.”
“Be careful,” Wade implores. “And keep me updated.”
“Can you do me a favor?” you ask.
“Anything,” JJ and Derek answer together.
“Look for any sign of restoration or avenging. It’ll probably be in the first novella, but I need to know if my character in his story is avenged somehow.”
“Revenge is a psychological response to wounds from others,” Spencer says. “Why would he be motivated to retaliate and justify this level of violence for you, if you’re the one who did wrong?”
“I think he may have changed his motives after Keith Adamson was indicted. If you find something, let me know, if not, Hotch probably has a better idea.”
You follow Tim to an unmarked car and ride in the passenger seat like you’ve pressed play after seven long years of having this part of your life on pause. Somehow, it feels better than before.
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Tim's radio crackles as he makes the last turn to reach the crime scene.
“07-Adam-07,” Angela radios. “Sergeant Bradford, contact on channel 3.”
Tim changes the dial to channel 5 as he slows on the curb. You point to the dial, and he raises a thumb to tell you it wasn’t an accident.
“07-Adam-19,” he replies. “Go ahead, Lopez.”
“I think we found something that might be helpful to the detectives. Meet me at the scene and see if you agree?”
“I was already on the way. To tell you the truth, I don’t trust the feds. ETA two minutes.”
Tim returns his radio to the dash and then sits back to wait.
“Don’t trust the feds, huh?” you ask, smiling as he rolls his eyes.
“You really think he realized we were just as aggrieved as him?” Tim asks.
“Big word,” you murmur before dodging Tim’s weak backhand. “Why else would he keep us in the grand story he’s trying to write?”
“You said your character died in the new one.”
“All I saw was my name. I made an assumption without enough evidence. It was stupid.”
“Welcome to the club.”
Your phone buzzes, and you shake your head as you read the message from Penelope. “FBI tech guru Garcia hacked into the house’s security system. She’s got cameras inside. Riley has Lopez and West holed up in the master bathroom. My team and your watch commander are watching, ready to breach if this doesn’t go well.”
“You think it will?”
“I think Derek is going to be very mad after I do something reckless. That’s how it usually goes.”
Tim clears his throat awkwardly, then asks, “Are you and Morgan…?”
“No,” you answer with a laugh. “He’s just one of the many protective men I work with.”
“It’s been a minute and a half,” Tim says, changing the subject and breathing a little easier. “Are you ready?”
“I hope so.”
You exit the passenger seat as Tim pops the trunk. He passes you an LAPD bulletproof vest and a standard-issue belt to help you look more like a cop and less like a fed. After pulling the vest over your head, you struggle to get the belt in place beneath it. Tim gently takes it from you, his hands moving carefully around your waist as he clips the tactical buckle and slides the gun holster to its correct position.
“Thanks,” you whisper as he straightens, mere inches from you.
Tim drops his hands away from your sides but doesn’t move away. “Channel 3 is Lopez’s code,” he explains. “She only uses it when something’s wrong.”
Your phone buzzes again, and you turn away from Tim to answer it. “Hello?”
“Riley is armed,” Hotch says. “He’s got Lopez and West in the master bedroom on the ground floor. They’re uninjured, but he’s fidgety.”
“Did Derek ask Spencer about the bomb?”
“He did,” Spencer replies. Hotch’s phone is likely on speaker, and you turn your phone to allow Tim to hear too. “The bomb schematics were for a very closed-in space… like the townhouse you’re about to go into. It’s not incredibly enclosed, but given that Riley has issues with control, it could be a manifestation of claustrophobia. If his anxiety has caused a fear of enclosed spaces, based on the fear of losing control in those spaces, then he may be attempting to overcome that by giving himself power in the situation.”
“Could he be a cleithrophobe?” Tim wonders.
“What is that?” Derek asks, and you can imagine him looking around Wade’s office.
“I haven’t seen evidence of it,” Spencer answers. “He doesn’t seem to mind being closed in; the murders in the townhouse didn’t seem to affect him, but he is clearly concerned with power, control, and the hierarchy of those. It relates more to claustrophobia. Though I wouldn’t advise locking any doors to test it.”
You hang up suddenly and gesture to the townhouse. Tim looks up in time to see the curtain in an upstairs room fall back into place. He takes the lead, walking to the door with purpose and his hand on his gun. You follow him and look around the front porch for any sign that Riley is planning to kill anyone today.
Tim pushes the door open carefully, nodding to tell you it is unlocked before Angela calls his name. The novella with your name in it is still by the bookcase, and you remove it from the evidence bag and slide it under your vest. You trade places with Tim, going up the stairs first as he covers you. At the top of the landing, Alexander Riley steps out into the hallway with a gun strapped around his shoulders.
“You made it,” he says.
“We’re here to help, Riley,” you explain softly, holding your hands where he can see them. “You know that.”
He nods before jerking his head toward the doorway. You walk past him and stop in the center of the bedroom, scanning Angela and Jackson for any wounds. Luckily, they appear to be fine other than the handcuffs secured around their wrists.
“What’s the plan here?” Tim asks. “Not much room for error, Mr. Riley.”
“Give me your gun,” Alexander replies, holding his rifle with one hand as he extends the other toward Tim.
Tim complies, but his glance at you is a clear communication to not surrender your FBI-issued piece.
“Against the wall,” Alexander tells Tim. “You’re right, there isn’t room for error. But I’m prepared. I’ve been preparing since I lost everything.”
Tim sits against the wall, less than a foot from Angela. Alexander turns toward you, and his gaze softens. You were right, it seems. Alexander Riley has a soft spot for you; he thinks you’re like him, wronged by corruption and abused power, and you’re going to work that soft spot until he’s in cuffs.
“Take your vest off,” he requests. “Please.”
You don’t move but look pointedly at his gun before raising your eyes to his face.
“I won’t hurt you.”
Despite your instinct to refuse, to call in the cavalry and help Tim incapacitate the killer before you, there is too much at stake, and the longer you’re compliant, the longer Riley will keep everyone alive. So, you pull the vest over your head, not bothering to catch the novella as it falls to the floor, the blood on the cover contrasting the neutral carpet below your feet.
Back at the station, Hotch clenches his jaw as you open yourself to Riley, and Derek says, “Don’t do it… I might kill her for that.”
“You wrote it, right?” you ask, gesturing toward the stapled manuscript. “You wrote all of them.”
Riley fidgets, then nods.
You step toward him, keeping your expression soft and conveying understanding as you add, “I read some of them. They’re good, Alex. Can I call you Alex, or do you go by something else?”
“Alex is fine,” he replies, whispering your name under his breath like a prayer.
Tim shifts as Alexander’s attention changes slightly, morphing from a fierce protector into someone who wants to be by your side after you’ve been saved. You don’t spare a glance toward Tim, and for a brief moment, he wonders where you learned to do this. Then reality crashes back in like a wave that knocks Tim off his feet, the reminder that he could have taught you if he hadn’t let Keith Adamson get to him.
“In Brightest Day, you wrote a character who was a young cop, naïve and desperate to do the best thing,” you continue. “Who was she?”
“You know who,” Alex mutters.
You smile and ask, “Was I in all of them?”
“Of course.”
“That’s why you went to my old apartment before you sent the message to my friend in the FBI? Because I’m part of this? No, because you’re improving the character, right?”
“You were so far away,” he whispers.
“Alex, did you learn how to code just to talk to me?” you inquire softly.
He nods, then looks to the novella at your feet. The toes of your boots are inches from the paper, and his mouth twitches like he wants you away from it.
“Kick it,” he demands.
“Why? It’s art, it’s part of your soul,” you argue.
“Kick it.”
Tim nods in your peripheral, and you swallow before kicking it toward the door. Alex doesn’t hesitate to shoot the paper. You turn away from the noise, covering your ears even though it’s too late to keep your head from pounding. As the noise fades and your hearing returns, you see the shredded paper surrounding the hole in the floor.
“How does the story end, Alex?” you ask, stepping toward him again. “Are you like the truck drivers in Animal Farm? The cursed wanderer in Render Down you wrote for Liza? Or are you some new character that only cares about usurping the power for yourself?”
“It was never about me!” he replies, louder than you’ve heard him before. He softens his voice to repeat, “Never.”
“She was mine first,” Tim interjects suddenly.
Alex spins on his heel, the barrel of his rifle rising as he faces Tim. You shake your head wildly, desperate to stop him from saying something that will make Alex pull the trigger again. Angela looks down quickly, and you see her gun beneath the bed. As Alex’s chest heaves, his eyes locked unblinking on Tim’s, you move closer to the weapon, to Alex, and to freedom where you all walk out of here alive.
“I was saving her!” Alex roars. “From corruption, from Adamson, from you!”
“Adamson is the only one who hurt her,” Tim argues.
“February 17, 2017. You took your rookie to a noise disturbance call, and when you got there, four stupid young men were looting a flooded store during a break in the storms. She handcuffed one of them, but the rest ran. Then… then you started yelling at her, blaming her for all of it. While you were busy berating her, the other man ran with the handcuffs. I got away, but the power, the corruption, the greed was all getting to be too much. We hurt the owner because she was too worried about not getting insurance money for the water damage to empty out the register.”
“Something changed,” you say from beside Riley.
He doesn’t move away from Tim but stops talking to listen.
“In the first novella, it was you and me, wasn’t it? You wanted to make a new world together, save me from the love you thought would corrupt me.”
“Adamson used you too,” Alex tells Tim. “I made room for you to come with us and this is how you repay me? Chasing me for making things better. You’re back where you started.”
“Maybe now isn’t the time to act,” Jackson West says. “What if the world could’ve healed on its own and the people you killed might have helped?”
“Fool! They’ve gotten to you, too.”
As Alex’s finger slides onto the trigger, he turns toward Jackson. You don’t hesitate to lunge forward, closing the distance between yourself and Alexander. While you tackle him to the floor, he squeezes the trigger, and the shot rings through the now-silent townhouse and seems to echo for hours as your team watches in horror.
Tim pulls the handcuff key from his belt and passes it to Angela before he crawls on his hands and knees to reach you.
“I hope somebody got scans of that novella before he shot it,” you groan as you sit up.
Tim sighs, taking your face in his hands as he wipes blood from your temple.
“Is his writing really that good?” Jackson asks as he stands.
“It’s a little preachy,” you reply with a smile.
Your phone rings, and you swipe the screen to answer, then immediately hang up.
“That was your boss,” Tim points out.
“He can yell at me when he gets here.”
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“Alexander Riley has been charged in the deaths of twelve Los Angeles residents,” JJ says at the press conference the morning after your encounter with Alex. “His victims include Janice Davis, Gregory Hunter, Bryce Keller, Hank Sheller, Peter Bristol, Liza Renner, Mel Houghton, Destiny Crest, Angelica Thomson, Alissa Alvarez, and Jack and Cassidy Wilson. Nearly three dozen cold cases are now being reopened, and the FBI’s Behavioral Analysis Unit supports the LAPD’s claim that Riley could have committed these crimes as well. I’ll welcome any questions at this time.”
You scrunch your nose from the side, resisting the urge to remove the bandage on your forehead. Tim stands beside you, watching you.
Tim notices that the bandage is loose but doesn’t move before Hotch warns, “Don’t do anything in the public view that you don’t want to get out and give Riley a chance at walking.”
When the conference ends, Derek sighs and walks past Hotch to return to the hotel and pack. As he approaches you, he smiles and says, “And you didn’t want to come because I can’t help, and LA is too sunny.”
You try to punch Derek for his poor impression of you but miss as he breaks into a jog. Shaking your head, you turn to Tim and prepare a joke about how you don’t sound like that. Tim’s serious expression stops you, though.
“You didn’t think you could help?” he asks. “You were going to be an amazing cop, and I regret playing a part in taking that opportunity from you.”
You shrug and respond, “I like the FBI, and I got to tackle a murderer, so it all worked out.”
“Yeah,” Lucy interrupts, walking to your side. “But now you have to go back to Virginia.”
“Thank you,” Wade says, stopping at your side. “Come back soon, okay?”
You smile as he hands you a paper. As you read it, you sigh, then shove it into your pocket. The email came in this morning telling all active FBI agents about the new tactical unit, one which will work closely with the BAU. They’re actively recruiting, but if you tell Tim, you’re asking him to choose between you and the job again, and you can’t do that to him. Asking Tim to leave LA would be cruel, you think, so you force a smile onto your face.
“Thank you for everything,” you tell him. “Especially the part where you saved my life and the apology. I’ll try not to stay gone so long this time.”
Tim nods, and you smile at Lucy before following your team. He watches you walk away, ignores Lucy’s encouragement for him to chase you, and waits until you leave to whisper what he wants to say. But Tim lost his chance again. Worse, he lost you again.
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Two Weeks Later
“Which one of you wants to die first?” the armed suspect asks, swinging his curved meat hook between you and Spencer.
“Probably you, right?” you whisper. “You know, my blood’ll be on it if he kills me first.”
“The mean value of Staphylococcus aureus in raw meat is 3.84 in a butcher shop,” Spencer replies. “I don’t know where that thing has been. At least your blood has been relatively well contained. And any amount of water on that thing increases the number of bacterial specimens transferred from the meat surface.”
The metal door of the meat locker blows open suddenly, and when the butcher before you turns to see what caused the noise, two men in tactical uniforms subdue him and confiscate the meat hook. Spencer rushes out of the facility, and you watch as the new FBI team takes your suspect into custody.
“I could have done that,” you complain.
“Sure you could, boot,” one of the men says, his voice muffled by the helmet.
You look toward him with your eyebrows raised. He takes his helmet off, and your jaw drops. Tim Bradford.
Smiling, you step toward him with questions racing in your mind, but he extends a gloved hand, holding it against your waist to stop you as he whispers, “Morgan has cameras everywhere.”
As you walk into the BAU bullpen together, Hotch looks up from a paper. He looks at you, then Tim, then back to you, and smiles. With wide eyes, you hide behind Tim’s shoulder, unsure what a Hotch smile could mean in this particular circumstance.
“We’re wheels up to Los Angeles in forty-five,” Hotch says.
“Why?” you ask, stepping out from behind Tim.
“There’s a domestic terrorist leaving Shakespeare at foreign-owned businesses hours before they’re bombed or become mass murder scenes.”
You nod, but before you can speak, Derek calls, “Bring Bradford! We could use the Army experience.”
Hotch narrows his eyes at Tim, then shrugs and agrees.
“Good, good,” you mumble, wrapping your hands around Tim’s arms. “I’ll show him the ropes then and we’ll be back in thirty.”
“Please do.”
You quickly forget the ropes as you drag Tim into Penelope’s empty office. He smiles and prepares to ask what this has to do with terrorism, but you slide your hands onto his jaw and kiss Tim. Finally. Tim's hands meet your waist, and he pulls you closer as he kisses you, both of you melting into one another and getting lost in the moment you’ve waited so long for. When you pull back, Tim keeps you close, smiling like he’s seeing you clearly for the first time, though he’s known your heart and potential for nearly a decade.
A quiet gasp draws your attention, and you both look to the door as Penelope says, “I’m telling Chocolate Thunder!”
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onlyangel4 · 4 months ago
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Could you do Toto Wolff with wife reader? He's down bad for her and always looking out for her. Like giving her his jacket whenever it rains or when she doesn't have one; tiring her hair when it is getting on her face; holding her hands tightly/ hugging during the celebration and anything else. The team could see that and tease him endlessly. Just something fluff and romantic. Thanks!! :))
wifey. toto wolff.
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toto wolff x author wife!reader
in which toto might as well have "i love my wife" tattooed on his forehead
warnings- cursing. the fluffiest fluff known to man.
author's note: this was so much fun to write! please do keep on sending requests, the more detailed the better!
being a busy woman meant that you were not the kind of woman to attend every race and toto understood this well. you were an author with a cult following that were always waiting for your next book to be out. your name had been at the top of the new york best sellers list more times than anyone could keep track of and you were always being praised for your work. this meant book tours, charity events and constantly brainstorming book ideas with your publisher.
this is why it had been so easy to surprise toto by attending the silverstone grand prix. you had told him that you were going to be in los angeles attending a big meeting with an american based publisher. however when you left your home in the english countryside you went to a hotel and not an airport.
usually you would never lie to toto but in your mind this was a good lie and you knew that toto was going to be happy about it so you weren't worried about any negative reaction, you were just glad that you were going to get to see your husband in the middle of an incredibly busy racing season.
the press went mad when they caught sight of you climbing out of a car parked at the paddock gates of silverstone. this was the first race that you had attended this season and every photographer was dying to get a glimpse of the woman that had toto wolff's heart in the palm of her hand.
you gave a graceful smile and a wave to the press but quickly made it through the paddock gates, excited to surprise your husband with your presence. your eyes scanned the people hanging out around the paddock looking for your man and soon enough your eyes landed on a large form clothed in a white shirt and slacks, you could recognize that back anywhere.
the drive to survive crew were currently stood in front of toto filming the team principle as he went about his day. one of the producers noticed you in the back ground and you winked at him giving him a thumbs up, telling him that he should film what happened next. you walked behind toto getting on your tiptoes so your hands could reach his eyes, "guess who?", you giggled.
"schatz!", he smiled brightly as he turned to look at you, his arms instantly going to their rightful place around your waist, "this is a long way from los angeles my love"
"guess my plane got lost", you laughed softly pressing a quick gentle kiss to your husband's lips, hyper aware that the cameras were still there, your husband was a private man you weren't sure whether he would be comfortable properly kissing you in front of a film crew.
"i deserve a proper kiss darling", he hummed before pulling you in for a long loving kiss one hand gently cupping your cheek as the other rubbed circles on the small of your back. once you pulled away toto made sure to keep his arm around your waist, just wanting to have physical contact with you.
toto turned to face the cameras addressing the camera directly, "this is my wife y/n. she has a very busy work life so she doesn't tend to attend races", he explained, "so it is safe to say that this is the best surprise ever", you were just stood by his side looking at your husband with pure adoration behind your eyes as he continued to speak a little to the camera before the crew went to go and talk to the mclaren garage.
toto took your hand and pulled you into the mercedes garage a bright smile on his face. toto leant down to press a kiss to your forehead "i love you so fucking much doll", he whispered into your ear.
"i love you too toto"
you spent fp1 and fp2 sat in the garage with carmen, someone you met when george first signed with mercedes, someone that you considered a good friend. "i swear, i have never seen toto this happy, he was in a bit of a mood this morning but as soon as he saw you he brightened up", carmen explained and it warmed your heart to hear that. you and your husband did not make many public appearances together, both liking to keep your professional lives professional and personal lives personal but whenever people saw the two of you in the same room they were forever commenting on how toto was a different man around you, how he was softer and more forgiving if you were about.
the first two practice sessions of the weekend had not gone as well as toto had hoped but he didn't seem to focus on the bad result as much as usual. instead toto decided to take you on a walk along the paddock giving you a tour of one of his favourite race tracks in the entire world.
you attentively listened as toto spoke to you about the different garages and the stragies he thought each team was going to use that weekend. he even introduces you to various people along the paddock, always introducing you as his wife as if it was not obvious by the way your fingers were interlocked. as you walked typical english weather began to hit the paddock, starting with a light drizzle of rain that within five minutes turned into full pelting rain drops.
at this point toto was half was through his little tour of the paddock and he did not want to stop so instead he dipped into a near by hospitality suite and stole grabbed an umbrella. he quickly returned to your side opening the umbrella and holding it over your head keeping you completely sheltered from the rain but he was still in the rain. "you can get in here too toto", you stated.
"but then you will not be fully covered, i can't have that dear", he spoke matter of factly and you knew better than to argue with your husband so you continued to walk with him. by the time you were back at the mercedes garage your husband was sopping wet and you were bone dry but toto was happy as ever, how couldn't he be? he had you by his side.
the next day you had decided to stay at your hotel for fp3 as your husband had kept you rather busy the night prior and you decided you wanted a little bit of a rest before the qualifying session. you had just gotten out of the shower when your phone buzzed with a phone call from your husband, one that you answered as soon as it popped up on your screen.
"schatz, the car is fast. we were first and second fastest"
"oh toto that is great love"
"i might be a little overzealous but i have a good feeling about this weekend. but that might just be because my good luck charm is in the paddock"
you laughed down the phone, "well dear i will be there in an hour to watch qualifying"
"okay honey, i love you"
"i love you too"
meanwhile both lewis and george had overheard toto's phone conversation with you and were giggling like school boys, "man he is so whipped", george spoke making lewis laugh.
"it is cute, they have been like this forever. when i joined merc they had been married a year and they were just as soppy now as they were then"
the drivers were just amazed as to how a man so intimidating could become a massive softie whenever it came to you.
your make up had taken a little longer than you had anticipated but there was no way you were going to miss the qualifying session so you had rushed getting ready and getting to the mercedes garage. in doing so you had managed to forget to tie your hair up. the wind in the paddock always made your hair go wild so whenever you attended a race you brought an ermegency hair band with you.
toto noticed that your hair was down as soon as you walked into the garage. you had been talking to carmen when toto had come up behind you and carded his fingers through your hair, carefully collecting it up into a neat ponytail while you continued you conversation. once satisfied with how your hair looked he kissed your shoulder, "i know that is how you like it my love", you thanked him already used to how doting your husband could be.
the qualifying session had been one of the best that you had seen. and the smile on your husband's face warmed your heart, there was just something so nice about watching toto wholeheartedly enjoy his job. you had been by his side through it all. you had been married to him for one year when he became the team principle of mercedes, so you had seen the highs and lows of the job. you had been the one to comfort toto when the news of lewis signing to ferrari hit. you were always there to help him pick up the pieces so it was nice to get to see the good parts of his job and how happy it made your husband.
"love come here", toto had spoken once the session was over and you did as you had been asked making your way over to where toto was sat at a desk with his laptop in front of him. he pulled you to sit in his lap. he then showed you all of the lap times thinking out loud about the possible strategies they could use in the race to maintain lap times like that. you didn't properly understand the things that he was saying but you didn't care you could listen to his voice forever and you knew that talking things out loud was how he worked best and you were more than willing to be the person that he spoke to.
the actual race had been the most thrilling one that you had ever been to. it had been complete emotional whiplash watching three british drivers fight tooth and nail for a home win. you had gotten worried when george dnf'd as the chances of a mercedes win had halved but you did not let your face show it. you just kept your eyes glued to the screens in the garage, occasionally glancing at your husband in race mode just to check in and make sure that he was not over thinking. when lewis took the lead you began to chew on your lip, just hoping that this was it. that lewis was going to win a race. and when his car crossed that finish line you burst out into a cheer, the brightest smile on your lips.
you were celbrating with a few of the engineers that you knew really well when toto ran over to you he hugged you tightly pulling your feet off the ground for a moment before placing you back down just so he could kiss you, "i have to go to the podium but i had to see you first my love", he spoke before his assistant dragged him away and towards the podium.
leaving you stood there watching him. the proudest wife in the entire world.
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translatemunson · 7 months ago
Text
the tortured firefighters department • evan "buck" buckley
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series summary: Each year, 240 million calls are made to the 9-1-1 in the United States. For the Los Angeles County Fire Department, it averages 1,200 calls a day. You could do the math and lay down all the probabilities of crossing the country all the way to the sunny — and full of catastrophes — L.A. for a PhD and ending up in a new 9-1-1 call center. But you could never solve the Buckley problem in front of you.
this is a evan "buck" buckley x fem!reader series
warnings: fem!reader, afab!reader, no specific details about reader appearance are given (lmk if i let something slip), slight divergence from the 9-1-1 tv show timeline (hey, it's a fanfic, i can do whatever i want), mentions of violence, mentions of disasters, mentions of medical conditions, mental issues themes. more specific warnings will be provided at each chapter.
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chapters
chapter one — devils roll the dice, angels roll their eyes
chapter two — we play dumb but we know exactly what we’re doing
chapter three — these days I'm restless, work days are endless
chapter four — thought of calling you, but you won't pick up
chapter five — when my depression works the graveyard shift
chapter six — it always ends up with a town car speeding
chapter seven — don’t you dare look out the window, darling, everything’s on fire
chapter eight — cat and mouse for a month or two or three
more chapters to be announced
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blurbs
blurb — you’ve been calling my bluff on all my usual tricks (takes place between the events of chapter two and three)
blurb (requested) — touch me and you'll never be alone (you need to read chapter six to understand it)
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special content:
spotify playlist by the lovely @live-love-be-unique HERE
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series note: i have planned out a timeline for the series, which means we are getting a lot of development for them (so reading chapters with a number is required if you wanna understand the series). BUT i'm also open to take suggestions of what you wanna see (maybe it's a scene, maybe you saw this prompt and think it matches the TTFD vibes), so please don't be shy and send me your ideas and suggestions via askbox or dms.
author's note: hi guys! first of all, english is not my first language and, even though i'm a writer in my mother language, i still struggle to put ideas on paper in english. so bear with me and my mistakes, ok? new obsession, new fic, ofc. wanted to explore a reader that is not just a dispatcher, but also have some things inspired by my own hobbies and struggles.
banners credits to @cafekitsune
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despacito-uwu16 · 3 months ago
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The Rising Action
Kenji Sato x Journalist! Reader
Enemies To Lovers | Foced Proximity | Pining
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“Hit me like a poisonous dart. You were trouble right from the start. Should’ve ran I guess that’s my fault”. - I do by G-IDLE
⁺˚•̩̩͙✩•̩̩͙˚⁺‧͙⁺˚•̩̩͙✩•̩̩͙˚⁺‧͙⁺˚•̩̩͙✩•̩̩͙˚⁺‧͙⁺˚•̩̩͙✩•̩̩͙˚⁺‧͙⁺˚•̩̩͙✩•̩̩͙˚⁺‧͙⁺˚•̩̩͙✩•̩̩͙˚⁺‧͙⁺˚•̩̩͙✩•̩̩͙˚⁺‧͙⁺
“Ken Sato has received a 3rd strike. One wonders, how hard is it to hit a small ball, I bet a one-eyed zombie could hit a ball better than he can”. You say into your recorder.
“Wow, you are harsh”. Ami says as you end your recording.
“It’s called being honest. I report what I see”. You reminded her. “I mean have you seen the way he played today”?
“Yes Y/N, we’ve been watching the same game. But it got me thinking. When I interviewed Ken, he refused to talk about his family. He refuses to show vulnerability. It’s like he’s wearing some sort of mask. Something is going on with him, and when I know something, I don’t let go”. Said Ami.
“Wow, you are very determined”.
“At least get to know him before you start roasting him”. Ami suggested.
“Note taken”. You lied.
After graduating college, you were hired as an intern at the Los Angeles Magazine. You would stay at the office after midnight to revise and edit articles for other reporters. Eventually, your boss gave you your first assignment. Coincidentally, at a baseball game. You took in every detail of every player, noting all of the small mistakes and flaws of the games. Everyone looked like they didn’t know how to play, much to your disappointment. But it made juicy material for you.
That night, you were writing like you were running out of time. The article you wrote was on some of the players and their failures. The morning after, you got called in to the editor’s office. At first you thought you were about to get fired, but your surprise, he complimented on your writing style, asking you to cover another baseball game. Eventually, you got promoted to journalist within 6 months of working there, naming you the youngest journalist in the field. A year and a half later, you were offered a job at the International Review Journal. They pay twice as much as the last salary and you get to travel for your job. It didn’t take too long for you to accept it, and the next thing you knew, you were on your way to make your mark in the world.
Everywhere you went, your words impacted people and the way they perceive their favorite athletes. All of the readers love you, while the athletes feared and hated you. You didn’t care for the love and hate. What matters is you were unstoppable.
Now here you are in Tokyo, Japan watching the Ken Sato struggle. You felt bad that the Giants were on a loosing streak, but you didn’t feel bad for Ken. It was his ego that brought him here after all. You leaned back in your chair with your recorder in your hand, while watching Ken having a temper tantrum in front of his coach.
~
As you walked out of the stadium, you were fishing out your car keys when you realized something was missing in your bag.
“Where’s my recorder”?
Panic starts to settle in as you looked through your tote bag.
“Looking for this”?
You turn around to see Ken Sato, waving your recording device in front of you.
“Well, if it isn’t the walking loosing streak. I would say great game, but let’s face it, i’ve seen better”. You sneered.
“Y/N L/N, the pain in my ass, Let me guess, obsessing with me as usual”? He asks
“I’m not obsessed with you, and even if I were, I would rather launch myself out of Tokyo on a ten foot pole than fan girl over a baseball fuck up”. You rolled your eyes.
“You have really creative comments Y/N. I think my favorite one has to be when you called me the hare who couldn’t beat the tortoise. But slower and more stupider”. He laughs.
“I also noticed that I’m the only person mentioned in your commentary. Am I just a cover for the fact that you know nothing about baseball”?
“Of course I know everything about baseball. I just like taking notes on the most notable failures in baseball history”. You scoffed
He lets out a laugh that still annoys you to this day. “It’s nice to know I have a fan”.
“Once again, the only person obsessed with you is you”. You retorted.
“Says the person who followed me all the way here from California”. He tossed your recorder to you. “I’ve read some of your stuff online. Judging by your writing style, you should consider a career in fanfiction writing instead of sports journalism”.
“Fuck off Ken”. You said.
While he turned around to walk away, you gave him the middle finger, and he stuck up his in return.
You rolled your eyes as you got into your car.
“What an asshole. And for the record, I was here first”. You aggressively push your car key into the ignition.
You were back in your apartment, editing your article on your gray velvet couch. You took a sip of your pineapple smoothie as you reread the last paragraph you’ve just written.
“Ken Sato, “the best living player”, is now the best living curse. From being on cloud 9 to falling into the pits of underworld, he might as well drag the giants along with him. Tread carefully Sato, consider yourself a dead man walking. If looks could kill, we wouldn’t be Coach Shimura”.
Is this considered slander? Possibly. But to you, it’s called journalism. And the best part of the job is the chaos it causes post-publish.
After rereading and editing, you hit publish. You sat back and watched as the likes and views came in.
Later that night, you were celebrating the success of your latest article, alone. You downed the last of your dirty shirley, feeling content with yourself and the hard work you’ve put in. You were about to ask for the bill, when the bartender placed a martini in front of you.
“I didn’t order this”. You look up at the bartender confused.
“It came from the gentleman in the black blazer”. He points to the man sitting at the end of the bar.
You look over with curiosity to see the man sitting at the end of the bar. Only to be disappointed when you realized the guy was Ken. He got up and walks up to you.
You glare at Ken as he approached you. “What do you want”?
“Can’t a man treat a cute girl to a drink”? He takes a seat next you.
You’ve been down this road before. After you publish an article, the athletes either bombards you with threatening emails or bribe you with money or expensive gifts. Either way, it didn’t faze you.
“If this is about the article, I’m not taking it down or tweaking it to your liking”.
“I usually don’t give a shit about what you personally think of me. However, my career is on the line because of you”. He said, his onyx eyes giving you the death stare.
“Awww, it’s not my fault the world thinks you suck. Go cry about it”. You roll your eyes.
“I’m not begging for you to delete the article. Instead, I’m offering you an opportunity”. Kenji proposes.
You turn your body towards him. “Go on”.
“You come live with me for the next two months, get the Kenji exclusive. You get to ask any question, and you get to follow me around. It’ll make great coverage for the sports magazine”. He leans back in his chair.
“Okay and why would I want to live with you”? You scoff.
Kenji smirks. “You can decline the once in a lifetime opportunity to do this interview, or I can tell everyone about our little escapade during college”.
You glared at him. “Excuse me”?
“Imagine if people found out that Ken Sato, a baseball legend and Y/N L/N, his biggest hater had a one night stand during our junior year. That would seriously affect your following and your career, wouldn’t it”? Kenji condescends, leaving you completely disgusted.
“You’re not the only one who can play dirty Y/N”. He smirks.
Of all the annoying things Kenji does, one thing you did not expect from him is to straight out blackmail you. Another is the fact that he’s right. If people found out you slept with an athlete, you can kiss your promotion goodbye. For once, you were backed into a corner, and there was nothing you could do or say to save yourself. Swallowing your pride, you decided to take the defeat.
“Fine. I’ll come shadow you”. You surrendered reluctantly.
Kenji smiles from ear to ear.
“But if you pull some shady shit on me, I’m ending it”. You threatened.
“Won’t be a problem”. Kenji pulls out a pen and writes something down on a napkin.
“Here’s the address to my house. Arrive at my place on Sunday at 9 am sharp”. He hands you the napkin and hands some cash to the bar tender.
“I look forward to this interview Y/N”. He winks at you as he leaves the bar. You sunk in your seat appalled.
“What the fuck did I just agree to”?
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191 notes · View notes
hometoursandotherstuff · 5 months ago
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1926 Mediterranean style home is stunning. It really has the wow factor. Located in Los Angeles, CA, it 4bds, 4ba, and is $2.75M. But, it's kind of worth it.
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This living room, (and there are several sitting rooms), has a lovely bay window with a window seat flanked by 2 built-in shelving units. It shares space with the dining area.
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The dining area is right outside the kitchen.
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That's the everyday dining area. On the other side of the kitchen there's a more formal dining room with a lovely window, wainscoting, and a built-in sideboard.
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And, what a kitchen! The house was built in 1926, so this is the original Art Deco kitchen. Original Art Deco light fixtures and look at the original floor.
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What a cool table and banquette. It looks like one in a retro soda shop.
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Here's another beautiful sitting room with a fireplace.
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Look at this- on the stair landing, there a little loft.
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This is interesting- a home office with a door that lets them enter from the little area on the landing by the loft.
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The primary bedroom has an incredible Art Deco fireplace- look at the curved wood. Plus, there's a niche over it, too.
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The rest of the room has wood clad walls.
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Check out this completely original Art deco tile bath. Is that a tile missing on the corner of the sink? Looks like some green tiles were also replaced. The mirror is magnificent.
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This is a nice room. Look at the shelf on the left. It's like a sun room.
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Nice bedroom off the sun room. It gets a lot of natural light, too.
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The sink, tub, tile, and medicine cabinet look original in here.
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Very nice large bedroom with built-in shelves under the windows.
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Another original bath, but I wonder what's going on with the pink tile around the bottom.
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Downstairs, they have a cute Art Deco bar. Look at the wood.
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Beautiful architectural detail. This house better be well-secured, b/c anyone can walk in and raid this bar, since it's outside.
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Love the greenery and the ivy on the house.
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Beautiful grounds on a 3,467 sq ft lot .
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The 2 car garage comes with a lift to fit a 3rd car.
https://www.zillow.com/homedetails/6740-Milner-Rd-Los-Angeles-CA-90068/20803855_zpid/
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lotusbxtch · 8 months ago
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SoCal to NorCal - Chapter 1: Malibu
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Series Masterlist Series Pairing: husband!Joel Miller x f!Reader x boyfriend!Frankie Morales Series Summary: Joel is your rock, and Frankie is your ocean. So what happens when you bring the three of you together?
- or -
you and Frankie roadtrip up from Southern California to Northern California so he can meet Joel. A polyamory fic. This series exists in the Triple Frontier universe and is a Joel Miller AU/Triple Frontier AU. Series Rating: Explicit, 18+ only, MDNI
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Chapter 1: Malibu
Chapter Pairing: Frankie Morales x f!Reader x Santiago Garcia
Chapter Summary: You & Frankie visit your friend Santi at his Malibu mansion to kick off your roadtrip north, and you let desires guide the night.
Word Count: 6.9k
Rating: Explicit, 18+ only, MDNI
Chapter Warnings/Tags: polyamory, threesome, multiple partners, MMF dynamics, fingering, oral (f receiving), unprotected P in V (wrap it up pls!), DVP, multiple orgasms, multiple creampies, cum kink, spitting, alcohol consumption, mentions of food, gratuitous descriptions of male and female anatomy, heavy use of Spanish pet names/nicknames, Santi being a menace is his own warning, Frankie the PEK, Frankie has a big dick and so does Santi, Reader uses she/her pronouns, Reader is able-bodied, has breasts, and has hair that can be pulled, otherwise no description of Reader's skin color, size, body shape, hair color, eye color, or ethnicity, no use of y/n. Everyone is testing negative for STDs and Reader is on birth control. a/n: This is my very first series fic! I plan to have 3 chapters including this one. This one was meant to be a fun spicy little intro into the fic, but of course Santi being an absolute menace meant that this is absolute smutty filth and I'm sorry (not sorry). MASSIVE thank you to my sweet @for-a-longlongtime, who not only gave me the iconic Santiago line "guava goes better with pussy and mezcal," but beta read for me, bounced ideas around, and encouraged me when I wasn't sure that I could do this. Without her help, this fic wouldn't be in existence! Dividers by the amazing @saradika-graphics, thank you! (Please note that the chapter graphic is NOT meant to be accurate to Reader — vibes only!)
If you enjoy my writing, please leave a comment, feedback or reblog! It would mean the world to me. Thank you!
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“I think that should be everything,” you murmur, closing the back of the forest green Jeep. You card a hand through your hair while going over a mental pack list for the third time this afternoon. Behind you, you feel a soft kiss on your shoulder and warm, strong hands envelop your waist.
“You ready to ride then, sweetness?” asks your boyfriend, Frankie. You smile and lean back into his embrace. “Yeah, I’m really looking forward to this trip,” you say, turning to plant a kiss to his aquiline nose, and then another to his plush lips. You both hop into the car; Frankie navigates towards the coast, while small butterflies dance in the pit of your stomach as you think about how the two of you got here.
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You and Frankie Morales met six months ago at the Santa Monica airport. In a bid to encourage team bonding, upper management at your job booked a helicopter tour of the Los Angeles skyline. Frankie was the pilot for your chopper. He charmed your group with his charismatic yet humble demeanor and fun factoids about LA, especially you – your coworkers insisted that he kept staring at you when you weren’t looking. But Frankie ultimately beat you to the punch and asked you out for drinks the following night. You accepted, and the rest is history. The attraction was palpable from the get-go, and Frankie’s go-with-the-flow attitude complimented your fiery personality to a T. You adored how detail-oriented he was in all aspects of his life – memorizing your favorite teas, asking about how your projects were going, knowing exactly how to make you see stars in bed with his fingers, his cock, and especially his tongue. You couldn’t deny that Frankie was the perfect addition to your life, and you to his.
Through those first few weeks, you both divulged the more challenging bits of your lives. Frankie told you about his daughter, Isabella, and how his struggle with cocaine almost ruined his life. His relationship with his ex-wife was strained because of it, but they co-parented well - it was their main goal to ensure that Isabella was never put in the middle of their struggles, that she always felt supported and loved by both of her parents. Frankie had lost his pilot’s license after he failed a random drug test, and he took that as a sign to do the work to fix what was broken. He was now two years sober, and back to flying.
You, in turn, revealed to Frankie that he wasn’t the only man in your life. For the last decade, you’ve been with Joel Miller, your husband of seven years. Joel was the steady compass of your soul, the man whose roots intertwined deeply with those of your heart. You’d loved Joel almost your entire life, having grown up in the same neighborhood, although your crush on him was secretive during your childhood. He was your older brother’s best friend from college, a transplant from Texas whose parents moved to the Bay Area when he was a teenager. You ran into him after getting your master’s degree and moving back to the suburbs of San Francisco, and something sparked between the two of you. Since then, you’d been inseparable. When your work requested that you spend a year going between NorCal and SoCal to establish the new Los Angeles area office, you knew it would be a challenge for your relationship. As it turns out, it was only really a challenge for one reason — your sex drive was incredibly high, and sometimes you were apart from Joel for weeks at a time. Phone and video sex worked as well as it could, but it couldn’t beat the real thing. One night, after a particularly frustrating video sex session — all of your toys ran out of juice and you’d left your charger at home, among other things — Joel surprised you by suggesting that you didn’t need to stay monogamous. 
“Are you sure, Joel?” you asked incredulously. “You’ve never been one to particularly like sharing.”
Joel huffed a laugh. “Yes, darlin’,” he replied. “Lord knows the new office ended up bein’ more work than either of us thought it’d be. I know how much ‘gettin’ yours’ can be de-stressin’ for ya, and I don’t wanna be the reason you can’t seek it. It’s not like you’d be askin’ someone to move in with us. If it helps you, it makes me happy. And it sure would give my phone battery and hands some relief.” He chuckled as you scoffed in mock indignation. “You don’t have to tell me anythin’ you don’t want to about whoever you get involved with. As long as you’re stayin’ safe and they’re treatin’ you as well as I do, then I’m okay with it.”
You sighed in consideration. “Let me think about it some more,” you said, picking at your rental’s bedspread. “It’s not something I’m going to take lightly.”
And then two weeks later, you met Frankie. Frankie was surprisingly relaxed when you told him about Joel, albeit surprised. He’d hesitated to continue things until you got on the phone with Joel and had him tell Frankie himself. After all, you’d checked with Joel within a few days of meeting Frankie just to make sure Joel was still okay with you being with another man.
You made sure to tell Joel when you’d be seeing Frankie, and Frankie didn’t contact you when you were back home with Joel. It wasn’t that either man wanted to pretend the other didn’t exist; rather, they each wanted to respect the other man’s time with you. Frankie wasn’t seeking marriage or starting a family; he wanted to continue using his time and energy on Isabella and getting his career back on track. And Joel was confident in and comfortable with your  marriage in a way that didn’t allow for unseemly jealousy to crop up. 
Gradually you told each of them bits about the other one, until one day Joel suggested that the two of them meet. You were game, but wanted to run it by Frankie first.
“He wants to meet me?” Frankie asked, wringing his hands a bit and looking mildly surprised. The two of you had just finished dinner at one of your favorite taco trucks in LA, and you licked the tips of your fingers as you finished your last al pastor taco, the warm, savory spices dancing on your tongue. Frankie took a sip from his Mexican Coke, his plush lips wrapping around the cool aqua glass of the bottle.
You nod your head in affirmation. “Just for a couple of days. We could make a vacation out of it. Joel suggested maybe we road trip up the coast.”
Frankie looked pensive. You don’t blame him, especially when the two men had made a concerted effort to keep their relationships with you separate. “You’re sure you want to do this?” Frankie asked, searching your eyes for any hesitation. You studied those dark chocolate irises, so similar to Joel’s. 
“Yes, Francisco,” you confirmed, reaching out across the plastic picnic table to touch his hand. The sounds of the city wrapped around you as the two of you gazed at each other. “Joel has my heart, but so do you. And I want both parts of my heart, my favorites, to be with me at the same time for once.”
“Ok, mi amor, let’s go then,” Frankie said resolutely, bringing up your hand to his lips, pressing a soft kiss to your skin.
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Your thoughts bring you back to the present, with Frankie’s one-hand grip on the steering wheel and the warm coastal sun beaming through the windshield. The windows are down, allowing the salty sea air to filter through the Jeep. He flips on his turn signal and begins driving through a particularly posh part of Malibu. Giant mansions dwarf the street, pristine lawns and modern, open-glass architecture rolling by as you continue on. You let out a low whistle.
“Jesus Christ, what the hell does Santi do again to afford this?” you ask Frankie, eyes flicking to and from each house you pass by.
“Nothing,” Frankie chuckles. “When we got the money from that final mission that Santi and I went on, he invested the entirety of his share into the stock market. Well, almost everything.” He snorts at the champagne Range Rover in Santi’s driveway as the two of you pull up. Frankie, on the other hand, put the majority of his earnings into a trust fund for Isabella. The rest he used to set himself up comfortably but modestly. “Santi still does some consultant work for private security firms, but he just keeps reinvesting the money and using it to buy property and fund charity work,” Frankie explains.
“Can’t say I blame him, it’s a pretty solid strategy,” you respond, taking in the splendor of Santi’s Malibu abode as Frankie parks his Jeep. The three-story home is minimalist and modern on the exterior, with a combination of cool beige stone and warm wood paneling. No other houses are on either side of the building, so the property is ulta-private, and even has its own beach. As the two of you unpack your bags from the car, you hear a wolf whistle shriek from somewhere around the corner. Jumping slightly, you turn and then smile as Santiago Garcia strolls barefoot out of the house, his pale linen slacks and caramel vintage ribbed polo shirt fluttering lightly against his muscular frame in the sea breeze. 
“Hey pendejo, you finally made it!” Santi yells to Frankie, then turns to you with a “hi, hermosa,” and a kiss to your cheek. You wrap your arms around Santi’s torso, inhaling his sandalwood and cinnamon scent and giggling a hello. Frankie walks up, bags in hand, and tries to ruffle Santi’s perfectly coiffed curls. Santi dodges him and then goes in for a bear hug; Frankie smiles broadly as they rock side to side before clapping each other on the back.
“Good to see you, hermano, and thanks for letting us stay with you,” Frankie says warmly as he picks up your luggage and the three of you head towards the house.
“Not a problem, I’m in town for a consulting gig and figured it’d been awhile since we’d gotten together,” Santi responds ahead of you. You and Frankie follow him into the open-concept common area, admiring the sleek countertops, stainless steel fixtures, and plush yet subdued furniture. Light neutrals rule the color palette, with plenty of floor-to-ceiling windows to allow natural light in. You run your hand over the back of a velvet lounger, indulging in the texture against your fingertips. Frankie goes to the bedroom to drop off your luggage, while Santi starts pulling things out in the kitchen for dinner prep. Continuing towards the back of the house, you push open the sliding glass doors, letting fresh air in while you admire the view from the balcony. Below, the azure waves caress the sand gently, and the sound of the ocean encourages you to release all the stress from the last workweek. 
The boys get going on dinner as you slip on a silky emerald green dress - opting to go braless and barefoot - and dab on some rosy lip stain. The dress drapes lushly over your body, making it both comfortable and beautiful. After spritzing on some of your favorite perfume and putting on thin gold hoop earrings, you emerge from the guest bedroom you and Frankie are sharing for the weekend. Santi looks up and hums in approval.
“Damn, bebita, you look delicious,” he purrs as he finishes seasoning the steaks. “Do you always dress up for dinner with this chump or did you get pretty just for me? It’s okay, you can tell the truth.”
You roll your eyes at his cockiness and chuckle as you squeeze his bicep in passing. “Santi, don’t flatter yourself,” you retort, “I did it for myself. I don’t need to dress up for him to want to devour me.” You cross the kitchen to Frankie, who’s working on the caprese salad. Frankie huffs a laugh and puts down the kitchen knife, wiping his hands on a towel before to circling his hands around your waist. You lean into him, pressing a chaste kiss to his lips.
“That’s right,” he shoots back to Santi without looking over, “she doesn’t need extra dressing up; she’s stunning enough as she is.” He kisses your forehead softly as you gaze up at him lovingly.
“You’re right.” Santi lets his gaze scan over you approvingly. “She probably looks even better with nothing on.”
“Santiago!” you laugh. “You’re such an insufferable flirt.” You walk back over to the opposite side of the kitchen island from him, fixing him with a smoldering smirk. “Wouldn’t you like to know, hmm?” Santi has always been relentlessly flirtatious with every attractive woman he meets, including you. Frankie’s never bothered by his antics, but you see his eyes flick towards the two of you, anticipating his response.
“Don’t tease me with promises you won’t keep, sweetheart,” Santi warns you, voice like rich caramel, sweet and smooth. You hold each other’s gazes for a moment before you break away, laughing softly and successfully ruffling his hair like Frankie wanted to earlier. That distracts Santi from the moment, as he huffs and runs his fingers through his curls to fix them.
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A few hours later, the three of you are relaxing on the balcony by the fire pit after dinner, drinking mezcal margaritas and catching up on life. You sit with your legs across the cream  patio sofa, your back against Frankie’s side like you often do with him. His arm is draped possessively across your torso while his thumb rubs absentmindedly back and forth across your shoulder. Santi goes inside to fetch the mezcal bottle from the kitchen, having switched to just the liquor, and you stand from the couch to observe the beach at the balcony’s railing. The darkness of night has settled over the landscape, lending deep navies and turquoise hues to the water, and everything feels more hushed. 
As you inhale the coastal breeze, you feel Frankie’s warm body press into you from behind, and then his soft lips pressing a trail of kisses over your shoulder and neck. You hum happily, smelling his rosemary cedar soap on his skin, and press yourself further into him, lightly grinding against his hips. Frankie lets out a quiet groan and presses right back into you, letting you feel his hardening length against your ass. He begins to cup your breasts through the silken fabric of your dress, easily pebbling your nipples with no bra between his fingers and your tits. The heat of arousal starts to pool low in your belly as Frankie slides his hands down to your hips, grinding on you until he’s fully hard beneath his pants. You tilt your head back, closing your eyes, and turn to the side to catch his lips, biting on his lower one and eliciting a louder groan from him. 
“Sweetness, I need you so badly,” Frankie whispers into your ear. When you quietly moan in response, you can feel Frankie’s hands slip down the silk over your ass and hear him shuffle behind you. Spinning around and opening your eyes, you see him on his knees, hat next to him on the floor, starting to ruck up your dress. 
“Frankie,” you hiss, grabbing his hands, desperate for more but concerned. “What if Santi sees?” 
“What if I want to watch?” you hear suddenly over Frankie’s shoulder, and you gasp when you look behind him and realize Santi is leaning against the open balcony door, sipping mezcal straight from the bottle. A fire ripples from the base of your spine upwards, and your gaze drops to Frankie, whose eyes have gone nearly black with desire but remain on you. Your lips pop open slightly, and you freeze.
“Well, querida, answer the man,” Frankie rasps. “Either you let him watch or make him go back inside, but either way, I’m eating this sweet pussy.” His hands slowly drag up your legs until he’s cupping your ass, squeezing the soft flesh, which rips a moan from your throat. As Frankie’s lips trail up and down your legs, you look back up at Santi, trying to read his expression. Gone is the molten chocolate of his irises; instead, you see glimmering adamant, dark and deep like the desire painted over every line of his face. But that heated gaze is still respectful – you know Santi would never cross your boundaries. If you truly didn’t want him to watch, he’d go inside the house, no questions asked. 
It’s for that exact reason that your desire thrums through you like a bass line, and you bite your lip. “Frankie, I need your mouth on me right now. I think Santi needs to see how hard you make me come.”
Frankie responds with a groan, while Santi lets out a deep purring sound. He moves to the couch, sitting with his legs spread, and takes another swig of mezcal as he takes in the sight before him. Frankie immediately yanks your soft lace panties down your thighs, and growls at the gossamer-thin string of arousal that connects your weeping center with your underwear.
“Fuuuuck, querida, you’re fucking soaked,” Frankie moans, inhaling the intoxicating scent near your glossy slit. You step out of your panties, and he grabs them, tossing them to Santi. The man on the couch catches them with one hand, bringing them immediately to his nose and sniffing deeply. 
“Goddamn,” Santi grits out, “she smells so fucking good, hermano.” He brings the gusset of the lace garment to his mouth, gingerly licking the slick off, groaning at the taste. You gasp at the sight, a wave of wetness trickling down your channel. “Tastes amazing too,” he adds, leaning back into the couch cushions and stuffing your panties into his pocket.
Frankie pushes your dress up to your waist and moves your left thigh to rest on his shoulder, spreading you open. He splays your lips open with his thumbs, staring at your pussy glistening in the fire’s light, on display for both him and Santi. He licks a steady strip from the bottom to the top, swirling around your clit at the end. You moan loudly, leaning back against the railing for support.
“Oh bebita, listen to those sweet sounds you’re making for Frankie,” Santi croons from the couch. “He must be making that pussy feel so good.”
“Yes, Santi,” you gasp, swallowing thickly as your eyes close in pleasure. “He’s so fucking good with his tongue.” You hear Santi rumble deep in his chest in response.
Frankie begins licking, sucking, and tapping on your clit exactly like he knows you like it, gripping your cheeks with both hands and massaging them. You writhe against his face, rocketing faster towards your impending orgasm. When you look up, you see Santi palming his cock through his pants, the bulge straining against the linen. Your cunt clenches at the image before you. Frankie can tell you’re close, so he slips two of his fingers into his mouth momentarily to slick them up and then plunges them into your warm cunt. You throw your head back, nearly screaming in ecstasy. Your grip tightens on the railing.
“I know you’re close, querida,” Frankie growls. “Let Santi see how pretty you look when you come.” Frankie then hooks his fingers just right inside of you and hits that soft spot that sends you into orbit, squealing. You feel everything tighten and then release, your orgasm rippling through your core and into your extremities. Frankie and Santi both moan at the sights and sounds of you reaching your peak, Frankie lapping up every drop of release from you.
“Good fucking girl, mamacita,” Santi says, getting up from the couch and stalking towards the both of you. Frankie gets off of his knees, easing your leg off his shoulder while wiping a hand across his drenched mouth. He knows exactly what Santi wants, so he moves back a couple of steps. You almost stumble, legs like jelly, and Santi catches your waist.
He tilts your chin up to meet his eyes, and his assessing gaze breaks through the post-orgasm haze you’re in. “I really want to taste that perfect cunt, baby,” Santi whispers. “Can I do that for you?” You look at him, hesitating for a moment only because this is a line you’ve not crossed with Santi before. You nod clearly at him. Santi shakes his head. “Words, sweetheart.”
“Yes, Santi,” you breathe. “Please put your mouth on me.” Santi groans in anticipation and starts walking backwards, pulling you with him. When you look at him in slight confusion, a sheepish smile passes briefly over his lips.
“Bad knees,” he reminds you, and you laugh. “Kneeling on concrete would kill me.” He tilts his chin to Frankie. “Fish, open the door to the bedroom. I’m gonna lay her down. And bring the bottle.” Frankie obliges, sliding open the other glass door to the expansive bedroom and grabbing the mezcal bottle.
“Can I kiss you?” he whispers. You sigh a yes, and Santi kisses you softly at first, then deeper. He tastes like cinnamon, tropical fruits, and smoky liquor. Moaning quietly, you start to lose yourself in his kiss as he moves the both of you backwards into the bedroom. 
The California king size bed is draped in soft taupes and creams, the bedding a gauzy cotton that feels incredible on your skin as Santi gently lays you on it. He pulls your dress up your body, and you arch your back to help him remove it over your head. As your bare body is exposed to him, glowing in the low light, he sucks in a breath. Frankie places the mezcal bottle on the bedside table, then strips out of everything except his black boxer briefs, his length fully hard against his left thigh, and sits down on a sleek chaise lounger in the corner, watching you and Santi.
Santi strips off his shirt and then climbs onto the bed over you, slowly sliding his hands over your soft skin as he goes. You shift on the bed at his touch, back arching a bit and thighs rubbing together. He keeps his eyes locked with yours as he reaches your head, forearms bracketing either side of your face. His body is so close to yours yet not touching.
Moaning, you tangle your fingers in his salt and pepper curls and pull briefly. Santi bites your lower lip in response with a small growl. Sitting up, he grabs the mezcal off the bedside table.
“Open,” he commands, taking a swig from the glass bottle. You obey, and Santi leans over your open mouth and fucking spits the mezcal into it. You swallow, moaning at the taste, the alcohol and him. He kisses you roughly, licking into your mouth, and you whimper, your legs dropping open of their own accord.
Santi notices and chuckles darkly. “Oh, you liked that, huh?” he purrs. “Dirty girl.” He kisses and nips along your ear and neck, across your collarbone, and down your chest. Reaching your nipples, he swirls his tongue around and then gently nips each of them. You feel slick pooling at your entrance, starting to drip down your inner thighs. Santi traces his tongue down your belly and to the curls above your pussy, inhaling deeply. He pushes your thighs open further and groans at the sight.
“Goddamn, you’re drenched,” he grits out, shuffling down to put his face at your center. You glance over at Frankie in the corner, and notice he has his cock out, slowly stroking the length. You whimper at the sight and Frankie licks his lips. You feel a sudden pinch at your inner thigh and whip your head back to the man between your legs.
“Eyes on me, hermosa,” Santi orders. “I want you to look right at me when I eat this pretty pussy.” And with that, he dives in.
Santi is a messier lover than Frankie, who usually eats you out with absolute precision, priding himself with knowing exactly how to make you come as fast as possible, and repeat the process until you’re crying out from overstimulation. Santi, however, is licking at you like he wants to drown himself in your cunt. His tongue is everywhere, licking broad stripes across your slit, sucking on your lips and clit, biting at your thighs, shoving his tongue deep into your channel. 
“So fucking sweet,” Santi pants out in a daze, separating his mouth from your sopping cunt for just a moment, and then goes back in for more. You mewl and grip the bed sheets as he continues to ravage you.
Your moans of pleasure stir something in Frankie, who gets up from his seat and walks over to the bed, his need to touch you nearly insatiable.
“Frankie,” you whine as you see him, your eyes hazy with lust, reaching out to him. 
“I’m right here, querida,” he reassures you, then gets onto the bed, placing himself behind you. You scooch up the bed so that you’re sitting in between his spread legs, your back to his bare chest. You can feel his hard length against you, silken and hot, his precum smearing slick against your skin. Frankie kisses your forehead, then leans forward and grabs your legs behind the knees, pulling back and spreading you impossibly wider for Santi. The man between your thighs groans, slipping two fingers into you, making your back arch even more.
“Does our little slut like to be spread out? Do you like Frankie holding your legs open for me, bebita?” Santi growls, pumping his fingers in and out of you. You cry out at his words, throwing your head back against Frankie’s shoulder. One of your hands grabs Frankie’s thigh, and the other one grips Santi’s hair once again.
“Yes,” you respond, pushing his head back towards your dripping slit. “Lick my pussy like you mean it, Santi.” He groans deep in his chest and dives back in, and you feel Frankie bite the junction between your neck and shoulder in arousal. Santi continues pumping his fingers into you as he sucks your clit between his lips, swirling his tongue over it in tiny circles. You feel your orgasm begin to rise in your lower belly, intensifying with each thrust and lick. Santi feels your slick walls bear down on his fingers.
“That’s it, honey, I know you want to come for me,” Santi says.
“Give it to us,” Frankie whispers in your ear. “Come for me and Santi.”
Frankie’s command is all it takes to snap the tether in your core, shattering you into pieces as the pleasure courses hot through your body. You scream their names as your pussy gushes wave after wave of slick, running down your thighs and Santi’s fingers, into his waiting mouth, licking and slurping obscenely, his fingers continuing to press into your g-spot to prolong your high.
“God, I need to be inside you right fucking now,” Santi grits out, pussydrunk. He stands up and hurriedly shoves his pants and boxers down his legs, his thick cock springing free and bobbing slightly. You feel your mouth water; his dick is just as gorgeous as Frankie’s. 
Santi meets your eyes once again. “Do you want me to fuck you while Frankie holds you open, sweetheart?” Santi asks you. You pause, your pleasure-addled mind narrowing in on one idea – having them both.
“I want you both,” you moan. Santi’s eyes widen a bit and then dart to Frankie. They share a smirk and then Frankie turns to you in his lap.
“Querida, how do you want us?” Frankie inquires. “One at a time or at the same time?”
“At the same time,” you whimper. “I want you both in my pussy.”
Santi and Frankie groan in unison. Santi smiles wickedly, looking at Frankie. “Well, it wouldn’t be the first time, eh?”
“Just like we used to,” Frankie chuckles darkly, and your fuzzy mind tucks away their exchange for later. “We have to get her ready, then.” He slowly releases your knees and turns to you, kissing the side of your face and lightly nibbling your ear. He grabs your chin gently with his fingers, turning your head sideways to meet his eyes. “We’re going to work you open first, okay, baby?” he intones softly. You nod your head yes. Santi and Frankie’s eyes meet, and Santi opens the bedside table drawer, grabbing a bottle of lube and tossing it to Frankie. 
He catches it, reading the label. “Guava?” Frankie asks quizzically. “What happened to the mango-pineapple one?”
Santi shrugs. “I still have it,” he explains, “but guava goes better with pussy and mezcal.” You huff a laugh and Frankie smiles, kissing your forehead again and sweeping your hair out of your face.
“Guess we have an edible lube connoisseur here,” jokes Frankie, opening the cap and pouring some of the slick liquid onto his thick digits. 
The sweet, juicy fruit scent wafts through the air, and Santi grabs the bottle from him, doing the same while shaking his head incredulously.“It’s not my fault that you have no sense of refinement,” he retorts. Frankie just rolls his eyes and turns back to you.
“Are you ready, sweetness?” Frankie murmurs. You nod your head and breathe out a “yes, baby”. Frankie reaches in front of himself and slips his two lubed fingers into you, and you whimper softly. Santi follows suit, slipping two of his fingers into you next, kneeling between your legs. You feel stretched full but so turned on. They allow you a few moments to adjust, and when you nod your head, they begin swirling their fingers in opposite directions. A moan rips from your throat and you grab at the bedsheets. They continue swirling and pressing their fingers in and out, and the sight of your pussy filled with their fingers gets the both of them rock hard.
The cloud of euphoria in your head is all-consuming as they continue, your arousal reaching an almost painful peak. Suddenly you grab their wrists and both men stop immediately, concern crossing their faces. “Are you okay, bebita?” Frankie asks, his brows furrowing. 
You nod your head rapidly, and then bleat out, “I need you both inside me right now.” Santi and Frankie grin at your fucked out expression, looking at each other conspiratorially.
“Well, you heard the lady, Pope,” Frankie says. “Let’s give her what she wants.” He shifts you forward as he moves to the side, pulling his underwear all the way off. He lays on his back on the bed, his hard cock against his stomach dripping pre-cum. “I want you to ride me, hermosa, and then Santi is going to enter you from behind as you lean forward,” Frankie explains.
You nod your head in understanding and straddle his thighs, facing him. Frankie hands you the lube bottle. You dribble a stream onto his waiting thickness, and he hisses as the cool liquid hits his hot velvet skin. Grabbing his slick length, you shuffle forward and guide him into your channel, whining when he bottoms out easily. Frankie reaches up and grips your hips, guiding you to ride him.
After a minute, he looks over your shoulder at Santi, who is slowly stroking his dick. “I think she’s ready, Fish,” Santi says, and Frankie nods once. Santi gets on the bed, coming to his knees behind you and grabbing your hips. Frankie slides his hands to your back, gently pulling you towards him until you’re leaning forward, laying chest to chest, your pussy on full display for Santi, stuffed with Frankie’s cock. You hear Santi groan behind you at the sight.
“I can’t believe you’re letting me do this, bebita,” Santi admits as he slicks up his hardness with the lube. “Been thinking about being inside this pussy for months.”
“Well, now’s your chance,” you tease, looking back at him. “Better hurry before the offer expires.” Santi smirks at you as he places his hands on your hips.
The moment you feel the head of Santi’s cock slide into your pussy, you gasp as the sting of the stretch hits you. You hear Santi behind you grit out a quiet “fuck”. Slowly he continues sinking into your hot, wet heat. Reaching forward, he circles your throbbing clit softly, making you whine but relax, allowing him to slip deeper into you, inch by inch. Your pussy twitches and both Santi and Frankie choke on moans. 
When he fills you as far as you can take both of them, the three of you hold still. As the seconds pass, the sting gives way as you adjust to being this full. The result is rolling waves of lightning sparking through your veins with each minute movement inside of you. You let out a high-pitched whine as a knot of white-hot pleasure tightens in your core.
“Mierda, bebita,” Frankie moaned, “are you gonna come just from both of us being in you?”
“God, she feels so fucking good,” Santi murmurs, almost to himself. Both of them are gripping you tightly as you continue to whimper and whine, your high quickly building. Your breathing intensifies, and you start to shake. 
It’s so much, being so full of them physically, and the thought of them both in you - two of the most attractive, sexy men you know - is nearly making you lose your mind. But you don’t want to come before your boys have even gotten to move. It almost feels like a weakness, being this fucked out for them.
“It’s ok, sweetness, let go,” says Frankie softly, realizing you’re holding off for them. He presses a kiss to your neck and it’s your undoing. 
The brush of his lips against that sensitive spot right under your ear pushes you off the edge and you wail, your pleasure cresting as you jerk under their firm grips. They moan loudly, your pleasure stoking theirs. The three of you catch your breaths as you come down from your high.
Frankie looks up at you, eyes pitch black, swimming with devotion for you. Santi strokes your hips gently, his strong hands shaking slightly.
“How are you feeling?” Frankie asks you sweetly, rubbing his hands across your back, his thighs clenching from holding back. 
You take a shaky breath. “So fucking full,” you respond, and then giggle softly at your obvious observation. The boys laugh too, and then moan slightly as your bodies shift. Santi squeezes your hips and asks, “Are you ready for us to move, hermosa?” Your head is swimming in endorphins as you whimper out, “Yes, Santi. I need both of you to fuck me now.”
With that, the two men lock eyes and nod, beginning an apparently practiced dance of their cocks. As Frankie slides himself out, Santi pushes in, and then they reverse roles. You cry out in ecstasy. It’s so much more than you could have ever imagined.
Frankie and Santi start off with slow, shallow thrusts in and out, gradually stretching you around their lengths. When Frankie hits a particularly sweet spot, you moan fervently and more slick coats them, making them both moan back in response. The friction between their cocks and your walls is delicious.
“Fuck, bebita, you look incredible taking the both of us,” Santi says, gripping your hips harder, a sheen of sweat glimmering across his body. 
Frankie hums in agreement. “You’re doing so well, baby,” he praises. You preen at their words, arching your back to change the angle. Santi whimpers and kisses along your spine, worshiping your body. The room is thick with the smell of sex, guava, and mezcal, the squelching sounds of your pussy weaving between all three of your moans and cries of pleasure.
The boys begin to speed up the wetter you get, starting to fuck into you with vigor. You feel like your whole body is vibrating. Leaning down to kiss Frankie changes the angle once again, and Santi lets out yet another whimper as you slide your tongue along Frankie’s.
“Fuck, baby, just like that, that’s perfect,” he gasps, getting even harder inside of you. He starts to rub your clit in tight circles, making you yelp. “I want you to come one more time for us before we fill you up,” he continues. “Gonna make your pussy milk our cocks. C’mon, honey, you’ve got one more in you, I can feel it.”
“I don’t know,” you whimper. “I - it’s so much…”
Frankie lets out a growl. “Oh, querida, I know you can come for us one more time,” he says. “Just think about how full of cock you are right now.”
He’s right. The psychological thrill of having both men inside of you is the push you need. You start to shake again, everything tensing up. Both men moan as your channel pulls tight.
Santi leans down to your ear, still thumbing your clit. “Fucking come for us. That’s an order.”
You scream so loudly when your fourth orgasm hits you, that you’re grateful that Santi has no neighbors - because they definitely would have called the cops by now. Tears leak down your face from the intensity, and Santi whimpers loudly as he thrusts in and comes deep in you, his hot seed coating your walls. The tightness of your pussy and Santi shoving deep end up pushing Frankie’s cock out, but he couldn’t care less. 
When Santi’s strokes slow and then stop, indicating he’s finished, Frankie pushes him off of you, and roughly flips you over onto your back. He shoves your legs apart, and pushes his dick harshly into you. Boneless, you lay there, moaning and taking it, unable to say anything coherent except for Frankie’s name. Your boyfriend presses your legs even further towards your shoulders, nearly bending you in half as he fucks into you hard and fast, Santi’s cum forced out of you with every snap of Frankie’s hips.
“God, you look like such a goddess right now,” Frankie babbles, nearly snarling, “so full of cum. You like that? You want me to fill you up good? You’re gonna be leaking our cum for days, querida.”
“Yes, Frankie, yes,” you moan, “please fill me up. I love your cum in me. I wanna be so full of both of you.”
With a shout, Frankie bares his teeth and comes, getting as deep as possible and filling up your cunt just like he promised. You feel his cum thick and hot in you, triggering another moan. 
Frankie drops your knees back down to the bed, nearly collapsing down against your chest while the two of you pant heavily, trying to catch your breaths. Looking over, you spot Santi sitting up at the corner of the bed, looking disheveled but utterly sated, his now-soft cock still shiny with lube and your combined releases. 
You reach your hand out to him, and he crawls towards you, slotting himself next to one side, while Frankie hisses as he pulls out of you and lays next to you on your other side. He smothers your neck and face with kisses, and you giggle, feeling Santi pepper kisses across the top of your head and stroking the underside of your breast affectionately with his thumb.
You let out a contented sigh. “Wow, that was…”
Frankie hums out an “incredible” at the exact same time Santi rumbles a “so fucking good” to complete your statement, which makes the three of you laugh. Giggles subsiding, something they said in the heat of the moment suddenly pops into your mind.
“Wait a second,” you say as you sit up. Both men lazily look up at you, faces blissed out, waiting for your question. “Frankie, you said, ‘just like old times’... How many times have you double teamed with Santi?”
The two of them look at each other with nearly identical smirks. Santi pipes up first. “Well, back in our Army grunt days,” he explains, “when we’d go on leave together, we kind of had this habit of teaming up to pick up women.” Your jaw drops slightly, and Santi looks amused at your shock.
“It was a fairly effective strategy,” Frankie continues. “Trying to land a girl alone was a crapshoot. But with the both of us offering her a night to remember?” Frankie huffs. “It seemed like fantasy fulfillment for almost every woman we fucked together.”
Your eyes rake over the two of them, gloriously naked and handsome as ever, in bed with you. Yeah, you can see the appeal. 
“Okay, but who came up with the idea?” You ask, then immediately put up a hand into the air. “WAIT, no, I know exactly who… Santi, you slut!”
Frankie lets out a loud bark of a laugh as Santi rolls his eyes, folding his arms over his chest, annoyed. 
“Hey, don’t act like you didn’t benefit from it, idiota!” Santi grumbles. Frankie reaches over, finally successfully ruffling Santi’s hair. Santi flinches and bats Frankie’s hand away, making you shake with laughter as you lounge in the post-coital haze with your boyfriend and his best friend. You don’t blame those women they slept with one bit. This was a night you will surely remember.
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No pressure tags: @mermaidgirl30 @legendary-pink-dot @nerdieforpedro @mountainsandmayhem @arcanefox207 @campingwiththecharmings @exquisit3corpse @gutsby @honeyedmiller @lavendertales @lu62 @luxurychristmaspudding @ozarkthedog @qveerthe0ry @swiftispunk @sheepdogchick3 @thatshortgirlwithglasses @wannab-urs @musings-of-a-rose
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hwbcarwash · 7 days ago
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The Significance of Car Detailing In Achieving a Flawless Finish
Other than detailing services in Burbank, certain quality treatments that may be present are ceramic coating and paint correction. This will highly safeguard your vehicle's exterior, making it look new for a longer duration. Some auto detailing services in Burbank also provide eco-friendly options. They may use waterproof or biodegradable products for less environmental harm.
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reasonsforhope · 11 months ago
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"Pro-Palestinian protesters briefly blocked entrance roads to airports in New York and Los Angeles on Wednesday [December 27, 2023], snarling traffic as U.S. airlines contended with a rush of holiday travel.
The demonstrations stopped cars on the outskirts of New York’s John F. Kennedy International Airport, where some travelers set off on foot to bypass the jammed roadway, as well as Los Angeles International Airport. A total of 62 people were arrested during the two protests, police said.
In New York, activists locked arms and held banners demanding an end to the Israel-Hamas war and expanded rights for Palestinians, bringing traffic to a standstill on the Van Wyck Expressway leading up to the airport for about 20 minutes.
Video posted to social media showed passengers, some carrying suitcases, leaving vehicles behind and stepping over barriers onto the highway median.
Twenty-six people in the protest were arrested for disorderly conduct and impeding vehicular traffic, and the Port Authority of New York and New Jersey dispatched two buses to help travelers caught in the backup reach the airport, agency spokesperson Steve Burns said.
Around the same time as the New York protest, a major thoroughfare leading to the Los Angeles airport was shut down by another group of pro-Palestinian protesters, who dragged traffic cones, trash bins, scooters and debris into the lanes, according to news helicopter footage.
In a statement, the Los Angeles Police Department accused protesters of throwing a police officer to the ground and “attacking uninvolved passerbys in their vehicles,” without providing further details about either incident.
The group appeared to flee when police arrived, though the Los Angeles Police Department said traffic around the airport remained impacted roughly two hours after the demonstration was declared unlawful.
A spokesperson for the LAPD said 35 people were arrested for rioting and one person was arrested for battery of a police officer. No officers were injured, according to the spokesperson. An estimated 215,000 passengers and 87,000 vehicles were expected to pass through the Los Angeles airport on Wednesday.
Since the Israel-Hamas war erupted on Oct. 7, near nightly protests have broken out in cities across the United States. In New York, pro-Palestinian organizers have responded to the growing death toll in Gaza with escalating actions aimed at disrupting some of the city’s best-known events, including the Macy’s Thanksgiving Day Parade and the annual tree-lighting ceremony at Rockefeller Center."
-via AP, December 27, 2023
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jetsetwash0 · 2 years ago
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Automobile owners always have the option to replace that paint coating to recreate its original look. Because automobile paint renewal jobs can be expensive and time-consuming, it is smart to consider a Car Detailing Service in Los Angeles today.
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fluentmoviequoter · 6 months ago
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Truth Serum
Pairing: Tim Bradford x fem!cop!reader
Summary: While searching for an abducted child, you and Tim are abducted and injected with truth serum.
Warnings: fluff, angst, child abduction, drugging, Tim and reader make out while working
Word Count: 2.6k+ words
Masterlist | Tim Bradford Masterlist | Request Info/Fandom List
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“Bradford,” Wade calls over the radio. “We got an anonymous tip about the AMBER alert. The caller said a car matching the alert description was parked outside the Los Angeles Memorial Sports Arena.”
“We’re responding,” Tim replies. “Why the arena?” he asks you.
“It wouldn’t be very busy this time of day. Stay low there until there’s a crowd tonight and disappear with them,” you hypothesize. “Or something happened, and they had to stop.”
Tim nods as he turns on the shop’s lights. He doesn’t want to alert the abductor that the police are coming, but he needs to get there fast. Once you find the car, you’re a step closer to recovering the kidnapped child. The AMBER alert is several hours old, and the longer it takes, the more your chances of finding the child healthy and alive diminish.
“Take the next left,” you tell Tim. “If we can get in the back way, they shouldn’t see us coming.”
Tim takes your advice without argument, which surprises you. Calls with kids are some of the hardest, but when you know one’s in danger, everything changes. Part of what makes Tim such a good cop is his ability to separate his emotions, but the moment you got the AMBER alert notification, he tightened his grip on the wheel and told dispatch to let you and him patrol for the car.
“There it is,” Tim murmurs as he stops behind a partial wall in the parking lot.
The silver sedan you’ve spent the morning hunting for waits in a parking spot as if it’s just a normal day. You can’t see signs of anyone in the car, and Tim opens his door quietly and steps out. As you open your door, you notice something under the sedan less than 100 yards from you.
“Tim, it’s a trap,” you say quickly.
He turns toward you and gestures for you to get back in the car, but the car explodes, and you’re slung back against the shop before you take another step. You reach toward Tim where he lays behind you, but a booted foot kicks your hand away.
“Time to serve and protect,” the man standing above you says.
He drops a wet rag on your face, and you lose consciousness before you realize it’s not water.
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 “Hey, c’mon,” Tim whispers.
He jostles your wrist with his fingertips as he demands you talk to him. When you realize that he’s asking for a response, you squeeze your eyes closed and grunt. Tim takes it as enough of a sign that you’re still alive and stops talking.
“Where are we?” you ask, blinking slowly. “Are you tied up?”
“Welcome back,” Tim murmurs grumpily. “You don’t handle chloroform very well.”
“My bad,” you reply sarcastically. “Have they been back?”
“No.”
“How mad are you?”
Tim makes a sound that you take as a sign to stop talking. For someone so eager to hear your voice a moment ago, your questions changed his mind quickly. Behind you, metal scrapes as a door opens. You hear heavy footsteps and assume that it’s the man who knocked you out.
“Glad to see you’re both feeling better. Need those minds as sharp and clear as we can get them,” he says. “I’m George.”
“And I’m the man in yellow,” you reply under your breath.
“Cute,” George murmurs. “You’re just here to help. If you found the car, you know about the kid.”
“The kid you abducted?” Tim asks.
“Details, details… Either you start telling me what you know, or I beat it out of your friend here.”
Tim’s fingers press against your wrist as he flexes beneath his restraints. George laughs, and you turn your neck painfully in an attempt to see him.
“You’ll get a turn,” George promises when he notices your movement. “If neither of you is feeling talkative, perhaps you need some courage.”
George walks around Tim, and you track him as he stops before you. He’s larger than he seemed in the parking lot. As he smiles down at you, you relax. If he thinks you’re intimidated, he has you where he wants you.
“Do you want to tell me anything?” George asks.
“Your right boot is scuffed,” you answer. “Little saddle soap would buff it right out.”
George clenches his jaw as he reaches into his pocket. He withdraws a syringe, and your eyes widen as you push back against the chair you’re tied to. His smile grows as he reaches for your forearm.
“Don’t,” you demand. “Don’t touch me.”
Tim moves behind you, but there’s nothing he can do to help.
“Don’t worry, Officer Bradford,” George calls. “You’ll get a turn too.”
George slides the needle under your skin and looks directly into your eyes as he depresses the syringe. He pulls the used needle out and tosses it into the corner of the room. After he pats your arm, he returns to Tim’s side.
“What was that? What is it?” you demand, pulling against your restraints.
A bead of blood appears on the surface of the skin. Tim is likely being injected too, but you need to know what George is pumping into you.
“Back up,” Tim growls from behind you.
“Gladly,” George answers. “To answer your question, sodium thiopental. Enjoy the next few minutes of control.”
As the door slams behind George, you exclaim, “Truth serum?”
“It doesn’t work,” Tim says.
“Yeah,” you agree. “But this idiot doesn’t know that.”
“And you want to pretend it does?” Tim questions. “For what?”
“He gets fed up and tells us what he knows… I hope.”
Tim hums and his fingers press against your skin. “Let’s try it.”
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“Hello again,” George says as he returns.
“Hi,” you blurt out.
“So glad to hear some excitement. We’ll start easy. Why are you here?”
“Because we’re cops and someone said the AMBER alert car was here,” Tim answers.
“Oh, so grumpy does speak,” George muses happily. “In that case...”
George grabs the side of your chair and spins it quickly. You’re beside Tim now; his arm is pressed to yours and you can look at him without straining. The plan is working already.
“Glad you’re okay,” Tim tells you.
“Not the truth we’re looking for,” George interrupts. “Tell me, what do the police think?”
“Lots of things,” you answer. “You-“ you interrupt yourself off with a giggle – “you have to be more specific.”
“Where do they think the kid is?” George clarifies.
“With the bad guy,” Tim says. “The guy who drives the silver sedan… Did you steal it?”
“Do they have a name, a face? Who is the suspect?” George is getting agitated, exactly as you hoped.
“A face...” you repeat. You look toward Tim and say, “You… you have the prettiest face ever. I want to marry you.”
Tim takes the confession in stride, likely assuming that you’re still playing I’m high on sodium thiopental.
“You’re the best partner I’ve ever had,” Tim replies, leaning toward you.
“Listen!” George demands. He places his hand over your jaw to direct your face toward his. “Where is the kid?”
“The kid?” you ask, your voice distorted by his grip on your face.
“Mmhmm. Where did they take him?”
George releases your face, and you stretch your jaw out as you turn toward Tim.
“Kids… Tim, I want to have your babies. You’d have pretty babies. And smart babies.”
Tim nods along, but there’s a faraway look in his eyes that you don’t recognize. He’s either playing up the truth serum bit, or something else is happening. George slaps the side of your face before he storms out of the room. You smile at Tim, despite the deepening hand print covering your jaw.
“Pretty and smart babies?” Tim asks.
“You weren’t giving me anything to work with,” you point out with a shrug.
“I like listening.”
“Well, it is truth serum,” you murmur.
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When George returns, he shoves a picture in your face.
“My son, where did they take him?” he demands.
“Son?” you and Tim ask together.
“Oh!” you exclaim when you see the picture. “George, listen, we can help. But you have to let us go.”
“Why would I do that? You people are the reason he’s gone!”
“George,” you repeat softly. “We know that the man who reported his abduction is really his stepfather, and half of the LAPD is looking for your son, but we don’t know where he is yet.”
“He never would’ve disappeared if you hadn’t taken him away from me!”
“Then let me help,” you implore.
George stares at you for a few seconds before he nods. He cuts your restraints and steps back as you stand. You pull Tim’s handcuffs from his belt as you move, just in case.
“Let’s go,” he commands.
You shake your head and point to Tim. “Both of us.”
“No,” George answers. “Help me and I’ll let you come back to get him later. We’re going.”
George grabs your arm and shoves you harshly toward the door. You could fight back, but without Tim to back you up, it would go poorly fast.
“Tim, I’ll be back,” you promise.
“Be careful,” he mouths silently.
You nod and hold his eyes until the door closes. As you follow George through the underground tunnel, you watch him closely.
“Dad!” someone yells deeper in the tunnel.
“George,” you say lowly. “What did you do?”
“He’s my son!” George bellows.
He turns toward you with your gun aimed at your chest. You raise your hands and maintain eye contact with him.
“This doesn’t end well for you,” you tell him. “What was the goal?”
“His stepdad is looking for him,” George explains. “I can’t lose my son again.”
“So… what?”
“You would bring him here, lure that monster here, and I would save my son!”
“George, it doesn’t work like that. You kill his stepdad, you injure me or my partner, and you go to prison. So that little boy in there still loses you. You’re stuck, George.”
“No!” he yells. “No, I have the gun and my son.”
“And when you have to run? You drag him with you?”
“I- we-“
“You didn’t think that far?” you guess. “You don’t get out of this, George. Not like this.”
“Dad!” his son yells again.
“He needs you right now. If you let me go, surrender, and return that little boy to his mother-“
“The court takes him again.”
“But you still get to see him. What’s better, George? Taking him from everything he loves or seeing him when it’s good for him?”
The gun falters in George’s hand, and when he begins to lower it, you surge forward. As your shoulder collides with his chest, you pull your gun from his grip. It fires into the tunnel as you wrestle George to the ground. The moment you push him to the concrete and secure your cuffs on him, George begins crying.
“Save the tears for your court date,” you respond. “Where’s my radio? My phone?”
George shakes his head, and you sigh in exasperation. You pull his shoulders to help him into a seated position against the concrete wall.
“Stay here,” you demand. George nods vehemently, and you ask, “Where’s your son?”
“Third door on the left,” he answers through sniffles.
You walk to the third door and open it carefully. The little boy runs to you and hugs your legs as he rambles about how his father took him from his mom’s house and won’t tell him anything.
“It’s okay, buddy,” you assure him. “Here, can you hold my handcuffs? I need someone to keep them ready until I come back.”
He nods and accepts the handcuffs. As he sits on the thin mattress behind him and toys with the mechanical lock, you return to the main tunnel. George doesn’t speak as you pass him, nor when you take the knife from his side.
You open the door to the room where Tim is waiting and step inside. He looks up quickly and blows out a large breath. His jaw tightens quickly, and you notice blood running down his left hand.
“George is in cuffs outside,” you say. You squat before Tim and begin cutting his restraints. “And his son is fine. Babysitting your cuffs at the moment.”
You set the knife aside and focus on gently freeing Tim's bloodied wrist, oblivious to how he watches you. His skin has been scraped raw from tugging against the rope to get out and get to you. He heard the gunshot and assumed the worst, then you came in like nothing happened.
The moment Tim is free, you stand and offer a hand to him. Tim knocks your hand out of the way as he stands. You begin to ask him if he’s okay, but his hands rise to your shoulders, his thumbs against the pillar of your neck. Before you finish the question, Tim presses himself closer to you and kisses you. You blink in surprise but melt into his affection quickly. As you slide your arms over his shoulder and move with Tim, you wonder how much of his action is adrenaline and if there’s anything in this that he means.
“Officer?” George’s son calls down the tunnel.
You step back and Tim drops his hands to your waist.
“That was…” you begin.
“Truth serum,” Tim finishes. “Let’s go.”
He brushes past you, trailing his right hand over your waist. Outside, he leads George out as you carry his son back into the sunlight. The young boy clings to you, and you comfort him as Tim uses the radio in the shop to alert dispatch and request backup.
“Where’s our stuff?” Tim asks George as he shoves him against the dented back door.
“Threw it in here,” George mumbles against the glass.
“He may be a kidnapper, but he’s no thief,” you murmur.
“You see those dents?” Tim asks lowly, so George’s son doesn’t hear. “Those were made when you tried to kill two cops. All of this for a little boy you’re never going to see again.”
George begins crying again, and Tim rolls his eyes as he looks away. Tim may be good at hiding his emotions on the job, but you know better than anyone that he still feels them and feels them deeply.
The first of many patrol cars pulls into the parking lot, and you nod at Tim before you’re pulled away in the hectic moments that follow your heroic recovery.
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You knock on the door once, then pull your hands behind your back. Part of you expects that the door will remain closed, but Kojo barks as Tim opens the door.
“Hi,” you greet, rocking back on your heels. “I- uh- I just wanted to thank you for everything today.”
“Come in,” Tim invites.
You walk past him, remembering what it felt like to have his hands on you and his lips against yours. As you turn back to Tim, he steps into your space.
“Was any of it true?” he asks.
“It’s called truth serum for a reason,” you whisper.
Tim fails to hide his smile as he says, “Then you think I have a pretty face?”
“The prettiest ever,” you agree.
“And you want to have my babies.”
“I’m pretty sure I said I wanted to get married first,” you point out happily.
Tim’s hands raise toward your face, but he stops when he sees the bruise along your jaw. You catch his left arm and kiss his bandage, the injury underneath caused by concern for you.
“I was going to say I love you,” you murmur. “But I didn’t think you’d believe me.”
“It’s truth serum. I wanted to believe it all,” Tim answers.
“Then kiss me again,” you request softly.
Tim does exactly as you ask, takes your face gently between his hands, and kisses you. It’s just as shocking and enlivening as the first time, and you smile against his lips because it was true. It was all true.
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