#car close call

[4gifs]

He zigged insteada zagged

[noyzinerd]

Sterek Rival Lawyers AU

It's A (Court) Date

Imagine, high-class, Ivy League, hot-shot, attorney Derek comes back from New York to the family firm to take over as partners with his sister after his parents decide to step down. He may not be on the level of his mother yet, but he's cut his teeth against Wall Street wolves and ruthless white-collar sharks. Derek's more than proved himself, so he just can't fathom these small criminal court cases his family is making him take "before he's truly ready" to be a part of the family business.

Enter in his first case. Right out the gate, the state assigned defense is, not only late to court, but also arrives in a flurry of limbs and papers, tripping all over himself, and profusely apologizing to the room as a whole. "Sorry! Sorry! Car trouble!"

The guy is out of breath, tie crooked and hair a mess. It makes Derek wrinkle his nose at the unprofessionalism and the blatant disrespect to everyone's valuable time.

The presiding judge, the Honorable Ms. Lydia Martin, only sighs a heavy sigh, as if this sight is nothing new, and says "Mr. Stilinski, I suggest you don't let it happen again."

Derek is honestly getting annoyed by how easy this is going to be. He could've been doing literally anything else right about now rather than being here going against a common rent-a-lawyer with some Podunk community-college degree. The opening statement for the defense is laughably inept. Full of nervous stuttering, backtracking, running tangents, and babbling. He's still apologizing, trying to assure the jury that he's just having an off-day today.

It's embarrassing to watch.

Nonetheless, Derek goes through the motions, practiced and poised. Examines all the evidence, presenting times and dates, prior arrest records, the works.

During this time, Mr. Stilinski is frantically (and VERY LOUDLY) flitting through a cartoonishly large stack of papers and whispering to his client. Derek has to fight to grit his teeth through his presentation.

Finally, it's time for Mr. Stilinski to cross-examine Derek's client and, unbeknownst to him, the beginning of Derek's long, long spiral of madness for the rest of his career.

"Judge Martin, I would like to move to have this case thrown out."

"Oh?" asks Judge Martin. For some reason, there's an amused smirk, almost fond, tugging at her lips "On what grounds?"

A giddy, almost manic, grin takes over the defense attorney's face just then. "On the grounds that the prosecution's client is full of bullshit."

The judge rolls her eyes and an exasperated "Stiles," slips from her lips, seemingly against her will. (Derek's not really surprised by the familiarity between the two of them. With how often state-assigned lawyers are called to the courtroom on small cases, it wouldn't be too big of a leap to suggest they might be chummy.)

"Respectfully, of course." Mr. Stilinski--er Stiles?--winks back at her.

"Objection. Your honor, this is ridiculous."

"Overruled. Make your point, Stilinski."

"Mr. Davis says he saw my client at 12:30 P.M., on August 4th, attempting to take his back-right hubcap outside his apartment. Mr. Davis' apartment complex at that time, on that particular day, would have cast a huge shadow over the back lot as evidenced by the gaudy sundial-art-installation outside the courthouse. Meanwhile, my client's picture, when taken in for questioning, has a sunburn on the entire right side of his face. This would corroborate Mr. Lyle's story of walking home alone, down the upper, unshaded side of Elmore Street, during one of the hottest days of the year, for an hour straight. Also, the fact that Mr. Davis has no realistic idea how long it would actually take a person to steal a hubcap should be evidence enough."

"Uh-huh. And this wouldn't happen to be something you've ever had any expertise in, would it, counsel?"

"I plead the 5th."

And just like that, Derek's case is thrown out so quick, he's still reeling about it all the way home.

For the next two years, this becomes Derek's life. This man, this Stiles Stilinski, keeps showing up like a whirlwind and absolutely puts him in his paces.

Stiles, as he insists Derek call him, is a powerhouse. Relentless and unstoppable. That mouth can filibuster for literal hours (which, for those unfamiliar, is when someone legally cannot be forced to give up their time on the floor as long as they can keep talking), that brain quick as a whip, with a hunger for research, a mastery of the English language svelte enough to trip up even the most well-rehearsed lie, and an attention to detail like nothing Derek has ever witnessed before. It's like he knows every law inside and out. Lives it. Breathes it. It's like he had been raised on the law his whole life. Not only that, it's like Stiles enjoys it. Every case is a new game to get excited about.

All of it makes Derek's blood boil.

However, it's not always about losing to Stiles all the time, because, honestly, that might be less humiliating.

In truth, when faced against Stiles, Derek's bound to win about 60% of the time. Out of that 60%, only 5% of those wins actually feel earned. As for the other 55%?

He knows Stiles is letting him win.

Derek can't prove it, but he knows the asshole is holding back on purpose nearly half the time. Knowing that Stiles could have beaten him if he wanted to, but didn't, is somehow more frustrating than just losing.

He hates Stiles.

He hates that the guy is so chipper and playful all the damn time. He hates that Stiles could probably work at any firm he wanted, could make enough money to get a decent car that doesn't shit out all the time, could buy a proper-fitting suit, but instead CHOOSES to stay here "watching out for the little guy", as he so put it.

He hates that facing Stiles in court is the most challenged, the most motivated he's ever felt in his entire life. He hates that Stiles brings out in him the spark of passion and drive Derek had long thought had died. He hates that Stiles always tries to banter with him during recess or whenever they have to exchange evidence.

He hates finding out that Stiles only loses cases on purpose when his endless amounts of research points to the defendant actually being guilty of horrendous crimes, because Stiles is a good fucking person.

He hates Stiles' constant teasing and he hates that Stiles is somehow able to bring Derek down to his childish level to tease back. He hates how much he looks forward to court-dates with Stiles now. He hates being invited out by Stiles over and over to grab a bite together after a long day, as if Stiles hasn't been wiping the floor with him on this case for the last month. He hates it even more that he always accepts and that now they have their own designated booth at the diner across the street. Derek's so unbelievably frustrated, it makes him want to bite Stiles at the neck just to hear that smartass mouth squeal.

"Hey, I ever tell you I was thinking of quitting before you arrived?" Stiles asks one night as they're walking to their cars.

Derek's head immediately snaps to him at that. "What?"

Stiles smiles distantly at the thought. "Oh, yeah. Things had started feeling like being trapped in a cubicle, y'know? There wasn't any challenge in it anymore."

"What made you stay?"

"Well...you did. You were the first, serious competition I'd faced in a while. It wasn't a matter of winning just to win, anymore. Going against you always reminded me of the reason why it was important for me to win. It gave me stakes, because now there was an actual chance I could lose and an innocent person could go to jail. You, I don't know, kinda reignited my passion for fighting the good fight, I guess."

Derek can feel his heart thumping hard in his chest. He wants to say 'You did the same for me!' He wants to tell Stiles that he didn't think his life could ever be this fun or happy or messy or chaotic or exhilarating or challenging or fulfilling before coming to Beacon Hills.

But just as Derek goes to open his mouth to sing Stiles' praises, he instead finds himself roughly shoving him up against the Camaro and biting hungrily at that mouth and tongue that's been the bane of his existence. There's a surprised little squeak that Derek quickly swallows up, but it isn't long before they're both tearing at each others' clothes and fucking each other dirty in the backseat of Derek's car.

What's crazy is, after they get together, nothing in their careers really changes. The only difference is now they get to fuck each others' brains out after an intense battle in court (and the sound Stiles makes when Derek bites him is exactly what he always imagined it would sound like). They still face against each other on opposite sides in court. They still give it everything they got, no conceding even if they are dating now. Not to mention, Derek wouldn't dream of tempting Stiles over to his firm. Not when he knows Stiles is at his best staying where he's at.

The day Derek's family finally decides it's time for him to take over the firm with Laura is the best day of his and Stiles' lives.

Not only does Derek tell them he's declining, he hires Stiles as his attorney to negotiate terms against his entire family of well-seasoned lawyers.

The entire month-long negotiation results in Derek, not saying a single word, but absolutely beaming as he watches his boyfriend run circles around his mother, his father, his uncle, and both of his sisters on contracts. It's so unbelievably hot, they're banging on whatever flat surface they can get their hands on every time they leave the boardroom. There's even one very memorable blowjob in the empty hall outside the boardroom when Stiles somehow manages to get Peter to agree to a (most likely illegal) clause dictating the firm will pay Stiles a finder's fee for any pro-bono case Stiles takes on outside of Beacon Hills that strikes his fancy.

And, no one says it, but they all know Derek definitely, 100%, dragged his own firm through this negotiation just to show off how incredible Stiles is to his family and preen about it.

--

Fast-forward, Derek is going to be in the audience for the first time for one of Stiles' cases.

While waiting in the hall, Derek sees a familiar face from his New York days. The prosecution has hired the eighth best lawyer money can get, Jackson Whittemore. He's sporting a Rolex, sunglasses indoors, and the face of someone who thinks he's above literally every other person in town.

Well, at least until he sees Derek.

For some reason, Jackson seems to think Derek is all the way out in the middle of nowhere to 'watch a master at work' (which...well...is technically true...).

As Derek goes to sit in the audience, Jackson tells him in passing, "This'll be over so fast, probably won't even get a chance to learn the other guy's name."

Derek chuckles and says back, "Ooh, buddy, you have no idea."

Before Jackson can think more on that, a whirlwind of limbs and papers suddenly hurls through the doors.

Derek sits back, gets comfy, and waits eagerly for the show to begin.

My first moodboard. Hope you enjoy. AU based on a discussion with @casually-eat-my-soul (I suggest checking out their version). This was kind of like a divergence from that (the brain juices just started flowing).

[mephistopheleswasrobbed]

We've entered into the secon half of the series and an end to the torture is nowhere in sight. What is in sight however is gay shit so let's talk about it.

1

Let's get the biggest thing out of the way first. The show was very clearly asking us to draw a parallel between Home and Peach, and Phoom and Vicha. You know, actual, explicitly in gay love couple Phoom and Vicha.

Their story obviously resonates a lot for our boys. Here is Dr. Phoom, a man who - is kind of responsible for the death of the man he loved - had somewhat moved on with his life only to find out later that said man he loved had died because of him - is here now, even later still, to apologise for that to the man who died. If that's not something Home can relate to, I don't know what is. On the other side we have Vicha, who - was abandoned and left to die by the man he loved - was unable to hear that mans explanation because of his interfering family, that was more worried about reputation than his happiness, and because he was in the moment too overwhelmed by the betrayal to give him a chance to explain. Which clearly mirrors Peach's story. (Thers's also the parallel of the class difference as Phoom seems to be at least middle, likely upper middle class by birth while Vicha seems to have lived at the dance school which would imply him to be the instructor's son or an orphan/otherwise family-less kid the instructer took in. Either way he was certainly not rich.) (And I guess Vicha knowing more about cooking than Phoom is also a parallel and also another indication of their different economic backgrounds.)

Dr. Phoom apologises for not being brave enough to tell Vicha what he wanted to tell him (which was also Home's problem)

And then Dr. Phoom finds out Vicha finally heard his apology but he's still sticking around and he says that's enough for him which prompts Home to look at Peach (again) because that is kind of what he hopes for. That he gets to properly apologise to Peach and that Peach will still be around afterwards.

Just like Dr. Poom he doesn't want to exocise his ghost, he wants to talk to him.

2

Home fully acknowledges Pangpang as his baby sister (in law) in his contacts.

3

Pangpang's viewers are devastated at their ship having sunk.

4

They're being annoying talking by way of Pangpang even though they stand right next to each other. Which is also a classic trope for fighting couples (though it does admittedly also get used for friends sometimes)

5

Fully adult man Dr. Phoom knows a lover's quarrel when he sees one.

6

Peach knows that to facilitate communication between two lovers he needs to at least somewhat communicate with his own.

7

For some reason their solution is to cosplay as dance students. And then they, of course, proceed to look at each other while making the "love" gesture.

We had previously seen Vicha do the same.

Looking at them doing that prompted Dr. Phoom to think of his own young love. He has definitely clocked what's going on here (though obviously he has more important things to worry about than some strangers relationship problems)

8

Now this is certainly not something you'd say if the end goal was friendship

9

Peach is using the same pic for Home's contact as Home is using for his, just zoomed in on a different place. And he has Home saved as DANGER DO NOT ANSWER! They're so annoying.

10

Pangpang is very happy her parents might be getting back together

11

Meanwhile Home is sitting at a bar, crying about calling Peach like he got dumped. (Which he did. For good reason.)

12

We've seen so far that the ghosts are very limited. They are not fully concious and aware beings, rather they are "caught" in their desires at the moment of their death, they pretty much move solely with the goal of fulfilling their last wish. More like a broken record stuck in a loop than a living being that has multiple options to act and react to whatever happens around it.

It is noteworthy therefore that Home's ghost continued his journey to Peach as that makes this his biggest desire at the moment he fell into a coma.

Unfortunately it seems that he can't speak. Although Peach wouldn't be able to hear him anyway, so maybe all he wanted was to see Peach one more time. We'll see next episode how similar or not Home's ghost is to the others since Home is not completely dead. For now the biggest difference is that he still looks normal.

No Lesbian Corner this week because they didn't interact. Kan was gone being shady for most of the episode.

[evangelistofmurder]

@halworksatinitech witnessed me almost die like 4x on call yesterday/srs

[puppyeared]

permission to find whoever made the orange and cherry starbursts almost identical in color and shade and hunt them for sport

[viejospellejos]

Increíble salvada de este peatón durante un accidente múltiple en carretera 😳

[silverwhittlingknife]

How do you feel about Jack Drake?? What are your thoughts on him and Tim’s relationship?

Anon, I hope you were interested in a novel, because look, I am fascinated by Jack Drake.  He’s key to a whole lot of what I find compelling about Tim as a character, and if I were in charge of DC, I’d bring him back to life.  This would make Tim unhappy but would IMO make for good plotlines.

Jack and Tim’s relationship is Complicated (TM)...

Jack and Tim hug in Nightwing 20 / Jack impulsively yanks a TV out of the wall in Robin 45 / Tim grieves in Identity Crisis

“I could tell the truth.  But I don’t.” - Robin 66

...and it involves a whole lot of Tim lying, and feeling guilty about lying, and thinking about telling the truth, and choosing again and again to keep lying.

And I think that’s great.

Below the cut:

Shorter version - key points about Jack

Really long version - my gentler take (vigilantism is choir and Jack loves sports) vs. my harsher take (Jack has some major flaws)

Final thoughts

Shorter version - key points about Jack:

He’s a bad parent.  He’s self-centered, he consistently prioritizes his own comfort and interests over his son’s, and when upset, he does things like order Tim off to boarding school.

But he’s never a bad parent in an actionable way.  He’s not like David Cain or Arthur Brown, who are abusive monsters.  Jack’s not a monster!  He just...kinda sucks.

He genuinely loves Tim. If Jack’s aware that Tim’s disappeared or is in trouble, he’s always worried and upset.  He periodically resolves to be a better dad, and IMO he’s always sincere.

And Tim loves him, a lot.  Tim’s protective of him and worries about him when he’s kidnapped or in danger, and when they’re reunited, Tim’s really relieved and usually hugs him (and Jack hugs back!). 

...But they have very little in common, and that’s a problem. Jack doesn’t value the things that Tim values, or respect the people that Tim admires, or care about the things that Tim’s interested in.  Tim lies to him a lot, but that’s partly because he correctly guesses Jack wouldn’t respond well if he knew the truth of what Tim’s up to.

The Batfamily is a surrogate family that Tim’s drawn to because of the ways his real family doesn’t meet his emotional needs…but also he feels guilty about that and disloyal. (And to the extent that his dad recognizes what’s going on, he's jealous and resentful!)

Very long version:

(LISTEN I HAVE SO MANY THOUGHTS ABOUT THIS)

Okay!  So first: Jack’s a character who IMO is pretty up for interpretation.  You can interpret him very charitably, and make excuses for the bad behavior, and fill in the blanks sympathetically when situations are ambiguous; or you can interpret him uncharitably, and emphasize the bad behavior. I don’t think either approach is invalid - it depends on what kind of story you’re interested in!  I have enjoyed Bad Dad stories and also stories that redeem Jack.

My personal take on canon is that Jack and Tim’s relationship is in a gray area.  Jack's definitely neglectful, and he does prioritize other things over Tim, but he’s never so bad that Tim can easily reject him, and he's never so bad that Bruce could justify taking Tim away.  He's just...not great.  Tim loves him, and feels loyal to him, but it’s a very mixed-up complicated love.

I have a gentler take and a harsher one which I switch between as the spirit moves me. xD

My Gentler Take (tl;dr: vigilantism is choir and Jack loves sports)

Here’s the core conflict: Jack and Tim are very different people with different values.  Tim idolizes Bruce and Dick and vigilantism, and secretly gets involved, knowing his dad will hate it. He gets increasingly wrapped up in his secret world and lies to his dad...because if his dad finds out, he’ll make Tim quit.

This is a great setup for an ongoing comic.  It’s practical, because it provides endless potential for plotlines, and it’s nicely thematic, because it maps closely onto relatable real-life situations with extracurricular activities:

Tim the drama nerd whose dad thinks he’s playing football and not in the school play; 

Tim the closeted-queer kid secretly getting involved in his school’s politically-active Gay-Straight Alliance; 

Tim the choir kid whose dad only values making money and wants him to go into the family business (and Tim keeps promising himself he'll give up choir soon, definitely soon, but maybe he'll stay in just a liiiittle longer, because they need him, you see, the last tenor left town, so...); 

Tim the computer geek with the sports-obsessed dad (this one’s just canon);

etc. etc.  

The extracurricular metaphor works pretty well for Tim’s relationship to vigilantism.  Tim's involved in his "extracurricular" because he genuinely thinks it's important and fulfilling, and he values it and wants to be good at it. He idolizes Bruce and Dick because they're good at it. He's been collecting information about it since he was a little kid, and hiding it from his parents because he knows they wouldn't approve. And mayyyybe there's also an element of low-key rebellion against his dad, and maybe that's secretly part of the appeal. And yet also as Tim gets more and more invested, he starts to daydream: maybe I could tell my dad and he'd be proud of me and supportive. But he doesn't, because actually he knows his dad would be upset and angry and make him quit.

And - again, just like with lonely kids and extracurricular hobbies - one of the things that happens is that Tim starts getting his unfilled emotional needs met ... by people he knows through this secret hobby. And people like Bruce and Dick start turning into a surrogate family. Which Tim feels guilty about. And also as Tim gets more and more wrapped up in their world, he has to lie to his dad even more, which means the distance between Tim and his dad gets bigger and bigger and more and more unfixable.

I love this dilemma. It's simple, it's recognizable, it provides endless sources for conflict, and there's no obvious solution! Tim can't tell Jack: he'll make Tim quit! And Tim doesn't want to quit, because he loves choir / art / theater / whatever.  Yeah, it’s difficult, and there are challenges, and sometimes he has doubts...but at the end of the day, he cares about it a lot.  And everything he values is there, and all the people he admires and cares about are there, and all he wants in the world is to feel like he's one of them and belongs there. So he has to lie, even though he doesn't want to lie, and he feels guilty about it...

...but also he ends up lying more and more.

(Sidenote: I think it's important that Tim chooses to keep lying - Tim's narration often glosses this as "I have to lie to my dad," and that's certainly how it feels to Tim, but this... isn't quite true. He has to lie to his dad, because if he doesn't, his dad will get mad at him and try to stop him, not because he literally has no choice about it.)

Other Reasons Why I Like The "Secret Extracurricular" Interpretation

(tl;dr it complicates not just Tim's relationship with his dad, but also all his other relationships)

Tim's problems have some obvious parallels to Steph and Cass, who both become vigilantes while rejecting their evil supervillain dads. But Jack isn't evil. And that means the Tim-and-Jack relationship is ambiguous and complicated in ways that I like. Steph and Cass can just leave their Bad Dads in prison, and say good riddance, and feel very righteous and triumphant about it! Tim’s more complicated. Tim gets into vigilantism ostensibly out of duty and altruism, but secretly, he's also involved for straight-up selfish self-fulfillment reasons. He's lonely, and bored, and his life feels pointless, but he thinks that Bruce and Dick are cool and amazing and he wants to be a part of the things that they do.  When his dad gets jealous of Tim’s relationship to Bruce, and feels like Tim’s looking for a surrogate family, he’s... not wrong.

And the ways in which Jack is not Actionably Bad complicate things from Bruce's POV.  If Jack was a straight-up villain, it’d be an easy call to keep in touch when Jack finds out and makes Tim quit...but he’s not a villain, not really.  So what do you do?  Do you try to surreptitiously stay in touch with Tim even though you’re ignoring his dad’s express wishes and thus forcing Tim to sneak around?  Do you respect his dad’s wishes and stay away from Tim even though you have a years-long relationship at this point?  

Again: a bit similar to the extracurricular analogy.  Say you’re the choir director and you’ve built this whole relationship with a kid in the choir, and you’re an important mentor to him and you care about him etc. etc. etc.... and then right before a big performance, his dad finds out he’s been secretly involved, and yanks him out.  How would you react?  Well, maybe kind of in some of the ways Bruce reacts.  You replace him. You’re annoyed with him. You miss him. You want him to come back. You’re also worried about him.  You’re upset with his dad.  But also... what should you do, exactly?

Bruce and Alfred and Dick care about Tim as if he were part of their family, but he’s not part of their family, and there’s a lot of interesting tension there.

My Harsher Take

Jack never hits his son.  But his temper is a big deal.

In his worst moments, he takes out his anger on Tim’s stuff - wrecking his room, or ripping his TV out of the wall and confiscating it.  When he’s worried about Tim, he usually expresses that fear by yelling at him / punishing him / sending him away - threatening to send him to boarding school in Metropolis in Robin III, or threatening to send him to military school abroad in Robin 92, or actually forcing him to go to an all-boys' boarding school post-NML.  

This is bad behavior!  It is Not Good!  

And you can easily connect the dots to a bunch of Tim’s terrible coping mechanisms, like the constant lying and or the fact that Tim’s go-to methods for dealing with interpersonal conflict are 1) repress it and pretend it never happened (most of his fights with Bruce), 2) withdraw from the relationship until he can pretend the conflict doesn’t exist (when his friends get mad at him in YJ, he quits the team for a while), or 3) literally run away from home.

Also, Jack is a Manly Man with firm opinions about how men behave vs. how women behave, and he thinks boys shouldn’t be scared and thinks Tim should date hot girls and pushes Tim to work out and wants him to play football and expresses period-typical sexism, etc. etc. etc. ... and though obviously this wasn’t what the writers had in mind at the time, all of that is certainly interesting to read backwards in the light of Tim as a queer character.

More Disorganized Thoughts on Jack Drake

Tim’s our hero, so we’re naturally more sympathetic to him, but it’s also true that relationships are a two-way street, and Tim doesn’t value any of the things his dad values, either.  Jack at various points is shown to care about grades, business, money, boarding schools, archeology, football, a kind of macho bragging-about-dating-hot-women ethos, and a very public and performative kind of caring. Tim tends to respond with discomfort or disinterest or even disgust.  When Jack gets on TV to try to rally the government to save his son from No Man’s Land, Tim isn’t touched—he’s mortified.  When Jack makes some bad investments and loses money, Jack’s deeply upset and his self-image is majorly impacted, and far from being sympathetic, Tim’s annoyed and kind of contemptuous of the idea that this is a problem.  Jack thinks fishing in the early morning and going to tennis matches is a fun father-son activity; Tim finds it exhausting and tedious.  And so on.

This means that Tim often longs to be closer to his dad in theory, but this longing is more tied to fantasy than to reality. He rarely seems to enjoy spending time with His-Dad-The-Actual-Person.  So for example, when Tim’s deadly ill with the Clench, he has an extremely poignant fever dream about telling his dad the truth and getting hugged…even as he insists in real-life to Alfred and Dick that he does not want them to tell his dad what’s going on.

The same is true of Jack, who IMO genuinely wants to be closer to his son and is continually declaring that he’s going to turn over a new leaf and get closer to his son…and just as continually backs out of activities or loses his temper when faced with spending time with his actual son.

Tim and his dad sadly get along best—by far—in Absence Makes the Heart Grow Fonder situations.  When Jack gets kidnapped or is in danger, Tim worries for him (and Tim grieves him deeply when he dies).  When Tim disappears or runs away, Jack’s genuinely worried about him.  So e.g. they have a really moving emotional reunion and hug when the earthquake hits Gotham, and Tim panics about his dad’s safety and comes running home (and meanwhile Jack’s been panicked about Tim’s safety!).  It’s the day-to-day, regular life stuff where they don’t connect.

Jack's written quite differently by different writers. Mostly, Tim's parents are at their least likable in his early appearances and early miniseries (this is where you get, for example, Jack and Janet being nasty at each other while a pained employee looks on, and Tim disappointed to once again get news of where his parents are via postcard - "I guess that sums them up! Never know where they’re going to be–or when–or even how long!” - and Tim alone on school break, and Bruce and Alfred thinking there's something weird going on with Tim's parents, etc. etc.). Jack's more sympathetic but still often unlikable in most of Tim's Robin solo, and he's almost invisible (but positively treated if he does show up) in Tim's team books.

For obvious reasons, Jack's remembered way more sympathetically after his death. Tim's completely devastated by Jack's murder, which he arrives moments too late to prevent, and he basically never gets over it. We see him grieving Jack again and again in Robin, and also in Teen Titans, and also in Resurrection, and again in the Halloween Special, and again in Batman: Blackest Night, and all the way up to the end of Red Robin. Tim also grieves for an extended time over Janet - he hallucinates a happy reunion with her when he's feverish in Contagion, and hallucinates her in the final issue of Robin, and the reveal-your-buried-emotions song in Robin 102 brings up his grief for her too (meanwhile, other characters dance or laugh or otherwise get giddy).  Tim’s grief over his parents’ deaths is intense and long-lasting.

I'm not going to clip comic panels because this is long enough, but if you're curious, here's a nice and fairly lengthy compilation of comic panels with Tim and Jack.

If you're interested in a Jack-centric story with a softer-but-still-recognizably-canon take on Jack, I really like the way Jack’s narration is written in the one-shots Heart Humble (set shortly before Jack dies) and Never a Hero (Ra's resurrects him during Brucequest, and Jack's archeology skills turn out to be unexpectedly useful).

[tangledinink]

if the timing had been off by even just a little bit-- if he had turned that corner just a few seconds sooner or later-- he probably would have lived. but if he hadn't been going so fast, the timing wouldn't have mattered.

sometimes people seem to think, "i'll be fine. i'm a good driver. i'm good enough that i can do this safely." but some things you can't do safely. it doesn't matter if you're good or not.

if you're going anywhere today, i hope you get there okay. april 13, 1997 - may 11, 2022

[thenameisgul]

Jensen and Misha sure are best friends but I can’t get enough of Misha’s older brother to Jared’s little brother energy

Prank wars that escalate to almost unhealthy levels? Yes 👏🏻

Jared making it his life’s mission to make misha’s life as difficult as possible? all the time! 👍🏻

Both of them getting on stage, not answering a single question seriously and making fun of the people in the audience? Hell YES 🙌🏼

Pure hilarious chaotic duo!

[skitskatdacat63]

2010 Australian Grand Prix - Jenson Button(ft. Robert Kubica & Felipe Massa)

[microwavetoaster-selfships]

I love the original Cars 2006 game so much. The one that got released on like GameCube and Xbox. I mean, I love all the Cars games(Cars 3 Switch game they did you dirty), but that's an entire story for another time giving my individual appriciation for all of them later. What I'm going to say here applies pretty well to the other games that are centered around the first movie as well like Race-O-Rama and Maternationals, but I'm specifcally rewatching the original one's cutscenes again because I don't want to restart my data every time I wanna go through the cutscenes again(even though I enjoy playing it so, so much), and I just love the atmosphere in it so much. Some of my favorite movie scenes are the ones where they don't have any music playing because I love to close my eyes and turn up the volume and just.. pretend I am right there with the characters and right next to them and stuff or that they're talking to me or such, and that is extra immersible when there isn't an entire orchestra going on(not that I am knocking at having music at all, I regularly go back and listen to the soundtracks from movies if they have them posted).

And the game doesn't really have any music at all during any of the cutscenes and the whole thing is like super..soft to me? Not soft as in like fluffy pillows and pink aesthetic soft, but soft as in like it's getting late out and so you're trying to be kinda hushed with your voice and there's not really anywhere you have to be so you slow down your pace and kick a couple of pinecones or rocks. If that makes any sense at all. Cause normally movies or shows(whether the whole series or each individual episode) have a certain plot or arc that is happening that everyone is focused on and consumes the whole thing, give or take a few moments. And while this game does have a particular thing so it can have a start and end to the story of the game, everything is framed in like a "Yeah, this is what they get up to in their freetime." And I don't know if you know but I love my slice of life stuff so sooooooo so so infinitely much. So getting to get that sort of content is really fun and perfect for me. It's like you're just actively hanging around them and getting caught up in whatever typical nonsense they end up in(assuming we are ignoring the whole monster truck bit), and the "OH THINGS ARE. HITITNG THE FAN." Or bigger development moments are saved for like the movies or something or whatever comes up in my head.

I'm not really entirely headed anywhere with this, I just wanted to put out some appriciation for the game and how nice the atmosphere is. I think it's also cause I really love getting to just sit and here them talk and there is a lot of casual conversation that happens and just plain dialog. Like it's not even filler dialog it's just talking and chatting. And I spend a stupid silly amount of time listening to voiceline compilations on YouTube so this is just the bees knees for me.

Thank you for the read though, may I offer you with a clip because APPERENRLY there's a limit to one clip per post that I am just now finding out about. I think I've already talked about the Litnig one anyway. Maybe I'll post it again later.

I uuuuguguhhh also perfectly reached the tag limit. If anyone needs anything to do in their freetime while bored or as a filler may I suggest reading this post and it's tags, you will be occupied for a while IFNFJCJFNS. I was half joking about reaching the tag limit as well. Well, we all saw it coming, it was going to have to happen one day. And go figure after a long absence that I was going to have it in me to do some running of my mouth...

I do want to say I am probably back now yall! Knock on wood- but I think the reign of my absence is over! Which I am especially hoping so for several reasons but also because I am so SO not done milking F/Ovember to its full extent. I spent too many months looking forward to that to not invest and rot my blog with it.

[icewindandboringhorror]

It's always interesting to hear about people's weird/unexpected "alternate life paths". Like, something that you could have done with your life, a job you almost took, a school you almost went to, etc - that was still actually realistic enough that it could have happened, but NOW it seems to not suit your current personality.

Like for example, I currently hate advertising (how manipulative it is, brands trying to be 'relatable', social media amplifying it to an obnoxious extreme, etc.) so much that even seeing a little ad before a youtube video is grating to even witness, but there was a point in time where I was genuinely seriously considering going into marketing/making commercials as a career lol. Or like, I have a relative who was very inclined to be a pastor when they were younger, even though today they're a super strong atheist, etc. etc.

[drivestraight]

Who do you want to win the wcc?

ferrari

[cranberrymoons]

.

[davnittbraes]

Me after the last two weeks:

[viejospellejos]

¿Destino Final?