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#cant understand how does glenns face work
blocknotick · 3 years
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Some sunny sketches in these trying times
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eloquent-vowel · 3 years
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I have had a few bucky x read fic ideas bouncing around in my head and i cant write! So here is one,
Sam find a person who stairs and doesnt talk a whole lot because they uses ✨telepathy ✨. So Sam think they would be a good fit for Bucky, but he doesn’t know they have that power he just thinks they are mute. Then there is a thing where the reader is telling Buck how it works and they if they have something to connect them together like an object *reader motions to dog tags* they can have an unbreakable mind link. Then they fall in love or something. This is dumb, thank you for coming to my TedTalk
Hey! Thank you so much for this request, it wasn't dumb at all. I really enjoyed writing this. I may have gotten a bit carried away, this may sit close to 4000 words but we vibe. I hope this is what you had in mind! Please enjoy! <3
Click here for my masterlist of other fics and check in my bio for requests if anyone wishes to ask!
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Bucky had been enjoying a moments peace, he loved working with Sam but sometimes all he wanted was to put his feet up, put on some vinyl and enjoy a good cup of coffee all while reading a brilliant book. He had been trying to get into Game of Thrones lately, on Sam’s insistence, and he had been enjoying it. With the crackles of Glenn Miller from the turntable he missed the clunky footsteps coming up the stairs.
The sight that greeted Sam needed to be photographed. Bucky was lounging back on his ‘old man armchair’ feet up, hair in a towel, in a bathrobe, coffee in hand and facemask on, this was definitely one for the family album.
At the sound of the phone shutter Bucky practically launched himself out of the chair.
“Oh, you are never gonna live this one down old boy, it’s going to haunt you.” Sam almost cackled evilly as he began to email the photo to himself- he had learnt the hard way that Bucky was very proficient at breaking phones.
“You better not upload that photo anywhere, Wilson, I have a reputation to uphold.”
“Pfft, reputation, that’s funny.”
Bucky scoffed as he stood up, placing his book carefully on the side table, “Big scary super soldier, people hardly run-in fear from a guy in a bathrobe.”
“I disagree, a man in a bathrobe is definitely something you should run from. AH NOPE!” Sam jumped backwards, on top of a nearby chair, as Bucky lunged for the phone, towel turban falling off in the process. “You are not breaking this phone as well.”
“Fine. But you gotta promise not to post that anywhere.” Bucky huffed.
“I won’t.”
“Good.”
“As long as- “
“Oh no, I’m not doing anything for you.”
“Think of it as payment for the last phone you broke and insurance for this picture.”
There was silence for a moment as the two friends eyed each other up. Sam raised his eyebrows, Bucky’s eyes narrowed. It was an intense staring match between a guy in a bathrobe and a precariously balanced man. A clock ticked.
“Fine.” Bucky conceded. “What do you want?”
“For you to come to a meeting.”
“The families of Veterans ones?”
“Yeah.” Sam slowly started climbing down from the chair. “And before you get your old man pants in a twist, I’m not trying to force you to talk or anything, kinda.”
“Kinda?” Suspicion laced through Bucky’s voice.
“You know sign language, right?”
“Which kind?”
“American? I think?”
“Yeah, I know ASL, might be a bit rusty but I’m sure it still holds up. Why do you ask?”
Sam shifted slightly on his feet, “There’s this person, they come in every week and listen. I tried to talk to them, but they communicate through sign language, and I don’t have anyone there to talk with them.” He cast his eyes to the floor, “I feel bad. They were brave enough to come to the group only to basically be ignored ‘because we didn’t plan well enough.”
Bucky smiled, face mask crinkling around his smile lines, “You could have just asked me to Sam. You didn’t have to blackmail me into this, of course I’ll help. When’s the next meeting?”
“This evening. You gonna be ready or do you need some more ‘me’ time.”
Bucky simply chuckled at Sam’s teasing tone, patted his shoulder making sure to squeeze just a bit too hard before retreating to his room.
“I’ll be there, Wilson, and I will look so much younger than you!”
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It was frustrating to you, going along to these meetings and not being able to communicate. You could always speak into someone’s mind but all that usually accomplished was a very paranoid person. But just listening to other’s stories really helped the grief from losing someone so close to you. You related to most of the people there and even though they didn’t understand you a lot of the time, you were always made to feel welcome- with friendly pats on the back and the odd tissue thrown your way.
You bustled into the familiar building with a new sense of excitement as Sam had promised to bring a translator for you this week. It was finally time to say your thanks to some of the people there and finally let the group know about your brother, so that it wasn’t only you that remembered him.
You all but ran through the hallways until you caught sight of a familiar smiling man. Sam was facing you, talking animatedly to another man, the strangers back was to you. He was tall, broad shouldered and dressed in a vintage looking leather jacket and rather well fitted trousers. Now the debate was: does the tailoring make the ass, or does the ass make the tailoring. You were halfway through the arguments on either side when Sam shouting your name disrupted the intense debating in your mind. You blushed at being caught, then blushed some more when you caught sight of the stranger’s face. Twinkling blue eyes under a deep-set brow should have made him intimidating, but he was smiling, and his face was dazzling. There was an immediate fluttering in your stomach.
“Hey, I’m Bucky.” Dear lord even his voice was nice, what made you smile even more was the fact that he signed as he spoke. Well, Sam certainly knew how to pick them well. “Sam introduced me; said you wanted an interpreter.”
You nodded as you signed back, “Nice to meet you, thank you for helping out.”
“No problem, Sam has told me a bit about you.”
“Good things I hope.”
“Okay I recognise my own name, you two better not be conspiring against me.” Sam piped up, to be honest you had forgotten about him for a moment.
Bucky laughed, and it sent a little thrill down you, he really was adorable.
“No worries, Wilson, just letting them know all your dirty little secrets.”
“Right, you two get in there, before you make me sleep with one eye open.”
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You and Bucky caught each other’s eye, his eyes were twinkling with mischief, and you couldn’t help the smile that overtook you. You had a feeling that the two of you would get on just fine.
The meeting passed easily. Bucky translated your signs and you finally felt like you could actually take part in these meetings. Everyone listened intently when you spoke of your brother and when you had thanked the whole group for being so open to you a couple of people shed a tear. By the end of the meeting though you were tired and very accepting of Bucky’s offer to walk you home.
It was a lot of side glances and hidden smiles and you walked side by side. Drawn to each other under the moonlit sky, it was nice to just be in the presence of someone who had such a kind aura. You spent the walk trying to work up the confidence to sign something, anything but nothing came to mind and Bucky seemed quite content to just walk in comfortable silence.
You soon reached your home, you turned to Bucky with a smile on your face and signed,
“Thanks for today, Bucky. You were really helpful.”
“No problem.” He signed back,
You hesitated slightly before signing, “Would you be happy to have a coffee with me, tomorrow?”
Bucky went a little red in the face, and chuckled, “I would love to, I know a nice place, real cosy. I’ll text you the details.”
“You know how to text?”
“Hey! I get enough stick from Sam, don’t need you getting on my case too. I’ll have you know that I am very adaptable.”
“Sure, Sure.” You smiled at his flustered tone. “I’ll wait for your text then, have a good evening.”
“You too.”
The two of you stared slightly awkwardly at each other, neither wanting to be the first to turn around. You shuffled your feet away slowing, smiling awkwardly once more at Bucky before turning. You heard his footsteps start to fade away as you walked towards your home. You were but three steps to the door when a large figure in a hoodie slammed into you, you raised your arms instinctively to block them when you noticed your shoulder was lighter. The bastard had stolen your bag.
You immediately took chase, chasing around the corner you just walked down but they were fast, faster then you at least. As you rounded the corner you caught sight of Bucky walking ahead. The thief wouldn’t stand a change against him. Without a second thought you cast your thoughts towards Bucky,
“Bucky! Thief! My Bag! Behind you!”
You saw Bucky flinch slightly then turn bewildered, his eyes widening when he saw you hurting towards him, chasing the hooded figure. He caught on and launched after the thief as well, with barely any effort he knocked the thief to the ground, grabbed your bag and whipped out his phone to call the cops.
Well, that was hot.
You took your bag back, immediately checking that you brother’s lucky coin was in the zippy pocket, to your relief it was still there. You looked up to see Bucky staring at you with a very puzzled look on his face. You sighed before casting your thoughts to his head once more,
“I’ll explain later.”
Bucky let out a strange, decompressed noise of shock, it made you giggle. The two of you waited in silence until the police came and took the thief away. The police car had barely driven away when he turned to you.
“Did you just, talk in my head? Or did my conscious just suddenly get really loud.”
“I did. Hi. Sorry about that.”
He waved his hands dismissively. “Believe it or not, not the weirdest thing I’ve encountered.”
“Well, that’s reassuring.”
There was an awkward silence.
“So,” You started, resorting back to sign language, it felt less invasive, “Still down for coffee?”
Bucky smiled, “One hundred percent. I’ll see you tomorrow?”
“Yeah. Bye Bucky. Thanks for getting my bag back.”
“No problem, see ya.”
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The coffee shop that Bucky invited you to, was tucked away, it was the kind of place that you would stumble over on accident. With a simple door and a big window out the front, that lead soft orange light filter out onto the alley. There was the faint sound of jazz leaking out of the building, you smirked. It was such an old fashioned place, of course this was where Bucky frequented.
The bell tinkled slightly as you entered the café, where you were greeted with the smell of fresh coffee and baked goods. You caught sight of Bucky’s broad shoulders sitting in the corner, and you made your way over to him, smiling at the barista as you passed.
As if sensing you, Bucky turned to smile and wave. He was dressed in casual clothes like last time, but this time his hair was loose around his shoulders. You smiled back before settling into the seat opposite him.
His hands moved hesitantly as he signed, “What would you like? I can recommend their hot chocolate, its very warming/”
“Hot chocolate it is.”
You could tell he wanted to ask you a million questions but to his credit he walked slowly to get the drinks, he even took his time carefully carrying the tray of drinks back to your table. He placed a delicious looking hot chocolate in front of you. You watched as he took a sip.
5, 4, 3, 2, 1-
“So,” Here we go, “What is it you can do, you can speak in peoples’ heads, can you,” He lowered his voice and leaned in, “Can you read people’s minds?”
You giggled slightly, his eyes were basically sparkling, he was definitely nerding out about this.
You set the hot chocolate down before casting your thoughts to his head, “I can speak in peoples heads relatively easily, it’s how I talk most of the time to people I know. I guess you could call it Telepathy.”
Bucky’s eyes were as wide as saucers, “So you can’t read thoughts, only… speak them?”
“I like to call it casting, makes me feel like a sorcerer. I can read thoughts, but it takes a lot of energy. I used to be able to talk with my brother from across the house. That usually requires some kind of connection.”
“Oh, so like a blood or family connection? Do you have to know the person very well?”
“That certainly helps but it’s not always necessary. If I have a personal object that belongs to that person, something I can hold and connect to them it isn’t hard to make a two-way connection. Especially if that person is willing to open their mind.”
Bucky seemed to be caught in thought for a second. “So, if I were to give you something of mine, we could both talk in our… heads?”
“Well yes, but Bucky we have only just met. Letting me into your head is a lot. I try not to pry but sometimes I’ve found that thoughts just burst through. Let’s get to know each other a before that happens.”
Bucky smiled at you before speaking and signing, “You’re right. Let’s get to know one another. I find you fascinating.”
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It happened on the fifth date. Bucky was just walking you home after a lovely dinner at a small Italian that he claimed he went to back in the 40s. Just outside your door, under the glow of a lamppost he turned to you and took a deep breath before speaking.
“I know this may be a lot, but I wanted to give you these.” He reached around his neck and pulled off something silver. You gasped slightly as he held out his dog tags, immaculately preserved after all these years.
“Are you sure, Bucky? This is a lot.”
“I know and if you aren’t comfortable with it then just let me know but I want to give them to you.”
“You know what this means Bucky?”
“Yeah, I know, I just figured that you’re already in my head all the time anyways, just can’t seem to get you out of it.”
“You cheeseball.” You smirked at him before taking the dog tags and placing them around your neck. You gripped the cold metal for a moment, concentrating on the man in front of you. Taking everything, you knew about him and stretching out a connection, like a hand reaching out to clasp another.
“Testing, Testing, Testing, one two, one two, can my Telepathic partner hear me?”
You laughed, “Yes I can Bucky, you big dork.”
Bucky whooped out loud before sweeping you up in a big hug. The two of you laughing under the lamp light. His joy was infectious, and you couldn’t fight the smile off your face.
“Oh, we are going to have so much fun messing with Sam.”
“You’re evil.”
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Of course, the two of you made a pact not to tell Sam until he worked it out, which wouldn’t be anytime soon according to Bucky. It led to some very memorable moments and Sam refusing to play any form of card or board game with either of you because you always managed to win, somehow. Not to mention all the times you had spoken in eery unison around him.
“I swear, its like you two can read each other’s minds sometimes.” Sam threw his hands up in frustration at another lost game of charades.
You smirked at Bucky across the room, “Should you tell him, or shall I?”
“I think he’s been through enough, I got it.”
Bucky cleared his throat, “We can.”
Sam whipped around to face Bucky, a look of sheer disbelief on his face, “Seriously Bucky-boy, if you think I believe that after all-
“Hello Sam.” You cast your thoughts to him, in the creepiest old lady voice you could muster.
Sam yelped, before turning accusingly at you, “You better be joking around with me right now, I am not dealing with any kind of ghosts in this house.”
“Sorry! Surprise I’m telepathic!”
“You’re serious.”
You nodded.
Sam put his head in his hands and sighed, “Not the weirdest thing ever. Wait, does this mean you have been cheating this entire time.”
You both looked guiltily at one another.
“You owe me. That poker night, void.”
You both laughed, “We’ll have a fair rematch this time Sam.”
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It had been close to a year since you had made it official with Bucky and you were now much more comfortable around one another. He no longer just dropped you off at the lamppost but cam inside with you. You had spent many lovely mornings together sharing glances over steaming cups of coffee. Fighting each other for who got to spread their legs out on the couch, there wasn’t really a loser though as it usually ended up in sofa cuddles for both of you, while watching a film.
Life was pretty great, you thought, as you smiled down at the sleeping Bucky beside you. Finally reaching over to turn off the lamp and put your book down, you were finally reading the hobbit at Bucky’s insistence. As you clicked off the light beside you and settled down you noticed the faster than usual breathing coming from beside you.
“Bucky?”
You reached out, thinking he was awake but instead as you opened up your connection you caught flashes of night terrors. You were falling indefinitely, snow all around you, and in the distance, there were cries of pain, people pleading for their lives, there was gunfire and explosions. You gasped and took off the dog tags. You only gave yourself a moment to breathe before trying to shake Bucky awake. When it became clear that he wasn’t stirring you steadied yourself and settled your hands on his temples. You didn’t care you tired this would make you, you just wanted Bucky to stop suffering. You focused, offering out that hand of connection again, this time picturing it in the shape of a fist and, although it wasn’t subtle, you tried to shake Bucky’s brain awake. You forced your way into his dreams, punching through the dark fog that clouded his thoughts and almost screamed at him.
“Bucky! Bucky wake up! You’re dreaming my dear!”
Bucky woke up with a start. Tears flowing down his face, he stared at you blue eyes shining. No one spoke as he pulled you into his arms. You just breathed together for a moment, counting the breaths and the spaces in between. When he finally pulled back, you saw his eyes flicker with concern before lifting a hand to gently wipe under your nose, it came back red with blood.
“You, okay?”
You smiled sadly, reaching out to put the dog tags back on.
“I should be asking you that.”
“But you’re bleeding.”
“Occupational hazard.” You tried to subtly get rid of any of the extra blood. “That was pretty intense. Wanna talk?”
Bucky looked down to the sheets and shook his head. You smiled at him, tilting his head to yours.
“That’s fine, want me to go? Or would you like to cuddle for a bit?”
Bucky didn’t talk again, just pulled you gently down to the bed once more. Snuggling himself under your chin, resting his head on your chest. You felt his arms draw tightly against your waist. You pressed your lips into his hair.
“May I help you go to sleep? Keep the bad thoughts at bay for at least one night.”
You felt Bucky nod and let out a little sleepy hum of agreement. You closed your eyes, focused on your connection setting up a golden wall against the dark fog at the corners of his mind and settled into a deep sleep.
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You woke to the smell of fresh coffee and the clinking of cups.
“Morning.” You opened your eyes at Bucky’s voice and took the offered cup greedily. Your mind still felt hazy from the energy you used last night.
You felt the bed dip beside you as Bucky sat and sipped at his cup as well, hair a bit of a mess from bed. He had evidently only just woken up as well.
He took a breath, “I had some pretty interesting dreams, sweetheart.”
You stiffened, “Good ones I hope.”
“Don’t worry, they were good. If a little strange.”
“Strange?”
“I was watching myself most of the time.”
You snorted into the coffee, “Sounds creepy”
There was a slight chuckle, “Nah, I was watching myself build a home, a family- “
“Oh God Bucky.” You snapped your eyes to his, you knew what had happened. “I am so sorry my dreams must have stuck in your head.”
“Those were your dreams?”
“Yeah, its only happened once before but when the connection between two people is very strong, it can happen- I call it bleeding. Perhaps we should- “
“If the next words out of your mouth are take a break, I will spill your coffee.” You clutched your cup closer to your chest, “Truthfully, those were some of the beset dreams I have every had. I really loved them.”
You looked back up at him, hesitantly “You did?”
“And I love you.”
“Huh
There was silence as you stared at him in shock. His face as nothing but adoration as the sunlight filtered over his face.
“I love you, sweetheart.”
“I love you too.”
Coffee cups were cast aside as you both collided. Giggling and joking, radiating happiness as the two of you shared the sweetest kiss. Your feelings merging together, amplifying one another until they shone brighter than the sun.
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jimdsmith34 · 7 years
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WIRED Binge-Watching Guide: Fargo
The transition from big-screen to small-screen isnt an easy one to navigate. For decades, television networks have attempted to cash in on the name-recognition of hit movies to create a “sure thing” television series. Few have been successful. For every M*A*S*H or Buffy the Vampire Slayer, there are far more Ferris Buellers Day Offs, Gung Hos, or Casablancas. Fargo is an exception to the rule.
Created by Noah Hawley, who is executive producing FX’s X-Men series Legion, the anthology show is the ultimate tribute to Joel and Ethan Coen’s unique style of storytelling in that it contains dozens of nods and references that Coen aficionados will instantly recognize, yet easily stands on its own as a one-of-a-kind accomplishment. Like much of the Coens’ work, including Fargo itself, the series is best described as a black comedy, but its also got elements of horror, drama, and sci-fimaking it a space where anything can happen.
Populated by the same oddly accented, seemingly-good-but-perhaps-slightly-simple kind of characters that made the movie Fargo so memorable, and quotable, both seasons of the TV show have focused on what happens when an everyday person accidentally stumbles on a crime. In Season 1, that everyday person is pretty much anyone who walks into the path of Lorne MalvoBilly Bob Thorntons pitch-perfect sociopath who might be fun to have a beer with. In Season 2, its a young coupleEd and Peggy Blumquist, played by Jesse Plemons and Kirsten Dunstwho get embroiled in a crime war when they try to cover up what any normal person would consider an accident.
Because the show is so densely packed with nuance, storylines, and characters (not to mention a dream list of actors, including Martin Freeman, Allison Tolman, Colin Hanks, Bob Odenkirk, Oliver Platt, Adam Goldberg, Glenn Howerton, Keegan-Michael Key, Jordan Peele, Stephen Root, Jean Smart, Ted Danson, Bokeem Woodbine, Brad Garrett, Nick Offerman, Kieran Culkin, and Bruce Campbell as Ronald Reagan), its hard to give much detail without giving too much away. It’s better you watch for yourself, particularly before Season 3which features Mary Elizabeth Winstead, Carrie Coon, David Thewlis, Michael Stulhbarg, Jim Gaffigan, and Ewan McGregor playing two charactersdrops in the spring. Heres how to binge-watch Fargo. (Go Bears!)
Fargo
Number of Seasons: 2 (20 episodes)
Time Requirements: While dedicated binge-watchers could easily complete both seasons in a single weekend, Fargo is the kind of show that deserves a digestion period. Its so nuanced and layered that it can sometimes take a minute to connect the dots of the storyand because of that, watching just one to two episodes per night is ideal. Stick to a single hour, and youll be done in less than three weeks. Opt for two episodes per night, and 10 days will have you caught up and ready for Season 3.
Where to Get Your Fix: Hulu (Season 1), Amazon, iTunes
Best Character to Follow: Because it’s an anthology series, theres little character crossover from Season 1 to Season 2. As such, were going to cheat a little here and give you two charactersone for each season. Though Deputy Molly Solverson (Tolman) does Frances McDormand’s Marge Gunderson proud as an eagle-eyed detective, its sociopath Lorne Malvo (Thornton) in Season 1 that makes the story tick. Hes very much a nod to No Country for Old Men’s Anton Chigurh, in that youre never quite sure what his motivation isif theres any motivation at all. Hes brilliant and calculating, but can change personas in a flash and, even when hes acting psychotic, theres something oddly charming about him. It’s the kind of role that’s exactly in Thornton’s wheelhouse, and made more interesting because he embodies it.
When it comes to actors of a certain age, few can play the good guy as believably as Patrick Wilson, which allows his character, Lou Solverson, to bring a bit of calm into what is an out-of-control power struggleboth between two criminal enterprises and two competing law enforcement departments. But whereas Solversons character stays true to what we first see him to be, its Kirsten Dunsts Peggy Blumquist that gets to have all the fun (well, from an acting standpoint) in second season. Shes a young wife who is tired of living in the pastthough she doesn’t seem to live too much in reality, either. Still, flightiness and all, its hard to not to be charmed by her transformation from stuck-in-a-rut townie to self-actualized badass. Even though she makes all the wrong moves, shes still always able to see the positive. Both Dunst and Wilson received Golden Globe nominations for their rolesas did Thornton, Tolman, Freeman, and Hanks in Season 1and all for good reason.
Seasons/Episodes You Can Skip: For shows with smaller episode counts, we often advise against skipping any… before pointing out the weakest one or two episodes. Fargo is that rare series that truly does not waver in its quality. Plus, each episode is packed with information and forward movement in terms of the narrative, so it also requires your full attention. Sure, there are a few episodes that we can (and, in just a second, will) point to as standouts, but there’s not a single episode you should skip.
Seasons/Episodes You Cant Skip: If you want to start with just a single season of Fargo, you can really start with either one and not be lost. (Though its good to start from the beginning.) Because its an anthology, each season is a self-contained unitthough the stories are connected. In fact, it’s one of the few series that makes going back and watching the whole thing a second time a great ideabecause youll pick up on references in both seasons that you hadnt noticed the first time around. Which is a long way of saying: Dont skip a single episodeespecially these…
Season 1: Episode 1, “The Crocodiles Dilemma” You simply cannot watch (or understand) the first season of Fargo without watching its first episode. It starts out very similarly to the moviecomplete with a (fake) disclaimer that the events depicted within the show are all truewith a long stretch of snowy highway and a death. It introduces us to the main antagonist, Lorne Malvo (Thornton), plus bored insurance salesman Lester Nygaard (Freeman), anxious police Deputy Molly Solverson (Tolman), who is trying to figure out why a man wearing only boxers would be frozen to death in the middle of a field, and single dad/cop Gus Grimley (Hanks), whose frightening encounter with Malvo sets the story in motion.
Season 1: Episode 4, “Eating the Blame” A flashback gives us some insight into how Stavros Milos (Oliver Platt)who Malvo is protecting from being blackmailed but blackmailing at the same timebecame the Super Market king of Minnesota. Grimley, struggling with the fact that he made a huge mistake by letting Malvo go when they first met, comes face-to-face with him a second time and isnt about to make the same mistake again. At the same time, Malvo uses his one call from jail to continue his campaign against Milos, and has roped Don Chumph (Glenn Howerton), a personal trainer and wannabe blackmailer, into helping him.
Season 1: Episode 6, “Buridans Ass” Recent widower Lester Nygaard, who Solverson suspects of killing his wife, slips out of the hospital to point the finger in another direction, while Malvo continues to torment Milosgetting Chumph to do the dirty work, then finding a way to cut him out of the plan. Solverson and Grimley join forces to try to get to the bottom of whats going on, but find themselves lost in the midst of a white-out with near-fatal consequences.
Season 1: Episode 9, “A Fox, a Rabbit, and a Cabbage” Its not a year later and much has changed for the main characters, but Solverson still isnt satisfied as neither Nygaard nor Malvo is behind bars. A chance encounter leads Pepper (Key) and Budge (Peele)whose reputations have been sullied and now have a lot to proveto Solverson, who shares her theory of what happened the previous year and gains their trust and support. Meanwhile, Nygaard runs into Malvo in the most unexpected of places and, feeling emboldened by a new life, decides to grow a backbone. Bad move.
Season 2: Episode 1, “Waiting for Dutch” Season 2 takes us back to 1979 with what seems like an entirely new cast of characters, until we meet State Trooper Lou Solverson (Patrick Wilson), the father of Molly, who is a crossover character from Season 1 (where he owns a diner and is played by Keith Carradine). Here, he finds himself in the middle of a war between two crime syndicatesFargos Gerhardt family and a group of badasses (Woodbine and Garrett) from Kansas City. As in the first season, an everyday couplebutcher Ed (Plemons) and hair stylist Peggy Blumquist (Dunst)find themselves in the middle of this war when Peggy accidentally hits the youngest Gerhardt with her car and, rather than call the police, tries to hide the evidence.
Season 2: Episode 6, “Rhinoceros” The Blumquists many bad decisions have come back to haunt them, as Ed has a price put on his head and is nearly killed when his butcher shop burns down. But Peggy, who Sherriff Hank Larsson (Danson) suspects is “a little bit touched,” sees this tragedy as a chance to self-actualize and start a new life. Reality sets in when Ed is arrested, and a couple of Gerhardts show up at her house. Karl Weathers (Offerman), the towns only lawyer, arrives at the police station (barely standing) to help Ed out, but it turns into a standoff with the Gerhardts demanding the return of their man, and that Ed be sacrificed.
Season 2: Episode 8, “Loplop” Having captured the leader of the Gerhardt gang, Peggy seems to be adjustingand even enjoyinglife on the run, with a hostage in tow. But, much to Eds dismay, the Gerhardts dont seem all that concerned with getting their man back, so he makes a call to the Kansas City guys to see what he can do. At the same time, the police are on their trail.
Season 2: Episode 10, “Palindrome” One wouldnt necessarily say that either season of Fargo ends on a “happy” note, but after much bloodshedand at least one UFO sightingthe war between the two crime factions seems to have come to an end. And Solverson can come home to his wife, Betsy (Cristin Milioti, who is wonderful) and daughter Molly (here played by Raven Stewart) and contemplate the future. The one that, if you watched Season 1, you already know.
Why You Should Binge: With so many popular series currently in their tenth or more season (see: The Simpsons, Greys Anatomy, The Big Bang Theory), its nice to be reminded that economy can be a good thing. The TV-watching world is catching on to that, as anthology series like American Horror Story have been gaining in popularity. Bottom line: Why spend 266 hours watching all of Criminal Minds when you can watch one of televisions very best crime series in less than a week?
Best Scene”Pepper and Budge on the Scene”:
Given the huge cast of characters, plus the various storylines in each season, choosing a “best” scene is damn near impossible. Lorne Malvo transforming into Pastor Frank Peterson when he’s being questioned by the police is what makes Thornton a one-of-a-kind performer. But one of the things that makes Fargo different is the truly innovativeand cinematicapproach it brings to television. Yes, weve heard this “cinematic” argument for many other shows, many of them deserving of what might be the highest compliment. But Fargo takes it to the next level; its regular use of split screen gives the viewer a birds-eye-view on everything thats happening (one camera might show whats happening in the front of a house, while another shows the back) and also provides a visual metaphor for what’s happening in the story (a split in the screen might indicate a fracture in a relationship).
In one of Season 1s most breathtaking moments, what could have been a gore-filled scene instead took a more subtle turn where the violence is heard and fully understood, yet not seen, giving the viewers imagination a workout. Its bookended by the comedic influence of Key and Peeles FBI agents Pepper and Budge, who always seem to get distracted at the very moment their jobs require undivided attention.
The Takeaway:
Albert Camus was fond of pointing out the absurdity of life, and famously that, “Basically, at the very bottom of life, which seduces us all, there is only absurdity, and more absurdity. And maybe that’s what gives us our joy for living, because the only thing that can defeat absurdity is lucidity.” No, thats not a lazy way of ripping off another writer in an attempt to summarize the seriesbut it could very easily serve as the show’s tagline. In fact, Camus even gets a couple of direct shout-outs in Fargo, including a second season episode titled “The Myth of Sisyphus.” Anyone familiar with that 1942 essay knows that its essentially a metaphor for the futility of life and the lack of control we truly have over what happens to ourselves and the people around us. And that the only way to combat the seeming pointlessness of it all is to embrace whatever challenges come our way and accept them as the path thats been laid out for us.
In the land of Fargo, strange things happen. Bad things happen. Tragedy strikes. There are deaths, and there are births (though the former far outweighs the latter). There are moments of sadness, and laugh-inducing incidents. And through it all, the series enormous cast of characters weather the challenges and persevere (well, the ones who live to tell the story at least), as they move forward and prepare for whatever life has in store for them next. Stated more simply: Thats life.
If You Like Fargo, Youll Love: If you haven’t seen the 1996 Coen brothers’ movie upon which the series is based, that’s your first mistake: Fargo the series perfectly captures the darkly comedic tone of Fargo the movie, which was nominated for seven Oscars (including Best Picture) and won two (for Best Actress and Best Original Screenplay). Its about a sad-sack car salesman who hires some guys to kidnap his wife in order to get some money from his father-in-lawand its small-screen sendup is full of subtle nods and references. (Jos Feliciano, anyone?)
On the small screen, its really not hyperbolic to say that Fargo has sort of created its own genre. Which isnt to say that it doesnt share elements with some other series: Like Breaking Bad, its a look at what happens when seemingly “good” people suddenly find themselves on the other side of the law; the two shows also share a very precise type of pacing where the story unfolds in a way that keeps you guessingand watching. So it stands to reason that it shares a lot of the same characteristics (plus one Bob Odenkirk) with Better Call Saul, too.
For sheer strangeness and creating a world in which anything can happen, Twin Peaks is yet another kindred television spirit.
source http://allofbeer.com/2017/08/07/wired-binge-watching-guide-fargo/ from All of Beer http://allofbeer.blogspot.com/2017/08/wired-binge-watching-guide-fargo.html
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adambstingus · 7 years
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WIRED Binge-Watching Guide: Fargo
The transition from big-screen to small-screen isnt an easy one to navigate. For decades, television networks have attempted to cash in on the name-recognition of hit movies to create a “sure thing” television series. Few have been successful. For every M*A*S*H or Buffy the Vampire Slayer, there are far more Ferris Buellers Day Offs, Gung Hos, or Casablancas. Fargo is an exception to the rule.
Created by Noah Hawley, who is executive producing FX’s X-Men series Legion, the anthology show is the ultimate tribute to Joel and Ethan Coen’s unique style of storytelling in that it contains dozens of nods and references that Coen aficionados will instantly recognize, yet easily stands on its own as a one-of-a-kind accomplishment. Like much of the Coens’ work, including Fargo itself, the series is best described as a black comedy, but its also got elements of horror, drama, and sci-fimaking it a space where anything can happen.
Populated by the same oddly accented, seemingly-good-but-perhaps-slightly-simple kind of characters that made the movie Fargo so memorable, and quotable, both seasons of the TV show have focused on what happens when an everyday person accidentally stumbles on a crime. In Season 1, that everyday person is pretty much anyone who walks into the path of Lorne MalvoBilly Bob Thorntons pitch-perfect sociopath who might be fun to have a beer with. In Season 2, its a young coupleEd and Peggy Blumquist, played by Jesse Plemons and Kirsten Dunstwho get embroiled in a crime war when they try to cover up what any normal person would consider an accident.
Because the show is so densely packed with nuance, storylines, and characters (not to mention a dream list of actors, including Martin Freeman, Allison Tolman, Colin Hanks, Bob Odenkirk, Oliver Platt, Adam Goldberg, Glenn Howerton, Keegan-Michael Key, Jordan Peele, Stephen Root, Jean Smart, Ted Danson, Bokeem Woodbine, Brad Garrett, Nick Offerman, Kieran Culkin, and Bruce Campbell as Ronald Reagan), its hard to give much detail without giving too much away. It’s better you watch for yourself, particularly before Season 3which features Mary Elizabeth Winstead, Carrie Coon, David Thewlis, Michael Stulhbarg, Jim Gaffigan, and Ewan McGregor playing two charactersdrops in the spring. Heres how to binge-watch Fargo. (Go Bears!)
Fargo
Number of Seasons: 2 (20 episodes)
Time Requirements: While dedicated binge-watchers could easily complete both seasons in a single weekend, Fargo is the kind of show that deserves a digestion period. Its so nuanced and layered that it can sometimes take a minute to connect the dots of the storyand because of that, watching just one to two episodes per night is ideal. Stick to a single hour, and youll be done in less than three weeks. Opt for two episodes per night, and 10 days will have you caught up and ready for Season 3.
Where to Get Your Fix: Hulu (Season 1), Amazon, iTunes
Best Character to Follow: Because it’s an anthology series, theres little character crossover from Season 1 to Season 2. As such, were going to cheat a little here and give you two charactersone for each season. Though Deputy Molly Solverson (Tolman) does Frances McDormand’s Marge Gunderson proud as an eagle-eyed detective, its sociopath Lorne Malvo (Thornton) in Season 1 that makes the story tick. Hes very much a nod to No Country for Old Men’s Anton Chigurh, in that youre never quite sure what his motivation isif theres any motivation at all. Hes brilliant and calculating, but can change personas in a flash and, even when hes acting psychotic, theres something oddly charming about him. It’s the kind of role that’s exactly in Thornton’s wheelhouse, and made more interesting because he embodies it.
When it comes to actors of a certain age, few can play the good guy as believably as Patrick Wilson, which allows his character, Lou Solverson, to bring a bit of calm into what is an out-of-control power struggleboth between two criminal enterprises and two competing law enforcement departments. But whereas Solversons character stays true to what we first see him to be, its Kirsten Dunsts Peggy Blumquist that gets to have all the fun (well, from an acting standpoint) in second season. Shes a young wife who is tired of living in the pastthough she doesn’t seem to live too much in reality, either. Still, flightiness and all, its hard to not to be charmed by her transformation from stuck-in-a-rut townie to self-actualized badass. Even though she makes all the wrong moves, shes still always able to see the positive. Both Dunst and Wilson received Golden Globe nominations for their rolesas did Thornton, Tolman, Freeman, and Hanks in Season 1and all for good reason.
Seasons/Episodes You Can Skip: For shows with smaller episode counts, we often advise against skipping any… before pointing out the weakest one or two episodes. Fargo is that rare series that truly does not waver in its quality. Plus, each episode is packed with information and forward movement in terms of the narrative, so it also requires your full attention. Sure, there are a few episodes that we can (and, in just a second, will) point to as standouts, but there’s not a single episode you should skip.
Seasons/Episodes You Cant Skip: If you want to start with just a single season of Fargo, you can really start with either one and not be lost. (Though its good to start from the beginning.) Because its an anthology, each season is a self-contained unitthough the stories are connected. In fact, it’s one of the few series that makes going back and watching the whole thing a second time a great ideabecause youll pick up on references in both seasons that you hadnt noticed the first time around. Which is a long way of saying: Dont skip a single episodeespecially these…
Season 1: Episode 1, “The Crocodiles Dilemma” You simply cannot watch (or understand) the first season of Fargo without watching its first episode. It starts out very similarly to the moviecomplete with a (fake) disclaimer that the events depicted within the show are all truewith a long stretch of snowy highway and a death. It introduces us to the main antagonist, Lorne Malvo (Thornton), plus bored insurance salesman Lester Nygaard (Freeman), anxious police Deputy Molly Solverson (Tolman), who is trying to figure out why a man wearing only boxers would be frozen to death in the middle of a field, and single dad/cop Gus Grimley (Hanks), whose frightening encounter with Malvo sets the story in motion.
Season 1: Episode 4, “Eating the Blame” A flashback gives us some insight into how Stavros Milos (Oliver Platt)who Malvo is protecting from being blackmailed but blackmailing at the same timebecame the Super Market king of Minnesota. Grimley, struggling with the fact that he made a huge mistake by letting Malvo go when they first met, comes face-to-face with him a second time and isnt about to make the same mistake again. At the same time, Malvo uses his one call from jail to continue his campaign against Milos, and has roped Don Chumph (Glenn Howerton), a personal trainer and wannabe blackmailer, into helping him.
Season 1: Episode 6, “Buridans Ass” Recent widower Lester Nygaard, who Solverson suspects of killing his wife, slips out of the hospital to point the finger in another direction, while Malvo continues to torment Milosgetting Chumph to do the dirty work, then finding a way to cut him out of the plan. Solverson and Grimley join forces to try to get to the bottom of whats going on, but find themselves lost in the midst of a white-out with near-fatal consequences.
Season 1: Episode 9, “A Fox, a Rabbit, and a Cabbage” Its not a year later and much has changed for the main characters, but Solverson still isnt satisfied as neither Nygaard nor Malvo is behind bars. A chance encounter leads Pepper (Key) and Budge (Peele)whose reputations have been sullied and now have a lot to proveto Solverson, who shares her theory of what happened the previous year and gains their trust and support. Meanwhile, Nygaard runs into Malvo in the most unexpected of places and, feeling emboldened by a new life, decides to grow a backbone. Bad move.
Season 2: Episode 1, “Waiting for Dutch” Season 2 takes us back to 1979 with what seems like an entirely new cast of characters, until we meet State Trooper Lou Solverson (Patrick Wilson), the father of Molly, who is a crossover character from Season 1 (where he owns a diner and is played by Keith Carradine). Here, he finds himself in the middle of a war between two crime syndicatesFargos Gerhardt family and a group of badasses (Woodbine and Garrett) from Kansas City. As in the first season, an everyday couplebutcher Ed (Plemons) and hair stylist Peggy Blumquist (Dunst)find themselves in the middle of this war when Peggy accidentally hits the youngest Gerhardt with her car and, rather than call the police, tries to hide the evidence.
Season 2: Episode 6, “Rhinoceros” The Blumquists many bad decisions have come back to haunt them, as Ed has a price put on his head and is nearly killed when his butcher shop burns down. But Peggy, who Sherriff Hank Larsson (Danson) suspects is “a little bit touched,” sees this tragedy as a chance to self-actualize and start a new life. Reality sets in when Ed is arrested, and a couple of Gerhardts show up at her house. Karl Weathers (Offerman), the towns only lawyer, arrives at the police station (barely standing) to help Ed out, but it turns into a standoff with the Gerhardts demanding the return of their man, and that Ed be sacrificed.
Season 2: Episode 8, “Loplop” Having captured the leader of the Gerhardt gang, Peggy seems to be adjustingand even enjoyinglife on the run, with a hostage in tow. But, much to Eds dismay, the Gerhardts dont seem all that concerned with getting their man back, so he makes a call to the Kansas City guys to see what he can do. At the same time, the police are on their trail.
Season 2: Episode 10, “Palindrome” One wouldnt necessarily say that either season of Fargo ends on a “happy” note, but after much bloodshedand at least one UFO sightingthe war between the two crime factions seems to have come to an end. And Solverson can come home to his wife, Betsy (Cristin Milioti, who is wonderful) and daughter Molly (here played by Raven Stewart) and contemplate the future. The one that, if you watched Season 1, you already know.
Why You Should Binge: With so many popular series currently in their tenth or more season (see: The Simpsons, Greys Anatomy, The Big Bang Theory), its nice to be reminded that economy can be a good thing. The TV-watching world is catching on to that, as anthology series like American Horror Story have been gaining in popularity. Bottom line: Why spend 266 hours watching all of Criminal Minds when you can watch one of televisions very best crime series in less than a week?
Best Scene”Pepper and Budge on the Scene”:
Given the huge cast of characters, plus the various storylines in each season, choosing a “best” scene is damn near impossible. Lorne Malvo transforming into Pastor Frank Peterson when he’s being questioned by the police is what makes Thornton a one-of-a-kind performer. But one of the things that makes Fargo different is the truly innovativeand cinematicapproach it brings to television. Yes, weve heard this “cinematic” argument for many other shows, many of them deserving of what might be the highest compliment. But Fargo takes it to the next level; its regular use of split screen gives the viewer a birds-eye-view on everything thats happening (one camera might show whats happening in the front of a house, while another shows the back) and also provides a visual metaphor for what’s happening in the story (a split in the screen might indicate a fracture in a relationship).
In one of Season 1s most breathtaking moments, what could have been a gore-filled scene instead took a more subtle turn where the violence is heard and fully understood, yet not seen, giving the viewers imagination a workout. Its bookended by the comedic influence of Key and Peeles FBI agents Pepper and Budge, who always seem to get distracted at the very moment their jobs require undivided attention.
The Takeaway:
Albert Camus was fond of pointing out the absurdity of life, and famously that, “Basically, at the very bottom of life, which seduces us all, there is only absurdity, and more absurdity. And maybe that’s what gives us our joy for living, because the only thing that can defeat absurdity is lucidity.” No, thats not a lazy way of ripping off another writer in an attempt to summarize the seriesbut it could very easily serve as the show’s tagline. In fact, Camus even gets a couple of direct shout-outs in Fargo, including a second season episode titled “The Myth of Sisyphus.” Anyone familiar with that 1942 essay knows that its essentially a metaphor for the futility of life and the lack of control we truly have over what happens to ourselves and the people around us. And that the only way to combat the seeming pointlessness of it all is to embrace whatever challenges come our way and accept them as the path thats been laid out for us.
In the land of Fargo, strange things happen. Bad things happen. Tragedy strikes. There are deaths, and there are births (though the former far outweighs the latter). There are moments of sadness, and laugh-inducing incidents. And through it all, the series enormous cast of characters weather the challenges and persevere (well, the ones who live to tell the story at least), as they move forward and prepare for whatever life has in store for them next. Stated more simply: Thats life.
If You Like Fargo, Youll Love: If you haven’t seen the 1996 Coen brothers’ movie upon which the series is based, that’s your first mistake: Fargo the series perfectly captures the darkly comedic tone of Fargo the movie, which was nominated for seven Oscars (including Best Picture) and won two (for Best Actress and Best Original Screenplay). Its about a sad-sack car salesman who hires some guys to kidnap his wife in order to get some money from his father-in-lawand its small-screen sendup is full of subtle nods and references. (Jos Feliciano, anyone?)
On the small screen, its really not hyperbolic to say that Fargo has sort of created its own genre. Which isnt to say that it doesnt share elements with some other series: Like Breaking Bad, its a look at what happens when seemingly “good” people suddenly find themselves on the other side of the law; the two shows also share a very precise type of pacing where the story unfolds in a way that keeps you guessingand watching. So it stands to reason that it shares a lot of the same characteristics (plus one Bob Odenkirk) with Better Call Saul, too.
For sheer strangeness and creating a world in which anything can happen, Twin Peaks is yet another kindred television spirit.
from All Of Beer http://allofbeer.com/2017/08/07/wired-binge-watching-guide-fargo/ from All of Beer https://allofbeercom.tumblr.com/post/163896384312
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samanthasroberts · 7 years
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WIRED Binge-Watching Guide: Fargo
The transition from big-screen to small-screen isnt an easy one to navigate. For decades, television networks have attempted to cash in on the name-recognition of hit movies to create a “sure thing” television series. Few have been successful. For every M*A*S*H or Buffy the Vampire Slayer, there are far more Ferris Buellers Day Offs, Gung Hos, or Casablancas. Fargo is an exception to the rule.
Created by Noah Hawley, who is executive producing FX’s X-Men series Legion, the anthology show is the ultimate tribute to Joel and Ethan Coen’s unique style of storytelling in that it contains dozens of nods and references that Coen aficionados will instantly recognize, yet easily stands on its own as a one-of-a-kind accomplishment. Like much of the Coens’ work, including Fargo itself, the series is best described as a black comedy, but its also got elements of horror, drama, and sci-fimaking it a space where anything can happen.
Populated by the same oddly accented, seemingly-good-but-perhaps-slightly-simple kind of characters that made the movie Fargo so memorable, and quotable, both seasons of the TV show have focused on what happens when an everyday person accidentally stumbles on a crime. In Season 1, that everyday person is pretty much anyone who walks into the path of Lorne MalvoBilly Bob Thorntons pitch-perfect sociopath who might be fun to have a beer with. In Season 2, its a young coupleEd and Peggy Blumquist, played by Jesse Plemons and Kirsten Dunstwho get embroiled in a crime war when they try to cover up what any normal person would consider an accident.
Because the show is so densely packed with nuance, storylines, and characters (not to mention a dream list of actors, including Martin Freeman, Allison Tolman, Colin Hanks, Bob Odenkirk, Oliver Platt, Adam Goldberg, Glenn Howerton, Keegan-Michael Key, Jordan Peele, Stephen Root, Jean Smart, Ted Danson, Bokeem Woodbine, Brad Garrett, Nick Offerman, Kieran Culkin, and Bruce Campbell as Ronald Reagan), its hard to give much detail without giving too much away. It’s better you watch for yourself, particularly before Season 3which features Mary Elizabeth Winstead, Carrie Coon, David Thewlis, Michael Stulhbarg, Jim Gaffigan, and Ewan McGregor playing two charactersdrops in the spring. Heres how to binge-watch Fargo. (Go Bears!)
Fargo
Number of Seasons: 2 (20 episodes)
Time Requirements: While dedicated binge-watchers could easily complete both seasons in a single weekend, Fargo is the kind of show that deserves a digestion period. Its so nuanced and layered that it can sometimes take a minute to connect the dots of the storyand because of that, watching just one to two episodes per night is ideal. Stick to a single hour, and youll be done in less than three weeks. Opt for two episodes per night, and 10 days will have you caught up and ready for Season 3.
Where to Get Your Fix: Hulu (Season 1), Amazon, iTunes
Best Character to Follow: Because it’s an anthology series, theres little character crossover from Season 1 to Season 2. As such, were going to cheat a little here and give you two charactersone for each season. Though Deputy Molly Solverson (Tolman) does Frances McDormand’s Marge Gunderson proud as an eagle-eyed detective, its sociopath Lorne Malvo (Thornton) in Season 1 that makes the story tick. Hes very much a nod to No Country for Old Men’s Anton Chigurh, in that youre never quite sure what his motivation isif theres any motivation at all. Hes brilliant and calculating, but can change personas in a flash and, even when hes acting psychotic, theres something oddly charming about him. It’s the kind of role that’s exactly in Thornton’s wheelhouse, and made more interesting because he embodies it.
When it comes to actors of a certain age, few can play the good guy as believably as Patrick Wilson, which allows his character, Lou Solverson, to bring a bit of calm into what is an out-of-control power struggleboth between two criminal enterprises and two competing law enforcement departments. But whereas Solversons character stays true to what we first see him to be, its Kirsten Dunsts Peggy Blumquist that gets to have all the fun (well, from an acting standpoint) in second season. Shes a young wife who is tired of living in the pastthough she doesn’t seem to live too much in reality, either. Still, flightiness and all, its hard to not to be charmed by her transformation from stuck-in-a-rut townie to self-actualized badass. Even though she makes all the wrong moves, shes still always able to see the positive. Both Dunst and Wilson received Golden Globe nominations for their rolesas did Thornton, Tolman, Freeman, and Hanks in Season 1and all for good reason.
Seasons/Episodes You Can Skip: For shows with smaller episode counts, we often advise against skipping any… before pointing out the weakest one or two episodes. Fargo is that rare series that truly does not waver in its quality. Plus, each episode is packed with information and forward movement in terms of the narrative, so it also requires your full attention. Sure, there are a few episodes that we can (and, in just a second, will) point to as standouts, but there’s not a single episode you should skip.
Seasons/Episodes You Cant Skip: If you want to start with just a single season of Fargo, you can really start with either one and not be lost. (Though its good to start from the beginning.) Because its an anthology, each season is a self-contained unitthough the stories are connected. In fact, it’s one of the few series that makes going back and watching the whole thing a second time a great ideabecause youll pick up on references in both seasons that you hadnt noticed the first time around. Which is a long way of saying: Dont skip a single episodeespecially these…
Season 1: Episode 1, “The Crocodiles Dilemma” You simply cannot watch (or understand) the first season of Fargo without watching its first episode. It starts out very similarly to the moviecomplete with a (fake) disclaimer that the events depicted within the show are all truewith a long stretch of snowy highway and a death. It introduces us to the main antagonist, Lorne Malvo (Thornton), plus bored insurance salesman Lester Nygaard (Freeman), anxious police Deputy Molly Solverson (Tolman), who is trying to figure out why a man wearing only boxers would be frozen to death in the middle of a field, and single dad/cop Gus Grimley (Hanks), whose frightening encounter with Malvo sets the story in motion.
Season 1: Episode 4, “Eating the Blame” A flashback gives us some insight into how Stavros Milos (Oliver Platt)who Malvo is protecting from being blackmailed but blackmailing at the same timebecame the Super Market king of Minnesota. Grimley, struggling with the fact that he made a huge mistake by letting Malvo go when they first met, comes face-to-face with him a second time and isnt about to make the same mistake again. At the same time, Malvo uses his one call from jail to continue his campaign against Milos, and has roped Don Chumph (Glenn Howerton), a personal trainer and wannabe blackmailer, into helping him.
Season 1: Episode 6, “Buridans Ass” Recent widower Lester Nygaard, who Solverson suspects of killing his wife, slips out of the hospital to point the finger in another direction, while Malvo continues to torment Milosgetting Chumph to do the dirty work, then finding a way to cut him out of the plan. Solverson and Grimley join forces to try to get to the bottom of whats going on, but find themselves lost in the midst of a white-out with near-fatal consequences.
Season 1: Episode 9, “A Fox, a Rabbit, and a Cabbage” Its not a year later and much has changed for the main characters, but Solverson still isnt satisfied as neither Nygaard nor Malvo is behind bars. A chance encounter leads Pepper (Key) and Budge (Peele)whose reputations have been sullied and now have a lot to proveto Solverson, who shares her theory of what happened the previous year and gains their trust and support. Meanwhile, Nygaard runs into Malvo in the most unexpected of places and, feeling emboldened by a new life, decides to grow a backbone. Bad move.
Season 2: Episode 1, “Waiting for Dutch” Season 2 takes us back to 1979 with what seems like an entirely new cast of characters, until we meet State Trooper Lou Solverson (Patrick Wilson), the father of Molly, who is a crossover character from Season 1 (where he owns a diner and is played by Keith Carradine). Here, he finds himself in the middle of a war between two crime syndicatesFargos Gerhardt family and a group of badasses (Woodbine and Garrett) from Kansas City. As in the first season, an everyday couplebutcher Ed (Plemons) and hair stylist Peggy Blumquist (Dunst)find themselves in the middle of this war when Peggy accidentally hits the youngest Gerhardt with her car and, rather than call the police, tries to hide the evidence.
Season 2: Episode 6, “Rhinoceros” The Blumquists many bad decisions have come back to haunt them, as Ed has a price put on his head and is nearly killed when his butcher shop burns down. But Peggy, who Sherriff Hank Larsson (Danson) suspects is “a little bit touched,” sees this tragedy as a chance to self-actualize and start a new life. Reality sets in when Ed is arrested, and a couple of Gerhardts show up at her house. Karl Weathers (Offerman), the towns only lawyer, arrives at the police station (barely standing) to help Ed out, but it turns into a standoff with the Gerhardts demanding the return of their man, and that Ed be sacrificed.
Season 2: Episode 8, “Loplop” Having captured the leader of the Gerhardt gang, Peggy seems to be adjustingand even enjoyinglife on the run, with a hostage in tow. But, much to Eds dismay, the Gerhardts dont seem all that concerned with getting their man back, so he makes a call to the Kansas City guys to see what he can do. At the same time, the police are on their trail.
Season 2: Episode 10, “Palindrome” One wouldnt necessarily say that either season of Fargo ends on a “happy” note, but after much bloodshedand at least one UFO sightingthe war between the two crime factions seems to have come to an end. And Solverson can come home to his wife, Betsy (Cristin Milioti, who is wonderful) and daughter Molly (here played by Raven Stewart) and contemplate the future. The one that, if you watched Season 1, you already know.
Why You Should Binge: With so many popular series currently in their tenth or more season (see: The Simpsons, Greys Anatomy, The Big Bang Theory), its nice to be reminded that economy can be a good thing. The TV-watching world is catching on to that, as anthology series like American Horror Story have been gaining in popularity. Bottom line: Why spend 266 hours watching all of Criminal Minds when you can watch one of televisions very best crime series in less than a week?
Best Scene”Pepper and Budge on the Scene”:
Given the huge cast of characters, plus the various storylines in each season, choosing a “best” scene is damn near impossible. Lorne Malvo transforming into Pastor Frank Peterson when he’s being questioned by the police is what makes Thornton a one-of-a-kind performer. But one of the things that makes Fargo different is the truly innovativeand cinematicapproach it brings to television. Yes, weve heard this “cinematic” argument for many other shows, many of them deserving of what might be the highest compliment. But Fargo takes it to the next level; its regular use of split screen gives the viewer a birds-eye-view on everything thats happening (one camera might show whats happening in the front of a house, while another shows the back) and also provides a visual metaphor for what’s happening in the story (a split in the screen might indicate a fracture in a relationship).
In one of Season 1s most breathtaking moments, what could have been a gore-filled scene instead took a more subtle turn where the violence is heard and fully understood, yet not seen, giving the viewers imagination a workout. Its bookended by the comedic influence of Key and Peeles FBI agents Pepper and Budge, who always seem to get distracted at the very moment their jobs require undivided attention.
The Takeaway:
Albert Camus was fond of pointing out the absurdity of life, and famously that, “Basically, at the very bottom of life, which seduces us all, there is only absurdity, and more absurdity. And maybe that’s what gives us our joy for living, because the only thing that can defeat absurdity is lucidity.” No, thats not a lazy way of ripping off another writer in an attempt to summarize the seriesbut it could very easily serve as the show’s tagline. In fact, Camus even gets a couple of direct shout-outs in Fargo, including a second season episode titled “The Myth of Sisyphus.” Anyone familiar with that 1942 essay knows that its essentially a metaphor for the futility of life and the lack of control we truly have over what happens to ourselves and the people around us. And that the only way to combat the seeming pointlessness of it all is to embrace whatever challenges come our way and accept them as the path thats been laid out for us.
In the land of Fargo, strange things happen. Bad things happen. Tragedy strikes. There are deaths, and there are births (though the former far outweighs the latter). There are moments of sadness, and laugh-inducing incidents. And through it all, the series enormous cast of characters weather the challenges and persevere (well, the ones who live to tell the story at least), as they move forward and prepare for whatever life has in store for them next. Stated more simply: Thats life.
If You Like Fargo, Youll Love: If you haven’t seen the 1996 Coen brothers’ movie upon which the series is based, that’s your first mistake: Fargo the series perfectly captures the darkly comedic tone of Fargo the movie, which was nominated for seven Oscars (including Best Picture) and won two (for Best Actress and Best Original Screenplay). Its about a sad-sack car salesman who hires some guys to kidnap his wife in order to get some money from his father-in-lawand its small-screen sendup is full of subtle nods and references. (Jos Feliciano, anyone?)
On the small screen, its really not hyperbolic to say that Fargo has sort of created its own genre. Which isnt to say that it doesnt share elements with some other series: Like Breaking Bad, its a look at what happens when seemingly “good” people suddenly find themselves on the other side of the law; the two shows also share a very precise type of pacing where the story unfolds in a way that keeps you guessingand watching. So it stands to reason that it shares a lot of the same characteristics (plus one Bob Odenkirk) with Better Call Saul, too.
For sheer strangeness and creating a world in which anything can happen, Twin Peaks is yet another kindred television spirit.
Source: http://allofbeer.com/2017/08/07/wired-binge-watching-guide-fargo/
from All of Beer https://allofbeer.wordpress.com/2017/08/07/wired-binge-watching-guide-fargo/
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allofbeercom · 7 years
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WIRED Binge-Watching Guide: Fargo
The transition from big-screen to small-screen isnt an easy one to navigate. For decades, television networks have attempted to cash in on the name-recognition of hit movies to create a “sure thing” television series. Few have been successful. For every M*A*S*H or Buffy the Vampire Slayer, there are far more Ferris Buellers Day Offs, Gung Hos, or Casablancas. Fargo is an exception to the rule.
Created by Noah Hawley, who is executive producing FX’s X-Men series Legion, the anthology show is the ultimate tribute to Joel and Ethan Coen’s unique style of storytelling in that it contains dozens of nods and references that Coen aficionados will instantly recognize, yet easily stands on its own as a one-of-a-kind accomplishment. Like much of the Coens’ work, including Fargo itself, the series is best described as a black comedy, but its also got elements of horror, drama, and sci-fimaking it a space where anything can happen.
Populated by the same oddly accented, seemingly-good-but-perhaps-slightly-simple kind of characters that made the movie Fargo so memorable, and quotable, both seasons of the TV show have focused on what happens when an everyday person accidentally stumbles on a crime. In Season 1, that everyday person is pretty much anyone who walks into the path of Lorne MalvoBilly Bob Thorntons pitch-perfect sociopath who might be fun to have a beer with. In Season 2, its a young coupleEd and Peggy Blumquist, played by Jesse Plemons and Kirsten Dunstwho get embroiled in a crime war when they try to cover up what any normal person would consider an accident.
Because the show is so densely packed with nuance, storylines, and characters (not to mention a dream list of actors, including Martin Freeman, Allison Tolman, Colin Hanks, Bob Odenkirk, Oliver Platt, Adam Goldberg, Glenn Howerton, Keegan-Michael Key, Jordan Peele, Stephen Root, Jean Smart, Ted Danson, Bokeem Woodbine, Brad Garrett, Nick Offerman, Kieran Culkin, and Bruce Campbell as Ronald Reagan), its hard to give much detail without giving too much away. It’s better you watch for yourself, particularly before Season 3which features Mary Elizabeth Winstead, Carrie Coon, David Thewlis, Michael Stulhbarg, Jim Gaffigan, and Ewan McGregor playing two charactersdrops in the spring. Heres how to binge-watch Fargo. (Go Bears!)
Fargo
Number of Seasons: 2 (20 episodes)
Time Requirements: While dedicated binge-watchers could easily complete both seasons in a single weekend, Fargo is the kind of show that deserves a digestion period. Its so nuanced and layered that it can sometimes take a minute to connect the dots of the storyand because of that, watching just one to two episodes per night is ideal. Stick to a single hour, and youll be done in less than three weeks. Opt for two episodes per night, and 10 days will have you caught up and ready for Season 3.
Where to Get Your Fix: Hulu (Season 1), Amazon, iTunes
Best Character to Follow: Because it’s an anthology series, theres little character crossover from Season 1 to Season 2. As such, were going to cheat a little here and give you two charactersone for each season. Though Deputy Molly Solverson (Tolman) does Frances McDormand’s Marge Gunderson proud as an eagle-eyed detective, its sociopath Lorne Malvo (Thornton) in Season 1 that makes the story tick. Hes very much a nod to No Country for Old Men’s Anton Chigurh, in that youre never quite sure what his motivation isif theres any motivation at all. Hes brilliant and calculating, but can change personas in a flash and, even when hes acting psychotic, theres something oddly charming about him. It’s the kind of role that’s exactly in Thornton’s wheelhouse, and made more interesting because he embodies it.
When it comes to actors of a certain age, few can play the good guy as believably as Patrick Wilson, which allows his character, Lou Solverson, to bring a bit of calm into what is an out-of-control power struggleboth between two criminal enterprises and two competing law enforcement departments. But whereas Solversons character stays true to what we first see him to be, its Kirsten Dunsts Peggy Blumquist that gets to have all the fun (well, from an acting standpoint) in second season. Shes a young wife who is tired of living in the pastthough she doesn’t seem to live too much in reality, either. Still, flightiness and all, its hard to not to be charmed by her transformation from stuck-in-a-rut townie to self-actualized badass. Even though she makes all the wrong moves, shes still always able to see the positive. Both Dunst and Wilson received Golden Globe nominations for their rolesas did Thornton, Tolman, Freeman, and Hanks in Season 1and all for good reason.
Seasons/Episodes You Can Skip: For shows with smaller episode counts, we often advise against skipping any… before pointing out the weakest one or two episodes. Fargo is that rare series that truly does not waver in its quality. Plus, each episode is packed with information and forward movement in terms of the narrative, so it also requires your full attention. Sure, there are a few episodes that we can (and, in just a second, will) point to as standouts, but there’s not a single episode you should skip.
Seasons/Episodes You Cant Skip: If you want to start with just a single season of Fargo, you can really start with either one and not be lost. (Though its good to start from the beginning.) Because its an anthology, each season is a self-contained unitthough the stories are connected. In fact, it’s one of the few series that makes going back and watching the whole thing a second time a great ideabecause youll pick up on references in both seasons that you hadnt noticed the first time around. Which is a long way of saying: Dont skip a single episodeespecially these…
Season 1: Episode 1, “The Crocodiles Dilemma” You simply cannot watch (or understand) the first season of Fargo without watching its first episode. It starts out very similarly to the moviecomplete with a (fake) disclaimer that the events depicted within the show are all truewith a long stretch of snowy highway and a death. It introduces us to the main antagonist, Lorne Malvo (Thornton), plus bored insurance salesman Lester Nygaard (Freeman), anxious police Deputy Molly Solverson (Tolman), who is trying to figure out why a man wearing only boxers would be frozen to death in the middle of a field, and single dad/cop Gus Grimley (Hanks), whose frightening encounter with Malvo sets the story in motion.
Season 1: Episode 4, “Eating the Blame” A flashback gives us some insight into how Stavros Milos (Oliver Platt)who Malvo is protecting from being blackmailed but blackmailing at the same timebecame the Super Market king of Minnesota. Grimley, struggling with the fact that he made a huge mistake by letting Malvo go when they first met, comes face-to-face with him a second time and isnt about to make the same mistake again. At the same time, Malvo uses his one call from jail to continue his campaign against Milos, and has roped Don Chumph (Glenn Howerton), a personal trainer and wannabe blackmailer, into helping him.
Season 1: Episode 6, “Buridans Ass” Recent widower Lester Nygaard, who Solverson suspects of killing his wife, slips out of the hospital to point the finger in another direction, while Malvo continues to torment Milosgetting Chumph to do the dirty work, then finding a way to cut him out of the plan. Solverson and Grimley join forces to try to get to the bottom of whats going on, but find themselves lost in the midst of a white-out with near-fatal consequences.
Season 1: Episode 9, “A Fox, a Rabbit, and a Cabbage” Its not a year later and much has changed for the main characters, but Solverson still isnt satisfied as neither Nygaard nor Malvo is behind bars. A chance encounter leads Pepper (Key) and Budge (Peele)whose reputations have been sullied and now have a lot to proveto Solverson, who shares her theory of what happened the previous year and gains their trust and support. Meanwhile, Nygaard runs into Malvo in the most unexpected of places and, feeling emboldened by a new life, decides to grow a backbone. Bad move.
Season 2: Episode 1, “Waiting for Dutch” Season 2 takes us back to 1979 with what seems like an entirely new cast of characters, until we meet State Trooper Lou Solverson (Patrick Wilson), the father of Molly, who is a crossover character from Season 1 (where he owns a diner and is played by Keith Carradine). Here, he finds himself in the middle of a war between two crime syndicatesFargos Gerhardt family and a group of badasses (Woodbine and Garrett) from Kansas City. As in the first season, an everyday couplebutcher Ed (Plemons) and hair stylist Peggy Blumquist (Dunst)find themselves in the middle of this war when Peggy accidentally hits the youngest Gerhardt with her car and, rather than call the police, tries to hide the evidence.
Season 2: Episode 6, “Rhinoceros” The Blumquists many bad decisions have come back to haunt them, as Ed has a price put on his head and is nearly killed when his butcher shop burns down. But Peggy, who Sherriff Hank Larsson (Danson) suspects is “a little bit touched,” sees this tragedy as a chance to self-actualize and start a new life. Reality sets in when Ed is arrested, and a couple of Gerhardts show up at her house. Karl Weathers (Offerman), the towns only lawyer, arrives at the police station (barely standing) to help Ed out, but it turns into a standoff with the Gerhardts demanding the return of their man, and that Ed be sacrificed.
Season 2: Episode 8, “Loplop” Having captured the leader of the Gerhardt gang, Peggy seems to be adjustingand even enjoyinglife on the run, with a hostage in tow. But, much to Eds dismay, the Gerhardts dont seem all that concerned with getting their man back, so he makes a call to the Kansas City guys to see what he can do. At the same time, the police are on their trail.
Season 2: Episode 10, “Palindrome” One wouldnt necessarily say that either season of Fargo ends on a “happy” note, but after much bloodshedand at least one UFO sightingthe war between the two crime factions seems to have come to an end. And Solverson can come home to his wife, Betsy (Cristin Milioti, who is wonderful) and daughter Molly (here played by Raven Stewart) and contemplate the future. The one that, if you watched Season 1, you already know.
Why You Should Binge: With so many popular series currently in their tenth or more season (see: The Simpsons, Greys Anatomy, The Big Bang Theory), its nice to be reminded that economy can be a good thing. The TV-watching world is catching on to that, as anthology series like American Horror Story have been gaining in popularity. Bottom line: Why spend 266 hours watching all of Criminal Minds when you can watch one of televisions very best crime series in less than a week?
Best Scene”Pepper and Budge on the Scene”:
Given the huge cast of characters, plus the various storylines in each season, choosing a “best” scene is damn near impossible. Lorne Malvo transforming into Pastor Frank Peterson when he’s being questioned by the police is what makes Thornton a one-of-a-kind performer. But one of the things that makes Fargo different is the truly innovativeand cinematicapproach it brings to television. Yes, weve heard this “cinematic” argument for many other shows, many of them deserving of what might be the highest compliment. But Fargo takes it to the next level; its regular use of split screen gives the viewer a birds-eye-view on everything thats happening (one camera might show whats happening in the front of a house, while another shows the back) and also provides a visual metaphor for what’s happening in the story (a split in the screen might indicate a fracture in a relationship).
In one of Season 1s most breathtaking moments, what could have been a gore-filled scene instead took a more subtle turn where the violence is heard and fully understood, yet not seen, giving the viewers imagination a workout. Its bookended by the comedic influence of Key and Peeles FBI agents Pepper and Budge, who always seem to get distracted at the very moment their jobs require undivided attention.
The Takeaway:
Albert Camus was fond of pointing out the absurdity of life, and famously that, “Basically, at the very bottom of life, which seduces us all, there is only absurdity, and more absurdity. And maybe that’s what gives us our joy for living, because the only thing that can defeat absurdity is lucidity.” No, thats not a lazy way of ripping off another writer in an attempt to summarize the seriesbut it could very easily serve as the show’s tagline. In fact, Camus even gets a couple of direct shout-outs in Fargo, including a second season episode titled “The Myth of Sisyphus.” Anyone familiar with that 1942 essay knows that its essentially a metaphor for the futility of life and the lack of control we truly have over what happens to ourselves and the people around us. And that the only way to combat the seeming pointlessness of it all is to embrace whatever challenges come our way and accept them as the path thats been laid out for us.
In the land of Fargo, strange things happen. Bad things happen. Tragedy strikes. There are deaths, and there are births (though the former far outweighs the latter). There are moments of sadness, and laugh-inducing incidents. And through it all, the series enormous cast of characters weather the challenges and persevere (well, the ones who live to tell the story at least), as they move forward and prepare for whatever life has in store for them next. Stated more simply: Thats life.
If You Like Fargo, Youll Love: If you haven’t seen the 1996 Coen brothers’ movie upon which the series is based, that’s your first mistake: Fargo the series perfectly captures the darkly comedic tone of Fargo the movie, which was nominated for seven Oscars (including Best Picture) and won two (for Best Actress and Best Original Screenplay). Its about a sad-sack car salesman who hires some guys to kidnap his wife in order to get some money from his father-in-lawand its small-screen sendup is full of subtle nods and references. (Jos Feliciano, anyone?)
On the small screen, its really not hyperbolic to say that Fargo has sort of created its own genre. Which isnt to say that it doesnt share elements with some other series: Like Breaking Bad, its a look at what happens when seemingly “good” people suddenly find themselves on the other side of the law; the two shows also share a very precise type of pacing where the story unfolds in a way that keeps you guessingand watching. So it stands to reason that it shares a lot of the same characteristics (plus one Bob Odenkirk) with Better Call Saul, too.
For sheer strangeness and creating a world in which anything can happen, Twin Peaks is yet another kindred television spirit.
from All Of Beer http://allofbeer.com/2017/08/07/wired-binge-watching-guide-fargo/
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viralhottopics · 8 years
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Geena Davis: Thelma & Louise changed everything for me
It was the moment she realised how few inspiring women there are on screen. Now the actor is on a mission to fix that
Somewhere in a parallel universe, Geena Davis is having the time of her life. Yes! Enjoying this new era in American history! As one of the few women to have played a US president on screen, in her parallel universe Davis is having a lovely conversation with me about how fabulous it feels to see a woman finally make it to the White House.
This isnt the first time the actor has found her presidential fantasies preferable to reality. Eleven years ago, she was President Mackenzie Allen on the TV show Commander In Chief. It had been the number one new show, and it was going to run for eight years. I was going to do two terms, Davis grins ruefully. She won a Golden Globe for the role. Then internal studio politics intervened and the show was cancelled after a single season. For a long time after, I felt like, in an alternate universe, I was still on that show. In my mind, she says, laughing, I wanted to set up the Oval Office in my garage and pretend I was still the president.
Davis hoots at her own absurdity, but for the record she did receive a fairly presidential greeting on arrival at the restaurant where we meet. The Polo Lounge at the Beverly Hills hotel is a fantastically kitsch extravaganza of salmon-pink table linen and bad taste, but a Hollywood institution nonetheless. While I waited, the lunch tables filled with industry types, and my requests for a quieter corner were defeated by the expert indifference of waiters who understand the rules of Hollywood hierarchy better than I do. But the instant Davis arrived, the matre d descended into an obsequious froth Miss Davis! Welcome back! and whisked us off to a coveted booth.
So good to see you again! he purrs, before blanching in horror. Davis has a white napkin on her lap, but her trousers are black. Quelle horreur! The offending item is whipped away and replaced with a black one, while Davis tries not to giggle.
With Susan Sarandon in 1991s Thelma & Louise. Photograph: Allstar
Davis has no publicist in tow, and nothing about her outfit would suggest celebrity: she is wearing a loose white T-shirt and the sort of plain and comfortable black jacket and trousers one might put on for Sunday lunch in a nice pub. Were she not so tall (6ft), I might easily have missed her when she arrived, full of apologies for being all of 10 minutes late. I take the matre ds instantaneous excitement to mean she must be a regular, but as soon as hes gone, she whispers, No! I cant even remember the last time I was here. Its this very weird phenomenon. If I go to hotels, they always say, Welcome back, even when Ive never been there before. That must be rather disorienting. Yes, weird! She nods cheerfully. You have all these people saying nice things to you, and it can really be like, Wow, Im very fortunate, arent I? Im very, very grateful for it, you know?
When lunch arrives, she gets the giggles again: her salad is a strangely regimented platter that looks like someones idea of gastro-sophistication circa 1974. Its so kitschy! I was going to show your tape recorder my salad, but that wont work, will it? When her phone rings, the mother of three murmurs the universal prayer of working parents everywhere: Please dont be the nanny, please dont be the nanny, please dont be the nanny. It feels like lunching with a gloriously irreverent and relaxed old friend.
Davis has been a Hollywood star for 35 years, but at 61 her status now is a curious hybrid of insider and outsider, a bit like cinemas Ofsted inspector. When starting out, shed have been astonished to know shed devote the later years of her career to exposing her industrys flaws. Back then, she admits, she couldnt see anything to worry about.
With William Hurt in 1988s The Accidental Tourist, for which Davis won an Oscar. Photograph: Ronald Grant
When I was first starting out was also when I first started really paying attention to the Oscars and stuff like that. And I remember thinking, wow, everything is great for women in Hollywood, because Meryl Streep, Glenn Close, Jessica Lange, Sally Field: theyre all doing incredible work. Every year, fantastic movies were coming out: The French Lieutenants Woman, The Postman Always Rings Twice, Sophies Choice. I think I did hear that, for women, when you get older it can be a problem, but these actors were already in their 30s, which seemed ancient to me then. So I thought, whats the problem? I started getting really cool parts left and right and centre, and I was like, well, even if it turns out theres a problem, its not going to impact on me.
After making her debut in 1982s classic comedy Tootsie, Davis averaged a movie a year, and could easily have made more had she not been fussy. She did sci-fi horror in The Fly, comic fantasy in Beetlejuice and literary drama in The Accidental Tourist, for which she won a best supporting actress Oscar. She played a baseball star in the sports comedy A League Of Their Own, a bank robber in the crime drama Quick Change and, most memorably, a housewife turned outlaw in the feminist road trip Thelma & Louise. Then she turned 40 and in the entire decade that followed, we saw her face only in Stuart Little.
By the time she turned 50, she was fed up. The neglect of women in film and TV was definitely happening she knew that but to prove it the Mensa member realised she would have to measure it: Because people just make assumptions, dont they? Even when the reality might be completely different. I remember talking to a woman editor of a magazine about all this a while ago, and she said, Oh no, no, no, thats just not a problem any more. I told her it still was. She said, and Davis begins to laugh again, But it cant be. Look at Meryl Streep, she works all the time! I was like, Er, Meryls schedule is the exception.
So, 10 years ago, the actor founded the Geena Davis Institute On Gender In Media. I am completely obsessed with numbers and data. I have become a scientist in later life. The institute conducts exhaustive research to establish the facts of gender representation in family entertainment, and they are grimly arresting.
Male characters outnumber female in family films by a ratio of three to one, a figure that has remained startlingly consistent since 1946. From 2007 to 2014, women made up less than a third of speaking or named characters in the 100 top-grossing films distributed in the US, of which less than 7% were directed by women. Of the female characters that did make it on to screen, fewer than one in five were aged 40-64. Last autumn, the institute partnered with Google to launch the Geena Davis Inclusion Quotient (the GD-IQ), a software program that measures the amount of screen and speaking time given to male and female characters. The results were even more confronting: in the top 200 grossing films of 2014 and 2015, males, Davis discovered, enjoyed literally twice the screen time of females, and spoke twice as often.
Its easy to see why this would matter to Davis, or any other female actor, but why should the rest of us care? This gender bias is so ingrained in us, and stuffed into our DNA from when were little, from our first exposure to popular culture. If kids movies and TV shows have profoundly fewer female characters than male characters, and theres nobody saying, By the way, honey, this isnt real. Thats not how the real world is. From 2006 to 2009, not one female character was depicted in a G-rated family film working in the field of medical science, as a business leader, in law or in politics. Our motto is: if they can see it, they can be it. Completely unconsciously, boys and girls are getting the message that girls are less important and less valuable to our society, because theyre not there. And if they are there, theyre not talking.
Playing the first female president in the TV series Commander In Chief. Photograph: ABC
Another way of looking at it, I suggest, would be that what we see on screen is, in fact, uncannily accurate. In a typical crowd scene, female extras account for just 17% of the faces we see a figure close to this crops up across all sorts of sectors in real life in America. Fortune 500 boards are around 20% female, as is Congress. Fewer then 20% of US legal partners, the military and cardiac surgeons are female.
Yes, Davis agrees, but I think the impact of media images is so profound that we actually could make life imitate art. You know, you see a dog or something and you say, Oh, hes cute? The default is always male, and its because weve had such a male-centred culture. And its because its what we see and hear from the very beginning.
I remember I was once with my boys [she has 12-year-old twins, and a 14-year-old daughter] in a park and they saw a squirrel. I consciously decided to say, Look, shes so cute and they both turned to me with surprised expressions and said, How do you know its a girl? I was like, wow, Ive already failed. They were four years old.
Davis takes all the data to Hollywoods decision-makers and creators: heads of studios, production companies, guilds. Does she come in for a bit of oh-no-here-comes-the-feminist eye-rolling? Oh no. No! If I was going in just saying, Youre making fewer movies starring a female character than male characters, theyd say, Yes, we know that. Were fully aware of that. We hope we can do better. We wish we could do better. And they would probably turn to this myth in Hollywood that women will watch men, but men dont want to watch women, so were forced to make all the stories about men.
Instead, Davis shows them the GD-IQs findings on profitability. Films featuring female leads make on average 15% more than those with male leads, while films featuring male and female co-leads earn almost 24% more than those with either a solo male or female lead. Their jaws are on the ground. She grins. Everywhere we go, its the exact same reaction. They are floored.
***
Had anyone told Davis in her youth that she would one day be an activist and advocate, she would have been equally floored. She grew up in a small town in Massachusetts, a bookish child and church organist, and was constantly shy. Just totally shy, especially about men. I had one date in high school, that was it, and he didnt ask me out again, she laughs, because I was taller than everybody. I was very gangly and awkward, and I wore weird clothes that I made. I think my fondest wish as a kid was to take up less space.
My fondest wish as a kid was to take up less space. Photograph: Amanda Friedman for the Guardian
Most peoples childhood self-image can seem surprising by the time theyre in their 60s, but in Daviss case the discrepancy feels comical. She is 6ft and appropriately proportioned, so occupies as much space as you would expect someone with the dimensions of an imposing man to fill. Her voice is gutsy, soaring from throaty depths to gales of laughter, and her beauty is unlike anything Ive observed in an actor. Beautiful women who have lived their life in the public gaze tend to convey an awareness of others admiration that can sometimes seem self-conscious, and sometimes almost pointedly detached. Davis, on the other hand, reminds me more of my cat, a ludicrously gorgeous creature who seems to take as much pleasure from its beauty as any admirer ever could. If I picture Davis looking at herself in the mirror, she isnt frowning anxiously but smiling back at her famous dimples.
And yet she goes on, I think I really wanted to take up less space. It seemed like every time I was exuberant or free, I would get pointed at. Things that really stand out from my childhood were incidents where people told me to tone it down. Like my beloved aunt Gloria, who was a role model and just everything to me, and who adored me, and would say things like, Youre really going to have to learn to laugh more quietly, because boys arent going to like a loud lady.
She knew from the age of three that she wanted to act, and studied drama at Boston University. But the most important thing was that people like me and think Im no trouble. It was as if I lived in some bubble of extreme femininity where you must never say your feelings. I had people who wouldnt date me because I couldnt even decide what restaurant I wanted to go to, literally. I never said my opinion about anything. I was afraid to.
Everything changed in 1990 when she made Thelma & Louise. Davis played Thelma, an unhappy wife who takes off with her friend Louise, played by Susan Sarandon, for a two-day road trip in an old Thunderbird convertible. When a man they meet in a bar tries to rape Thelma, Louise shoots him dead. Convinced the police will never believe their account of events, because Thelma had been drinking and seen dancing with the man before he attacked her, the pair take off. Liberated from the constraints of social convention and the law, they embark on a raucously anarchic adventure from which they will never return.
With then husband Jeff Goldblum in 1989. Photograph: Getty
Davis had her agent call Ridley Scott, the films director, every single week for a year in a concerted campaign to land the part. So it was really, really a passion project for me. And I was aware of womens position in Hollywood by then. But then, when the movie came out and I saw the reaction women had, it was night and day: completely different from anything that had ever happened before, you know? Women wanted to really talk about how it impacted on them. Theyd tell me, This is what I thought, this is who I saw it with, this is how many times Ive seen it, this is how it really changed my marriage. Sometimes Id even hear, My friend and I took a road trip and acted out your trip. Her eyes widen as she laughs. Im like, I hope the good parts? But that really struck me, and it made me realise how few opportunities there are to feel inspired by the female characters we watch. That changed everything for me.
Working with Sarandon changed everything, too. Every day on set, I was just learning how to be more myself, you know? Just because she was such a role model to me. Davis would arrive each morning with her notes tentatively framed in the apologetic, would-you-mind-awfully register of regulation feminine decorum. Sarandon would bustle in, open her mouth and speak her mind. Davis still beams at the memory, and credits it with revolutionising the way she operated.
Her institute is now in its 10th year, but has yet to generate any measurable change in onscreen representation. I feel very confident thats going to happen in the next five to 10 years, though. I know it will. Theres one childrens network that tells us, every time someone pitches a new idea, someone asks, What would Geena say? She roars with laughter. Which is exactly what I want! The parallel between her work and recent increasingly successful campaigns for greater ethnic onscreen diversity in Hollywood speak for themselves, she says. Its exactly the same problem, with exactly the same solution. When a sector of society is left out of the popular culture, its cultural annihilation.
Davis does still act; in recent years, she starred in the TV shows Greys Anatomy and The Exorcist, and appears in the forthcoming sci-fi thriller Marjorie Prime. Shes also in Dont Talk To Irene, an indie film about an overweight cheerleader, which premiered recently in Canada. But its very clear that acting is no longer her driving ambition. She gets much more excited talking about the film festival she co-founded in 2015, the only one in the world to offer its winners the prize of guaranteed distribution, both theatrical and through DVD. The Bentonville festival explicitly exists to champion and promote female and other minority film-makers, and last year became the eighth biggest film festival in the world; this year, it will open in early May in Arkansas and more than 100,000 people are expected to attend.
With husband, Reza Jarrahy, in 2013. Photograph: Getty
The most conventionally starlet thing about Davis these days is probably her marital history: she is now on her fourth marriage. The first, in 1982, lasted less than a year; her second, to the actor and her sometime co-star Jeff Goldblum in 1987, lasted only slightly longer, and was over by 1990. In 1993, she wed the director Renny Harlin, but divorced again in 1998. She has been married to her fourth husband, Reza Jarrahy, the father of her three children, and an Iranian-American plastic surgeon, for 16 years now. Giving birth for the first time at 46, followed by twins at 48, is not an entirely advisable maternal strategy, she laughs. I dont know how I assumed I could wait that long, and I wouldnt recommend it. Id always known I wanted to have kids, but somehow, before then, there wasnt any time I was planning it.
When we part, she gives me a great bear hug and her phone number, and it strikes me that she must be one of the happiest movie stars I can remember meeting. The parallel universe she inhabits appears to have much to recommend it. I had assumed she would put Hillary Clintons defeat down to her motto If she can see it, she can be it so ask if she thinks America would have voted a different way last September had the notion of a woman in charge of the country looked more familiar.
You know, she surprises me, I dont know. I like to just think that she won the popular vote by an enormous amount. She was not this horrifically flawed candidate everyone wants to paint. I mean, OK, she didnt win the electoral college vote. But, in another way, she did win. In Daviss parallel universe, the popular vote determined who would move into the White House, and all is well with the world.
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tuthillscopes-blog · 8 years
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WIRED Binge-Watching Guide: <em>Fargo</em>
check it out @ https://tuthillscopes.com/wired-binge-watching-guide-fargo/
WIRED Binge-Watching Guide: Fargo
The transition from big-screen to small-screen isnt an easy one to navigate. For decades, television networks have attempted to cash in on the name-recognition of hit movies to create a “sure thing” television series. Few have been successful. For every M*A*S*H or Buffy the Vampire Slayer, there are far more Ferris Buellers Day Offs, Gung Hos, or Casablancas. Fargo is an exception to the rule.
Created by Noah Hawley, who is executive producing FX’s X-Men series Legion, the anthology show is the ultimate tribute to Joel and Ethan Coen’s unique style of storytelling in that it contains dozens of nods and references that Coen aficionados will instantly recognize, yet easily stands on its own as a one-of-a-kind accomplishment. Like much of the Coens’ work, including Fargo itself, the series is best described as a black comedy, but its also got elements of horror, drama, and sci-fimaking it a space where anything can happen.
Populated by the same oddly accented, seemingly-good-but-perhaps-slightly-simple kind of characters that made the movie Fargo so memorable, and quotable, both seasons of the TV show have focused on what happens when an everyday person accidentally stumbles on a crime. In Season 1, that everyday person is pretty much anyone who walks into the path of Lorne MalvoBilly Bob Thorntons pitch-perfect sociopath who might be fun to have a beer with. In Season 2, its a young coupleEd and Peggy Blumquist, played by Jesse Plemons and Kirsten Dunstwho get embroiled in a crime war when they try to cover up what any normal person would consider an accident.
Because the show is so densely packed with nuance, storylines, and characters (not to mention a dream list of actors, including Martin Freeman, Allison Tolman, Colin Hanks, Bob Odenkirk, Oliver Platt, Adam Goldberg, Glenn Howerton, Keegan-Michael Key, Jordan Peele, Stephen Root, Jean Smart, Ted Danson, Bokeem Woodbine, Brad Garrett, Nick Offerman, Kieran Culkin, and Bruce Campbell as Ronald Reagan), its hard to give much detail without giving too much away. It’s better you watch for yourself, particularly before Season 3which features Mary Elizabeth Winstead, Carrie Coon, David Thewlis, Michael Stulhbarg, Jim Gaffigan, and Ewan McGregor playing two charactersdrops in the spring. Heres how to binge-watch Fargo. (Go Bears!)
Fargo
Number of Seasons: 2 (20 episodes)
Time Requirements: While dedicated binge-watchers could easily complete both seasons in a single weekend, Fargo is the kind of show that deserves a digestion period. Its so nuanced and layered that it can sometimes take a minute to connect the dots of the storyand because of that, watching just one to two episodes per night is ideal. Stick to a single hour, and youll be done in less than three weeks. Opt for two episodes per night, and 10 days will have you caught up and ready for Season 3.
Where to Get Your Fix: Hulu (Season 1), Amazon, iTunes
Best Character to Follow: Because it’s an anthology series, theres little character crossover from Season 1 to Season 2. As such, were going to cheat a little here and give you two charactersone for each season. Though Deputy Molly Solverson (Tolman) does Frances McDormand’s Marge Gunderson proud as an eagle-eyed detective, its sociopath Lorne Malvo (Thornton) in Season 1 that makes the story tick. Hes very much a nod to No Country for Old Men’s Anton Chigurh, in that youre never quite sure what his motivation isif theres any motivation at all. Hes brilliant and calculating, but can change personas in a flash and, even when hes acting psychotic, theres something oddly charming about him. It’s the kind of role that’s exactly in Thornton’s wheelhouse, and made more interesting because he embodies it.
When it comes to actors of a certain age, few can play the good guy as believably as Patrick Wilson, which allows his character, Lou Solverson, to bring a bit of calm into what is an out-of-control power struggleboth between two criminal enterprises and two competing law enforcement departments. But whereas Solversons character stays true to what we first see him to be, its Kirsten Dunsts Peggy Blumquist that gets to have all the fun (well, from an acting standpoint) in second season. Shes a young wife who is tired of living in the pastthough she doesn’t seem to live too much in reality, either. Still, flightiness and all, its hard to not to be charmed by her transformation from stuck-in-a-rut townie to self-actualized badass. Even though she makes all the wrong moves, shes still always able to see the positive. Both Dunst and Wilson received Golden Globe nominations for their rolesas did Thornton, Tolman, Freeman, and Hanks in Season 1and all for good reason.
Seasons/Episodes You Can Skip: For shows with smaller episode counts, we often advise against skipping any… before pointing out the weakest one or two episodes. Fargo is that rare series that truly does not waver in its quality. Plus, each episode is packed with information and forward movement in terms of the narrative, so it also requires your full attention. Sure, there are a few episodes that we can (and, in just a second, will) point to as standouts, but there’s not a single episode you should skip.
Seasons/Episodes You Cant Skip: If you want to start with just a single season of Fargo, you can really start with either one and not be lost. (Though its good to start from the beginning.) Because its an anthology, each season is a self-contained unitthough the stories are connected. In fact, it’s one of the few series that makes going back and watching the whole thing a second time a great ideabecause youll pick up on references in both seasons that you hadnt noticed the first time around. Which is a long way of saying: Dont skip a single episodeespecially these…
Season 1: Episode 1, “The Crocodiles Dilemma” You simply cannot watch (or understand) the first season of Fargo without watching its first episode. It starts out very similarly to the moviecomplete with a (fake) disclaimer that the events depicted within the show are all truewith a long stretch of snowy highway and a death. It introduces us to the main antagonist, Lorne Malvo (Thornton), plus bored insurance salesman Lester Nygaard (Freeman), anxious police Deputy Molly Solverson (Tolman), who is trying to figure out why a man wearing only boxers would be frozen to death in the middle of a field, and single dad/cop Gus Grimley (Hanks), whose frightening encounter with Malvo sets the story in motion.
Season 1: Episode 4, “Eating the Blame” A flashback gives us some insight into how Stavros Milos (Oliver Platt)who Malvo is protecting from being blackmailed but blackmailing at the same timebecame the Super Market king of Minnesota. Grimley, struggling with the fact that he made a huge mistake by letting Malvo go when they first met, comes face-to-face with him a second time and isnt about to make the same mistake again. At the same time, Malvo uses his one call from jail to continue his campaign against Milos, and has roped Don Chumph (Glenn Howerton), a personal trainer and wannabe blackmailer, into helping him.
Season 1: Episode 6, “Buridans Ass” Recent widower Lester Nygaard, who Solverson suspects of killing his wife, slips out of the hospital to point the finger in another direction, while Malvo continues to torment Milosgetting Chumph to do the dirty work, then finding a way to cut him out of the plan. Solverson and Grimley join forces to try to get to the bottom of whats going on, but find themselves lost in the midst of a white-out with near-fatal consequences.
Season 1: Episode 9, “A Fox, a Rabbit, and a Cabbage” Its not a year later and much has changed for the main characters, but Solverson still isnt satisfied as neither Nygaard nor Malvo is behind bars. A chance encounter leads Pepper (Key) and Budge (Peele)whose reputations have been sullied and now have a lot to proveto Solverson, who shares her theory of what happened the previous year and gains their trust and support. Meanwhile, Nygaard runs into Malvo in the most unexpected of places and, feeling emboldened by a new life, decides to grow a backbone. Bad move.
Season 2: Episode 1, “Waiting for Dutch” Season 2 takes us back to 1979 with what seems like an entirely new cast of characters, until we meet State Trooper Lou Solverson (Patrick Wilson), the father of Molly, who is a crossover character from Season 1 (where he owns a diner and is played by Keith Carradine). Here, he finds himself in the middle of a war between two crime syndicatesFargos Gerhardt family and a group of badasses (Woodbine and Garrett) from Kansas City. As in the first season, an everyday couplebutcher Ed (Plemons) and hair stylist Peggy Blumquist (Dunst)find themselves in the middle of this war when Peggy accidentally hits the youngest Gerhardt with her car and, rather than call the police, tries to hide the evidence.
Season 2: Episode 6, “Rhinoceros” The Blumquists many bad decisions have come back to haunt them, as Ed has a price put on his head and is nearly killed when his butcher shop burns down. But Peggy, who Sherriff Hank Larsson (Danson) suspects is “a little bit touched,” sees this tragedy as a chance to self-actualize and start a new life. Reality sets in when Ed is arrested, and a couple of Gerhardts show up at her house. Karl Weathers (Offerman), the towns only lawyer, arrives at the police station (barely standing) to help Ed out, but it turns into a standoff with the Gerhardts demanding the return of their man, and that Ed be sacrificed.
Season 2: Episode 8, “Loplop” Having captured the leader of the Gerhardt gang, Peggy seems to be adjustingand even enjoyinglife on the run, with a hostage in tow. But, much to Eds dismay, the Gerhardts dont seem all that concerned with getting their man back, so he makes a call to the Kansas City guys to see what he can do. At the same time, the police are on their trail.
Season 2: Episode 10, “Palindrome” One wouldnt necessarily say that either season of Fargo ends on a “happy” note, but after much bloodshedand at least one UFO sightingthe war between the two crime factions seems to have come to an end. And Solverson can come home to his wife, Betsy (Cristin Milioti, who is wonderful) and daughter Molly (here played by Raven Stewart) and contemplate the future. The one that, if you watched Season 1, you already know.
Why You Should Binge: With so many popular series currently in their tenth or more season (see: The Simpsons, Greys Anatomy, The Big Bang Theory), its nice to be reminded that economy can be a good thing. The TV-watching world is catching on to that, as anthology series like American Horror Story have been gaining in popularity. Bottom line: Why spend 266 hours watching all of Criminal Minds when you can watch one of televisions very best crime series in less than a week?
Best Scene”Pepper and Budge on the Scene”:
Given the huge cast of characters, plus the various storylines in each season, choosing a “best” scene is damn near impossible. Lorne Malvo transforming into Pastor Frank Peterson when he’s being questioned by the police is what makes Thornton a one-of-a-kind performer. But one of the things that makes Fargo different is the truly innovativeand cinematicapproach it brings to television. Yes, weve heard this “cinematic” argument for many other shows, many of them deserving of what might be the highest compliment. But Fargo takes it to the next level; its regular use of split screen gives the viewer a birds-eye-view on everything thats happening (one camera might show whats happening in the front of a house, while another shows the back) and also provides a visual metaphor for what’s happening in the story (a split in the screen might indicate a fracture in a relationship).
In one of Season 1s most breathtaking moments, what could have been a gore-filled scene instead took a more subtle turn where the violence is heard and fully understood, yet not seen, giving the viewers imagination a workout. Its bookended by the comedic influence of Key and Peeles FBI agents Pepper and Budge, who always seem to get distracted at the very moment their jobs require undivided attention.
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The Takeaway:
Albert Camus was fond of pointing out the absurdity of life, and famously that, “Basically, at the very bottom of life, which seduces us all, there is only absurdity, and more absurdity. And maybe that’s what gives us our joy for living, because the only thing that can defeat absurdity is lucidity.” No, thats not a lazy way of ripping off another writer in an attempt to summarize the seriesbut it could very easily serve as the show’s tagline. In fact, Camus even gets a couple of direct shout-outs in Fargo, including a second season episode titled “The Myth of Sisyphus.” Anyone familiar with that 1942 essay knows that its essentially a metaphor for the futility of life and the lack of control we truly have over what happens to ourselves and the people around us. And that the only way to combat the seeming pointlessness of it all is to embrace whatever challenges come our way and accept them as the path thats been laid out for us.
In the land of Fargo, strange things happen. Bad things happen. Tragedy strikes. There are deaths, and there are births (though the former far outweighs the latter). There are moments of sadness, and laugh-inducing incidents. And through it all, the series enormous cast of characters weather the challenges and persevere (well, the ones who live to tell the story at least), as they move forward and prepare for whatever life has in store for them next. Stated more simply: Thats life.
If You Like Fargo, Youll Love: If you haven’t seen the 1996 Coen brothers’ movie upon which the series is based, that’s your first mistake: Fargo the series perfectly captures the darkly comedic tone of Fargo the movie, which was nominated for seven Oscars (including Best Picture) and won two (for Best Actress and Best Original Screenplay). Its about a sad-sack car salesman who hires some guys to kidnap his wife in order to get some money from his father-in-lawand its small-screen sendup is full of subtle nods and references. (Jos Feliciano, anyone?)
On the small screen, its really not hyperbolic to say that Fargo has sort of created its own genre. Which isnt to say that it doesnt share elements with some other series: Like Breaking Bad, its a look at what happens when seemingly “good” people suddenly find themselves on the other side of the law; the two shows also share a very precise type of pacing where the story unfolds in a way that keeps you guessingand watching. So it stands to reason that it shares a lot of the same characteristics (plus one Bob Odenkirk) with Better Call Saul, too.
For sheer strangeness and creating a world in which anything can happen, Twin Peaks is yet another kindred television spirit.
Read more: https://www.wired.com/2017/02/binge-guide-fargo/
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